Magical houses, made of bamboo | Elora Hardy

3,295,169 views ใƒป 2015-05-12

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Ido Dekkers ืžื‘ืงืจ: Tal Dekkers
00:12
When I was nine years old,
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ื›ืฉื”ื™ื™ืชื™ ื‘ืช ืชืฉืข,
00:14
my mom asked me what I would want my house to look like,
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ืืžื™ ืฉืืœื” ืื•ืชื™ ืื™ืš ืื ื™ ืจื•ืฆื” ืฉื”ื‘ื™ืช ืฉืœื™ ื™ืจืื”,
00:18
and I drew this fairy mushroom.
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ื•ืฆื™ื™ืจืชื™ ืืช ืคื˜ืจื™ื™ืช ื”ืคื™ื•ืช ื”ื–ืืช.
00:20
And then she actually built it.
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ื•ืื– ื”ื™ื ืœืžืขืฉื” ื‘ื ืชื” ืื•ืชื”.
00:23
(Laughter)
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(ืฆื—ื•ืง)
00:25
I don't think I realized this was so unusual at the time,
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ืื ื™ ืœื ื—ื•ืฉื‘ืช ืฉื”ื‘ื ืชื™ ืฉื–ื” ื”ื™ื” ื›ืœ ื›ืš ื™ื•ืฆื ื“ื•ืคืŸ ื‘ืื•ืชื• ื–ืžืŸ,
00:28
and maybe I still haven't,
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ื•ืื•ืœื™ ืื ื™ ืขื“ื™ื™ืŸ ืœื,
00:29
because I'm still designing houses.
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ืžืคื ื™ ืฉืื ื™ ืขื“ื™ื™ืŸ ืžืชื›ื ื ืช ื‘ืชื™ื.
00:35
This is a six-story bespoke home on the island of Bali.
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ื–ื” ื‘ื ื™ื™ืŸ ื™ื—ื•ื“ื™ ื‘ืŸ ืฉืฉ ืงื•ืžื•ืช ืขืœ ื”ืื™ ื‘ืืœื™.
00:38
It's built almost entirely from bamboo.
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ื”ื•ื ื‘ื ื•ื™ ื›ืžืขื˜ ืœื’ืžืจื™ ืžื‘ืžื‘ื•ืง.
00:42
The living room overlooks the valley from the fourth floor.
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ื—ื“ืจ ื”ืžื’ื•ืจื™ื ืžื‘ื™ื˜ ืขืœ ื”ืขืžืง ืžื”ืงื•ืžื” ื”ืจื‘ื™ืขื™ืช.
00:46
You enter the house by a bridge.
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ืืชื ื ื›ื ืกื™ื ืœื‘ื™ืช ืขืœ ื’ืฉืจ.
00:50
It can get hot in the tropics,
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ื™ื›ื•ืœ ืœื”ื™ื•ืช ื—ื ื‘ืื–ื•ืจ ื”ื˜ืจื•ืคื™,
00:52
so we make big curving roofs to catch the breezes.
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ืื– ืขืฉื™ื ื• ื’ื’ื•ืช ื’ื“ื•ืœื™ื ื•ืžืชืขื’ืœื™ื ื›ื“ื™ ืœืœื›ื•ื“ ืืช ื”ื‘ืจื™ื–ื•ืช.
00:57
But some rooms have tall windows to keep the air conditioning in
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ืื‘ืœ ืœื›ืžื” ื—ื“ืจื™ื ื™ืฉ ื—ืœื•ื ื•ืช ื’ื‘ื•ื”ื™ื ื›ื“ื™ ืœืฉืžื•ืจ ืขืœ ื”ืžื™ื–ื•ื’ ื‘ืคื ื™ื
01:01
and the bugs out.
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ื•ื”ื—ืจืงื™ื ื‘ื—ื•ืฅ.
01:05
This room we left open.
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ืืช ื”ื—ื“ืจ ื”ื–ื” ื”ืฉืืจื ื• ืคืชื•ื—.
01:07
We made an air-conditioned, tented bed.
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ืขืฉื™ื ื• ืžื™ื˜ื” ืžืžื•ื–ื’ืช ื‘ืื•ื”ืœ ื‘ืžืจื›ื–.
01:10
And one client wanted a TV room in the corner of her living room.
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ื•ืœืงื•ื—ื” ืื—ื“ ืจืฆืชื” ื—ื“ืจ ื˜ืœื•ื•ื™ื–ื™ื” ื‘ืคื™ื ื” ืฉืœ ื—ื“ืจ ื”ืžื’ื•ืจื™ื ืฉืœื”.
01:14
Boxing off an area with tall walls just didn't feel right,
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ืœืกื’ื•ืจ ืื–ื•ืจ ืขื ืงื™ืจื•ืช ื’ื‘ื•ื”ื™ื ืคืฉื•ื˜ ืœื ื”ืจื’ื™ืฉ ื ื›ื•ืŸ,
01:18
so instead, we made this giant woven pod.
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ืื– ื‘ืžืงื•ื, ืขืฉื™ื ื• ืชื ืืจื•ื’ ืขื ืง.
01:24
Now, we do have all the necessary luxuries, like bathrooms.
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ืขื›ืฉื™ื•, ื™ืฉ ืœื ื• ืืช ื›ืœ ื”ืžื•ืชืจื•ืช ื”ื ื—ื•ืฆื™ื, ื›ืžื• ืฉืจื•ืชื™ื.
01:28
This one is a basket in the corner of the living room,
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ื–ื” ื‘ืชื•ืš ืกืœ ื‘ืคื™ื ื” ืฉืœ ื”ืกืœื•ืŸ,
01:32
and I've got tell you, some people actually hesitate to use it.
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ื•ืื ื™ ื—ื™ื™ื‘ืช ืœื”ื’ื™ื“ ืœื›ื, ื›ืžื” ืื ืฉื™ื ืœืžืขืฉื” ืžื”ืกืกื™ื ืœื”ืฉืชืžืฉ ื‘ื•.
01:36
We have not quite figured out our acoustic insulation.
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ืœื ื‘ืืžืช ื”ืชืžื•ื“ื“ื ื• ืขื ื”ื‘ื™ื“ื•ื“ ื”ืืงื•ืกื˜ื™.
01:39
(Laughter)
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(ืฆื—ื•ืง)
01:41
So there are lots of things that we're still working on,
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ืื– ื™ืฉ ื”ืจื‘ื” ื“ื‘ืจื™ื ืฉืื ื—ื• ืขื“ื™ื™ืŸ ืขื•ื‘ื“ื™ื ืขืœื™ื”ื,
01:44
but one thing I have learned
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ืื‘ืœ ื“ื‘ืจ ืื—ื“ ืฉืœืžื“ืชื™
01:46
is that bamboo will treat you well if you use it right.
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ื–ื” ืฉื‘ืžื‘ื•ืง ื™ืชื™ื™ื—ืก ืืœื™ื›ื ื˜ื•ื‘ ืื ืชืฉืชืžืฉื• ื‘ื• ื ื›ื•ืŸ.
01:50
It's actually a wild grass.
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ื–ื” ืœืžืขืฉื” ืขืฉื‘ ื‘ืจ.
01:52
It grows on otherwise unproductive land --
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ื”ื•ื ื’ื“ืœ ืขืœ ืื“ืžื•ืช ืœื ืคื•ืจื™ื•ืช --
01:55
deep ravines, mountainsides.
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ืขืžืงื™ื ืขืžื•ืงื™ื, ืฆื™ื“ื™ ื”ืจื™ื,
01:59
It lives off of rainwater, spring water, sunlight,
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ื”ื•ื ื—ื™ ืขืœ ืžื™ ื’ืฉืžื™ื, ืžื™ ืžืขื™ื™ื ื•ืช, ืื•ืจ ืฉืžืฉ,
02:03
and of the 1,450 species of bamboo that grow across the world,
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ื•ืžืชื•ืš 1450 ืžื™ื ื™ ื”ื‘ืžื‘ื•ืง ืฉื’ื“ืœื™ื ื‘ืขื•ืœื,
02:08
we use just seven of them.
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ืื ื—ื ื• ืžืฉืชืžืฉื™ื ืจืง ื‘ืฉื‘ืขื”.
02:10
That's my dad.
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ื–ื” ืื‘ื™.
02:12
He's the one who got me building with bamboo,
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ื”ื•ื ื–ื” ืฉื’ืจื ืœื™ ืœื‘ื ื•ืช ื‘ื‘ืžื‘ื•ืง,
02:14
and he is standing in a clump
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ื•ื”ื•ื ืขื•ืžื“ ื‘ื—ืœืงื”
02:16
of Dendrocalamus asper niger that he planted just seven years ago.
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ืฉืœ ื“ื ื“ืจื•ืงืœืžื•ืก ืืกืคืจ ื ื™ื’ืจ ืฉืฉืชืœื ื• ืจืง ืœืคื ื™ ืฉื‘ืข ืฉื ื™ื.
02:20
Each year, it sends up a new generation of shoots.
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ื›ืœ ืฉื ื”, ื”ื•ื ืฉื•ืœื— ื“ื•ืจ ื—ื“ืฉ ืฉืœ ื—ื•ื˜ืจื™ื.
02:23
That shoot, we watched it grow a meter in three days just last week,
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ื”ื—ื•ื˜ืจ ื”ื–ื”, ืฆืคื™ื ื• ื‘ื• ื’ื“ืœ ืžื˜ืจ ื‘ืฉืœื•ืฉื” ื™ืžื™ื ื‘ืฉื‘ื•ืข ืฉืขื‘ืจ,
02:28
so we're talking about sustainable timber in three years.
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ืื– ืื ื—ื ื• ืžื“ื‘ืจื™ื ืขืœ ืขืฅ ื‘ืจ ืงื™ื™ืžื ื‘ืฉืœื•ืฉ ืฉื ื™ื.
02:35
Now, we harvest from hundreds of family-owned clumps.
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ืขื›ืฉื™ื•, ืงืฆืจื ื• ืžืžืื•ืช ื—ืœืงื•ืช ื‘ื‘ืขืœื•ืช ืžืฉืคื—ื•ืช.
02:38
Betung, as we call it, it's really long,
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ื‘ื˜ื•ื ื’, ื›ืžื• ืฉืื ื—ื ื• ืงื•ืจืื™ื ืœื–ื”, ื–ื” ืžืžืฉ ืืจื•ืšืฃ
02:41
up to 18 meters of usable length.
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ืขื“ 18 ืžื˜ืจ ืฉืœ ืื•ืจืš ืฉืžื™ืฉ.
02:42
Try getting that truck down the mountain.
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ื ืกื• ืœื”ื•ืจื™ื“ ืืช ื”ืžืฉืื™ืช ื”ื–ื• ื‘ืžื•ืจื“ ื”ืจ.
02:45
And it's strong: it has the tensile strength of steel,
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ื•ื”ื•ื ื—ื–ืง, ื™ืฉ ืœื• ื›ื•ืฉืจ ืžืชื™ื—ื” ืฉืœ ืคืœื“ื”,
02:49
the compressive strength of concrete.
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ื›ื•ืฉืจ ื”ื“ื—ื™ืกื” ืฉืœ ื‘ื˜ื•ืŸ.
02:51
Slam four tons straight down on a pole,
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ื”ื˜ื™ื—ื• ืืจื‘ืขื” ื˜ื•ื ื•ืช ื™ืฉืจ ืœืžื˜ื” ืขืœ ืžื•ื˜,
02:54
and it can take it.
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ื•ื”ื•ื ื™ื›ื•ืœ ืœืขืžื•ื“ ื‘ื–ื”.
02:57
Because it's hollow, it's lightweight,
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ืžืคื ื™ ืฉื”ื•ื ื—ืœื•ืœ, ื”ื•ื ืงืœ,
03:00
light enough to be lifted by just a few men,
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ืงืœ ืžืกืคื™ืง ื›ื“ื™ ืœื”ื™ื•ืช ืžื•ืจื ืขืœ ื™ื“ื™ ื›ืžื” ืื ืฉื™ื ื‘ืœื‘ื“,
03:03
or, apparently, one woman.
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ืื• , ืžืกืชื‘ืจ, ืื™ืฉื” ืื—ืช.
03:06
(Laughter) (Applause)
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(ืฆื—ื•ืง)(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
03:14
And when my father built Green School in Bali,
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ื•ื›ืฉืื‘ื™ ื‘ื ื” ืืช ื‘ื™ืช ื”ืกืคืจ ื”ื™ืจื•ืง ื‘ื‘ืืœื™,
03:18
he chose bamboo for all of the buildings on campus,
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ื”ื•ื ื‘ื—ืจ ื‘ื‘ืžื‘ื•ืง ืœื›ืœ ื”ื‘ื ื™ื™ื ื™ื ื‘ืงืžืคื•ืก,
03:21
because he saw it as a promise.
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ืžืคื ื™ ืฉื”ื•ื ืจืื” ืืช ื–ื” ื›ื”ื‘ื˜ื—ื”.
03:23
It's a promise to the kids.
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ื–ื• ื”ื‘ื˜ื—ื” ืœื™ืœื“ื™ื.
03:25
It's one sustainable material that they will not run out of.
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ื–ื” ื—ื•ืžืจ ื‘ืจ ืงื™ื™ืžื ืื—ื“ ืฉืœื ื™ื’ืžืจ ืœื”ื.
03:30
And when I first saw these structures under construction about six years ago,
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ื•ื›ืฉืจืื™ืชื™ ืœืจืืฉื•ื ื” ืืช ื”ืžื‘ื ื™ื ื”ืืœื” ื‘ื‘ื ื™ื” ืœืคื ื™ ื‘ืขืจืš ืฉืฉ ืฉื ื™ื,
03:34
I just thought, this makes perfect sense.
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ืจืง ื—ืฉื‘ืชื™, ื–ื” ื”ื’ื™ื•ื ื™ ืœื’ืžืจื™.
03:38
It is growing all around us.
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ื–ื” ื’ื“ืœ ืกื‘ื™ื‘ื ื• ื‘ื›ืœ ืžืงื•ื.
03:40
It's strong. It's elegant.
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ื–ื” ื—ื–ืง, ื–ื” ืืœื’ื ื˜ื™.
03:43
It's earthquake-resistant.
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ื–ื” ืขืžื™ื“ ืœืจืขื™ื“ื•ืช ืื“ืžื”.
03:45
Why hasn't this happened sooner, and what can we do with it next?
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ืœืžื” ื–ื” ืœื ืงืจื” ืžื•ืงื“ื ื™ื•ืชืจ, ื•ืžื” ื ื•ื›ืœ ืœืขืฉื•ืช ืขื ื–ื” ื”ืœืื”?
03:49
So along with some of the original builders of Green School,
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ืื– ื™ื—ื“ ืขื ื—ืœืง ืžื”ื‘ื•ื ื™ื ื”ืžืงื•ืจื™ื™ื ืฉืœ ื‘ื™ืช ื”ืกืคืจ ื”ื™ืจื•ืง,
03:54
I founded Ibuku.
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ื™ืกื“ืชื™ ืืช ืื™ื‘ื•ืงื•.
03:56
Ibu means "mother," and ku means "mine," so it represents my Mother Earth,
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ืื™ื‘ื• ืžืฉืžืขื• "ืื", ื•ืงื• ืžืฉืžืขื• "ืฉืœื™," ืื– ื–ื” ืžืชืจื’ื ื‘ืื ื’ืœื™ืช ืœืืžื ืื“ืžื” ืฉืœื™,
04:02
and at Ibuku, we are a team of artisans, architects and designers,
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ื•ื‘ืื™ื‘ื•ืงื•, ืื ื—ื ื• ืฆื•ื•ืช ืฉืœ ืืจื˜ื™ื–ื ื™ื, ืืจื›ื™ื˜ืงื˜ื™ื ื•ืžืขืฆื‘ื™ื,
04:07
and what we're doing together is creating a new way of building.
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ื•ืžื” ืฉืื ื—ื ื• ืขื•ืฉื™ื ื–ื” ืœื™ืฆื•ืจ ื“ืจืš ื—ื“ืฉื” ืœื‘ื ื™ื”.
04:12
Over the past five years together,
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ื‘ืžื”ืœืš ื—ืžืฉ ื”ืฉื ื™ื ื”ืื—ืจื•ื ื•ืช ื™ื—ื“,
04:14
we have built over 50 unique structures, most of them in Bali.
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ื‘ื ื™ื ื• ื™ื•ืชืจ ืž 50 ืžื‘ื ื™ื ื™ื—ื•ื“ื™ื™ื ืจื•ื‘ื ื‘ื‘ืืœื™.
04:20
Nine of them are at Green Village --
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ืชืฉืขื” ืžื”ื ื”ื ื‘ื›ืคืจ ื”ื™ืจื•ืง --
04:23
you've just seen inside some of these homes --
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ืจืื™ืชื ืืช ื”ืคื ื™ื ืฉืœ ื—ืœืง ืžื”ื‘ืชื™ื ื”ืืœื” --
04:26
and we fill them with bespoke furniture,
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ื•ื ืžืœื ืื•ืชื ื‘ืจื”ื™ื˜ื™ื ืžื•ืชืืžื™ื ืื™ืฉื™ืช,
04:30
we surround them with veggie gardens,
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ืื ื—ื ื• ืžืงื™ืคื™ื ืื•ืชื ื‘ื’ื ื™ ื™ืจืง,
04:32
we would love to invite you all to come visit someday.
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ื ืฉืžื— ืœื”ื–ืžื™ืŸ ืืช ื›ื•ืœื›ื ืœื‘ื•ื ืœื‘ืงืจ ื™ื•ื ืื—ื“.
04:35
And while you're there, you can also see Green School --
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ื•ื‘ื–ืžืŸ ืฉืืชื ืฉื, ืืชื ื™ื›ื•ืœื™ื ืœืจืื•ืช ื’ื ืืช ื‘ื™ืช ื”ืกืคืจ ื”ื™ืจื•ืง --
04:38
we keep building classrooms there each year --
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ืื ื—ื ื• ืžืžืฉื™ื›ื™ื ืœื‘ื ื•ืช ื›ื™ืชื•ืช ืฉื ื›ืœ ืฉื ื” --
04:41
as well as an updated fairy mushroom house.
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ื›ืžื• ื’ื ื‘ื™ืช ืคื™ื•ืช ืžืขื•ื“ื›ืŸ ื‘ืฆื•ืจืช ืคื˜ืจื™ื”.
04:46
We're also working on a little house for export.
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ืื ื—ื ื• ื’ื ืขื•ื‘ื“ื™ื ืขืœ ื‘ื™ืช ืงื˜ืŸ ืœื™ืฆื•ื.
04:49
This is a traditional Sumbanese home that we replicated,
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ื–ื” ื‘ื™ืช ืกื•ืžื‘ื ื–ื™ ืžืกื•ืจืชื™ ืฉืฉื›ืคืœื ื•,
04:53
right down to the details and textiles.
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ืขื“ ืœืคืจื˜ื™ื ื”ืงื˜ื ื™ื ื•ืœื‘ื“ื™ื.
04:57
A restaurant with an open-air kitchen.
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ืžืกืขื“ื” ืขื ืžื˜ื‘ื— ืคืชื•ื—.
05:01
It looks a lot like a kitchen, right?
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ื–ื” ื ืจืื” ื›ืžื• ืžื˜ื‘ื—, ื ื›ื•ืŸ?
05:04
And a bridge that spans 22 meters across a river.
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ื•ื’ืฉืจ ื‘ืจื•ื—ื‘ 22 ืžื˜ืจ ืฉืขื•ื‘ืจ ืžืขืœ ื ื”ืจ.
05:09
Now, what we're doing, it's not entirely new.
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ืขื›ืฉื™ื•, ืžื” ืฉืื ื—ื ื• ืขื•ืฉื™ื ื–ื” ืœื ืžืžืฉ ื—ื“ืฉ.
05:13
From little huts to elaborate bridges like this one in Java,
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ืžื‘ืงืชื•ืช ืงื˜ื ื•ืช ืœื’ืฉืจื™ื ืžื•ืจื›ื‘ื™ื ื›ืžื• ื–ื” ื‘ื’'ืื•ื•ื”,
05:18
bamboo has been in use across the tropical regions of the world
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ื‘ืžื‘ื•ืง ื”ื™ื” ื‘ืฉื™ืžื•ืฉ ื‘ืจื—ื‘ื™ ื”ืื–ื•ืจื™ื ื”ื˜ืจื•ืคื™ื ืฉืœ ื”ืขื•ืœื
05:21
for literally tens of thousands of years.
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ื‘ืžืฉืš ืขืฉืจื•ืช ืืœืคื™ ืฉื ื™ื.
05:24
There are islands and even continents that were first reached by bamboo rafts.
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ื™ืฉ ืื™ื™ื ื•ืืคื™ืœื• ื™ื‘ืฉื•ืช ืฉื”ื’ื™ืขื• ืืœื™ื”ื ืจืืฉื™ืช ืขืœ ืจืคืกื•ื“ื•ืช ื‘ืžื‘ื•ืง.
05:30
But until recently,
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ืื‘ืœ ืขื“ ืœืื—ืจื•ื ื”,
05:32
it was almost impossible to reliably protect bamboo from insects,
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ื–ื” ื”ื™ื” ื›ืžืขื˜ ื‘ืœืชื™ ืืคืฉืจื™ ืœื”ื’ืŸ ื‘ืฆื•ืจื” ืืžื™ื ื” ืขืœ ื‘ืžื‘ื•ืง ืžืžื–ื™ืงื™ื,
05:37
and so, just about everything that was ever built out of bamboo is gone.
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ื•ื›ืš, ื›ืžืขื˜ ื›ืœ ืžื” ืฉื ื‘ื ื” ืื™ ืคืขื ืžื‘ืžื‘ื•ืง ื ืขืœื.
05:42
Unprotected bamboo weathers.
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ื‘ืžื‘ื•ืง ืœื ืžื•ื’ืŸ ื ืคื’ืข ืžืžื–ื’ ื”ืื•ื™ืจ.
05:44
Untreated bamboo gets eaten to dust.
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ื‘ืžื‘ื•ืง ืœื ืžื˜ื•ืคืœ ื ืื›ืœ ืœืื‘ืง.
05:48
And so that's why most people, especially in Asia,
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ื•ืœื›ืŸ ืจื•ื‘ ื”ืื ืฉื™ื ื‘ืขื™ืงืจ ื‘ืืกื™ื”,
05:51
think that you couldn't be poor enough or rural enough to actually want
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ื—ื•ืฉื‘ื™ื ืฉืืชื ืœื ื™ื›ื•ืœื™ื ืœื”ื™ื•ืช ืขื ื™ื™ื ืžืกืคื™ืง ืื• ื›ืคืจื™ื™ื ืžืกืคื™ืง ืฉืชืจืฆื•
05:55
to live in a bamboo house.
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ืœื—ื™ื•ืช ื‘ื‘ื™ืช ื‘ืžื‘ื•ืง.
05:58
And so we thought,
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ื•ื›ืš ื—ืฉื‘ื ื•,
05:59
what will it take to change their minds,
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ืžื” ื™ื“ืจืฉ ื›ื“ื™ ืœืฉื ื•ืช ืืช ื“ืขืชื,
06:02
to convince people that bamboo is worth building with,
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ื›ื“ื™ ืœืฉื›ื ืข ืื ืฉื™ื ืฉื‘ืžื‘ื•ืง ื›ื“ืื™ ื›ื—ื•ืžืจ ื‘ื ื™ื”,
06:05
much less worth aspiring to?
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ื•ืืคื™ืœื• ื™ื•ืชืจ ืฉื•ื•ื” ืœืฉืื•ืฃ ืืœื™ื•?
06:08
First, we needed safe treatment solutions.
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ืจืืฉื™ืช, ื”ื™ื™ื ื• ืฆืจื™ื›ื™ื ืคืชืจื•ื ื•ืช ื˜ื™ืคื•ืœ ื‘ื˜ื•ื—ื™ื.
06:11
Borax is a natural salt.
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ื‘ื•ืจืืงืก ื”ื•ื ืžืœื— ื˜ื‘ืขื™.
06:13
It turns bamboo into a viable building material.
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ื”ื•ื ื”ื•ืคืš ื‘ืžื‘ื•ืง ืœื—ื•ืžืจ ื‘ื ื™ื” ืืคืฉืจื™.
06:15
Treat it properly, design it carefully,
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ื˜ืคืœื• ื‘ื• ื ื›ื•ืŸ, ืขืฆื‘ื• ืื•ืชื• ื‘ืงืคื™ื“ื”,
06:18
and a bamboo structure can last a lifetime.
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ื•ืžื‘ื ื” ื‘ืžื‘ื•ืง ื™ื›ื•ืœ ืœืฉืจื•ื“ ืœืขื“.
06:22
Second, build something extraordinary out of it.
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ืฉื ื™ืช, ื‘ื ื• ืžืฉื”ื• ื™ื•ืฆื ื“ื•ืคืŸ ืžืžื ื•.
06:26
Inspire people.
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ืชื ื• ื”ืฉืจืื” ืœืื ืฉื™ื.
06:28
Fortunately,
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ืœืžืจื‘ื” ื”ืžื–ืœ,
06:29
Balinese culture fosters craftsmanship.
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ื”ืชืจื‘ื•ืช ืฉืœ ื‘ืืœื™ ืžืขื•ื“ื“ืช ืืžื ื•ืช.
06:31
It values the artisan.
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ื”ื™ื ืžืขืจื™ื›ื” ืืช ื”ืืจื˜ื™ื–ื ื™ื.
06:33
So combine those with the adventurous outliers
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ืื– ืฉืœื‘ื• ืืช ืืœื” ืขื ื”ืงื™ืฆื•ื ื™ื ื”ื”ืจืคืชืงื ื™ื
06:35
from new generations of locally trained architects
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ืžื“ื•ืจ ื—ื“ืฉ ืฉืœ ืืจื›ื™ื˜ืงื˜ื™ื ืžืงื•ืžื™ื™ื
06:39
and designers and engineers,
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ื•ืžืขืฆื‘ื™ื ื•ืžื”ื ื“ืกื™ื,
06:42
and always remember that you are designing
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ื•ื–ื›ืจื• ืชืžื™ื“ ืฉืืชื ืžืชื›ื ื ื™ื
06:45
for curving, tapering, hollow poles.
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ืœืžื•ื˜ื•ืช ืžืชืขืงืœื™ื, ืงื˜ื ื™ื ื‘ืงื•ื˜ืจ ื•ื—ืœื•ืœื™ื.
06:49
No two poles alike, no straight lines,
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ืื™ืŸ ืฉื ื™ ืžื•ื˜ื•ืช ื–ื”ื™ื, ืื™ืŸ ืงื•ื™ื ื™ืฉืจื™ื,
06:52
no two-by-fours here.
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ืื™ืŸ ื—ืžืฉ ืขืœ ืขืฉืจ ืคื”.
06:55
The tried-and-true, well-crafted formulas and vocabulary of architecture
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ื”ื ื•ืกื—ืื•ืช ื”ืžื•ื›ื—ื•ืช ื•ื”ืžืชื•ืจื’ืœื•ืช ื•ื”ืžื™ืœื•ืŸ ื”ืืจื›ื™ื˜ืงื˜ื•ื ื™
07:00
do not apply here.
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ืœื ืจืœื•ื•ื ื˜ื™ื•ืช ืœืคื”.
07:01
We have had to invent our own rules.
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ื”ื™ื™ื ื• ืฆืจื™ื›ื™ื ืœื”ืžืฆื™ื ื—ื•ืงื™ื ืžืฉืœ ืขืฆืžื ื•.
07:03
We ask the bamboo what it's good at, what it wants to become,
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ืื ื—ื ื• ืฉื•ืืœื™ื ืืช ื”ื‘ืžื‘ื•ืง ื‘ืžื” ื”ื•ื ื˜ื•ื‘, ืœืžื” ื”ื•ื ืจื•ืฆื” ืœื”ืคื•ืš,
07:08
and what it says is: respect it, design for its strengths,
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ื•ืžื” ืฉื”ื•ื ืื•ืžืจ ื–ื”: ื›ื‘ื“ื• ืืช ื–ื”, ืชื›ื ื ื• ืœื—ื•ื–ืงื•ืช ืฉืœื•,
07:12
protect it from water, and to make the most of its curves.
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ื”ื’ื ื• ืขืœื™ื• ืžืžื™ื, ื•ื ืฆืœื• ืืช ืงื™ืžื•ืจื™ื• ื›ื›ืœ ื”ืืคืฉืจ.
07:16
So we design in real 3D,
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ืื– ืื ื—ื ื• ืžืชื›ื ื ื™ื ื‘ืชืœืช ืžื™ืžื“ ืืžื™ืชื™,
07:18
making scale structural models
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ื‘ื•ื ื™ื ืžื•ื“ืœื™ื ืžื‘ื ื™ื™ื ื‘ืงื ื” ืžื™ื“ื”
07:20
out of the same material that we'll later use to build the house.
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ืžืชื•ืš ืื•ืชื ื—ื•ืžืจื™ื ื‘ื”ื ื ืฉืชืžืฉ ืื—ืจ ื›ืš ื›ื“ื™ ืœื‘ื ื•ืช ืืช ื”ื‘ื™ืช.
07:23
And bamboo model-making, it's an art,
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ื•ื™ืฆื™ืจืช ืžื•ื“ืœื™ื ืžื‘ืžื‘ื•ืง, ื–ื• ืืžื ื•ืช,
07:25
as well as some hardcore engineering.
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ื›ืžื• ื’ื ื”ื ื“ืกื” ืžืกื•ื‘ื›ืช.
07:34
So that's the blueprint of the house.
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ืื– ื–ื• ื”ืชื•ื›ื ื™ืช ืฉืœ ื”ื‘ื™ืช.
07:36
(Laughter)
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(ืฆื—ื•ืง)
07:39
And we bring it to site,
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ื•ืื ื—ื ื• ืžื‘ื™ืื™ื ืืช ื–ื” ืœืืชืจ,
07:40
and with tiny rulers, we measure each pole,
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ื•ืขื ืกืจื’ืœื™ื ืงื˜ื ื™ื, ืื ื—ื ื• ืžื•ื“ื“ื™ื ื›ืœ ืžื•ื˜,
07:43
and consider each curve, and we choose a piece of bamboo from the pile
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ืžืชื—ืฉื‘ื™ื ื‘ื›ืœ ืงื™ืžื•ืจ, ื•ืื ื—ื ื• ื‘ื•ื—ืจื™ื ื‘ืคื™ืกื” ืฉืœ ื‘ืžื‘ื•ืง ืžื”ืขืจืžื”
07:48
to replicate that house on site.
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ื›ื“ื™ ืœืฉื—ื–ืจ ืืช ื”ื‘ื™ืช ื”ื–ื” ื‘ืืชืจ.
07:52
When it comes down to the details, we consider everything.
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ื›ืฉื–ื” ืžื’ื™ืข ืœืคืจื˜ื™ื, ืื ื—ื ื• ืžืชื—ืฉื‘ื™ื ื‘ื”ื›ืœ.
07:55
Why are doors so often rectangular?
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ืœืžื” ื”ื“ืœืชื•ืช ืžืœื‘ื ื™ื•ืช ื›ืœ ื›ืš ื”ืจื‘ื” ืคืขืžื™ื?
07:57
Why not round?
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ืœืžื” ืœื ืขื’ื•ืœื•ืช?
07:58
How could you make a door better?
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ืื™ืš ืชื•ื›ืœื• ืœืขืฉื•ืช ื“ืœืช ื˜ื•ื‘ื” ื™ื•ืชืจ?
08:00
Well, its hinges battle with gravity,
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ื•ื‘ื›ืŸ, ื”ืฆื™ืจื™ื ืฉืœื” ื ืœื—ืžื™ื ื‘ื›ื•ื— ื”ื›ื‘ื™ื“ื”,
08:02
and gravity will always win in the end,
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ื•ื”ื›ื‘ื™ื“ื” ืชืžื™ื“ ืชื ืฆื— ื‘ืกื•ืฃ,
08:04
so why not have it pivot on the center
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ืื– ืœืžื” ืœื ืœืชืช ืœื” ืœืกืชื•ื‘ื‘ ืœืžืจื›ื–
08:07
where it can stay balanced?
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ืฉื ื”ื™ื ื™ื›ื•ืœื” ืœื”ืฉืืจ ืžืื•ื–ื ืช?
08:09
And while you're at it, why not doors shaped like teardrops?
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ื•ื‘ืขื•ื“ ืืชื ืขืœ ื”ื ื•ืฉื, ืœืžื” ืœื ื“ืœืชื•ืช ื‘ืฆื•ืจืช ื˜ื™ืคื”?
08:14
To reap the selective benefits and work within the constraints
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ื›ื“ ืœื ืฆืœ ืืช ื”ื™ืชืจื•ื ื•ืช ื”ืกืœืงื˜ื™ื‘ื™ื™ื ื•ืœืขื‘ื•ื“ ื‘ืชื•ืš ื”ืžื’ื‘ืœื•ืช
08:17
of this material,
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ืฉืœ ื”ื—ื•ืžืจ ื”ื–ื”,
08:19
we have really had to push ourselves,
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ื‘ืืžืช ื”ื™ื™ื ื• ืฆืจื™ื›ื™ื ืœื“ื—ื•ืฃ ืืช ืขืฆืžื ื•,
08:21
and within that constraint, we have found space for something new.
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ื•ื‘ืชื•ืš ื”ืžื’ื‘ืœื•ืช ื”ืืœื•, ืžืฆืื ื• ืžืงื•ื ืœืžืฉื”ื• ื—ื“ืฉ.
08:27
It's a challenge: how do you make a ceiling
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ื–ื” ืืชื’ืจ: ืื™ืš ืขื•ืฉื™ื ืชืงืจื”
08:29
if you don't have any flat boards to work with?
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ืื ืื™ืŸ ืœื›ื ืœื•ื—ื•ืช ืฉื˜ื•ื—ื™ื ืœืขื‘ื•ื“ ืื™ืชื?
08:32
Let me tell you, sometimes I dream of sheet rock and plywood.
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ืชื ื• ืœื™ ืœืกืคืจ ืœื›ื, ืœืคืขืžื™ื ืื ื™ ื—ื•ืœืžืช ืขืœ ืœื•ื—ื•ืช ื•ืขืฅ ืœื‘ื•ื“.
08:37
(Laughter)
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(ืฆื—ื•ืง)
08:39
But if what you've got is skilled craftsmen
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ืื‘ืœ ืื ืžื” ืฉื™ืฉ ืœื›ื ื”ื ืขื•ื‘ื“ื™ื ืžื™ื•ืžื ื™ื
08:43
and itsy bitsy little splits,
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ื•ืฉื‘ื‘ื™ื ืงื˜ื ื™ื,
08:46
weave that ceiling together,
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ืชืืจื’ื• ืืช ื”ืชืงืจื” ื”ื–ื•,
08:48
stretch a canvas over it, lacquer it.
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ืชืžืชื—ื• ืงื ื‘ืก ืžืขืœ ื–ื”, ืชืฆืคื• ื‘ืœื›ื”.
08:51
How do you design durable kitchen countertops
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ืื™ืš ืืชื ืžืชื›ื ื ื™ื ืžืฉื˜ื—ื™ ืžื˜ื‘ื— ืขืžื™ื“ื™ื
08:54
that do justice to this curving structure you've just built?
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ืฉืขื•ืฉื™ื ืฆื“ืง ืœืžื‘ื ื” ื”ืžืงื•ืžืจ ื”ื–ื” ืฉื‘ื ื™ืชื?
08:57
Slice up a boulder like a loaf of bread,
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ื—ืชื›ื• ืื‘ืŸ ื’ื“ื•ืœื” ื›ืžื• ื›ื™ื›ืจ ืœื—ื,
09:00
hand-carve each to fit the other,
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ืคืกืœื• ื›ืœ ืื—ื“ ื‘ื™ื“ ื›ื“ื™ ืฉื™ืชืื™ืžื• ืœืื—ืจื™ื,
09:03
leave the crusts on,
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ื”ืฉืื™ืจื• ืืช ื”ืฆื™ืคื•ื™,
09:05
and what we're doing, it is almost entirely handmade.
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ื•ืžื” ืฉืื ื—ื ื• ืขื•ืฉื™ื, ื–ื” ื›ืžืขื˜ ืœื’ืžืจื™ ืขืฉื•ื™ ื‘ื™ื“.
09:09
The structural connections of our buildings
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ื”ื—ื™ื‘ื•ืจื™ื ื”ืžื‘ื ื™ื™ื ืฉืœ ื”ืžื‘ื ื™ื ืฉืœื ื•
09:11
are reinforced by steel joints, but we use a lot of hand-whittled bamboo pins.
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ื”ื ืžื—ื•ื–ืงื™ื ื‘ื—ื™ื‘ื•ืจื™ ืคืœื“ื”, ืื‘ืœ ืื ื—ื ื• ืžืฉืชืžืฉื™ื ื‘ื”ืจื‘ื” ืคื™ื ื™ ื‘ืžื‘ื•ืง ืขืฉื•ื™ื™ื ื‘ื™ื“.
09:16
There are thousands of pins in each floor.
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ื™ืฉ ืืœืคื™ ืคื™ื ื™ื ื‘ื›ืœ ืจืฆืคื”.
09:20
This floor is made of glossy and durable bamboo skin.
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ื”ืจืฆืคื” ื”ื–ื• ืขืฉื•ื™ื™ื” ืžืฆื™ืคื•ื™ ืขืžื™ื“ ื•ืžื‘ืจื™ืง ืฉืœ ื‘ืžื‘ื•ืง.
09:25
You can feel the texture under bare feet.
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ืืชื ื™ื›ื•ืœื™ื ืœื”ืจื’ื™ืฉ ืืช ื”ืžืจืงื ืชื—ืช ืจื’ืœื™ื›ื ื”ื™ื—ืคื•ืช.
09:28
And the floor that you walk on,
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ื•ื”ืื ื”ืจืฆืคื” ืขืœื™ื” ืืชื ื”ื•ืœื›ื™ื,
09:31
can it affect the way that you walk?
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ื”ืื ื”ื™ื ื™ื›ื•ืœื” ืœื”ืฉืคื™ืข ืขืœ ื”ื“ืจืš ื‘ื” ืื ื—ื ื• ื”ื•ืœื›ื™ื?
09:33
Can it change the footprint that you'll ultimately leave on the world?
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ื”ืื ื”ื™ื ื™ื›ื•ืœื” ืœืฉื ื•ืช ืืช ื˜ื‘ื™ืขื•ืช ื”ืจื’ืœ ืฉื‘ืกื•ืคื• ืฉืœ ื“ื‘ืจ ืื ื—ื ื• ืžืฉืื™ืจื™ื ืขืœ ื”ืขื•ืœื?
09:38
I remember being nine years old
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ืื ื™ ื–ื•ื›ืจืช ืฉื”ื™ื™ืชื™ ื‘ืช ืชืฉืข
09:40
and feeling wonder,
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ื•ื”ืจื’ืฉืชื™ ืืช ื”ืคืœื,
09:42
and possibility,
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ื”ืืคืฉืจื•ื™ื•ืช,
09:44
and a little bit of idealism.
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ื•ืžืขื˜ ืื™ื“ื™ืืœื™ื–ื.
09:46
And we've got a really long way to go,
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ื•ื™ืฉ ืœื ื• ืขื•ื“ ื“ืจืš ืืจื•ื›ื” ืœืขื‘ื•ืจ,
09:49
there's a lot left to learn,
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ื™ืฉ ืขื•ื“ ื”ืจื‘ื” ืœืœืžื•ื“,
09:51
but one thing I know is that with creativity and commitment,
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ืื‘ืœ ื“ื‘ืจ ืื—ื“ ืฉืื ื™ ื™ื•ื“ืขืช ื–ื” ืฉืขื ื”ื™ืฆื™ืจืชื™ื•ืช ื•ื”ืžื—ื•ื™ื™ื‘ื•ืช,
09:56
you can create beauty and comfort
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ืืชื ื™ื›ื•ืœื™ื ืœื™ืฆื•ืจ ื™ื•ืคื™ ื•ื ื•ื—ื•ืช
10:01
and safety and even luxury
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ื•ื‘ื˜ื™ื—ื•ืช ื•ืืคื™ืœื• ืฉืคืข
10:04
out of a material that will grow back.
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ืžื—ื•ืžืจ ืฉื™ื’ื“ืœ ืฉื•ื‘.
10:07
Thank you.
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ืชื•ื“ื” ืœื›ื.
10:09
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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