Before I die I want to... | Candy Chang

709,252 views ใƒป 2012-09-04

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

00:00
Translator: Joseph Geni Reviewer: Morton Bast
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ืžืชืจื’ื: Mark Freehoff ืžื‘ืงืจ: Ido Dekkers
ื™ืฉ ื“ืจื›ื™ื ืจื‘ื•ืช ืฉื”ืื ืฉื™ื ื”ืกื•ื‘ื‘ื™ื ืื•ืชื ื•
00:16
There are a lot of ways the people around us
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00:19
can help improve our lives.
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ื™ื›ื•ืœื™ื ืœืฉืคืจ ืืช ื—ื™ื™ื ื•.
00:21
We don't bump into every neighbor,
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ื“ืจื›ื™ื ื• ืœื ืžืคื’ื™ืฉื•ืช ืชืžื™ื“ ื‘ื™ื ื™ื ื• ืœื‘ื™ืŸ ืฉื›ื ื™ื ื•,
00:23
so a lot of wisdom never gets passed on,
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ื›ืš ืฉื—ื•ื›ืžืช ื—ื™ื™ื ืจื‘ื” ืื™ื ื” ืžื•ืขื‘ืจืช ,
00:26
though we do share the same public spaces.
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ืœืžืจื•ืช ืฉืื ื—ื ื• ื›ืŸ ื—ื•ืœืงื™ื ืืช ืื•ืชื ืฉื˜ื—ื™ื ืฆื™ื‘ื•ืจื™ื™ื.
00:29
So over the past few years, I've tried ways to share more
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ื•ืœื›ืŸ ื‘ืฉื ื™ื ื”ืื—ืจื•ื ื•ืช, ื ื™ืกื™ืชื™ ื“ืจื›ื™ื ืœื—ืœื•ืง ื™ื•ืชืจ
00:32
with my neighbors in public space,
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ืขื ื”ืฉื›ื ื™ื ืฉืœื™ ื‘ืฉื˜ื—ื™ื ืฆื™ื‘ื•ืจื™ื™ื,
00:34
using simple tools like stickers, stencils and chalk.
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ืชื•ืš ืฉื™ืžื•ืฉ ื‘ื›ืœื™ื ืคืฉื•ื˜ื™ื ื›ืžื“ื‘ืงื•ืช, ืฉื‘ืœื•ื ื•ืช ื•ื’ื™ืจื™ื.
ื•ื”ืžื™ื–ืžื™ื ื”ืืœื• ื ื‘ืขื• ืžืฉืืœื•ืช ืฉื”ื™ื• ืœื™, ื›ื’ื•ืŸ,
00:38
And these projects came from questions I had, like:
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ื›ืžื” ืฉื›ื ื™ื™ ืžืฉืœืžื™ื ืขื‘ื•ืจ ื”ื“ื™ืจื•ืช ืฉืœื”ื?
00:41
How much are my neighbors paying for their apartments?
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00:44
(Laughter)
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(ืฆื—ื•ืง) ื›ื™ืฆื“ ื ื•ื›ืœ ืœื”ืฉืื™ืœ ื•ืœืฉืื•ืœ ื™ื•ืชืจ ื“ื‘ืจื™ื
00:45
How can we lend and borrow more things,
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00:47
without knocking on each other's doors at a bad time?
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ืžื‘ืœื™ ืœื“ืคื•ืง ื”ืื—ื“ ืขืœ ื“ืœืชื•ืช ื”ืฉื ื™ ื‘ื–ืžืŸ ืœื ืžืชืื™ื?
00:51
How can we share more memories of our abandoned buildings,
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ื›ื™ืฆื“ ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœื—ืœื•ืง ื™ื•ืชืจ ืžื”ื–ื›ืจื•ื ื•ืช ืฉืœื ื•
ืžื”ื‘ืชื™ื ื”ื ื˜ื•ืฉื™ื ืฉืœื ื•,
00:56
and gain a better understanding of our landscape?
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ื•ืœื–ื›ื•ืช ื‘ื”ื‘ื ื” ื˜ื•ื‘ื” ื™ื•ืชืจ ืฉืœ ื”ื ื•ืฃ ืฉืœื ื•?
00:59
How can we share more of our hopes for our vacant storefronts,
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ื•ื›ื™ืฆื“ ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœื—ืœื•ืง ื™ื•ืชืจ ืžื”ืชืงื•ื•ืช ืฉืœื ื•
ืขื‘ื•ืจ ื—ื–ื™ืชื•ืช ื”ื—ื ื•ื™ื•ืช ื”ืจื™ืงื•ืช ืฉืœื ื•, ื›ืš ืฉื”ืงื”ื™ืœื•ืช ืฉืœื ื•
01:04
so our communities can reflect our needs and dreams today?
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ื™ื•ื›ืœื• ืœืฉืงืฃ ืืช ื”ืฆืจื›ื™ื ื•ื”ื—ืœื•ืžื•ืช ืฉืœ ื”ื™ื•ื?
ื›ืขืช, ืื ื™ ื—ื™ื” ื‘ื ื™ื• ืื•ืจืœื™ื ืก,
01:10
Now, I live in New Orleans,
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01:11
and I am in love with New Orleans.
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ื•ืื ื™ ืžืื•ื”ื‘ืช ื‘ื ื™ื• ืื•ืจืœื™ื ืก.
01:14
My soul is always soothed by the giant live oak trees,
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ื”ื ืฉืžื” ืฉืœื™ ืชืžื™ื“ ืžื•ืฆืืช ืžืจื’ื•ืข ืœืฆื“ ืขืฆื™ ื”ืืœื•ืŸ ื”ืขื ืงื™ื™ื,
ื”ืžืฆืœื™ื ืื•ื”ื‘ื™ื, ืฉื™ื›ื•ืจื™ื ื•ื—ื•ืœืžื™ื
01:19
shading lovers, drunks and dreamers for hundreds of years,
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ื‘ืžืฉืš ืžืื•ืช ืฉื ื™ื, ื•ืื ื™ ื‘ื•ื˜ื—ืช ื‘ืขื™ืจ
01:23
and I trust a city that always makes way for music.
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ืฉืชืžื™ื“ ืขื•ืฉื” ืžืงื•ื ืœืžื•ื–ื™ืงื”. (ืฆื—ื•ืง)
01:26
I feel like every time someone sneezes,
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ืื ื™ ืžืจื’ื™ืฉื” ื›ืื™ืœื• ื‘ื›ืœ ืคืขื ืฉืื“ื ืžืชืขื˜ืฉ,
01:29
New Orleans has a parade.
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ื ื™ื• ืื•ืจืœื™ื ืก ืขื•ืจื›ืช ืžืฆืขื“. (ืฆื—ื•ืง)
01:30
(Laughter)
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01:31
The city has some of the most beautiful architecture in the world,
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ืœืขื™ืจ ื™ืฉ ืืจื›ื™ื˜ืงื˜ื•ืจื” ืžื”ื™ืคื•ืช
ื‘ืขื•ืœื, ืืš ื’ื ื›ืžื•ืช ืžื”ื’ื“ื•ืœื•ืช
01:35
but it also has one of the highest amounts of abandoned properties in America.
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ืฉืœ ืžื‘ื ื™ื ื ื˜ื•ืฉื™ื ื‘ืืžืจื™ืงื”.
ืื ื™ ื’ืจื” ื‘ืงืจื‘ืช ื‘ื ื™ื™ืŸ ื–ื”, ื•ื—ืฉื‘ืชื™ ืœื™ ืื™ืš ืื•ื›ืœ
01:40
I live near this house,
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01:41
and I thought about how I could make it a nicer space for my neighborhood,
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ืœืขืฉื•ืช ืื•ืชื• ืœืžืงื•ื ื ืขื™ื ื™ื•ืชืจ ืœืฉื›ื•ื ื” ืฉืœื™,
ื•ื’ื ื—ืฉื‘ืชื™ ืขืœ ืžืฉื”ื•
01:45
and I also thought about something that changed my life forever.
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ืฉืฉื™ื ื” ืืช ื—ื™ื™ ืœืขื•ืœืžื™ื.
01:51
In 2009, I lost someone I loved very much.
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ื‘ืฉื ืช 2009, ืื™ื‘ื“ืชื™ ืื“ื ืฉืื”ื‘ืชื™ ืžืื•ื“.
01:55
Her name was Joan, and she was a mother to me.
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ืฉืžื” ื”ื™ื” JOAN ื•ื”ื™ื ื”ื™ืชื” ืขื‘ื•ืจื™ ื›ืื,
01:59
And her death was sudden and unexpected.
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ื•ืžื•ืชื” ื”ื™ื” ืคืชืื•ืžื™ ื•ืœื ืฆืคื•ื™.
02:06
And I thought about death a lot.
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ื•ื—ืฉื‘ืชื™ ื”ืจื‘ื” ืขืœ ืžื•ื•ืช,
02:12
And ... this made me feel deep gratitude for the time I've had.
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ื•
ื–ื” ื’ืจื ืœื™ ืœื—ื•ืฉ ื”ืขืจื›ื” ืขืžื•ืงื” ืœื–ืžืŸ ืฉื–ื›ื™ืชื™ ืœื•,
02:19
And ... brought clarity to the things that are meaningful to my life now.
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ื•
ื™ืฆืจ ืฆืœื™ืœื•ืช ืกื‘ื™ื‘ ืื•ืชื ื”ื“ื‘ืจื™ื ื‘ืขืœื™ ื”ืžืฉืขื•ืช
ื‘ื—ื™ื™ ื›ืขืช.
02:29
But I struggle to maintain this perspective in my daily life.
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ืืš ืื ื™ ื ืื‘ืงืช ืœื”ื—ื–ื™ืง ื‘ื ืงื•ื“ืช ืžื‘ื˜ ื–ื• ืขืœ ื”ื“ื‘ืจื™ื ื‘ื™ื•ื ื™ื•ื.
02:34
I feel like it's easy to get caught up in the day-to-day,
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ืื ื™ ืžืจื’ื™ืฉื” ื›ืื™ืœื• ืฉื–ื” ืงืœ ืœืฉืงื•ืข ื‘ื“ื‘ืจื™ ื“ื™ื•ืžื,
02:37
and forget what really matters to you.
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ื•ืœืฉื›ื•ื— ืžื” ืฉื‘ืืžืช ื—ืฉื•ื‘ ืœืš.
02:40
So with help from old and new friends,
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ืื– ื‘ืขื–ืจืช ื—ื‘ืจื™ื, ื•ืชื™ืงื™ื ื•ื—ื“ืฉื™ื,
02:42
I turned the side of this abandoned house into a giant chalkboard,
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ื”ืกื‘ืชื™ ืืช ื”ืงื™ืจ ืฉืœ ื”ื‘ื™ืช ื”ื ื˜ื•ืฉ ื”ื–ื”
ืœืœื•ื— ื’ื™ืจ ืขื ืงื™ ื•ื›ื™ืกื™ืชื™ ืื•ืชื•
02:46
and stenciled it with a fill-in-the-blank sentence:
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ื‘ืžืฉืคื˜ ืžืœื- ืืช-ื”ื—ืกืจ:
02:49
"Before I die, I want to ..."
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"ื˜ืจื ืืžื•ืช, ืื ื™ ืจื•ืฆื” ืœ..."
02:53
So anyone walking by can pick up a piece of chalk,
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ื›ื›ื” ืฉื›ืœ ืขื•ื‘ืจ ืื•ืจื— ื™ื›ื•ืœ ืœื™ื˜ื•ืœ ื—ืชื™ื›ืช ื’ื™ืจ,
02:56
reflect on their life,
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ืœื”ืจื”ืจ ื‘ื—ื™ื™ื•, ื•ืœื—ืœื•ืง ืืช ืฉืื™ืคื•ืชื™ื• ื”ืื™ืฉื™ื•ืช
02:58
and share their personal aspirations in public space.
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ื‘ื—ืœืœ ื”ืฆื™ื‘ื•ืจื™.
03:02
I didn't know what to expect from this experiment,
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ืœื ื™ื“ืขืชื™ ืœืžื” ืœืฆืคื•ืช ืžื ื™ืกื•ื™ ื–ื”,
03:05
but by the next day, the wall was entirely filled out,
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ืืš ืœืžื—ืจืช, ื”ืงื™ืจ ื›ื•ืœื• ืžื•ืœื.
ื•ื”ื•ืกื™ืฃ ืœื’ื“ื•ืœ.
03:09
and it kept growing.
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ื•ื”ื™ื™ืชื™ ืจื•ืฆื” ืœืฉืชืฃ ืืชื›ื ื‘ื›ืžื” ืžื”ื“ื‘ืจื™ื
03:11
And I'd like to share a few things that people wrote on this wall.
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ืฉืื ืฉื™ื ื›ืชื‘ื• ืขืœ ื”ืงื™ืจ ื”ื–ื”.
03:17
"Before I die, I want to be tried for piracy."
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"ื˜ืจื ืืžื•ืช, ืื ื™ ืจื•ืฆื” ืœื”ืฉืคื˜ ืขืœ ืฉื•ื“ ื™ืžื™." (ืฆื—ื•ืง)
03:20
(Laughter)
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"ื˜ืจื ืžื•ืชื™, ืื ื™ ืจื•ืฆื” ืœืขืžื•ื“ ืžืขืœ ืœืงื• ื”ืชืืจื™ืš ื”ื‘ื™ื• ืœืื•ืžื™."
03:27
"Before I die, I want to straddle the International Dateline."
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03:33
"Before I die, I want to sing for millions."
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"ื˜ืจื ืžื•ืชื™, ืื ื™ ืจื•ืฆื” ืœืฉื™ืจ ืœืžื™ืœื™ื•ื ื™ื."
"ื˜ืจื ืžื•ืชื™, ืื ื™ ืจื•ืฆื” ืœื˜ืขืช ืขืฅ."
03:38
"Before I die, I want to plant a tree."
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03:43
"Before I die, I want to live off the grid."
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"ื˜ืจื ืžื•ืชื™, ืื ื™ ืจื•ืฆื” ืœื—ื™ื•ืช ืžื ื•ืชืง ืžื”ืจืฉืช."
03:48
"Before I die, I want to hold her one more time."
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"ื˜ืจื ืžื•ืชื™, ืื ื™ ืจื•ืฆื” ืœืื—ื•ื– ื‘ื” ืคืขื ืื—ืช ื ื•ืกืคืช."
"ื˜ืจื ืžื•ืชื™, ืื ื™ ืจื•ืฆื” ืœื”ื™ื•ืช ืœืžื™ืฉื”ื• ื—ื™ืœ ื”ืคืจืฉื™ื."
03:55
"Before I die, I want to be someone's cavalry."
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04:00
"Before I die, I want to be completely myself."
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"ื˜ืจื ืžื•ืชื™, ืื ื™ ืจื•ืฆื” ืœื”ื™ื•ืช ืœื’ืžืจื™ ืื ื™ ืขืฆืžื™."
ืื– ื”ื—ืœืœ ื”ืžื•ื–ื ื— ื”ื™ื” ืœื“ื‘ืจ ื™ืขื™ืœ,
04:09
So this neglected space became a constructive one,
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04:13
and people's hopes and dreams made me laugh out loud, tear up,
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ื•ืชืงื•ื•ืช ื•ื—ืœื•ืžื•ืช ืฉืœ ืื ืฉื™ื
ื’ืจืžื• ืœื™ ืœื”ื™ืงืจืข ืžืฆื—ื•ืง, ืœื“ืžื•ืข ื‘ืฉืฆืฃ,
ื•ื ื™ื—ืžื• ืื•ืชื™ ื‘ื–ืžื ื™ื ืงืฉื™ื ืขื‘ื•ืจื™.
04:18
and they consoled me during my own tough times.
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04:21
It's about knowing you're not alone;
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ื–ื” ืœื“ืขืช ืฉืื™ื ืš ืœื‘ื“.
04:23
it's about understanding our neighbors in new and enlightening ways;
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ื–ื” ืœื”ื‘ื™ืŸ ืืช ืฉื›ื™ื ื™ื ื•
ื‘ื“ืจื›ื™ื ื—ื“ืฉื•ืช ื•ืžืื™ืจื•ืช.
04:27
it's about making space for reflection and contemplation,
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ืœืงื“ืฉ ืžืงื•ื ืœื”ืชื‘ื•ื ื ื•ืช ื•ื”ืจื”ื•ืจ,
04:30
and remembering what really matters most to us as we grow and change.
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ื•ืœื”ื™ื–ื›ืจ ื‘ื—ืฉื•ื‘ ืœื ื• ืžื›ืœ
ื‘ืขื•ื“ ืื ื• ื’ื“ืœื™ื ื•ืžืฉืชื ื™ื.
ืขืฉื™ืชื™ ืืช ื–ื” ื‘ืฉื ื” ืฉืขื‘ืจื”, ื•ื”ืชื—ืœืชื™ ืœืงื‘ืœ
04:37
I made this last year,
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04:38
and started receiving hundreds of messages from passionate people
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ืžืื•ืช ืžืกืจื™ื ืžืื ืฉื™ื ืฉืื›ืคืช ืœื”ื
04:42
who wanted to make a wall with their community.
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ืฉืจืฆื• ืœื™ืฆื•ืจ ืงื™ืจ ืขื ืงื”ื™ืœืชื
04:44
So, my civic center colleagues and I made a tool kit,
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ืื– ืขืžื™ืชื™ื™ ืžืžืจื›ื– ื”ืงื”ื™ืœืชื™ ื•ืืžื™ ื™ืฆืจื ื• ืขืจื›ืช ื›ืœื™ื, ื•ืขื›ืฉื™ื•
04:47
and now walls have been made in countries around the world,
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ืงื™ืจื•ืช ืงืžื• ืœื”ื ื‘ืืจืฆื•ืช ืกื‘ื™ื‘ ืœืขื•ืœื,
04:50
including Kazakhstan,
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ื›ื•ืœืœ ืงืื–ืื—ืกืชืŸ, ื“ืจื•ื ืืคืจื™ืงื”,
04:54
South Africa,
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04:56
Australia,
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ืื•ืกื˜ืจืœื™ื”,
04:59
Argentina, and beyond.
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ืืจื’ื ื˜ื™ื ื” ื•ื”ืœืื”.
05:01
Together, we've shown how powerful our public spaces can be
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ื™ื—ื“, ื”ืจืื™ื ื• ื›ืžื” ืขื•ืฆืžืชื™ื™ื ืžืจื—ื‘ื™ ื”ืฆื™ื‘ื•ืจ
05:04
if we're given the opportunity to have a voice,
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ื™ื›ื•ืœื™ื ืœื”ื™ื•ืช ื‘ืชื™ื ืชืŸ ืœื ื• ื”ื”ื–ื“ืžื ื•ืช ืœื”ื‘ื™ืข ืืช ืงื•ืœื ื•
05:07
and share more with one another.
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ื•ืœื—ืœื•ืง ื™ื•ืชืจ ืื—ื“ ืขื ื–ื•ืœืชื•.
05:12
Two of the most valuable things we have
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ืฉื ื™ื™ื ืžื”ื“ื‘ืจื™ื ื”ื™ืงืจื™ื ืœื ื• ืžื›ืœ ื”ื ื–ืžืŸ
05:15
are time, and our relationships with other people.
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ื•ืžืขืจื›ื•ืช ื”ื™ื—ืกื™ื ืฉืœื ื• ืขื ืื—ืจื™ื.
05:19
In our age of increasing distractions,
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ื‘ื“ื•ืจ ื–ื” ืฉืœ ื”ืกื—ื•ืช ื“ืขืช ื’ื•ื‘ืจื•ืช,
ื–ื” ื—ืฉื•ื‘ ืžืื™ ืคืขื ืœืžืฆื•ื ื“ืจื›ื™ื ืœืฉืžืจ
05:22
it's more important than ever to find ways to maintain perspective,
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ืืช ื–ื•ื•ื™ืช ื”ืจืื™ื™ื” ื•ืœื–ื›ื•ืจ ืฉื”ื—ื™ื™ื ืงืฆืจื™ื ื•ืขื“ื™ื ื™ื.
05:25
and remember that life is brief and tender.
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05:29
Death is something that we're often discouraged to talk about,
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ื”ืžื•ื•ืช ื”ื™ื ื“ื‘ืจ ืฉืื ื• ืœืขื™ืชื™ื ืงืจื•ื‘ื•ืช ืžื ื•ืขื™ื
ืžืœื“ื‘ืจ ืขืœื™ื• ืื• ืืคื™ืœื• ืœื—ืฉื•ื‘ ืขืœื™ื•, ืื‘ืœ
05:32
or even think about,
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05:33
but I've realized that preparing for death
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ืื ื™ ื”ื‘ื ืชื™ ืฉืœื”ืชื›ื•ื ืŸ ืœืžื•ื•ืช
05:36
is one of the most empowering things you can do.
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ื”ื•ื ืื—ื“ ืžื”ื“ื‘ืจื™ื ื”ื›ื™ ืžืขืฆื™ืžื™ื ืฉืืคืฉืจ ืœืขืฉื•ืช.
05:39
Thinking about death clarifies your life.
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ื”ื”ืจื”ื•ืจ ื‘ืžื•ื•ืช ืžื—ื“ื“ ืืช ื—ื™ื™ืš.
05:44
Our shared spaces can better reflect what matters to us,
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ื”ืžืจื—ื‘ื™ื ื”ืžืฉื•ืชืคื™ื ืฉืœื ื• ื™ื›ื•ืœื™ื ืœืฉืงืฃ ื˜ื•ื‘ ื™ื•ืชืจ ืืช ืžื” ืฉืžื”ื•ืชื™ ืœื ื•
05:47
as individuals and as a community,
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ื›ื™ื—ื™ื“ื™ื ื•ื›ืงื”ื™ืœื”,
ื•ืžืฆื•ื™ื™ื“ื™ื ื‘ื“ืจื›ื™ื ืจื‘ื•ืช ื™ื•ืชืจ ืœื—ืœื•ืง ืืช ืชืงื•ื•ืชื™ื ื•, ืคื—ื“ื™ื ื• ื•ืกื™ืคื•ืจื™ื ื•,
05:51
and with more ways to share our hopes, fears and stories,
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ื”ืื ืฉื™ื ื”ืกื•ื‘ื‘ื™ื ืื•ืชื ื• ืœื ืจืง ืฉื™ื•ื›ืœื• ืœืกื™ื™ืข ืœื ื•
05:55
the people around us can not only help us make better places,
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ืœื™ืฆื•ืจ ืžืจื—ื‘ื™ื ื˜ื•ื‘ื™ื ื™ื•ืชืจ, ื”ื ื™ื›ื•ืœื™ื ืœืขื–ื•ืจ ืœื ื• ืœื—ื™ื•ืช ื—ื™ื™ื ื˜ื•ื‘ื™ื ื™ื•ืชืจ.
05:59
they can help us lead better lives.
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06:01
Thank you.
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ืชื•ื“ื” ืœื›ื. (ืžื—ื™ื•ืช ื›ืคื™ื™ื)
06:02
(Applause)
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(ืžื—ื™ื•ืช ื›ืคื™ื™ื)
06:07
Thank you.
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ืชื•ื“ื” ืœื›ื. (ืžื—ื™ื•ืช ื›ืคื™ื™ื)
06:08
(Applause)
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(ืžื—ื™ื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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