How I beat stage fright | Joe Kowan

651,511 views ใƒป 2014-01-24

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Tal Dekkers ืžื‘ืงืจ: Ido Dekkers
00:12
Joe Kowan: I have stage fright.
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ื’'ื• ืงื•ื•ืืŸ: ื™ืฉ ืœื™ ืคื—ื“ ื‘ืžื”.
00:14
I've always had stage fright,
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ืชืžื™ื“ ื”ื™ื” ืœื™ ืคื—ื“ ื‘ืžื”,
00:15
and not just a little bit,
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ื•ืœื ืจืง ืงืฆืช,
00:17
it's a big bit.
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ื–ื” ืงืฆืช ื’ื“ื•ืœ.
00:19
And it didn't even matter until I was 27.
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ื•ื–ื” ื‘ื›ืœืœ ืœื ื”ื™ื” ื—ืฉื•ื‘ ืขื“ ืฉื”ื™ื™ืชื™ ื‘ืŸ 27.
00:21
That's when I started writing songs, and even then
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ื–ื” ื”ื–ืžืŸ ืฉื”ืชื—ืœืชื™ ืœื›ืชื•ื‘ ืฉื™ืจื™ื, ื•ื’ื ืื–
00:24
I only played them for myself.
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ืื ื™ ื ื™ื’ื ืชื™ ืื•ืชื ืจืง ืœืขืฆืžื™.
00:26
Just knowing my roommates were in the same house made me uncomfortable.
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ืจืง ืœื“ืขืช ืฉื”ืฉื•ืชืคื™ื ืœื“ื™ืจื” ืฉืœื™ ื”ื™ื• ื‘ืื•ืชื• ื‘ื™ืช ื’ืจื ืœื™ ืื™ ื ื•ื—ื•ืช.
00:30
But after a couple of years, just writing songs wasn't enough.
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ืื‘ืœ ืื—ืจื™ ืฉื ืชื™ื™ื, ืจืง ืœื›ืชื•ื‘ ืฉื™ืจื™ื ืœื ื”ื™ื” ืžืกืคื™ืง.
00:32
I had all these stories and ideas, and I wanted to share them with people,
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ื”ื™ื• ืœื™ ืืช ื›ืœ ื”ืกื™ืคื•ืจื™ื ื•ื”ืจืขื™ื•ื ื•ืช ื”ืืœื”, ื•ืจืฆื™ืชื™ ืœื—ืœื•ืง ืื•ืชื ืขื ืื ืฉื™ื,
00:35
but physiologically, I couldn't do it.
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ืื‘ืœ ืคื™ื–ื™ืช, ืื ื™ ืœื ื™ื›ื•ืœืชื™ ืœืขืฉื•ืช ื–ืืช.
00:39
I had this irrational fear.
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ื”ื™ื” ืœื™ ืืช ื”ืคื—ื“ ื”ืœื ื”ื’ื™ื•ื ื™ ื”ื–ื”.
00:42
But the more I wrote, and the more I practiced,
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ืื‘ืœ ื›ื›ืœ ืฉื›ืชื‘ืชื™ ื™ื•ืชืจ, ื•ื›ื›ืœ ืฉื”ืชืืžื ืชื™ ื™ื•ืชืจ,
00:44
the more I wanted to perform.
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ื›ืš ืจืฆื™ืชื™ ืœื”ื•ืคื™ืข ื™ื•ืชืจ.
00:45
So on the week of my 30th birthday,
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ืื– ื‘ืฉื‘ื•ืข ืฉืœ ื™ื•ื ื”ื•ืœื“ืชื™ ื”ืฉืœื•ืฉื™ื,
00:47
I decided I was going to go to this local open mic,
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ื”ื—ืœื˜ืชื™ ืฉืื ื™ ื”ื•ืœืš ืœืืจื•ืข ืžืงื•ืžื™ ืฉืœ ืžื™ืงืจื•ืคื•ืŸ ืคืชื•ื—,
00:50
and put this fear behind me.
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ื•ืฉื ืืช ื”ืคื—ื“ ื”ื–ื” ืžืื—ื•ืจื™.
00:52
Well, when I got there, it was packed.
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ืื–, ื›ืฉื”ื’ืขืชื™ ืœืฉื, ื–ื” ื”ื™ื” ืžืœื.
00:55
There were like 20 people there.
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ื”ื™ื• ืฉื ื‘ืขืจืš 20 ืื ืฉื™ื.
00:57
(Laughter)
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(ืฆื—ื•ืง)
00:58
And they all looked angry.
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ื•ื›ื•ืœื ื ืจืื• ืขืฆื‘ื ื™ื™ื.
01:01
But I took a deep breath, and I signed up to play,
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ืื‘ืœ ืœืงื—ืชื™ ื ืฉื™ืžื” ืขืžื•ืงื”, ื•ื ืจืฉืžืชื™ ืœื ื’ืŸ,
01:05
and I felt pretty good.
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ื•ื”ืจื’ืฉืชื™ ื“ื™ ื˜ื•ื‘.
01:06
Pretty good, until about 10 minutes before my turn,
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ื“ื™ ื˜ื•ื‘, ืขื“ ื‘ืขืจืš 10 ื“ืงื•ืช ืœืคื ื™ ืฉื”ื’ื™ืข ืชื•ืจื™,
01:09
when my whole body rebelled, and this wave of anxiety just washed over me.
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ื›ืฉื›ืœ ื”ื’ื•ืฃ ืฉืœื™ ื”ืชื ื’ื“, ื•ื’ืœ ืฉืœ ื—ืจื“ื” ืคืฉื•ื˜ ืฉื˜ืฃ ืื•ืชื™.
01:15
Now, when you experience fear, your sympathetic nervous system kicks in.
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ืขื›ืฉื™ื•, ื›ืฉืืชื ื—ื•ื•ื™ื ืคื—ื“, ืžืขืจื›ืช ื”ืขืฆื‘ื™ื ื”ืกื™ืžืคืชื˜ื™ืช ืฉืœื›ื ื ื›ื ืกืช ืœืคืขื•ืœื”.
01:18
So you have a rush of adrenaline, your heart rate increases,
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ืื– ื™ืฉ ืœื›ื ืคืจืฅ ืื“ืจื ืœื™ืŸ, ืงืฆื‘ ื”ืœื‘ ืฉืœื›ื ืžืื™ืฅ,
01:21
your breathing gets faster.
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ื”ื ืฉื™ืžื” ืฉืœื›ื ื”ื•ืคื›ืช ืœืžื”ื™ืจื”.
01:23
Next your non-essential systems start to shut down, like digestion. (Laughter)
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ืื—ืจ ื›ืš ื”ืžืขืจื›ื•ืช ืฉืื™ื ืŸ ื ื—ื•ืฆื•ืช ืœื›ื ืžืชื—ื™ืœื•ืช ืœื”ื›ื‘ื•ืช ื›ืžื• ืขื™ื›ื•ืœ. (ืฆื—ื•ืง)
01:29
So your mouth gets dry, and blood is routed away from your extremities,
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ืื– ื”ืคื” ืฉืœื›ื ืžืชื™ื™ื‘ืฉ, ื•ื“ื ืžื ื•ืชื‘ ืžื”ื’ืคื™ื™ื ืฉืœื›ื,
01:32
so your fingers don't work anymore.
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ืื– ื”ืืฆื‘ืขื•ืช ืฉืœื›ื ืœื ืขื•ื‘ื“ื•ืช ื™ื•ืชืจ.
01:35
Your pupils dilate, your muscles contract, your Spidey sense tingles,
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ื”ืื™ืฉื•ื ื™ื ืฉืœื›ื ืžืชืจื—ื‘ื™ื, ื”ืฉืจื™ืจื™ื ืฉืœื›ื ืžืชื›ื•ื•ืฆื™ื, ื•ื™ืฉ ืœื›ื ืชื—ื•ืฉืช ื ื™ืžื•ืœ ืžื“ื’ื“ื’ืช,
01:38
basically your whole body is trigger-happy. (Laughter)
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ื‘ืขืฆื ื›ืœ ื”ื’ื•ืฃ ืฉืœื›ื ืงืœ ืขืœ ื”ื”ื“ืง. (ืฆื—ื•ืง)
01:43
That condition is not conducive to performing folk music.
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ื”ืžืฆื‘ ื”ื–ื” ืœื ืชื•ืจื ืœื‘ื™ืฆื•ืข ืฉืœ ืžื•ื–ื™ืงื” ืขืžืžื™ืช.
01:48
(Laughter)
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(ืฆื—ื•ืง)
01:49
I mean, your nervous system is an idiot.
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ืื ื™ ืžืชื›ื•ื•ืŸ, ืžืขืจื›ืช ื”ืขืฆื‘ื™ื ืฉืœื›ื ืื™ื“ื™ื•ื˜ื™ื•ืช.
01:52
Really? Two hundred thousand years of human evolution, and it still can't tell the difference
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ื‘ืืžืช? ืžืืชื™ื™ื ืืœืฃ ืฉื ื™ื ืฉืœ ืื‘ื•ืœื•ืฆื™ื” ืื ื•ืฉื™ืช, ื•ื”ื™ื ืขื“ื™ื™ืŸ ืœื ื™ื›ื•ืœื” ืœื”ื‘ื“ื™ืœ
01:56
between a saber tooth tiger and 20 folksingers
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ื‘ื™ืŸ ื ืžืจ ืฉืŸ-ื—ืจื‘ ืœื‘ื™ืŸ 20 ื–ืžืจื™ื ืขืžืžื™ื™ื
01:58
on a Tuesday night open mic?
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ื‘ืขืจื‘ื™ ืฉืœื™ืฉื™ ืฉืœ ืžื™ืงืจื•ืคื•ืŸ ืคืชื•ื—?
02:00
(Laughter)
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(ืฆื—ื•ืง)
02:02
I have never been more terrified -- until now.
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ืžืขื•ืœื ืœื ื”ื™ื™ืชื™ ื™ื•ืชืจ ืžืคื•ื—ื“ - ืขื“ ืขื›ืฉื™ื•.
02:06
(Laughter and cheers)
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(ืฆื—ื•ืงื™ื ื•ืชืจื•ืขื•ืช)
02:15
So then it was my turn,
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ื•ืื– ื”ื’ื™ืข ืชื•ืจื™,
02:17
and somehow, I get myself onto the stage, I start my song,
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ื•ืื™ื›ืฉื”ื•, ื”ืขืœืชื™ ืืช ืขืฆืžื™ ืขืœ ื”ื‘ืžื”, ื”ืชื—ืœืชื™ ืืช ื”ืฉื™ืจ ืฉืœื™,
02:20
I open my mouth to sing the first line,
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ืคืชื—ืชื™ ืืช ืคื™ ื›ื“ื™ ืœืฉื™ืจ ืืช ื”ืฉื•ืจื” ื”ืจืืฉื•ื ื”,
02:23
and this completely horrible vibrato --
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ื•ื”ื•ื™ื‘ืจื˜ื• ื”ื ื•ืจืื™ ืœื—ืœื•ื˜ื™ืŸ ื”ื–ื” -
02:25
you know, when your voice wavers -- comes streaming out.
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ืืชื ื™ื•ื“ืขื™ื, ื›ืฉื”ืงื•ืœ ืฉืœื›ื ืžื”ืกืก ืžื’ื™ืข ื‘ื–ืจื ื”ื—ื•ืฆื”.
02:27
And this is not the good kind of vibrato, like an opera singer has,
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ื•ื–ื” ืœื ื”ืกื•ื’ ื”ื˜ื•ื‘ ืฉืœ ื•ื™ื‘ืจื˜ื•, ื›ืžื• ืฉื™ืฉ ืœื–ืžืจื™ ืื•ืคืจื”,
02:30
this is my whole body just convulsing with fear.
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ื–ื” ื›ืœ ื”ื’ื•ืฃ ืฉืœื™ ืคืฉื•ื˜ ืจื•ืขื“ ืžืคื—ื“.
02:33
I mean, it's a nightmare.
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ืื ื™ ืžืชื›ื•ื•ืŸ, ื–ื” ืกื™ื•ื˜.
02:34
I'm embarrassed, the audience is clearly uncomfortable,
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ืื ื™ ื ื‘ื•ืš, ื‘ืจื•ืจ ืฉื”ืงื”ืœ ืœื ื—ืฉ ื‘ื ื•ื—,
02:37
they're focused on my discomfort.
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ื”ื ืžืžื•ืงื™ื“ื ืขืœ ื—ื•ืกืจ ื”ื ื•ื—ื•ืช ืฉืœื™.
02:39
It was so bad.
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ื–ื” ื”ื™ื” ื›ืœ ื›ืš ืจืข.
02:43
But that was my first real experience as a solo singer-songwriter.
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ืื‘ืœ ื–ืืช ื”ื™ืชื” ื”ื”ืชื ืกื•ืช ื”ืืžื™ืชื™ืช ื”ืจืืฉื•ื ื” ืฉืœื™ ื›ื›ื•ืชื‘-ื–ืžืจ ืกื•ืœื•.
02:47
And something good did happen -- I had the tiniest little glimpse
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ื•ืžืฉื”ื• ื˜ื•ื‘ ื›ืŸ ืงืจื” -- ื”ื™ื™ืชื” ืœื™ ื”ืฆืฆื” ืคืฆืคื•ื ืช ืงื˜ื ื” ื‘ื™ื•ืชืจ
02:50
of that audience connection that I was hoping for.
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ืœื—ื™ื‘ื•ืจ ืขื ื”ืงื”ืœ ืฉืื ื™ ืงื™ื•ื•ืชื™ ืœื•.
02:52
And I wanted more. But I knew I had to get past this nervousness.
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ื•ืจืฆื™ืชื™ ื™ื•ืชืจ. ืื‘ืœ ืื ื™ ื™ื“ืขืชื™ ืฉืื ื™ ืฆืจื™ืš ืœืขื‘ื•ืจ ืืช ื”ืขืฆื‘ื™ื ื”ืืœื”.
02:56
That night I promised myself: I would go back every week
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ื‘ืœื™ืœื” ื”ื”ื•ื ืื ื™ ื”ื‘ื˜ื—ืชื™ ืœืขืฆืžื™: ืื ื™ ืื—ื–ื•ืจ ื›ืœ ืฉื‘ื•ืข
03:00
until I wasn't nervous anymore.
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ืขื“ ืฉืื ื™ ืœื ืื”ื™ื” ืขืฆื‘ื ื™ ื™ื•ืชืจ.
03:02
And I did. I went back every single week,
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ื•ื›ืš ืขืฉื™ืชื™, ื—ื–ืจืชื™ ื›ืœ ืฉื‘ื•ืข,
03:04
and sure enough, week after week,
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ื•ืื›ืŸ, ืฉื‘ื•ืข ืื—ืจื™ ืฉื‘ื•ืข,
03:08
it didn't get any better. The same thing happened every week. (Laughter)
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ืื ื™ ืœื ื”ืฉืชืคืจืชื™. ืื•ืชื• ื”ื“ื‘ืจ ืงืจื” ื›ืœ ืฉื‘ื•ืข. (ืฆื—ื•ืง)
03:12
I couldn't shake it.
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ืœื ื”ืฆืœื—ืชื™ ืœื”ืชื ืขืจ ืžื–ื”.
03:14
And that's when I had an epiphany.
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ื•ืื– ื”ื™ืชื” ืœื™ ื”ืชื’ืœื•ืช.
03:16
And I remember it really well, because I don't have a lot of epiphanies. (Laughter)
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ื•ืื ื™ ื–ื•ื›ืจ ืืช ื–ื” ืžืžืฉ ื˜ื•ื‘. ืžืคื ื™ ืฉืื™ืŸ ืœื™ ื”ืจื‘ื” ื”ืชื’ืœื•ื™ื•ืช. (ืฆื—ื•ืง)
03:22
All I had to do was write a song that exploits my nervousness.
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ื›ืœ ืžื” ืฉื”ื™ื™ืชื™ ืฆืจื™ืš ืœืขืฉื•ืช ื–ื” ืœื›ืชื•ื‘ ืฉื™ืจ ืฉืžื ืฆืœ ืืช ื”ืขืฆื‘ื ื•ืช ืฉืœื™.
03:26
That only seems authentic when I have stage fright,
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ื–ื” ื ืจืื” ืืžื™ืŸ ืจืง ื›ืฉื™ืฉ ืœื™ ืคื—ื“ ื‘ืžื”,
03:28
and the more nervous I was,
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ื•ื›ื›ืœ ืฉื”ื™ื™ืชื™ ื™ื•ืชืจ ืขืฆื‘ื ื™,
03:29
the better the song would be. Easy.
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ื›ืš ื”ืฉื™ืจ ื”ื™ื” ื™ื•ืชืจ ื˜ื•ื‘. ืงืœ.
03:32
So I started writing a song about having stage fright.
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ืื– ื”ืชื—ืœืชื™ ืœื›ืชื•ื‘ ืฉื™ืจ ืขืœ ืคื—ื“ ื‘ืžื”.
03:36
First, fessing up to the problem,
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ืจืืฉื™ืช, ืœื”ืชืžื•ื“ื“ ืขื ื”ื‘ืขื™ื”,
03:39
the physical manifestations, how I would feel,
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ื”ื‘ื™ื˜ื•ื™ื™ื ื”ืคื™ื–ื™ื™ื, ืื™ืš ื”ื™ื™ืชื™ ืžืจื’ื™ืฉ,
03:40
how the listener might feel.
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ืื™ืš ื”ืžืื–ื™ืŸ ืขืœื•ืœ ืœื”ืจื’ื™ืฉ.
03:42
And then accounting for things like my shaky voice,
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ื•ืœืื—ืจ ืžื›ืŸ ืœืงื—ืชื™ ื‘ื—ืฉื‘ื•ืŸ ื“ื‘ืจื™ื ื›ืžื• ื”ืงื•ืœ ื”ืจื•ืขื“ ืฉืœื™,
03:44
and I knew I would be singing about a half-octave higher than normal,
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ื•ื™ื“ืขืชื™ ืฉืื ื™ ืืฉื™ืจ ื—ืฆื™ ืื•ืงื˜ื‘ื” ื’ื‘ื•ื” ื™ื•ืชืจ ืžื”ืจื’ื™ืœ,
03:47
because I was nervous.
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ืžืคื ื™ ืฉื”ื™ื™ืชื™ ืขืฆื‘ื ื™.
03:49
By having a song that explained what was happening to me,
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ืขืœ ื™ื“ื™ ืฉื™ืจ ืฉืžืกื‘ื™ืจ ืžื” ืงื•ืจื” ืœื™,
03:53
while it was happening,
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ื‘ื–ืžืŸ ืฉื–ื” ืงื•ืจื”,
03:54
that gave the audience permission to think about it.
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ื–ื” ื ืชืŸ ืœืงื”ืœ ืืช ื”ืื™ืฉื•ืจ ืœื—ืฉื•ื‘ ืขืœ ื–ื”.
03:56
They didn't have to feel bad for me because I was nervous,
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ื”ื ืœื ื”ื™ื• ืฆืจื™ื›ื™ื ืœื”ืจื’ื™ืฉ ืจืข ื‘ืฉื‘ื™ืœื™ ืžืคื ื™ ืฉื”ื™ื™ืชื™ ืขืฆื‘ื ื™,
03:59
they could experience that with me,
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ื”ื ื™ื›ืœื• ืœื—ื•ื•ืช ืืช ื–ื” ืื™ืชื™,
04:00
and we were all one big happy, nervous, uncomfortable family. (Laughter)
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ื•ื”ื™ื™ื ื• ื›ื•ืœื ื• ืžืฉืคื—ื” ื’ื“ื•ืœื”, ืฉืžื—ื”, ืขืฆื‘ื ื™ืช, ืœื ืžืจื’ื™ืฉื” ื‘ื ื•ื—. (ืฆื—ื•ืง)
04:06
By thinking about my audience, by embracing and exploiting my problem,
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ืขืœ ื™ื“ื™ ื—ืฉื™ื‘ื” ืขืœ ื”ืงื”ืœ ืฉืœื™, ืขืœ ื™ื“ื™ ืื™ืžื•ืฅ ื•ื ื™ืฆื•ืœ ื”ื‘ืขื™ื” ืฉืœื™,
04:10
I was able to take something that was blocking my progress,
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ื”ื™ื™ืชื™ ืžืกื•ื’ืœ ืœืงื—ืช ืžืฉื”ื• ืฉื—ืกื ืืช ื”ื”ืชืงื“ืžื•ืช ืฉืœื™,
04:13
and turn it into something that was essential for my success.
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ื•ืœื”ืคื•ืš ืื•ืชื• ืœืžืฉื”ื• ืฉื ื—ื•ืฅ ืœื”ืฆืœื—ืชื™.
04:17
And having the stage fright song let me get past that biggest issue
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ื•ืฉื™ืจ ืคื—ื“ ื”ื‘ืžื” ื ืชืŸ ืœื™ ืœืขื‘ื•ืจ ืืช ื”ื‘ืขื™ื” ื”ื’ื“ื•ืœื” ื‘ื™ื•ืชืจ
04:20
right in the beginning of a performance.
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ืžืžืฉ ื‘ืชื—ื™ืœืช ื”ื•ืคืขื”.
04:22
And then I could move on, and play the rest of my songs
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ื•ืื– ืื ื™ ืื•ื›ืœ ืœื”ืžืฉื™ืš, ื•ืœื ื’ืŸ ืืช ืฉืืจ ื”ืฉื™ืจื™ื ืฉืœื™
04:24
with just a little bit more ease.
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ืจืง ืขื ืงืฆืช ื™ื•ืชืจ ืงืœื•ืช.
04:27
And eventually, over time, I didn't have to play the stage fright song at all.
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ื•ืœื‘ืกื•ืฃ, ืขื ื”ื–ืžืŸ, ืœื ื”ื™ื™ืชื™ ืฆืจื™ืš ื‘ื›ืœืœ ืœืฉื™ืจ ืืช ืฉื™ืจ ืคื—ื“ ื”ื‘ืžื”.
04:33
Except for when I was really nervous, like now. (Laughter)
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ื—ื•ืฅ ืžืืฉืจ ื›ืฉื”ื™ื™ืชื™ ืžืžืฉ ืขืฆื‘ื ื™, ื›ืžื• ืขื›ืฉื™ื•. (ืฆื—ื•ืง)
04:40
Would it be okay if I played the stage fright song for you?
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ื”ืื ื–ื” ื™ื”ื™ื” ื‘ืกื“ืจ ืฉืืฉื™ืจ ืืช ืฉื™ืจ ืคื—ื“ ื”ื‘ืžื” ืขื‘ื•ืจื›ื?
04:43
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
04:52
Can I have a sip of water?
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ื”ืื ืื ื™ ื™ื›ื•ืœ ืœืงื‘ืœ ืœื’ื™ืžื” ืฉืœ ืžื™ื?
04:55
(Music)
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(ืžื•ื–ื™ืงื”)
05:00
Thank you.
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ืชื•ื“ื” ืœื›ื.
05:07
โ™ซ I'm not joking, you know, โ™ซ
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(ืžื•ื–ื™ืงื”) ืื ื™ ืœื ืฆื•ื—ืง, ืืชื ื™ื•ื“ืขื™ื,
05:10
โ™ซ this stage fright is real. โ™ซ
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(ืžื•ื–ื™ืงื”) ืคื—ื“ ื”ื‘ืžื” ื”ื–ื” ื”ื•ื ืืžื™ืชื™.
05:15
โ™ซ And if I'm up here trembling and singing, โ™ซ
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(ืžื•ื–ื™ืงื”) ื•ืื ืื ื™ ืคื” ืจื•ืขื“ ื•ืฉืจ,
05:19
โ™ซ well, you'll know how I feel. โ™ซ
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(ืžื•ื–ื™ืงื”) ื•ื‘ื›ืŸ, ืืชื ื™ื•ื“ืขื™ื ืื™ืš ืื ื™ ืžืจื’ื™ืฉ.
05:23
โ™ซ And the mistake I'd be making, โ™ซ
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(ืžื•ื–ื™ืงื”) ื•ื”ื˜ืขื•ืช ืฉืื ื™ ืืขืฉื”,
05:27
โ™ซ the tremolo caused by my whole body shaking. โ™ซ
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(ืžื•ื–ื™ืงื”) ื”ื˜ืจืžื•ืœื• ืฉื ื’ืจื ืžื›ืœ ื”ื’ื•ืฃ ื”ืจื•ืขื“ ืฉืœื™ .
05:31
โ™ซ As you sit there feeling embarrassed for me, โ™ซ
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(ืžื•ื–ื™ืงื”) ื›ืฉืืชื ื™ื•ืฉื‘ื™ื ืฉื ืžืจื’ื™ืฉื™ื ื ื‘ื•ื›ื™ื ื‘ืฉื‘ื™ืœื™,
05:34
โ™ซ well, you don't have to be. โ™ซ
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(ืžื•ื–ื™ืงื”) ื•ื‘ื›ืŸ, ืืชื ืœื ืฆืจื™ื›ื™ื ืœื”ื™ื•ืช.
05:37
โ™ซ Well, maybe just a little bit. โ™ซ
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(ืžื•ื–ื™ืงื”) ื•ื‘ื›ืŸ, ืื•ืœื™ ืจืง ืงืฆืช.
05:40
(Laughter)
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(ืฆื—ื•ืง)
05:41
โ™ซ And maybe I'll try to imagine you all without clothes. โ™ซ
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(ืžื•ื–ื™ืงื”) ื•ืื•ืœื™ ืื ื™ ืื ืกื” ืœื“ืžื™ื™ืŸ ืืชื›ื ื‘ืœื™ ื‘ื’ื“ื™ื.
05:49
โ™ซ But singing in front of all naked strangers scares me more than anyone knows. โ™ซ
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(ืžื•ื–ื™ืงื”) ืื‘ืœ ืœืฉื™ืจ ืžื•ืœ ืื ืฉื™ื ื–ืจื™ื ืขืจื•ืžื™ื, ืžืคื—ื™ื“ ืื•ืชื™ ื™ื•ืชืจ ืžืžื” ืฉื›ืœ ืื—ื“ ื™ื•ื“ืข.
05:57
โ™ซ Not to discuss this at length, โ™ซ
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(ืžื•ื–ื™ืงื”) ืฉืœื ืœื“ื‘ืจ ืขืœ ื–ื” ื‘ืืจื™ื›ื•ืช,
06:01
โ™ซ but my body image was never my strength. โ™ซ
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(ืžื•ื–ื™ืงื”) ืื‘ืœ ื“ื™ืžื•ื™ ื”ื’ื•ืฃ ืฉืœื™ ืžืขื•ืœื ืœื ื”ื™ื” ื”ื—ื•ื–ืง ืฉืœื™.
06:06
โ™ซ So frankly, I wish that you all would get dressed, โ™ซ
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(ืžื•ื–ื™ืงื”) ืื– ืœืžืขืŸ ื”ืืžืช, ืื ื™ ืžืงื•ื•ื” ืฉื›ื•ืœื›ื ืชืชืœื‘ืฉื•,
06:10
โ™ซ I mean, you're not even really naked. โ™ซ
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(ืžื•ื–ื™ืงื”)ืื ื™ ืžืชื›ื•ื•ืŸ, ืืชื ืืคื™ืœื• ืœื ื‘ืืžืช ืขืจื•ืžื™ื.
06:15
โ™ซ And I'm the one with the problem. โ™ซ
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(ืžื•ื–ื™ืงื”) ื•ืื ื™ ื–ื” ืขื ื”ื‘ืขื™ื”.
06:18
โ™ซ And you tell me, don't worry so much, you'll be great. โ™ซ
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(ืžื•ื–ื™ืงื”) ื•ืืชื ืื•ืžืจื™ื ืœื™, ืืœ ืชื“ืื’ ื›ืœ ื›ืš, ืืชื” ืชื”ื™ื” ื ื”ื“ืจ.
06:25
โ™ซ But I'm the one living with me โ™ซ
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(ืžื•ื–ื™ืงื”) ืื‘ืœ ืื ื™ ื–ื” ืฉื—ื™ ืขื ืขืฆืžื™
06:28
โ™ซ and I know how I get. โ™ซ
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(ืžื•ื–ื™ืงื”) ื•ืื ื™ ื™ื•ื“ืข ืื™ืš ืื ื™ ื ื”ื™ื”.
06:30
โ™ซ Your advice is gentle but late. โ™ซ
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(ืžื•ื–ื™ืงื”) ื”ืขืฆื” ืฉืœื›ื ื”ื™ื ืขื“ื™ื ื” ืืš ื‘ืื™ื—ื•ืจ.
06:35
โ™ซ If not just a bit patronizing. โ™ซ
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(ืžื•ื–ื™ืงื”) ืื ืœื ืงืฆืช ืžืชื ืฉืืช.
06:38
โ™ซ And that sarcastic tone doesn't help me when I sing. โ™ซ
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(ืžื•ื–ื™ืงื”) ื•ื”ื˜ื•ืŸ ื”ืฆื™ื ื™ ื”ื–ื” ืœื ืขื•ื–ืจ ืœื™ ื›ืฉืื ื™ ืฉืจ.
06:43
โ™ซ But we shouldn't talk about these things right now, โ™ซ
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(ืžื•ื–ื™ืงื”) ืื‘ืœ ืื ื—ื ื• ืœื ืฆืจื™ื›ื™ื ืœื“ื‘ืจ ืขืœ ื”ื“ื‘ืจื™ื ื”ืืœื• ืขื›ืฉื™ื•,
06:47
โ™ซ really, I'm up on stage, and you're in the crowd. Hi. โ™ซ
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(ืžื•ื–ื™ืงื”) ื‘ืืžืช, ืื ื™ ืขืœ ื”ื‘ืžื”, ื•ืืชื ื‘ืงื”ืœ. ื”ื™.
06:54
โ™ซ And I'm not making fun of unnurtured, irrational fear, โ™ซ
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(ืžื•ื–ื™ืงื”) ื•ืื ื™ ืœื ืขื•ืฉื” ืฆื—ื•ืง ืžืคื—ื“ ื”ื’ื™ื•ื ื™, ืžื˜ื•ืคื—,
07:03
โ™ซ and if I wasn't ready to face this, โ™ซ
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(ืžื•ื–ื™ืงื”) ื•ืื ืœื ื”ื™ื™ืชื™ ืžื•ื›ืŸ ืœื”ืชืžื•ื“ื“ ืขื ื–ื”,
07:06
โ™ซ I sure as hell wouldn't be here. โ™ซ
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(ืžื•ื–ื™ืงื”) ืื ื™ ื‘ื˜ื•ื— ืœื ื”ื™ื™ืชื™ ื›ืืŸ.
07:10
โ™ซ But if I belt one note out clearly, โ™ซ
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(ืžื•ื–ื™ืงื”) ืื‘ืœ ืื‘ืœ ืื ืื ื™ ืืฉื—ืจืจ ืชื• ืื—ื“ ื”ื—ื•ืฆื” ื‘ืฆื•ืจื” ื‘ืจื•ืจื”,
07:15
โ™ซ you'll know I'm recovering slowly but surely. โ™ซ
125
435945
4286
(ืžื•ื–ื™ืงื”) ืืชื ืชื“ืขื• ืฉืื ื™ ืžืชืื•ืฉืฉ ืœืื˜ ืื‘ืœ ื‘ื˜ื•ื—.
07:20
โ™ซ And maybe next week, I'll set my guitar ringin' โ™ซ
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(ืžื•ื–ื™ืงื”) ื•ืื•ืœื™ ืฉื‘ื•ืข ื”ื‘ื, ืื ื™ ืื ื’ืŸ ืขื ื”ื’ื™ื˜ืจื” ืฉืœื™.
07:24
โ™ซ my voice clear as water, and everyone singin'. โ™ซ
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(ืžื•ื–ื™ืงื”) ื”ืงื•ืœ ืฉืœื™ ืฆืœื•ืœ ื›ืžื™ื, ื•ื›ื•ืœื ืฉืจื™ื.
07:28
โ™ซ But probably I'll just get up and start groovin', โ™ซ
128
448548
3767
(ืžื•ื–ื™ืงื”) ืื‘ืœ ื›ื ืจืื” ืื ื™ ืืงื•ื ื•ืืชื—ื™ืœ ืœืขืฉื•ืช ื’ืจื•ื‘,
07:32
โ™ซ my vocal cords movin', โ™ซ
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(ืžื•ื–ื™ืงื”) ืžื™ืชืจื™ ื”ืงื•ืœ ืฉืœื™ ื–ื–ื™ื,
07:35
โ™ซ at speeds slightly faster than sound. โ™ซ
130
455722
8363
(ืžื•ื–ื™ืงื”) ื‘ืžื”ื™ืจื•ืช ืงืฆืช ื’ื‘ื•ื”ื” ืžืžื”ื™ืจื•ืช ื”ืงื•ืœ
07:48
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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