Learn to read Chinese ... with ease! | ShaoLan

3,336,662 views ใƒป 2013-05-07

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์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

00:00
Translator: Joseph Geni Reviewer: Morton Bast
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๋ฒˆ์—ญ: Surie Lee ๊ฒ€ํ† : Selim Baek
00:12
Growing up in Taiwan
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์„œ์˜ˆ๊ฐ€์˜ ๋”ธ๋กœ์„œ
00:14
as the daughter of a calligrapher,
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๋Œ€๋งŒ์—์„œ ์ž๋ผ๋ฉด์„œ
00:16
one of my most treasured memories
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์ €์˜ ๊ฐ€์žฅ ์†Œ์ค‘ํ•œ ๊ธฐ์–ต ์ค‘ ํ•˜๋‚˜๋Š”
00:18
was my mother showing me the beauty, the shape
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์–ด๋จธ๋‹ˆ๊ป˜์„œ ํ•œ์ž์˜ ์•„๋ฆ„๋‹ค์›€๊ณผ
00:21
and the form of Chinese characters.
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๋ชจ์–‘, ํ˜•ํƒœ๋ฅผ ๋ณด์—ฌ์ค€ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:24
Ever since then, I was fascinated
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๊ทธ๋•Œ๋ถ€ํ„ฐ ์ „ ์ด ๋†€๋ผ์šด
00:27
by this incredible language.
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์–ธ์–ด์— ๋งค๋ฃŒ๋˜์—ˆ์ฃ .
00:29
But to an outsider, it seems to be
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ํ•˜์ง€๋งŒ ์™ธ๋ถ€์ธ์ด ๋ณด๊ธฐ์— ํ•œ์ž๋Š”
00:32
as impenetrable as the Great Wall of China.
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๋„˜์–ด์„ค ์ˆ˜ ์—†๋Š” ๋งŒ๋ฆฌ์žฅ์„ฑ ๊ฐ™์•„ ๋ณด์ด์ฃ .
00:35
Over the past few years, I've been wondering
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์ง€๋‚œ ๋ช‡ ๋…„๊ฐ„ ์–ด๋–ป๊ฒŒ ์ด ๋ฒฝ์„ ๋ฌด๋„ˆ๋œจ๋ ค์„œ
00:38
if I can break down this wall,
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์ด ์„ฌ์„ธํ•œ ์–ธ์–ด๋ฅผ
00:40
so anyone who wants to understand and appreciate
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์ดํ•ดํ•˜๊ณ  ์ฆ๊ธฐ๊ณ ์ž ํ•˜๋Š” ์ด๋“ค์ด
00:42
the beauty of this sophisticated language could do so.
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์‰ฝ๊ฒŒ ์ ‘๊ทผํ•  ์ˆ˜ ์žˆ์„๊นŒ๋ฅผ ๊ณ ๋ฏผํ–ˆ์Šต๋‹ˆ๋‹ค.
00:46
I started thinking about how a new, fast method
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์ €๋Š” ์ค‘๊ตญ์–ด๋ฅผ ๋น ๋ฅด๊ณ  ์‰ฝ๊ฒŒ ๋ฐฐ์šธ ์ˆ˜ ์žˆ๋Š” ์ƒˆ๋กœ์šด ๋ฐฉ์‹์„
00:51
of learning Chinese might be useful.
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์—ฐ๊ตฌํ•˜๊ธฐ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค. [Chineasy - ์ค‘๊ตญ์–ด'์™€ '์‰ฝ๋‹ค'์˜ ํ•ฉ์„ฑ์–ด]
00:54
Since the age of five, I started to learn how to draw
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์ €๋Š” ๋‹ค์„ฏ ์‚ด ๋•Œ๋ถ€ํ„ฐ ๊ฐ๊ฐ์˜ ๊ธ€์ž์˜
00:58
every single stroke for each character
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๋ชจ๋“  ํš์„ ์ˆœ์„œ์— ๋”ฐ๋ผ
01:01
in the correct sequence.
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์˜ฌ๋ฐ”๋ฅด๊ฒŒ ๊ธ‹๋Š” ๋ฒ•์„ ๋ฐฐ์› ์Šต๋‹ˆ๋‹ค.
01:03
I learned new characters every day
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์ดํ›„ 15๋…„๊ฐ„ ๋งค์ผ
01:05
during the course of the next 15 years.
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์ƒˆ๋กœ์šด ๊ธ€์ž๋ฅผ ๋ฐฐ์› ์ฃ .
01:08
Since we only have five minutes,
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์šฐ๋ฆฌ์—๊ฒ 5๋ถ„๋งŒ ์ฃผ์–ด์กŒ์œผ๋‹ˆ
01:10
it's better that we have a fast and simpler way.
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๋น ๋ฅด๊ณ  ๊ฐ„๋‹จํ•œ ๋ฐฉ์‹์ด ์ข‹๊ฒ ์ง€์š”.
01:14
A Chinese scholar would understand 20,000 characters.
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์ค‘๊ตญํ•™์ž๋“ค์€ 2๋งŒ ๊ฐœ์˜ ๊ธ€์ž๋“ค์„ ์ดํ•ดํ•ฉ๋‹ˆ๋‹ค.
01:17
You only need 1,000 to understand the basic literacy.
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๊ทธ๋Ÿฌ๋‚˜ ๊ฐ„๋‹จํ•œ ์˜์‚ฌ ์†Œํ†ต์„ ์œ„ํ•ด์„œ๋Š” ๋‹จ ์ฒœ์ž๋งŒ ์•Œ๋ฉด ๋ฉ๋‹ˆ๋‹ค.
01:22
The top 200 will allow you to comprehend
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๊ฐ€์žฅ ๋งŽ์ด ์“ฐ์ด๋Š” 200๊ธ€์ž๋ฉด
01:26
40 percent of basic literature --
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๊ฐ„๋‹จํ•œ ๋ฌธํ•™ ์ž‘ํ’ˆ์˜ ์•ฝ 40%๋ฅผ ์ดํ•ดํ•˜๊ฒŒ ๋  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
01:29
enough to read road signs, restaurant menus,
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๋„๋กœ ํ‘œ์ง€ํŒ์ด๋‚˜ ์Œ์‹์ ์˜ ๋ฉ”๋‰ด๋ฅผ ์ฝ์„ ์ˆ˜ ์žˆ๊ณ 
01:32
to understand the basic idea of the web pages
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์›นํŽ˜์ด์ง€๋‚˜ ์‹ ๋ฌธ์˜ ๊ธฐ๋ณธ์ ์ธ
01:35
or the newspapers.
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๋‚ด์šฉ์„ ์ดํ•ดํ•  ์ˆ˜ ์žˆ์ฃ .
01:37
Today I'm going to start with eight
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์ด ๋ฐฉ์‹์ด ์–ด๋–ป๊ฒŒ ์ž‘์šฉํ•˜๋Š”์ง€๋ฅผ ๋ณด์—ฌ์ฃผ๊ธฐ ์œ„ํ•ด
01:39
to show you how the method works.
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์ €๋Š” ์˜ค๋Š˜ ์—ฌ๋Ÿ ๊ธ€์ž๋กœ ์‹œ์ž‘ํ•  ๊ฒ๋‹ˆ๋‹ค.
01:41
You are ready?
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์ค€๋น„๋˜์…จ๋‚˜์š”?
01:43
Open your mouth as wide as possible
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์ž…์„ ํ•œ๋ฒˆ ๋ฒŒ๋ฆด ์ˆ˜ ์žˆ๋Š” ๋งŒํผ ํฌ๊ฒŒ ๋ฒŒ๋ ค๋ณด์„ธ์š”.
01:46
until it's square.
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๊ทธ ๋ชจ์–‘์ด ๋„ค๋ชจ๊ฐ€ ๋  ๋•Œ๊นŒ์ง€์š”.
01:48
You get a mouth.
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๊ทธ๊ฒƒ์ด ์ž…์ด์ฃ .[์ž… ๊ตฌ]
01:50
This is a person going for a walk.
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์ด๊ฒƒ์€ ์‚ฌ๋žŒ์ด ๊ฑท๋Š” ๋ชจ์Šต์ž…๋‹ˆ๋‹ค.
01:53
Person.
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์‚ฌ๋žŒ.[์‚ฌ๋žŒ ์ธ]
01:57
If the shape of the fire is a person
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๋งŒ์•ฝ ๋ถˆ์˜ ๋ชจ์–‘์ด
01:59
with two arms on both sides,
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์‚ฌ๋žŒ ๋‘ ํŒ”์— ๋ถˆ ๋ถ™์€ ๊ฑฐ๋ผ๋ฉด,
02:02
as if she was yelling frantically,
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๋งˆ์น˜ ๊ทธ๋…€๊ฐ€ ๊ธ‰ํ•˜๊ฒŒ ํฐ์†Œ๋ฆฌ๋กœ
02:04
"Help! I'm on fire!" --
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"๋ถˆ์ด์•ผ! ๋„์™€์ฃผ์„ธ์š”!" ๋ผ๊ณ  ์™ธ์น˜๋Š” ๊ฒƒ์ฒ˜๋Ÿผ์š”. [๋ถˆ ํ™”]
02:07
This symbol actually is originally from the shape of the flame,
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์‚ฌ์‹ค ์ด ๊ธ€์ž๋Š” ๋ถˆ๊ฝƒ์—์„œ ๋ชจ์–‘์„ ๋ณธ๋œฌ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:11
but I like to think that way. Whichever works for you.
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ํ•˜์ง€๋งŒ ์ „ ์ด๋ ‡๊ฒŒ ์ƒ๊ฐํ•˜๋Š” ๊ฒŒ ์ข‹์•„์š”. ํŽธํ•œ ์ชฝ์œผ๋กœ ์ƒ๊ฐํ•˜์„ธ์š”.
02:15
This is a tree.
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์ด๊ฑด ๋‚˜๋ฌด์ž…๋‹ˆ๋‹ค.
02:18
Tree.
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๋‚˜๋ฌด [๋‚˜๋ฌด ๋ชฉ]
02:20
This is a mountain.
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์ด๊ฑด ์‚ฐ์ด๊ณ ์š”. [๋ซผ ์‚ฐ]
02:24
The sun.
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ํ•ด [๋‚  ์ผ]
02:29
The moon.
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๋‹ฌ [๋‹ฌ ์›”]
02:34
The symbol of the door
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๋ฌธ์˜ ์ƒ์ง•์ด์ฃ . [๋ฌธ ๋ฌธ]
02:36
looks like a pair of saloon doors in the wild west.
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๋งˆ์น˜ ์„œ๋ถ€ ํ™ฉ์•ผ์— ์žˆ๋Š” ์ˆ ์ง‘์˜ ๋‘ ์ง์˜ ๋ฌธ ๊ฐ™์ฃ .
02:41
I call these eight characters radicals.
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์ „ ์ด๊ฑธ ์—ฌ๋Ÿ ์ž์˜ ๊ธฐ๋ณธ ๊ธ€์ž, ๋ถ€์ˆ˜๋ผ๊ณ  ๋ถ€๋ฆ…๋‹ˆ๋‹ค.
02:45
They are the building blocks
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์ด๊ฒƒ๋“ค์€ ๋” ๋งŽ์€ ๊ธ€์ž๋ฅผ
02:47
for you to create lots more characters.
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๋งŒ๋“ค๊ธฐ ์œ„ํ•œ ์ดˆ์„์ด ๋˜์ฃ .
02:51
A person.
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ํ•œ ์‚ฌ๋žŒ์ž…๋‹ˆ๋‹ค.
02:53
If someone walks behind, that is "to follow."
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๋ˆ„๊ตฐ๊ฐ€ ๋’ค๋”ฐ๋ผ ๊ฑท๋Š”๋‹ค๋ฉด, '๋”ฐ๋ฅด๋‹ค'์ž…๋‹ˆ๋‹ค. [์ข‡์„ ์ข…]
02:57
As the old saying goes,
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ํ”ํžˆ ํ•˜๋Š” ๋ง์— ๋‘ ๋ช…์ด ๋ชจ์ด๋ฉด
02:59
two is company, three is a crowd.
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ํ•จ๊ป˜ ์žˆ๋Š” ๊ฒƒ์ด๊ณ  ์„ธ ๋ช…๋ถ€ํ„ฐ๋Š” ๋Œ€์ค‘์ด๋ผ๊ณ  ํ•˜์ฃ . [ไผ— ๋ฌด๋ฆฌ ์ค‘]
03:03
If a person stretched their arms wide,
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๋งŒ์•ฝ ์‚ฌ๋žŒ์ด ๋‘ ํŒ”์„ ํ™œ์ง ๋ฒŒ๋ฆฌ๋ฉด
03:06
this person is saying, "It was this big."
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๊ทธ ์‚ฌ๋žŒ์€ "ํฌ๋‹ค"๋ผ๊ณ  ๋งํ•˜๊ณ  ์žˆ๋Š” ๊ฑฐ์ฃ . [ํด ๋Œ€]
03:10
The person inside the mouth, the person is trapped.
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์ž…์•ˆ์— ์‚ฌ๋žŒ์ด ์žˆ๋Š” ๊ฒƒ์€ ์‚ฌ๋žŒ์ด ๊ฐ‡ํžŒ ๊ฑฐ๊ณ ์š”. [๊ฐ€๋‘˜ ์ˆ˜]
03:14
He's a prisoner, just like Jonah inside the whale.
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๊ทธ๋Š” ์ฃ„์ˆ˜์ž…๋‹ˆ๋‹ค. ๊ณ ๋ž˜ ์†์— ๊ฐ‡ํžŒ ์š”๋‚˜์ฒ˜๋Ÿผ์š”.
03:20
One tree is a tree. Two trees together, we have the woods.
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ํ•œ ๊ทธ๋ฃจ๋Š” ๋‚˜๋ฌด์ด๊ณ , ๋‘ ๊ทธ๋ฃจ๊ฐ€ ๋ชจ์ด๋ฉด ์ˆ˜ํ’€์ด ์ƒ๊น๋‹ˆ๋‹ค, [์ˆ˜ํ’€ ๋ฆผ]
03:24
Three trees together, we create the forest.
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์„ธ ๊ทธ๋ฃจ๋ถ€ํ„ฐ๋Š” ์ˆฒ์„ ์ด๋ฃจ์ฃ . [์ˆ˜ํ’€ ์‚ผ]
03:27
Put a plank underneath the tree, we have the foundation.
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๋‚˜๋ฌด ์•„๋ž˜์— ๋„๋นค์ง€๋ฅผ ๋†“์œผ๋ฉด '๊ทผ์›'์ด ๋˜๊ณ ์š”. [๊ทผ๋ณธ ๋ณธ]
03:31
Put a mouth on the top of the tree, that's "idiot." (Laughter)
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๋‚˜๋ฌด ๊ผญ๋Œ€๊ธฐ์— ์ž…์„ ๋‘๋ฉด , '๋ฐ”๋ณด' ๋ผ๋Š” ๋œป์ด ๋ฉ๋‹ˆ๋‹ค. (์›ƒ์Œ) [์–ด๋ฆฌ์„์„ ๋งค]
03:35
Easy to remember,
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์™ธ์šฐ๊ธฐ ์‰ฝ์ฃ .
03:37
since a talking tree is pretty idiotic.
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๋งํ•˜๋Š” ๋‚˜๋ฌด๋ผ๋Š” ๊ฒƒ ์ž์ฒด๊ฐ€ ๋ฐ”๋ณด์Šค๋Ÿฌ์šฐ๋‹ˆ๊นŒ์š”.
03:42
Remember fire?
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"๋ถˆ"์„ ๊ธฐ์–ตํ•˜์‹œ๋‚˜์š”?
03:44
Two fires together, I get really hot.
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๋ถˆ์ด ๋‘ ๊ฐœ๋ฉด ์ •๋ง ๋œจ๊ฑฐ์›Œ์ง€์ฃ . [๋ถˆ๊ฝƒ, ๋”์šธ ์—ผ]
03:47
Three fires together, that's a lot of flames.
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๋ถˆ์ด ์„ธ ๊ฐœ๋ฉด ์—„์ฒญ๋‚œ 'ํ™”์—ผ'์ด๊ณ ์š”. [๋ถˆ๊ฝƒ ํ˜]
03:50
Set the fire underneath the two trees, it's burning.
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๋ถˆ์„ ๋‘ ๋‚˜๋ฌด์— ์ง€ํ”ผ๋ฉด 'ํƒ€๋Š”' ๊ฑฐ์ฃ . [๋ถˆ์‚ฌ๋ฅผ ๋ถ„]
03:54
For us, the sun is the source of prosperity.
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์ค‘๊ตญ์ธ์—๊ฒŒ ํƒœ์–‘์€ ๋ถ€์œ ์˜ ๊ทผ์›์ž…๋‹ˆ๋‹ค.
03:58
Two suns together, prosperous.
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ํ•ด๊ฐ€ ๋‘˜์ด๋ฉด '๋ฒˆ์ฐฝํ•จ' [์ฐฝ์„ฑํ•  ์ฐฝ]
04:00
Three together, that's sparkles.
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์…‹์ด๋ฉด '๋น›๋‚˜๋Š”' ๊ฑฐ์ฃ . [๋ฐ์„ ์ •]
04:02
Put the sun and the moon shining together,
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ํ•ด์™€ ๋‹ฌ์„ ํ•จ๊ป˜ ๋น›๋‚˜๊ฒŒ ๋‘๋ฉด
04:04
it's brightness.
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๊ทธ๊ฒƒ์€ '๋ฐ์Œ'์ž…๋‹ˆ๋‹ค. [๋ฐ์„ ๋ช…]
04:05
It also means tomorrow, after a day and a night.
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๋˜ํ•œ ๋‚ฎ๊ณผ ๋ฐค์ด ์ง€๋‚œ ๋‚ด์ผ์„ ์˜๋ฏธํ•˜๊ธฐ๋„ ํ•˜์ฃ .
04:10
The sun is coming up above the horizon. Sunrise.
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ํ•ด๊ฐ€ ์ง€ํ‰์„  ๋„ˆ๋จธ๋กœ ์˜ฌ๋ผ์˜ค๋Š” ๊ฒƒ, ํ•ด๋‹์ด์ž…๋‹ˆ๋‹ค. [์•„์นจ ๋‹จ]
04:14
A door. Put a plank inside the door,
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๋„๋นค์ง€๋ฅผ ๋ฌธ ์•ˆ์— ๊ฑธ์–ด๋‘๋ฉด
04:17
it's a door bolt.
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๋ฌธ์˜ ์ž ๊ธˆ์‡ ์ฃ . [๋ฌธ๋น—์žฅ ์‚ฐ]
04:19
Put a mouth inside the door, asking questions.
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๋ฌธ ์‚ฌ์ด์— ์ž…์„ ๋‘๋ฉด, ์งˆ๋ฌธํ•˜๋Š” ๊ฑฐ๊ณ ์š”. [๋ฌผ์„ ๋ฌธ]
04:22
Knock knock. Is anyone home?
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๋˜‘๋˜‘, ์•ˆ์— ๊ณ„์„ธ์š”?
04:26
This person is sneaking out of a door,
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์ด ์‚ฌ๋žŒ์€ ๋ฌธ ์‚ฌ์ด๋กœ ๋น ์ ธ๋‚˜๊ฐ€๋„ค์š”.
04:28
escaping, evading.
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'๋„๋ง์น˜๋Š”' ๊ฒ๋‹ˆ๋‹ค. ํ”ผํ•˜๋Š” ๊ฒ๋‹ˆ๋‹ค. [๋ฒˆ์ฉ์ผ ์„ฌ]
04:31
On the left, we have a woman.
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์™ผ์ชฝ์— ์žˆ๋Š” ๊ธ€์ž๊ฐ€ ์—ฌ์„ฑ์ž…๋‹ˆ๋‹ค. [์—ฌ์ž ๋…€]
04:33
Two women together, they have an argument.
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๋‘ ์—ฌ์ž๊ฐ€ ๋ชจ์—ฌ, ๋‘˜์ด ๋ง๋‹คํˆผ์„ ํ•˜๊ณ  ์žˆ๋„ค์š”. [์†ก์‚ฌํ•  ๋‚œ]
04:36
(Laughter)
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(์›ƒ์Œ)
04:38
Three women together, be careful, it's adultery.
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์—ฌ์ž๊ฐ€ ์…‹์ด๋ฉด, ์กฐ์‹ฌํ•˜์„ธ์š”. ๋ฐ”๋žŒ์„ ํ”ผ์šฐ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. (์›ƒ์Œ) [๊ฐ„์Œํ•  ๊ฐ„]
04:44
So we have gone through almost 30 characters.
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์ž, ๊ฑฐ์˜ 30์ž๋ฅผ ํ›‘์–ด๋ณด์•˜์Šต๋‹ˆ๋‹ค.
04:48
By using this method, the first eight radicals
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์ด ์—ฌ๋Ÿ ๊ฐœ์˜ ๊ธฐ๋ณธ ๊ธ€์ž๋ฅผ ์ด์šฉํ•˜๋Š” ๋ฐฉ์‹์œผ๋กœ
04:51
will allow you to build 32.
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32์ž๋ฅผ ๋งŒ๋“ค ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
04:53
The next group of eight characters
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๋‹ค์Œ ๊ทธ๋ฃน์˜ ์—ฌ๋Ÿ ์ž๋Š”
04:55
will build an extra 32.
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์ถ”๊ฐ€๋กœ 32์ž๋ฅผ ๋” ๋งŒ๋“ค๊ฒ ์ฃ .
04:57
So with very little effort,
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์•„์ฃผ ์ ์€ ๋…ธ๋ ฅ์œผ๋กœ
04:59
you will be able to learn a couple hundred characters,
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๋ช‡๋ฐฑ ์ž๋ฅผ ๋ฐฐ์šธ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
05:02
which is the same as a Chinese eight-year-old.
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์—ฌ๋Ÿ ์‚ด๋‚œ ์ค‘๊ตญ ์•„์ด์™€ ๊ฐ™์€ ์ˆ˜์ค€์ด ๋˜์ฃ .
05:04
So after we know the characters, we start building phrases.
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๊ธ€์ž๋ฅผ ์•Œ๊ณ  ๋‚˜๋ฉด ์šฐ๋ฆฌ๋Š” ๋ฌธ๊ตฌ๋ฅผ ๋งŒ๋“ค์ฃ .
05:08
For example, the mountain and the fire together,
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์˜ˆ๋ฅผ ๋“ค์–ด ์‚ฐ๊ณผ ๋ถˆ์„ ํ•จ๊ป˜ ๋‘๋ฉด
05:10
we have fire mountain. It's a volcano.
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๋ถˆ์„ ๋ฟœ๋Š” ์‚ฐ์ด ๋ฉ๋‹ˆ๋‹ค.์ฆ‰, ํ™”์‚ฐ์ž…๋‹ˆ๋‹ค.
05:13
We know Japan is the land of the rising sun.
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์ผ๋ณธ์€ "ํ•ด๋œจ๋Š” ๋‚˜๋ผ" ๋ผ๊ณ  ์•Œ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
05:17
This is a sun placed with the origin,
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์ผ๋ณธ์ด๋ž€ ๊ธ€์ž๋Š” ํƒœ์–‘์„ ๊ธฐ๋ณธ์œผ๋กœ ๋งŒ๋“  ๊ฒ๋‹ˆ๋‹ค.
05:20
because Japan lies to the east of China.
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์ผ๋ณธ์ด ์ค‘๊ตญ์˜ ๋™์ชฝ์— ์žˆ์œผ๋‹ˆ๊นŒ์š”.
05:23
So a sun, origin together, we build Japan.
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๊ทธ๋ž˜์„œ ํ•ด์™€ ๊ทผ์›์ด๋ž€ ๊ธ€์ž๋ฅผ ํ•จ๊ป˜ ๋‘๋ฉด ์ผ๋ณธ์ด ๋˜๋Š” ๊ฒ๋‹ˆ๋‹ค.
05:27
A person behind Japan, what do we get?
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์ผ๋ณธ์ด๋ž€ ๋‘ ๊ธ€์ž ๋’ค์— ์‚ฌ๋žŒ์„ ๋‘๋ฉด
05:30
A Japanese person.
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์ผ๋ณธ์ธ์ด ๋˜๊ฒ ์ฃ ?
05:33
The character on the left is two mountains
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์™ผ์ชฝ์— ๋†“์ธ ๊ธ€์ž๋Š” ์‚ฐ์ด ๋‘ ๊ฐœ์ž…๋‹ˆ๋‹ค. [๋‚  ์ถœ]
05:36
stacked on top of each other.
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์‚ฐ์ด ๊ฒน๊ฒน์ด ์œ„์•„๋ž˜๋กœ ์Œ“์—ฌ์žˆ์ฃ .
05:38
In ancient China, that means in exile,
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๊ณ ๋Œ€ ์ค‘๊ตญ์—์„œ๋Š” ์ด ๊ธ€์ž๋Š” ์ถ”๋ฐฉ, ์œ ๋ฐฐ๋ฅผ ์˜๋ฏธํ–ˆ์Šต๋‹ˆ๋‹ค.
05:41
because Chinese emperors, they put their political enemies
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์ค‘๊ตญ์˜ ํ™ฉ์ œ๋“ค์ด ๊ทธ๋“ค์˜ ์ •์น˜์  ์ ๋“ค์„
05:44
in exile beyond mountains.
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์‚ฐ ๋„ˆ๋จธ๋กœ ์ถ”๋ฐฉํ•˜์˜€๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
05:46
Nowadays, exile has turned into getting out.
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์š”์ฆ˜์€ '์ถ”๋ฐฉ'์ด '๋‚˜๊ฐ€๋‹ค' ๋กœ ์˜๋ฏธ๊ฐ€ ๋ณ€ํ–ˆ์Šต๋‹ˆ๋‹ค.
05:51
A mouth which tells you where to get out
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์–ด๋””๊ฐ€ ๋‚˜๊ฐ€๋Š” ๊ณณ์ธ์ง€๋ฅผ ๋งํ•ด์ฃผ๋Š” ์ž…์ด
05:54
is an exit.
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์ถœ๊ตฌ์ธ ๊ฑฐ์ฃ .
05:56
This is a slide to remind me that I should stop talking
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์ด ์Šฌ๋ผ์ด๋“œ๋Š” ์ œ๊ฐ€ ๋ง์„ ๊ทธ๋งŒํ•˜๊ณ  ๋ฌด๋Œ€์—์„œ ๋‚ด๋ ค๊ฐ€์•ผ ํ•  ๋•Œ์ž„์„
05:59
and get off of the stage. Thank you.
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์•Œ๋ ค์ฃผ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
06:01
(Applause)
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(๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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