How books can open your mind | Lisa Bu

3,208,682 views ใƒป 2013-05-31

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

00:00
Transcriber: Joseph Geni Reviewer: Morton Bast
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ืžืชืจื’ื: Michal Shargil Ben Sira ืžื‘ืงืจ: Ido Dekkers
00:12
So I was trained to become a gymnast
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ืื•ืžื ืชื™ ืœื”ื™ื•ืช ืžืชืขืžืœืช ืงืจืงืข
00:15
for two years in Hunan, China in the 1970s.
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ื‘ืžืฉืš ืฉื ืชื™ื™ื ื‘ื”ื•ื ืืŸ, ืกื™ืŸ, ื‘ืฉื ื•ืช ื”ืฉื‘ืขื™ื.
00:18
When I was in the first grade, the government
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ื›ืฉื”ื™ื™ืชื™ ื‘ื›ื™ืชื” ื', ื”ืžืžืฉืœื”
00:21
wanted to transfer me to a school for athletes,
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ืจืฆืชื” ืœื”ืขื‘ื™ืจ ืื•ืชื™ ืœื‘ื™ืช ืกืคืจ ืœืกืคื•ืจื˜ืื™ื,
00:24
all expenses paid.
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ื›ืœ ื”ื”ื•ืฆืื•ืช ืžืฉื•ืœืžื•ืช.
00:26
But my tiger mother said, "No."
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ืื‘ืœ ื”ืืžื-ื ืžืจ-ืฉืœื™ [ืืžื ืงืฉื•ื—ื”] ืืžืจื”, "ืœื".
00:28
My parents wanted me to become
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ื”ื”ื•ืจื™ื ืฉืœื™ ืจืฆื• ืฉืื”ื™ื”
00:30
an engineer like them.
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ืžื”ื ื“ืกืช ื›ืžื•ื”ื.
00:33
After surviving the Cultural Revolution,
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ืœืื—ืจ ืฉืฉืจื“ื• ืืช ื”ืžื”ืคื›ื” ื”ืชืจื‘ื•ืชื™ืช,
00:35
they firmly believed there's only one sure way to happiness:
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ื”ื ื”ืืžื™ื ื• ื‘ืชื•ืงืฃ ืฉื™ืฉ ืจืง ื“ืจืš ืื—ืช ื‘ื˜ื•ื—ื” ืืœ ื”ืื•ืฉืจ:
00:38
a safe and well-paid job.
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ืขื‘ื•ื“ื” ื‘ื˜ื•ื—ื” ืขื ืฉื›ืจ ื ืื”.
00:41
It is not important if I like the job or not.
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ืœื ื—ืฉื•ื‘ ืื ืื ื™ ืื•ื”ื‘ ืืช ื”ืขื‘ื•ื“ื” ืื• ืœื.
00:44
But my dream was to become a Chinese opera singer.
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ืื‘ืœ ื”ื—ืœื•ื ืฉืœื™ ื”ื™ื” ืœื”ื™ื•ืช ื–ืžืจืช ืื•ืคืจื” ืกื™ื ื™ืช.
00:49
That is me playing my imaginary piano.
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ื–ื• ืื ื™ ืžื ื’ื ืช ืคืกื ืชืจ ื”ื“ืžื™ื•ื ื™ ืฉืœื™.
00:53
An opera singer must start training young
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ื–ืžืจืช ืื•ืคืจื” ื—ื™ื™ื‘ืช ืœื”ืชื—ื™ืœ ืื™ืžื•ื ื™ื ื‘ื’ื™ืœ ืฆืขื™ืจ
00:55
to learn acrobatics,
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ืœืœืžื•ื“ ืืงืจื•ื‘ื˜ื™ืงื”,
00:57
so I tried everything I could to go to opera school.
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ืื– ื ื™ืกื™ืชื™ ืืช ื›ืœ ืฉื™ื›ื•ืœืชื™ ื›ื“ื™ ืœืœื›ืช ืœื‘ื™ืช ื”ืกืคืจ ื”ืื•ืคืจื”.
01:00
I even wrote to the school principal
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ืืคื™ืœื• ื›ืชื‘ืชื™ ืœืžื ื”ืœืช ื‘ื™ืช ื”ืกืคืจ
01:02
and the host of a radio show.
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ื•ืœืžื ื—ื” ืฉืœ ืชื•ื›ื ื™ืช ืจื“ื™ื•.
01:05
But no adults liked the idea.
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ืื‘ืœ ืืฃ ืžื‘ื•ื’ืจ ืœื ืื”ื‘ ืืช ื”ืจืขื™ื•ืŸ.
01:09
No adults believed I was serious.
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ื”ืžื‘ื•ื’ืจื™ื ืœื ื”ืืžื™ื ื• ืฉืื ื™ ืจืฆื™ื ื™ืช.
01:11
Only my friends supported me, but they were kids,
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ืจืง ื”ื—ื‘ืจื™ื ืฉืœื™ ืชืžื›ื• ื‘ื™, ืื‘ืœ ื”ื ื”ื™ื• ื™ืœื“ื™ื,
01:15
just as powerless as I was.
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ื—ืกืจื™ ืื•ื ื™ื ื‘ื“ื™ื•ืง ื›ืžื•ื ื™.
01:17
So at age 15, I knew I was too old to be trained.
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ืื– ื‘ื’ื™ืœ 15, ื™ื“ืขืชื™ ืฉืื ื™ ืžื‘ื•ื’ืจืช ืžื“ื™ ืžื›ื“ื™ ืœื”ืชืืžืŸ.
01:23
My dream would never come true.
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ื•ืฉื”ื—ืœื•ื ืฉืœื™ ืœืขื•ืœื ืœื ื™ืชื’ืฉื.
01:26
I was afraid that for the rest of my life
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ืคื—ื“ืชื™ ื›ื™ ืœืžืฉืš ืฉืืจื™ืช ื—ื™ื™
01:29
some second-class happiness
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ืจืง ืื•ืฉืจ ืžื“ืจื’ื” ืฉื ื™ื™ื”
01:31
would be the best I could hope for.
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ื™ื”ื™ื” ื”ื˜ื•ื‘ ื‘ื™ื•ืชืจ ืฉืื•ื›ืœ ืœืงื•ื•ืช ืœื•.
01:34
But that's so unfair.
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ืื‘ืœ ื–ื” ื›ืœ ื›ืš ืœื ื”ื•ื’ืŸ.
01:36
So I was determined to find another calling.
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ืื– ื”ื™ื™ืชื™ ื ื—ื•ืฉื” ื‘ื“ืขืชื™ ืœืžืฆื•ื ืžืฉื”ื• ืื—ืจ.
01:40
Nobody around to teach me? Fine.
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ืื™ืŸ ืืฃ ืื—ื“ ืžืกื‘ื™ื‘ ื›ื“ื™ ืœืœืžื“ ืื•ืชื™? ื‘ืกื“ืจ.
01:43
I turned to books.
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ืคื ื™ืชื™ ืœืกืคืจื™ื.
01:45
I satisfied my hunger for parental advice
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ืื ื™ ื”ืฉื‘ืขืชื™ ืืช ื”ืจืขื‘ ืฉืœื™ ืœืงื‘ืœืช ื™ื™ืขื•ืฅ ื”ื•ืจื™
01:49
from this book by a family of writers and musicians.["Correspondence in the Family of Fou Lei"]
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ืžืชื•ืš ื”ืกืคืจ ื”ื–ื” ืขืœ ืžืฉืคื—ื” ืฉืœ ืกื•ืคืจื™ื ื•ืžื•ืกื™ืงืื™ื.["ื”ืชื›ืชื‘ื•ืช ื‘ืžืฉืคื—ื” ืฉืœ ืคื• ืœื™ื™"]
01:54
I found my role model of an independent woman
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ืžืฆืืชื™ ืืช ื”ืžื•ื“ืœ ืฉืœื™ ืœื—ื™ืงื•ื™ ืฉืœ ืื™ืฉื” ืขืฆืžืื™ืช
01:57
when Confucian tradition requires obedience.["Jane Eyre"]
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ื‘ื–ืžืŸ ืฉื”ืžืกื•ืจืช ื”ืงื•ื ืคื•ืฆื™ืื ื™ืช ื“ื•ืจืฉืช ืฆื™ื•ืช.["ื’'ื™ื™ืŸ ืื™ื™ืจ"]
02:01
And I learned to be efficient from this book.["Cheaper by the Dozen"]
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ื•ืœืžื“ืชื™ ืœื”ื™ื•ืช ื™ืขื™ืœื” ืžื”ืกืคืจ ื”ื–ื”. ["ืชืจื™ืกืจ - ื–ื” ื™ื•ืชืจ ื–ื•ืœ"]
02:04
And I was inspired to study abroad after reading these.
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ื”ืชืžืœืืชื™ ื”ืฉืจืื” ืœืœืžื•ื“ ื‘ื—ื•"ืœ ืœืื—ืจ ืงืจื™ืืช ืืœื”.
02:08
["Complete Works of Sanmao" (aka Echo Chan)] ["Lessons From History" by Nan Huaijin]
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["ื”ืขื‘ื•ื“ื” ื”ืฉืœืžื” ืฉืœ ืกื ืžืื•" (ื™ื“ื•ืข ื’ื ื›'ืืงื• ืฆ'ืืŸ')] ["ืฉื™ืขื•ืจื™ื ืžื”ื”ื™ืกื˜ื•ืจื™ื”" ืฉืœ ื ืืŸ ื”ื•ืื’'ื™ืŸ]
02:10
I came to the U.S. in 1995,
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ื”ื’ืขืชื™ ืœืืจื”"ื‘ ื‘ืฉื ืช 1995,
02:14
so which books did I read here first?
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ืื– ืื™ืœื• ืกืคืจื™ื ืงืจืืชื™ ื‘ืืจื”"ื‘ ื‘ื”ืชื—ืœื”?
02:16
Books banned in China, of course.
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ืกืคืจื™ื ืฉื”ื™ื• ืืกื•ืจื™ื ื‘ืกื™ืŸ, ื›ืžื•ื‘ืŸ.
02:20
"The Good Earth" is about Chinese peasant life.
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"ื”ืื“ืžื” ื”ื˜ื•ื‘ื”" ืกืคืจ ืขืœ ื—ื™ื™ ื”ืื™ื›ืจื™ื ื”ืกื™ื ื™ื™ื.
02:24
That's just not convenient for propaganda. Got it.
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ื–ื” ืคืฉื•ื˜ ืœื ื ื•ื— ืœืชืขืžื•ืœื”. ื”ื‘ื ืชื™.
02:28
The Bible is interesting, but strange.
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ื”ืชื "ืš ืžืขื ื™ื™ืŸ, ืื‘ืœ ืžื•ื–ืจ.
02:31
(Laughter)
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(ืฆื—ื•ืง)
02:34
That's a topic for a different day.
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ื–ื”ื• ื ื•ืฉื ืœื™ื•ื ืื—ืจ.
02:37
But the fifth commandment gave me an epiphany:
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ืื‘ืœ ื”ื“ื™ื‘ืจ ื”ื—ืžื™ืฉื™ ืœื™ ื”ืชื’ืœื•ืช:
02:41
"You shall honor your father and mother."
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"ื›ื‘ื“ ืืช ืื‘ื™ืš ื•ืืช ืืžืš."
02:44
"Honor," I said. "That's so different,
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"ื›ื‘ื•ื“", ืืžืจืชื™. "ื–ื” ื›ืœ ื›ืš ืฉื•ื ื”,
02:47
and better, than obey."
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ื•ื˜ื•ื‘ ื™ื•ืชืจ ืžืฆื™ื•ืช."
02:48
So it becomes my tool to climb out
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ืื– ื–ื” ื”ืคืš ืœื›ืœื™ ืฉืขื–ืจ ืœื™ ืœื˜ืคืก ื”ื—ื•ืฆื”
02:51
of this Confucian guilt trap
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ืžื”ืžืœื›ื•ื“ืช ื”ืงื•ื ืคื•ืฆื™ืื ื™ืช ื”ื–ืืช ืฉืœ ื”ืืฉืžื”
02:53
and to restart my relationship with my parents.
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ื•ืœื”ืชื ื™ืข ืžื—ื“ืฉ ืืช ืžืขืจื›ืช ื”ื™ื—ืกื™ื ืฉืœื™ ืขื ื”ื•ืจื™.
02:57
Encountering a new culture also started my habit
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ื”ืžืคื’ืฉ ืขื ืชืจื‘ื•ืช ื—ื“ืฉื” ื’ื ื”ืชื ื™ืข ืืฆืœื™ ื”ืจื’ืœ
03:00
of comparative reading.
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ืฉืœ ืงืจื™ืื” ื”ืฉื•ื•ืืชื™ืช.
03:02
It offers many insights.
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ื”ืžืฆื™ืขื” ืชื•ื‘ื ื•ืช ืจื‘ื•ืช.
03:04
For example, I found this map out of place at first
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ืœื“ื•ื’ืžื”, ื‘ื”ืชื—ืœื”, ืื ื™ ืžืฆืืชื™ ืืช ื”ืžืคื” ื”ื–ื• ืžืžืฉ ืœื ื‘ืžืงื•ื
03:09
because this is what Chinese students grew up with.
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ื›ื™ ื–ื” ืžื” ืฉืกื˜ื•ื“ื ื˜ื™ื ืกื™ื ื™ื™ื ื’ื“ืœื™ื ืื™ืชื•.
03:14
It had never occurred to me,
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ืžืขื•ืœื ืœื ืขืœื” ื‘ื“ืขืชื™,
03:15
China doesn't have to be at the center of the world.
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ืฉืกื™ืŸ ืœื ื—ื™ื™ื‘ืช ืœื”ื™ื•ืช ื‘ืžืจื›ื– ื”ืขื•ืœื.
03:18
A map actually carries somebody's view.
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ื•ืฉื”ืžืคื” ืœืžืขืฉื” ืžื‘ื˜ืืช ื–ื•ื•ื™ืช ืจืื™ื™ื” ืฉืœ ืžื™ืฉื”ื•.
03:22
Comparative reading actually is nothing new.
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ืงืจื™ืื” ื”ืฉื•ื•ืืชื™ืช ืœืžืขืฉื” ืื™ื ื” ื“ื‘ืจ ื—ื“ืฉ.
03:25
It's a standard practice in the academic world.
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ื–ื•ื”ื™ ืคืจืงื˜ื™ืงื” ืกื˜ื ื“ืจื˜ื™ืช ื‘ืขื•ืœื ื”ืืงื“ืžื™.
03:28
There are even research fields
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ื™ืฉ ืืคื™ืœื• ืชื—ื•ืžื™ ืžื—ืงืจ
03:30
such as comparative religion and comparative literature.
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ื›ืžื• ื”ืฉื•ื•ืื” ื“ืชื™ืช ื•ื”ืฉื•ื•ืื” ืกืคืจื•ืชื™ืช.
03:34
Compare and contrast gives scholars
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ื”ืฉื•ื•ืื” ื•ื ื™ื’ื•ื“ื™ื ื ื•ืชื ื™ื ืœื—ื•ืงืจื™ื
03:36
a more complete understanding of a topic.
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ื”ื‘ื ื” ืžืœืื” ื™ื•ืชืจ ืฉืœ ื ื•ืฉื.
03:39
So I thought, well, if comparative reading
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ืื– ื—ืฉื‘ืชื™, ื˜ื•ื‘, ืื ืงืจื™ืื” ื”ืฉื•ื•ืืชื™ืช
03:41
works for research, why not do it in daily life too?
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ืขื‘ื•ื“ืช ืขื‘ื•ืจ ื”ืžื—ืงืจ, ืœืžื” ืœื ืœืขืฉื•ืช ืืช ื–ื” ื’ื ื‘ื—ื™ื™ ื”ื™ื•ืžื™ื•ื?
03:44
So I started reading books in pairs.
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ืื– ื”ืชื—ืœืชื™ ืœืงืจื•ื ืกืคืจื™ื ื‘ื–ื•ื’ื•ืช.
03:48
So they can be about people --
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ื”ื ื™ื›ื•ืœื™ื ืœื”ื™ื•ืช ืขืœ ืื ืฉื™ื -
03:49
["Benjamin Franklin" by Walter Isaacson]["John Adams" by David McCullough] --
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["ื‘ื ื’'ืžื™ืŸ ืคืจื ืงืœื™ืŸ" ืžืืช ื•ื•ืœื˜ืจ ืื™ื–ืงืกื•ืŸ] ["ื’'ื•ืŸ ืื“ืžืก" ืžืืช ื“ื™ื•ื•ื™ื“ ืžืง'ืงืœืื•] -
03:50
who are involved in the same event,
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ื”ืžืขื•ืจื‘ื™ื ื‘ืื•ืชื• ืื™ืจื•ืข
03:52
or friends with shared experiences.
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ืื• ื—ื‘ืจื™ื ืขื ื—ื•ื•ื™ื•ืช ืžืฉื•ืชืคื•ืช.
03:55
["Personal History" by Katharine Graham]["The Snowball: Warren Buffett and the Business of Life," by Alice Schroeder]
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["ื”ื™ืกื˜ื•ืจื™ื” ืคืจื˜ื™ืช" ืžืืช ืงืชืจื™ืŸ ื’ืจืื”ื] ["ื›ื“ื•ืจ ื”ืฉืœื’: ื•ื•ืจืŸ ื‘ืืคื˜ ื•ืขืกืงื™ ื”ื—ื™ื™ื," ืžืืช ืืœื™ืก ืฉืจื“ืจ]
03:56
I also compare the same stories in different genres -- (Laughter)
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ืื ื™ ื’ื ื”ืฉื•ื•ื™ืชื™ ืืช ืื•ืชื ื”ืกื™ืคื•ืจื™ื ื‘ื–'ืื ืจื™ื ืฉื•ื ื™ื -- (ืฆื—ื•ืง)
04:01
[Holy Bible: King James Version]["Lamb" by Chrisopher Moore] --
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[ื›ืชื‘ื™ ื”ืงื•ื“ืฉ: ื‘ื’ื™ืจืกืช ื”ืžืœืš ื’'ื™ื™ืžืก] ["ื›ื‘ืฉ" ืžืืช ื›ืจื™ืกื˜ื•ืคืจ ืžื•ืจ] --
04:03
or similar stories from different cultures,
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ืื• ืกื™ืคื•ืจื™ื ื“ื•ืžื™ื ืžืชืจื‘ื•ื™ื•ืช ืฉื•ื ื•ืช,
04:06
as Joseph Campbell did in his wonderful book.["The Power of Myth" by Joseph Campbell]
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ื›ืžื• ืฉื’'ื•ื–ืฃ ืงืžืคื‘ืœ ืขืฉื” ื‘ืกืคืจื• ื”ื ืคืœื. ["ื›ื•ื—ื• ืฉืœ ืžื™ืชื•ืก" ืžืืช ื’'ื•ื–ืฃ ืงืžื‘ืœ]
04:09
For example, both the Christ and the Buddha
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ืœื“ื•ื’ืžื”, ื’ื ื™ืฉื• ื•ื’ื ื‘ื•ื“ื”ื”
04:12
went through three temptations.
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ืขื‘ืจื• ื“ืจืš ืฉืœื•ืฉื” ื”ืคื™ืชื•ื™ื™ื.
04:15
For the Christ, the temptations
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ืขื‘ื•ืจ ื™ืฉื•, ื”ืคื™ืชื•ื™ื™ื
04:17
are economic, political and spiritual.
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ื”ื ื›ืœื›ืœื™, ืคื•ืœื™ื˜ื™ ื•ืจื•ื—ื ื™.
04:21
For the Buddha, they are all psychological:
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ืขื‘ื•ืจ ื‘ื•ื“ื”ื”, ื”ื ื›ื•ืœื ืคืกื™ื›ื•ืœื•ื’ื™ื™ื:
04:25
lust, fear and social duty -- interesting.
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ืชืื•ื•ื”, ืคื—ื“, ื•ื—ื•ื‘ื” ื—ื‘ืจืชื™ืช - ืžืขื ื™ื™ืŸ.
04:32
So if you know a foreign language, it's also fun
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ืื ืืชื” ื™ื•ื“ืข ืฉืคื” ื–ืจื”, ื–ื” ื’ื ื›ื™ืฃ
04:35
to read your favorite books in two languages.
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ืœืงืจื•ื ืืช ื”ืกืคืจื™ื ื”ืื”ื•ื‘ื™ื ืขืœื™ืš ื‘ืฉืชื™ ืฉืคื•ืช.
04:37
["The Way of Chuang Tzu" Thomas Merton]["Tao: The Watercourse Way" Alan Watts]
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["ื”ื“ืจืš ืฉืœ ืฆ'ื•ืื ื’ ืฆื•" ืžืืช ืชื•ืžืก ืžืจื˜ื•ืŸ] ["ื“ืื•: ื“ืจืš ื”ื ื”ืจ" ืžืืช ืืœืŸ ื•ื•ื˜ืก]
04:38
Instead of lost in translation, I found there is much to gain.
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ื‘ืžืงื•ื ืœืœื›ืช ืœืื™ื‘ื•ื“ ื‘ืชืจื’ื•ื, ืžืฆืืชื™ ืฉื™ืฉ ื”ืจื‘ื” ืœื”ืจื•ื•ื™ื—.
04:42
For example, it's through translation that I realized
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ืœื“ื•ื’ืžื”, ืจืง ื“ืจืš ื”ืชืจื’ื•ื ื”ื‘ื ืชื™
04:46
"happiness" in Chinese literally means "fast joy." Huh!
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"ืื•ืฉืจ" ืคืฉื•ื˜ื• ื›ืžืฉืžืขื• ื‘ืกื™ื ื™ืช "ืฉืžื—ื” ืžื”ื™ืจื”." ื”ื!
04:52
"Bride" in Chinese literally means "new mother." Uh-oh.
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"ื›ืœื”" ื‘ืกื™ื ื™ืช ืคืฉื•ื˜ื• ื›ืžืฉืžืขื• "ืืžื ื—ื“ืฉื”." ืื”-ืื”.
04:57
(Laughter)
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(ืฆื—ื•ืง)
05:01
Books have given me a magic portal to connect with people
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ืกืคืจื™ื ื ืชื ื• ืœื™ ืคื•ืจื˜ืœ ืงืกื•ื ืœื”ืชื—ื‘ืจ ืขื ืื ืฉื™ื
05:06
of the past and the present.
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ืžื”ืขื‘ืจ ื•ืžืŸ ื”ื”ื•ื•ื”.
05:09
I know I shall never feel lonely or powerless again.
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ืื ื™ ื™ื•ื“ืขืช ืฉืื ื™ ืœืขื•ืœื ืœื ืืจื’ื™ืฉ ื‘ื•ื“ื“ื” ืื• ื—ืกืจืช ืื•ื ื™ื ืฉื•ื‘.
05:13
Having a dream shattered really is nothing
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ื›ืฉื™ืฉ ืœืš ื—ืœื•ื ืฉื”ืชื ืคืฅ ื–ื” ื‘ืืžืช ื›ืœื•ื
05:16
compared to what many others have suffered.
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ื‘ื”ืฉื•ื•ืื” ืœืžื” ืฉืจื‘ื™ื ืื—ืจื™ื ืกื‘ืœื•.
05:19
I have come to believe that coming true
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ื”ื’ืขืชื™ ืœืืžื•ื ื” ืฉื”ื”ื’ืฉืžื”
05:21
is not the only purpose of a dream.
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ื”ื™ื ืœื ื”ืžื˜ืจื” ื”ื™ื—ื™ื“ื” ืฉืœ ื—ืœื•ื.
05:25
Its most important purpose is to get us in touch
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ืžื˜ืจืชื• ื”ื—ืฉื•ื‘ื” ื‘ื™ื•ืชืจ ื”ื™ื ืœื—ื‘ืจ ืื•ืชื ื•
05:29
with where dreams come from,
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ืขื ื”ืžืงื•ื ืžืžื ื• ืžื’ื™ืขื™ื ื”ื—ืœื•ืžื•ืช,
05:31
where passion comes from, where happiness comes from.
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ืžืื™ืคื” ืฉื”ืชืฉื•ืงื” ืžื’ื™ืขื”, ืžื”ืžืงื•ื ืฉืžืžื ื• ืžื’ื™ืข ื”ืื•ืฉืจ.
05:34
Even a shattered dream can do that for you.
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ื’ื ื—ืœื•ื ืฉื”ืชื ืคืฅ ื™ื›ื•ืœ ืœืขืฉื•ืช ื–ืืช ืขื‘ื•ืจืš.
05:38
So because of books, I'm here today,
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ืื– ื‘ื–ื›ื•ืช ืกืคืจื™ื, ืื ื™ ื›ืืŸ ื”ื™ื•ื,
05:40
happy, living again with a purpose and a clarity,
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ืฉืžื—ื”, ื—ื™ื” ืฉื•ื‘ ืขื ืžื˜ืจื” ื•ื‘ื”ื™ืจื•ืช,
05:44
most of the time.
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ืจื•ื‘ ื”ื–ืžืŸ.
05:45
So may books be always with you.
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ืื– ื”ืœื•ื•ืื™ ื•ืกืคืจื™ื ื™ื”ื™ื• ืื™ืชื›ื ืชืžื™ื“.
05:49
Thank you.
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ืชื•ื“ื” ืœื›ื.
05:50
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
05:52
Thank you. (Applause)
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ืชื•ื“ื”. (ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
05:56
Thank you. (Applause)
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ืชื•ื“ื” ืจื‘ื”. (ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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