How to speak so that people want to listen | Julian Treasure | TED

40,430,705 views ใƒป 2014-06-27

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์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: Jihyeon J. Kim ๊ฒ€ํ† : Jeong-Lan Kinser
00:13
The human voice:
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์ธ๊ฐ„์˜ ๋ชฉ์†Œ๋ฆฌ:
00:16
It's the instrument we all play.
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๊ทธ๊ฑด ์šฐ๋ฆฌ๊ฐ€ ๋ชจ๋‘ ์—ฐ์ฃผํ•˜๋Š” ์•…๊ธฐ์ž…๋‹ˆ๋‹ค.
์•„๋งˆ ์„ธ์ƒ์—์„œ ๊ฐ€์žฅ ๊ฐ•๋ ฅํ•œ ์†Œ๋ฆฌ์ผ ๊ฒ๋‹ˆ๋‹ค.
00:18
It's the most powerful sound in the world, probably.
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์ „์Ÿ์„ ์ผ์œผํ‚ค๊ฑฐ๋‚˜ "์‚ฌ๋ž‘ํ•ฉ๋‹ˆ๋‹ค"๋ผ๊ณ 
00:21
It's the only one that can start a war or say "I love you."
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๋งํ•˜๋Š” ์œ ์ผํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:23
And yet many people have the experience
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ํ•˜์ง€๋งŒ ๋งŽ์€ ๋ถ„๋“ค์ด ์ด์•ผ๊ธฐ๋Š” ํ•˜์ง€๋งŒ
00:25
that when they speak, people don't listen to them.
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์‚ฌ๋žŒ๋“ค์ด ๋“ค์–ด ์ฃผ์ง€ ์•Š๋Š” ๊ฒฝํ—˜์„ ํ•ฉ๋‹ˆ๋‹ค.
00:28
And why is that?
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์™œ ๊ทธ๋Ÿด๊นŒ์š”?
00:29
How can we speak powerfully to make change in the world?
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์–ด๋–ป๊ฒŒ ํ•˜๋ฉด ์„ธ์ƒ์„ ๋ณ€ํ™”์‹œํ‚ฌ๋งŒํผ
๊ฐ•๋ ฅํ•˜๊ฒŒ ์ด์•ผ๊ธฐ๋ฅผ ํ•  ์ˆ˜์žˆ์„๊นŒ์š”?
00:33
What I'd like to suggest,
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์—ฌ๋Ÿฌ๋ถ„๊ป˜ ๋ง์”€๋“œ๋ฆฌ๊ณ  ์‹ถ์€ ๊ฒƒ์€
00:34
there are a number of habits that we need to move away from.
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๋ฒ„๋ ค์•ผํ•  ์Šต๊ด€๋“ค์ด ๋งŽ๋‹ค๋Š” ๊ฒ๋‹ˆ๋‹ค.
00:37
I've assembled for your pleasure here seven deadly sins of speaking.
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์—ฌ๋Ÿฌ๋ถ„๊ป˜์„œ ์•Œ๊ธฐ ์‰ฝ๊ฒŒ
๋งํ•˜๊ธฐ์˜ 7๊ฐ€์ง€ ์ฃ„์•…์œผ๋กœ ์ •๋ฆฌํ•ด ๋ดค์Šต๋‹ˆ๋‹ค.
00:41
I'm not pretending this is an exhaustive list,
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์ด๊ฒƒ์ด ์ด๋ง๋ผํ•œ ๋ชฉ๋ก์€ ์•„๋‹ˆ์ง€๋งŒ
00:43
but these seven, I think, are pretty large habits that we can all fall into.
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์ด ์ผ๊ณฑ๊ฐ€์ง€๋Š” ์ƒ๋‹นํžˆ ํฐ
์šฐ๋ฆฌ๊ฐ€ ๋น ์ ธ๋“ค๊ธฐ ์‰ฌ์šด ์Šต๊ด€์ด๋ผ๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
00:49
First, gossip.
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์ฒซ๋ฒˆ์งธ, ํ—˜๋‹ดํ•˜๊ธฐ ์ž…๋‹ˆ๋‹ค.
00:51
Speaking ill of somebody who's not present.
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์ž๋ฆฌ์— ์—†๋Š” ์‚ฌ๋žŒ์„ ๋‚˜์˜๊ฒŒ ๋งํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:54
Not a nice habit, and we know perfectly well
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์ข‹์€ ์Šต๊ด€์ด ์•„๋‹ˆ์ฃ . ๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ๋Š” ํ™•์‹คํžˆ ์••๋‹ˆ๋‹ค.
00:56
the person gossiping, five minutes later, will be gossiping about us.
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์šฐ๋ฆฌ์˜ ํ—˜๋‹ด๊ฑฐ๋ฆฌ๊ฐ€ ๋œ ์‚ฌ๋žŒ์ด 5๋ถ„ ๋’ค์—๋Š”
์šฐ๋ฆฌ ํ—˜๋‹ด์„ ํ•˜๊ณ  ์žˆ์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
01:01
Second, judging.
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๋‘๋ฒˆ์งธ, ๋น„ํŒํ•˜๊ธฐ์ž…๋‹ˆ๋‹ค.
01:03
We know people who are like this in conversation,
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์—ฌ๋Ÿฌ๋ถ„์ด ๋น„ํŒ๋ฐ›๊ณ  ์žˆ๋Š” ๋™์‹œ์—
01:05
and it's very hard to listen to somebody
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๋ชจ์ž๋ผ๋‹ค๋Š” ๊ฒƒ์„ ์•Œ๊ฒŒ ๋˜๋ฉด
01:07
if you know that you're being judged and found wanting at the same time.
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์ด๋Ÿฐ ์‚ฌ๋žŒ๋“ค์€ ๋Œ€ํ™”๋ฅผ ํ•˜๊ธด ํ•˜์ง€๋งŒ
์ด์•ผ๊ธฐ ๋“ฃ๊ธฐ๊ฐ€ ๋งค์šฐ ์–ด๋ ต๋‹ค๋Š” ๊ฒƒ์„ ์••๋‹ˆ๋‹ค.
01:12
Third, negativity.
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์„ธ๋ฒˆ์งธ๋Š”, ๋ถ€์ •์„ฑ์ž…๋‹ˆ๋‹ค.
์—ฌ๊ธฐ์— ๋น ์ ธ๋“ค ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
01:14
You can fall into this.
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01:15
My mother, in the last years of her life, became very negative,
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์ €์˜ ์–ด๋จธ๋‹ˆ๊ป˜์„œ๋Š” ๋ง๋…„์—
๋„ˆ๋ฌด๋‚˜ ๋ถ€์ •์ ์ด์…”์„œ ๋ง์”€์„ ๋“ฃ๊ธฐ๊ฐ€ ๋„ˆ๋ฌด ํž˜๋“ค์—ˆ์Šต๋‹ˆ๋‹ค.
01:18
and it's hard to listen.
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์–ด๋Š ๋‚  ์–ด๋จธ๋‹ˆ๊ป˜ ์ด๋ ‡๊ฒŒ ์ด์•ผ๊ธฐ ํ–ˆ์Šต๋‹ˆ๋‹ค.
01:20
I remember one day, I said to her, "It's October 1 today,"
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"์˜ค๋Š˜ 10์›” 1์ผ์ด์—์š”."
01:22
and she said, "I know, isn't it dreadful?"
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๊ทธ๋Ÿฌ์ž ์–ด๋จธ๋‹ˆ๊ป˜์„œ๋Š”, "๊ทธ๋ž˜, ์ •๋ง ๊ธฐ๋ถ„๋‚˜์˜์ง€ ์•Š๋‹ˆ?"
01:25
(Laughter)
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(์›ƒ์Œ)
01:27
It's hard to listen when somebody's that negative.
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๊ทธ๋ ‡๊ฒŒ ๋ถ€์ •์ ์ด๋ฉด ์ด์•ผ๊ธฐ ๋“ฃ๊ธฐ๊ฐ€ ํž˜๋“ญ๋‹ˆ๋‹ค.
01:29
(Laughter)
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01:30
And another form of negativity, complaining.
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๋‹ค๋ฅธ ๋ถ€์ •์„ฑ์˜ ๋ชจ์Šต์€ ๋ถˆํ‰ํ•˜๊ธฐ์ž…๋‹ˆ๋‹ค.
01:33
Well, this is the national art of the U.K.
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์ด๊ฒƒ์€ ์˜๊ตญ์˜ ๊ตญ๋ฆฝ ์˜ˆ์ˆ ์ž…๋‹ˆ๋‹ค.
์ด๊ฒƒ์€ ๊ตญ๋ฆฝ ์Šคํฌ์ธ ์ž…๋‹ˆ๋‹ค. ์šฐ๋ฆฌ๋Š” ๋‚ ์”จ,
01:37
It's our national sport.
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01:38
We complain about the weather, sport, about politics, about everything,
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์Šคํฌ์ธ , ์ •์น˜, ๋ชจ๋“  ๊ฒƒ์— ๋Œ€ํ•ด ๋ถˆํ‰ํ•ฉ๋‹ˆ๋‹ค.
01:42
but actually, complaining is viral misery.
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์‚ฌ์‹ค ๋ถˆํ‰์ด๋ž€ ๋งŒ์—ฐํ•œ ๋น„์ฐธํ•จ์ž…๋‹ˆ๋‹ค.
01:44
It's not spreading sunshine and lightness in the world.
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๊ทธ๊ฒƒ์€ ์„ธ์ƒ์— ํ–‡๋น›์ด๋‚˜ ๋ฐ์€ ๋น›์„ ์ชผ์ด๋Š” ๊ฒŒ ์•„๋‹™๋‹ˆ๋‹ค.
01:48
Excuses.
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๋‹ค์„ฏ๋ฒˆ์งธ, ๋ณ€๋ช…์ž…๋‹ˆ๋‹ค. ์ด๋Ÿฐ ์‚ฌ๋žŒ ๊ผญ ์žˆ์Šต๋‹ˆ๋‹ค.
01:50
We've all met this guy.
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01:51
Maybe we've all been this guy.
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์šฐ๋ฆฌ ๋ชจ๋‘๊ฐ€ ์ด๋Ÿฐ ์‚ฌ๋žŒ์ผ ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
01:52
Some people have a blamethrower.
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์–ด๋–ค ์‚ฌ๋žŒ๋“ค์€ ๋Š˜ ๋‚จํƒ“์„ ํ•ฉ๋‹ˆ๋‹ค.
01:55
They just pass it on to everybody else
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๊ทธ์ € ๋ชจ๋“  ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ํƒ“์„ ๋Œ๋ฆฌ๊ณ 
01:57
and don't take responsibility for their actions,
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์ž์‹ ์˜ ํ–‰๋™์— ๋Œ€ํ•œ ์ฑ…์ž„์„ ์ง€์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
๊ทธ๋Ÿฐ ์‚ฌ๋žŒ ์ด์•ผ๊ธฐ๋Š” ๋“ฃ๊ธฐ ์–ด๋ ต์Šต๋‹ˆ๋‹ค.
02:00
and again, hard to listen to somebody who is being like that.
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02:02
Penultimate, the sixth of the seven,
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๋์—์„œ ๋‘๋ฒˆ์งธ, ์ผ๊ณฑ๊ฐ€์ง€ ์ค‘ ์—ฌ์„ฏ๋ฒˆ์งธ๋Š”,
02:04
embroidery, exaggeration.
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์ด์•ผ๊ธฐ๋ฅผ ์น˜์žฅํ•˜๊ฑฐ๋‚˜ ๊ณผ์žฅํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:08
It demeans our language, actually, sometimes.
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์‚ฌ์‹ค ์ด๊ฒƒ์€ ๊ฐ€๋” ์šฐ๋ฆฌ์˜ ์–ธ์–ด๋ฅผ ํ•ด์นฉ๋‹ˆ๋‹ค.
02:10
For example, if I see something that really is awesome,
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๊ฐ€๋ น, ์ •๋ง ๋ฉ‹์ง„ ๊ฒƒ์„
๋ณด์•˜์„ ๋•Œ,
02:13
what do I call it?
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์ œ๊ฐ€ ๋ญ๋ผ๊ณ  ํ• ๊นŒ์š”?
02:15
(Laughter)
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(์›ƒ์Œ)
02:17
And then, of course, this exaggeration becomes lying,
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์ด๋Ÿฐ ๊ณผ์žฅ์€ ๊ฑฐ์ง“์ด ๋ฉ๋‹ˆ๋‹ค.
๊ณ„์† ๊ฑฐ์ง“์ด ๋˜๋ฉด ์šฐ๋ฆฌ์—๊ฒŒ
02:21
and we don't want to listen to people we know are lying to us.
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๊ฑฐ์ง“๋ง ํ•˜๋Š” ์‚ฌ๋žŒ ์ด์•ผ๊ธฐ๋Š” ๋“ฃ๊ณ  ์‹ถ์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
02:24
And finally, dogmatism.
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๋งˆ์ง€๋ง‰์œผ๋กœ, ๋…๋‹จ์ฃผ์˜์ž…๋‹ˆ๋‹ค.
02:27
The confusion of facts with opinions.
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์‚ฌ์‹ค๊ณผ ์˜๊ฒฌ์„ ํ˜ผ๋™ํ•˜๋Š” ๊ฒƒ์ด์ฃ .
02:31
When those two things get conflated,
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๋‘ ๊ฐ€์ง€๊ฐ€ ์œตํ•ฉ๋˜๋ฉด
02:33
you're listening into the wind.
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์˜๋ฏธ์—†๋Š” ์†Œ๋ฆฌ๋ฅผ ๋“ฃ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:34
You know, somebody is bombarding you with their opinions as if they were true.
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์–ด๋–ค ์‚ฌ๋žŒ์ด ์ž์‹ ์˜ ์˜๊ฒฌ์„ ์ง„์‹ค์ธ๊ฒƒ์ฒ˜๋Ÿผ ๋ชฐ์•„๋ถ€์น˜๋ฉด
๋“ฃ๊ณ  ์žˆ๊ธฐ๊ฐ€ ์ฐธ ํž˜๋“ญ๋‹ˆ๋‹ค.
02:38
It's difficult to listen to that.
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02:40
So here they are, seven deadly sins of speaking.
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์—ฌ๊ธฐ ์ด๊ฒƒ๋“ค์ด, ๋งํ•˜๊ธฐ์˜ 7๊ฐ€์ง€ ์ฃ„์•…์ž…๋‹ˆ๋‹ค.
02:43
These are things I think we need to avoid.
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์ œ ์ƒ๊ฐ์—๋Š” ํ”ผํ•ด์•ผํ•  ๊ฒƒ๋“ค์ž…๋‹ˆ๋‹ค.
02:46
But is there a positive way to think about this?
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ํ•˜์ง€๋งŒ ์ด๊ฒƒ์„ ๊ธ์ •์ ์œผ๋กœ ์ƒ๊ฐํ•ด๋ณผ ์ˆ˜ ์žˆ๋Š” ๋ฐฉ๋ฒ•์€ ์—†์„๊นŒ์š”?
02:48
Yes, there is.
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์˜ˆ, ์žˆ์Šต๋‹ˆ๋‹ค.
02:50
I'd like to suggest that there are four really powerful cornerstones, foundations,
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์šฐ๋ฆฌ์˜ ์—ฐ์„ค์ด ๊ฐ•๋ ฅํ•˜๊ณ 
์„ธ์ƒ์„ ๋ฐ”๊ฟ€๋งŒํ•œ ๊ฒƒ์ด ๋˜๋„๋ก ํ•˜์‹œ๊ธฐ ์›ํ•˜์‹ ๋‹ค๋ฉด
02:55
that we can stand on if we want our speech
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ํ† ๋Œ€๋กœ ์‚ผ์•„์•ผ ํ• 
02:58
to be powerful and to make change in the world.
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๊ฐ•๋ ฅํ•œ ๋„ค ๊ฐ€์ง€ ๊ธฐ์ดˆ ์›๋ฆฌ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
๋‹คํ–‰ํžˆ๋„, ์ด๊ฒƒ๋“ค์€ ๋‹จ์–ด๋กœ ์ฒ ์ž๊ฐ€ ๋ฉ๋‹ˆ๋‹ค.
03:02
Fortunately, these things spell a word.
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03:04
The word is "hail," and it has a great definition as well.
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๊ทธ๊ฒƒ์€ "์ธ์ •(์ถ•๋ณต)"์ž…๋‹ˆ๋‹ค. ๋œป๋„ ์•„์ฃผ ์ข‹์Šต๋‹ˆ๋‹ค.
03:07
I'm not talking about the stuff that falls from the sky
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ํ•˜๋Š˜์—์„œ ์—ฌ๋Ÿฌ๋ถ„๋“ค ๋จธ๋ฆฌ๋กœ ์Ÿ์•„์ ธ ๋‚ด๋ฆฌ๋Š”
์šฐ๋ฐ•์„ ๋ง์”€๋“œ๋ฆฌ๋Š” ๊ฒƒ์ด ์•„๋‹™๋‹ˆ๋‹ค.
03:10
and hits you on the head.
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์ด ๋„ค๊ฐ€์ง€์— ๊ธฐ์ดˆํ•ด์„œ
03:11
I'm talking about this definition,
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์šฐ๋ฆฌ์˜ ๋ง์ด ๋ฐ›์•„๋“ค์—ฌ์ง€๋Š” ๋ฐฉ๋ฒ•์„
03:13
to greet or acclaim enthusiastically,
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์—ด๋ ฌํžˆ ํ™˜์˜ํ•˜๊ธฐ ์œ„ํ•ด
03:15
which is how I think our words will be received
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03:17
if we stand on these four things.
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์ด ์ •์˜๋ฅผ ๋ง์”€๋“œ๋ฆฌ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
03:18
So what do they stand for?
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๊ทธ๊ฒƒ์ด ๋ฌด์—‡์„ ์ƒ์ง•ํ•˜๋Š” ๊ฒƒ์ผ๊นŒ์š”?
03:20
See if you can guess.
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๋งž์ถœ์ˆ˜ ์žˆ๋Š”์ง€ ๋ณด์‹ญ์‹œ์˜ค.
H๋Š” ์ •์ง์ž…๋‹ˆ๋‹ค.
03:22
The H, honesty, of course,
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03:25
being true in what you say, being straight and clear.
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๋ง์— ์žˆ์–ด ์ง„์‹คํ•˜๊ณ  ์†”์ง ๋ช…ํ™•ํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
03:28
The A is authenticity, just being yourself.
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A๋Š” ์ง„์ •์„ฑ ์ฆ‰, ์ž์—ฐ์Šค๋Ÿฌ์šด ๊ฒƒ์ž…๋‹ˆ๋‹ค.
03:32
A friend of mine described it as standing in your own truth,
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์ œ ์นœ๊ตฌ๊ฐ€ "์ž์‹ ๋งŒ์˜ ์ง„์‹ค์„ ๋งํ•œ๋‹ค"๋ผ๊ณ 
์„ค๋ช…ํ•˜๋˜๋ฐ
03:35
which I think is a lovely way to put it.
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๊ทธ๊ฒŒ ์ฐธ ๊ดœ์ฐฎ์€ ์„ค๋ช…์ธ ๊ฒƒ ๊ฐ™์Šต๋‹ˆ๋‹ค.
03:37
The I is integrity, being your word,
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I ๋Š” ๋„๋•์„ฑ์œผ๋กœ ๋ง์„ ์ง€ํ‚ค๋Š” ๊ฒƒ,
03:40
actually doing what you say,
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์ฆ‰ ๋ง๊ณผ ํ–‰๋™์ด ์ผ์น˜ํ•˜๊ณ 
03:41
and being somebody people can trust.
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๋ˆ„๊ตฐ๊ฐ€ ์‹ ๋ขฐํ•  ์ˆ˜ ์žˆ๋Š” ์‚ฌ๋žŒ์ด ๋˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
L ์€ ์‚ฌ๋ž‘์ž…๋‹ˆ๋‹ค.
03:44
And the L is love.
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03:47
I don't mean romantic love,
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๋‚ญ๋งŒ์ ์ธ ์‚ฌ๋ž‘์„ ์˜๋ฏธํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ
03:49
but I do mean wishing people well, for two reasons.
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์‚ฌ๋žŒ๋“ค์ด ์ž˜๋˜๊ธฐ๋ฅผ ๋ฐ”๋ผ๋Š” ๋งˆ์Œ์ž…๋‹ˆ๋‹ค.
03:52
First of all, I think absolute honesty may not be what we want.
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๋‘ ๊ฐ€์ง€ ์ด์œ ๊ฐ€ ์žˆ๋Š”๋ฐ, ๋จผ์ € ์™„์ „ํ•œ ์ •์ง์€
์•„๋งˆ ์šฐ๋ฆฌ๊ฐ€ ์›์น˜ ์•Š๋Š” ๊ฒƒ์ผ ๊ฒ๋‹ˆ๋‹ค.
03:56
I mean, my goodness, you look ugly this morning.
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๊ทธ๋Ÿฌ๋‹ˆ๊นŒ, "์„ธ์ƒ์—, ์˜ค๋Š˜ ์•„์นจ ๊ผด์ด ๋ง์ด ์•„๋‹ˆ๋„ค์š”." ๋ผ๋“ ์ง€
03:58
Perhaps that's not necessary.
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๊ทธ๋Ÿฐ ๊ฒƒ์€ ๋ถˆํ•„์š”ํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
04:02
Tempered with love, of course, honesty is a great thing.
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๋ฌผ๋ก , ์‚ฌ๋ž‘์œผ๋กœ ์™„ํ™”๋˜์–ด, ์ •์ง์€ ํ›Œ๋ฅญํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
04:05
But also, if you're really wishing somebody well,
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๋˜ํ•œ, ์—ฌ๋Ÿฌ๋ถ„์ด ๋ˆ„๊ตฐ๊ฐ€ ์ž˜ ๋˜๊ธฐ๋ฅผ ๋ฐ”๋ž€๋‹ค๋ฉด
04:08
it's very hard to judge them at the same time.
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๊ทธ๋“ค์„ ๋น„ํŒํ•˜๊ธฐ๊ฐ€ ์–ด๋ ค์šธ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
04:11
I'm not even sure you can do those two things simultaneously.
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๊ทธ ๋‘๊ฐ€์ง€๋ฅผ ๋™์‹œ์— ํ•˜์‹ค ์ˆ˜ ์žˆ๋Š”์ง€๋„
์˜๋ฌธ์Šค๋Ÿฝ์Šต๋‹ˆ๋‹ค.
04:15
So hail.
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HAIL ์ž…๋‹ˆ๋‹ค.
04:16
Also, now that's what you say,
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๋˜ํ•œ ์—ฌ๋Ÿฌ๋ถ„์ด ๋งํ•˜๋Š” ๊ฒƒ,
04:18
and it's like the old song, it is what you say,
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๊ทธ๋ฆฌ๊ณ  ์˜ค๋ž˜๋œ ๋…ธ๋ž˜์™€ ๊ฐ™์€ ๊ฒƒ,
04:20
it's also the way that you say it.
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๊ทธ๊ฒƒ์„ ๋งํ•˜๋Š” ๋ฐฉ๋ฒ•์ž…๋‹ˆ๋‹ค.
04:22
You have an amazing toolbox.
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๋†€๋ผ์šด ๋„๊ตฌ์ƒ์ž๋ฅผ ๊ฐ€์ง€๊ณ  ๊ณ„์‹ญ๋‹ˆ๋‹ค.
04:24
This instrument is incredible,
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์ด ๋„๊ตฌ๋Š” ๋†€๋ž์ง€๋งŒ
04:26
and yet this is a toolbox that very few people have ever opened.
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์‚ฌ๋žŒ๋“ค์ด ์ž˜ ์—ด์–ด๋ณด์ง€ ์•Š๋Š” ์ƒ์ž์ž…๋‹ˆ๋‹ค.
04:29
I'd like to have a little rummage in there with you now
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๊ฑฐ๊ธฐ์— ์žก๋™์‚ฌ๋‹ˆ๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ๊ณ 
์—ฌ๋Ÿฌ๋ถ„์ด ๊ฐ€์ง€๊ณ  ๋†€๋งŒํ•œ
04:32
and just pull a few tools out
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04:33
that you might like to take away and play with,
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๋ง์˜ ํž˜์„ ์ฆ๊ฐ€์‹œ์ผœ ์ค„
๋ช‡ ๊ฐ€์ง€ ๋„๊ตฌ๋“ค์„ ๊บผ๋‚ด๊ณ  ์‹ถ์Šต๋‹ˆ๋‹ค.
04:36
which will increase the power of your speaking.
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04:38
Register, for example.
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์˜ˆ๋ฅผ ๋“ค์–ด, ๋งํ•˜๋Š” ์Œ์„ฑ์ž…๋‹ˆ๋‹ค.
04:39
Now, falsetto register may not be very useful most of the time,
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๊ฐ€์„ฑ์œผ๋กœ ๋ชฉ์†Œ๋ฆฌ๋ฅผ ๋‚ด๋Š” ๊ฒƒ์€ ๋Œ€๋ถ€๋ถ„ ํšจ๊ณผ๊ฐ€ ์—†๊ฒ ์ง€๋งŒ
04:44
but there's a register in between.
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์ค‘๊ฐ„ ์ •๋„์˜ ๋ชฉ์†Œ๋ฆฌ๋Š” ์žˆ์Šต๋‹ˆ๋‹ค.
04:46
I'm not going to get very technical about this
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๋ฐœ์„ฑ์ง€๋„์ž์—๊ฒŒ๋‚˜ ๋งž์„
๊ธฐ์ˆ ์ ์ธ ์–˜๊ธฐ๋ฅผ ํ•˜์ง€๋Š” ์•Š๊ฒ ์Šต๋‹ˆ๋‹ค.
04:48
for any of you who are voice coaches.
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ํ•˜์ง€๋งŒ, ๋ชฉ์†Œ๋ฆฌ๋ฅผ ์‹๋ณ„ํ•  ์ˆ˜๋Š” ์žˆ์Šต๋‹ˆ๋‹ค.
04:50
You can locate your voice, however.
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04:51
So if I talk up here in my nose, you can hear the difference.
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์ œ๊ฐ€ ์ฝง์†Œ๋ฆฌ๋กœ ๋†’์—ฌ ์ด์•ผ๊ธฐํ•˜๋ฉด, ๋‹ค๋ฅด๊ฒŒ ๋“ค๋ฆฌ์‹ค ๊ฒ๋‹ˆ๋‹ค.
์šฐ๋ฆฌ ๋Œ€๋ถ€๋ถ„์ด ๋งํ•  ๋•Œ ์“ฐ๋Š”
04:54
If I go down here in my throat,
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๋ชฉ๊ตฌ๋ฉ ์•„๋ž˜๋กœ ๋‚ด๋ ค์„œ ๋งํ•˜๋ฉด ๋˜ ๋‹ค๋ฆ…๋‹ˆ๋‹ค.
04:56
which is where most of us speak from most of the time.
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04:58
But if you want weight,
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์—ฌ๋Ÿฌ๋ถ„์ด ๋ฌด๊ฒŒ๊ฐ์„ ์›ํ•˜์‹œ๋ฉด
05:00
you need to go down here to the chest.
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๊ฐ€์Šด์ชฝ์œผ๋กœ ๋‚ด๋ ค๊ฐ€์•ผ ํ•ฉ๋‹ˆ๋‹ค.
05:03
You hear the difference?
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์ฐจ์ด๊ฐ€ ๋Š๊ปด์ง€์‹ญ๋‹ˆ๊นŒ?
05:04
We vote for politicians with lower voices, it's true,
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์‚ฌ์‹ค ์šฐ๋ฆฌ๋Š” ๋‚ฎ์€ ๋ชฉ์†Œ๋ฆฌ๋ฅผ ๊ฐ€์ง„ ์ •์น˜์ธ์—๊ฒŒ ํˆฌํ‘œํ•ฉ๋‹ˆ๋‹ค.
05:08
because we associate depth with power
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๋ชฉ์†Œ๋ฆฌ์˜ ๊นŠ์ด๋ฅผ ํž˜๊ณผ ๊ถŒ์œ„์—
05:11
and with authority.
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์—ฐ๊ด€์‹œํ‚ค๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
05:14
That's register.
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๊ทธ๊ฒƒ์ด ์Œ์„ฑ์ž…๋‹ˆ๋‹ค.
05:16
Then we have timbre.
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๋‹ค์Œ์œผ๋กœ๋Š” ์Œ์ƒ‰์ด ์žˆ์Šต๋‹ˆ๋‹ค.
05:17
It's the way your voice feels.
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๋ชฉ์†Œ๋ฆฌ์—์„œ ๋Š๊ปด์ง€๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
05:19
Again, the research shows
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์šฐ๋ฆฌ๋Š” ํ’๋ถ€ํ•˜๊ณ , ๋ถ€๋“œ๋Ÿฝ๊ณ , ์ฝ”์ฝ”์•„์ฒ˜๋Ÿผ ๋”ฐ๋œปํ•œ
05:20
that we prefer voices which are rich, smooth, warm,
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๋ชฉ์†Œ๋ฆฌ๋ฅผ ์„ ํ˜ธํ•œ๋‹ค๊ณ  ์—ฐ๊ตฌ๊ฒฐ๊ณผ๊ฐ€ ๋งํ•ด ์ค๋‹ˆ๋‹ค.
05:24
like hot chocolate.
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05:26
Well if that's not you, that's not the end of the world,
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์—ฌ๋Ÿฌ๋ถ„์ด ๊ทธ๋Ÿฐ ๋ชฉ์†Œ๋ฆฌ๋ฅผ ์•ˆ ๊ฐ€์ง€๊ณ  ์žˆ์–ด๋„
05:29
because you can train.
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๊ดœ์ฐฎ์Šต๋‹ˆ๋‹ค. ํ›ˆ๋ จ์ด ๊ฐ€๋Šฅํ•ฉ๋‹ˆ๋‹ค.
05:31
Go and get a voice coach.
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๋ฐœ์„ฑ์ง€๋„์ž๋ฅผ ์ฐพ์•„๊ฐ€์‹ญ์‹œ์˜ค.
05:32
And there are amazing things you can do
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ํ˜ธํก๋ฒ•, ์ž์„ธ์™€ ์—ฐ์Šต์œผ๋กœ ๋ชฉ์†Œ๋ฆฌ์˜ ์Œ์ƒ‰์„
05:34
with breathing, with posture, and with exercises
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ํ–ฅ์ƒ์‹œํ‚ฌ ์ˆ˜ ์žˆ๋Š”
05:36
to improve the timbre of your voice.
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๋†€๋ผ์šด ๋ฐฉ๋ฒ•๋“ค์ด ์žˆ์Šต๋‹ˆ๋‹ค.
05:39
Then prosody. I love prosody.
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๋‹ค์Œ์€ ์šด์œจ์ž…๋‹ˆ๋‹ค. ์ €๋Š” ์šด์œจ์„ ๋งค์šฐ ์ข‹์•„ํ•ฉ๋‹ˆ๋‹ค.
05:41
This is the sing-song, the meta-language
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์ด๊ฒƒ์€ ๋…ธ๋ž˜์ด์ž ์˜๋ฏธ๋ฅผ ์ „๋‹ฌํ•˜๊ธฐ ์œ„ํ•ด ์‚ฌ์šฉํ•˜๋Š”
05:43
that we use in order to impart meaning.
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๋ฉ”ํƒ€ ์–ธ์–ด์ž…๋‹ˆ๋‹ค.
05:45
It's root one for meaning in conversation.
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๋Œ€ํ™”์—์„œ ์˜๋ฏธ๋ฅผ ์œ„ํ•œ ์œผ๋œธ์ž…๋‹ˆ๋‹ค.
05:48
People who speak all on one note are really quite hard to listen to
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ํ•œ ๊ฐ€์ง€ ์Œ์œผ๋กœ๋งŒ ์ด์•ผ๊ธฐํ•˜๋ฉด
๋“ฃ๊ธฐ๊ฐ€ ์ฐธ ํž˜๋“ญ๋‹ˆ๋‹ค.
05:52
if they don't have any prosody at all.
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์šด์œจ์ด ์ „ํ˜€ ์—†๋‹ค๋ฉด ๋ง์ž…๋‹ˆ๋‹ค.
05:54
That's where the word "monotonic" comes from,
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๊ทธ๋ž˜์„œ ๋‹จ์กฐ๋กญ๋‹ค๋Š” ๊ฒƒ์ด ํŒŒ์ƒ๋ฉ๋‹ˆ๋‹ค.
05:57
or monotonous, monotone.
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๋‹จ์กฐ๋กœ์šด, ๋‹จ์ƒ‰ ๊ทธ๋Ÿฐ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
06:00
Also, we have repetitive prosody now coming in,
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๋ฐ˜๋ณต์ ์ธ ์šด์œจ๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
06:03
where every sentence ends as if it were a question
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์˜๋ฌธ๋ฌธ์ด ์•„๋‹ˆ๋ผ ํ‰์„œ๋ฌธ์ธ๋ฐ๋„
06:06
when it's actually not a question, it's a statement?
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์งˆ๋ฌธ์ฒ˜๋Ÿผ ๋ชจ๋“  ๋ฌธ์žฅ์„ ๋๋‚ด๋Š” ๊ฒƒ์ด์ฃ .
06:08
(Laughter)
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(์›ƒ์Œ)
06:11
And if you repeat that one,
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๊ทธ๊ฒƒ์„ ๊ณ„์†ํ•ด์„œ ๋ฐ˜๋ณตํ•˜๋ฉด,
06:12
it's actually restricting your ability to communicate through prosody,
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์•ˆํƒ€๊น๊ฒŒ๋„
์šด์œจ์„ ํ†ตํ•ด ์†Œํ†ตํ•˜๋Š”
๋Šฅ๋ ฅ์„ ์ œํ•œํ•˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
06:16
which I think is a shame,
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06:17
so let's try and break that habit.
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๊ทธ๋Ÿฌ๋‹ˆ๊นŒ ์ด์ œ ๊ทธ๋Ÿฐ ์Šต๊ด€์„ ์—†์• ๋„๋ก ํ•ฉ์‹œ๋‹ค.
์†๋„์ž…๋‹ˆ๋‹ค. ์ œ๊ฐ€ ์–ด๋–ค ๊ฒƒ์„
06:21
Pace.
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06:22
I can get very excited by saying something really quickly,
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๋งค์šฐ ๋น ๋ฅด๊ฒŒ ๋งํ•ด์„œ ํฅ๋ถ„ํ•˜๊ฒŒ ๋˜๊ฑฐ๋‚˜
๊ฐ•์กฐํ•˜๊ธฐ ์œ„ํ•ด ๋ฐ”๋กœ ์†๋„๋ฅผ ๋Šฆ์ถœ ์ˆ˜๋„ ์žˆ๊ณ 
06:25
or I can slow right down to emphasize,
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06:28
and at the end of that, of course, is our old friend silence.
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๋งˆ์ง€๋ง‰์—๋Š” ์šฐ๋ฆฌ์˜ ์˜ค๋žœ ์นœ๊ตฌ์ธ
์นจ๋ฌตํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
06:34
There's nothing wrong with a bit of silence in a talk, is there?
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๋Œ€ํ™” ์ค‘์— ์ข€ ์นจ๋ฌตํ•œ๋‹ค๊ณ  ํ•ด์„œ
๋‚˜์  ๊ฒƒ์€ ์—†์Šต๋‹ˆ๋‹ค. ๊ทธ๋ ‡์ฃ ?
06:38
We don't have to fill it with ums and ahs.
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"์Œ", "์–ด" ์ด๋Ÿฐ ๋ง๋กœ ์ฑ„์šธ ํ•„์š”๊ฐ€ ์—†์Šต๋‹ˆ๋‹ค.
06:41
It can be very powerful.
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์นจ๋ฌต์€ ๋งค์šฐ ๊ฐ•๋ ฅํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
06:43
Of course, pitch often goes along with pace
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์Œ์กฐ๊ฐ€ ๋ณดํ†ต ์†๋„์™€ ํ•จ๊ป˜ ํ•ด์„œ
06:46
to indicate arousal, but you can do it just with pitch.
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์ฃผ์˜ํ™˜๊ธฐ๋ฅผ ๋ณด์—ฌ์ฃผ๋Š”๋ฐ, ์Œ์กฐ๋งŒ์œผ๋กœ ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
06:48
Where did you leave my keys?
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(๋‚ฎ์€ ์†Œ๋ฆฌ) ์—ด์‡  ์–ด๋””์— ๋‘์—ˆ์–ด?
06:50
(Higher pitch) Where did you leave my keys?
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(๋†’์€ ์†Œ๋ฆฌ) ์—ด์‡  ์–ด๋””์— ๋‘์—ˆ์–ด?
06:52
So, slightly different meaning in those two deliveries.
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๋‘ ๊ฐ€์ง€ ์ „๋‹ฌ ๋ฐฉ๋ฒ•์—
์•ฝ๊ฐ„ ๋‹ค๋ฅธ ์˜๋ฏธ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
06:56
And finally, volume.
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๋งˆ์ง€๋ง‰์œผ๋กœ ์Œ๋Ÿ‰์ž…๋‹ˆ๋‹ค.
06:58
(Loud) I can get really excited by using volume.
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์Œ๋Ÿ‰์„ ์กฐ์ ˆํ•ด์„œ ๋งค์šฐ ๊ฒฉํ•ด์งˆ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
07:01
Sorry about that, if I startled anybody.
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๋†€๋ผ๊ฒŒ ํ•ด๋“œ๋ ธ๋‹ค๋ฉด ์ฃ„์†กํ•ฉ๋‹ˆ๋‹ค.
07:03
Or, I can have you really pay attention by getting very quiet.
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์•„๋‹ˆ๋ฉด, ์•„์ฃผ ์กฐ์šฉํžˆ ๋งํ•ด์„œ
์ฃผ์˜๋ฅผ ์ง‘์ค‘์‹œํ‚ฌ ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
07:08
Some people broadcast the whole time.
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์–ด๋–ค ์‚ฌ๋žŒ์€ ๋ฐฉ์†กํ•˜๋“ฏ์ด ๋– ๋“ค์–ด๋Œ‘๋‹ˆ๋‹ค.
07:10
Try not to do that.
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๊ทธ๋ ‡๊ฒŒ ํ•˜์ง€์•Š๋„๋ก ํ•˜์‹ญ์‹œ์˜ค.
07:11
That's called sodcasting,
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๊ทธ๊ฒƒ์€ ์ฃผ๋ณ€ ์‚ฌ๋žŒ๋“ค์—๊ฒŒ
07:13
(Laughter)
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07:15
Imposing your sound on people around you carelessly and inconsiderately.
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์•„๋ฌด ์ƒ๊ฐ์—†์ด ๋ฌด์‹ฌํ•˜๊ฒŒ
์†Œ๋ฆฌ๋ฅผ ๋ฟŒ๋ฆฌ๋Š” "์†Œ๋ฆฌ๋ฐฉ์†ก"์ž…๋‹ˆ๋‹ค. ์ข‹์ง€ ์•Š์ฃ .
07:20
Not nice.
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๋ฌผ๋ก , ๋ญ”๊ฐ€ ์ค‘์š”ํ•œ ๊ฒƒ์ด ์žˆ์„ ๋•Œ๋Š”
07:21
Of course, where this all comes into play most of all
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07:23
is when you've got something really important to do.
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์ด ๋ชจ๋“ ๊ฒƒ์ด ๋‹ค ์ž‘์šฉ์„ ํ•ฉ๋‹ˆ๋‹ค.
์ง€๊ธˆ์ฒ˜๋Ÿผ ๋ฌด๋Œ€์— ์„œ์„œ
07:26
It might be standing on a stage like this and giving a talk to people.
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๊ฐ•์—ฐ์„ ํ•˜๋Š” ๊ฒƒ์ผ ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
07:29
It might be proposing marriage,
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์ฒญํ˜ผ์„ ํ•˜๊ฑฐ๋‚˜, ๋ด‰๊ธ‰ ์ธ์ƒ์„ ์š”๊ตฌํ•˜๊ฑฐ๋‚˜,
07:31
asking for a raise, a wedding speech.
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๊ฒฐํ˜ผ ์ถ•์‚ฌ๋ฅผ ํ•˜๋Š” ๊ฒƒ์ผ ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
07:34
Whatever it is, if it's really important,
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๋ฌด์—‡์ด๋“ ์ง€ ๊ทธ๊ฒŒ ์ •๋ง๋กœ ์ค‘์š”ํ•˜๋‹ค๋ฉด
07:36
you owe it to yourself to look at this toolbox
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์ด ๋„๊ตฌ์ƒ์ž๋“ค๊ณผ ์ž‘๋™ํ•˜๊ฒŒ ๋  ์—”์ง„์„
07:40
and the engine that it's going to work on,
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์‚ดํŽด๋ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
07:42
and no engine works well without being warmed up.
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์ค€๋น„๊ฐ€ ์•ˆ๋˜๋ฉด ์—”์ง„์€ ์ž‘๋™ํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
07:45
Warm up your voice.
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๋ชฉ์†Œ๋ฆฌ๋ฅผ ์ค€๋น„์‹œ์ผœ ์ฃผ์‹ญ์‹œ์˜ค.
07:47
Actually, let me show you how to do that.
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์–ด๋–ป๊ฒŒ ํ•˜๋Š”์ง€ ๋ณด์—ฌ๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค.
07:49
Would you all like to stand up for a moment?
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๋ชจ๋‘ ์ž ์‹œ ์ผ์–ด์„œ ์ฃผ์‹œ๊ฒ ์Šต๋‹ˆ๊นŒ?
07:52
I'm going to show you
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์ œ๊ฐ€ ๊ฐ•์—ฐ์„ ํ•˜๊ธฐ ์ „์— ํ•ญ์ƒ ํ•˜๋Š”
07:53
the six vocal warm-up exercises that I do before every talk I ever do.
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์—ฌ์„ฏ๊ฐ€์ง€ ๋ชฉ์†Œ๋ฆฌ ์ค€๋น„์šด๋™์„ ๋ณด์—ฌ๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค.
07:58
Any time you're going to talk to anybody important, do these.
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๋ฌด์–ธ๊ฐ€ ์ค‘์š”ํ•œ ๋ง์„ ํ•ด์•ผ ํ• ๋•Œ๋Š” ์ด๋ ‡๊ฒŒ ํ•ด๋ณด์‹ญ์‹œ์˜ค.
08:01
First, arms up, deep breath in,
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๋จผ์ €, ํŒ”์„ ์˜ฌ๋ฆฌ๊ณ  ๊นŠ์ด ์ˆจ์„ ๋“ค์ด์‰ฝ๋‹ˆ๋‹ค.
08:04
and sigh out, ahhhhh, like that.
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๊ทธ๋ฆฌ๊ณ  ๊ธธ๊ฒŒ "์•„"ํ•˜๊ณ  ๋‚ด์‰ฝ๋‹ˆ๋‹ค.
08:07
One more time.
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ํ•œ ๋ฒˆ๋”์š”.
08:09
Ahhhh, very good.
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"์•„", ์•„์ฃผ ์ข‹์Šต๋‹ˆ๋‹ค.
08:12
Now we're going to warm up our lips,
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์ด์ œ ์ž…์ˆ ์šด๋™์„ ํ•˜๋Š”๋ฐ,
08:14
and we're going to go Ba, Ba, Ba, Ba,
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"๋ฐ”,๋ฐ”,๋ฐ”,๋ฐ”"ํ•˜์‹ญ์‹œ์˜ค.
08:16
Ba, Ba, Ba, Ba. Very good.
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"๋ฐ”,๋ฐ”,๋ฐ”,๋ฐ”" ์•„์ฃผ ์ข‹์Šต๋‹ˆ๋‹ค.
08:19
And now, brrrrrrrrrr,
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์ด๋ฒˆ์—๋Š”, "๋ธŒ๋ฅด๋ฅด๋ฅด๋ฅด" ํ•˜์‹œ๋Š”๋ฐ
08:22
just like when you were a kid.
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์–ด๋ ธ์„ ๋•Œ ํ–ˆ๋˜ ๊ฒƒ์ฒ˜๋Ÿผ ํ•ด๋ณด์„ธ์š”.
08:24
Brrrr. Now your lips should be coming alive.
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์ž…์ˆ ์ด ํ™œ๊ธฐ๋ฅผ ๋จ๊ฒ๋‹ˆ๋‹ค.
08:26
We're going to do the tongue next
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๋‹ค์Œ์€ ํ˜€์šด๋™์„ ํ•ด๋ด…์‹œ๋‹ค.
08:28
with exaggerated la, la, la, la, la, la, la, la, la.
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๊ณผ์žฅํ•ด์„œ "๋ผ,๋ผ,๋ผ,๋ผ" ํ•ด๋ณด์„ธ์š”.
08:32
Beautiful. You're getting really good at this.
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ํ›Œ๋ฅญํ•ฉ๋‹ˆ๋‹ค. ๊ต‰์žฅํžˆ ์ž˜ํ•˜์‹œ๋Š”๋ฐ์š”.
์ด๋ฒˆ์—” ํ˜€๋ฅผ ๊ตด๋ ค๋ณด์‹ญ์‹œ์˜ค. "์œผ๋ฅด๋ฅด๋ฅด".
08:35
And then, roll an R. Rrrrrrr.
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08:37
That's like champagne for the tongue.
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ํ˜€์—๊ฒŒ ์ƒดํŽ˜์ธ ๊ฐ™์€ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
08:40
Finally, and if I can only do one,
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๋์œผ๋กœ, ํ•œ ๊ฐ€์ง€๋งŒ ํ•œ๋‹ค๋ฉด
08:42
the pros call this the siren.
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์ „๋ฌธ๊ฐ€๋“ค์€ ์‚ฌ์ด๋ Œ์ด๋ผ๊ณ  ๋ถ€๋ฆ…๋‹ˆ๋‹ค.
08:44
It's really good. It starts with "we" and goes to "aw."
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ํšจ๊ณผ๊ฐ€ ์ข‹์Šต๋‹ˆ๋‹ค. "์œ„"๋กœ ์‹œ์ž‘ํ•ด์„œ "์˜ค"ํ•ฉ๋‹ˆ๋‹ค.
08:46
The "we" is high, the "aw" is low.
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"์œ„"๋Š” ๋†’์€ ์†Œ๋ฆฌ, "์˜ค"๋Š” ๋‚ฎ์€ ์†Œ๋ฆฌ์ž…๋‹ˆ๋‹ค.
ํ•ด๋ณด์„ธ์š”. ์œ„์ด์ด์ด์˜ค์˜ค, ์œ„์ด์ด์ด์ด์˜ค์˜ค.
08:48
So you go, weeeaawww, weeeaawww.
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08:54
Fantastic. Give yourselves a round of applause.
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๋ฉ‹์ง€๋„ค์š”. ๋ฐ•์ˆ˜์ณ์ฃผ์„ธ์š”.
08:56
Take a seat, thank you.
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์•‰์œผ์‹ญ์‹œ์š”, ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค. (๋ฐ•์ˆ˜)
08:58
(Applause)
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08:59
Next time you speak, do those in advance.
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๋‹ค์Œ์— ๊ฐ•์—ฐํ•˜์‹ค๋•Œ๋Š” ๋ฏธ๋ฆฌ ์ด๊ฒƒ๋“ค์„ ํ•ด๋ณด์‹ญ์‹œ์˜ค.
09:02
Now let me just put this in context to close.
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์ด๊ฒƒ์— ๋Œ€ํ•œ ๋ฐฐ๊ฒฝ์„ค๋ช…์„ ํ•ด๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค.
09:04
This is a serious point here.
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์ด๊ฒŒ ์ค‘์š”ํ•œ ๋ถ€๋ถ„์ž…๋‹ˆ๋‹ค.
09:07
This is where we are now, right?
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์šฐ๋ฆฌ๊ฐ€ ๋”ฑ ์ด๋ถ€๋ถ„์— ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ ‡์ฃ ?
09:09
We speak not very well
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์†Œ์Œ๊ณผ ์ข‹์ง€ ์•Š์€ ์Œํ–ฅ๋•Œ๋ฌธ์—
09:10
to people who simply aren't listening
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์ž˜ ๋“ฃ์ง€ ์•Š๋Š” ์‚ฌ๋žŒ๋“ค์—๊ฒŒ
09:12
in an environment that's all about noise and bad acoustics.
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์šฐ๋ฆฌ๋Š” ์ œ๋Œ€๋กœ ์ด์•ผ๊ธฐ ํ•˜์ง€ ๋ชปํ•ฉ๋‹ˆ๋‹ค.
09:15
I have talked about that on this stage in different phases.
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์ €๋Š” ์—ฌ๊ธฐ์„œ ์—ฌ๋Ÿฌ๊ฐ€์ง€ ๋‹จ๊ณ„๋กœ
๊ทธ๊ฒƒ์„ ๋ง์”€๋“œ๋ ธ์Šต๋‹ˆ๋‹ค.
09:18
What would the world be like
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์šฐ๋ฆฌ๊ฐ€ ๋งŒ์•ฝ ๋”ฑ ๋งž๋Š” ํ™˜๊ฒฝ์—์„œ
09:20
if we were speaking powerfully
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์˜์‹์ ์œผ๋กœ ๋“ฃ๊ณ  ์žˆ๋Š” ์‚ฌ๋žŒ๋“ค์—๊ฒŒ
09:22
to people who were listening consciously
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๊ฐ•๋ ฅํ•˜๊ฒŒ ๋งํ•œ๋‹ค๋ฉด
09:24
in environments which were actually fit for purpose?
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์„ธ์ƒ์€ ์–ด๋–ค ๋ชจ์Šต์ผ๊นŒ์š”?
09:27
Or to make that a bit larger,
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์ข€ ๋” ํ™•์žฅ์‹œ์ผœ์„œ
09:30
what would the world be like
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์šฐ๋ฆฌ๊ฐ€ ์˜์‹์ ์œผ๋กœ ์†Œ๋ฆฌ๋ฅผ ๋งŒ๋“ค๊ณ ,
09:31
if we were creating sound consciously
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์†Œ๋น„ํ•˜๊ณ , ์šฐ๋ฆฌ์˜ ๋ชจ๋“  ํ™˜๊ฒฝ์„
09:34
and consuming sound consciously
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์†Œ๋ฆฌ์— ๋งž๊ฒŒ ์˜์‹์ ์œผ๋กœ ์„ค๊ณ„ํ•œ๋‹ค๋ฉด
09:36
and designing all our environments
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์„ธ์ƒ์€
์–ด๋–ค ๋ชจ์Šต์ผ๊นŒ์š”?
09:38
consciously for sound?
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09:39
That would be a world that does sound beautiful,
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์•„๋ฆ„๋‹ค์šด ์†Œ๋ฆฌ๊ฐ€ ๋‚˜๊ณ 
09:42
and one where understanding would be the norm,
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๋ชจ๋‘๊ฐ€ ์ดํ•ดํ•˜๋Š” ๊ฒƒ์ด ๋ณดํŽธ์ ์ธ
์„ธ์ƒ์ด ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
09:46
and that is an idea worth spreading.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์ด ๋„๋ฆฌ ํผ๋œจ๋ฆด๋งŒํ•œ ์ƒ๊ฐ์ž…๋‹ˆ๋‹ค.
09:49
Thank you.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
09:50
(Applause)
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค. (๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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