Robert Gupta: Music is medicine, music is sanity

93,352 views ・ 2010-03-26

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Translator: Xosé María Moreno Reviewer: Eulalia Baroja
00:15
One day, Los Angeles Times columnist
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Un día, un columnista de Los Angeles Times
00:18
Steve Lopez was walking along
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Steve Lopez paseaba
00:20
the streets of downtown Los Angeles
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polas rúas de Los Angeles
00:22
when he heard beautiful music.
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cando ouviu unha música marabillosa.
00:25
And the source was a man,
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E a orixe era un home,
00:27
an African-American man,
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un home afro-americano,
00:29
charming, rugged, homeless,
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engaiolante, engurrado, sen teito,
00:33
playing a violin that only had two strings.
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tocando un violín que tan só tiña dúas cordas.
00:36
And I'm telling a story that many of you know,
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Estou contado unha historia que moitos de vostedes xa coñecen
00:38
because Steve's columns became the basis
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porque a columna de Steve constituíu a base
00:41
for a book, which was turned into a movie,
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dun libro, do que se fixo unha película
00:44
with Robert Downey Jr. acting as Steve Lopez,
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con Robert Downey Jr. no papel de Steve Lopez,
00:46
and Jamie Foxx as Nathaniel Anthony Ayers,
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e Jamie Foxx como Nathaniel Anthony Ayers,
00:49
the Juilliard-trained double bassist
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o contra-chelista formado na Escola Julliard
00:51
whose promising career was cut short
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cuxa prometedora carreira foi interrrumpida
00:54
by a tragic affliction with paranoid schizophrenia.
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polo tráxico padecemento dunha esquizofrenia paranoide.
00:58
Nathaniel dropped out of Juilliard, he suffered a complete breakdown,
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Nathaniel abandonou a Escola Julliard, sufriu unha profunda crise
01:00
and 30 years later he was living homeless
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e 30 anos máis tarde vivía sen un teito
01:02
on the streets of Skid Row in downtown Los Angeles.
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nas rúas de Skid Row en Los Angeles
01:06
I encourage all of you to read Steve's book or to watch the movie
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Anímovos a que leades o libro de Steve ou miredes a película
01:09
to understand not only the beautiful bond
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para entenderen non só o fermoso vínculo
01:12
that formed between these two men,
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creado entre estes dous homes,
01:14
but how music helped shape that bond,
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senón tamén para comprenderen como a música axudou a crear esa unión,
01:17
and ultimately was instrumental -- if you'll pardon the pun --
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e no final foi o instrumento -- se me desculpan o xogo de palabras--
01:20
in helping Nathaniel get off the streets.
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quen axudou a tirar a Nathaniel das rúas.
01:24
I met Mr. Ayers in 2008,
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Coñecín a Mr. Ayers en 2008,
01:26
two years ago, at Walt Disney Concert Hall.
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hai dous anos, no Auditorio Walt Disney.
01:28
He had just heard a performance of Beethoven's First and Fourth symphonies,
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Acababa de ouvir a interpretación da primeira e cuarta Sinfonías de Beethoven,
01:31
and came backstage and introduced himself.
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achegouse ao escenario e presentouse.
01:33
He was speaking in a very jovial and gregarious way
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Falaba dun xeito moi xovial e sociábel
01:36
about Yo-Yo Ma and Hillary Clinton
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sobre Yo-Yo Ma e Hillary Clinton
01:39
and how the Dodgers were never going to make the World Series,
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e de que os Dodgers nunha chegarían ás Word Series,
01:41
all because of the treacherous first violin passage work
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pola pouco fiel interpretación que o primeiro violín fixo
01:44
in the last movement of Beethoven's Fourth Symphony.
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no último movemento da Cuarta Sinfonía de Beethoven.
01:48
And we got talking about music, and I got an email from Steve a few days later
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E enleámonos a falar de música, e recibín un email de Steve uns poucos días máis tarde
01:52
saying that Nathaniel was interested in a violin lesson with me.
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dicindo que Nathaniel estaba interesado en estudar violín comigo.
01:56
Now, I should mention that Nathaniel refuses treatment
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Agora, deberían mencionar que Nathaniel rexeita recibir tratamento
01:59
because when he was treated it was with shock therapy
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porque cando o trataron foi con terapia de choque,
02:02
and Thorazine and handcuffs,
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antipsicóticos e esposas;
02:04
and that scar has stayed with him for his entire life.
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e ese trauma ficou nel durante toda a súa vida.
02:08
But as a result now, he is prone to
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Mais agora en consecuencia el tende a ter
02:10
these schizophrenic episodes,
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esas crises esquizofrénicas,
02:12
the worst of which can manifest themselves as
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as peores das cales se manifestan como
02:14
him exploding
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se estourase
02:16
and then disappearing for days,
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e entón desaparece durante días,
02:18
wandering the streets of Skid Row,
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vagando polas rúas de Skid Row,
02:20
exposed to its horrors, with the torment of his own mind
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exposto aos seus terrores, co tormento da súa mente
02:24
unleashed upon him.
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fóra de control.
02:26
And Nathaniel was in such a state of agitation
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E Nathaniel estaba nun estado de axitación tal
02:29
when we started our first lesson at Walt Disney Concert Hall --
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cando empezamos coa nosa primeira lección no Concert Hall Walt Disney--
02:32
he had a kind of manic glint in his eyes,
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tiña nos seus ollos un brillo maníaco,
02:35
he was lost.
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estaba ido.
02:37
And he was talking about
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E falaba sobre
02:39
invisible demons and smoke,
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diaños invisíbeis e fume,
02:41
and how someone was poisoning him in his sleep.
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e de cómo alguén o estaba a envelenar durante o sono.
02:45
And I was afraid,
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Eu tiña medo,
02:47
not for myself, but I was afraid
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non por min senón que tiña medo
02:50
that I was going to lose him,
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de perdelo,
02:52
that he was going to sink into one of his states,
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de que se sumise noutra das súas crises,
02:54
and that I would ruin his relationship with the violin
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e de arruinar a súa relación co violín
02:57
if I started talking about scales
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se empezaba a falarlle de escalas,
02:59
and arpeggios and other exciting forms of
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arpexios e outros aspectos apaixonante da
03:01
didactic violin pedagogy.
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pedagoxía do violín.
03:03
(Laughter)
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(risas)
03:04
So, I just started playing.
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Así que, simplemente empecei a tocar,
03:07
And I played the first movement of the Beethoven Violin Concerto.
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E toquei o primeiro movemento do Concerto para Violín de Beethoven.
03:11
And as I played,
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E mentres tocaba,
03:13
I understood that there was a profound change
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comprendín que había un cambio profundo
03:16
occurring in Nathaniel's eyes.
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nos ollos de Nathaniel.
03:18
It was as if he was in the grip of some invisible pharmaceutical,
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Era como se estivese baixo a influencia dalgún fármaco invisíbel,
03:21
a chemical reaction, for which my playing the music
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unha reacción química, da que o meu tocar
03:25
was its catalyst.
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era o seu catalizacor.
03:28
And Nathaniel's manic rage
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E a furia maníaca de Nathaniel
03:32
was transformed into understanding,
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foi transformada en comprensión,
03:36
a quiet curiosity and grace.
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unha tranquila curiosidade e un estado de graza.
03:41
And in a miracle, he lifted his own violin
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E de xeito milagroso, alzou o seu violín
03:44
and he started playing, by ear,
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e empezou a tocar de ouvido,
03:47
certain snippets of violin concertos
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algúns retrincos de concertos para violín
03:49
which he then asked me to complete -- Mendelssohn,
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que despois me pediu que completase-- Mendelssohn,
03:51
Tchaikovsky, Sibelius.
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Tchaikovsky, Sibelius.
03:53
And we started talking about music, from Bach
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E demos en falar sobre música, desde Bach
03:55
to Beethoven and Brahms,
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Até Beethoven e Brahms,
03:57
Bruckner, all the B's,
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Bruckner, todos os B,
03:59
from Bartók, all the way up to Esa-Pekka Salonen.
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desde Bartók até Esa-Pekka Salonen.
04:01
And I understood that he not only
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E comprendín que el non só
04:03
had an encyclopedic knowledge of music,
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tiña un coñecemento musical enciclopédico,
04:05
but he related to this music at a personal level.
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senón que tiña con esta músia unha relación persoal.
04:09
He spoke about it with the kind of passion
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Falaba sobre ela coa mesma paixón
04:11
and understanding that I share with my colleagues
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e entendemento como a que eu comparto cos meus colegas
04:13
in the Los Angeles Philharmonic.
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da "Los Angeles Philharmonic".
04:16
And through playing music and talking about music,
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E tocando e falando sobre música,
04:19
this man had transformed
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este home transformárase
04:21
from the paranoid, disturbed man
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do home paranoico, perturbado
04:24
that had just come from walking the streets
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que camiñaba polas rúas
04:26
of downtown Los Angeles
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da cidade de Los Angeles
04:28
to the charming, erudite,
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no engaiolante, erudito,
04:30
brilliant, Juilliard-trained musician.
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brillante, músico formado na Escola Juilliard.
04:34
Music is medicine. Music changes us.
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A música é medicina. A música cambianos.
04:39
And for Nathaniel, music is sanity.
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E para Nathaniel, a música é cordura.
04:43
Because music allows him to take his thoughts
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Porque a música permítelle transformar
04:45
and delusions and shape them
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os seus pensamentos e delirios
04:48
through his imagination and his creativity,
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en realidades, grazas á súa imaxinación
04:50
into reality.
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e creatividade.
04:52
And that is an escape
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E isto é unha vía de escape
04:54
from his tormented state.
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da súa mente atormentada.
04:56
And I understood that this was the very essence of art.
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E comprendín que esta era a verdadeira esencia da arte.
04:59
This was the very reason why we made music,
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Esta era a verdadeira razón pola que facemos música,
05:01
that we take something that exists within all of us
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collemos algo que existen dentro de nós
05:03
at our very fundamental core,
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no noso máis íntimo cerne,
05:05
our emotions,
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as nosas emocións,
05:07
and through our artistic lens,
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e a través das nosas lentes artísticas,
05:09
through our creativity, we're able to shape those emotions into reality.
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a través da nosa creatividade, somos quen de dar forma real a esas emocións.
05:14
And the reality of that expression
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E a realidade desa expresión
05:16
reaches all of us
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chega a todos nós
05:18
and moves us, inspires and unites us.
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e conmóvenos, inspíranos e únenos.
05:23
And for Nathaniel,
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E para Nathaniel,
05:25
music brought him back into a fold of friends.
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a música tróuxoo até un grupo de amigos.
05:28
The redemptive power of music brought him back
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O poder redentor da músico tróuxoo de regreso
05:30
into a family of musicians
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cunha unha familia de músicos
05:32
that understood him,
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que o entendían,
05:34
that recognized his talents
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que recoñecían os seus talentos
05:36
and respected him.
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e respectábano.
05:39
And I will always make music with Nathaniel,
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E eu farei sempre música con Nathaniel,
05:42
whether we're at Walt Disney Concert Hall
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esteamos no Concert Hall Walt Disney
05:44
or on Skid Row, because he reminds me
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ou en Skid Row, porque me lembra
05:46
why I became a musician.
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porqué me fixen músico.
05:49
Thank you.
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Grazas.
05:51
(Applause)
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(Aplausos)
05:58
Bruno Giussani: Thank you. Thanks.
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Bruno Giussani: Grazas, graciñas.
06:01
Robert Gupta.
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Robert Gupta.
06:03
(Applause)
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(Aplausos)
06:22
Robert Gupta: I'm going to play something that I shamelessly stole from cellists.
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Robert: vou tocar algo que con moito papo roubei aos chelistas.
06:25
So, please forgive me.
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Así que, por favor, descúlpenme.
06:27
(Laughter)
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(Risos)
06:28
(Music)
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(Música)
09:13
(Applause)
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(Aplausos)
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