The thrilling potential of SixthSense technology | Pranav Mistry

5,393,685 views ใƒป 2009-11-18

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Yubal Masalker ืžื‘ืงืจ: Ido Dekkers
00:15
We grew up
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ืžื™ืœื“ื•ืชื ื•
00:17
interacting with the physical objects around us.
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ืื ื• ื‘ืื™ื ื‘ืžื’ืข ืขื ื”ื—ืคืฆื™ื ืกื‘ื™ื‘ื ื•.
00:20
There are an enormous number of them that we use every day.
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ืื ื—ื ื• ืžืฉืชืžืฉื™ื ื›ืœ ื™ื•ื
ื‘ืžืกืคืจ ื’ื“ื•ืœ ืžื‘ื™ื ื™ื”ื.
00:24
Unlike most of our computing devices,
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ื‘ื ื™ื’ื•ื“ ืœืจื•ื‘ ื”ืžื—ืฉื‘ื™ื ืฉืœื ื•,
00:27
these objects are much more fun to use.
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ื”ืจื‘ื” ื™ื•ืชืจ ื›ื™ืฃ ืœื”ืฉืชืžืฉ ื‘ื—ืคืฆื™ื ื”ืœืœื•.
ื›ืืฉืจ ืžื“ื‘ืจื™ื ืขืœ ื—ืคืฆื™ื,
00:31
When you talk about objects,
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00:33
one other thing automatically comes attached to that thing,
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ื‘ืื•ืคืŸ ืื•ื˜ื•ืžื˜ื™ ืขื•ืœื” ื“ื‘ืจ ืื—ื“ ื ื•ืกืฃ,
00:36
and that is gestures:
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ื•ื”ื•ื ืžื—ื•ื•ืช:
00:38
how we manipulate these objects,
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ื›ื™ืฆื“ ืื ื—ื ื• ืžืชืคืขืœื™ื ื—ืคืฆื™ื ื”ืœืœื•,
00:40
how we use these objects in everyday life.
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ื›ื™ืฆื“ ืื ื—ื ื• ืžืฉืชืžืฉื™ื ื‘ื—ืคืฆื™ื ื”ืœืœื• ื‘ื—ื™ื™ ื”ื™ื•ืžื™ื•ื.
00:43
We use gestures not only to interact with these objects,
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ืื ื• ืขื•ืฉื™ื ืฉื™ืžื•ืฉ ื‘ืชื ื•ืขื•ืช ืœื ืจืง ื›ื“ื™ ืœื‘ื•ื ื‘ืžื’ืข ืขื ื”ื—ืคืฆื™ื,
00:46
but we also use them to interact with each other.
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ืืœื ื’ื ื›ื“ื™ ืœืชืงืฉืจ ื”ืื—ื“ ืขื ื”ืฉื ื™.
00:48
A gesture of "Namaste!", maybe, to respect someone, or maybe,
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ืœื“ื•ื’ืžื, ืชื ื•ืขืช "ื ืžืกื˜ื”!", ื›ื“ื™ ืœื”ืคื’ื™ืŸ ื›ื‘ื•ื“ ื›ืœืคื™ ื”ื–ื•ืœืช,
ืื• ืื•ืœื™ --
00:52
in India I don't need to teach a kid that this means
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ื‘ื”ื•ื“ื• ืื™ืŸ ืฆื•ืจืš ืœื”ืกื‘ื™ืจ ืœื™ืœื“ื™ื ืฉื–ื” ืคื™ืจื•ืฉื•
00:54
"four runs" in cricket.
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"ืืจื‘ืข ืจื™ืฆื•ืช" ื‘ืงืจื™ืงื˜.
00:56
It comes as a part of our everyday learning.
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ื“ื‘ืจ ื–ื” ื‘ื ื›ื—ืœืง ืžื”ืœื™ืžื•ื“ ื”ื™ื•ืžื™ื•ืžื™ ืฉืœื ื•.
00:59
So, I am very interested, from the beginning,
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ื›ืš ืฉืื ื™ ืžืื•ื“ ืžืชืขื ื™ื™ืŸ,
ื›ื‘ืจ ืžื”ืชื—ืœื”, ื›ื™ืฆื“ --
01:03
how our knowledge about everyday objects and gestures,
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ื›ื™ืฆื“ ื”ื™ื“ืข ืฉืœื ื•
ืขืœ ื—ืคืฆื™ื ื•ืชื ื•ืขื•ืช ื™ื•ืžื™ื•ืžื™ื™ื,
01:07
and how we use these objects,
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ื•ืขืœ ื“ืจืš ื”ืฉื™ืžื•ืฉ ื‘ื—ืคืฆื™ื ื”ืœืœื•,
01:09
can be leveraged to our interactions with the digital world.
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ื™ื›ื•ืœ ืœืชืช ื“ื—ื™ืคื” ืงื“ื™ืžื” ืœืื™ื ื˜ืจืืงืฆื™ื” ืฉืœื ื• ืขื ื”ืขื•ืœื ื”ื“ื™ื’ื™ื˜ืœื™.
01:12
Rather than using a keyboard and mouse,
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ื‘ืžืงื•ื ืœื”ืฉืชืžืฉ ื‘ืžืงืœื“ืช ื•ืขื›ื‘ืจ,
01:15
why can I not use my computer
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ืžื“ื•ืข ืฉืœื ืืฉืชืžืฉ ื‘ืžื—ืฉื‘ ืฉืœื™
01:18
in the same way that I interact in the physical world?
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ื‘ืื•ืชื• ืื•ืคืŸ ื‘ื• ืื ื™ ืžืชืงืฉืจ ืขื ื”ืขื•ืœื ื”ืคื™ื–ื™?
01:21
So, I started this exploration around eight years back,
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ื›ืš, ื”ืชื—ืœืชื™ ื—ืงื™ืจื” ื–ื• ืœืคื ื™ ื›ืฉืžื•ื ื” ืฉื ื™ื,
01:24
and it literally started with a mouse on my desk.
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ื•ื”ื™ื ื”ื—ืœื” ืคืฉื•ื˜ื” ื›ืžืฉืžืขื” ืขื ื”ืขื›ื‘ืจ ืฉืขืœ ืฉื•ืœื—ื ื™.
01:27
Rather than using it for my computer, I actually opened it.
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ื‘ืžืงื•ื ืœื”ืฉืชืžืฉ ื‘ื• ื‘ืฉื‘ื™ืœ ื”ืžื—ืฉื‘ ืฉืœื™,
ืคืชื—ืชื™ ืื•ืชื•.
01:33
Most of you might be aware that, in those days,
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ืจื•ื‘ื›ื ืื•ืœื™ ื™ื•ื“ืขื™ื ืฉื‘ื™ืžื™ื ื”ื”ื
01:35
the mouse used to come with a ball inside,
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ื”ืขื›ื‘ืจ ื”ื›ื™ืœ ื‘ืชื•ื›ื• ื›ื“ื•ืจ,
01:37
and there were two rollers
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ื•ื”ื™ื• ื’ื ืฉื ื™ ื’ืœื™ืœื™ื
01:39
that actually guide the computer where the ball is moving,
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ืฉื‘ืขืฆื ื”ื ื—ื• ืืช ื”ืžื—ืฉื‘ ื‘ื ื•ื’ืข ืœื›ื™ื•ื•ืŸ ืชื ื•ืขืช ื”ื›ื“ื•ืจ,
01:42
and, accordingly, where the mouse is moving.
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ื•ื‘ื”ืชืื ืœื›ืš, ืœื”ื™ื›ืŸ ื”ืขื›ื‘ืจ ื ืข.
01:44
So, I was interested in these two rollers,
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ื›ืš ื”ืชื—ืœืชื™ ืœื”ืชืขื ื™ื™ืŸ ื‘ืฉื ื™ ื”ื’ืœื™ืœื™ื ื”ืœืœื•,
01:47
and I actually wanted more, so I borrowed another mouse from a friend --
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ื•ืœืžืขืฉื” ืจืฆื™ืชื™ ืขื•ื“, ืœื›ืŸ ืฉืืœืชื™ ืขื›ื‘ืจ ื ื•ืกืฃ ืžื—ื‘ืจ --
01:50
never returned to him --
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ื•ืืฃ ืคืขื ืœื ื”ื—ื–ืจืชื™ ืื•ืชื• --
01:52
and I now had four rollers.
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ื•ื”ื™ื• ืœื™ ื›ื‘ืจ ืืจื‘ืขื” ื’ืœื™ืœื™ื.
01:54
Interestingly, what I did with these rollers is,
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ืžื” ืฉืžืขื ื™ื™ืŸ ื”ื•ื ืฉืžื” ืฉืขืฉื™ืชื™ ืขื ื”ื’ืœื™ืœื™ื ื”ืœืœื•,
01:57
basically, I took them off of these mouses and then put them in one line.
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ื‘ืื•ืคืŸ ื‘ืกื™ืกื™, ื”ื•ืฆืืชื™ ืื•ืชื ืžื”ืขื›ื‘ืจื™ื
ื•ื”ื ื—ืชื™ ืื•ืชื ื‘ืงื• ืื—ื“.
02:02
It had some strings and pulleys and some springs.
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ืœืงื—ืชื™ ื›ืžื” ื—ื•ื˜ื™ื ื•ื’ืœื’ืœื•ืช ื•ืžืกืคืจ ืงืคื™ืฆื™ื.
02:05
What I got is basically a gesture-interface device
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ืžื” ืฉืงื™ื‘ืœืชื™ ื”ื•ื ื”ืชืงืŸ ื’ื™ืฉื•ืจ ืœืคืขื•ืœื•ืช ืฉืœื ื•
02:08
that actually acts as a motion-sensing device
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ืืฉืจ ืคื•ืขืœ ืœืžืขืฉื” ื›ื”ืชืงืŸ ืจื’ื™ืฉ-ืชื ื•ืขื”
02:12
made for two dollars.
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ืฉืขืœื” ืฉื ื™ ื“ื•ืœืจ.
02:14
So, here, whatever movement I do in my physical world
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ื›ืš, ื›ืœ ืชื ื•ืขื” ืฉืื ื™ ืžื‘ืฆืข ื‘ืขื•ืœื ื”ืคื™ื–ื™
02:17
is actually replicated inside the digital world
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ืžืฉื•ื›ืคืœืช ืœืžืขืฉื” ื‘ืขื•ืœื ื”ื“ื™ื’ื™ื˜ืœื™
02:20
just using this small device that I made, around eight years back,
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ืคืฉื•ื˜ ื‘ืืžืฆืขื•ืช ื”ืชืงืŸ ืงื˜ืŸ ื–ื” ืฉื‘ื ื™ืชื™ ืœืคื ื™ ื›ืฉืžื•ื ื” ืฉื ื™ื,
02:23
in 2000.
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ื‘ืฉื ืช 2000.
02:25
Because I was interested in integrating these two worlds,
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ืžื›ื™ื•ื•ืŸ ืฉืจืฆื™ืชื™ ืœืฉืœื‘ ืืช ืฉื ื™ ื”ืขื•ืœืžื•ืช ื”ืœืœื•,
02:27
I thought of sticky notes.
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ื—ืฉื‘ืชื™ ืขืœ ืคืชืงื™ื•ืช ืžื“ื‘ืงื”.
02:29
I thought, "Why can I not connect
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ืืžืจืชื™ ืœืขืฆืžื™, "ืžื“ื•ืข ืœื ืื—ื‘ืจ
02:32
the normal interface of a physical sticky note
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ืืช ื”ืžืฉื˜ื— ื”ืคื™ื–ื™ ื”ืจื’ื™ืœ ืฉืœ ืคืชืงื™ื•ืช ืžื“ื‘ืงื”
02:34
to the digital world?"
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ืืœ ื”ืขื•ืœื ื”ื“ื™ื’ื™ื˜ืœื™?"
02:36
A message written on a sticky note to my mom,
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ื”ื•ื“ืขื” ืฉื ื•ืขื“ื” ืœืื™ืžื™ ื•ื›ืชื•ื‘ื” ืขืœ
02:38
on paper,
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ืคืชืงื™ืช ืžื“ื‘ืงื”
02:39
can come to an SMS,
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ื™ื›ื•ืœื” ืœื”ืคื•ืš ืœืžืกืจื•ืŸ,
02:41
or maybe a meeting reminder
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ืื• ืื•ืœื™ ืœืชื–ื›ื•ืจืช ืขืœ ืคื’ื™ืฉื”,
02:43
automatically syncs with my digital calendar --
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ื”ืžืชื•ืืžืช ืื•ื˜ื•ืžื˜ื™ืช ืขื ืœื•ื—-ื”ืฉื ื” ื”ื“ื™ื’ื™ื˜ืœื™ ืฉืœื™ --
02:45
a to-do list that automatically syncs with you.
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ืžืŸ ืจืฉื™ืžืช ืžื˜ืœื•ืช ื”ืžืชื•ืืžืช ืื™ืชืš ืื•ื˜ื•ืžื˜ื™ืช.
02:48
But you can also search in the digital world,
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ืื‘ืœ ื ื™ืชืŸ ื’ื ืœื—ืคืฉ ื‘ืขื•ืœื ื”ื“ื™ื’ื™ื˜ืœื™,
02:51
or maybe you can write a query, saying,
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ืื• ืื•ืœื™ ื ื™ืชืŸ ืœืจืฉื•ื ืฉืื™ืœืชื ื”ืื•ืžืจืช,
02:53
"What is Dr. Smith's address?"
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"ืžื” ื”ื›ืชื•ื‘ืช ืฉืœ ื“"ืจ ืกืžื™ืช?"
02:55
and this small system actually prints it out --
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ื•ืžืขืจื›ืช ืคืฉื•ื˜ื” ื–ื• ืืคื™ืœื• ืžื“ืคื™ืกื” --
02:57
so it actually acts like a paper input-output system,
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ื›ืš ืฉื”ื™ื ืžืฉืžืฉืช ื’ื ื›ืžืขืจื›ืช ืงืœื˜-ืคืœื˜ ื‘ื›ืชื‘,
02:59
just made out of paper.
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ื”ืขืฉื•ื™ื” ืจืง ืžื ื™ื™ืจ.
03:05
In another exploration,
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ื‘ื ื™ืกื•ื™ ืื—ืจ,
03:07
I thought of making a pen that can draw in three dimensions.
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ื—ืฉื‘ืชื™ ืœื™ืฆื•ืจ ืขื˜ ืฉื™ื›ื•ืœ ืœืฆื™ื™ืจ ื‘ืฉืœื•ืฉื” ืžื™ืžื“ื™ื.
03:10
So, I implemented this pen that can help designers and architects
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ืื– ื™ืฆืจืชื™ ืขื˜ ื–ื”
ืืฉืจ ื™ื›ื•ืœ ืœืขื–ื•ืจ ืœืžืชื›ื ื ื™ื ื•ืืจื›ื™ื˜ืงื˜ื™ื
03:14
not only think in three dimensions,
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ืœื ืจืง ืœื—ืฉื•ื‘ ื‘ืฉืœื•ืฉื” ืžื™ืžื“ื™ื,
03:16
but they can actually draw,
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ืืœื ืฉื”ื ื™ื›ื•ืœื™ื ืžืžืฉ ืœืฆื™ื™ืจ
03:18
so that it's more intuitive to use that way.
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ื›ืš ืฉื–ื” ื™ื•ืชืจ ืื™ื ื˜ื•ืื™ื˜ื™ื‘ื™ ืœื”ืฉืชืžืฉ ื‘ื• ื‘ื“ืจืš ื–ื•.
03:20
Then I thought, "Why not make a Google Map,
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ืื—ืจ-ื›ืš ื—ืฉื‘ืชื™ ืœืขืฆืžื™, "ืžื“ื•ืข ืฉืœื ืืฆื•ืจ ืžืคืช ื’ื•ื’ืœ,
03:22
but in the physical world?"
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ืื‘ืœ ืžืžืฉ ื‘ืขื•ืœื ื”ืคื™ื–ื™?"
03:24
Rather than typing a keyword to find something,
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ื‘ืžืงื•ื ืœื”ืงืœื™ื“ ืžื™ืœืช ืžืคืชื— ื›ื“ื™ ืœืžืฆื•ื ืžืฉื”ื•,
03:27
I put my objects on top of it.
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ืื ื™ ืžื ื™ื— ื—ืคืฆื™ื ืขืœื™ื”.
03:29
If I put a boarding pass, it will show me where the flight gate is.
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ืื ืื ื™ื— ื›ืจื˜ื™ืก ืขืœื™ื™ื” ืœื˜ื™ืกื”, ื”ื™ื ืชืจืื” ืœื™ ื”ื™ื›ืŸ ืฉืขืจ ื”ืขืœื™ื” ืœืžื˜ื•ืก.
03:32
A coffee cup will show where you can find more coffee,
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ื›ื•ืก ืงืคื” ืชืจืื” ื”ื™ื›ืŸ ื ื™ืชืŸ ืœืžืฆื•ื ื™ื•ืชืจ ืงืคื”,
03:35
or where you can trash the cup.
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ืื• ื”ื™ื›ืŸ ื ื™ืชืŸ ืœื–ืจื•ืง ืื•ืชื” ืœื–ื‘ืœ.
03:37
So, these were some of the earlier explorations I did
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ืืœื” ื”ื™ื• ื—ืœืง ืžื”ื ื™ืกื™ื•ื ื•ืช ื”ืžื•ืงื“ืžื™ื ืฉื‘ื™ืฆืขืชื™ ืžื›ื™ื•ื•ืŸ
03:40
because the goal was to connect these two worlds seamlessly.
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ืฉื”ืžื˜ืจื” ื”ื™ืชื” ืœื—ื‘ืจ ืืช ืฉื ื™ ื”ืขื•ืœืžื•ืช ื‘ืื•ืคืŸ ื—ืœืง.
03:44
Among all these experiments,
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ื‘ื›ืœ ื”ื ื™ืกื™ื•ื ื•ืช ื”ืœืœื•,
03:46
there was one thing in common:
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ื”ื™ื” ื“ื‘ืจ ืื—ื“ ืžืฉื•ืชืฃ:
03:48
I was trying to bring a part of the physical world
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ื ื™ืกื™ืชื™ ืœื”ื‘ื™ื ื—ืœืง ืžื”ืขื•ืœื ื”ืคื™ื–ื™ ืืœ ืชื•ืš ื”ืขื•ืœื ื”ื“ื™ื’ื™ื˜ืœื™.
03:51
to the digital world.
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ืœืงื—ืชื™ ื—ืœืง ืžืกื•ื™ื™ื ืฉืœ ื”ื—ืคืฆื™ื,
03:53
I was taking some part of the objects,
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03:55
or any of the intuitiveness of real life,
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ืื• ืื™ื–ื•ืฉื”ื™ ืื™ื ื˜ื•ืื™ืฆื™ื” ืžื”ื—ื™ื™ื ื”ืืžื™ืชื™ื™ื,
03:58
and bringing them to the digital world,
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ื•ื”ื‘ืืชื™ ืื•ืชื ืืœ ืชื•ืš ื”ืขื•ืœื ื”ื“ื™ื’ื™ื˜ืœื™,
04:00
because the goal was to make our computing interfaces more intuitive.
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ืžื›ื™ื•ื•ืŸ ืฉื”ืžื˜ืจื” ื”ื™ืชื” ืœื”ืคื•ืš ืืช ืžืžืฉืงื™ ื”ืžื—ืฉื‘ื™ื ืฉืœื ื• ืœื™ื•ืชืจ ืื™ื ื˜ื•ืื™ื˜ื™ื‘ื™ื™ื.
04:04
But then I realized that we humans are not actually interested in computing.
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ืื‘ืœ ืื– ื”ืชื—ื•ื•ืจ ืœื™ ืฉืื ื—ื ื• ื‘ื ื™-ื”ืื“ื
ืœื ื‘ืืžืช ืžืขื•ื ื™ื™ื ื™ื ื‘ืขื‘ื•ื“ื” ืขืœ ืžื—ืฉื‘.
04:09
What we are interested in is information.
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ืžื” ืฉืื ื—ื ื• ืžืขื•ื ื™ื™ื ื™ื ื‘ื• ื”ื•ื ืžื™ื“ืข.
04:12
We want to know about things.
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ืื ื—ื ื• ืจื•ืฆื™ื ืžื™ื“ืข ืขืœ ื“ื‘ืจื™ื ืฉื•ื ื™ื.
04:14
We want to know about dynamic things going around.
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ืื ื—ื ื• ืจื•ืฆื™ื ืœื“ืขืช ืขืœ ื“ื‘ืจื™ื ื“ื™ื ืžื™ื™ื ื”ืžืชืจื—ืฉื™ื ืกื‘ื™ื‘ื ื•.
04:16
So I thought, around last year -- in the beginning of the last year --
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ื›ืš ื”ืจื”ืจืชื™, ื‘ืขืจืš ื‘ืฉื ื” ืฉืขื‘ืจื” -- ื‘ืชื—ื™ืœืช ืฉื ื” ืฉืขื‘ืจื” --
04:21
I started thinking, "Why can I not take this approach in the reverse way?"
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ื”ืชื—ืœืชื™ ืœื—ืฉื•ื‘, "ืžื“ื•ืข ืฉืœื ืืงื— ื’ื™ืฉื” ื–ื• ื‘ื›ื™ื•ื•ืŸ ื”ื”ืคื•ืš?"
ืื•ืœื™, "ืžื” ืื ืืงื— ืืช ื”ืขื•ืœื ื”ื“ื™ื’ื™ื˜ืœื™ ืฉืœื™
04:25
Maybe, "How about I take my digital world
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04:27
and paint the physical world with that digital information?"
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ื•ืืฆื™ื™ืจ ื‘ืืžืฆืขื•ืช ืื•ืชื• ืžื™ื“ืข ื“ื™ื’ื™ื˜ืœื™ ืืช ื”ืขื•ืœื ื”ืคื™ื–ื™?"
ื›ื™ ืคื™ืงืกืœื™ื ื ืขื•ืœื™ื ื›ื‘ืจ ื›ืขืช ืžืžืฉ ื‘ืชื•ืš ื”ื”ืชืงื ื™ื ื”ืžืœื‘ื ื™ื™ื ื”ืœืœื•
04:33
Because pixels are actually, right now, confined in these rectangular devices
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ื”ืžื•ืชืืžื™ื ืœื›ื™ืกื™ื ืฉืœื ื•.
04:37
that fit in our pockets.
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04:38
Why can I not remove this confine
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ืžื“ื•ืข ืฉืœื ืืกื™ืจ ืžื™ื’ื‘ืœื” ื–ื•
04:41
and take that to my everyday objects, everyday life
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ื•ืืงื— ืื•ืชื ืืœ ื”ื—ืคืฆื™ื ืฉืœื™ ื‘ื—ื™ื™ ื”ื™ื•ืžื™ื•ื,
04:44
so that I don't need to learn the new language
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ื›ืš ืฉืœื ืืฆื˜ืจืš ืœืœืžื•ื“ ืืช ื”ืฉืคื” ื”ื ื“ืจืฉืช
04:46
for interacting with those pixels?
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ื‘ืฉื‘ื™ืœ ืœืชืงืฉืจ ืขื ื”ืคื™ืงืกืœื™ื ื”ืœืœื•?
04:49
So, in order to realize this dream,
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ืขืœ-ื›ืŸ, ื›ื“ื™ ืœื”ื’ืฉื™ื ืืช ื”ื—ืœื•ื,
04:52
I actually thought of putting a big-size projector on my head.
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ืฉืงืœืชื™ ืœืžืขืฉื” ืœื”ื ื™ื— ืžืงืจืŸ ื’ื“ื•ืœ ืขืœ ืจืืฉื™.
04:55
I think that's why this is called a head-mounted projector, isn't it?
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ืื ื™ ื—ื•ืฉื‘ ืฉื–ื• ื”ืกื™ื‘ื” ืฉื“ื‘ืจ ื–ื” ื ืงืจื ืžืงืจืŸ ื”ืžื•ืชืงืŸ ืขืœ ืจืืฉ, ื”ืœื ื›ืŸ?
04:58
I took it very literally,
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ืœืงื—ืชื™ ืืช ื–ื” ืคืฉื•ื˜ื• ื›ืžืฉืžืขื•,
05:00
and took my bike helmet,
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ื•ื ื˜ืœืชื™ ืืช ืงืกื“ืช ื”ืื•ืคื ื™ื™ื ืฉืœื™,
05:02
put a little cut over there so that the projector actually fits nicely.
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ืขืฉื™ืชื™ ื—ืชืš ืงื˜ืŸ ื›ืืŸ ื›ืš ืฉื”ืžืงืจืŸ ื™ื•ื›ืœ ืœืฉื‘ืช ื”ื™ื˜ื‘.
05:05
So now, what I can do --
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ืขื›ืฉื™ื•, ืžื” ืฉืื ื™ ื™ื›ื•ืœ ืœืขืฉื•ืช --
05:07
I can augment the world around me with this digital information.
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ืื ื™ ื™ื›ื•ืœ ืœื”ืจื—ื™ื‘ ืืช ื”ืขื•ืœื ืกื‘ื™ื‘ื™ ืขื ืžื™ื“ืข ื“ื™ื’ื™ื˜ืœื™ ื–ื”.
05:11
But later,
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ืื‘ืœ ื™ื•ืชืจ ืžืื•ื—ืจ,
05:13
I realized that I actually wanted to interact
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ื’ื™ืœื™ืชื™ ืฉืื ื™ ื’ื ืจื•ืฆื” ืœืชืงืฉืจ ืขื ืคื™ืงืกืœื™ื ื“ื™ื’ื™ื˜ืœื™ื™ื ื”ืœืœื•.
05:15
with those digital pixels, also.
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05:16
So I put a small camera over there that acts as a digital eye.
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ืื– ืฉืžืชื™ ืžืฆืœืžื” ืงื˜ื ื” ืฉื,
ื”ืžืฉืžืฉืช ื›ืขื™ืŸ ืืœืงื˜ืจื•ื ื™ืช.
05:20
Later, we moved to a much better,
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ื™ื•ืชืจ ืžืื•ื—ืจ ืขื‘ืจื ื• ืœื’ื™ืจืกืช ืชืœื™ื•ืŸ
05:22
consumer-oriented pendant version of that,
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ื”ืžืชืื™ืžื” ื”ืจื‘ื” ื™ื•ืชืจ ืœืฆืจื›ื™ ื”ืœืงื•ื—,
05:24
that many of you now know as the SixthSense device.
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ืฉืจื‘ื™ื ืžื›ื ืžื›ื™ืจื™ื ื‘ืชื•ืจ ื”ืชืงืŸ ื”ื—ื•ืฉ-ื”ืฉื™ืฉื™.
05:27
But the most interesting thing about this particular technology
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ืื‘ืœ ื”ื“ื‘ืจ ื”ื›ื™ ืžืขื ื™ื™ืŸ ื‘ืงืฉืจ ืœื˜ื›ื ื•ืœื•ื’ื™ื” ื–ื•
05:30
is that you can carry your digital world with you
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ื”ื•ื ืฉื ื™ืชืŸ ืœืฉืืช ืื™ืชืš ืืช ื”ืขื•ืœื ื”ื“ื™ื’ื™ื˜ืœื™ ืฉืœืš
05:34
wherever you go.
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ืœื”ื™ื›ืŸ ืฉืชืœืš.
05:36
You can start using any surface, any wall around you,
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ื ื™ืชืŸ ืœื”ืชื—ื™ืœ ืœื”ืฉืชืžืฉ ื‘ื›ืœ ืžืฉื˜ื— ืฉื”ื•ื, ื›ืœ ืงื™ืจ ืœื™ื“ืš,
05:39
as an interface.
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ื‘ืชื•ืจ ืžืžืฉืง.
05:41
The camera is actually tracking all your gestures.
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ื”ืžืฆืœืžื” ืœืžืขืฉื” ืขื•ืงื‘ืช ืื—ืจ ื›ืœ ืชื ื•ืขื•ืชื™ืš.
05:44
Whatever you're doing with your hands,
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ืžื” ืฉืชืขืฉื” ืขื ื™ื“ื™ืš,
05:46
it's understanding that gesture.
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ื–ื” ืžืฆืจื™ืš ื”ื‘ื ื” ืฉืœ ืื•ืชื” ืชื ื•ืขื”.
05:48
And, actually, if you see, there are some color markers
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ื•ืœืžืขืฉื”, ืื ืชืฉื™ืžื• ืœื‘, ื™ืฉื ื ืžืกืคืจ ืกืžื ื™ื ืฆื‘ืขื•ื ื™ื™ื
05:50
that in the beginning version we are using with it.
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ืฉื‘ื’ื™ืจืกื” ื”ืจืืฉื•ื ื” ืื ื—ื ื• ืขื•ืฉื™ื ื‘ื”ื ืฉื™ืžื•ืฉ.
05:53
You can start painting on any wall.
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ื ื™ืชืŸ ืœื”ืชื—ื™ืœ ืœืฆื™ื™ืจ ืขืœ ื›ืœ ืงื™ืจ.
05:55
You stop by a wall, and start painting on that wall.
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ืขื•ืžื“ื™ื ืœื™ื“ ืงื™ืจ ื•ืžืชื—ื™ืœื™ื ืœืฆื™ื™ืจ ืขืœื™ื•.
05:58
But we are not only tracking one finger, here.
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ืื‘ืœ ื”ืžืขืจื›ืช ืื™ื ื” ืขื•ืงื‘ืช ืืš ื•ืจืง ืื—ืจ ืืฆื‘ืข ืื—ืช.
06:00
We are giving you the freedom of using all of both of your hands,
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ืืชื ื—ื•ืคืฉื™ื™ื ืœื”ืฉืชืžืฉ ื‘ืฉืชื™ ื”ื™ื“ื™ื™ื ืฉืœื›ื,
06:04
so you can actually use both of your hands to zoom into or zoom out
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ื›ืš ืฉืชื•ื›ืœื• ืœื”ืฉืชืžืฉ ื‘ืฉืชื™ ื”ื™ื“ื™ื™ื ื›ื“ื™ ืœื”ืชืงืจื‘ ืื• ืœื”ืชืจื—ืง
06:07
of a map just by pinching all present.
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ืžื”ืžืคื” ืคืฉื•ื˜ ืขืœ-ื™ื“ื™ ืกื™ืžื•ืŸ ืžื” ืฉืจื•ืฆื™ื.
06:09
The camera is actually doing -- just, getting all the images --
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ื”ืžืฆืœืžื” ื‘ืขืฆื ืžื‘ืฆืขืช --
ืคืฉื•ื˜, ืงื•ืœื˜ืช ืืช ื”ืชืžื•ื ื•ืช --
06:13
is doing the edge recognition and also the color recognition
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ืžื‘ืฆืขืช ื–ื™ื”ื•ื™ ืงืฆื•ื•ืช ื•ื’ื ื–ื™ื”ื•ื™ ืฆื‘ืขื™ื
06:16
and so many other small algorithms are going on inside.
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ื•ืขื•ื“ ื”ืžื•ืŸ ื—ื™ืฉื•ื‘ื™ื ืงื˜ื ื™ื ืื—ืจื™ื.
06:19
So, technically, it's a little bit complex,
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ื›ืš ืฉื˜ื›ื ื™ืช ื–ื” ื“ื‘ืจ ืงืฆืช ืžื•ืจื›ื‘,
06:21
but it gives you an output which is more intuitive to use, in some sense.
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ืื‘ืœ ื›ืœ ื–ื” ืžืขื ื™ืง ืœื›ื ื“ื‘ืจ ืฉื”ื•ื ื‘ืžื•ื‘ืŸ ืžืกื•ื™ื™ื ื™ื•ืชืจ ืื™ื ื˜ื•ืื™ื˜ื™ื‘ื™ ืœืฉื™ืžื•ืฉ.
06:24
But I'm more excited that you can actually take it outside.
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ืื‘ืœ ืžื” ืฉื™ื•ืชืจ ืžืขื ื™ื™ืŸ ื”ื•ื ืฉื ื™ืชืŸ ืœืงื—ืช ืืช ื”ื›ืœ ื”ื—ื•ืฆื”.
06:27
Rather than getting your camera out of your pocket,
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ื‘ืžืงื•ื ื”ื•ืฆืืช ื”ืžืฆืœืžื” ืžื”ื›ื™ืก,
06:30
you can just do the gesture of taking a photo,
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ื ื™ืชืŸ ืคืฉื•ื˜ ืœื‘ืฆืข ืืช ื”ืชื ื•ืขื” ืฉืœ ืฆื™ืœื•ื
06:33
and it takes a photo for you.
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ื•ื›ื‘ืจ ื”ืžืขืจื›ืช ืžืฆืœืžืช ื‘ืฉื‘ื™ืœื›ื.
06:35
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
06:39
Thank you.
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ืชื•ื“ื” ืจื‘ื”.
06:40
And later I can find a wall, anywhere,
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ืœืื—ืจ-ืžื›ืŸ ื ื™ืชืŸ ืœืžืฆื•ื ืงื™ืจ, ื‘ื›ืœ ืžืงื•ื,
06:43
and start browsing those photos
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ื•ืœื”ืชื—ื™ืœ ืœื“ืคื“ืฃ ื‘ื™ืŸ ื”ืชืžื•ื ื•ืช
06:45
or maybe, "OK, I want to modify this photo a little bit
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ืื• ืื•ืœื™, ืœื”ื’ื™ื“ "ื‘ืจืฆื•ื ื™ ืœืฉื ื•ืช ืžืขื˜ ืชืžื•ื ื” ื–ื•
06:47
and send it as an email to a friend."
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ื•ืœืฉืœื•ื— ืื•ืชื” ื‘ืื™-ืžื™ื™ืœ ืœื—ื‘ืจ."
06:49
So, we are looking for an era
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ื›ืš, ื”ืฆื™ืคื™ื” ื”ื™ื ืœืขื™ื“ืŸ ื‘ื•
06:52
where computing will actually merge with the physical world.
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ื”ืฉื™ืžื•ืฉ ื‘ืžื—ืฉื‘ื™ื ื™ืชืžื–ื’ ืœืžืขืฉื” ืขื ื”ืขื•ืœื ื”ืžืžืฉื™.
06:55
And, of course, if you don't have any surface,
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ื•ื›ืžื•ื‘ืŸ, ืื ืื™ืŸ ื‘ืงืจื‘ืชื›ื ืžืฉื˜ื— ื›ืœืฉื”ื•,
06:58
you can start using your palm for simple operations.
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ืชื•ื›ืœื• ืœื”ืฉืชืžืฉ ื‘ื›ืฃ-ื™ื“ื›ื ืœื‘ื™ืฆื•ืข ืคืขื•ืœื•ืช ืคืฉื•ื˜ื•ืช.
07:01
Here, I'm dialing a phone number just using my hand.
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ื”ื ื”, ืื ื™ ืžืฉืชืžืฉ ืจืง ื‘ื™ื“ื™ ื›ื“ื™ ืœื—ื™ื™ื’ ืžืกืคืจ ื˜ืœืคื•ืŸ.
07:07
The camera is actually not only understanding your hand movements,
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ื”ืžืฆืœืžื” ืื™ื ื” ืจืง ืžื‘ื™ื ื” ืืช ืชื ื•ืขื•ืช ื™ื“ื›ื,
07:10
but, interestingly,
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ืื‘ืœ, ืžื” ืฉืžืขื ื™ื™ืŸ ื–ื”,
07:11
is also able to understand what objects you are holding in your hand.
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ืฉื”ื™ื ื’ื ืžืกื•ื’ืœืช ืœืงืœื•ื˜ ืืœื• ื—ืคืฆื™ื ืืชื ืžื—ื–ื™ืงื™ื.
ืžื” ืฉืื ื—ื ื• ืขื•ืฉื™ื ื›ืืŸ ื”ื•ื ืœืžืขืฉื” --
07:15
For example, in this case,
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ืœื“ื•ื’ืžื, ื‘ืžืงืจื” ื–ื”,
07:19
the book cover is matched
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ืขื˜ื™ืคืช ื”ืกืคืจ ืขื•ื‘ืจืช ื”ืฉื•ื•ืื”
07:21
with so many thousands, or maybe millions of books online,
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ืขื ืืœืคื™ ืื• ืžื™ืœื™ื•ื ื™ ืกืคืจื™ื ืžืงื•ื•ื ื™ื,
07:24
and checking out which book it is.
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ื›ื“ื™ ืœืžืฆื•ื ืื™ื–ื” ืกืคืจ ื–ื”.
07:26
Once it has that information,
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ื‘ืจื’ืข ืฉืœืžืขืจื›ืช ื™ืฉ ืืช ื”ืžื™ื“ืข ื”ื–ื”,
07:27
it finds out more reviews about that,
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ื”ื™ื ืžื•ืฆืืช ื™ื•ืชืจ ื‘ื™ืงื•ืจื•ืช ืขืœื™ื•,
07:29
or maybe New York Times has a sound overview on that,
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ืื• ืื•ืœื™ ืœื ื™ื•-ื™ื•ืจืง ื˜ื™ื™ืžืก ื™ืฉ ืกืงื™ืจื” ืงื•ืœื™ืช ืขืœื™ื•,
07:32
so you can actually hear, on a physical book,
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ื›ืš ืฉื ื™ืชืŸ ืžืžืฉ ืœื”ืื–ื™ืŸ, ืขืœ-ื’ื‘ื™ ืกืคืจ ืžืžืฉื™,
07:34
a review as sound.
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ืœื‘ื™ืงื•ืจืช ื‘ืฆื•ืจืช ืงื•ืœ.
07:36
(Video) Famous talk at Harvard University --
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("ื”ืจืฆืื” ืžืคื•ืจืกืžืช ื‘ืื•ื ื™ื‘ืจืกื™ื˜ืช ื”ืืจื•ื•ืจื“...")
07:38
This was Obama's visit last week to MIT.
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ื–ื” ื”ื™ื” ื‘ื™ืงื•ืจื• ืฉืœ ืื•ื‘ืืžื” ื‘ืื-ืื™ื™-ื˜ื™ ื‘ืฉื‘ื•ืข ื”ืื—ืจื•ืŸ.
07:42
(Video) And particularly I want to thank two outstanding MIT --
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("...ื•ื‘ืžื™ื•ื—ื“ ื‘ืจืฆื•ื ื™ ืœื”ื•ื“ื•ืช ืœืฉื ื™... ื‘ื•ืœื˜ื™ื ืžืื-ืื™ื™-ื˜ื™...")
07:45
Pranav Mistry: So, I was seeing the live [video] of his talk,
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ื›ืš ืฉืฆืคื™ืชื™ ื‘ื•ื™ื“ืื• (ื—ื™) ืฉืœ ื ืื•ืžื•, ื‘ื—ื•ืฅ, ืคืฉื•ื˜ ืขืœ-ื’ื‘ื™ ืขื™ืชื•ืŸ.
07:48
outside, on just a newspaper.
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07:51
Your newspaper will show you live weather information
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ื”ืขื™ืชื•ืŸ ืฉืœื›ื ื™ืฆื™ื’ ืœื›ื ืชื—ื–ื™ืช ืžื–ื’-ืื•ื™ืจ ื‘ืฉื™ื“ื•ืจ ื™ืฉื™ืจ
07:54
rather than having it updated.
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ื‘ืžืงื•ื ืœื”ืชืขื“ื›ืŸ ื‘ื” ื›ืœ ื”ื–ืžืŸ -- ื›ืžื• ืœืžืฉืœ, ื›ืืฉืจ ืืชื ืฆืจื™ื›ื™ื ืœื‘ื“ื•ืง ืื•ืชื”
07:56
You have to check your computer in order to do that, right?
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ื‘ืžื—ืฉื‘ ืฉืœื›ื, ื ื›ื•ืŸ?
07:59
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
08:04
When I'm going back, I can just use my boarding pass
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ื›ืืฉืจ ืื ื™ ื—ื•ื–ืจ, ืื ื™ ืคืฉื•ื˜ ื™ื›ื•ืœ ืœื”ืฉืชืžืฉ ื‘ื›ืจื˜ื™ืก ื”ืขืœื™ื” ืœืžื˜ื•ืก
08:07
to check how much my flight has been delayed,
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ื›ื“ื™ ืœื‘ื“ื•ืง ื‘ื›ืžื” ื–ืžืŸ ืžืชืขื›ื‘ืช ื”ื˜ื™ืกื” ืฉืœื™,
08:09
because at that particular time,
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ืžื›ื™ื•ื•ืŸ ืฉื“ื•ื•ืงื ื‘ืื•ืชื• ืจื’ืข,
08:11
I'm not feeling like opening my iPhone,
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ืœื ืžืชื—ืฉืง ืœื™ ืœืคืชื•ื— ืืช ื”ืื™ื™ืคื•ืŸ ืฉืœื™,
08:13
and checking out a particular icon.
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ื•ืœืฉื—ืง ืขื ืื™ื–ื” ืื™ื™ืงื•ืŸ.
08:15
And I think this technology will not only change the way --
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ืื ื™ ืกื‘ื•ืจ ืฉื˜ื›ื ื•ืœื•ื’ื™ื” ื–ื•, ืœื ืจืง ืฉืชืฉื ื” ืืช ื”ื“ืจืš --
08:18
(Laughter)
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ื›ืŸ. (ืฆื—ื•ืง)
08:19
Yes.
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08:20
It will change the way we interact with people, also,
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ื”ื™ื ืชืฉื ื” ืืช ื”ื“ืจืš ื‘ื” ืื ื• ื’ื ื‘ืื™ื ื‘ืžื’ืข ืขื ืื ืฉื™ื,
08:22
not only the physical world.
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ื•ืœื ืจืง ืขื ื”ืขื•ืœื ื”ืคื™ื–ื™.
08:24
The fun part is, I'm going to the Boston metro,
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ื”ื—ืœืง ื”ื›ื™ืคื™ ื”ื•ื, ืื ื™ ื”ื•ืœืš ืœืจื›ื‘ืช ื”ืชื—ืชื™ืช ืฉืœ ื‘ื•ืกื˜ื•ืŸ,
08:27
and playing a pong game inside the train on the ground, right?
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ื•ืžืฉื—ืง ืคื™ื ื’-ืคื•ื ื’ ื‘ืจื›ื‘ืช
ืขืœ ื”ืจืฆืคื”, ืจื•ืื™ื?
08:32
(Laughter)
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(ืฆื—ื•ืง)
08:33
And I think the imagination is the only limit
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ื•ืื ื™ ื—ื•ืฉื‘ ืฉื“ืžื™ื•ืŸ ื–ื” ื”ื’ื‘ื•ืœ ื”ื™ื—ื™ื“
08:35
of what you can think of
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ื•ื”ื•ื ืขืœ ืžื” ืื ื• ื ื”ื™ื” ืžืกื•ื’ืœื™ื ืœื—ืฉื•ื‘
08:37
when this kind of technology merges with real life.
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ื›ืืฉืจ ื˜ื›ื ื•ืœื•ื’ื™ื” ืฉื›ื–ื• ืชืฉืชืœื‘ ื‘ืžืฆื™ืื•ืช ื”ื—ื™ื™ื.
08:39
But many of you argue, actually,
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ืื‘ืœ ืจื‘ื™ื ืžื›ื ื˜ื•ืขื ื™ื, ืœืžืขืฉื”,
08:41
that all of our work is not only about physical objects.
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ืฉื”ืขื‘ื•ื“ื” ืฉืœื ื• ืื™ื ื” ืจืง ืขื ื—ืคืฆื™ื ืคื™ื–ื™ื™ื.
08:44
We actually do lots of accounting and paper editing
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ืื ื—ื ื• ืœืžืขืฉื” ื™ื•ืฆืจื™ื ื”ืžื•ืŸ ื“ื•"ื—ื•ืช ื•ืขื•ืจื›ื™ื ื”ืจื‘ื” ืžืกืžื›ื™ื
08:47
and all those kinds of things; what about that?
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ื•ื›ืœ ืžื™ื ื™ ื“ื‘ืจื™ื ืžืŸ ื”ืกื•ื’ ื”ื–ื”; ืžื” ืœื’ื‘ื™ื”ื?
08:49
And many of you are excited about the next-generation tablet computers
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ื•ืจื‘ื™ื ืžื›ื ืžืชืขื ื™ื™ื ื™ื ื‘ื ื•ื’ืข ืœืžื—ืฉื‘ื™ื ื“ืงื™ื ืžื”ื“ื•ืจ ื”ื‘ื
08:53
to come out in the market.
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ื”ืขื•ืžื“ื™ื ืœืฆืืช ืœืฉื•ืง.
08:55
So, rather than waiting for that,
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ืื–, ื‘ืžืงื•ื ืœื—ื›ื•ืช ืœื”ื,
08:57
I actually made my own, just using a piece of paper.
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ื™ืฆืจืชื™ ืื—ื“ ืžืฉืœื™, ืคืฉื•ื˜ ืชื•ืš ืฉื™ืžื•ืฉ ื‘ื—ืชื™ื›ืช ื ื™ื™ืจ.
09:00
So, what I did here is remove the camera --
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ืžื” ืฉืขืฉื™ืชื™ ื›ืืŸ ื–ื” ื”ืกืจืชื™ ืืช ื”ืžืฆืœืžื” --
09:02
All the webcam cameras have a microphone inside the camera.
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ื‘ื›ืœ ืžืฆืœืžื•ืช ื”ืจืฉืช ื™ืฉ ืžื™ืงืจื•ืคื•ืŸ ื‘ืคื ื™ื.
09:06
I removed the microphone from that,
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ื”ื•ืจื“ืชื™ ืžื–ื• ืืช ื”ืžื™ืงืจื•ืคื•ืŸ,
09:09
and then just pinched that --
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ื•ืื– ืคืฉื•ื˜ ื”ืฆืžื“ืชื™ ืื•ืชื• --
09:11
like I just made a clip out of the microphone --
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ืขืฉื™ืชื™ ืžืŸ ืžื”ื“ืง ื›ื–ื” ืžื”ืžื™ืงืจื•ืคื•ืŸ --
09:14
and clipped that to a piece of paper, any paper that you found around.
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ื•ื”ืฆืžื“ืชื™ ืื•ืชื• ืœื—ืชื™ื›ืช ื ื™ื™ืจ, ื›ืœ ื ื™ื™ืจ ืฉื ื™ืชืŸ ืœืžืฆื•ื.
09:18
So now the sound of the touch
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ื›ืš ืฉืขื›ืฉื™ื• ื”ืงื•ืœ ืฉืœ ื”ืžื’ืข
09:21
is getting me when exactly I'm touching the paper.
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ืžื’ืœื” ืื•ืชื™ ื›ืืฉืจ ื‘ื“ื™ื•ืง ืื ื™ ื ื•ื’ืข ื‘ื ื™ื™ืจ.
09:24
But the camera is actually tracking where my fingers are moving.
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ืื‘ืœ ืœืžืขืฉื” ื”ืžืฆืœืžื” ืขื•ืงื‘ืช ืื—ืจ ืืฆื‘ืขื•ืชื™ื™, ืœืืŸ ืฉื”ืŸ ื ืขื•ืช.
09:28
You can of course watch movies.
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ื ื™ืชืŸ ื›ืžื•ื‘ืŸ ืœืฆืคื•ืช ื‘ืกืจื˜ื™ื.
09:31
(Video) Good afternoon. My name is Russell,
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("ืฆื”ืจื™ื™ื ื˜ื•ื‘ื™ื. ืฉืžื™ ืจืืกืœ...")
09:34
and I am a Wilderness Explorer in Tribe 54."
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("... ื•ืื ื™ ื—ื•ืงืจ ืืช ื”ืคืจืื™ ื‘ืฉื‘ื˜ 54.")
09:37
PM: And you can of course play games.
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ื•ืืคืฉืจ ื›ืžื•ื‘ืŸ ืœืฉื—ืง.
09:40
(Car engine)
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(ืžื ื•ืข ืžื›ื•ื ื™ืช)
09:43
Here, the camera is actually understanding how you're holding the paper
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ื›ืืŸ, ื”ืžืฆืœืžื” ืœืžืขืฉื” ืžื‘ื™ื ื” ื›ื™ืฆื“ ืืชื ืžื—ื–ื™ืงื™ื ืืช ื”ื ื™ื™ืจ
09:46
and playing a car-racing game.
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ื•ืžืฉื—ืงื™ื ืืช ืžืฉื—ืง ืžื™ืจื•ืฅ-ืžื›ื•ื ื™ื•ืช.
09:48
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
09:52
Many of you already must have thought, OK, you can browse.
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ืจื‘ื™ื ืžื›ื ื•ื“ืื™ ื—ืฉื‘ื•, ื‘ืกื“ืจ, ื ื™ืชืŸ ืœื’ืœื•ืฉ.
ื›ืŸ. ืžื•ื‘ืŸ ืฉื ื™ืชืŸ ืœื’ืœื•ืฉ ืœื›ืœ ืžื™ื ื™ ืืชืจื™ื
09:55
Yeah. Of course you can browse to any websites
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09:57
or you can do all sorts of computing on a piece of paper
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ืื• ืฉื ื™ืชืŸ ืœื‘ืฆืข ื›ืœ ืžื™ื ื™ ืžื˜ืœื•ืช ืžื—ืฉื‘ ืขืœ ื’ื‘ื™ ื ื™ื™ืจ
10:00
wherever you need it.
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ื‘ื›ืœ ืžืงื•ื ืฉืฆืจื™ืš.
10:01
So, more interestingly,
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ื›ืš, ืžื” ืฉื™ื•ืชืจ ืžืขื ื™ื™ืŸ,
10:04
I'm interested in how we can take that in a more dynamic way.
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ืื ื™ ืžืชืขื ื™ื™ืŸ ื›ื™ืฆื“ ื ื™ืชืŸ ืœื”ืฉืชืžืฉ ื‘ื›ืœ ื–ื” ื‘ื“ืจืš ื™ื•ืชืจ ื“ื™ื ืžื™ืช.
10:07
When I come back to my desk, I can just pinch that information
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ื›ืืฉืจ ืื ื™ ื—ื•ื–ืจ ืœืฉื•ืœื—ื ื™, ืื ื™ ืคืฉื•ื˜ ื™ื›ื•ืœ ืœืชืคื•ืก ืืช ื”ืžื™ื“ืข ื‘ื™ืŸ ืืฆื‘ืขื•ืชื™ื™
10:10
back to my desktop
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ื•ืœื”ืขื‘ื™ืจื• ืœืฉื•ืœื—ืŸ ื”ืขื‘ื•ื“ื” ืฉืœื™
10:12
so I can use my full-size computer.
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ื›ืš ืฉืื ื™ ื™ื›ื•ืœ ืœื”ืฉืชืžืฉ ื‘ืžื—ืฉื‘ ื”ืจื’ื™ืœ ืฉืœื™.
10:15
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
10:17
And why only computers? We can just play with papers.
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ื•ืžื“ื•ืข ืจืง ืžื—ืฉื‘ื™ื? ื ื™ืชืŸ ืคืฉื•ื˜ ืœืฉื—ืง ื‘ื ื™ื™ืจื•ืช.
10:20
Paper world is interesting to play with.
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ื–ื” ืžืขื ื™ื™ืŸ ืœืฉื—ืง ื‘ื ื™ื™ืจื•ืช.
10:23
Here, I'm taking a part of a document,
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ื”ื ื”, ืื ื™ ืœื•ืงื— ื—ืœืง ืžืžืกืžืš
10:25
and putting over here a second part from a second place,
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ื•ืžื ื™ื— ื›ืืŸ ื—ืœืง ืื—ืจ ืžืžืงื•ื ืื—ืจ --
10:29
and I'm actually modifying the information that I have over there.
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ื•ื›ืš ืื ื™ ื‘ืขืฆื ืžืฉื ื” ืžื™ื“ืข
ืฉื™ืฉ ืœื™ ื›ืืŸ.
10:34
Yeah. And I say, "OK, this looks nice, let me print it out, that thing."
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ื‘ืกื“ืจ. ื•ืื ื™ ืื•ืžืจ, "ื–ื” ื ืจืื” ื ื—ืžื“,
ื‘ื•ื ื ื“ืคื™ืก ืืช ื–ื”."
10:39
So I now have a print-out of that thing.
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ื›ืš ื™ืฉ ืœื™ ืชื“ืคื™ืก ืฉืœ ื”ื“ื‘ืจ ื”ื–ื”, ื•ืขื›ืฉื™ื• --
10:41
So the workflow is more intuitive,
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ื”ืขื‘ื•ื“ื” ื™ื•ืชืจ ืื™ื ื˜ื•ืื™ื˜ื™ื‘ื™ืช ืžืืฉืจ ืื™ืš ืฉื ื”ื’ื ื• ืœืขืฉื•ืช ืื•ืชื”
10:44
the way we used to do it maybe 20 years back,
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ืื•ืœื™ ืœืคื ื™ 20 ืฉื ื”,
10:47
rather than now switching between these two worlds.
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ืœืขื•ืžืช ืขื›ืฉื™ื• ืฉืื ื• ืขื•ื‘ืจื™ื ื‘ื™ืŸ ืฉื ื™ ื”ืขื•ืœืžื•ืช.
10:50
So, as a last thought,
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ื›ืš, ื‘ืชื•ืจ ืžื—ืฉื‘ื” ืื—ืจื•ื ื”,
10:53
I think that integrating information to everyday objects
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ืื ื™ ืกื‘ื•ืจ ืฉืžื™ื–ื•ื’ ืฉืœ ืžื™ื“ืข ืขื ื—ืคืฆื™ื ื™ื•ืžื™ื•ืžื™ื™ื
ืœื ืจืง ืฉื™ืกื™ื™ืข ืœื ื• ืœื”ืฉืชื—ืจืจ ืžื”ืคื™ืฆื•ืœ ื”ื“ื™ื’ื™ื˜ืœื™,
10:57
will not only help us to get rid of the digital divide,
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11:01
the gap between these two worlds,
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ื”ืคืขืจ ื‘ื™ืŸ ืฉื ื™ ื”ืขื•ืœืžื•ืช ื”ืœืœื•,
11:03
but will also help us, in some way,
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ืืœื ื’ื ื™ืขื–ื•ืจ ืœื ื•, ื‘ื“ืจืš ื›ืœืฉื”ื™,
11:05
to stay human,
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ืœื”ื™ืฉืืจ ืื ื•ืฉื™ื™ื,
11:07
to be more connected to our physical world.
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ืœื”ื™ื•ืช ื™ื•ืชืจ ืžื—ื•ื‘ืจื™ื ืœืขื•ืœื ื”ืคื™ื–ื™.
11:13
And it will actually help us not end up being machines
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ื•ืœืžืขืฉื”, ื–ื” ื™ืกื™ื™ืข ืœื ื• ืœื ืœื”ืคื•ืš ืœืžื›ื•ื ื•ืช
11:16
sitting in front of other machines.
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ื”ื™ื•ืฉื‘ื•ืช ืžื•ืœ ืžื›ื•ื ื•ืช ืื—ืจื•ืช.
11:18
That's all. Thank you.
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ื–ื” ื”ื›ืœ. ืชื•ื“ื” ืจื‘ื” ืœื›ื.
11:21
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
11:35
Thank you.
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ืชื•ื“ื”.
11:36
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
11:39
Chris Anderson: So, Pranav, first of all, you're a genius.
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ื›ืจื™ืก ืื ื“ืจืกื•ืŸ: ืื–, ืคืจืื ืื‘,
ืงื•ื“ื ื›ืœ, ืืชื” ื’ืื•ืŸ.
11:43
This is incredible, really.
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ื–ื” ืœื ื™ื™ืืžืŸ, ื‘ืืžืช.
11:46
What are you doing with this? Is there a company being planned?
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ืžื” ืืชื” ืขื•ืฉื” ืขื ื–ื”? ื”ืื ืืชื” ืžืชื›ื ืŸ ืœื”ืงื™ื ื—ื‘ืจื”?
11:49
Or is this research forever, or what?
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ืื• ืฉื–ื” ื™ื™ืฉืืจ ื‘ื’ื“ืจ ืžื—ืงืจ ื‘ืœื‘ื“, ืื• ืžื”?
11:51
Pranav Mistry: So, there are lots of companies,
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ืคืจืื ืื‘ ืžื™ืกื˜ืจื™: ื™ืฉื ืŸ ื”ืจื‘ื” ื—ื‘ืจื•ืช --
11:53
sponsor companies of Media Lab interested in taking this ahead
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ื‘ืขืฆื ื—ื‘ืจื•ืช ืžืืžืฆื•ืช ืฉืœ ืžื“ื™ื” ืœืื‘ --
ื”ืžืขื•ื ื™ื™ื ื•ืช ืœืงื“ื ืืช ื›ืœ ื–ื” ื‘ื“ืจืš ื–ื• ืื• ืื—ืจืช.
11:56
in one or another way.
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11:57
Companies like mobile-phone operators
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ื—ื‘ืจื•ืช ื›ืžื• ืžืคืขื™ืœื™ ื˜ืœืคื•ื ื™ื ื ื™ื™ื“ื™ื
11:59
want to take this in a different way than the NGOs in India,
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ืจื•ืฆื•ืช ืœื”ื•ื‘ื™ืœ ื–ืืช ื‘ื“ืจืš ืฉื•ื ื” ืžืืฉืจ ืื™ืจื’ื•ื ื™ื ืœื ืžืžืฉืœืชื™ื™ื ื‘ื”ื•ื“ื•,
12:02
thinking, "Why can we only have 'Sixth Sense'?
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(ืืฉืจ) ืžื”ืจื”ืจื•ืช, "ืžื“ื•ืข ืฉื™ื”ื™ื” ืœื ื• ืจืง 'ื—ื•ืฉ-ืฉื™ืฉ'?
12:04
We should have a 'Fifth Sense' for missing-sense people who cannot speak.
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ืฆืจื™ืš ืฉื™ื”ื™ื” ืœื ื• 'ื—ื•ืฉ-ื—ืžื™ืฉื™' ืขื‘ื•ืจ ืื ืฉื™ื ื—ืกืจื™
ื™ื›ื•ืœืช ืœื“ื‘ืจ.
12:08
This technology can be used for them to speak out in a different way
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ื ื™ืชืŸ ืœื”ืฉืชืžืฉ ื‘ื˜ื›ื ื•ืœื•ื’ื™ื” ื–ื• ื‘ืฉื‘ื™ืœื ื›ื“ื™ ืฉื™ื•ื›ืœื• ืœื“ื‘ืจ ื‘ื“ืจืš ืื—ืจืช
12:11
maybe a speaker system."
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ืื•ืœื™ ื‘ืขื–ืจืช ืžืขืจื›ืช ืจืžืงื•ืœื™ื."
12:12
CA: What are your own plans? Are you staying at MIT,
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ื›.ื.: ืžื” ื”ืŸ ืชื•ื›ื ื™ื•ืชื™ืš? ื”ืื ืชื™ืฉืืจ ื‘ืืž.ืื™ื™.ื˜ื™,
12:15
or are you going to do something with this?
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ืื• ืฉืืชื” ืžืชื›ื•ื•ืŸ ืœืขืฉื•ืช ืขื ื–ื” ืžืฉื”ื•?
ืค.ืž.: ืื ื™ ืžื ืกื” ืœื”ืคื•ืš ืืช ื–ื” ืœื™ื•ืชืจ ื–ืžื™ืŸ ืœืื ืฉื™ื
12:17
PM: I'm trying to make this more available to people
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ื›ืš ืฉื›ืœ ืื—ื“ ื™ื•ื›ืœ ืœืคืชื— ื”ืชืงืŸ ื—ื•ืฉ-ืฉื™ืฉื™ ืžืฉืœื•
12:20
so that anyone can develop their own SixthSense device,
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ืžื›ื™ื•ื•ืŸ ืฉื‘ืขืฆื ืœื ื›ืœ-ื›ืš ืงืฉื” ืœื™ื™ืฆืจ ืืช ื”ื—ื•ืžืจื”,
12:22
because the hardware is actually not that hard to manufacture
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12:26
or hard to make your own.
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ืื• ืœื™ืฆื•ืจ ืžืฉื”ื• ืžืฉืœืš.
12:28
We will provide all the open source software for them,
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ืื ื• ื ืกืคืง ืœื”ื ืืช ื›ืœ ื”ืชื•ื›ื ื” ื‘ืขืœืช ืงื•ื“-ืคืชื•ื—,
12:30
maybe starting next month.
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ืื•ืœื™ ื›ื‘ืจ ืžื—ื•ื“ืฉ ื”ื‘ื.
12:32
CA: Open source? Wow.
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ืงื•ื“-ืคืชื•ื—? ื•ื•ืื•.
12:34
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
12:39
CA: Are you going to come back to India with some of this, at some point?
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ื›.ื.: ื”ืื ืืชื” ืขื•ืžื“ ืœื—ื–ื•ืจ ืœื”ื•ื“ื• ืขื ืžืฉื”ื• ืžื–ื”, ื‘ื–ืžืŸ ื›ืœืฉื”ื•?
12:42
PM: Yeah. Yes, yes, of course.
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ืค.ืž.: ื›ืŸ. ื›ืŸ, ื›ืŸ, ื›ืžื•ื‘ืŸ.
12:44
CA: What are your plans? MIT? India?
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ื›.ื.: ืžื”ืŸ ืชื•ื›ื ื™ื•ืชื™ืš? ืืž.ืื™ื™.ื˜ื™?
12:46
How are you going to split your time going forward?
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ื”ื•ื“ื•? ื›ื™ืฆื“ ืืชื” ืขื•ืžื“ ืœื—ืœืง ืืช ื–ืžื ืš ื›ืืฉืจ ืืชื” ืžืชืงื“ื?
12:48
PM: There is a lot of energy here. Lots of learning.
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ืค.ืž.: ื™ืฉ ื›ืืŸ ื”ืžื•ืŸ ืื ืจื’ื™ื•ืช. ื”ืžื•ืŸ ืœืœืžื•ื“.
12:51
All of this work that you have seen is all about my learning in India.
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ื›ืœ ื”ืขื‘ื•ื“ื” ื”ื–ืืช ืฉืจืื™ืชื
ื ื•ื’ืขืช ื›ื•ืœื” ืœืœื™ืžื•ื“ื™ื™ ื‘ื”ื•ื“ื•.
12:55
And now, if you see, it's more about the cost-effectiveness:
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ื•ื›ืขืช, ืื ืชืจืฆื• ืœื“ืขืช ื™ื•ืชืจ ืขืœ ืขืœื•ืช ืžื•ืœ ืชื•ืขืœืช:
12:58
this system costs you $300
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ืžืขืจื›ืช ื–ื• ืขื•ืœื” 300 ื“ื•ืœืจ
13:00
compared to the $20,000 surface tables, or anything like that.
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ื‘ื”ืฉื•ื•ืื” ืœืžื—ืฉื‘ื™ื ื“ืงื™ื ืฉืขื•ืœื™ื 20,000 ื“ื•ืœืจ ืื• ืžืฉื”ื• ื›ื–ื”.
13:03
Or maybe even the $2 mouse gesture system at that time was costing around $5,000?
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ืื• ืื•ืœื™ ืืคื™ืœื• ืžืขืจื›ืช ื”ืชื ื•ืขื•ืช ื‘ืืžืฆืขื•ืช ืขื›ื‘ืจ ืฉืขืœื•ืชื” 2 ื“ื•ืœืจ
ื”ื™ืชื” ืขื•ืœื” ื‘ื–ืžื ื” ื‘ืกื‘ื™ื‘ื•ืช 5,000 ื“ื•ืœืจ?
13:09
I showed that, at a conference, to President Abdul Kalam, at that time,
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ื›ืš ืฉืื ื—ื ื• ืœืžืขืฉื” -- ื”ืจืืชื™ ืืช ื–ื”, ื‘ื›ื™ื ื•ืก,
ืœื ืฉื™ื ืขื‘ื“ื•ืœ ืงืืœืื, ื‘ื–ืžื ื•,
13:15
and then he said, "OK, we should use this in Bhabha Atomic Research Centre
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ื•ื”ื•ื ืืžืจ, "ื˜ื•ื‘, ืื ื• ืฆืจื™ื›ื™ื ืœื”ืฉืชืžืฉ ื‘ื–ื” ื‘ืžืจื›ื– ืœืžื—ืงืจ ื’ืจืขื™ื ื™ ื‘ื”ืื‘ื”
13:18
for some use of that."
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ื•ืœื ืฆืœ ืืช ื–ื” ืื™ื›ืฉื”ื•."
13:20
So I'm excited about how I can bring the technology to the masses
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ืื– ืื ื™ ื—ืฉ ื”ืชืจื’ืฉื•ืช ื‘ืงืฉืจ ืœื”ื‘ืืช ื˜ื›ื ื•ืœื•ื’ื™ื” ื–ื• ืืœ ื”ื”ืžื•ื ื™ื
13:23
rather than just keeping that technology in the lab environment.
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ื‘ืžืงื•ื ืœื”ืฉืื™ืจ ืื•ืชื” ื‘ืจืžืช ื”ืžืขื‘ื“ื”.
13:26
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
13:30
CA: Based on the people we've seen at TED,
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ื›.ื.: ืขืœ ืกืžืš ื”ืื ืฉื™ื ืฉืจืื™ื ื• ื‘-TED,
13:32
I would say you're truly one of the two or three
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ื”ื™ื™ืชื™ ืื•ืžืจ ืฉืืชื” ื‘ืืžืช ืื—ื“ ืžืฉื ื™ื™ื ืื• ืฉืœื•ืฉื”
13:34
best inventors in the world right now.
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ื”ืžืžืฆื™ืื™ื ื”ื˜ื•ื‘ื™ื ื‘ื™ื•ืชืจ ื‘ืขื•ืœื ื›ื™ื•ื.
13:36
It's an honor to have you at TED.
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ื–ื” ื›ื‘ื•ื“ ืœืืจื— ืื•ืชืš ื‘-TED.
13:38
Thank you so much.
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ืชื•ื“ื” ืจื‘ื” ืœืš ืžืื•ื“ ืžืื•ื“.
13:40
That's fantastic.
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ื–ื” ื ืคืœื.
13:41
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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