The magic of truth and lies (and iPods) | Marco Tempest

992,931 views ใƒป 2011-08-12

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Oren Szekatch ืžื‘ืงืจ: Sigal Tifferet
00:15
So the type of magic I like, and I'm a magician,
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ืื– ืกื•ื’ ื”ืงืกื ืฉืื ื™ ืื•ื”ื‘, ืื ื™ ืงื•ืกื,
00:18
is magic that uses technology to create illusions.
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ื”ื•ื ืงืกื ื”ืžืฉืชืžืฉ ื‘ื˜ื›ื ื•ืœื•ื’ื™ื”
ื‘ื›ื“ื™ ืœื™ืฆื•ืจ ืืฉืœื™ื•ืช.
00:22
So I would like to show you something I've been working on.
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ืื– ื”ื™ื™ืชื™ ืจื•ืฆื” ืœื”ืจืื•ืช ืœื›ื ืžืฉื”ื• ืฉืื ื™ ืขื•ื‘ื“ ืขืœื™ื•.
ื–ื•ื”ื™ ืืคืœื™ืงืฆื™ื”
00:25
It's an application
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00:26
that I think will be useful for artists -- multimedia artists in particular.
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ืฉืื ื™ ื—ื•ืฉื‘ ืฉืชื”ื™ื” ื™ืขื™ืœื” ืขื‘ื•ืจ ืืžื ื™ื --
ื‘ืžื™ื•ื—ื“ ืœืืžื ื™ ืžื•ืœื˜ื™ืžื“ื™ื”.
ืืœื• ื”ื ืกืจื˜ื•ื ื™ื ืžืกื•ื ื›ืจื ื™ื
00:31
It synchronizes videos across multiple screens of mobile devices.
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ืขืœ-ืคื ื™ ืžืกื›ื™ื ืžืจื•ื‘ื™ื ืฉืœ ืžื›ืฉื™ืจื™ื ื ื™ื™ื“ื™ื.
ื•ืื ื™ ืฉืืœืชื™ ืืช ื”ืื™ื™ืคื•ื“ื™ื ื”ืืœื”
00:35
I borrowed these three iPods from people here in the audience
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ืžืื ืฉื™ื ื›ืืŸ ื‘ืงื”ืœ
00:38
to show you what I mean.
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ื‘ื›ื“ื™ ืœื”ืจืื•ืช ืœื›ื ืœืžื” ืื ื™ ืžืชื›ื•ื•ืŸ.
ื•ืื ื™ ืขื•ืžื“ ืœื”ืฉืชืžืฉ ื‘ื”ื ื‘ื›ื“ื™ ืœืกืคืจ ืœื›ื
00:43
And I'm going to use them to tell you a little bit about my favorite subject:
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ืžืขื˜ ืขืœ ื”ื ื•ืฉื ื”ืื”ื•ื‘ ืขืœื™ื™:
00:47
deception.
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ื”ื•ื ืื”.
00:51
(Music)
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(ืžื•ื–ื™ืงื”)
ืื—ื“ ื”ืงื•ืกืžื™ื ื”ืื”ื•ื‘ื™ื ืขืœื™ื™
00:54
One of my favorite magicians is Karl Germain.
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ื”ื•ื ืงืืจืœ ื’'ืจืžื™ื™ืŸ.
00:58
He had this wonderful trick where a rosebush would bloom
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ื”ื™ื” ืœื• ื˜ืจื™ืง ื ืคืœื
ื‘ื• ืฉื™ื— ื•ืจื“ื™ื ื”ื™ื” ืคื•ืจื—
01:03
right in front of your eyes.
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ืžืžืฉ ืžื•ืœ ืขื™ื ื™ื™ืš.
01:05
But it was his production of a butterfly that was the most beautiful.
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ืืš ื”ื™ืชื” ื–ื• ื™ืฆื™ืจืชื• ืฉืœ ืคืจืคืจ
ืฉื”ื™ื™ืชื” ื”ื™ืคื” ืžื›ืœ.
01:10
(Recording) Announcer: Ladies and gentlemen,
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(ื”ืงืœื˜ื”) ื›ืจื•ื–: ื’ื‘ื™ืจื•ืชื™ื™ ื•ืจื‘ื•ืชื™ื™,
01:13
the creation of life.
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ื™ืฆื™ืจืช ื”ื—ื™ื™ื.
01:16
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
01:18
(Music)
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(ืžื•ื–ื™ืงื”)
01:21
Marco Tempest: When asked about deception,
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ืžืืจืงื• ื˜ืžืคืกื˜: ื›ืืฉืจ ื ืฉืืœ ื‘ื ื•ื’ืข ืœื”ื•ื ืื”,
ื”ื•ื ืืžืจ ื–ืืช:
01:24
he said this:
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ื›ืจื•ื–: ืงื•ืกืžื•ืช ื”ื™ื ื”ืžืงืฆื•ืข ื”ื›ืŸ ื”ื™ื—ื™ื“ื™.
01:27
Announcer: Magic is the only honest profession.
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01:30
A magician promises to deceive you --
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ืงื•ืกื ืžื‘ื˜ื™ื— ืœื”ื•ื ื•ืช ืื•ืชืš --
ื•ื›ืš ื”ื•ื ืขื•ืฉื”.
01:33
and he does.
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01:34
MT: I like to think of myself as an honest magician.
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ืžืืจืงื• ื˜ืžืคืกื˜: ืื ื™ ืื•ื”ื‘ ืœื—ืฉื•ื‘ ืขืœ ืขืฆืžื™ ื›ืงื•ืกื ื›ืŸ.
ืื ื™ ืžืฉืชืžืฉ ื‘ืชื›ืกื™ืกื™ื ืจื‘ื™ื,
01:38
I use a lot of tricks,
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01:39
which means that sometimes I have to lie to you.
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ืžื” ืฉืื•ืžืจ
ืฉืžื“ื™ ืคืขื ืื ื™ ื—ื™ื™ื‘ ืœืฉืงืจ ืœื›ื.
01:44
Now I feel bad about that.
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ืื ื™ ืžืจื’ื™ืฉ ืจืข ื‘ื ื•ื’ืข ืœื›ืš.
01:47
But people lie every day.
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ืืš ืื ืฉื™ื ืžืฉืงืจื™ื ื‘ื›ืœ ื™ื•ื.
01:50
(Ringing)
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(ืฆืœืฆื•ืœ) ื—ื›ื• ืจื’ืข.
01:51
Hold on.
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01:52
Phone: Hey, where are you?
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ื‘ื—ื•ืจื” ื‘ื˜ืœืคื•ืŸ: ื”ื™ื™, ืื™ืคื” ืืชื”?
01:54
MT: Stuck in traffic. I'll be there soon.
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ืžืืจืงื• ื˜ืžืคืกื˜: ืชืงื•ืข ื‘ืคืงืง. ืื ื™ ื›ื‘ืจ ืžื’ื™ืข ืœืฉื.
ื›ื•ืœื›ื ืขืฉื™ืชื ื–ืืช.
01:57
You've all done it.
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01:58
(Laughter)
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(ืฆื—ื•ืง)
02:00
(Music)
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ืื™ืฉื”: ืื”ื™ื” ืžื•ื›ื ื” ื‘ืขื•ื“ ื“ืงื” ืžื•ืชืง.
02:01
Right: I'll be ready in just a minute, darling.
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02:03
Center: It's just what I've always wanted.
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ืื™ืฉ: ื–ื” ื‘ื“ื™ื•ืง ืžื” ืฉืชืžื™ื“ ืจืฆื™ืชื™.
02:06
Left: You were great.
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ืื™ืฉื”: ืืช ื ืจืื™ืช ื ื”ื“ืจ.
02:08
MT: Deception,
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ืžืืจืงื• ื˜ืžืคืกื˜: ื”ื•ื ืื”,
02:10
it's a fundamental part of life.
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ื”ื™ื ื—ืœืง ื‘ืกื™ืกื™ ืฉืœ ื”ื—ื™ื™ื.
02:14
Now polls show
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ื›ืขืช, ืกืงืจื™ื ืžืจืื™ื
02:15
that men tell twice as many lies as women --
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ื›ื™ ื’ื‘ืจื™ื ืžืกืคืจื™ื ืฉืงืจื™ื ืคื™ ืฉื ื™ื™ื
ื™ื•ืชืจ ืžื ืฉื™ื --
02:20
assuming the women they asked told the truth.
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ื‘ื”ื ื—ื” ืฉื”ืื™ืฉื” ืื•ืชื” ื”ื ืฉืืœื• ืืžืจื” ืืช ื”ืืžืช.
(ืฆื—ื•ืง)
02:23
(Laughing)
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02:24
We deceive to gain advantage
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ืื ื—ื ื• ืžืจืžื™ื ื‘ื›ื“ื™ ืœื–ื›ื•ืช ื‘ื™ืชืจื•ืŸ
02:27
and to hide our weaknesses.
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ื•ื‘ื›ื“ื™ ืœื”ืกืชื™ืจ ืืช ื—ื•ืœืฉื•ืชื™ื ื•.
02:30
The Chinese general Sun Tzu said that all war was based on deception.
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ื”ื’ื ืจืœ ื”ืกื™ื ื™ ืกื•ืŸ-ื˜ืกื•
ืืžืจ ื›ื™ ื›ืœ ืžืœื—ืžื”
ืžื‘ื•ืกืกืช ืขืœ ื”ื•ื ืื”.
ืื•ืกืงืจ ื•ื™ื™ืœื“
02:37
Oscar Wilde said the same thing of romance.
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ืืžืจ ืืช ืื•ืชื• ื”ื“ื‘ืจ ืขืœ ืจื•ืžื ื˜ื™ืงื”.
02:41
Some people deceive
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ื™ืฉื ื ืื ืฉื™ื
02:43
for money.
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ื”ืžืจืžื™ื ื‘ื›ื“ื™ ืœื”ืฉื™ื’ ื›ืกืฃ.
02:45
Let's play a game.
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ื‘ื•ืื• ื ืฉื—ืง ืžืฉื—ืง.
02:48
Three cards, three chances.
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ืฉืœื•ืฉื” ืงืœืคื™ื, ืฉืœื•ืฉ ื”ื–ื“ืžื ื•ื™ื•ืช.
02:51
Announcer: One five will get you 10, 10 will get you 20.
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ื›ืจื•ื–: ืขื‘ื•ืจ ื—ืžื™ืฉื™ื™ื” ืืชื” ืชืงื‘ืœ 10 ืขื‘ื•ืจ 10 ืืชื” ืชืงื‘ืœ 20.
02:54
Now, where's the lady?
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ืขื›ืฉื™ื• ื”ื™ื›ืŸ ื”ื’ื‘ืจืช?
02:56
Where is the queen?
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ื”ื™ื›ืŸ ื”ืžืœื›ื”?
ืžืืจืงื• ื˜ืžืคืกื˜: ื›ืืŸ?
02:59
MT: This one?
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03:00
Sorry. You lose.
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ืžืฆื˜ืขืจ. ื”ืคืกื“ืชื.
03:02
Well, I didn't deceive you.
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ื•ื‘ื›ืŸ, ืื ื™ ืœื ืจื™ืžื™ืชื™ ืืชื›ื.
03:05
You deceived yourself.
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ืืชื ืจื™ืžื™ืชื ืืช ืขืฆืžื›ื.
03:08
Self-deception.
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ื”ื•ื ืื” ืขืฆืžื™ืช.
03:10
That's when we convince ourselves that a lie is the truth.
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ื–ื” ืงื•ืจื” ื›ืืฉืจ ืื ื—ื ื• ืžืฉื›ื ืขื™ื ืืช ืขืฆืžื ื•
ืฉืฉืงืจ ื”ื•ื ืืžืช.
03:14
Sometimes it's hard to tell the two apart.
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ืœืขืชื™ื ื–ื” ืงืฉื” ืœื”ื‘ื“ื™ืœ ื‘ื™ืŸ ื”ืฉื ื™ื™ื.
ืžื”ืžืจื™ื ื›ืคื™ื™ืชื™ื
03:20
Compulsive gamblers are experts at self-deception.
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ื”ื ืžื•ืžื—ื™ื ื’ื“ื•ืœื™ื ื‘ื”ื•ื ืื” ืขืฆืžื™ืช.
03:23
(Slot machine)
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(ืจืขืฉ ืฉืœ ืžื›ื•ื ืช ืžื–ืœ)
03:25
They believe they can win.
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ื”ื ืžืืžื™ื ื™ื ื›ื™ ื”ื ื™ื›ื•ืœื™ื ืœื ืฆื—.
03:27
They forget the times they lose.
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ื”ื ืฉื•ื›ื—ื™ื ืืช ื”ืคืขืžื™ื ื‘ื”ื ื”ื ื”ืคืกื™ื“ื•.
03:30
The brain is very good at forgetting.
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ื”ืžื•ื— ืžืื•ื“ ืžื•ื›ืฉืจ ื‘ืฉื›ื—ื”.
03:33
Bad experiences are quickly forgotten.
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ื”ืชื ืกื•ื™ื•ืช ืจืขื•ืช ื ืฉื›ื—ื•ืช ื‘ืžื”ืจื”.
ื”ืชื ืกื•ื™ื•ืช ืจืขื•ืช
03:37
Bad experiences quickly disappear.
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ื ืขืœืžื•ืช ื‘ืžื”ืจื”.
ื•ื–ื• ื”ืกื™ื‘ื” ืฉื‘ื™ืงื•ื ื”ืขืฆื•ื ื•ื”ื‘ื•ื“ื“ ื”ื–ื”,
03:41
Which is why in this vast and lonely cosmos,
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ืื ื—ื ื• ืื•ืคื˜ื™ืžื™ื™ื ืœื”ืคืœื™ื.
03:44
we are so wonderfully optimistic.
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ื”ื”ื•ื ืื” ื”ืขืฆืžื™ืช ืฉืœื ื•
03:48
Our self-deception becomes a positive illusion --
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ื”ื•ืคื›ืช ืœืืฉืœื™ื” ื—ื™ื•ื‘ื™ืช --
ื–ื• ื”ืกื™ื‘ื” ืœืžื”
03:52
why movies are able to take us onto extraordinary adventures;
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ืกืจื˜ื™ื ื™ื›ื•ืœื™ื ืœืงื—ืช ืื•ืชื ื• ืœืžืกืขื•ืช ื™ื•ืฆืื™ื ืžืŸ ื”ื›ืœืœ;
ืœืžื” ืื ื• ืžืืžื™ื ื™ื ืœืจื•ืžื™ืื•
03:57
why we believe Romeo when he says he loves Juliet;
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ื›ืืฉืจ ื”ื•ื ืื•ืžืจ ืฉื”ื•ื ืื•ื”ื‘ ืืช ื™ื•ืœื™ื”;
04:00
and why single notes of music,
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ื•ืœืžื” ืชื•ื™ื ื‘ื•ื“ื“ื™ื ืฉืœ ืžื•ื–ื™ืงื”,
04:03
when played together,
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ื”ืžื ื•ื’ื ื™ื ื™ื—ื“ื™ื•,
04:05
become a sonata and conjure up meaning.
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ื”ื•ืคื›ื™ื ืœืกื•ื ื˜ื” ื•ื™ื•ืฆืจื™ื ืžืฉืžืขื•ืช.
ื–ื•ื”ื™ ื”ื™ืฆื™ืจื” "ืื•ืจ ื”ื™ืจื—."
04:09
That's "Clair De lune."
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04:10
Its composer, called Debussy,
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ื”ืžืœื—ื™ืŸ ืฉืœื” ื”ื ืงืจื ื“ื‘ื™ืกื™
ืืžืจ ื›ื™ ืืžื ื•ืช
04:13
said that art was the greatest deception of all.
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ื”ื™ื ื”ื”ื•ื ืื” ื”ื’ื“ื•ืœื” ืžื›ืœ.
04:18
Art is a deception that creates real emotions --
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ืืžื ื•ืช ื”ื™ื ื”ื•ื ืื”
ืฉื™ื•ืฆืจืช ืจื’ืฉื•ืช ืืžื™ืชื™ื™ื --
04:23
a lie that creates a truth.
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ืฉืงืจ ื”ื™ื•ืฆืจ ืืžืช.
ื•ื›ืืฉืจ ืืชื ื ื›ื ืขื™ื ืœื”ื•ื ืื” ื”ื–ื•,
04:27
And when you give yourself over to that deception,
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ื”ื™ื ื”ื•ืคื›ืช ืœืงืกื.
04:31
it becomes magic.
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04:34
[MAGIC]
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04:38
(Music fades slowly)
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04:41
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืชื•ื“ื”. ืชื•ื“ื” ืจื‘ื” ืœื›ื.
04:54
Thank you. Thank you very much.
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
04:57
(Applause)
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ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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