Aparna Rao: High-tech art (with a sense of humor)

70,883 views ・ 2011-11-08

TED


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翻译人员: Chunxiang Qian 校对人员: Xiaoqiao Xie
00:15
Hi. Today, I'm going to take you through glimpses
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大家好 今天我带大家了解一下
00:17
of about eight of my projects,
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我的八个艺术作品
00:19
done in collaboration with Danish artist Soren Pors.
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我和丹麦艺术家索伦・普尔兹一起创作的作品
00:22
We call ourselves Pors and Rao,
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我们的组合叫普尔兹和饶
00:24
and we live and work in India.
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我们在印度居住和工作
00:26
I'd like to begin with my very first object,
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第一个作品
00:29
which I call "The Uncle Phone."
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叫做“叔叔电话”
00:31
And it was inspired by my uncle's peculiar habit
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这个作品是从我叔叔的一个
00:34
of constantly asking me to do things for him,
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总爱使唤我做事的习惯中获得灵感
00:36
almost like I were an extension of his body --
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我就像他身体的延伸部分-
00:38
to turn on the lights or to bring him a glass of water,
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帮他开灯或者倒水
00:40
a pack of cigarettes.
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买包烟
00:42
And as I grew up, it became worse and worse,
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我长大后就被使唤得更厉害了
00:44
And I started to think of it as a form of control.
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我开始觉得这是种控制
00:46
But of course, I could never say anything,
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但是我不能怎么样
00:48
because the uncle is a respected figure
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因为在印度家庭里
00:50
in the Indian family.
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叔叔是很受尊敬的
00:52
And the situation that irked me and mystified me the most
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最烦我而又让我不解的是
00:55
was his use of a landline telephone.
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他用座机打电话的方式
00:57
He would hold on to the receiver and expect me to dial a number for him.
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他拿着听筒然后让我给他拨号码
01:00
And so as a response and as a gift to my uncle,
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作为一个给他的回应和礼物
01:03
I made him "The Uncle Phone."
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我给他做了这个“叔叔电话”
01:05
It's so long that it requires two people to use it.
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这个长到要两个人才能使用的电话
01:08
It's exactly the way my uncle uses a phone that's designed for one person.
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正是我叔叔使用明明一个人也能用的电话的方式
01:12
But the problem is that, when I left home and went to college,
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但问题是当我离家上大学后
01:15
I started missing his commands.
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我开始怀念他的使唤
01:17
And so I made him a golden typewriter
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于是我给他做了一个金色的打字机
01:19
through which he could dispense his commands
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这样他能通过电子邮件
01:21
to nephews and nieces around the world as an email.
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使唤他四散在世界各地的侄子侄女们
01:24
So what he had to do was take a piece of paper, roll it into the carriage,
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他只要拿张纸放进纸夹
01:27
type his email or command and pull the paper out.
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打印出电子邮件或他的命令然后抽出纸
01:30
This device would automatically send the intended person
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这个设备就能自动把这封信作为电子邮件
01:33
the letter as an email.
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寄送个收件人
01:35
So here you can see, we embedded a lot of electronics
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你看 我们把许多能检测机械动作
01:38
that understands all of the mechanical actions
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并将其转化为数字信号的
01:40
and converts it to digital.
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很多电子配件组装起来
01:42
So my uncle is only dealing with a mechanical interface.
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这样我叔叔只需使用这个机器外端设备
01:45
And of course, the object had to be very grand and have a sense of ritualism,
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当然这个机器得是很漂亮并带有形式主义的感觉
01:48
the way my uncle likes it.
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就象我叔叔喜欢的那样
01:50
The next work is a sound-sensitive installation
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下面一个作品是感声的装置
01:53
that we affectionately call "The Pygmies."
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我们亲切地称之为“俾格米人”(非洲小矮人)
01:56
And we wanted to work with a notion of being
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这个作品的概念是围绕着我们的
01:58
surrounded by a tribe of very shy, sensitive and sweet creatures.
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一群很害羞,敏感而又可爱的部落
02:02
So how it works is we have these panels, which we have on the wall,
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这些挂在墙上的板的后面
02:05
and behind them, we have these little creatures which hide.
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藏着这些小人
02:08
And as soon as it's silent, they sort of creep out.
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只要很安静的环境下,他们就悄悄探出头来
02:11
And if it's even more silent, they stretch their necks out.
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如果更佳安静,他们就一直会伸出脖子来
02:13
And at the slightest sound, they hide back again.
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稍稍有动静,他们就立马藏进去
02:16
So we had these panels on three walls of a room.
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这儿一个屋子的三面墙上装着这些板子
02:19
And we had over 500 of these little pygmies hiding behind them.
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板子后藏着五百多个这些小俾格米人
02:22
So this is how it works.
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看看它是怎样的
02:24
This is a video prototype.
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这是一段视频
02:26
So when it's quiet, it's sort of coming out from behind the panels.
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当很安静的时候,他们就从板子后探出脑袋来
02:29
And they hear like humans do, or real creatures do.
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就象人或者活物一样
02:31
So they get immune to sounds that scare them after awhile.
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过了一会儿他们慢慢熟悉了吓到他们的声音
02:34
And they don't react to background sounds.
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就对背景声音不再反应
02:37
You'll hear a train in moment that they don't react to.
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一会儿你能听到火车声音但他们没有反应
02:40
(Noise)
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(噪声)
02:42
But they react to foreground sounds. You'll hear that in a second.
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但他们对前景声音仍然敏感 你马上能听到
02:45
(Whistling)
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(口哨)
02:50
So we worked very hard
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我们为了
02:52
to make them as lifelike as possible.
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令其栩栩如生费了很大劲
02:56
So each pygmy has its own behavior, psyche,
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每一个俾格米人有其各自的行为特征,心理
02:58
mood swings, personalities and so on.
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情绪波动和人格特征
03:01
So this is a very early prototype.
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这是个很早起的样板
03:03
Of course, it got much better after that.
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当然现在的改进了很多
03:05
And we made them react to people,
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我们让其和人们互动
03:07
but we found that people were being quite playful and childlike with them.
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我们发现人们此时会变得象孩子一样很爱玩
03:11
This is a video installation called "The Missing Person."
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这是一个叫“失踪者”的摄影装置
03:14
And we were quite intrigued
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我们被隐身这个概念
03:16
with playing with the notion of invisibility.
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启发
03:18
How would it be possible to experience a sense of invisibility?
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如果能体验隐身会是什么样的?
03:21
So we worked with a company
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我们就一家
03:23
that specializes in camera surveillance,
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专业从事摄像监视的公司合作
03:25
and we asked them to develop a piece of software with us,
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请他们为我们设计了一个软件
03:28
using a camera
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通过一台摄像机
03:30
that could look at people in the room, track them
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能够监视屋子里的人,跟踪他们
03:32
and replace one person with the background, rendering them invisible.
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然后以背景替代影像使其得以隐身
03:35
So I'm just going to show you a very early prototype.
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这儿看一下早期的视频样板
03:38
On the right side you can see my colleague Soren,
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右边你能看到是我的同伴索伦
03:40
who's actually in the space.
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他确实在那儿
03:42
And on the left side, you'll see the processed video
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左边你看到处理过的视频
03:44
where the camera has made him invisible.
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摄像机帮他隐身了
03:47
Soren enters the room. Pop! He goes invisible.
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索伦进了屋子 唰 他就不见了
03:50
And you can see that the camera is tracking him and erasing.
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你能看到摄像机在跟踪他并删除其影像
03:53
It's a very early video,
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这是个很好的视频
03:55
so we haven't yet dealt with the overlap and all of that,
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还没有处理好影像重叠等问题
03:57
but that got refined pretty soon, later.
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但是这个很快改进了
04:00
So how we used it was in a room where we had a camera looking into the space,
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一个屋子里有一个摄像机监视着
04:03
and we had one monitor, one on each wall.
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然后每个墙上都有一个显示器
04:06
And as people walked into the room,
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当人们走进屋子
04:08
they would see themselves in the monitor, except with one difference:
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他们能在显示器上看到自己
04:11
one person was constantly invisible
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但是总有一个人不论在屋子里怎么移动
04:13
wherever they moved in the room.
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他都是隐身的
04:15
So this is a work called "The Sun Shadow."
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这个作品叫做“太阳的影子”
04:17
And it was almost like a sheet of paper,
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它看上去就象张纸而已
04:20
like a cutout of a childlike drawing
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像是个孩子涂鸦出的
04:22
of an oil spill or a sun.
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一个油渍或者太阳
04:24
And from the front, this object appeared to be very strong and robust,
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正面看这个物体看上去很有活力
04:27
and from the side, it almost seemed very weak.
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但是从侧面则看起来很虚弱
04:30
So people would walking into the room and they'd almost ignore it,
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当人们走进这个屋子 他们基本都没有注意到
04:33
thinking it was some crap laying around.
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以为这只是地上垃圾之类
04:35
But as soon as they passed by,
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但是一旦他们经过旁边
04:37
it would start to climb up the wall in jerky fashion.
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它就开始一抽一抽地往上爬
04:39
And it would get exhausted, and it would collapse every time.
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接着就精疲力尽 掉了下去
04:42
(Laughter)
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(笑声)
04:44
So this work
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这个作品
04:46
is a caricature of an upside-down man.
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是个一个倒立的人的漫画形象
04:48
His head is so heavy, full of heavy thoughts,
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他的头非常重,充满了沉重的想法
04:50
that it's sort of fallen into his hat,
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所以他是倒立的帽子着地
04:52
and his body's grown out of him almost like a plant.
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他的身体象长出来的植物一样
04:54
Well what he does is he moves around
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他会像醉酒的人一样
04:56
in a very drunken fashion on his head
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用一种混乱又极慢的动作
04:58
in a very unpredictable and extremely slow movement.
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移动着
05:01
And it's kind of constrained by that circle.
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但是限制在这个圆内移动
05:04
Because if that circle weren't there, and the floor was very even,
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因为要是没有这个圆,地板不是很平
05:07
it would start to wander about in the space.
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他就会开始在整个房间乱转
05:09
And there's no wires.
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他身上没有一根电线
05:11
So I'll just show you an instance --
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给你们展示一下-
05:13
so when people enter the room, it activates this object.
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当人们进屋的时候 就启动了这个装置
05:15
And it very slowly, over a few minutes,
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几分钟内他就很缓慢的
05:17
sort of painfully goes up,
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痛苦地倒立起来
05:19
and then it gains momentum
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动量聚集到一定程度
05:21
and it looks like it's almost about to fall.
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他就看上去快要倒下去的样子
05:23
And this is an important moment,
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这是个关键时刻
05:25
because we wanted to instill in the viewer
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因为我们希望激发起观看者的
05:27
an instinct to almost go and help, or save the subject.
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本能去扶起他拯救他
05:29
But it doesn't really need it,
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但是并不真正需要
05:31
because it, again, sort of manages to pull itself up.
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因为他能再次把自己拉起来
05:34
So this work was a real technical challenge for us,
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这个作品对我们来说是个真正的技术挑战
05:37
and we worked very hard, like most of our works, over years
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我们努力的几年
05:40
to get the mechanics right and the equilibrium and the dynamics.
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才把机器装配好 调整好他的平衡和动态运动
05:43
And it was very important for us
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确定他倒下去的精确时间
05:45
to establish the exact moment that it would fall,
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对我们来说是非常重要的
05:48
because if we made it in a way that it would topple over,
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因为如果我们让其倒下去
05:51
then it would damage itself,
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他可能就伤到自己
05:53
and if it didn't fall enough, it wouldn't instill that fatalism,
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但是如果倒得不够 又不能产生破坏感
05:56
or that sense of wanting to go and help it.
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让人有拯救他的欲望
05:58
So I'm going to show you a very quick video
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这儿我给你们看一段间断的视频
06:00
where we are doing a test scenario -- it's much faster.
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我们正在测试-动作很快
06:02
That's my colleague. He's let it go.
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那是我的同伴 他放开装置
06:04
Now he's getting nervous, so he's going to go catch it.
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他变得紧张 要去抓住他
06:06
But he doesn't need to,
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但是没有必要
06:08
because it manages to lift itself up on its own.
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装置能自己站起来
06:10
So this is a work that we were very intrigued with,
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这个作品我们将
06:13
working with the aesthetic of fur
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具有审美感的皮毛上
06:15
embedded with thousands of tiny different sizes
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嵌入上千个不同大小的
06:18
of fiber optics, which twinkle like the night sky.
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能在夜里发光的光纤
06:21
And it's at the scale of the night sky.
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背景设置有如真正夜空般大小
06:23
So we wrapped this around a blob-like form,
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我们把它裹在一个类似流体态物体上
06:25
which is in the shape of a teddy bear,
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它是个泰迪熊的外形
06:27
which was hanging from the ceiling.
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挂在天花板上
06:29
And the idea was to sort of contrast
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这个作品的概念是要把
06:31
something very cold and distant and abstract like the universe
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象宇宙一样广漠抽象的东西
06:34
into the familiar form of a teddy bear,
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和一个泰迪熊一样熟悉的物体对比
06:36
which is very comforting and intimate.
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而泰迪熊的感觉是舒适亲密的
06:38
And the idea was that at some point
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这个作品是想让你
06:40
you would stop looking at the form of a teddy bear
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能够在某一刻忘记它泰迪熊的形态
06:42
and you would almost perceive it to be a hole in the space,
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几乎觉得它只是屋子里的一个洞
06:45
and as if you were looking out into the twinkling night sky.
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而你能通过它看到星光点点的夜空
06:49
So this is the last work, and a work in progress,
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这个是最后一个作品,目前还在制作中
06:51
and it's called "Space Filler."
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它叫做空间填充器
06:53
Well imagine a small cube that's about this big
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试想一下屋子中间
06:55
standing in front of you in the middle of the room,
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有一个立方体
06:57
and as you approached it, it tried to intimidate you
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当你靠近它 它就会
07:00
by growing into a cube
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变成两倍高度四倍体积大小
07:02
that's twice its height and [eight] times its volume.
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来和你互动
07:05
And so this object is constantly expanding and contracting
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这个作品就会在有人在周围移动的时候
07:08
to create a dynamic with people moving around it --
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通过扩大和缩小来产生动态效果
07:10
almost like it were trying
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就好像它试着
07:12
to conceal a secret within its seams or something.
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在结构里藏着什么秘密似的
07:14
So we work with a lot of technology,
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我们得用上很多科技
07:17
but we don't really love technology,
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但是我们并不很热衷科技
07:19
because it gives us a lot of pain in our work over years and years.
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因为这让我们的工作长久以来费神费力
07:22
But we use it because we're interested
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但是我们应用科技因为
07:24
in the way that it can help us
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它能帮我们
07:26
to express the emotions and behavioral patterns
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通过这些作品表达
07:29
in these creatures that we create.
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感情和行为特征
07:31
And once a creature pops into our minds,
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一旦一个作品的想法出现
07:33
it's almost like the process of creation
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这个创造的过程
07:35
is to discover the way this creature really wants to exist
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就是发现这个物体是要和何种方式存在
07:38
and what form it wants to take and what way it wants to move.
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拥有什么形态和什么方式移动
07:40
Thank you.
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谢谢
07:42
(Applause)
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(掌声)
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