Lakshmi Pratury: The lost art of letter-writing

40,151 views ใƒป 2008-01-09

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Ariella Cwikel ืžื‘ืงืจ: Sigal Tifferet
00:12
So I thought, "I will talk about death."
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ืื– ื—ืฉื‘ืชื™, "ืื ื™ ืื“ื‘ืจ ืขืœ ืžื•ื•ืช".
00:14
Seemed to be the passion today.
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ื“ื•ืžื” ืฉื–ืืช ื”ืชืฉื•ืงื” ื”ื™ื•ื.
00:16
Actually, it's not about death.
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ืœืžืขืŸ ื”ืืžืช, ื–ื” ืœื ืขืœ ืžื•ื•ืช.
00:18
It's inevitable, terrible, but really what I want to talk about is,
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ื–ื” ื‘ืœืชื™ ื ืžื ืข, ืื™ื•ื ื•ื ื•ืจื, ืื‘ืœ ื‘ืขืฆื ืžื” ืฉืื ื™ ืจื•ืฆื” ืœื“ื‘ืจ ืขืœื™ื• ื”ื•ื -
00:21
I'm just fascinated by the legacy people leave when they die.
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ืžืจืชืงืช ืื•ืชื™ ื”ืžื•ืจืฉืช ืฉืื ืฉื™ื ืžืฉืื™ืจื™ื ื›ืฉื”ื ืžืชื™ื.
00:24
That's what I want to talk about.
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ืขืœ ื–ื” ืื ื™ ืจื•ืฆื” ืœื“ื‘ืจ.
00:26
So Art Buchwald left his legacy of humor with a video
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ืืจื˜ ื‘ื•ื›ื•ื•ืœื“ ื”ืฉืื™ืจ ืืช ื”ืžื•ืจืฉืช ืฉืœื• ืฉืœ ื”ื•ืžื•ืจ ื‘ืืžืฆืขื•ืช ื•ื™ื“ืื•
00:30
that appeared soon after he died, saying,
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ืฉื”ื•ืคื™ืข ืžืขื˜ ืื—ืจื™ ืฉื”ื•ื ืžืช, ื•ืืžืจ
00:32
"Hi! I'm Art Buchwald, and I just died."
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"ื”ื™! ืื ื™ ืืจื˜ ื‘ื•ื›ื•ื•ืœื“, ื•ื›ืจื’ืข ืžืชืชื™."
00:36
And Mike, who I met at Galapagos, a trip which I won at TED,
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ื•ืžื™ื™ืง, ืฉืคื’ืฉืชื™ ื‘ื’ืœืคืื’ื•ืก, ื‘ื ืกื™ืขื” ืฉื–ื›ื™ืชื™ ื‘ื” ื‘ TED,
00:41
is leaving notes on cyberspace where he is chronicling
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ืžืฉืื™ืจ ืคืชืงื™ื ื‘ืกื™ื™ื‘ืจืกืคื™ื™ืก ื‘ื”ื ื”ื•ื ืžืชืขื“
00:45
his journey through cancer.
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ืืช ื”ืžืกืข ืฉืœื• ื“ืจืš ืžื—ืœืช ื”ืกืจื˜ืŸ.
00:48
And my father left me a legacy of his handwriting
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ื•ืื‘ื™ ื”ืฉืื™ืจ ืœื™ ืืช ื”ืžื•ืจืฉืช ืฉืœ ื›ืชื‘ ื”ื™ื“ ืฉืœื•
00:52
through letters and a notebook.
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ื‘ืืžืฆืขื•ืช ืžื›ืชื‘ื™ื ื•ืžื—ื‘ืจืช.
00:54
In the last two years of his life, when he was sick,
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ื‘ืฉื ืชื™ื™ื ื”ืื—ืจื•ื ื•ืช ืฉืœ ื—ื™ื™ื•, ื›ืฉื”ื™ื” ื—ื•ืœื”,
00:58
he filled a notebook with his thoughts about me.
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ื”ื•ื ืžื™ืœื ืžื—ื‘ืจืช ื‘ืžื—ืฉื‘ื•ืชื™ื• ืขืœื™.
01:02
He wrote about my strengths, weaknesses,
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ื”ื•ื ื›ืชื‘ ืขืœ ื—ื•ื–ืงื•ืชื™, ืขืœ ื—ื•ืœืฉื•ืชื™,
01:05
and gentle suggestions for improvement,
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ื•ื”ืฆื™ืข ื”ืฆืขื•ืช ืขื“ื™ื ื•ืช ืœืฉื™ืคื•ืจื™ื,
01:09
quoting specific incidents, and held a mirror to my life.
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ืชื•ืš ืฆื™ื˜ื•ื˜ ืžืงืจื™ื ืกืคืฆื™ืคื™ื™ื, ื•ื”ืจืžืช ืžืจืื” ืžื•ืœ ื—ื™ื™.
01:15
After he died, I realized that no one writes to me anymore.
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ืื—ืจื™ ืฉื”ื•ื ืžืช, ื”ื‘ื ืชื™ ืฉืืฃ ืื—ื“ ื›ื‘ืจ ืœื ื›ื•ืชื‘ ืœื™.
01:20
Handwriting is a disappearing art.
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ื›ืชื‘ ื™ื“ ื”ื•ื ืืžื ื•ืช ื’ื•ื•ืขืช.
01:23
I'm all for email and thinking while typing,
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ืื ื™ ื‘ืขื“ ืื™-ืžื™ื™ืœ, ื•ื—ืฉื™ื‘ื” ืชื•ืš ื›ื“ื™ ื”ืงืœื“ื”,
01:26
but why give up old habits for new?
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ืื‘ืœ ืœืžื” ืœื•ื•ืชืจ ืขืœ ื”ืจื’ืœ ื™ืฉืŸ ื‘ืขื‘ื•ืจ ื—ื“ืฉ?
01:29
Why can't we have letter writing and email exchange in our lives?
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ืœืžื” ืื ื—ื ื• ืœื ื™ื›ื•ืœื™ื ืœื”ืฉืื™ืจ ื’ื ื›ืชื™ื‘ืช ืžื›ืชื‘ื™ื ื•ื’ื ื”ื—ืœืคืช ืื™-ืžื™ื™ืœื™ื ื‘ื—ื™ื™ื ื•?
01:33
There are times when I want to trade all those years
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ื™ืฉื ื ื–ืžื ื™ื ื‘ื”ื ืื ื™ ืจื•ืฆื” ืœื”ื—ืœื™ืฃ ืืช ื›ืœ ื”ืฉื ื™ื
01:39
that I was too busy to sit with my dad and chat with him,
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ื‘ื”ืŸ ื”ื™ื™ืชื™ ืขืกื•ืงื” ืžื›ื“ื™ ืœืฉื‘ืช ืขื ืื‘ื ืฉืœื™ ื•ืœืคื˜ืคื˜ ืื™ืชื•,
01:43
and trade all those years for one hug.
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ื•ืœื”ื—ืœื™ืฃ ืืช ื›ืœ ื”ืฉื ื™ื ื”ืืœื• ื‘ื—ื™ื‘ื•ืง ืื—ื“.
01:49
But too late.
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ืื‘ืœ ืžืื•ื—ืจ ืžื“ื™.
01:51
But that's when I take out his letters and I read them,
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ืื– ืื ื™ ืžื•ืฆื™ืื” ืืช ื”ืžื›ืชื‘ื™ื ืฉืœื• ื•ืงื•ืจืืช ืื•ืชื,
01:57
and the paper that touched his hand is in mine,
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ื•ื”ื ื™ื™ืจ ืฉื ื’ืข ื‘ื™ื“ื• ื ืžืฆื ื‘ื™ื“ื™,
02:00
and I feel connected to him.
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ื•ืื ื™ ืžืจื’ื™ืฉื” ืžื—ื•ื‘ืจืช ืืœื™ื•.
02:03
So maybe we all need to leave our children
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ืื– ืื•ืœื™ ื›ื•ืœื ื• ืฆืจื™ื›ื™ื ืœื”ืฉืื™ืจ ืœื™ืœื“ื™ื ื•
02:07
with a value legacy, and not a financial one.
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ืžื•ืจืฉืช ืขืจื›ื™ืช, ื•ืœื ื›ืœื›ืœื™ืช.
02:10
A value for things with a personal touch --
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ืฉื™ืขืจื™ื›ื• ื“ื‘ืจื™ื ืขื ืžื’ืข ืื™ืฉื™ -
02:13
an autographed book, a soul-searching letter.
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ืกืคืจ ื—ืชื•ื, ืžื›ืชื‘ ืฉืœ ื—ื™ืคื•ืฉ ื”ื ืคืฉ.
02:17
If a fraction of this powerful TED audience
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ืื ืฉื‘ืจื™ืจ ืžืฆื•ืคื™ TED ื”ืขื•ืฆืžืชื™ื™ื ื”ืืœื•
02:20
could be inspired to buy a beautiful paper --
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ื™ืงื‘ืœื• ื”ืฉืจืื” ืœืงื ื•ืช ื“ืฃ ื ื™ื™ืจ ื™ืคื” -
02:22
John, it'll be a recycled one -- and write a beautiful letter
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ื’'ื•ืŸ, ื–ื” ื™ื”ื™ื” ื ื™ื™ืจ ืžืžื•ื—ื–ืจ - ื•ืœื›ืชื•ื‘ ืžื›ืชื‘ ื™ืคื”
02:27
to someone they love, we actually may start a revolution
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ืœืžื™ืฉื”ื• ืฉื”ื ืื•ื”ื‘ื™ื, ื™ืชื›ืŸ ื•ืžืžืฉ ื ืชื—ื™ืœ ืžื”ืคื›ื”
02:30
where our children may go to penmanship classes.
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ื‘ื” ื”ื™ืœื“ื™ื ืฉืœื ื• ื™ืœื›ื• ืœืฉื™ืขื•ืจื™ ื›ืชื™ื‘ื” ืชืžื”.
02:33
So what do I plan to leave for my son?
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ืื– ืžื” ืื ื™ ืžืชื›ื ื ืช ืœื”ืฉืื™ืจ ืœื‘ื ื™?
02:37
I collect autographed books, and those of you authors
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ืื ื™ ืื•ืกืคืช ืกืคืจื™ื ื—ืชื•ืžื™ื, ื•ืืœื• ืžื‘ื™ื ื™ื›ื ืฉื”ื ืกื•ืคืจื™ื
02:39
in the audience know I hound you for them --
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ื‘ืงื”ืœ ื™ื•ื“ืขื™ื ืฉืื ื™ ืจื•ื“ืคืช ืื—ืจื™ื›ื ื‘ืฉื‘ื™ืœื -
02:42
and CDs too, Tracy.
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ื•ื“ื™ืกืงื™ื ื’ื, ื˜ืจื™ื™ืกื™.
02:44
I plan to publish my own notebook.
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ืื ื™ ืžืชื›ื ื ืช ืœื”ื•ืฆื™ื ืœืื•ืจ ืืช ื”ืžื—ื‘ืจืช ืฉืœื™.
02:48
As I witnessed my father's body being swallowed by fire,
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ื›ืฉื”ืชื‘ื•ื ื ืชื™ ื‘ื’ื•ืคืชื• ืฉืœ ืื‘ื™ ื”ื ืื›ืœืช ื‘ืืฉ,
02:52
I sat by his funeral pyre and wrote.
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ื™ืฉื‘ืชื™ ืœื™ื“ ืžื“ื•ืจืช ื”ื”ืœื•ื•ื™ื” ืฉืœื• ื•ื›ืชื‘ืชื™.
02:56
I have no idea how I'm going to do it,
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ืื™ืŸ ืœื™ ืžื•ืฉื’ ืื™ืš ืืขืฉื” ื–ืืช,
02:57
but I am committed to compiling his thoughts and mine
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ืื‘ืœ ืื ื™ ืžื—ื•ื™ื™ื‘ืช ืœืงื‘ืฅ ืืช ืžื—ืฉื‘ื•ืชื™ื• ืขื ืฉืœื™
03:00
into a book, and leave that published book for my son.
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ืœื›ื“ื™ ืกืคืจ, ื•ืœื”ืฉืื™ืจ ืืช ื”ืกืคืจ ื”ื–ื” ืœื‘ื ื™.
03:04
I'd like to end with a few verses of what I wrote
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ื”ื™ื™ืชื™ ืจื•ืฆื” ืœืกื™ื™ื ืขื ื›ืžื” ืžืฉืคื˜ื™ื ืžืžื” ืฉื›ืชื‘ืชื™
03:06
at my father's cremation.
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ื‘ืฉืจื™ืคืช ื’ื•ืคืชื• ืฉืœ ืื‘ื™.
03:08
And those linguists, please pardon the grammar,
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ื•ืœื‘ืœืฉื ื™ื ืฉื‘ื›ื, ืชืกืœื—ื• ืœื™ ืขืœ ื”ื“ืงื“ื•ืง ืฉืœื™,
03:11
because I've not looked at it in the last 10 years.
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ืžืคื ื™ ืฉืœื ื”ืกืชื›ืœืชื™ ืขืœ ื–ื” ืœืคื—ื•ืช 10 ืฉื ื™ื.
03:13
I took it out for the first time to come here.
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ื”ื•ืฆืืชื™ ืืช ื–ื” ืœืจืืฉื•ื ื” ืœืงืจืืช ื‘ื•ืื™ ืœื›ืืŸ.
03:16
"Picture in a frame, ashes in a bottle,
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"ืชืžื•ื ื” ื‘ืžืกื’ืจืช, ืืคืจ ื‘ื‘ืงื‘ื•ืง,
03:20
boundless energy confined in the bottle,
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ืื ืจื’ื™ื” ื—ืกืจืช ื’ื‘ื•ืœ ื›ืœื•ืื” ื‘ื‘ืงื‘ื•ืง
03:23
forcing me to deal with reality,
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ืžื›ืจื™ื—ื” ืื•ืชื™ ืœื”ืชืžื•ื“ื“ ืขื ื”ืžืฆื™ืื•ืช,
03:26
forcing me to deal with being grown up.
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ืžื›ืจื™ื—ื” ืื•ืชื™ ืœื”ืชืžื•ื“ื“ ืขื ื”ื™ื•ืชื™ ืžื‘ื•ื’ืจืช.
03:29
I hear you and I know that you would want me to be strong,
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ืื ื™ ืฉื•ืžืขืช ืื•ืชืš ื•ื™ื•ื“ืขืช ืฉื”ื™ื™ืช ืจื•ืฆื” ืฉืื”ื™ื” ื—ื–ืงื”,
03:33
but right now, I am being sucked down, surrounded
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ืื‘ืœ ืขื›ืฉื™ื•, ืื ื™ ื ืฉืื‘ืช ืžื˜ื”, ืžื•ืงืคืช,
03:37
and suffocated by these raging emotional waters,
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ื•ื ื—ื ืงืช ื‘ื™ื“ื™ ืžื™ ื”ืจื’ืฉื•ืช ื”ื’ื•ืขืฉื™ื,
03:40
craving to cleanse my soul, trying to emerge
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ื—ื•ืฉืงื™ื ืœื ืงื•ืช ืืช ื ืคืฉื™, ืžื ืกื™ื ืœื”ื’ื™ื—
03:43
on a firm footing one more time, to keep on fighting and flourishing
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ื•ืœืžืฆื•ื ืื“ืžื” ื™ืฆื™ื‘ื” ืฉื ื™ืช, ืœื”ืžืฉื™ืš ืœื”ื™ืื‘ืง ื•ืœืคืจื•ื—
03:49
just as you taught me.
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ื‘ื“ื™ื•ืง ื›ืคื™ ืฉืœื™ืžื“ืช ืื•ืชื™.
03:51
Your encouraging whispers in my whirlpool of despair,
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ื”ืœื—ื™ืฉื” ื”ืžืขื•ื“ื“ืช ืฉืœืš ื‘ืžืขืจื‘ื•ืœืช ื”ื™ื™ืื•ืฉ ืฉืœื™,
03:55
holding me and heaving me to shores of sanity,
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ืžื—ื–ื™ืงื” ืื•ืชื™ ื•ืžื ื™ืคื” ืื•ืชื™ ืœื—ื•ืคื™ ื”ืฉืคื™ื•ืช,
04:00
to live again and to love again."
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ืœื—ื™ื•ืช ืฉื•ื‘ ื•ืœืื”ื•ื‘ ืฉื•ื‘."
04:02
Thank you.
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ืชื•ื“ื” ืจื‘ื”.
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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