Aparna Rao: High-tech art (with a sense of humor)

71,133 views ・ 2011-11-08

TED


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Translator: Alba Porrúa Reviewer: Andres Corral
00:15
Hi. Today, I'm going to take you through glimpses
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Ola. Hoxe, vouvos amosar unhas pinceladas
00:17
of about eight of my projects,
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de oito dos meus proxectos,
00:19
done in collaboration with Danish artist Soren Pors.
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feitos en colaboración co artista danés Soren Pors.
00:22
We call ourselves Pors and Rao,
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Facémonos chamar Pors & Rao
00:24
and we live and work in India.
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e vivimos e traballamos na India.
00:26
I'd like to begin with my very first object,
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Gustaríame comezar co meu primeiro obxecto,
00:29
which I call "The Uncle Phone."
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ao que chamo "O teléfono tío".
00:31
And it was inspired by my uncle's peculiar habit
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Inspireime no peculiar hábito do meu tío
00:34
of constantly asking me to do things for him,
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de pedirme constantemente que faga cousas por el,
00:36
almost like I were an extension of his body --
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case coma se eu fose unha extensión do seu corpo:
00:38
to turn on the lights or to bring him a glass of water,
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acender as luces ou levarlle un vaso de auga
00:40
a pack of cigarettes.
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ou un paquete de tabaco.
00:42
And as I grew up, it became worse and worse,
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Cando medrei, a cousa foi a peor
00:44
And I started to think of it as a form of control.
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e comeceino a ver como unha forma de control.
00:46
But of course, I could never say anything,
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Por suposto, non podía dicir nada nunca
00:48
because the uncle is a respected figure
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porque o tío é unha figura moi respetada
00:50
in the Indian family.
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na familia india.
00:52
And the situation that irked me and mystified me the most
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O que máis me irritaba e desconcertaba
00:55
was his use of a landline telephone.
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era o seu uso do teléfono fixo.
00:57
He would hold on to the receiver and expect me to dial a number for him.
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El collería o auricular e agardaría a que eu marcase o número por el.
01:00
And so as a response and as a gift to my uncle,
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En resposta e como agasallo para o meu tío,
01:03
I made him "The Uncle Phone."
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fíxenlle "O teléfono tío".
01:05
It's so long that it requires two people to use it.
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É tan longo que fan falta dúas persoas para usalo.
01:08
It's exactly the way my uncle uses a phone that's designed for one person.
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É exactamente a forma na que o meu tío usa un teléfono diseñado para unha persoa.
01:12
But the problem is that, when I left home and went to college,
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O problema é que, cando marchei de casa e fun á universidade,
01:15
I started missing his commands.
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empecei a botar de menos as súas ordes.
01:17
And so I made him a golden typewriter
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Por iso lle fixen unha máquina de escribir dourada
01:19
through which he could dispense his commands
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coa que podía dar as súas ordes
01:21
to nephews and nieces around the world as an email.
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a sobriños e sobriñas de todo o mundo mediante correos electrónicos.
01:24
So what he had to do was take a piece of paper, roll it into the carriage,
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O que tiña que facer era coller un papel, colocar o papel no carro,
01:27
type his email or command and pull the paper out.
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escribir o correo electrónico ou orde e sacar o papel.
01:30
This device would automatically send the intended person
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Este aparello enviaría automaticamente á persoa en cuestión
01:33
the letter as an email.
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a carta en forma de correo electrónico.
01:35
So here you can see, we embedded a lot of electronics
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Aquí podedes ver que insertamos moitos aparellos electrónicos
01:38
that understands all of the mechanical actions
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que entenden todas as accións mecánicas
01:40
and converts it to digital.
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e convértenas en dixitais.
01:42
So my uncle is only dealing with a mechanical interface.
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Así, o meu tío só trata cunha interface mecánica.
01:45
And of course, the object had to be very grand and have a sense of ritualism,
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E, desde logo, o obxecto ten que ser grandioso e ter un toque de ritualismo,
01:48
the way my uncle likes it.
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como lle gusta ao meu tío.
01:50
The next work is a sound-sensitive installation
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O seguinte traballo é un aparello sensible ao son
01:53
that we affectionately call "The Pygmies."
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que chamamos cariñosamente "Os Pigmeos".
01:56
And we wanted to work with a notion of being
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Queríamos traballar coa noción de estar
01:58
surrounded by a tribe of very shy, sensitive and sweet creatures.
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rodeados dunha tribu de criaturas tímidas, sensibles e doces.
02:02
So how it works is we have these panels, which we have on the wall,
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Isto funciona así. Temos estes paneis aquí na parede
02:05
and behind them, we have these little creatures which hide.
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e, detrás, temos estas pequenas criaturas que se agochan.
02:08
And as soon as it's silent, they sort of creep out.
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En canto nos quedamos en silencio, intimidan.
02:11
And if it's even more silent, they stretch their necks out.
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E se hai máis silencio aínda, estiran os pescozos.
02:13
And at the slightest sound, they hide back again.
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E ao mínimo son, agóchanse de novo.
02:16
So we had these panels on three walls of a room.
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Así, temos estes paneis en tres paredes dunha habitación.
02:19
And we had over 500 of these little pygmies hiding behind them.
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E tivemos uns 500 destes pequenos pigmeos agochados detrás.
02:22
So this is how it works.
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E así é como funciona.
02:24
This is a video prototype.
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Este é un prototipo de vídeo.
02:26
So when it's quiet, it's sort of coming out from behind the panels.
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Cando hai silencio, saen de detrás dos paneis
02:29
And they hear like humans do, or real creatures do.
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e oen como os humanos ou as criaturas reais.
02:31
So they get immune to sounds that scare them after awhile.
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E fanse inmunes aos sons que os asustan de alí a pouco.
02:34
And they don't react to background sounds.
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Non reaccionan aos sons de fondo.
02:37
You'll hear a train in moment that they don't react to.
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Oiredes un tren nun momento ao que non reaccionan.
02:40
(Noise)
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(ruido)
02:42
But they react to foreground sounds. You'll hear that in a second.
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Pero reaccionan aos sons en primeiro plano. Oiredes iso nun segundo.
02:45
(Whistling)
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(asubiando)
02:50
So we worked very hard
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Traballamos moi duro
02:52
to make them as lifelike as possible.
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para os facer o máis realistas posible.
02:56
So each pygmy has its own behavior, psyche,
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Cada pigmeo ten o seu propio comportamento, psique,
02:58
mood swings, personalities and so on.
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cambios de humor, personalidades, etc.
03:01
So this is a very early prototype.
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Este é un prototipo moi prematuro.
03:03
Of course, it got much better after that.
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Por suposto, foi a mellor despois diso.
03:05
And we made them react to people,
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Fixemos que reaccionaran á xente,
03:07
but we found that people were being quite playful and childlike with them.
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pero vimos que a xente era bastante xoguetona e infantil con eles.
03:11
This is a video installation called "The Missing Person."
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Este é un aparello de vídeo chamado "A persoa desaparecida".
03:14
And we were quite intrigued
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Estabamos bastante intrigados
03:16
with playing with the notion of invisibility.
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coa idea de xogar coa noción de invisibilidade.
03:18
How would it be possible to experience a sense of invisibility?
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Como sería posible experimentar a invisibilidade?
03:21
So we worked with a company
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Traballamos cunha empresa
03:23
that specializes in camera surveillance,
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especializada en cámaras de vixilancia
03:25
and we asked them to develop a piece of software with us,
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e pedímoslles que crearan un software connosco
03:28
using a camera
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usando unha cámara
03:30
that could look at people in the room, track them
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que podía mirar á xente na habitación, seguir a esta xente
03:32
and replace one person with the background, rendering them invisible.
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e substituír a unha persoa co fondo, volvéndoas invisibles.
03:35
So I'm just going to show you a very early prototype.
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Vouvos amosar un prototipo moi prematuro.
03:38
On the right side you can see my colleague Soren,
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Á dereita, podedes ver ao meu colega Soren,
03:40
who's actually in the space.
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que, de feito, está no espazo.
03:42
And on the left side, you'll see the processed video
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E á esquerda, veredes o vídeo procesado
03:44
where the camera has made him invisible.
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onde a cámara o fai invisible.
03:47
Soren enters the room. Pop! He goes invisible.
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Soren entra no cuarto. Vaia! Faise invisible.
03:50
And you can see that the camera is tracking him and erasing.
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Podedes ver como a cámara o segue e o borra.
03:53
It's a very early video,
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É un vídeo prematuro,
03:55
so we haven't yet dealt with the overlap and all of that,
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polo que aínda non trataramos o solapamento e todo iso,
03:57
but that got refined pretty soon, later.
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pero perfeccionouse axiña, máis adiante.
04:00
So how we used it was in a room where we had a camera looking into the space,
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Isto fixémolo nunha habitación onde había unha cámara mirando ao espazo
04:03
and we had one monitor, one on each wall.
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e tiñamos un monitor en cada parede.
04:06
And as people walked into the room,
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E segundo a xente entraba na habitación,
04:08
they would see themselves in the monitor, except with one difference:
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veríanse a si mesmos no monitor, excepto por unha diferenza:
04:11
one person was constantly invisible
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unha persoa era constantemente invisible
04:13
wherever they moved in the room.
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onde queira que se moveran na habitación.
04:15
So this is a work called "The Sun Shadow."
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Este traballo chámase "A sombra do sol".
04:17
And it was almost like a sheet of paper,
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Foi case como unha folla de papel,
04:20
like a cutout of a childlike drawing
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coma un recortable dun debuxo infantil
04:22
of an oil spill or a sun.
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dunha mancha de petróleo ou un sol.
04:24
And from the front, this object appeared to be very strong and robust,
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Por diante, este obxecto parecía ser moi forte e robusto
04:27
and from the side, it almost seemed very weak.
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e de lado, case parecía moi débil.
04:30
So people would walking into the room and they'd almost ignore it,
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A xente camiñaría pola habitación e case o ignoraría
04:33
thinking it was some crap laying around.
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pensando que era algunha trapallada.
04:35
But as soon as they passed by,
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Pero en canto pasaran preto,
04:37
it would start to climb up the wall in jerky fashion.
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comezaría a trepar pola parede de forma brusca.
04:39
And it would get exhausted, and it would collapse every time.
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Cansaríase e desplomaríase sempre.
04:42
(Laughter)
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(gargalladas)
04:44
So this work
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Este traballo
04:46
is a caricature of an upside-down man.
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é unha caricatura dun home do revés.
04:48
His head is so heavy, full of heavy thoughts,
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A súa cabeza é tan pesada, chea de pensamentos pesados,
04:50
that it's sort of fallen into his hat,
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que parece que cae no seu sombreiro
04:52
and his body's grown out of him almost like a plant.
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e o seu corpo crece del case coma unha planta.
04:54
Well what he does is he moves around
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O que fai é moverse arredor da súa cabeza
04:56
in a very drunken fashion on his head
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coma se estivese bébedo
04:58
in a very unpredictable and extremely slow movement.
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nun movemento moi impredecible e extremedamente lento.
05:01
And it's kind of constrained by that circle.
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Está como obrigado por ese círculo.
05:04
Because if that circle weren't there, and the floor was very even,
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Porque se ese círculo non estivese aí e o solo fora moi chan,
05:07
it would start to wander about in the space.
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comezaría a deambular polo espazo.
05:09
And there's no wires.
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E non hai cables.
05:11
So I'll just show you an instance --
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Mostrareivos un exemplo.
05:13
so when people enter the room, it activates this object.
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Cando a xente entra na habitación, actívase este obxecto.
05:15
And it very slowly, over a few minutes,
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E, moi lentamente, nuns minutos,
05:17
sort of painfully goes up,
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achégase terriblemente,
05:19
and then it gains momentum
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colle velocidade
05:21
and it looks like it's almost about to fall.
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e parece que está a punto de caer.
05:23
And this is an important moment,
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Este é un momento importante
05:25
because we wanted to instill in the viewer
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porque queriamos infundir no espectador
05:27
an instinct to almost go and help, or save the subject.
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un instinto de case ir e axudar ou salvar ao suxeito.
05:29
But it doesn't really need it,
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Aínda que non o necesita
05:31
because it, again, sort of manages to pull itself up.
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porque el mesmo é quen de erguerse outra vez.
05:34
So this work was a real technical challenge for us,
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Este traballo foi un auténtico reto técnico para nós
05:37
and we worked very hard, like most of our works, over years
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e traballamos moi duro, como na maioría dos nosos traballos, durante anos
05:40
to get the mechanics right and the equilibrium and the dynamics.
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para conseguir unha mecánica, un equilibrio e unha dinámica perfectos.
05:43
And it was very important for us
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Foi moi importante para nós
05:45
to establish the exact moment that it would fall,
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establecer o momento exacto no que caería,
05:48
because if we made it in a way that it would topple over,
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porque se o faciamos de xeito que perdese o equilibrio,
05:51
then it would damage itself,
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entón danaríase,
05:53
and if it didn't fall enough, it wouldn't instill that fatalism,
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e se non caera o suficiente, non infundiría ese fatalismo,
05:56
or that sense of wanting to go and help it.
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ou ese efecto de querer ir a o axudar.
05:58
So I'm going to show you a very quick video
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Vouvos amosar un vídeo moi rápido
06:00
where we are doing a test scenario -- it's much faster.
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onde facemos unha proba. É moito máis rápido.
06:02
That's my colleague. He's let it go.
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Ese é o meu compañeiro. Déixao ir.
06:04
Now he's getting nervous, so he's going to go catch it.
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Agora estase poñendo nervioso, así que vai o vai coller.
06:06
But he doesn't need to,
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Pero non precisa o facer,
06:08
because it manages to lift itself up on its own.
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porque consegue erguerse por si mesmo.
06:10
So this is a work that we were very intrigued with,
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Este é un traballo co que estivemos moi intrigados,
06:13
working with the aesthetic of fur
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traballando coa estética da pel
06:15
embedded with thousands of tiny different sizes
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incrustada con miles de diversos tamaños diminutos
06:18
of fiber optics, which twinkle like the night sky.
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de fibra óptica, que brillaban coma o ceo nocturno.
06:21
And it's at the scale of the night sky.
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E está á escala do ceo nocturno.
06:23
So we wrapped this around a blob-like form,
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Envolvemos isto arredor dunha gota
06:25
which is in the shape of a teddy bear,
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con forma de oso de peluche,
06:27
which was hanging from the ceiling.
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que estaba colgado do teito.
06:29
And the idea was to sort of contrast
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A idea era contrastar
06:31
something very cold and distant and abstract like the universe
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algo tan frío, distante e abstracto coma o universo
06:34
into the familiar form of a teddy bear,
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coa forma familiar dun oso de peluche,
06:36
which is very comforting and intimate.
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que é moi reconfortante e íntimo.
06:38
And the idea was that at some point
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A idea era que nalgún momento
06:40
you would stop looking at the form of a teddy bear
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deixariades de mirar a forma dun oso de peluche
06:42
and you would almost perceive it to be a hole in the space,
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e case o percibiriades como un buraco no espazo,
06:45
and as if you were looking out into the twinkling night sky.
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coma se estivesedes mirando un ceo nocturno brillante.
06:49
So this is the last work, and a work in progress,
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Este é o último traballo, aínda en proceso,
06:51
and it's called "Space Filler."
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e chámase "Recheo de espazo".
06:53
Well imagine a small cube that's about this big
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Imaxinade un cubiño así de grande
06:55
standing in front of you in the middle of the room,
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diante de vós no medio da habitación
06:57
and as you approached it, it tried to intimidate you
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e que, según vos achegades, intentase intimidarvos
07:00
by growing into a cube
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converténdose nun cubo
07:02
that's twice its height and [eight] times its volume.
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o dobre de alto e de catro veces o seu volume.
07:05
And so this object is constantly expanding and contracting
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Este obxecto está en constante expansión e contracción
07:08
to create a dynamic with people moving around it --
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para crear unha dinámica con xente movéndose darredor,
07:10
almost like it were trying
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coma se intentase
07:12
to conceal a secret within its seams or something.
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ocultar un segredo nas súas xuntas ou algo así.
07:14
So we work with a lot of technology,
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Traballamos con moita tecnoloxía,
07:17
but we don't really love technology,
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pero en realidade non nos gusta,
07:19
because it gives us a lot of pain in our work over years and years.
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porque nos causa moito sufrimento no noso traballo durante anos e anos.
07:22
But we use it because we're interested
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Pero a usamos porque estamos interesados
07:24
in the way that it can help us
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no xeito en que nos axuda
07:26
to express the emotions and behavioral patterns
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a expresar emocións e patróns de comportamento
07:29
in these creatures that we create.
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nestas criaturas que creamos.
07:31
And once a creature pops into our minds,
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Cando unha criatura nos vén á mente,
07:33
it's almost like the process of creation
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e case coma se o proceso de creación
07:35
is to discover the way this creature really wants to exist
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fose a descubrir a maneira na que esta criatura quere existir,
07:38
and what form it wants to take and what way it wants to move.
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que forma quere coller e como se quere mover.
07:40
Thank you.
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Grazas.
07:42
(Applause)
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(aplausos)
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Este sitio presentarache vídeos de YouTube que son útiles para aprender inglés. Verás clases de inglés impartidas por profesores de primeiro nivel de todo o mundo. Fai dobre clic nos subtítulos en inglés que aparecen en cada páxina de vídeo para reproducir o vídeo desde alí. Os subtítulos desprázanse sincronizados coa reprodución do vídeo. Se tes algún comentario ou solicitude, póñase en contacto connosco a través deste formulario de contacto.

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