Paul Bloom: The origins of pleasure

197,186 views ・ 2011-07-27

TED


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Translator: Etrit Adami Reviewer: Ervis Bregu
00:15
I'm going to talk today
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Une do te flas sot
00:17
about the pleasures of everyday life.
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per kenaqesite e jetes tone te perditshme.
00:19
But I want to begin with a story
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Por une dua ta filloj me nje histori
00:21
of an unusual and terrible man.
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te nje njeriu te tmerrshem dhe te pazakonte.
00:23
This is Hermann Goering.
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Ky eshte Hermann Goering ( Geringu )
00:25
Goering was Hitler's second in command in World War II,
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Geringu ishte i dyti ne komande pas Hitlerit ne Luften e Dyte Boterore,
00:28
his designated successor.
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trashgimtari i disenjuar pas tij.
00:30
And like Hitler,
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Dhe si Hitleri,
00:32
Goering fancied himself a collector of art.
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Geringu imagjinoi vehten si koleksionist arti.
00:34
He went through Europe, through World War II,
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Gjate luftes se dyte boterore kaloi nepermes evropes,
00:36
stealing, extorting and occasionally buying
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duke vjedhur, zhvatur dhe rastesisht duke blere
00:39
various paintings for his collection.
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piktura te ndryshme per koleksionin e tij .
00:41
And what he really wanted was something by Vermeer.
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Dhe ajo cfare ai donte vertet ishte dicka nga Vermeer.
00:44
Hitler had two of them, and he didn't have any.
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Hitleri kishte dy piktura te tij, kurse ai nuk kishte asnje.
00:47
So he finally found an art dealer,
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Keshtu perfundimisht gjeti nje tregtar të veprave artistike,
00:49
a Dutch art dealer named Han van Meegeren,
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nje tregtar Holandez te quajtur Han van Meergeren,
00:52
who sold him a wonderful Vermeer
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qe i shiti atij nje nje Vermeer te mrekullueshem
00:54
for the cost of what would now be 10 million dollars.
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per vleren qe do te kishin sot 10 milion dollare.
00:57
And it was his favorite artwork ever.
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Dhe ajo ishte vepra e preferuar e te gjitha koherave.
01:00
World War II came to an end,
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Luftes se Dyte po i vinte fundi ,
01:02
and Goering was captured, tried at Nuremberg
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dhe Geringu u kap, u gjykua ne Nuremberg
01:05
and ultimately sentenced to death.
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dhe ne fund u denua me vdekje.
01:08
Then the Allied forces went through his collections
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Me pas forcat aleate rremuan mes koleksioneve te tij
01:10
and found the paintings
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dhe gjeten pikturat
01:12
and went after the people who sold it to him.
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dhe me pas te gjenin njerezit qe ja kishin shitur atij.
01:14
And at some point the Dutch police came into Amsterdam
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Dhe deri ne ate pike sa qe policia holandeze erdhi ne Amsterdam
01:17
and arrested Van Meegeren.
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dhe arrestoi Van Meergeren.
01:19
Van Meegeren was charged with the crime of treason,
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Van Meergeren u akuzua per tradhti ,
01:22
which is itself punishable by death.
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qe eshte edhe e denueshme me vdekje.
01:25
Six weeks into his prison sentence,
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Gjashte jave ne nje burg ku vuante denimin ,
01:27
van Meegeren confessed.
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Van Meerengen foli .
01:29
But he didn't confess to treason.
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Por ai nuk e pranoi tradhtine.
01:31
He said, "I did not sell a great masterpiece
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Ai tha, " Une nuk i shita kryevepren e madhe
01:34
to that Nazi.
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atij Nazisti.
01:36
I painted it myself; I'm a forger."
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Une e pikturova vete: Une jam nje falsifikator."
01:39
Now nobody believed him.
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Por asnjeri nuk i besoj atij.
01:42
And he said, "I'll prove it.
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Dhe ai tha, " Une do ta deshmoj kete.
01:44
Bring me a canvas and some paint,
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Me sillni nje canavace dhe bojra,
01:46
and I will paint a Vermeer much better
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dhe une do ta pikturoj nje Vermeer me mire
01:48
than I sold that disgusting Nazi.
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se sa ajo qe i shita atij Nazisti te shpifur..
01:50
I also need alcohol and morphine, because it's the only way I can work."
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Edhe une dua te pi alkol dhe morfine, sepse eshte e vetmja menyre qe une te punoj.
01:53
(Laughter)
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( Te qeshura )
01:55
So they brought him in.
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Dhe ata i sollen ate qe kerkoi.
01:57
He painted a beautiful Vermeer.
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Ai pikturoi nje Vermeer shume te bukur.
02:00
And then the charges of treason were dropped.
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Dhe me pas akuza per tradhi ra poshte.
02:03
He had a lesser charge of forgery,
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Ai mori nje akuze me te vogel per falsifikator,
02:05
got a year sentence
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dhe beri nje vit burg
02:07
and died a hero to the Dutch people.
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dhe vdiq si hero per Holandezet.
02:11
There's a lot more to be said about van Meegeren,
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Ka me shume per te thene reth Van Meergeren,
02:14
but I want to turn now to Goering,
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por dua te kthehem tani tek Geringu,
02:16
who's pictured here being interrogated at Nuremberg.
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piktura e te cilit eshte bere objekt hetimi ne Nuremberg.
02:19
Now Goering was, by all accounts, a terrible man.
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Geringu ishte, nga te gjitha anet, nje njeri i tmerrshem.
02:21
Even for a Nazi, he was a terrible man.
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Madje edhe per Nazistet, ai ishte nje njeri i tmerrshem.
02:24
His American interrogators described him
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Hetuesit Amrikane e pershkruajne ate
02:27
as an amicable psychopath.
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si nje psikopat te dashur.
02:29
But you could feel sympathy
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Por ju mund te ndjeni keqardhje
02:31
for the reaction he had
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per reagimin qe ai pati
02:33
when he was told that his favorite painting
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kur mori vesh qe piktuara e tij e preferuar
02:35
was actually a forgery.
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ishte nje fallco.
02:37
According to his biographer,
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Sipas biografeve te tij,
02:39
"He looked as if for the first time
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"Ai dukej si nje njeri qe per here te pare
02:41
he had discovered there was evil in the world."
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kishte zbuluar qe ne bote ekzistone e keqja."
02:43
(Laughter)
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( Te qeshura )
02:46
And he killed himself soon afterwards.
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Dhe ai vrau vehten me pas.
02:49
He had discovered after all
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Ai kishte zbuluar mbi te gjtha
02:51
that the painting he thought was this
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qe piktura qe ai mendonte ishte se ishte kjo
02:53
was actually that.
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aktualisht ishte ajo .
02:56
It looked the same,
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Dukej si e njejta,
02:58
but it had a different origin, it was a different artwork.
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por kishte nje prejardhje tjeter, ishte nje punim atistik i ndryshem.
03:00
It wasn't just him who was in for a shock.
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Nuk ishte vetem ai qe kishte pesuar nje tronditje.
03:02
Once van Meegeren was on trial, he couldn't stop talking.
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Kur Van Meegeren doli ne gjygj, ai nuk ndalonte se foluri.
03:05
And he boasted about all the great masterpieces
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Dhe ai mburrej per cdo veper artistike
03:07
that he himself had painted
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qe ai kishte pikturuar
03:09
that were attributed to other artists.
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qe i ishin atribuar artisteve te tjeere.
03:11
In particular, "The Supper at Emmaus"
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Ne vecanti , "Darka ne Emmanus"
03:13
which was viewed as Vermeer's finest masterpiece, his best work --
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qe ishte pare si nje prej kryeveprave te Vermeer-ut, puna e tij me e mire --
03:16
people would come [from] all over the world to see it --
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njerezit vinin nga e gjithe bota per ta pare ate --
03:19
was actually a forgery.
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dhe aktualisht ishte nje kopje e falsifikuar.
03:21
It was not that painting, but that painting.
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Nuk ishte vetem piktura, por edhe stili piktures.
03:23
And when that was discovered,
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Dhe kur kjo u zbulua,
03:25
it lost all its value and was taken away from the museum.
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e humbi te gjithe vleren dhe u hoq nga muzeumi.
03:28
Why does this matter?
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Perse kjo ka rendesi ?
03:30
I'm a psychologists -- why do origins matter so much?
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Per ju psikologet, pse origjina ka rendesi kaq shume?
03:33
Why do we respond so much
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Perse i pergigjemi kaq shume
03:35
to our knowledge of where something comes from?
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njohurive tona prej ku dicka e ka origjinen?
03:38
Well there's an answer that many people would give.
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Mire, ka nje pergjigje qe te gjithe do ta jepnin.
03:40
Many sociologists like Veblen and Wolfe
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Disa sociologjiste ashtu sic Veblen dhe Wolfe
03:43
would argue that the reason why we take origins so seriously
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do te argumentonin qe aryeja pse origjina duhet marre seriozisht
03:46
is because we're snobs, because we're focused on status.
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eshte sepse ne jemi snoba, sepse jemi te fokusuar te statuti.
03:49
Among other things,
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Midis shume gjerave,
03:51
if you want to show off how rich you are, how powerful you are,
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nqs do te tregosh sa i pasur je , sa i fuqushem je ,
03:53
it's always better to own an original than a forgery
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eshte gjithmone me mire te zoteresh dicka autentike sa sa nje kopje te saj
03:55
because there's always going to be fewer originals than forgeries.
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sepse gjithmone do vazhdoje te kete me pak origjinale se sa fallco.
03:59
I don't doubt that that plays some role,
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Une nuk dyshoj qe kjo ka rendesi,
04:01
but what I want to convince you of today
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por ajo qe une dua qe t'ju mbush mendjen sot
04:03
is that there's something else going on.
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eshte qe ka dicka tjeter qe po ndodh.
04:05
I want to convince you
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Une dua tju bind juve
04:07
that humans are, to some extent, natural born essentialists.
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qe njerzit jane, deri diku, thelbesisht te lindur natyral.
04:10
What I mean by this
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Ajo cfare dua te them me kete
04:12
is we don't just respond to things as we see them,
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eshte qe ne nuk i pershtatemi gjerave ashtu sic i shikojme,
04:14
or feel them, or hear them.
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apo i ndiejme, apo i degjojme ato.
04:16
Rather, our response is conditioned on our beliefs,
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Perkundrazi, pergjigja jone eshte e kushtezuar nga besimi yne,
04:19
about what they really are, what they came from,
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por cfare jane ne te vertete, nga kane ardhur keto,
04:22
what they're made of, what their hidden nature is.
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prej cfare jane bere, cfare karakteri te fshehur kane.
04:25
I want to suggest that this is true,
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Une dua te sugjeroj qe kjo eshte e vertete,
04:27
not just for how we think about things,
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jo vetem per nga menyra se si ne mendojme per gjerat,
04:29
but how we react to things.
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por se si ne reagojme me gjerat.
04:31
So I want to suggest that pleasure is deep --
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Keshtu qe une dua te sugjeroj qe kenaqesia eshte e thelle --
04:33
and that this isn't true
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dhe kjo nuk eshte e vertete
04:35
just for higher level pleasures like art,
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vetem per nje nivel te larte te kenaqesise si arti ,
04:38
but even the most seemingly simple pleasures
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por madje edhe me sa duket kenaqesite e thjeshta
04:41
are affected by our beliefs about hidden essences.
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jane influencuar nga besimi yne per esencat e fshehura.
04:44
So take food.
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Le te marrim ushqimin.
04:46
Would you eat this?
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A do ta hanit kete ?
04:48
Well, a good answer is, "It depends. What is it?"
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Mire pra, nje pergjigje e mire eshte, " Varet. Cfare eshte?"
04:51
Some of you would eat it if it's pork, but not beef.
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Disa nga ju do ta hanin ate n.q.s. do ishte mish derri, por jo mish lope.
04:53
Some of you would eat it if it's beef, but not pork.
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Disa nga ju do ta hanin n.q.s eshte mish lope, por jo derri.
04:56
Few of you would eat it if it's a rat
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Disa nga ju do ta hanin n.q.s eshte mish miu
04:58
or a human.
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apo njeriu.
05:00
Some of you would eat it only if it's a strangely colored piece of tofu.
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Disa nga ju do ta hanin sikur te ishte nje cope ushqimi vegjetarian e cudtishme e ngjyrosur .
05:04
That's not so surprising.
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Kjo nuk eshte e cuditshme.
05:06
But what's more interesting
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Por ajo qe eshte me interesante
05:08
is how it tastes to you
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eshte se si ti e shijon ate
05:10
will depend critically on what you think you're eating.
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do te percaktoje forte se cfare ti po mendon se ti po ha.
05:13
So one demonstration of this was done with young children.
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Keshtu, nje demonstrim i kesaj eshte bere me femijet.
05:16
How do you make children
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Si do ti benit ju femijet
05:18
not just be more likely to eat carrots and drink milk,
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jo vetem te hane karrota dhe te pijne qumesht,
05:21
but to get more pleasure from eating carrots and drinking milk --
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por te kenaqen nga karrotat dhe pirja e qumshtit --
05:24
to think they taste better?
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qe te mendojne qe ato shijone me mire?
05:26
It's simple, you tell them they're from McDonald's.
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Eshte e thjeshte, ju i thoni atyre qe eshte bere prej McDonaldit
05:29
They believe McDonald's food is tastier,
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Ata besojne qe ushqimi i MCDonald-it eshte me i shijshem,
05:31
and it leads them to experience it as tastier.
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dhe i con ata ne perjetimin qe eshte me e shijshme.
05:34
How do you get adults to really enjoy wine?
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Si do i beni te rriturit te besojne qe te pelqejne veren?
05:36
It's very simple:
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Eshte shume e thjeshte:
05:38
pour it from an expensive bottle.
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derdhe ate nga nje shishe e shtrenjte .
05:40
There are now dozens, perhaps hundreds of studies showing
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Sot ka qindra, ndoshta mijera studime qe tregojne
05:43
that if you believe you're drinking the expensive stuff,
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qe n.q.s ti ti mendon qe po pi dicka te shtrenjte,
05:45
it tastes better to you.
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ajo te shijon me shume .
05:47
This was recently done with a neuroscientific twist.
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Kjo eshte bere se fundmi nje gershetim me neuroshkencen.
05:50
They get people into a fMRI scanner,
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Ata marrin njerez i fusin ne fMRI skaner,
05:52
and while they're lying there, through a tube,
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dhe ndersa ata qendrojne aty, permes nje tubi,
05:54
they get to sip wine.
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atyre ju japin nje gllenjke vere.
05:56
In front of them on a screen is information about the wine.
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Perpara tyre ne nje ekran gjendet informacioni rreth veres.
05:59
Everybody, of course,
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Cdonjeri, patjeter,
06:01
drinks exactly the same wine.
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pi ekzaktesisht te njejen vere.
06:03
But if you believe you're drinking expensive stuff,
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Por n.q.s ti beson qe ti po pi dicka qe eshte e shrenjte,
06:06
parts of the brain associated with pleasure and reward
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disa pjese te trurit te lishur me kenaqesine dhe shperblimin
06:09
light up like a Christmas tree.
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te krijojne pershtypjen e nje peme Krishtlindjeje.
06:11
It's not just that you say it's more pleasurable, you say you like it more,
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Nuk eshte vetem qe ti thua eshte me e pelqyeshme, ti thua qe me pelqen me shume,
06:14
you really experience it in a different way.
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por ti vertet e perjeton ate ne nje menyre tjeter.
06:17
Or take sex.
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Ose te marrim seksin.
06:20
These are stimuli I've used in some of my studies.
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Ka disa stimilues qe une kame perdorur ne disa nga studimet e mia.
06:23
And if you simply show people these pictures,
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Dhe ne qofte se ti i tregon njerezve keto foto,
06:26
they'll say these are fairly attractive people.
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ata do te thone qe ato jane njefarsoj terheqese per njerzit.
06:28
But how attractive you find them,
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Por sa terheqese jane per ty,
06:31
how sexually or romantically moved you are by them,
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sa terhiqeni ju prej tyre seksualisht apo romantikisht,
06:34
rests critically on who you think you're looking at.
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qendron kryesisht mbi ke ti mendon se po veshtron.
06:37
You probably think the picture on the left is male,
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Ti mbase mendon qe piktura ne te majte eshte nje mashkull,
06:40
the one on the right is female.
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tjetra ne te djathe eshte femer.
06:42
If that belief turns out to be mistaken, it will make a difference.
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N.q.s ky besim ngaterrohet, do te perbente ndryshim .
06:45
(Laughter)
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(E qeshur)
06:47
It will make a difference if they turn out to be
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Ndryshimi do te ishte sikur ato te dilnin qe te ishin
06:49
much younger or much older than you think they are.
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shume me te rinj se sa te vjeter nga c'mendoje ti .
06:52
It will make a difference if you were to discover
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Do te bente ndryshim n.q.s se ti do te zbuloje
06:54
that the person you're looking at with lust
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qe personi qe ti po shikon me deshire
06:56
is actually a disguised version of your son or daughter,
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eshte aktualisht nje version i maskuar i djalit apo vajzes tende,
06:58
your mother or father.
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mamase apo babait.
07:00
Knowing somebody's your kin typically kills the libido.
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Te dish se dikush eshte gjaku yt, zakonisht e vret epshin.
07:03
Maybe one of the most heartening findings
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Ndoshta nje nga rezultatet me inkurajuese
07:05
from the psychology of pleasure
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nga psikologjia e kenaqesise
07:07
is there's more to looking good than your physical appearance.
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eshte me e rendesishme te dukesh mire se sa aparenca fizike.
07:10
If you like somebody, they look better to you.
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N.q.s. ti do nje person, ata te duken me te mire per ty.
07:13
This is why spouses in happy marriages
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Kjo eshte arsyeja sepse nuset kur martohen
07:16
tend to think that their husband or wife
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kane tendence te mendojne qe burri i tyre apo gruaja
07:18
looks much better than anyone else thinks that they do.
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duket me mire se cdo njeri tjeter e sheh se duket .
07:21
(Laughter)
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( Te qeshura )
07:23
A particularly dramatic example of this
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Nje shembull i vecante e dramatik i kesaj
07:26
comes from a neurological disorder known as Capgras syndrome.
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vjen si pasoje e c'regullimit reurologjik i njohur si sindroma Capgras.
07:29
So Capgras syndrome is a disorder
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Keshtu, sindroma Capgras eshte nje crregullim
07:32
where you get a specific delusion.
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ku ti vuan nje zhgenjim specifik.
07:34
Sufferers of Capgras syndrome
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Ata qe vuajne nga sindroma Capgras
07:36
believe that the people they love most in the world
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mendojne qe se njerzit qe ata duan me shume ne te gjithe boten
07:38
have been replaced by perfect duplicates.
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jane zevendesuar nga disa kopje te ngjashme.
07:40
Now often, a result of Capgras syndrome is tragic.
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Dhe shpesh, pasojat e sindromes Cargras jane tragjike.
07:43
People have murdered those that they loved,
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Njerezit kane vrare ata qe kane dashur me shume
07:45
believing that they were murdering an imposter.
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duke menduar qe po vrasin nje mashtrues.
07:48
But there's at least one case
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Por ka te pakten nje rast
07:50
where Capgras syndrome had a happy ending.
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ku sindroma Capgras ka nje fund te mire.
07:52
This was recorded in 1931.
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Eshte regjistruar me 1931.
07:54
"Research described a woman with Capgras syndrome
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"Kerkuesit pershkruan nje grua me sindromen Capgras
07:57
who complained about her poorly endowed and sexually inadequate lover."
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qe ankohej per te dashurin e saj te varfer dhe te pa papershtatshem seksualisht "
08:00
But that was before she got Capgras syndrome.
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Por kjo ishte perpara se ajo te semurej nga sindroma Capgras.
08:03
After she got it, "She was happy to report
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Mbasi ajo e mori , "Ajo ishte e lumtur dhe thoshte
08:05
that she has discovered that he possessed a double
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qe kishte gjetur nje njeri identik si ai
08:08
who was rich, virile, handsome and aristocratic."
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qe ishte i pasur, me pamje mashkullore, i pashem, dhe aristoktrat."
08:10
Of course, it was the same man,
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Sigurisht, ishte po i njejti njeri,
08:12
but she was seeing him in different ways.
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por ajo e kishte pare ate menyre tjeter.
08:14
As a third example,
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Shembulli trete,
08:16
consider consumer products.
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eshte per produktet e konsumit.
08:18
So one reason why you might like something is its utility.
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Pra, nje arsye pse ju mund te mendoni se dicka eshte e nevojshme.
08:21
You can put shoes on your feet; you can play golf with golf clubs;
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Ti mund te veshesh kepuce ne kembe; mund te luash golf ne klubet e golfit;
08:24
and chewed up bubble gum doesn't do anything at all for you.
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dhe te pertypesh nje camcakez qe s'ben agje per ty .
08:27
But each of these three objects has value
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Por secila nga keto sende ka nje vlere
08:29
above and beyond what it can do for you
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siper dhe pertej asa qe ai mund te beje per ty
08:31
based on its history.
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bazuar ne historine e vet.
08:33
The golf clubs were owned by John F. Kennedy
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Klubet e golfit ishin te John. F. Kennedy
08:36
and sold for three-quarters of a million dollars at auction.
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dhe ai i shiti per 3/4 e nje milioni ne ankand.
08:39
The bubble gum was chewed up by pop star Britney Spears
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Camcakizi ishte pertypur nga nje pop star si Britney Spears
08:42
and sold for several hundreds of dollars.
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dhe eshte shitur per disa qindra dollare.
08:44
And in fact, there's a thriving market
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Dhe ne fakt, aty eshte nje market qe lulezon
08:46
in the partially eaten food of beloved people.
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ne tregun e ushqimeve pjeserisht te ngrena prej njerezve te dashur.
08:49
(Laughter)
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(Te qeshura)
08:51
The shoes are perhaps the most valuable of all.
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Kepucet jane ndoshta me me vlere se te gjitha.
08:54
According to an unconfirmed report,
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Sipas nje lajmi te pakonfirmuar,
08:56
a Saudi millionaire offered 10 million dollars
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nje milioner arab ofroi 10 milione dollare
08:58
for this pair of shoes.
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per keto pale kepuce.
09:00
They were the ones thrown at George Bush
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Ishin ato qe iu gjuajten Gorxh Bushit
09:03
at an Iraqi press conference several years ago.
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ne Irak ne nje konference disa vite me pare.
09:05
(Applause)
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(Duartrokitje)
09:07
Now this attraction to objects
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Tani kjo joshje per sendet
09:09
doesn't just work for celebrity objects.
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nuk funsionon vetem per objektete te famshmeve.
09:11
Each one of us, most people,
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Cdokush nga ne, shumica e njerezve
09:13
have something in our life that's literally irreplaceable,
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kane dicka ne jeten e tyre qe eshte vertete e pazevendesueshme,
09:16
in that it has value because of its history --
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ne aspektin se ajo ka vlere prej historise se saj --
09:19
maybe your wedding ring, maybe your child's baby shoes --
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ndoshta unaza e marteses, apo kepucet e bebit --
09:22
so that if it was lost, you couldn't get it back.
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keshtu n.q.s. ajo humbet, ti nuk mund ta marresh mbrapsht.
09:25
You could get something that looked like it or felt like it,
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Ti mund te gjesh dicka qe ngjan me te apo te ben te ndjehesh ngjashem,
09:27
but you couldn't get the same object back.
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por ti nuk mund t'a kesh te njejtin objekt perseri.
09:30
With my colleagues George Newman and Gil Diesendruck,
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Me koleget e mi George Newman dhe Diesendruck,
09:33
we've looked to see what sort of factors, what sort of history, matters
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ne kemi vene re per te pare cfare lloj faktoresh, cfare lloj ngjarjesh, kane rendesi
09:36
for the objects that people like.
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per sendet qe njerezit duan.
09:38
So in one of our experiments,
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Keshtu qe ne nje nga eksperimentet tona,
09:40
we asked people to name a famous person who they adored,
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ne kemi pyetur njerzit per te permendur nje person te famshem qe ata e kishin adhuruar,
09:43
a living person they adored.
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nje person qe jeton qe ata e adhuronin.
09:45
So one answer was George Clooney.
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Keshtu pergjigjja e dikujy ishte Xhorxh Kluni .
09:47
Then we asked them,
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Dhe ne i pyetem ata,
09:49
"How much would you pay for George Clooney's sweater?"
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"Sa do te paguanit per pulovren e Xhorxh Klunit?"
09:51
And the answer is a fair amount --
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Dhe pergjigja ishte nje shume e konsiderueshme --
09:53
more than you would pay for a brand new sweater
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me shume sesa do te paguaje per nje pulover te re
09:56
or a sweater owned by somebody who you didn't adore.
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apo nje pulover qe e ka pasur dikush qe nuk e pelqeni.
09:59
Then we asked other groups of subjects --
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Pastaj pyetem nje grup tjeter --
10:01
we gave them different restrictions
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i dhame atyre kufizime te ndryshme
10:03
and different conditions.
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dhe kushte te ndryshme.
10:05
So for instance, we told some people,
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Keshtu ne kete rast, ne i thame disave prej tyre,
10:07
"Look, you can buy the sweater,
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"Shikoni, ju mund te blini nje pulover,
10:09
but you can't tell anybody you own it,
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por pa i thene njeriut qe ju e keni ate,
10:11
and you can't resell it."
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dhe qe ju nuk mund ta rishisni."
10:13
That drops the value of it,
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Kjo beri qe vlera e saj te binte ,
10:15
suggesting that that's one reason why we like it.
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duke sugjeruar qe kjo ishte aryeja pse ne e donim ate.
10:18
But what really causes an effect
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Por e ajo qe shkakton vertete nje ndikim
10:20
is you tell people, "Look, you could resell it, you could boast about it,
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eshte ti thuash njerezve, "Shikoni, ju mund ta shisni ate, mund te mburreni me te,
10:23
but before it gets to you,
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por perpara se ta merrni ju,
10:25
it's thoroughly washed."
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ajo eshte pastruar rrenjesisht."
10:27
That causes a huge drop in the value.
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Kjo shkakton nje ulje te madhe ne vlere.
10:30
As my wife put it, "You've washed away the Clooney cooties."
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Sic e thote gruaja ime "I ke hequr morrat e Klunit."
10:33
(Laughter)
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(Te qeshura)
10:35
So let's go back to art.
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Keshtu, le te kthehemi perseri tek arti.
10:37
I would love a Chagall. I love the work of Chagall.
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Do vdisja per nje Chagall. Une i dashuroj veprat e Chagallit.
10:39
If people want to get me something at the end of the conference,
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Nqs se dikush do te me jape dicka ne fund te konferences,
10:41
you could buy me a Chagall.
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mund te me blini nje Chagall.
10:43
But I don't want a duplicate,
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Por une nuk dua nje dublikate te tij,
10:45
even if I can't tell the difference.
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megjithse, une nuk mund t'a kuptoj ndryshimin.
10:47
That's not because, or it's not simply because,
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Kjo nuk eshte sepse, ose nuk eshte vetem se
10:49
I'm a snob and want to boast about having an original.
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une jam nje snobist dhe dua te mburrem qe kam nje origjinale.
10:52
Rather, it's because I want something that has a specific history.
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Por, sepse une dua dicka qe mbart ne vetevete nje histori te rralle.
10:55
In the case of artwork,
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Ne rastin e veprave artistike,
10:57
the history is special indeed.
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historia eshte e vecante, vertete.
10:59
The philosopher Denis Dutton
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Filozofi Denis Dutton
11:01
in his wonderful book "The Art Instinct"
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ne librin e tij te famshem "Instikti i Artit"
11:03
makes the case that, "The value of an artwork
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e pershkruan rastin si, "Vlera e nje vepre arti
11:05
is rooted in assumptions about the human performance underlying its creation."
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i ka rrenjet ne supozimet rreth performances njerezore gjate krijimit te saj."
11:08
And that could explain the difference
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Dhe kjo mund te shpjegoje ndryshimin
11:10
between an original and a forgery.
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mes nje origjinali dhe nje falsoje.
11:12
They may look alike, but they have a different history.
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Ato mund te ngjajne, por kane histori te ndryshme.
11:14
The original is typically the product of a creative act,
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Origjinali eshte ne menyre tipike produkti i nje arti krijues,
11:17
the forgery isn't.
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kurse fallcifikimi s'eshte.
11:19
I think this approach can explain differences
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Une mendoj qe kjo arritje mund te na shpjegoje ndryshimin
11:22
in people's taste in art.
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ne shijet e njerezve ne art.
11:24
This is a work by Jackson Pollock.
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Ky eshte nje punim nga Jackson Pollock.
11:26
Who here likes the work of Jackson Pollock?
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Kujt ketu i pelqejne punimet e Jackson Pollock ?
11:30
Okay. Who here, it does nothing for them?
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Mire. Kush prej jush, nuk e pelqen ate?
11:32
They just don't like it.
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Thjesht se pelqejne.
11:35
I'm not going to make a claim about who's right,
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Une nuk do te them se kush ka te drejte,
11:37
but I will make an empirical claim
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por do ta beje nje gjykim empirik
11:39
about people's intuitions,
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rreth intuites se njerzve,
11:41
which is that, if you like the work of Jackson Pollock,
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qe eshte, n.q.s. ju pelqeni punet e Jackson Pollock,
11:43
you'll tend more so than the people who don't like it
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ju do te pepiqeni me shume ne menyre qe njerezit qe nuk i pelqejne ato
11:46
to believe that these works are difficult to create,
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te besojne qe keto punime jane te veshtira per tu krijuar,
11:49
that they require a lot of time and energy
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qe ato kerkojne shume kohe dhe energji
11:51
and creative energy.
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dhe energji krijuese.
11:53
I use Jackson Pollock on purpose as an example
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Une perdora Jackson Pollock me qellim si nje shembull
11:56
because there's a young American artist
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sepse eshte nje nje artist i ri American
11:58
who paints very much in the style of Jackson Pollock,
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qe pikturon ngjashem me stilin e Jackson Pollock,
12:00
and her work was worth
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dhe punet e saj vlejne
12:02
many tens of thousands of dollars --
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disa dhjetera mijera dollare --
12:04
in large part because she's a very young artist.
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ne pjesen me te madhe sepse ajo eshte nje artistte e re.
12:06
This is Marla Olmstead
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Kjo eshte Marla Olmstead
12:08
who did most of her work when she was three years old.
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qe ka bere pjesen me te madhe te veprave te saj ne moshen tre vjecare.
12:10
The interesting thing about Marla Olmstead
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Gjeja interesante rreth Marla Olmstead
12:12
is her family made the mistake
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eshte se familja e saj beri nje gabim
12:14
of inviting the television program 60 Minutes II into their house
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dhe ftoi nje program televiziv te quajtur "60 minuta 2" ne shtepine e saj
12:18
to film her painting.
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per te filmuar pikturat.
12:20
And they then reported that her father was coaching her.
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Dhe me pas ata thane qe babai i saj e drejtonte ate.
12:23
When this came out on television,
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Kur kjo gje u shfaq ne televizion,
12:25
the value of her art dropped to nothing.
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vlera e artit te saj u kthye ne hic.
12:28
It was the same art, physically,
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Ishte i njejti art, fizikisht,
12:30
but the history had changed.
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por histoira rreth tij ndryshoi.
12:33
I've been focusing now on the visual arts,
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Une jam fokusuar tani tek artet pamore,
12:35
but I want to give two examples from music.
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por dua t'ju jap dhe dy shembuj nga muzika.
12:37
This is Joshua Bell, a very famous violinist.
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Ky eshte Joshua Bell, nje violinist i famshem.
12:39
And the Washington Post reporter Gene Weingarten
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Dhe reporteri i Washington Postit Gene Weingarten
12:42
decided to enlist him for an audacious experiment.
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vendosi ta rekrutoje ate per nje eksperiment te guximshem.
12:45
The question is: How much would people like Joshua Bell,
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Pyetja eshte: Sa e duan njerezit Joashua Bell,
12:47
the music of Joshua Bell,
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muziken e Joshua Bellit,
12:49
if they didn't know they were listening to Joshua Bell?
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sikur ata mos ta dinin qe ata po degjonin Joshua Bell?
12:53
So he got Joshua Bell to take his million dollar violin
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Keshtu qe ai morri Joshua Bell te merrte violinen e tij te shtrenjte
12:56
down to a Washington D.C. subway station
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poshte ne nje metro te Warshington D.C
12:59
and stand in the corner and see how much money he would make.
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te qendronte ne nje cep dhe te shihte se sa leke do te fitonte.
13:02
And here's a brief clip of this.
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Dhe ky eshte klipi i shkurter i tij.
13:04
(Violin music)
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( Muzike Violine )
13:11
After being there for three-quarters of an hour,
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Pasi kishin qendruar aty rreth 45 min,
13:13
he made 32 dollars.
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ai fitoi 32 $.
13:16
Not bad. It's also not good.
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Jo keq, por jo dhe aq mire.
13:18
Apparently to really enjoy the music of Joshua Bell,
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Sic duket nqs vertet do te kenaqesh me muziken e Joshua Bell-it,
13:21
you have to know you're listening to Joshua Bell.
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ti duhet te dish qe po degjon Joshua Bell-in.
13:24
He actually made 20 dollars more than that,
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Ai ne fakt fitoi edhe 20$ me shume se kaq,
13:26
but he didn't count it.
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por ai nuk i numuroi ato.
13:28
Because this woman comes up --
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Sepse vjen kjo gruaja --
13:30
you see at the end of the video -- she comes up.
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e shikoni qe ne fund te videos -- ajo vjen .
13:32
She had heard him at the Library of Congress a few weeks before
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Ajo e kishte degjuar ate ne Librarine e Kongresit disa jave perpara
13:34
at this extravagant black-tie affair.
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me kete kollare te zeze ektsravagante pune.
13:37
So she's stunned that he's standing in a subway station.
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Ajo ngeli e habitur qe ai po qendronte ne stacionin e metrose.
13:40
So she's struck with pity.
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Keshtu qe ajo u godit nga keqardhja.
13:42
She reaches into her purse and hands him a 20.
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Ajo futi doren ne kuleten e saj dhe i hodhi 20 $.
13:44
(Laughter)
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( Te qeshura )
13:46
(Applause)
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( Duartrokitje )
13:48
The second example from music
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Rasti i dyte nga muzika
13:50
is from John Cage's modernist composition,
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eshte nga kompozitori modern John Cage's,
13:52
"4'33"."
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"4'33"."
13:54
As many of you know,
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Sic e dine te gjithe
13:56
this is the composition where the pianist sits at a bench,
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ky eshte nje kompozim ku pianisti ulet ne nje stol,
13:59
opens up the piano
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hap pianon
14:01
and sits and does nothing for four minutes and 33 seconds --
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dhe ulet dhe nuk ben asgje per 4 minuta dhe 33 sekonda --
14:03
that period of silence.
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kete kohe qetesie.
14:05
And people have different views on this.
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Dhe njerezit kishin pikpamje te ndryshme per kete gje.
14:07
But what I want to point out
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Por ajo qe une dua te nxjerr
14:09
is you can buy this from iTunes.
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eshte qe ju mund ta blini ate nga iTunes.
14:11
(Laughter)
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( Te qeshura )
14:13
For a dollar 99,
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Per 1, 99 dollar,
14:15
you can listen to that silence,
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ju mund te degjoni ate heshtje,
14:17
which is different than other forms of silence.
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qe eshte e ndryshme nga te gjitha format e heshtjes.
14:20
(Laughter)
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(Te qeshura)
14:22
Now I've been talking so far about pleasure,
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Deri tani isha duke folur rreth kenaqesise,
14:25
but what I want to suggest
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por une dua t'ju them
14:27
is that everything I've said applies as well to pain.
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se cdo gje qe kam thene, vlen edhe per dhimbjen.
14:30
And how you think about what you're experiencing,
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Dhe si ajo qe ju mendoni rreth asaj qe ju po perjetoni,
14:32
your beliefs about the essence of it,
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besimin tuaj rreth thelbit te saj,
14:34
affect how it hurts.
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ndikon se si ajo dhemb.
14:36
One lovely experiment
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Nje eksperiment i bukur
14:38
was done by Kurt Gray and Dan Wegner.
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eshte bere nga Kurt Gray dhe Dan Wegner.
14:40
What they did was they hooked up Harvard undergraduates
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Ajo qe ata bene ishte te merrnin e te lidhnin studente te Harvardit
14:42
to an electric shock machine.
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me nje makineri me dridhje elektrike.
14:44
And they gave them a series of painful electric shocks.
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Dhe i shkaktuan atyre disa dridhje te dhimbshme elektrike.
14:47
So it was a series of five painful shocks.
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Keshtu, ishte nje seri prej pese dridhjeve te dhimbshme.
14:50
Half of them are told that they're being given the shocks
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Gjysmave te tyre ju tha qe keto dridhje do t'ju beheshin
14:52
by somebody in another room,
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prej dikujt ne nje dhome tjeter,
14:54
but the person in the other room doesn't know they're giving them shocks.
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por personi ne dhomen tjeter nuk e di qe do t'ju japin atyre keto te dridhura.
14:57
There's no malevolence, they're just pressing a button.
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S'ka asnje dashakeqesi, ata vetem shtypin nje buton.
14:59
The first shock is recorded as very painful.
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Goditja e pare eshte shenuar si shume e dhimbshme.
15:02
The second shock feels less painful, because you get a bit used to it.
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Goditja e dyte ndihet me pak e dhimbshme, sepse mesohesh me te.
15:05
The third drops, the fourth, the fifth.
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E treta bie, e katerta, e pesta.
15:07
The pain gets less.
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Dhe dhimja lehtesohet.
15:10
In the other condition,
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Ne nje rast tjeter,
15:12
they're told that the person in the next room
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atyre iu thuhet qe personi ne dhomen tjeter
15:14
is shocking them on purpose -- knows they're shocking them.
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i godet ata me qellim -- ai e di qe ata goditen nga dridhjet.
15:17
The first shock hurts like hell.
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Goditja e pare dhemb shume.
15:19
The second shock hurts just as much,
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Dhe e dyta i dhemb po aq shume,
15:21
and the third and the fourth and the fifth.
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dhe e treta dhe e katerta dhe e pesta.
15:23
It hurts more
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Te dhemb me shume
15:25
if you believe somebody is doing it to you on purpose.
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nqs se ti beson qe dikush po e ben ate me qellim.
15:28
The most extreme example of this
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Dhe shembulli me ekstrem i kesaj
15:31
is that in some cases,
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eshte qe ne disa raste,
15:33
pain under the right circumstances
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dhimbja ne rrethanat e duhura
15:35
can transform into pleasure.
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mund te shendrrohet ne kenaqesi.
15:37
Humans have this extraordinarily interesting property
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Njerezit kane kete veti interesante dhe te jashtezakonshme
15:40
that will often seek out low-level doses of pain
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qe shpeshhere kane nevoje per doza te ulta dhimbjeje
15:42
in controlled circumstances
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ne kushte te kontrolluara
15:44
and take pleasure from it --
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dhe marrin kenaqesi prej saj --
15:46
as in the eating of hot chili peppers
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sikurse kur ha speca djeges
15:48
and roller coaster rides.
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apo nje xhiro me tren ne parkun e lojerave.
15:51
The point was nicely summarized
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Kjo gje eshte permbledhur bukur
15:53
by the poet John Milton
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nga poeti John Milton
15:55
who wrote, "The mind is its own place,
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i cili ka shkruajtur, "Mendja eshte vendi i vete,
15:57
and in itself can make a heaven of hell,
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dhe ne ne vetvete e kthen nje parajse ferri,
15:59
a hell of heaven."
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ne nje ferr parajse."
16:01
And I'll end with that. Thank you.
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Dhe me kete po e mbyll. Falemderit.
16:03
(Applause)
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( Duartrokitje )
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