Paolo Cardini: Forget multitasking, try monotasking

370,338 views ใƒป 2012-11-30

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

00:00
Translator: Joseph Geni Reviewer: Thu-Huong Ha
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ืžืชืจื’ื: Zeeva Livshitz ืžื‘ืงืจ: Sigal Tifferet
00:15
I'm a designer and an educator.
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ืื ื™ ืžืขืฆื‘ ื•ืื™ืฉ ื—ื™ื ื•ืš.
00:18
I'm a multitasking person, and I push my students
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ืื ื™ ืื“ื ืฉืœ ืจื™ื‘ื•ื™-ืžืฉื™ืžื•ืช, ื•ืื ื™ ื“ื•ื—ืง ื‘ืชืœืžื™ื“ื™
00:21
to fly through a very creative, multitasking design process.
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ืœืขืฆื‘ ื‘ืžื”ื™ืจื•ืช, ื‘ืชื”ืœื™ืš ื™ืฆื™ืจืชื™ ื•ืจื‘-ืžืฉื™ืžืชื™ ืžืื“.
00:27
But how efficient is, really, this multitasking?
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ืื‘ืœ ื›ืžื” ื‘ืืžืช ื™ืขื™ืœ ื”ื•ื ืจื™ื‘ื•ื™-ื”ืžืฉื™ืžื•ืช ื”ื–ื”?
00:32
Let's consider for a while the option of monotasking.
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ื‘ื•ืื• ื•ื ืฉืงื•ืœ ืœืจื’ืข ืืช ืื•ืคืฆื™ื™ืช ื”ื—ื“-ืžืฉื™ืžืชื™ื•ืช.
00:38
A couple of examples.
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ืžืกืคืจ ื“ื•ื’ืžืื•ืช. -"ืœื‘ืฉืœ-ืœื˜ืœืคืŸ-ืžืกืจื•ื ื™ื-ื“ื•ืืœ-ืžื ื’ืœ"-
00:41
Look at that.
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ื”ื‘ื™ื˜ื• ื‘ื–ื”.
00:42
This is my multitasking activity result. (Laughter)
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ื–ืืช ืชื•ืฆืื” ืฉืœ ืคืขื™ืœื•ืช ื‘ืจื™ื‘ื•ื™-ืžืฉื™ืžื•ืช. [ืฆื—ื•ืง]
00:46
So trying to cook, answering the phone, writing SMS,
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ืœื ืกื•ืช ืœื‘ืฉืœ, ืœืขื ื•ืช ืœื˜ืœืคื•ืŸ, ืœืฉืœื•ื— ืžืกืจื•ืŸ,
00:49
and maybe uploading some pictures
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ื•ืื•ืœื™ ื’ื ืœื”ืขืœื•ืช ื›ืžื” ืชืžื•ื ื•ืช
00:52
about this awesome barbecue.
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ืฉืœ ื”ืžื ื’ืœ ื”ืžืจืฉื™ื ื”ื–ื”.
00:55
So someone tells us the story about supertaskers,
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ืžืกืคืจื™ื ืœื ื• ืขืœ ืืฉืคื™ ืจื™ื‘ื•ื™-ืžืฉื™ืžื•ืช,
00:59
so this two percent of people who are able
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ืืœื” 2 ืื—ื•ื–ื™ื ืžื”ืื ืฉื™ื ืฉืžืกื•ื’ืœื™ื
01:03
to control multitasking environment.
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ืœืฉืœื•ื˜ ื‘ืกื‘ื™ื‘ื” ืฉืœ ืจื™ื‘ื•ื™-ืžืฉื™ืžื•ืช.
01:07
But what about ourselves, and what about our reality?
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ืื‘ืœ ืžื” ืื™ืชื ื•, ื•ืžื” ืขื ื”ืžืฆื™ืื•ืช ืฉืœื ื•?
01:11
When's the last time you really enjoyed
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ืžืชื™ ื‘ืคืขื ื”ืื—ืจื•ื ื” ื ื”ื ื™ืชื
01:14
just the voice of your friend?
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ืจืง ืœื”ืงืฉื™ื‘ ืœืงื•ืœื• ืฉืœ ื—ื‘ืจ?
01:17
So this is a project I'm working on,
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ื–ื”ื• ื”ืžื™ื–ื ืฉืื ื™ ืขื•ื‘ื“ ืขืœื™ื•, -"ืžื•ื ื•ืคื•ืŸ"-
01:20
and this is a series of front covers
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ื•ื–ืืช ืกื“ืจื” ืฉืœ ื›ื™ืกื•ื™ื™ื ืงื“ืžื™ื™ื
01:25
to downgrade our super, hyper โ€”
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ืฉื ื•ืขื“ื• ืœืคืฉื˜ ืืช ื”ื ื™ื™ื“ื™ื ื”ืกื•ืคืจ- ื”ื™ืคืจ- --
01:30
(Laughter) (Applause)
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[ืฆื—ื•ืง] [ืžื—ื™ืื•ืช ื›ืคื™ื™ื]
01:35
to downgrade our super, hyper-mobile phones
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ืœืคืฉื˜ ืืช ื”ื˜ืœืคื•ื ื™ื ื”ื ื™ื™ื“ื™ื ื”ืกื•ืคืจ-ืžืชืงื“ืžื™ื ืฉืœื ื•
01:38
into the essence of their function.
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ืœืชืคืงื™ื“ื™ื”ื ื”ืžื”ื•ืชื™ื™ื.
01:41
Another example: Have you ever been to Venice?
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ื“ื•ื’ืžื ื ื•ืกืคืช: ื”ืื ื‘ื™ืงืจืชื ืื™ ืคืขื ื‘ื•ื•ื ืฆื™ื”?
01:43
How beautiful it is to lose ourselves in these little streets
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ื›ืžื” ื™ืคื” ืœืœื›ืช ืœืื™ื‘ื•ื“ ื‘ืกืžื˜ืื•ืช ื”ืงื˜ื ื•ืช ื”ืืœื”
01:48
on the island.
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ืฉื‘ืื™.
01:50
But our multitasking reality is pretty different,
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ืื‘ืœ ืžืฆื™ืื•ืช ืจื™ื‘ื•ื™-ื”ืžืฉื™ืžื•ืช ืฉืœื ื• ืฉื•ื ื” ื‘ืชื›ืœื™ืช,
01:54
and full of tons of information.
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ื•ืžืœืื” ื‘ื˜ื•ื ื•ืช ืฉืœ ืžื™ื“ืข.
01:58
So what about something like that
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ืื– ืžื” ื“ืขืชื›ื ืขืœ ืžืฉื”ื• ื›ื–ื” -"ืžื•ื ื•-ืžืฆืคืŸ"-
02:00
to rediscover our sense of adventure?
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ื›ื“ื™ ืœื’ืœื•ืช ืžื—ื“ืฉ ืืช ื—ื•ืฉ ื”ื”ืจืคืชืงื” ืฉืœื ื•?
02:05
I know that it could sound pretty weird to speak about mono
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ืื ื™ ื™ื•ื“ืข ืฉืื•ืœื™ ื ืฉืžืข ืžื•ื–ืจ ืœืžื“ื™ ืœื“ื‘ืจ ืขืœ "ืžื•ื ื•",
02:08
when the number of possibilities is so huge,
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ื›ืฉืžืกืคืจ ื”ืืคืฉืจื•ื™ื•ืช ื”ื•ื ื›ืœ-ื›ืš ืขืฆื•ื, -"ื›-950,000 ื™ื™ืฉื•ืžื•ื ื™ื ื–ืžื™ื ื™ื"-
02:12
but I push you to consider the option of
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ืื‘ืœ ืื ื™ ื“ื•ื—ืง ื‘ื›ื ืœืฉืงื•ืœ ืืช ื”ืื•ืคืฆื™ื” -"ืžื•ื ื•-ืžืฆืœืžื”"-
02:17
focusing on just one task,
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ืฉืœ ื”ื”ืชืžืงื“ื•ืช ื‘ืžืฉื™ืžื” ืื—ืช ื‘ืœื‘ื“,
02:20
or maybe turning your digital senses totally off.
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ื•ืื•ืœื™ ืœื›ื‘ื•ืช ืœื’ืžืจื™ ืืช ื”ื—ื•ืฉื™ื ื”ื“ื™ื’ื™ื˜ืœื™ื™ื ืฉืœื›ื.
02:26
So nowadays, everyone could produce his mono product.
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ื›ื™ื•ื, ื›ืœ ืื—ื“ ื™ื›ื•ืœ ืœื™ื™ืฆืจ ืืช ื”ืžื•ืฆืจ ื”ื—ื“-ืžืฉื™ืžืชื™ ืฉืœื•.
02:32
Why not? So find your monotask spot
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ืœืžื” ืœื? ืžื™ืฆืื• ืืช ืื–ื•ืจ ื”ื—ื“-ืžืฉื™ืžืชื™ื•ืช ืฉืœื›ื
02:36
within the multitasking world.
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ื‘ืชื•ืš ืขื•ืœื ืจื™ื‘ื•ื™-ื”ืžืฉื™ืžื•ืช.
02:38
Thank you.
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ืชื•ื“ื”.
02:40
(Applause)
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[ืžื—ื™ืื•ืช ื›ืคื™ื™ื]
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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