Adam Savage: My obsession with objects and the stories they tell

290,916 views ・ 2009-03-19

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Translator: Nace Zavrl Reviewer: Matej Divjak
00:16
About four years ago, the New Yorker published an article
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Pred približno štirimi leti je revija New Yorker objavila članek
00:19
about a cache of dodo bones that was found
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o najdišču kosti ptiča doda
00:21
in a pit on the island of Mauritius.
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v kotanji na otoku Mauritius.
00:24
Now, the island of Mauritius is a small island
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Otok Mauritius je majhen otok
00:26
off the east coast of Madagascar
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pri vzhodni obali Madagaskarja
00:29
in the Indian Ocean, and it is the place
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v Indijskem oceanu. Na njem so
00:31
where the dodo bird was discovered
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doda odkrili in iztrebili
00:34
and extinguished, all within about 150 years.
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v le 150 letih.
00:37
Everyone was very excited about this archaeological find,
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Vsi so bili popolnoma navdušeni nad to arheološko najdbo,
00:40
because it meant that they might finally be able
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saj je pomenila, da bo mogoče končno mogoče
00:42
to assemble a single dodo skeleton.
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sestaviti okostje iz enega samega doda.
00:44
See, while museums all over the world
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Veste, muzeji po celem svetu
00:46
have dodo skeletons in their collection, nobody --
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sicer imajo okostja dodov v svoji zbirki, vendar --
00:49
not even the actual Natural History Museum
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niti sam Naravoslovni muzej
00:51
on the island of Mauritius -- has a skeleton that's made
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na otoku Mauritiusu -- nima okostja, ki bi bilo narejeno
00:53
from the bones of a single dodo.
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iz kosti enega samega doda.
00:56
Well, this isn't exactly true.
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No, to ni popolnoma res.
00:58
The fact is, is that the British Museum
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Dejstvo je, da je Britanski muzej sicer imel
01:00
had a complete specimen of a dodo in their collection
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popolni primerek doda v svoji zbirki
01:02
up until the 18th century --
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vse do 18. stoletja.
01:04
it was actually mummified, skin and all --
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Primerek je bil pravzaprav mumificiran, s kožo in vsem --
01:06
but in a fit of space-saving zeal,
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vendar v vnemi varčevanja s prostorom
01:08
they actually cut off the head and they cut off the feet
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so mu dejansko odrezali glavo in noge
01:10
and they burned the rest in a bonfire.
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ostalo pa zažgali v kresu.
01:13
If you go look at their website today,
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Če danes obiščete njihovo spletno stran,
01:15
they'll actually list these specimens, saying,
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imajo ta dva dela na seznamu s pripisom,
01:17
the rest was lost in a fire.
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da so ostalo izgubili v požaru.
01:20
Not quite the whole truth. Anyway.
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Rahlo oddaljeno od resnice. Kakorkoli.
01:23
The frontispiece of this article was this photo,
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Na naslovnici tega članka je bila fotografija,
01:25
and I'm one of the people that thinks that Tina Brown
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in jaz sem eden od tistih, ki menijo, da je bila Tina Brown
01:27
was great for bringing photos to the New Yorker,
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odlična pri izbiri fotografij za New Yorker,
01:29
because this photo completely rocked my world.
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saj je ta fotografija popolnoma pretresla moj svet.
01:31
I became obsessed with the object --
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Postal sem obseden s tem predmetom --
01:33
not just the beautiful photograph itself,
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a ne le s čudovito fotografijo samo
01:35
and the color, the shallow depth of field, the detail that's visible,
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in njenimi barvami, majhno globinsko ostrino, vsemi detajli,
01:38
the wire you can see on the beak there
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žico, ki se vidi tam pri kljunu,
01:40
that the conservator used to put this skeleton together --
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in ki jo je konservator uporabil za sestavo celotnega okostja,
01:43
there's an entire story here.
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za tem je cela zgodba.
01:45
And I thought to myself,
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In sem si mislil,
01:47
wouldn't it be great
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ali ne bi bilo super,
01:49
if I had my own dodo skeleton?
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če bi imel svoje lastno dodovo okostje?
01:52
(Laughter)
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(smeh)
01:55
I want to point out here at this point that
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In tako -- na tej točki želim poudariti, da
01:58
I've spent my life obsessed
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sem celotno svoje življenje obseden
02:00
by objects and the stories that they tell,
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s predmeti in zgodbami, ki jih govorijo,
02:03
and this was the very latest one.
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in to je bila ravno najnovejša.
02:05
So I began looking around for --
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In tako sem začel iskati --
02:07
to see if anyone sold a kit,
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če kdo slučajno prodaja komplet,
02:09
some kind of model that I could get,
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neke vrste model, ki bi ga lahko dobil,
02:11
and I found lots of reference material, lots of lovely pictures.
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in sem našel ogromno materiala, ogromno prelepih slik --
02:14
No dice: no dodo skeleton for me. But the damage had been done.
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a brez sreče - ostal sem brez okostja. A škoda je bila vseeno narejena.
02:18
I had saved a few hundred photos of dodo skeletons
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Nekaj sto fotografij okostij dodov sem shranil
02:20
into my "Creative Projects" folder --
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v svojo mapo imenovano "Ustvarjalni projekti".
02:22
it's a repository for my brain, everything that I could possibly be interested in.
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To je odlagališče za moje možgane o vsem, kar bi me utegnilo zanimati.
02:25
Any time I have an internet connection,
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Če le imam možnost povezave na internet,
02:27
there's a sluice of stuff moving into there,
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prihaja v to mapo nenehno nov in nov material,
02:30
everything from beautiful rings to cockpit photos.
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vse od čudovitih prstanov do slik pilotske kabine.
02:34
The key that the Marquis du Lafayette sent to George Washington
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Denimo ključ, ki ga je markiz de Lafayette poslal Georgu Washingtonu
02:37
to celebrate the storming of the Bastille.
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za proslavitev zavzetja Bastilje.
02:39
Russian nuclear launch key:
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Ruski ključ za nuklearno izstrelitev raket.
02:40
The one on the top is the picture of the one I found on eBay;
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Tistega na vrhu sem našel na eBay-u,
02:42
the one on the bottom is the one I made for myself,
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tistega na dnu pa naredil sam zase,
02:45
because I couldn't afford the one on eBay.
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saj si nisem mogel privoščiti tistega z eBay-a.
02:47
Storm trooper costumes. Maps of Middle Earth --
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Kostumi iz Vojne zvezd. Zemljevidi Srednjega sveta iz Gospodarja prstanov --
02:50
that's one I hand-drew myself. There's the dodo skeleton folder.
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tega sem narisal sam. Tam je mapa z dodovimi okostji.
02:52
This folder has 17,000 photos --
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Celotna mapa ima 17.000 slik --
02:54
over 20 gigabytes of information --
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preko 20 gigabajtov podatkov --
02:56
and it's growing constantly.
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in še vedno neprestano raste.
02:58
And one day, a couple of weeks later, it might have been
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In nekega dne, morda nekaj tednov pozneje,
03:01
maybe a year later, I was in the art store with my kids,
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mogoče eno leto kasneje, sem bil v umetniški trgovini s svojimi otroci
03:03
and I was buying some clay tools -- we were going to have a craft day.
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in sem kupoval nekaj orodij za glino -- nameravali smo imeti rokodelski dan.
03:06
I bought some Super Sculpeys, some armature wire, some various materials.
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Kupil sem nekaj gline, žic in raznih materialov.
03:09
And I looked down at this Sculpey, and I thought,
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In ko sem gledal to glino, sem si mislil,
03:11
maybe,
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mogoče,
03:13
yeah, maybe I could make my own dodo skull.
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ja, mogoče pa bi lahko naredil svojo lastno dodovo lobanjo.
03:17
I should point out at this time -- I'm not a sculptor;
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Tukaj moram poudariti -- jaz nisem kipar.
03:19
I'm a hard-edged model maker.
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Sem čisti izdelovalec modelov.
03:21
You give me a drawing, you give me a prop to replicate,
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Dajte mi risbo, predmet iz filma, da naredim kopijo,
03:24
you give me a crane, scaffolding, parts from "Star Wars" --
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dajte mi žerjav, ogrodje, dele iz Vojne zvezd --
03:27
especially parts from "Star Wars" --
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še posebej dele iz Vojne zvezd --
03:29
I can do this stuff all day long.
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te stvari lahko ustvarjam cele dneve.
03:31
It's exactly how I made my living for 15 years.
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Prav s tem sem si zadnjih 15 let služil kruh.
03:33
But you give me something like this --
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Ampak, če dobim v roke nekaj takšnega --
03:36
my friend Mike Murnane sculpted this;
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moj prijatelj Mike Murnane je skiparil tole;
03:38
it's a maquette for "Star Wars, Episode Two" --
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to je maketa za Vojno zvezd, Epizodo 2 --
03:40
this is not my thing --
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to ni stvar zame, jaz --
03:42
this is something other people do -- dragons, soft things.
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to je nekaj, kar počnejo drugi ljudje -- zmaji, mehke skulpture.
03:45
However, I felt like I had looked at enough photos of dodo skulls
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Vendar, tokrat sem imel občutek, da sem videl že dovolj slik dodovih lobanj,
03:49
to actually be able to
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da bi bil dejansko sposoben
03:51
understand the topology and perhaps replicate it --
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razumeti topologijo doda in jo morda poustvariti --
03:54
I mean, it couldn't be that difficult.
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Mislim, saj ne more biti tako težko.
03:56
So, I started looking at the best photos I could find.
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Tako sem začel gledati najboljše fotografije, ki sem jih našel.
03:59
I grabbed all the reference,
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Zagrabil sem vse vire
04:01
and I found this lovely piece of reference.
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in vmes našel tale prelep kos za primerjavo.
04:03
This is someone selling this on eBay;
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To je slika nekoga, ki to prodaja na eBay-u;
04:05
it was clearly a woman’s hand, hopefully a woman's hand.
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bila je ženska -- očitno ženska roka, upam, da je to ženska roka.
04:08
Assuming it was roughly the size of my wife's hand,
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Predvidevajoč, da je približno enako velika kot roka moje žene,
04:10
I made some measurements of her thumb, and I scaled them out to the size of the skull.
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sem naredil nekaj meritev njenega palca in jih primerjal z velikostjo lobanje.
04:13
I blew it up to the actual size, and I began using that,
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Sliko sem povečal na dejansko velikost in jo začel uporabljati
04:16
along with all the other reference that I had, comparing it to it
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skupaj z ostalim nabranim materialom
04:18
as size reference for figuring out exactly how big the beak should be,
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kot referenco za velikost, da bi ugotovil, kako velik mora biti kljun,
04:21
exactly how long, etc.
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ugotovil njegovo točno dolžino itd.
04:23
And over a few hours, I eventually achieved
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In po nekaj urah dela sem sčasoma prišel do
04:26
what was actually a pretty reasonable dodo skull. And I didn't mean to continue, I --
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precej sprejemljive dodove lobanje. In nisem nameraval nadaljevati --
04:29
it's kind of like, you know, you can only clean a super messy room
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to je nekako tako, veste, zelo razmetano sobo lahko pospravite
04:32
by picking up one thing at a time; you can't think about the totality.
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le s pobiranjem vsakega koščka posebej; ne morete razmišljati o celoti.
04:35
I wasn't thinking about a dodo skeleton;
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Nisem razmišljal o dodovem okostju;
04:37
I just noticed that as I finished this skull,
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opazil sem le, da, ko sem končal lobanjo,
04:39
the armature wire that I had been used to holding it up
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je žica, ki sem jo uporabil za držanje lobanje na mestu,
04:41
was sticking out of the back just where a spine would be.
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štrlela iz zadnje strani, ravno tam, kjer bi se nahajala hrbtenica.
04:43
And one of the other things I'd been interested in and obsessed with over the years
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In ravno ena izmed stvari, s katerimi sem bil obseden v zadnjih letih,
04:46
is spines and skeletons, having collected a couple of hundred.
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so hrbtenice in okostja, katerih sem zbral nekaj sto.
04:49
I actually understood the mechanics
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Dejansko sem mehaniko vretenc
04:51
of vertebrae enough to kind of start to imitate them.
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razumel dovolj, da bi jo lahko posnemal.
04:54
And so button by button,
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In tako sem gumb za gumbom,
04:56
vertebrae by vertebrae, I built my way down.
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vretence za vretencem, gradil svojo pot navzdol.
04:59
And actually, by the end of the day, I had a reasonable skull,
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Proti koncu dneva sem tako imel sprejemljivo lobanjo,
05:02
a moderately good vertebrae and half of a pelvis.
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še kar dobra vretenca in polovico medenice.
05:06
And again, I kept on going, looking for more reference,
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In spet sem še naprej iskal referenčni material,
05:09
every bit of reference I could find -- drawings, beautiful photos.
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karkoli uporabnega -- risbe, lepe fotografije.
05:12
This guy -- I love this guy! He put a dodo leg bones on a scanner
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Tale človek -- obožujem ga! Skeniral je dodove nožne kosti --
05:15
with a ruler.
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z ravnilom.
05:17
This is the kind of accuracy that I wanted,
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Prav takšno natančnost sem hotel
05:19
and I
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in tako sem čisto vsako kost
05:21
replicated every last bone and put it in.
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repliciral in jo vstavil v okostje.
05:23
And after about six weeks,
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Po približno -- rekel bi, da šestih tednih,
05:26
I finished, painted, mounted
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sem dokončal, pobarval in postavil
05:29
my own dodo skeleton.
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svoje lastno dodovo okostje.
05:34
You can see that I even made a museum label for it
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Lahko vidite, da sem zanj ustvaril celo muzejsko oznako,
05:36
that includes a brief history of the dodo.
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ki vsebuje kratko zgodovino doda.
05:38
And TAP Plastics made me -- although I didn't photograph it --
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In TAP Plastics so mi naredili -- čeprav je nisem fotografiral --
05:40
a museum vitrine.
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muzejsko vitrino.
05:42
I don't have the room for this in my house,
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Za ta izdelek v svoji hiši nimam prostora,
05:44
but I had to finish what I had started.
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a vseeno sem moral dokončati, kar sem začel.
05:47
And this actually represented kind of a sea change to me.
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In to je zame pravzaprav predstavljalo kar veliko spremembo.
05:50
Again, like I said, my life has been about
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Kot sem že rekel, moje življenje je polno
05:52
being fascinated by objects and the stories that they tell,
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očaranosti nad predmeti in njihovimi zgodbami
05:54
and also making them for myself, obtaining them,
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in tudi izdelovanja njih zase, pridobivanja njih,
05:57
appreciating them and diving into them.
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cenjenja njih in poglabljanja vanje.
06:00
And in this folder, "Creative Projects,"
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In v tej mapi "Ustvarjalni projekti"
06:02
there are tons of projects that I'm currently working on,
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je na tone projektov, s katerimi se trenutno ukvarjam,
06:05
projects that I've already worked on, things that I might want to work on some day,
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s katerimi sem se že ukvarjal in s katerimi se morda še bom ukvarjal,
06:08
and things that I may just want to find and buy and have
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ali pa stvari, ki bi jih rad samo našel in jih kupil,
06:11
and look at and touch.
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jih opazoval in se jih dotikal.
06:13
But now there was potentially this new category of things
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A sedaj je bila tu potencialno ta nova kategorija stvari,
06:16
that I could sculpt
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ki bi jih lahko kiparil,
06:18
that was different, that I -- you know,
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ki so bile drugačne, ki bi jih -- veste,
06:20
I have my own R2D2, but that's --
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imam svojega R2D2 robota, ampak to je --
06:22
honestly, relative to sculpting, to me, that's easy.
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iskreno povedano, v primerjavi s kiparjenjem je zame to lahko.
06:25
And so I went back and looked through my "Creative Projects" folder,
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Tako sem šel nazaj skozi mapo "Ustvarjalni projekti",
06:28
and I happened across the Maltese Falcon.
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in tam sem opazil malteškega sokola.
06:32
Now, this is funny for me:
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No, to je kar smešno zame:
06:35
to fall in love with an object from a Hammett novel,
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da se zaljubim v predmet iz Hammettovega romana,
06:38
because if it's true that the world is divided into two types of people,
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ker, če je res, da se svet deli na dve vrsti ljudi,
06:40
Chandler people and Hammett people, I am absolutely a Chandler person.
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tiste za Chandlerja in tiste za Hammetta, sem brez dvoma za Chandlerja.
06:43
But in this case,
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Vendar v tem primeru ne gre --
06:45
it's not about the author, it's not about the book or the movie or the story,
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ne gre za avtorja, ne za knjigo ali za film ali zgodbo,
06:49
it's about the object in and of itself.
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ampak za predmet sam.
06:51
And in this case, this object is --
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In v tem primeru je predmet
06:54
plays on a host of levels.
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prisoten na več nivojih.
06:57
First of all, there's the object in the world.
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Kot prvo - obstaja predmet v svetu.
06:59
This is the "Kniphausen Hawk."
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To je "Kniphausenov sokol."
07:01
It is a ceremonial pouring vessel
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Je obredna posoda za nalivanje,
07:03
made around 1700 for a Swedish Count,
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narejena okoli leta 1700 za švedskega grofa,
07:07
and it is very likely the object from which
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in je zelo verjetno predmet, iz katerega
07:09
Hammett drew his inspiration for the Maltese Falcon.
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je Hammett dobil navdih za Malteškega sokola.
07:12
Then there is the fictional bird, the one that Hammett created for the book.
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Nato imamo izmišljeno ptico, ki jo je Hammett ustvaril za knjigo.
07:15
Built out of words, it is the engine
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Ustvarjena iz besed poganja
07:17
that drives the plot of his book and also the movie,
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celotno zgodbo njegove knjige in tudi filma,
07:20
in which another object is created:
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za katerega je ustvarjen še en predmet:
07:22
a prop that has to represent the thing that Hammett created out of words,
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rekvizit, ki je predstavljal Hammettovo izmišljeno ptico,
07:25
inspired by the Kniphausen Hawk, and this represents the falcon in the movie.
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navdihnjen s Kniphausenovim sokolom in ta predstavlja sokola v filmu.
07:29
And then there is this fourth level, which is
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Potem pa imamo še četrti nivo, ki je
07:31
a whole new object in the world:
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popolnoma nov predmet v svetu:
07:33
the prop made for the movie, the representative of the thing,
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rekvizit narejen za film, ki predstavlja sokola,
07:36
becomes, in its own right,
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postane sam po sebi,
07:38
a whole other thing,
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čisto nova stvar,
07:40
a whole new object of desire.
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čisto nov predmet poželenja.
07:42
And so now it was time to do some research.
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Tako je sedaj bil čas za nekaj raziskovanja.
07:44
I actually had done some research
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Pravzaprav sem nekaj raziskoval že pred
07:46
a few years before -- it's why the folder was there.
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nekaj leti -- zato je bila mapa tam.
07:48
I'd bought a replica, a really crappy replica,
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Kupil sem repliko, izjemno slabo repliko,
07:50
of the Maltese Falcon on eBay,
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malteškega sokola na eBay-u
07:52
and had downloaded enough pictures to actually
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in si ogledal že dovolj slik, da sem dejansko
07:54
have some reasonable reference.
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imel nekaj primernih referenc.
07:56
But I discovered,
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A sem pri nadaljnjem
07:58
in researching further,
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raziskovanju ugotovil,
08:00
really wanting precise reference, that
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ker sem želel res natančno referenco, da je ptica bila --
08:03
one of the original lead birds
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ena izmed originalnih svinčenih ptic
08:05
had been sold at Christie's in 1994,
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je bila prodana leta 1994 na dražbi,
08:07
and so I contacted an antiquarian bookseller
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zato sem kontaktiral antikvariat,
08:10
who had the original Christie's catalogue,
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ki je imel originalni katalog z dražbe,
08:12
and in it I found this magnificent picture,
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in v njem našel to veličastno sliko,
08:14
which included a size reference.
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ki je imela tudi podatek o velikosti.
08:16
I was able to scan the picture, blow it up to exactly full size.
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Omogočili so mi, da sem sliko skeniral in jo povečal na dejansko velikost.
08:20
I found other reference. Avi [Ara] Chekmayan,
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Našel sem tudi druge reference. Avi Chekmayan,
08:22
a New Jersey editor, actually found this
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urednik iz New Jerseyja, je našel tale primerek
08:24
resin Maltese Falcon
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malteškega sokola iz smole
08:26
at a flea market in 1991,
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na bolšjem trgu leta 1991,
08:29
although it took him five years
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čeprav mu je vzelo 5 let,
08:31
to authenticate this bird to
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da je preveril njegovo pristnost
08:33
the auctioneers' specifications,
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po specifikacijah dražbene hiše,
08:35
because there was a lot of controversy about it.
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saj je bilo okoli njega veliko kontroverznosti.
08:37
It was made out of resin, which wasn't a common material for movie props
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Narejen je bil iz smole, kar ni bil običajen material za rekvizite
08:39
about the time the movie was made.
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v filmih v tistem času.
08:41
It's funny to me that it took a while to authenticate it,
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Hecno se mi zdi, da je bilo potrebnih 5 let za overitev,
08:43
because I can see it compared to this thing,
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ker ga jaz lahko vidim v primerjavi s tem,
08:45
and I can tell you -- it's real, it's the real thing,
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in lahko vam rečem -- pravi je, originalen,
08:47
it's made from the exact same mold that this one is.
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narejen je iz popolnoma enakega modela kot ta.
08:50
In this one, because the auction was actually so controversial,
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Pri tem, ker je bila dražba tako kontroverzna,
08:53
Profiles in History, the auction house that sold this --
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je dražbena hiša Profiles in History, ki ga je prodala --
08:55
I think in 1995 for about 100,000 dollars --
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mislim, da leta 1995 za okoli 100.000 dolarjev --
08:57
they actually included -- you can see here on the bottom --
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dejansko vključila -- kot lahko vidite tu na dnu --
09:00
not just a front elevation, but also
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ne le pogled od spredaj, ampak tudi
09:02
a side, rear
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s strani, od zadaj
09:04
and other side elevation.
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in z druge strani.
09:06
So now, I had all the topology I needed
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Sedaj sem imel vso potrebno topologijo,
09:09
to replicate the Maltese Falcon.
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da bi repliciral malteškega sokola.
09:11
What do they do, how do you start something like that? I really don't know.
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Ampak, kako bi začel, kako se to sploh naredi? Res ne vem.
09:14
So what I did was, again, like I did with the dodo skull,
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Torej, ponovno sem, tako kot pri dodovi lobanji, začel
09:16
I blew all my reference up to full size,
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s povečavo materiala na naravno velikost,
09:19
and then I began cutting out the negatives and using
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nato pa sem začel izrezovati negative in te
09:21
those templates as shape references.
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predloge uporabljati kot reference za obliko.
09:23
So I took Sculpey, and I built a big block of it,
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Tako sem vzel v roke glino, iz nje naredil veliko klado
09:25
and I passed it through until, you know, I got the right profiles.
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in jo preoblikoval, dokler nisem dobil pravih oblik.
09:28
And then slowly, feather by feather, detail by detail,
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Nato pa počasi, pero za peresom, detajl za detajlom,
09:31
I worked out and achieved --
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sem ustvaril --
09:33
working in front of the television and Super Sculpey --
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med delom pred televizijo -- in tista glina --
09:35
here's me sitting next to my wife --
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tukaj sedim zraven svoje žene --
09:37
it's the only picture I took of the entire process.
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to je edina slika, ki sem jo posnel med celotnim procesom.
09:40
As I moved through, I achieved
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Ko sem se prebijal skozi, sem ustvaril
09:42
a very reasonable facsimile of the Maltese Falcon.
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precej sprejemljivo kopijo malteškega sokola.
09:44
But again, I am not a sculptor,
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Ampak spet, jaz nisem kipar
09:46
and so I don't know a lot of the tricks, like,
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in zato tudi ne vem mnogo kiparskih trikov kot, veste,
09:49
I don't know how my friend Mike gets beautiful, shiny surfaces with his Sculpey;
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ne vem, kako moj prijatelj Mike ustvari tako lepe, bleščeče glinene površine;
09:52
I certainly wasn't able to get it.
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meni to zagotovo ni uspelo.
09:54
So, I went down to my shop,
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In sem šel v svojo delavnico,
09:56
and I molded it and I cast it in resin,
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ustvaril model kipca in ga oblikoval v smoli,
09:59
because in the resin, then, I could absolutely get the glass smooth finished.
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saj sem zaradi nje lahko končno dobil gladko končno površino.
10:02
Now there's a lot of ways to fill and get yourself a nice smooth finish.
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Seveda obstaja mnogo načinov modeliranja, da dobite lep gladek izdelek.
10:05
My preference is about 70 coats of this --
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Moja izbira je približno 70 nanosov tega --
10:08
matte black auto primer.
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matirane črne avtomobilske barve.
10:10
I spray it on for about three or four days, it drips to hell,
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Nanašam jo približno 3 ali 4 dni, sicer ogromno kaplja,
10:13
but it allows me a really, really nice gentle sanding surface
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a mi omogoča zelo, zelo nežno površino za brušenje,
10:16
and I can get it glass-smooth.
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ki jo lahko naredim gladko kot steklo.
10:18
Oh, finishing up with triple-zero steel wool.
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In še dokončam z nekaj posebej fine jeklene volne.
10:20
Now, the great thing about getting it to this point was that
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Kar je bilo v izjemno pomoč, da sem prišel do sem,
10:23
because in the movie, when they finally bring out the bird at the end,
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je prizor proti koncu filma, ko sokola končno prinesejo na plano,
10:25
and they place it on the table, they actually spin it.
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ga postavijo na mizo in ga celo zavrtijo.
10:28
So I was able to actually
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Tako sem lahko dejansko
10:30
screen-shot and freeze-frame to make sure.
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vsako sličico filma posebej preverjal, da bi se prepričal.
10:33
And I'm following all the light kicks on this thing and making sure that as I'm holding the light
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In sledim vsem svetlobnim odbojem na tej reči, da ob držanju svetlobe
10:36
in the same position, I'm getting the same type of reflection on it --
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v enakem položaju, dobim enako vrsto odseva na njej --
10:39
that's the level of detail I'm going into this thing.
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v tako natančnost sem se spustil.
10:42
I ended up with this: my Maltese Falcon.
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Na koncu sem imel to: moj malteški sokol.
10:45
And it's beautiful. And I can state with authority
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In res je lep. Lahko rečem z avtoriteto,
10:47
at this point in time, when I'd finished it,
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da je zdaj, ko sem kipec končal,
10:49
of all of the replicas out there -- and there is a few --
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izmed vseh primerkov, ki obstajajo -- in nekaj jih je --
10:52
this is by far the most accurate
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to brez dvoma najbolj natančna
10:54
representation of the original Maltese Falcon
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reprodukcija originalnega malteškega sokola,
10:56
than anyone has sculpted. Now the original one, I should tell you,
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kar jih je kdo ustvaril. No, originalni primerek
10:59
is sculpted by a guy named Fred Sexton.
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pa je ustvaril mož z imenom Fred Sexton.
11:01
This is where it gets weird.
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Tukaj -- stvar postane čudaška.
11:04
Fred Sexton was a friend of this guy, George Hodel.
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Fred Sexton je prijatelj tega človeka, Georga Hodela.
11:07
Terrifying guy -- agreed by many to be the killer
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Strašljiv tip -- mnogi se strinjajo, da je morilec
11:09
of the Black Dahlia.
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Črne dalije.
11:11
Now, James Ellroy believes
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No, James Ellroy verjame,
11:13
that Fred Sexton, the sculptor of the Maltese Falcon,
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da je Fred Sexton, kipar malteškega sokola,
11:16
killed James Elroy's mother.
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ubil mater Jamesa Ellroya.
11:18
I'll go you one stranger than that: In 1974,
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Stvar postane še bolj čudaška. Leta 1974,
11:21
during the production of a weird comedy sequel to "The Maltese Falcon,"
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med snemanjem čudnega komičnega nadaljevanja Malteškega sokola,
11:24
called "The Black Bird," starring George Segal,
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imenovanega "Črna ptica", z Georgeom Segalom v glavni vlogi,
11:26
the Los Angeles County Museum of Art
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so Los Angeleškem muzeju umetnosti
11:28
had a plaster original of the Maltese Falcon --
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originalni malteški sokol iz mavca --
11:30
one of the original six plasters, I think, made for the movie --
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enega izmed šestih originalnih, se mi zdi, narejenih za film --
11:33
stolen out of the museum. A lot of people thought
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ukradli iz muzeja. Mnogi so mislili,
11:35
it was a publicity stunt for the movie.
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da je le reklama za prihajajoči film.
11:37
John's Grill, which actually
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John's Grill, ki se pravzaprav
11:39
is seen briefly in "The Maltese Falcon,"
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za trenutek vidi v Malteškem sokolu,
11:41
is still a viable San Francisco eatery,
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je še vedno dejavna gostilna v San Franciscu,
11:43
counted amongst its regular customers Elisha Cook,
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med njenimi rednimi gosti pa je recimo Elisha Cook,
11:45
who played Wilmer Cook in the movie,
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ki je igral Wilmerja Cooka v filmu,
11:47
and he gave them
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in jim je dal
11:49
one of his original plasters of the Maltese Falcon.
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enega od originalnih primerkov malteškega sokola.
11:52
And they had it in their cabinet for about 15 years,
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In so ga imeli v svoji omari približno 15 let,
11:55
until it got stolen
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dokler tudi ta ni bil ukraden
11:57
in January of 2007.
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januarja leta 2007.
12:00
It would seem that the object of desire
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Zdi se, da predmet poželenja
12:02
only comes into its own by disappearing repeatedly.
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postane to šele, ko večkrat zaporedoma izgine.
12:05
So here I had this Falcon,
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Tu sem torej imel svojega sokola
12:07
and it was lovely. It looked really great,
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in bil je prelep. Izgledal je res super,
12:09
the light worked on it really well,
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svetloba je na njega delovala odlično,
12:11
it was better than anything that I could achieve
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bil je boljši kot karkoli, kar bi
12:13
or obtain out in the world.
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lahko naredil ali pridobil.
12:15
But there was a problem. And the problem was that:
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A bil je težava. In sicer,
12:19
I wanted the entirety of the object,
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hotel sem celoto tega predmeta,
12:21
I wanted the weight behind the object.
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hotel sem težo predmeta.
12:24
This thing was made of resin and it was too light.
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Ta stvar je bila iz smole in prelahka.
12:26
There's this group online that I frequent.
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Na internetu je ena skupina, ki jo pogosto obiščem.
12:28
It's a group of prop crazies just like me
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To je skupina norcev na rekvizite, kot sem jaz,
12:31
called the Replica Props Forum, and it's people who trade,
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imenovana Forum replik rekvizitov, in to so ljudje ki trgujejo,
12:33
make and travel in information about movie props.
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izdelujejo, potujejo in pridobivajo informacije o takih rekvizitih.
12:36
And it turned out that one of the guys there,
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In izkazalo se je, da je eden izmed ljudi v tej skupini,
12:38
a friend of mine that I never actually met,
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moj prijatelj, ki ga sploh nikoli nisem srečal, a sva se spoznala
12:41
but befriended through some prop deals, was the manager of a local foundry.
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skozi posle z rekviziti, hkrati poslovodja v lokalni livarni.
12:43
He took my master Falcon pattern,
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Vzel je model mojega sokola,
12:46
he actually did lost wax casting
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s tehniko izgubljenega voska
12:48
in bronze for me,
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zame naredil odlitek iz brona
12:50
and this is the bronze I got back.
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in to je bron, ki sem ga dobil nazaj.
12:52
And this is, after some acid etching, the one that I ended up with.
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In tole je, po nekaj jedkanja, končni izdelek, ki mi je ostal.
12:54
And this thing, it's deeply, deeply satisfying to me.
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In ta stvar -- me globoko, globoko zadovoljuje.
12:57
Here, I'm going to put it out there,
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Kar tukaj ga bom postavil,
12:59
later on tonight, and
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da boste lahko kasneje nocoj...
13:03
I want you to pick it up and handle it.
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Želim, da ga primete in si ga ogledate.
13:07
You want to know
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Želite vedeti --
13:10
how obsessed I am. This project's only for me,
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kako obseden sem. Ta projekt je samo zame,
13:12
and yet I went so far as to buy on eBay
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a sem vseeno šel tako daleč, da sem na eBay-u
13:15
a 1941 Chinese San Francisco-based newspaper,
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kupil kitajski časopis iz San Francisca iz leta 1941,
13:18
in order so that the bird could properly be wrapped ...
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da bi lahko svojega sokola zavil točno tako...
13:22
like it is in the movie.
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kot v filmu.
13:24
(Laughter)
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(smeh)
13:28
Yeah, I know!
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Ja, saj vem!
13:30
(Laughter) (Applause)
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(smeh) (aplavz)
13:35
There you can see, it's weighing in at 27 and a half pounds.
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Tukaj lahko vidite, da tehta okoli 12 kilogramov in pol.
13:38
That's half the weight of my dog, Huxley.
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To je polovica teže mojega psa, Huxleya.
13:42
But there's a problem.
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Ampak tu je težava.
13:45
Now, here's the most recent progression of Falcons.
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Tukaj je najnovejši razvoj sokolov.
13:48
On the far left is a piece of crap -- a replica I bought on eBay.
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Na skrajni levi je drek -- replika, ki sem jo kupil na eBay-u.
13:51
There's my somewhat ruined Sculpey Falcon,
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Tam je moj nekoliko uničen glineni sokol,
13:53
because I had to get it back out of the mold. There's my first casting,
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saj sem ga moral dobiti nazaj ven iz modela. Tukaj je moje prvi odlitek,
13:56
there's my master and there's my bronze.
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tam je moj glavni izdelek in tukaj je moj bronasti sokol.
13:58
There's a thing that happens when you mold and cast things,
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Pri vlivanju in modeliranju se nekaj zgodi,
14:01
which is that every time you throw it into silicone and cast it in resin,
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in sicer, vsakič ko ga vržeš v silikon in ga odliješ v smoli,
14:03
you lose a little bit of volume, you lose a little bit of size.
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izgubiš nekaj volumna in velikosti.
14:06
And when I held my bronze one up against my Sculpey one,
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In ko sem svojega bronastega sokola držal pri svojem glinenem,
14:09
it was shorter by three-quarters of an inch.
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je bil krajši za približno 2 centimetra.
14:12
Yeah, no, really, this was like aah --
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Ja. Ne, res, bil sem šokiran --
14:16
why didn't I remember this?
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zakaj se nisem na to spomnil?
14:18
Why didn't I start and make it bigger?
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Zakaj nisem že začel z večjim modelom?
14:21
So what do I do? I figure I have two options.
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Torej, kaj naj naredim? Vidim dve možnosti.
14:24
One, I can fire a freaking laser at it,
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Prva, lahko kar ustrelim laser proti sokolu,
14:27
which I have already done,
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kar sem pravzaprav že naredil,
14:29
to do a 3D scan -- there's a 3D scan of this Falcon.
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da bi ustvaril 3D načrt -- tukaj je 3D slika tega sokola.
14:31
I had figured out the exact amount of shrinkage I achieved
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Ugotovil sem natančno, koliko prostornine sem izgubil
14:34
going from a wax master to a bronze master
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s prehodom od voščenega do bronastega,
14:36
and blown this up big enough to make
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in načrt povečal dovolj,
14:38
a 3D lithography master of this,
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da bi ustvaril 3D litografijo sokola,
14:40
which I will polish, then I will send to the mold maker
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ki ga bom spoliral, nato poslal izdelovalcu kalupov,
14:43
and then I will have it done in bronze. Or:
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da ga naredi še v bronu. Ali pa --
14:46
There are several people who own originals,
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obstajajo še ljudje, ki imajo originalne sokole,
14:48
and I have been attempting to contact them and reach them,
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in sem poskušal priti v stik z njimi,
14:51
hoping that they will let me spend a few minutes
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upajoč, da mi bodo pustili nekaj minut
14:54
in the presence of one of the real birds, maybe to take a picture,
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v prisotnosti enega izmed originalov, da morda naredim fotografijo
14:56
or even to pull out the hand-held laser scanner
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ali pa, da celo privlečem ročni laserski čitalnik,
14:59
that I happen to own that fits inside a cereal box,
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ki ga slučajno imam in se prilega škatli s kosmiči
15:02
and could maybe, without even touching their bird, I swear,
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in bi morda, ne da bi se ptice dotaknil, prisežem,
15:04
get a perfect 3D scan. And I'm even willing to sign pages
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dobil perfektno 3D sliko. Pripravljen sem celo podpisovati dokumente,
15:07
saying that I'll never let anyone else have it, except for me in my office, I promise.
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da ne bom nikoli nikomur dovolil dostop do nje, razen mene v moji pisarni, obljubim.
15:10
I'll give them one if they want it.
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Dal jim bom eno, če želijo.
15:13
And then, maybe, then I'll achieve the end of this exercise.
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I nato, morda, bom dosegel konec te vaje.
15:16
But really, if we're all going to be honest with ourselves,
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Ampak, če smo iskreni,
15:18
I have to admit that achieving the end of the exercise
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moram priznati, da priti do cilja vaje,
15:21
was never the point of the exercise to begin with, was it.
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že od začetka sploh ni bil namen, kajne?
15:24
Thank you.
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Hvala.
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