Marco Tempest: The augmented reality of techno-magic

379,862 views ใƒป 2011-11-04

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Ido Dekkers ืžื‘ืงืจ: Sigal Tifferet
00:15
So magic is a very introverted field.
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ืื– ืงืกื ื”ื•ื ืชื—ื•ื ืžืื•ื“ ืžื•ืคื ื.
00:19
While scientists regularly publish their latest research,
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ื‘ืขื•ื“ ืฉืžื“ืขื ื™ื ืžืคืจืกืžื™ื ื‘ืื•ืคืŸ ืฉื•ื˜ืฃ ืืช ืžื—ืงืจื™ื”ื ื”ืื—ืจื•ื ื™ื,
00:22
we magicians do not like to share our methods and secrets.
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ืื ื—ื ื• ื”ืงื•ืกืžื™ื ืœื ืื•ื”ื‘ื™ื ืœื—ืœื•ืง ืืช ื”ืฉื™ื˜ื•ืช ื•ื”ืกื•ื“ื•ืช ืฉืœื ื•.
00:26
That's true even amongst peers.
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ื–ื” ื ื›ื•ืŸ ืืคื™ืœื• ื‘ื™ืŸ ืขืžื™ืชื™ื.
00:28
But if you look at creative practice as a form of research,
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ืื‘ืœ ืื ืชื‘ื™ื˜ื• ื‘ืชื”ืœื™ืš ื”ื™ืฆื™ืจืชื™ ื›ืฆื•ืจื” ืฉืœ ืžื—ืงืจ,
00:31
or art as a form of R&D for humanity,
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ืื• ืืžื ื•ืช ื›ืฆื•ืจื” ืฉืœ ืžื—ืงืจ ื•ืคื™ืชื•ื— ืขื‘ื•ืจ ื”ืื ื•ืฉื•ืช,
00:35
then how could a cyber illusionist like myself
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ืื– ืื™ืš ืœื”ื˜ื•ื˜ืŸ ื˜ื›ื ื•ืœื•ื’ื™ ื›ืžื•ื ื™
00:37
share his research?
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ื™ื•ื›ืœ ืœื—ืœื•ืง ืืช ื”ืžื—ืงืจ ืฉืœื•?
00:39
Now my own speciality is combining digital technology and magic.
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ืขื›ืฉื™ื• ื”ื”ืชืžื—ื•ืช ืฉืœื™ ื”ื™ื ืœืฉืœื‘ ืืช ื”ื˜ื›ื ื•ืœื•ื’ื™ื” ื”ื“ื™ื’ื™ื˜ืœื™ืช ื•ื”ืงืกื.
00:43
And about three years ago,
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ื•ื‘ืขืจืš ืœืคื ื™ ืฉืœื•ืฉ ืฉื ื™ื,
00:45
I started an exercise
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ื”ืชื—ืœืชื™ ื”ืชื ืกื•ืช
00:47
in openness and inclusiveness
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ื‘ืคืชื™ื—ื•ืช ื•ื”ื›ืœืœื”
00:49
by reaching out into the open-source software community
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ืขืœ ื™ื“ื™ ื’ื™ืฉื” ืœืงื”ื™ืœืช ื”ืงื•ื“ ื”ืคืชื•ื—
00:53
to create new digital tools for magic --
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ื›ื“ื™ ืœื™ืฆื•ืจ ื›ืœื™ื ื“ื™ื’ื™ื˜ืœื™ื™ื ืœืงืกื --
00:56
tools that could eventually be shared with other artists
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ื›ืœื™ื ืฉื ื•ื›ืœ ื‘ืกื•ืคื• ืฉืœ ื“ื‘ืจ ืœื—ืœื•ืง ืขื ืืžื ื™ื ืื—ืจื™ื
00:59
to start them off further on in the process
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ื›ื“ื™ ืœืขื–ื•ืจ ืœื”ื ืœื”ืชืงื“ื ื‘ืชื”ืœื™ืš
01:02
and to get them to the poetry faster.
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ื•ื›ื“ื™ ืœื”ื›ื ื™ืก ืื•ืชื ืœืžืงืฆื•ืข ืžื”ืจ ื™ื•ืชืจ.
01:06
Today, I'd like to show you something which came out of these collaborations.
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ื”ื™ื•ื, ื”ื™ื™ืชื™ ืจื•ืฆื” ืœื”ืจืื•ืช ืœื›ื ืžืฉื”ื• ืฉื™ืฆื ืžืฉื™ืชื•ืคื™ ื”ืคืขื•ืœื” ื”ืืœื”.
01:09
It's an augmented reality
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ื–ื• ืžืขืจื›ืช ื”ืงืจื ื” ืขื ืžื™ืคื•ื™ ื•ืขืงื™ื‘ื”
01:11
projection tracking and mapping system,
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ื‘ืžืฆื™ืื•ืช ืžืจื•ื‘ื“ืช,
01:13
or a digital storytelling tool.
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ืื• ืžื›ืฉื™ืจ ื“ื™ื’ื™ื˜ืœื™ ืœืกื™ืคื•ืจ ืกื™ืคื•ืจื™ื.
01:16
Could we bring down the lights please? Thank you.
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ืืคืฉืจ ืœืขืžืขื ืืช ื”ืื•ืจื•ืช ื‘ื‘ืงืฉื”? ืชื•ื“ื” ืœื›ื.
01:22
So let's give this a try.
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ืื– ื‘ื•ืื• ื ื ืกื”.
01:27
And I'm going to use it
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ื•ืื ื™ ืขื•ืžื“ ืœื”ืฉืชืžืฉ ื‘ื–ื”
01:29
to give you my take
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ื›ื“ื™ ืœื”ืจืื•ืช ืœื›ื ืืช ื”ืจืขื™ื•ืŸ ืฉืœื™
01:32
on the stuff of life.
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ืขืœ ืžื”ื•ืช ื”ื—ื™ื™ื.
01:37
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
01:39
(Music)
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(ืžื•ื–ื™ืงื”)
01:48
Terribly sorry. I forgot the floor.
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ืžืฆื˜ืขืจ ืžืื•ื“. ืฉื›ื—ืชื™ ืืช ื”ืจืฆืคื”.
01:56
Wake up.
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ืชืชืขื•ืจืจ.
01:59
Hey.
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ื”ื™ื™.
02:04
Come on.
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ืงื“ื™ืžื”.
02:06
(Music)
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(ืžื•ื–ื™ืงื”)
02:24
Please.
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ื‘ื‘ืงืฉื”.
02:26
(Music)
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(ืžื•ื–ื™ืงื”)
02:42
Come on.
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ืงื“ื™ืžื”.
02:44
Ah, sorry about that.
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ืื”, ืกืœื™ื—ื” ืขืœ ื–ื”.
02:46
Forgot this.
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ืฉื›ื—ืชื™ ืืช ื–ื”.
02:48
(Music)
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(ืžื•ื–ื™ืงื”)
02:59
Give it another try.
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ืชื ืกื” ืฉื•ื‘.
03:07
Okay.
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ืื•ืงื™ื™.
03:09
He figured out the system.
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ื”ื•ื ื”ื‘ื™ืŸ ืืช ื”ืฉื™ื˜ื”.
03:11
(Music)
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(ืžื•ื–ื™ืงื”)
03:18
(Laughter)
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(ืฆื—ื•ืง)
03:21
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
03:23
(Music)
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(ืžื•ื–ื™ืงื”)
03:32
Uh oh.
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ืื• ืื•.
03:34
(Music)
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(ืžื•ื–ื™ืงื”)
03:44
All right. Let's try this.
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ื‘ืกื“ืจ. ื‘ื•ื ื ื ืกื” ืืช ื–ื”.
03:48
Come on.
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ืงื“ื™ืžื”.
03:52
(Music)
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(ืžื•ื–ื™ืงื”)
04:12
(Laughter)
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(ืฆื—ื•ืง)
04:15
(Music)
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(ืžื•ื–ื™ืงื”)
04:40
Hey.
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ื”ื™.
04:42
(Music)
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(ืžื•ื–ื™ืงื”)
05:16
You heard her, go ahead.
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ืฉืžืขืช ืื•ืชื”, ืงื“ื™ืžื”.
05:18
(Laughter)
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(ืฆื—ื•ืง)
05:21
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
05:24
Bye-bye.
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ื‘ื™ื™ ื‘ื™ื™.
05:26
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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