Robert Gupta: Music is medicine, music is sanity

93,583 views ใƒป 2010-03-26

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์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: Sunphil Ga ๊ฒ€ํ† : EuiChan Bang
00:15
One day, Los Angeles Times columnist
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์–ด๋Š๋‚  LA ํƒ€์ž„์ฆˆ ์นผ๋Ÿผ๋‹ˆ์ŠคํŠธ
00:18
Steve Lopez was walking along
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์Šคํ‹ฐ๋ธŒ ๋กœํŽ˜์ฆˆ๊ฐ€
00:20
the streets of downtown Los Angeles
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LA ์‹œ๋‚ด ๊ฑฐ๋ฆฌ๋ฅผ ๋”ฐ๋ผ ๊ฑท๋˜ ์ค‘
00:22
when he heard beautiful music.
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์•„๋ฆ„๋‹ค์šด ์Œ์•…์„ ๋“ฃ๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค
00:25
And the source was a man,
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๊ทธ ์Œ์•…์˜ ์ถœ์ฒ˜๋Š” ํ•œ ๋‚จ์ž์˜€์–ด์š”.
00:27
an African-American man,
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์•„ํ”„๋ฆฌ์นด ๊ณ„ํ†ต์˜ ๋ฏธ๊ตญ ๋‚จ์„ฑ ์—ฐ์ฃผ์ž๋Š”
00:29
charming, rugged, homeless,
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๋งค๋ ฅ์ ์ด๊ณ  ๋‹ค๋ถ€์ง„ ๋…ธ์ˆ™์ž์˜€๋Š”๋ฐ
00:33
playing a violin that only had two strings.
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๋‘ ์ค„ ๋ฐ–์— ์—†๋Š” ๋ฐ”์ด์˜ฌ๋ฆฐ์„ ์—ฐ์ฃผํ•˜๊ณ  ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค.
00:36
And I'm telling a story that many of you know,
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์ œ๊ฐ€ ๋งํ•˜๊ณ  ์žˆ๋Š” ์ด์•ผ๊ธฐ๋Š” ๋งŽ์€ ๋ถ„๋“ค์ด ์•Œ๊ณ  ์žˆ์ฃ .
00:38
because Steve's columns became the basis
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์Šคํ‹ฐ๋ธŒ์˜ ์ด ์ปฌ๋Ÿผ์€ ์ฑ…์˜ ํ† ๋Œ€๊ฐ€ ๋˜์—ˆ๊ณ 
00:41
for a book, which was turned into a movie,
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์˜ํ™”๋กœ๋„ ๋งŒ๋“ค์–ด์กŒ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
00:44
with Robert Downey Jr. acting as Steve Lopez,
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์ด ์˜ํ™”์—์„œ ๋กœ๋ฒ„ํŠธ ๋‹ค์šฐ๋‹ˆ๋Š” ์Šคํ‹ฐ๋ธŒ ๋กœํŽ˜์ฆˆ ์—ญ์„ ๋งก์•˜๊ณ 
00:46
and Jamie Foxx as Nathaniel Anthony Ayers,
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์ œ์ด๋ฏธ ํญ์Šค๊ฐ€ ์—ฐ๊ธฐํ•œ ๋‚˜ํƒ€๋‹ˆ์–ผ ์•ค์„œ๋‹ˆ ์—์–ด์ฆˆ๋Š”
00:49
the Juilliard-trained double bassist
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์ฅด๋ฆฌ์–ด๋“œ์—์„œ ๊ต์œก๋ฐ›์€ ๋”๋ธ” ์ฝ˜ํŠธ๋ผ๋ฒ ์ด์Šค ์—ฐ์ฃผ์ž์ธ๋ฐ,
00:51
whose promising career was cut short
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๋ณด์žฅ๋œ ์ง์—…์ด ์งง๊ฒŒ ๋๋‚˜๊ณ  ๋ง์•˜์Šต๋‹ˆ๋‹ค.
00:54
by a tragic affliction with paranoid schizophrenia.
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ํ”ผํ•ด๋ง์ƒ ์ •์‹ ๋ถ„์—ด์ฆ์˜ ๋น„๊ทน์  ๊ณ ํ†ต์œผ๋กœ ์ธํ•ด์„œ์˜€์ฃ .
00:58
Nathaniel dropped out of Juilliard, he suffered a complete breakdown,
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์ฅด๋ฆฌ์–ด๋“œ๋ฅผ ์ค‘ํ‡ดํ•œ ๋‚˜ํƒ€๋‹ˆ์–ผ์€ ์‹ฌ์‹ ์ด ์™„์ „ํžˆ ์‡ ์•ฝํ•ด์ ธ์„œ
01:00
and 30 years later he was living homeless
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30๋…„์ด ์ง€๋‚œ ํ›„ LA ์ค‘์‹ฌ๊ฐ€ ์Šคํ‚ค๋“œ๋กœ์šฐ ๊ฑฐ๋ฆฌ์˜
01:02
on the streets of Skid Row in downtown Los Angeles.
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๋…ธ์ˆ™์ž๋กœ ์‚ด๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
01:06
I encourage all of you to read Steve's book or to watch the movie
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์ €๋Š” ์—ฌ๋Ÿฌ๋ถ„๋“ค์ด ์Šคํ‹ฐ๋ธŒ์˜ ์ฑ…์„ ์ฝ๊ฑฐ๋‚˜ ์ด ์˜ํ™”๋ฅผ ๊ด€๋žŒํ•˜๊ธธ ๊ถŒํ•˜๋Š”๋ฐ์š”
01:09
to understand not only the beautiful bond
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๋‘ ๋‚จ์ž ์‚ฌ์ด์— ํ˜•์„ฑ๋œ ์•„๋ฆ„๋‹ค์šด ์œ ๋Œ€ ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ
01:12
that formed between these two men,
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๊ทธ ๊ด€๊ณ„์—์„œ ์Œ์•…์ด ์–ด๋–ป๊ฒŒ ๋„์›€์„ ์ฃผ๊ณ  ์žˆ๋Š”์ง€
01:14
but how music helped shape that bond,
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๋‚˜ํƒ€๋‹ˆ์–ผ์ด ๊ทธ ๊ฑฐ๋ฆฌ๋กœ ๋ถ€ํ„ฐ ๋ฒ—์–ด๋‚˜๋Š” ๊ฒƒ์—
01:17
and ultimately was instrumental -- if you'll pardon the pun --
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๊ถ๊ทน์ ์œผ๋กœ ์Œ์•…์ด ์–ด๋–ป๊ฒŒ ์ผ์กฐํ•˜๋Š”์ง€ ์ดํ•ดํ•  ์ˆ˜ ์žˆ์„ ๊ฒ๋‹ˆ๋‹ค.
01:20
in helping Nathaniel get off the streets.
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๋ง์žฅ๋‚œ๋งŒ ์šฉ์„œํ•  ์ˆ˜ ์žˆ๋‹ค๋ฉด์š”.
01:24
I met Mr. Ayers in 2008,
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์ €๋Š” 2๋…„ ์ „์ธ 2008๋…„์—,
01:26
two years ago, at Walt Disney Concert Hall.
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์›”ํŠธ ๋””์ฆˆ๋‹ˆ ์ฝ˜์„œํŠธ ํ™€์—์„œ ์—์–ด์ฆˆ์”จ๋ฅผ ๋งŒ๋‚ฌ์Šต๋‹ˆ๋‹ค.
01:28
He had just heard a performance of Beethoven's First and Fourth symphonies,
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๊ทธ๋Š” ๋ฒ ํ† ๋ฒค ๊ตํ–ฅ๊ณก 1๋ฒˆ๊ณผ 4๋ฒˆ ์—ฐ์ฃผ๋ฅผ ๋“ฃ๊ณ  ๋‚˜์„œ,
01:31
and came backstage and introduced himself.
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๋ฌด๋Œ€ ๋’ค๋กœ ์™€ ์ž์‹ ์„ ์†Œ๊ฐœํ–ˆ์Šต๋‹ˆ๋‹ค.
01:33
He was speaking in a very jovial and gregarious way
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๊ทธ๋Š” ๋งค์šฐ ์พŒํ™œํ•˜๊ณ  ์‚ฌ๊ต์ ์œผ๋กœ ์ด์•ผ๊ธฐ ํ–ˆ์–ด์š”.
01:36
about Yo-Yo Ma and Hillary Clinton
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์š”-์š”๋งˆ, ํž๋Ÿฌ๋ฆฌ ํด๋ฆฐํ„ด, ๊ทธ๋ฆฌ๊ณ 
01:39
and how the Dodgers were never going to make the World Series,
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์–ด๋–ป๊ฒŒ ๋‹ค์ €์Šค๊ฐ€ ์›”๋“œ์‹œ๋ฆฌ์ฆˆ ์šฐ์Šน์„ ํ•œ๋ฒˆ๋„ ๋ชปํ–ˆ๋Š”์ง€ ๋“ฑ์„ ๋งํ–ˆ์Šต๋‹ˆ๋‹ค.
01:41
all because of the treacherous first violin passage work
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์ด ๋ชจ๋“  ๊ฒƒ์ด ๋ฒ ํ† ๋ฒค ๊ตํ–ฅ๊ณก ์ œ4๋ฒˆ์˜ ๋งˆ์ง€๋ง‰ ์ „๊ฐœ ์ค‘
01:44
in the last movement of Beethoven's Fourth Symphony.
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์ฒซ๋ฒˆ์งธ ๋ฐ”์ด์˜ฌ๋ฆฐ ์•…์žฅ์˜ ๋ถˆ์•ˆ์ •ํ•จ ๋•Œ๋ฌธ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
01:48
And we got talking about music, and I got an email from Steve a few days later
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์šฐ๋ฆฌ๋Š” ๊ณ„์† ์Œ์•…์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐ ํ–ˆ๊ณ , ๋ฉฐ์น  ํ›„ ์Šคํ‹ฐ๋ธŒ๋กœ ๋ถ€ํ„ฐ ์ด๋ฉ”์ผ์ด ์™”๋Š”๋ฐ,
01:52
saying that Nathaniel was interested in a violin lesson with me.
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๋‚˜ํƒ€๋‹ˆ์–ผ์ด ์ €์™€ ํ•จ๊ป˜ํ•˜๋Š” ๋ฐ”์ด์˜ฌ๋ฆฐ ๋ ˆ์Šจ์— ๊ด€์‹ฌ์„ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค๊ณ  ํ–ˆ์Šต๋‹ˆ๋‹ค.
01:56
Now, I should mention that Nathaniel refuses treatment
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์ž, ์ด์ œ ๋‚˜ํƒ€๋‹ˆ์–ผ์ด ์น˜๋ฃŒ๋ฅผ ๊ฑฐ๋ถ€ํ•˜๊ณ  ์žˆ๋Š” ๊ฒƒ์— ๋Œ€ํ•ด ์–ธ๊ธ‰ํ•ด์•ผ๊ฒ ๊ตฐ์š”.
01:59
because when he was treated it was with shock therapy
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์™œ๋ƒ ํ•˜๋ฉด ๊ทธ์—๊ฒŒ๋Š” ์ถฉ๊ฒฉ ์š”๋ฒ•,
02:02
and Thorazine and handcuffs,
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์ง„์ •์ œ์™€ ์ˆ˜๊ฐ‘์˜ ๊ณ ํ†ต์ด
02:04
and that scar has stayed with him for his entire life.
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๊ทธ์˜ ์ „ ์ƒ์• ์— ์—ฌ์ „ํžˆ ๋‚จ์•„์žˆ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค
02:08
But as a result now, he is prone to
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๊ทธ๋Ÿฌ๋‚˜ ๊ทธ ๊ฒฐ๊ณผ์ ์œผ๋กœ ์—ฌ์ „ํžˆ ๊ทธ๋Š”
02:10
these schizophrenic episodes,
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์ด๋Ÿฌํ•œ ์ •์‹ ๋ถ„์—ด ์น˜๋ฃŒ๋ฅผ ์น˜๋ฅด๊ธฐ ์‹ญ์ƒ์ž…๋‹ˆ๋‹ค
02:12
the worst of which can manifest themselves as
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์ด๋Ÿฐ ์น˜๋ฃŒ๋กœ ๋‚˜ํƒ€๋‚  ์ˆ˜ ์žˆ๋Š” ์ตœ์•…์ธ ๊ฒƒ๋“ค์€
02:14
him exploding
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๊ทธ์˜ ๋ถ„๋…ธ,
02:16
and then disappearing for days,
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๋ฉฐ์น ๊ฐ„์˜ ํ–‰๋ฐฉ๋ถˆ๋ช…,
02:18
wandering the streets of Skid Row,
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์Šคํ‚ค๋“œ๋กœ์šฐ ๊ฑฐ๋ฆฌ์—์„œ์˜ ๋ฐฉํ™ฉ,
02:20
exposed to its horrors, with the torment of his own mind
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ํญ๋ฐœํ•ด๋ฒ„๋ ธ๋˜ ์ž์‹ ์˜ ์‹ฌ์  ๊ณ ํ†ต์ธ ์ˆ˜๋ฐ˜๋˜๋Š”
02:24
unleashed upon him.
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๊ทธ ๊ณตํฌ์— ๋…ธ์ถœ๋˜๋Š” ๊ฒƒ๋“ค์ž…๋‹ˆ๋‹ค.
02:26
And Nathaniel was in such a state of agitation
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๋‚˜ํƒ€๋‹ˆ์–ผ์€ ์ด์ฒ˜๋Ÿผ ๋ถˆ์•ˆ์ •ํ•œ ์ƒํƒœ์— ์žˆ์—ˆ๊ณ ,
02:29
when we started our first lesson at Walt Disney Concert Hall --
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๊ทธ์˜ ๋ˆˆ์— ์กฐ์ฆ ๊ธฐ๋ฏธ๊ฐ€ ์žˆ์—ˆ๋˜ ์›”ํŠธ ๋””์ฆˆ๋‹ˆ ์ฝ˜์จํŠธ ํ™€์—์„œ
02:32
he had a kind of manic glint in his eyes,
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์šฐ๋ฆฌ์˜ ์ฒซ ๋ ˆ์Šจ์ด ์‹œ์ž‘๋˜์—ˆ์„ ๋•
02:35
he was lost.
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๊ทธ๋Š” ๋ง๊ฐ€์ ธ ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค.
02:37
And he was talking about
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๊ทธ๊ฐ€ ์ด์•ผ๊ธฐ ํ•˜๊ณ  ์žˆ๋˜ ๊ฑด
02:39
invisible demons and smoke,
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๋ณด์ด์ง€ ์•Š๋Š” ์•…๋ น๊ณผ ๊ณตํ—ˆํ•จ,
02:41
and how someone was poisoning him in his sleep.
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์ž๊ณ ์žˆ์„ ๋•Œ ๋ˆ„๊ตฐ๊ฐ€๊ฐ€ ์–ด๋–ป๊ฒŒ ๊ทธ๋ฅผ ๋…์‚ดํ•˜๋Š”์ง€ ๋”ฐ์œ„์˜€์–ด์š”.
02:45
And I was afraid,
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์ €๋Š” ๋‘๋ ค์› ์Šต๋‹ˆ๋‹ค.
02:47
not for myself, but I was afraid
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์ œ ์ž์‹ ์— ๋Œ€ํ•ด์„œ๊ฐ€ ์•„๋‹ˆ๋ผ
02:50
that I was going to lose him,
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๊ทธ๋ฅผ ์žƒ๊ฒŒ ๋ ๊นŒ๋ด,
02:52
that he was going to sink into one of his states,
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๊ทธ๊ฐ€ ๋ถˆ์•ˆ์ •ํ•œ ์ƒํƒœ๋กœ ์•…ํ™”๋ ๊นŒ๋ด,
02:54
and that I would ruin his relationship with the violin
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๋ฐ”์ด์˜ฌ๋ฆฐ๊ณผ ํ•จ๊ป˜ํ•œ ๊ทธ์˜ ๊ด€๊ณ„๋ฅผ ์ œ๊ฐ€ ๋ง์น˜๊ฒŒ ๋ ๊นŒ๋ด ๋‘๋ ค์› ์Šต๋‹ˆ๋‹ค
02:57
if I started talking about scales
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๋งŒ์•ฝ ์ œ๊ฐ€ ์Œ๊ณ„ ๊ฐ™์€ ๊ฑธ ๋งํ•˜๊ธฐ ์‹œ์ž‘ํ–ˆ๋‹ค๋ฉด,
02:59
and arpeggios and other exciting forms of
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์•„๋ฅดํŽ˜์ง€์˜ค๋‚˜, ๊ตํ›ˆ์ ์ธ ๋ฐ”์ด์˜ฌ๋ฆฐ ๊ต์œกํ•™ ๊ฐ™์€ ๊ฑธ๋กœ
03:01
didactic violin pedagogy.
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๋Œ€ํ™”๋ฅผ ์‹œ์ž‘ํ–ˆ๋‹ค๋ฉด ๊ทธ๋ ‡๊ฒŒ ๋˜์–ด๋ฒ„๋ ธ๊ฒ ์ฃ .
03:03
(Laughter)
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(์›ƒ์Œ)
03:04
So, I just started playing.
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๊ทธ๋ž˜์„œ ์ €๋Š” ๊ทธ๋ƒฅ ์—ฐ์ฃผ๋ฅผ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค.
03:07
And I played the first movement of the Beethoven Violin Concerto.
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๋ฒ ํ† ๋ฒค ๋ฐ”์ด์˜ฌ๋ฆฐ ํ˜‘์ฃผ๊ณก ์ œ1์•…์žฅ์„ ์—ฐ์ฃผํ–ˆ์–ด์š”.
03:11
And as I played,
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์—ฐ์ฃผ๋ฅผ ํ•˜๋ฉด์„œ ์ €๋Š”
03:13
I understood that there was a profound change
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๋‚˜ํƒ€๋‹ˆ์–ผ์˜ ๋ˆˆ์—์„œ ์‹ฌ์˜คํ•œ ๋ณ€ํ™”๊ฐ€
03:16
occurring in Nathaniel's eyes.
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์ƒ๊ธฐ๊ณ  ์žˆ์Œ์„ ์•Œ์•„์ฑ˜์Šต๋‹ˆ๋‹ค.
03:18
It was as if he was in the grip of some invisible pharmaceutical,
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์ด๊ฒƒ์€ ๋งˆ์น˜ ๊ทธ๊ฐ€ ๋ณด์ด์ง€ ์•Š๋Š” ์•ฝ๋ฆฌ์ , ํ™”ํ•™์  ๋ฐ˜์‘์„
03:21
a chemical reaction, for which my playing the music
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๊ฝ‰ ์›€์ผœ์ฅ๊ณ  ์žˆ๋Š” ๊ฒƒ ๊ฐ™์•˜์Šต๋‹ˆ๋‹ค. ์ €์˜ ์—ฐ์ฃผ๊ฐ€
03:25
was its catalyst.
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์ด‰๋งค์ œ๊ฐ€ ๋œ ๊ฒƒ์ด์ฃ .
03:28
And Nathaniel's manic rage
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๋‚˜ํƒ€๋‹ˆ์–ผ์˜์˜ ์กฐ์ฆ์ ์ธ ๋ถ„๋…ธ๊ฐ€
03:32
was transformed into understanding,
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์ดํ•ด์™€, ์ฐจ๋ถ„ํ•œ ํ˜ธ๊ธฐ์‹ฌ๊ณผ,
03:36
a quiet curiosity and grace.
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๊ด€๋Œ€ํ•จ์œผ๋กœ ๋ณ€ํ–ˆ์Šต๋‹ˆ๋‹ค.
03:41
And in a miracle, he lifted his own violin
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์ด ๊ธฐ์ ์†์—์„œ, ๊ทธ๋Š” ๋ฐ”์ด์˜ฌ๋ฆฐ์„ ๋“ค์–ด
03:44
and he started playing, by ear,
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๋ฐ”์ด์˜ฌ๋ฆฐ ํ˜‘์ฃผ๊ณก์˜ ์ผ๋ถ€๋ฅผ
03:47
certain snippets of violin concertos
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์•…๋ณด ์—†์ด ๊ท€๋กœ ๋“ฃ๊ณ  ์—ฐ์ฃผํ•˜๊ธฐ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค.
03:49
which he then asked me to complete -- Mendelssohn,
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์ œ๊ฒŒ ์™„์ฃผํ•ด๋‹ฌ๋ผ๊ณ  ์š”์ฒญํ–ˆ๋˜ ๋ฉ˜๋ธ์Šค์กด,
03:51
Tchaikovsky, Sibelius.
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์ฐจ์ด์ฝฅ์Šคํ‚ค, ์‹œ๋ฒจ๋ฆฌ์šฐ์Šค์˜ ํ˜‘์ฃผ๊ณก์ด์—ˆ์Šต๋‹ˆ๋‹ค.
03:53
And we started talking about music, from Bach
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์šฐ๋ฆฌ๋Š” ์Œ์•…์— ๋Œ€ํ•ด์„œ ์ด์•ผ๊ธฐ ํ•˜๊ธฐ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค.
03:55
to Beethoven and Brahms,
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๋ฐ”ํ๋ถ€ํ„ฐ ๋ฒ ํ† ๋ฒค, ๋ธŒ๋žŒ์Šค
03:57
Bruckner, all the B's,
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๋ธŒ๋ฃฉํฌ๋„ˆ, B๋กœ ์‹œ์ž‘ํ•˜๋Š” ๋ชจ๋“  ์Œ์•…๊ฐ€๋“ค
03:59
from Bartรณk, all the way up to Esa-Pekka Salonen.
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๋ฐ”๋ฅดํ† ํฌ๋ถ€ํ„ฐ ์—์‚ฌ-ํŽ˜์นด ์‚ด๋กœ๋„จ์— ์ด๋ฅด๊ธฐ๊นŒ์ง€ ๋ง์ด์ฃ .
04:01
And I understood that he not only
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์ €๋Š” ๊ทธ๊ฐ€ ๋ฐฑ๊ณผ์‚ฌ์ „์ ์ธ
04:03
had an encyclopedic knowledge of music,
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์Œ์•… ์ง€์‹ ๋ฟ๋งŒ์•„๋‹ˆ๋ผ
04:05
but he related to this music at a personal level.
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๊ทธ์˜ ์ˆ˜์ค€์ด ์ด๋Ÿฐ ์Œ์•…๊ณผ ๊ทผ์ ‘ํ•˜๋‹ค๋Š” ๊ฒƒ์„ ์•Œ๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
04:09
He spoke about it with the kind of passion
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๊ทธ๋Š” ์—ด์ •๊ณผ ์ง€์‹์„ ๊ฐ€์ง€๊ณ ์„œ
04:11
and understanding that I share with my colleagues
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LA ํ•„ํ•˜๋ชจ๋‹‰์—์„œ ์ œ๊ฐ€ ๋™๋ฃŒ๋“ค๊ณผ ํ•จ๊ป˜ ํ•˜๋Š” ๊ฒƒ์— ๋Œ€ํ•ด
04:13
in the Los Angeles Philharmonic.
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์ด์•ผ๊ธฐ ํ–ˆ์Šต๋‹ˆ๋‹ค.
04:16
And through playing music and talking about music,
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์Œ์•… ์—ฐ์ฃผ, ์Œ์•…์— ๊ด€ํ•œ ๋Œ€ํ™”๋ฅผ ํ†ตํ•ด
04:19
this man had transformed
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๊ทธ๋Š” ํ”ผํ•ด๋ง์ƒ์  ์ •์‹ ์ด์ƒ์ž๋กœ ๋ถ€ํ„ฐ
04:21
from the paranoid, disturbed man
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ํƒˆํ”ผ๋˜์–ด ์™”์Šต๋‹ˆ๋‹ค.
04:24
that had just come from walking the streets
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๊ทธ์ € LA ์ค‘์‹ฌ๊ฐ€๋ฅผ
04:26
of downtown Los Angeles
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๊ฑฐ๋‹๋˜ ๊ทธ๊ฐ€,
04:28
to the charming, erudite,
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๋งค๋ ฅ์ ์ด๊ณ  ํ•™๊ตฌ์ ์ด๋ฉฐ
04:30
brilliant, Juilliard-trained musician.
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์ด๋ช…ํ•œ, ์ฅด๋ฆฌ์–ด๋“œ ๋ฎค์ง€์…˜์œผ๋กœ ๋ฐ”๋€Œ์—ˆ์Šต๋‹ˆ๋‹ค.
04:34
Music is medicine. Music changes us.
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์Œ์•…์€ ์น˜๋ฃŒ์•ฝ์ž…๋‹ˆ๋‹ค. ์Œ์•…์€ ์šฐ๋ฆฌ๋ฅผ ๋ณ€ํ™”์‹œํ‚ต๋‹ˆ๋‹ค.
04:39
And for Nathaniel, music is sanity.
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๊ทธ๋ฆฌ๊ณ  ๋‚˜ํƒ€๋‹ˆ์–ผ์—๊ฒŒ ์Œ์•…์€ ์˜จ์ „ํ•œ ์ •์‹ ์ž…๋‹ˆ๋‹ค.
04:43
Because music allows him to take his thoughts
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์™œ๋ƒํ•˜๋ฉด ์Œ์•…์€ ๊ทธ์˜ ์‚ฌ๊ณ ์™€
04:45
and delusions and shape them
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๊ณต์ƒ์„ ๋ถ™์žก๊ฒŒ ํ•˜์—ฌ
04:48
through his imagination and his creativity,
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์ƒ์ƒ๋ ฅ๊ณผ ์ฐฝ์กฐ๋ ฅ์„ ํ†ตํ•ด ์ด๊ฒƒ๋“ค์„
04:50
into reality.
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์‹ค์ฒดํ™” ์‹œํ‚ค๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
04:52
And that is an escape
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๊ทธ๊ฒƒ์€ ๊ณ ํ†ต์œผ๋กœ๋ถ€ํ„ฐ์˜
04:54
from his tormented state.
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ํ•ด๋ฐฉ์ž…๋‹ˆ๋‹ค.
04:56
And I understood that this was the very essence of art.
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์ €๋Š” ์ด๊ฒƒ์ด ์˜ˆ์ˆ ์˜ ์ง„์ •ํ•œ ๋ณธ์งˆ์ž„์„ ๊นจ๋‹ฌ์•˜์Šต๋‹ˆ๋‹ค.
04:59
This was the very reason why we made music,
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์ด๊ฒƒ์€ ์šฐ๋ฆฌ๊ฐ€ ์Œ์•…์„ ๋งŒ๋“œ๋Š” ํ™•์‹คํ•œ ์ด์œ ์ž…๋‹ˆ๋‹ค.
05:01
that we take something that exists within all of us
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์Œ์•…์€ ์šฐ๋ฆฌ์—๊ฒŒ ๋‚ด์žฌ๋œ ๊ทธ ๋ฌด์–ธ๊ฐ€๋ฅผ ๋ฐ›์•„๋“ค์ด๊ฒŒ ํ•ฉ๋‹ˆ๋‹ค.
05:03
at our very fundamental core,
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์šฐ๋ฆฌ์˜ ์•„์ฃผ ๊ทผ๋ณธ์ ์ธ ํ•ต์‹ฌ๊ณผ
05:05
our emotions,
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๊ฐ์ • ์•ˆ์— ์žˆ๋Š” ๊ฒƒ๋“ค ๋ง์ด์ฃ .
05:07
and through our artistic lens,
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๋˜ํ•œ ์˜ˆ์ˆ ์ ์ธ ๋ Œ์ฆˆ์™€
05:09
through our creativity, we're able to shape those emotions into reality.
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์ฐฝ์ž‘๋ ฅ์„ ํ†ตํ•ด ์šฐ๋ฆฌ๊ฐ€ ์ด๋Ÿฐ ๊ฐ์ •๋“ค์„ ์‹ค์ œ๋กœ ํ˜•์ƒํ™” ํ•  ์ˆ˜ ์žˆ๊ฒŒ ํ•ฉ๋‹ˆ๋‹ค.
05:14
And the reality of that expression
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๊ทธ๋ฆฌ๊ณ  ์ด๋Ÿฐ ํ‘œํ˜„์˜ ์‹ค์ฒด๋Š”
05:16
reaches all of us
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์šฐ๋ฆฌ์—๊ฒŒ ์˜ํ–ฅ์„ ๋ฏธ์น˜๊ณ ,
05:18
and moves us, inspires and unites us.
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์šฐ๋ฆฌ๋ฅผ ์›€์ง์ด๊ณ , ์˜๊ฐ์„ ์ฃผ๊ณ , ์šฐ๋ฆฌ๋ฅผ ์—ฎ์–ด์ค๋‹ˆ๋‹ค.
05:23
And for Nathaniel,
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๊ทธ๋ฆฌ๊ณ  ๋‚˜ํƒ€๋‹ˆ์–ผ์—๊ฒŒ ์Œ์•…์€
05:25
music brought him back into a fold of friends.
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์นœ๊ตฌ๋“ค์˜ ๋ฌด๋ฆฌ๋กœ ๋Œ์•„์˜ค๊ฒŒ ํ–ˆ์Šต๋‹ˆ๋‹ค
05:28
The redemptive power of music brought him back
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์Œ์•…์ด ๊ฐ€์ง„ ๋ณต์›์˜ ํž˜์€ ๊ทธ๊ฐ€ ์Œ์•…๊ฐ€ ์ง‘๋‹จ์œผ๋กœ
05:30
into a family of musicians
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๋‹ค์‹œ ๋Œ์•„์˜ค๋„๋ก ์ด๋Œ์—ˆ์Šต๋‹ˆ๋‹ค.
05:32
that understood him,
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๊ทธ๋“ค์€ ๊ทธ๋ฅผ ์ดํ•ดํ•˜๊ณ ,
05:34
that recognized his talents
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๊ทธ์˜ ์žฌ๋Šฅ์„ ์•Œ์•„์ฃผ๊ณ ,
05:36
and respected him.
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๊ทธ๋ฅผ ์กด๊ฒฝํ•˜์ฃ .
05:39
And I will always make music with Nathaniel,
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์–ธ์ œ๋‚˜ ์ €๋Š” ๋‚˜๋‹ค๋‹ˆ์—˜๊ณผ ํ•จ๊ป˜ ์Œ์•…์„ ๋งŒ๋“ค ๊ฒƒ์ž…๋‹ˆ๋‹ค.
05:42
whether we're at Walt Disney Concert Hall
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์šฐ๋ฆฌ๊ฐ€ ์›”ํŠธ ๋””์ฆˆ๋‹ˆ ์ฝ˜์„œํŠธ ํ™€์— ์žˆ๋“ 
05:44
or on Skid Row, because he reminds me
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์Šคํ‚ค๋“œ๋กœ์šฐ์— ์žˆ๋“  ์ƒ๊ด€์—†์–ด์š”. ์™œ๋ƒํ•˜๋ฉด ๊ทธ๋Š”
05:46
why I became a musician.
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์™œ ์ œ๊ฐ€ ์Œ์•…๊ฐ€๊ฐ€ ๋˜์—ˆ๋Š”์ง€๋ฅผ ์ƒ๊ธฐ์‹œ์ผœ ์ฃผ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
05:49
Thank you.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
05:51
(Applause)
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(๋ฐ•์ˆ˜)
05:58
Bruno Giussani: Thank you. Thanks.
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B.G: ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
06:01
Robert Gupta.
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๋กœ๋ฒ„ํŠธ ๊ตฝํƒ€.
06:03
(Applause)
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(๋ฐ•์ˆ˜)
06:22
Robert Gupta: I'm going to play something that I shamelessly stole from cellists.
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์—ฐ์ฃผ๋ฅผ ํ•˜๋‚˜ ํ• ๊นŒ ํ•˜๋Š”๋ฐ, ๋ป”๋ป”ํ•˜๊ฒŒ๋„ ์ฒผ๋ฆฌ์ŠคํŠธ๋กœ ๋ถ€ํ„ฐ ํ›”์นœ ๊ฒ๋‹ˆ๋‹ค.
06:25
So, please forgive me.
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๊ทธ๋Ÿฌ๋‹ˆ ์šฉ์„œ๋ฅผ ๋ถ€ํƒ๋“œ๋ฆด๊ฒŒ์š”.
06:27
(Laughter)
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(์›ƒ์Œ)
06:28
(Music)
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(์Œ์•…)
09:13
(Applause)
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(๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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