The danger of silence | Clint Smith | TED

2,398,123 views ใƒป 2014-08-15

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Oren Szekatch ืžื‘ืงืจ: Shlomo Adam
00:13
Dr. Martin Luther King, Jr.,
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ื“ื•ืงื˜ื•ืจ ืžืจื˜ื™ืŸ ืœื•ืชืจ ืงื™ื ื’ ื”ื‘ืŸ,
00:14
in a 1968 speech where he reflects upon the Civil Rights Movement,
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ื‘ื ืื•ื ื‘ืฉื ืช 1968 ื‘ื• ื”ื•ื ื”ื•ื’ื” ื‘ืžื”ืœื›ื” ืฉืœ ื”ืชื ื•ืขื” ืœื–ื›ื•ื™ื•ืช ื”ืื–ืจื—,
00:18
states, "In the end,
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ืืžืจ, "ื‘ืกื•ืคื• ืฉืœ ื“ื‘ืจ,
00:21
we will remember not the words of our enemies
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ืื ื—ื ื• ืœื ื ื–ื›ื•ืจ ืืช ืžื™ืœื•ืช ื™ืจื™ื‘ื™ื ื•
00:24
but the silence of our friends."
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ื›ื™ ืื ืืช ืฉืชื™ืงืช ื—ื‘ืจื™ื ื•."
00:27
As a teacher, I've internalized this message.
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ื›ืžื•ืจื”, ืื ื™ ื”ืคื ืžืชื™ ืืช ื”ืžืกืจ ื”ื–ื”.
00:29
Every day, all around us,
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ื›ืœ ื™ื•ื, ืžืกื‘ื™ื‘ื ื•,
00:31
we see the consequences of silence
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ืื ื—ื ื• ืจื•ืื™ื ืืช ืชื•ืฆืื•ืช ื”ืฉืชื™ืงื”
00:33
manifest themselves in the form of discrimination,
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ื”ื‘ืื•ืช ืœื™ื“ื™ ื‘ื™ื˜ื•ื™ ื‘ืฆื•ืจื” ืฉืœ ืืคืœื™ื”,
00:35
violence, genocide and war.
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ืืœื™ืžื•ืช, ืจืฆื—-ืขื ื•ืžืœื—ืžื”.
00:39
In the classroom, I challenge my students
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ื‘ื›ื™ืชื”, ืื ื™ ืžืืชื’ืจ ืืช ืชืœืžื™ื“ื™
00:41
to explore the silences in their own lives
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ืœื”ืชืขืžืง ื‘ืฉืชื™ืงื•ืช ืฉื‘ื—ื™ื™ื”ื ืฉืœื”ื
00:44
through poetry.
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ื“ืจืš ืฉื™ืจื”.
00:46
We work together to fill those spaces,
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ืื ื—ื ื• ืขื•ื‘ื“ื™ื ื™ื—ื“ ืœืžืœื ืืช ื”ื—ืœืœื™ื ื”ืœืœื•,
00:48
to recognize them, to name them,
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ืœื”ื›ื™ืจ ื‘ื”ื, ืœืชืช ืœื”ื ืฉืžื•ืช,
00:51
to understand that they don't have to be sources of shame.
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ืœื”ื‘ื™ืŸ ืฉื”ื ืื™ื ื ืฆืจื™ื›ื™ื ืœื”ื™ื•ืช ืžืงื•ืจื•ืช ืœื‘ื•ืฉื”.
00:54
In an effort to create a culture within my classroom
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ื‘ื ืกื™ื•ืŸ ืœื™ืฆื•ืจ ืชืจื‘ื•ืช ื‘ื›ื™ืชืชื™
00:57
where students feel safe sharing the intimacies
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ื‘ื” ื”ืชืœืžื™ื“ื™ื ืžืจื’ื™ืฉื™ื ื‘ื˜ื•ื—ื™ื ืœื—ืœื•ืง ืืช ื”ืื™ื ื˜ื™ืžื™ื•ืช
00:59
of their own silences,
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ืฉืœ ื”ืฉืชื™ืงื•ืช ืฉืœื”ื,
01:01
I have four core principles posted on the board
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ื™ืฉ ืœื™ ืืจื‘ืข ืขืงืจื•ื ื•ืช ื™ืกื•ื“ ื”ื›ืชื•ื‘ื™ื ืขืœ ื”ืœื•ื—
01:03
that sits in the front of my class,
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ื”ื ืžืฆื ืžื•ืœ ื›ื™ืชืชื™,
01:05
which every student signs at the beginning of the year:
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ื•ืขืœื™ื”ื ื›ืœ ืชืœืžื™ื“ ื—ื•ืชื ื‘ืชื—ื™ืœืช ื”ืฉื ื”:
01:08
read critically, write consciously,
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ืงื™ืจืื• ื‘ืขื™ืŸ ื‘ื™ืงื•ืจืชื™ืช, ื›ื™ืชื‘ื• ื‘ืฆื•ืจื” ืžื•ื“ืขืช,
01:10
speak clearly, tell your truth.
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ื“ื‘ืจื• ื‘ืฆื•ืจื” ื‘ืจื•ืจื”, ืื™ืžืจื• ืืช ื”ืืžืช ืฉืœื›ื.
01:14
And I find myself thinking a lot about that last point,
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ื•ืื ื™ ืžื•ืฆื ืขืฆืžื™ ื—ื•ืฉื‘ ืจื‘ื•ืช ืขืœ ื”ื ืงื•ื“ื” ื”ืื—ืจื•ื ื” ื”ื–ื•,
01:16
tell your truth.
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"ืื™ืžืจื• ืืช ื”ืืžืช ืฉืœื›ื."
01:18
And I realized that
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ื•ื”ื‘ื ืชื™ ื›ื™
01:20
if I was going to ask my students to speak up,
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ืื ืื ื™ ืขื•ืžื“ ืœื‘ืงืฉ ืžื”ืชืœืžื™ื“ื™ื ืฉืœื™ ืœื“ื‘ืจ,
01:22
I was going to have to tell my truth
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ื™ื”ื™ื” ืขืœื™ื™ ืœืืžืจ ืืช ื”ืืžืช ืฉืœื™
01:25
and be honest with them about the times
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ื•ืœื”ื™ื•ืช ื›ืŸ ืขื™ืžื ื‘ืืฉืจ ืœืคืขืžื™ื
01:27
where I failed to do so.
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ื‘ื”ืŸ ื›ืฉืœืชื™ ืœืขืฉื•ืช ื›ืŸ.
01:28
So I tell them that growing up,
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ืื– ืื ื™ ืื•ืžืจ ืœื”ื ืฉื‘ื–ืžืŸ ืฉื’ื“ืœืชื™,
01:30
as a kid in a Catholic family in New Orleans,
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ื‘ืชื•ืจ ื™ืœื“ ืžืžืฉืคื—ื” ืงืชื•ืœื™ืช ื‘ื ื™ื• ืื•ืจืœื™ื ืก,
01:33
during Lent I was always taught
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ืชืžื™ื“ ืœื™ืžื“ื• ืื•ืชื™ ืฉื‘ื–ืžืŸ ื”ืชืขื ื™ืช
01:36
that the most meaningful thing one could do
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ื”ื“ื‘ืจ ื”ืžืฉืžืขื•ืชื™ ื‘ื™ื•ืชืจ ืฉืื“ื ื™ื›ื•ืœ ืœืขืฉื•ืช
01:38
was to give something up,
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ื”ื™ื” ืœื•ื•ืชืจ ืขืœ ืžืฉื”ื•.
01:39
sacrifice something you typically indulge in
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ืœื”ืงืจื™ื‘ ื“ื‘ืจ ืฉืœืจื•ื‘ ืืชื” ื ื”ื ื” ืžืžื ื•
01:42
to prove to God you understand his sanctity.
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ื‘ื›ื“ื™ ืœื”ื•ื›ื™ื— ืœืืœื•ื”ื™ื ื›ื™ ืืชื” ืžื‘ื™ืŸ ืืช ืงื“ื•ืฉืชื•.
01:44
I've given up soda, McDonald's, French fries,
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ื•ื•ื™ืชืจืชื™ ืขืœ ืžืฉืงืื•ืช ืžื•ื’ื–ื™ื, ืžืง'ื“ื•ื ืœื“ืก, ืฆ'ื™ืคืก,
01:47
French kisses, and everything in between.
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ื ืฉื™ืงื•ืช ืฆืจืคืชื™ื•ืช, ื•ื›ืœ ืžื” ืฉื‘ื™ื ื”ื.
01:50
But one year, I gave up speaking.
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ืืš ืฉื ื” ืื—ืช, ื•ื•ื™ืชืจืชื™ ืขืœ ื”ื“ื™ื‘ื•ืจ.
01:54
I figured the most valuable thing I could sacrifice
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ืฉื™ืขืจืชื™ ื›ื™ ื”ื“ื‘ืจ ื”ื™ืงืจ ื‘ื™ื•ืชืจ ืฉืื•ืชื• ืื•ื›ืœ ืœื”ืงืจื™ื‘
01:56
was my own voice, but it was like I hadn't realized
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ื”ื™ื” ืงื•ืœื™ ืฉืœื™, ืืš ืื– ืœื ื”ื‘ื ืชื™
02:00
that I had given that up a long time ago.
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ืฉื•ื•ื™ืชืจืชื™ ืขืœื™ื• ื›ื‘ืจ ืœืคื ื™ ื–ืžืŸ ืจื‘.
02:03
I spent so much of my life
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ื‘ื™ืœื™ืชื™ ื›ื” ืจื‘ื•ืช ืžื—ื™ื™
02:05
telling people the things they wanted to hear
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ื‘ืื•ืžืจื™ ืœืื ืฉื™ื ืืช ื”ื“ื‘ืจื™ื ืฉื”ื ืจืฆื• ืœืฉืžื•ืข
02:07
instead of the things they needed to,
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ื‘ืžืงื•ื ืžื” ืฉื”ื™ื• ืฆืจื™ื›ื™ื ืœืฉืžื•ืข,
02:08
told myself I wasn't meant to be anyone's conscience
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ืœืขืฆืžื™ ืืžืจืชื™ ืฉืื ื™ ืœื ืืžื•ืจ ืœื”ื™ื•ืช ืžืฆืคื•ื ื• ืฉืœ ืื™ืฉ
02:11
because I still had to figure out being my own,
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ืžื›ื™ื•ื•ืŸ ืฉืขื“ื™ื™ืŸ ื”ื™ื™ืชื™ ืฆืจื™ืš ืœื’ืœื•ืช ืืช ืžืฆืคื•ื ื™ ืฉืœื™,
02:13
so sometimes I just wouldn't say anything,
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ืื– ืœืคืขืžื™ื ืœื ื”ื™ื™ืชื™ ืื•ืžืจ ื“ื‘ืจ,
02:16
appeasing ignorance with my silence,
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ืžืกืคืง ืืช ื”ื‘ื•ืจื•ืช ืขื ื”ืฉืชื™ืงื” ืฉืœื™,
02:19
unaware that validation doesn't need words
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ืžื‘ืœื™ ืœื”ื™ื•ืช ืžื•ื“ืข ืœื›ืš ืฉืื™ืžื•ืช ืœื ื–ืงื•ืง ืœืžื™ืœื™ื
02:21
to endorse its existence.
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ื‘ื›ื“ื™ ืœืืฉืจืจ ืืช ืงื™ื•ืžื•.
02:23
When Christian was beat up for being gay,
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ื›ืืฉืจ ื›ืจื™ืกื˜ื™ืืŸ ื”ื•ื›ื” ืขืœ ืฉื•ื ื”ื™ื•ืชื• ื’ื™ื™,
02:24
I put my hands in my pocket
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ื”ื›ื ืกืชื™ ืืช ื™ื“ื™ื™ ืœื›ื™ืกื™ื™
02:26
and walked with my head down as if I didn't even notice.
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ื•ื”ืœื›ืชื™ ื‘ืจืืฉ ืฉืžื•ื˜ ื›ืžื• ืœื ืฉืžืชื™ ืœื‘ ืœื“ื‘ืจ.
02:29
I couldn't use my locker for weeks because the bolt on the lock
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ืœื ื™ื›ื•ืœืชื™ ืœื”ืฉืชืžืฉ ื‘ืชื ืฉืœื™ ื‘ืžืฉืš ืฉื‘ื•ืขื•ืช ืžื›ื™ื•ื•ืŸ ืฉื”ืžื ืขื•ืœ
02:31
reminded me of the one I had put on my lips
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ื”ื–ื›ื™ืจ ืœื™ ืืช ื”ืžื ืขื•ืœ ืฉื”ืฆื‘ืชื™ ืขืœ ืฉืคืชื™ื™
02:33
when the homeless man on the corner
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ื›ืืฉืจ ื—ืกืจ ื”ื‘ื™ืช ื‘ืคื™ื ื”
02:35
looked at me with eyes up merely searching
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ื”ืกืชื›ืœ ืœื™ ื‘ืขื™ื ื™ื™ื, ื‘ื‘ืงืฉื• ื‘ืกืš ื”ื›ืœ
02:37
for an affirmation that he was worth seeing.
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ืื—ืจ ืื™ืฉื•ืฉ ืœื›ืš ืฉื”ื•ื ืจืื•ื™ ืœืžื‘ื˜.
02:39
I was more concerned with touching the screen on my Apple
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ื”ื™ื™ืชื™ ืขืกื•ืง ื™ื•ืชืจ ื‘ืœื’ืขืช ื‘ืžืกืš ื”'ืืคืœ' (ืชืคื•ื—) ืฉืœื™
02:41
than actually feeding him one.
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ืžืืฉืจ ืœื”ืื›ื™ืœ ืื•ืชื• ื‘ืชืคื•ื—.
02:43
When the woman at the fundraising gala
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ื›ืืฉืจ ื”ืื™ืฉื” ื‘ืื™ืจื•ืข ื”ื”ืชืจืžื”
02:44
said "I'm so proud of you.
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ืืžืจื” "ืื ื™ ื›ื” ื’ืื” ื‘ืš.
02:46
It must be so hard teaching those poor, unintelligent kids,"
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ื–ื” ื‘ื˜ื— ื›ืœ ื›ืš ืงืฉื” ืœืœืžื“ ืืช ืื•ืชื ื™ืœื“ื™ื ืžืกื›ื ื™ื ื•ื—ืกืจื™ ื”ืฉื›ืœื”,"
02:49
I bit my lip, because apparently we needed her money
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ื ืฉื›ืชื™ ืืช ื”ืฉืคื” ืฉืœื™, ืžืฉื•ื ืฉืžืกืชื‘ืจ ืฉื”ื™ื™ื ื• ื–ืงื•ืงื™ื ืœื›ืกืคื”
02:51
more than my students needed their dignity.
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ื™ื•ืชืจ ืžืืฉืจ ืฉืชืœืžื™ื“ื™ ื”ื™ื• ื–ืงื•ืงื™ื ืœื›ื‘ื•ื“ื.
02:53
We spend so much time
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ืื ื• ืžืฉืงื™ืขื™ื ื–ืžืŸ ืจื‘
02:55
listening to the things people are saying
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ื‘ืฉืžื™ืขืช ื”ื“ื‘ืจื™ื ืฉืื ืฉื™ื ืื•ืžืจื™ื
02:59
that we rarely pay attention to the things they don't.
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ืขื“ ื›ื™ ืื ื• ื‘ืงื•ืฉื™ ืฉืžื™ื ืœื‘ ืœื“ื‘ืจื™ื ืฉื”ื ืื™ื ื ืื•ืžืจื™ื.
03:02
Silence is the residue of fear.
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ื”ืฉืชื™ืงื” ื”ื™ื ืฉืืจื™ื•ืช ื”ืคื—ื“.
03:06
It is feeling your flaws
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ื–ื” ืœื”ืจื’ื™ืฉ ืืช ื”ืคื’ืžื™ื ืฉืœืš
03:07
gut-wrench guillotine your tongue.
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ื”ื—ื•ืชื›ื™ื ื‘ืื™ื‘ื—ื” ืืช ืœืฉื•ื ืš.
03:09
It is the air retreating from your chest
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ื–ื”ื• ื”ืื•ื•ื™ืจ ื”ื ืกื•ื’ ืžื”ื—ื–ื” ืฉืœืš
03:11
because it doesn't feel safe in your lungs.
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ืžื›ื™ื•ื•ืŸ ืฉื”ื•ื ืื™ื ื• ืžืจื’ื™ืฉ ื‘ื˜ื•ื— ื‘ืจื™ืื•ืชืš.
03:13
Silence is Rwandan genocide. Silence is Katrina.
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ืฉืชื™ืงื” ื”ื™ื ืจืฆื— ื”ืขื ื”ืจื•ืื ื“ื™. ืฉืชื™ืงื” ื”ื™ื ื”ื•ืจื™ืงืŸ ืงืชืจื™ื ื”.
03:16
It is what you hear when there aren't enough body bags left.
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ื–ื” ืžื” ืฉืืชื” ืฉื•ืžืข ื›ืฉืœื ื ื•ืชืจื• ืžืกืคื™ืง ืฉืงื™-ื’ื•ืคื•ืช.
03:19
It is the sound after the noose is already tied.
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ื–ื”ื• ื”ืฆืœื™ืœ ืœืื—ืจ ืฉืขื ื™ื‘ืช ื”ื—ื ืง ื›ื‘ืจ ื ืงืฉืจื”.
03:22
It is charring. It is chains. It is privilege. It is pain.
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ื”ื•ื ื”ื—ืจื™ื›ื”. ื”ื•ื ื”ืฉืœืฉืœืื•ืช. ื”ื•ื ื”ื–ื›ื•ืช. ื”ื•ื ื”ื›ืื‘.
03:25
There is no time to pick your battles
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ืœื ื ื•ืชืจ ืœืš ื–ืžืŸ ืœื‘ื—ื•ืจ ืืช ื”ืžืœื—ืžื•ืช ืฉืœืš
03:27
when your battles have already picked you.
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ืœืื—ืจ ืฉื”ืŸ ื›ื‘ืจ ื‘ื—ืจื• ืื•ืชืš.
03:28
I will not let silence wrap itself around my indecision.
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ืื ื™ ืœื ืืชืŸ ืœืฉืชื™ืงื” ืœื›ืจื•ืš ืขืฆืžื” ืกื‘ื™ื‘ ื—ื•ืกืจ ื”ื”ื—ืœื˜ื™ื•ืช ืฉืœื™.
03:31
I will tell Christian that he is a lion,
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ืื ื™ ืื•ืžืจ ืœื›ืจื™ืกื˜ื™ืืŸ ื›ื™ ื”ื•ื ืืจื™ื”,
03:33
a sanctuary of bravery and brilliance.
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ืžืงื“ืฉ ืฉืœ ื’ื‘ื•ืจื” ื•ื–ื•ื”ืจ.
03:36
I will ask that homeless man what his name is
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ืื ื™ ืืฉืืœ ืืช ืื•ืชื• ื—ืกืจ ื‘ื™ืช ืžื”ื• ืฉืžื•
03:38
and how his day was, because sometimes
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ื•ืื™ืš ืขื‘ืจ ืขืœื™ื• ื™ื•ืžื•, ืžืฉื•ื ืฉืœืคืขืžื™ื
03:40
all people want to be is human.
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ื›ืœ ืฉืื ืฉื™ื ืจื•ืฆื™ื ืœื”ื™ื•ืช ื–ื” ื‘ื ื™ ืื ื•ืฉ.
03:42
I will tell that woman that my students can talk about
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ืื ื™ ืื•ืžืจ ืœืื•ืชื” ืื™ืฉื” ื›ื™ ื”ืชืœืžื™ื“ื™ื ืฉืœื™ ืžื“ื‘ืจื™ื ืขืœ
03:44
transcendentalism like their last name was Thoreau,
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ื˜ืจื ืกืฆื ื“ื˜ืœื™ื–ื ื›ืื™ืœื• ืฉื ืžืฉืคื—ืชื ื”ื•ื ืช'ื•ืจื•,
03:47
and just because you watched one episode of "The Wire"
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ื•ืจืง ืžื›ื™ื•ื•ืŸ ืฉืฆืคื™ืช ื‘ืคืจืง ืื—ื“ ืฉืœ "ื”ืกืžื•ื™ื™ื”"
03:49
doesn't mean you know anything about my kids.
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ืœื ืื•ืžืจ ืฉืืช ื™ื•ื“ืขืช ื“ื‘ืจ ืขืœ ื™ืœื“ื™.
03:51
So this year,
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ืœื›ืŸ ื”ืฉื ื”,
03:53
instead of giving something up,
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ื‘ืžืงื•ื ืœื•ื•ืชืจ ืขืœ ื“ื‘ืจ ืžื”,
03:55
I will live every day as if there were a microphone
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ืื ื™ ืื—ื™ื” ื›ืœ ื™ื•ื ื›ืžื• ื”ื™ื” ืžื™ืงืจื•ืคื•ืŸ
03:57
tucked under my tongue,
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ื—ื‘ื•ื™ ืžืชื—ืช ืœืœืฉื•ื ื™,
03:59
a stage on the underside of my inhibition.
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ื‘ืžื” ืžืชื—ืช ืœืขื›ื‘ื•ืชื™,
04:03
Because who has to have a soapbox
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ืžื›ื™ื•ื•ืŸ ืฉืžื™ ืฆืจื™ืš ื“ื•ื›ืŸ ื ืื•ืžื™ื
04:05
when all you've ever needed is your voice?
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ื›ืืฉืจ ื›ืœ ืžื” ืฉืื™ ืคืขื ื”ื™ื™ืชื ืฆืจื™ื›ื™ื ื”ื•ื ืืช ืงื•ืœื›ื ืฉืœื›ื?
04:10
Thank you.
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ืชื•ื“ื” ืจื‘ื”.
(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
04:12
(Applause)
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ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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