Juan Enriquez: Your online life, permanent as a tattoo

286,429 views ใƒป 2013-05-02

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

00:00
Translator: Joseph Geni Reviewer: Morton Bast
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ืžืชืจื’ื: Ido Dekkers ืžื‘ืงืจ: Karine Jospe
00:13
All right, so let's take
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ืื•ืงื™ื™, ืื– ื‘ื•ืื• ื ื™ืงื—
00:14
four subjects that obviously go together:
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ืืจื‘ืขื” ื ื•ืฉืื™ื ืฉื”ื•ืœื›ื™ื ื‘ื‘ืจื•ืจ ื™ื—ื“:
00:17
big data, tattoos, immortality and the Greeks.
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ืžื™ื“ืข ื’ื“ื•ืœ, ืงืขืงื•ืขื™ื, ื—ื™ื™ ื ืฆื— ื•ื™ื•ื•ื ื™ื.
00:21
Right?
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ื ื›ื•ืŸ?
00:22
Now, the issue about tattoos is that,
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ืขื›ืฉื™ื•, ื”ืขื ื™ื™ืŸ ืขื ืงืขืงื•ืขื™ื ื”ื•ื,
00:26
without a word, tattoos really do shout.
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ืฉื‘ืœื™ ืœื“ื‘ืจ, ืงืขืงื•ืขื™ื ื‘ืืžืช ืฆื•ืขืงื™ื.
00:30
[Beautiful]
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[ื™ืคื™ืคื™ื”]
00:34
[Intriguing]
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[ืžืขื ื™ื™ืŸ]
00:36
So you don't have to say a lot.
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ืื– ืืชื ืœื ืฆืจื™ื›ื™ื ืœื”ื’ื™ื“ ื”ืจื‘ื”.
00:39
[Allegiance]
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[ื ืืžื ื•ืช]
00:43
[Very intimate]
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[ืžืื•ื“ ืื™ื ื˜ื™ืžื™]
00:47
[Serious mistakes]
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[ื˜ืขื•ื™ื•ืช ืจืฆื™ื ื™ื•ืช]
00:50
(Laughter)
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(ืฆื—ื•ืง)
00:54
And tattoos tell you a lot of stories.
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ื•ืงืขืงื•ืขื™ื ืžืกืคืจื™ื ืœื›ื ื”ืจื‘ื” ืกื™ืคื•ืจื™ื.
00:58
If I can ask an indiscreet question,
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ืื ืื ื™ ื™ื›ื•ืœื” ืœืฉืื•ืœ ืฉืืœื” ืœื ื“ื™ืกืงืจื˜ื™ืช,
00:59
how many of you have tattoos?
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ืœื›ืžื” ืžื›ื ื™ืฉ ืงืขืงื•ืขื™ื?
01:03
A few, but not most.
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ืœื›ืžื”, ืื‘ืœ ืœื ืœืจื•ื‘.
01:04
What happens if Facebook, Google, Twitter, LinkedIn,
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ืžื” ืงื•ืจื” ืื ืคื™ื™ืกื‘ื•ืง, ื’ื•ื’ืœ, ื˜ื•ื•ื™ื˜ืจ, ืœื™ื ืงื“ืื™ืŸ,
01:07
cell phones, GPS, Foursquare, Yelp, Travel Advisor,
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ืกืœื•ืœืจื™ื™ื, GPS, ืคื•ืจืกืงื•ื•ืจ, ื™ืœืค, ื˜ืจื•ื•ืœ ืื“ื•ื•ื™ื–ื•ืจ,
01:10
all these things you deal with every day
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ื›ืœ ื”ื“ื‘ืจื™ื ื”ืืœื• ืฉืืชื ืžืชืขืกืงื™ื ืื™ืชื ื›ืœ ื™ื•ื
01:13
turn out to be electronic tattoos?
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ื”ื™ื• ืžืชื’ืœื™ื ื›ืงืขืงื•ืข ืืœืงื˜ืจื•ื ื™?
01:15
And what if they provide as much information
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ื•ืžื” ืื ื”ื ื”ื™ื• ืžืกืคืงื™ื ืื•ืชื” ื›ืžื•ืช ืžื™ื“ืข
01:17
about who and what you are as any tattoo ever would?
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ืขืœ ืžื™ ื•ืžื” ืืชื ื›ืžื• ืฉื›ืœ ืงืขืงื•ืข ื”ื™ื” ืื™ ืคืขื ื™ื›ื•ืœ?
01:22
What's ended up happening over the past few decades
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ืžื” ืฉืงืจื” ื‘ืกื•ืคื• ืฉืœ ื“ื‘ืจ ื‘ืžื”ืœืš ื”ืขืฉื•ืจื™ื ื”ืื—ืจื•ื ื™ื
01:24
is the kind of coverage that you had as a head of state
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ื”ื•ื ืกื•ื’ ื”ืกื™ืงื•ืจ ืฉื”ื™ื” ืœื›ื ื›ืจืืฉื™ ืžื“ื™ื ื”
01:27
or as a great celebrity
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ืื• ื›ืกืœื‘ืจื™ื˜ื™ ื’ื“ื•ืœ
01:30
is now being applied to you every day by all these people
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ืขื›ืฉื™ื• ืงื•ืจื” ืœื›ื ื›ืœ ื™ื•ื ืขืœ ื™ื“ื™ ื›ืœ ื”ืื ืฉื™ื ื”ืืœื•
01:33
who are Tweeting, blogging, following you,
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ืฉืžืฆื™ื™ืฆื™ื, ืžืคืจืกืžื™ื ื‘ืœื•ื’ื™ื, ืขื•ืงื‘ื™ื ืื—ืจื™ื›ื,
01:36
watching your credit scores and what you do to yourself.
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ืฆื•ืคื™ื ื‘ืžืฆื‘ ื”ืืฉืจืื™ ืฉืœื›ื ื•ืžื” ืืชื ืขื•ืฉื™ื ืœืขืฆืžื›ื.
01:40
And electronic tattoos also shout.
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ืงืขืงื•ืขื™ื ืืœืงื˜ืจื•ื ื™ื ื’ื ืฆื•ืขืงื™ื.
01:44
And as you're thinking of the consequences of that,
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ื•ื›ืฉืืชื ื—ื•ืฉื‘ื™ื ืขืœ ื”ื”ืฉืœื›ื•ืช ืฉืœ ื–ื”,
01:47
it's getting really hard to hide from this stuff, among other things,
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ื–ื” ื ืขืฉื” ืžืžืฉ ืงืฉื” ืœื”ืกืชื™ืจ ืืช ื›ืœ ื–ื”, ื‘ื™ืŸ ื”ื“ื‘ืจื™ื,
01:50
because it's not just the electronic tattoos,
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ืžืคื ื™ ืฉื–ื” ืœื ืจืง ืงืขืงื•ืขื™ื ืืœืงื˜ืจื•ื ื™ื™ื,
01:52
it's facial recognition that's getting really good.
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ื–ื” ื–ื™ื”ื•ื™ ืคื ื™ื ืฉื ื”ื™ื™ื” ืžืžืฉ ื˜ื•ื‘.
01:56
So you can take a picture with an iPhone and get all the names,
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ืื– ืืชื ื™ื›ื•ืœื™ื ืœืฆืœื ืชืžื•ื ื” ืขื ื”ืื™ื™ืคื•ืŸ ืฉืœื›ื ื•ืœืงื‘ืœ ืืช ื›ืœ ื”ืฉืžื•ืช,
02:00
although, again, sometimes it does make mistakes. (Laughter)
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ืœืžืจื•ืช ืฉืฉื•ื‘, ืœืคืขืžื™ื ื–ื” ืขื•ืฉื” ื˜ืขื•ื™ื•ืช. (ืฆื—ื•ืง)
02:04
But that means you can take a typical bar scene like this,
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ืื‘ืœ ื–ื” ืื•ืžืจ ืฉืืชื ื™ื›ื•ืœื™ื ืœืงื—ืช ืกืฆื ืช ื‘ืจ ื˜ื™ืคื•ืกื™ืช ื›ืžื• ื–ื•,
02:07
take a picture, say, of this guy right here,
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ืœืฆืœื, ื ื’ื™ื“, ืืช ื”ื‘ื—ื•ืจ ื”ื–ื” ืคื”,
02:11
get the name, and download all the records
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ืœืงื‘ืœ ืืช ื”ืฉื, ื•ืœื”ื•ืจื™ื“ ืืช ื›ืœ ื”ื ืชื•ื ื™ื
02:15
before you utter a word or speak to somebody,
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ืœืคื ื™ ืฉืืชื ืžื•ืฆื™ืื™ื ืžื™ืœื” ืื—ืช ืื• ืžื“ื‘ืจื™ื ืขื ืžื™ืฉื”ื•,
02:19
because everybody turns out to be
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ืžืคื ื™ ืฉื›ื•ืœื ืžืกืชื‘ืจ
02:20
absolutely plastered by electronic tattoos.
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ืžืงื•ืขืงืขื™ื ืœื’ืžืจื™ ืืœืงื˜ืจื•ื ื™ืช.
02:24
And so there's companies like face.com that now have
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ื•ื›ืš ื™ืฉ ื—ื‘ืจื•ืช ื›ืžื• face.com ืฉื™ืฉ ืœื”ืŸ ืขื›ืฉื™ื•
02:26
about 18 billion faces online.
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ื‘ืขืจืš 18 ืžื™ืœื™ืืจื“ ืคืจืฆื•ืคื™ื ื‘ืจืฉืช.
02:30
Here's what happened to this company.
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ื”ื ื” ืžื” ืฉืงืจื” ืœื—ื‘ืจื” ื”ื–ื•.
02:31
[Company sold to Facebook, June 18, 2012...]
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[ื—ื‘ืจื” ื ืžื›ืจื” ืœืคื™ื™ืกื‘ื•ืง, 18 ื‘ื™ื•ื ื™, 2012...]
02:34
There are other companies that will place a camera
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ื™ืฉ ื—ื‘ืจื•ืช ืื—ืจื•ืช ืฉื™ืฉื™ืžื• ืžืฆืœืžื”
02:37
like this โ€” this has nothing to do with Facebook โ€”
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ื›ืžื• ื–ื• -- ืื™ืŸ ืœื–ื” ืงืฉืจ ืœืคื™ื™ืกื‘ื•ืง --
02:39
they take your picture, they tie it to the social media,
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ื”ื ืžืฆืœืžื™ื ืืชื›ื, ื”ื ืžืงืฉืจื™ื ืืช ื–ื” ืœืžื“ื™ื” ื”ื—ื‘ืจืชื™ืช,
02:41
they figure out you really like to wear black dresses,
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ื”ื ืžื‘ื™ื ื™ื ืฉืืชื ื‘ืืžืช ืื•ื”ื‘ื™ื ืœืœื‘ื•ืฉ ืฉืžืœื•ืช,
02:44
so maybe the person in the store comes up and says,
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ืื– ืื•ืœื™ ื”ืื“ื ื‘ื—ื ื•ืช ื™ื‘ื•ื ืืœื™ื›ื ื•ื™ื’ื™ื“,
02:46
"Hey, we've got five black dresses
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"ื”ื™, ื™ืฉ ืœื ื• ื—ืžืฉ ืฉืžืœื•ืช ืฉื—ื•ืจื•ืช
02:48
that would just look great on you."
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ืฉื™ืจืื• ืคืฉื•ื˜ ืžืขื•ืœื” ืขืœื™ืš."
02:52
So what if Andy was wrong?
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ืื– ืžื” ืื ืื ื“ื™ ื˜ื•ืขื”?
02:54
Here's Andy's theory.
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ื”ื ื” ื”ืชืื•ืจื™ื” ืฉืœ ืื ื“ื™.
02:55
[In the future, everybody will be world famous for 15 minutes.]
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[ ื‘ืขืชื™ื“, ื›ื•ืœื ื™ื”ื™ื• ืžืคื•ืจืกืžื™ื ืขื•ืœืžื™ืช ืœ 15 ื“ืงืŸืช.]
02:57
What if we flip this?
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ืžื” ืื ื ื”ืคื•ืš ืืช ื–ื”?
02:58
What if you're only going to be anonymous for 15 minutes? (Laughter)
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ืžื” ืื ืชื”ื™ื• ืื ื•ื ื™ืžื™ื™ื ืจืง ืœ 15 ื“ืงื•ืช? (ืฆื—ื•ืง)
03:03
Well, then, because of electronic tattoos,
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ื•ื‘ื›ืŸ, ืื–, ื‘ื’ืœืœ ืงืขืงื•ืขื™ื ืืœืงื˜ืจื•ื ื™ื™ื,
03:06
maybe all of you and all of us are very close to immortality,
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ืื•ืœื™ ื›ื•ืœื›ื ื•ื›ื•ืœื ื• ืžืื•ื“ ืงืจื•ื‘ื™ื ืœื—ื™ื™ ื ืฆื—,
03:10
because these tattoos will live
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ืžืคื ื™ ืฉื”ืงืขืงื•ืขื™ื ื”ืืœื” ื™ื—ื™ื•
03:12
far longer than our bodies will.
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ื”ืจื‘ื” ื™ื•ืชืจ ืžื’ื•ืคื™ื ื•.
03:15
And if that's true, then what we want to do
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ื•ืื ื–ื” ื ื›ื•ืŸ, ืื– ืžื” ืฉืื ื—ื ื• ืจื•ืฆื™ื ืœืขืฉื•ืช
03:16
is we want to go through four lessons from the Greeks
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ื–ื” ืฉืื ื—ื ื• ืจื•ืฆื™ื ืœืขื‘ื•ืจ ืขืœ ืืจื‘ืขื” ืœืงื—ื™ื ืžื”ื™ื•ื•ื ื™ื
03:20
and one lesson from a Latin American.
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ื•ืœืงื— ืื—ื“ ืžืืžืจื™ืงื” ื”ืœื˜ื™ื ื™ืช.
03:23
Why the Greeks?
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ืœืžื” ื”ื™ื•ื•ื ื™ื?
03:25
Well, the Greeks thought about what happens
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ื•ื‘ื›ืŸ, ื”ื™ื•ื•ื ื™ื ื—ืฉื‘ื• ืขืœ ืžื” ืงื•ืจื”
03:27
when gods and humans and immortality mix for a long time.
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ื›ืฉืืœื™ื ื•ื‘ื ื™ ืื ื•ืฉ ื•ื—ื™ื™ ื ืฆื— ืžืชืขืจื‘ื‘ื™ื ืœืžืฉืš ื–ืžืŸ ืืจื•ืš.
03:32
So lesson number one: Sisyphus.
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ืื– ืœืงื— ืจืืฉื•ืŸ: ืกื™ื–ื™ืคื•ืก.
03:35
Remember? He did a horrible thing, condemned for all time
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ื–ื•ื›ืจื™ื? ื”ื•ื ืขืฉื” ืžืขืฉื” ื ื•ืจืื™, ื•ื”ื•ืงืข ืœื›ืœ ื—ื™ื™ื•
03:38
to roll this rock up, it would roll back down,
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ืœื’ืœื’ืœ ืืช ื”ืกืœืข ื”ื–ื” ืœืžืขืœื”, ื”ื•ื ื™ืชื’ืœื’ืœ ืœืžื˜ื”,
03:40
roll back up, roll back down.
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ืœื’ืœื’ืœ ืœืžืขืœื” ืฉื•ื‘, ืœื”ืชื’ืœื’ืœ ืœืžื˜ื” ืฉื•ื‘.
03:42
It's a little like your reputation.
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ื–ื” ืžืขื˜ ื›ืžื• ืžื•ื ื™ื˜ื™ืŸ.
03:44
Once you get that electronic tattoo,
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ื‘ืจื’ืข ืฉืืชื ืžืงื‘ืœื™ื ืืช ื”ืงืขืงื•ืข ื”ืืœืงื˜ืจื•ื ื™ ื”ื–ื”,
03:46
you're going to be rolling up and down for a long time,
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ืืชื ืชืชื’ืœื’ืœื• ืœืžืขืœื” ื•ืœืžื˜ื” ืœืžืฉืš ื–ืžืŸ ืจื‘,
03:49
so as you go through this stuff,
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ืื– ื›ืฉืืชื ืขื•ื‘ืจื™ื ืขืœ ื–ื”,
03:51
just be careful what you post.
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ืจืง ืชื–ื”ืจื• ืžื” ืืชื ืžืขืœื™ื.
03:54
Myth number two: Orpheus, wonderful guy,
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ืžื™ืชื•ืก ืฉื ื™: ืื•ืจืคื™ืื•ืก, ื‘ื—ื•ืจ ื ืคืœื,
03:57
charming to be around, great partier, great singer,
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ื ืคืœื ืœื”ื™ื•ืช ืœื™ื“ื•, ืื™ืฉ ืžืกื™ื‘ื•ืช ืžืขื•ืœื”, ื–ืžืจ ื ืคืœื,
04:01
loses his beloved, charms his way into the underworld,
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ืžืื‘ื“ ืืช ืื”ื•ื‘ืชื•, ืžืงืกื™ื ืืช ื“ืจื›ื• ืœืขื•ืœื ื”ืชื—ืชื•ืŸ,
04:04
only person to charm his way into the underworld,
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ื”ืื“ื ื”ื™ื—ื™ื“ ืฉื ื›ื ืก ืขื ืงืกืžื• ืœืขื•ืœื ื”ืชื—ืชื•ืŸ,
04:07
charms the gods of the underworld,
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ืžืงืกื™ื ืืช ืืœื™ ื”ืขื•ืœื ื”ืชื—ืชื•ืŸ,
04:09
they release his beauty on the condition
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ื”ื ืžืฉื—ืจืจื™ื ืืช ืื”ื•ื‘ืชื• ื‘ืชื ืื™ ืื—ื“
04:12
he never look at her until they're out.
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ืืกื•ืจ ืœื• ืœื”ื‘ื™ื˜ ื‘ื” ืขื“ ืฉื™ืฆืื•.
04:15
So he's walking out and walking out and walking out
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ืื– ื”ื•ื ื”ื•ืœืš ื”ื—ื•ืฆื” ื•ื”ื•ืœืš ื•ื”ื•ืœืš
04:17
and he just can't resist. He looks at her, loses her forever.
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ื•ื”ื•ื ืคืฉื•ื˜ ืœื ื™ื›ื•ืœ ืœื”ืชืืคืง. ื”ื•ื ืžื‘ื™ื˜ ื‘ื”, ื•ืžืื‘ื“ ืื•ืชื” ืœื ืฆื—.
04:21
With all this data out here, it might be a good idea
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ืขื ื›ืœ ื”ืžื™ื“ืข ื”ื–ื” ืฉื ื‘ื—ื•ืฅ, ืื•ืœื™ ื–ื” ื™ื”ื™ื” ืจืขื™ื•ืŸ ื˜ื•ื‘
04:24
not to look too far into the past of those you love.
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ืœื ืœื”ื‘ื™ื˜ ืจื—ื•ืง ืžื“ื™ ืœืขื‘ืจ ืฉืœ ืืœื” ืฉืืชื ืื•ื”ื‘ื™ื.
04:30
Lesson number three: Atalanta.
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ืœืงื— ืžืกืคืจ ืฉืœื•ืฉ: ืื˜ืœื ื˜ื”.
04:33
Greatest runner. She would challenge anybody.
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ื”ืืฆื ื™ืช ื”ื˜ื•ื‘ื” ื‘ื™ื•ืชืจ. ื”ื™ื ื”ืชื—ืจืชื” ื‘ื›ืœ ืื—ื“.
04:37
If you won, she would marry you.
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ืื ื–ื›ื™ืชื, ื”ื™ื ื”ืชื—ืชื ื” ืื™ืชื›ื.
04:40
If you lost, you died.
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ืื ื”ืคืกื“ืชื, ืžืชืชื.
04:43
How did Hippomenes beat her?
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ืื™ืš ื”ื™ืคื•ืžื ืก ื ื™ืฆื— ืื•ืชื”?
04:45
Well, he had all these wonderful little golden apples,
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ื•ื‘ื›ืŸ, ื”ื™ื• ืœื• ืืช ื›ืœ ื”ืชืคื•ื—ื™ื ื”ืžื•ื–ื”ื‘ื™ื ื”ืงื˜ื ื™ื ื”ืืœื”,
04:47
and she'd run ahead, and he'd roll a little golden apple.
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ื•ื”ื™ื ื”ื™ืชื” ืจืฆื” ืงื“ื™ืžื”, ื•ื”ื•ื ื”ื™ื” ืžื’ืœื’ืœ ืชืคื•ื— ืžื•ื–ื”ื‘ ืงื˜ืŸ.
04:50
She'd run ahead, and he'd roll a little golden apple.
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ื”ื™ื ื”ื™ืชื” ืจืฆื” ืงื“ื™ืžื”, ื•ื”ื•ื ื”ื™ื” ืžื’ืœื’ืœ ืชืคื•ื— ืžื•ื–ื”ื‘.
04:52
She kept getting distracted. He eventually won the race.
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ื“ืขืชื” ื”ื•ืกื—ื” ื›ืœ ื”ื–ืžืŸ. ื”ื•ื ื–ื›ื” ื‘ืžืจื•ืฅ ื‘ืกื•ืคื• ืฉืœ ื“ื‘ืจ.
04:56
Just remember the purpose as all these little golden apples
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ืจืง ื–ื™ื›ืจื• ืืช ื”ืžื˜ืจื” ื›ืฉื›ืœ ื”ืชืคื•ื—ื™ื ื”ืžื•ื–ื”ื‘ื™ื ื”ืงื˜ื ื™ื ื”ืืœื”
04:59
come and reach you and you want to post about them
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ืžื’ื™ืขื™ื ื•ืžืฉื™ื’ื™ื ืืชื›ื ื•ืืชื ืจื•ืฆื™ื ืœื”ืขืœื•ืช ืื•ืชื ืœืจืฉืช
05:02
or tweet about them or send a late-night message.
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ืื• ืœืฆื™ื™ืฅ ืขืœื™ื”ื ืื• ืœืฉืœื•ื— ื”ื•ื“ืขื” ืœื™ืœื™ืช.
05:05
And then, of course, there's Narcissus.
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ื•ืื–, ื›ืžื•ื‘ืŸ, ื™ืฉ ืืช ื ืจืงื™ืกื•ืก.
05:09
Nobody here would ever be accused or be familiar with Narcissus.
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ืืฃ ืื—ื“ ืคื” ืœื ื™ื•ืืฉื ืื• ื™ื›ื™ืจ ืืช ื ืจืงื™ืกื•ืก.
05:12
(Laughter)
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(ืฆื—ื•ืง)
05:15
But as you're thinking about Narcissus,
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ืื‘ืœ ื›ืฉืืชื ื—ื•ืฉื‘ื™ื ืขืœ ื ืจืงื™ืกื•ืก,
05:17
just don't fall in love with your own reflection.
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ืจืง ืืœ ืชืชืื”ื‘ื• ื‘ื‘ื‘ื•ืื” ืฉืœื›ื.
05:21
Last lesson, from a Latin American:
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ืœืงื— ืื—ืจื•ืŸ, ืžืืžืจื™ืงื” ื”ืœื˜ื™ื ื™ืช:
05:23
This is the great poet Jorge Luis Borges.
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ื–ื” ื”ืžืฉื•ืจืจ ื”ื’ื“ื•ืœ ื—ื•ืจื—ื” ืœื•ืื™ืก ื‘ื•ืจื’'ืก.
05:26
When he was threatened by the thugs
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ื›ืฉืื™ืžื• ืขืœื™ื• ื‘ืจื™ื•ื ื™ื
05:27
of the Argentine military junta,
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ืžื”ื—ื•ื ื˜ื” ื”ืฆื‘ืื™ืช ื”ืืจื’ื ื˜ื™ื ืื™ืช,
05:30
he came back and said, "Oh, come on,
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ื”ื•ื ื—ื–ืจ ื•ืืžืจ, "ื ื•, ื‘ืืžืช,
05:32
how else can you threaten, other than with death?"
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ืื™ืš ืชื•ื›ืœื• ืœืื™ื™ื, ืื ืœื ื‘ืžื•ื•ืช?"
05:35
The interesting thing, the original thing,
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ืžื” ืฉืžืขื ื™ื™ืŸ, ื”ื“ื‘ืจ ื”ืžืงื•ืจื™,
05:38
would be to threaten somebody with immortality.
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ื”ื™ื” ืœืื™ื™ื ืขืœ ืื“ื ื‘ื—ื™ื™ ื ืฆื—.
05:42
And that, of course, is what we are all
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ื•ื–ื”, ื›ืžื•ื‘ืŸ, ื–ื” ืžื” ืฉื›ื•ืœื ื•
05:43
now threatened with today because of electronic tattoos.
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ืขื›ืฉื™ื• ืžืื•ื™ื™ืžื™ื ื‘ื• ื›ื™ื•ื ื‘ื’ืœืœ ื”ืงืขืงื•ืขื™ื ื”ืืœืงื˜ืจื•ื ื™ื™ื.
05:47
Thank you.
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ืชื•ื“ื” ืœื›ื.
05:48
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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