Hannah Brencher: Love letters to strangers

323,741 views ใƒป 2012-11-14

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

00:00
Translator: Joseph Geni Reviewer: Morton Bast
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ืžืชืจื’ื: Shlomo Adam ืžื‘ืงืจ: Gabriela Elazar
00:15
I was one of the only kids in college who had a reason
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ื”ื™ื™ืชื™ ืžื”ื™ืœื“ื™ื ื”ื‘ื•ื“ื“ื™ื ื‘ืงื•ืœื’' ืฉื”ื™ืชื” ืœื”ื ืกื™ื‘ื”
00:18
to go to the P.O. box at the end of the day,
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ืœืœื›ืช ืœืชื ื”ื“ื•ืืจ ืฉืœื”ื ื‘ืกื•ืฃ ื”ื™ื•ื,
00:20
and that was mainly because my mother has never believed
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ื‘ืขื™ืงืจ ื›ื™ ืืžื™ ืžืขื•ืœื ืœื ื”ืืžื™ื ื”
00:22
in email, in Facebook, in texting or cell phones in general.
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ื‘ื“ื•ื"ืœ, ื‘"ืคื™ื™ืกื‘ื•ืง", ื‘ืžืกืจื•ื ื™ื ืื• ื‘ื›ืœืœ ื‘ื˜ืœืคื•ื ื™ื ื ื™ื™ื“ื™ื.
00:26
And so while other kids were BBM-ing their parents,
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ืื– ื‘ืขื•ื“ ื™ืชืจ ื”ื™ืœื“ื™ื ื”ืชื›ืชื‘ื• ื‘ืžื›ืฉื™ืจื™ื ื”ื ื™ื™ื“ื™ื ืฉืœื”ื ืขื ื”ื”ื•ืจื™ื,
00:29
I was literally waiting by the mailbox
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ืื ื™ ืžืžืฉ ื—ื™ื›ื™ืชื™ ืœื™ื“ ืชื ื”ื“ื•ืืจ
00:32
to get a letter from home to see how the weekend had gone,
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ืœืžื›ืชื‘ ืžื”ื‘ื™ืช, ื›ื“ื™ ืœืฉืžื•ืข ืื™ืš ืขื‘ืจ ืกื•ืฃ ื”ืฉื‘ื•ืข,
00:35
which was a little frustrating when Grandma was in the hospital,
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ืžื” ืฉื”ื™ื” ืงืฆืช ืžืชืกื›ืœ ื›ืฉืกื‘ืชื ื”ื™ืชื” ื‘ื‘ื™ืช ื”ื—ื•ืœื™ื,
00:37
but I was just looking for some sort of scribble,
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ืื‘ืœ ืื ื™ ื—ื™ื›ื™ืชื™ ืจืง ืœืื™ื–ื” ืฉืจื‘ื•ื˜ ืงืฆืจ,
00:41
some unkempt cursive from my mother.
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ืœื›ืžื” ืฉื•ืจื•ืช ืžื‘ื•ืœื’ื ื•ืช ืžืืช ืื™ืžื™.
00:44
And so when I moved to New York City after college
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ืื– ื›ืฉืขื‘ืจืชื™ ืœืขื™ืจ ื ื™ื•-ื™ื•ืจืง ืื—ืจื™ ื”ืงื•ืœื’'
00:46
and got completely sucker-punched in the face by depression,
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ื•ื—ื˜ืคืชื™ ื‘ื‘ืช-ืื—ืช ื“ื›ืื•ืŸ,
00:49
I did the only thing I could think of at the time.
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ืขืฉื™ืชื™ ืืช ื”ื“ื‘ืจ ื”ื™ื—ื™ื“ ืฉืขืœื” ืื– ื‘ื“ืขืชื™.
00:52
I wrote those same kinds of letters that my mother had written me
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ื›ืชื‘ืชื™ ืžื›ืชื‘ื™ื ื›ืžื• ืืœื” ืฉืื™ืžื™ ื›ืชื‘ื” ืœื™,
00:55
for strangers, and tucked them all throughout the city,
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ืœื–ืจื™ื ื’ืžื•ืจื™ื, ื•ืชืงืขืชื™ ืื•ืชื ื‘ื›ืœ ื”ืขื™ืจ,
00:58
dozens and dozens of them. I left them everywhere,
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ืขืฉืจื•ืช ืจื‘ื•ืช ืžื”ื. ื”ืฉืืจืชื™ ืื•ืชื ื‘ื›ืœ ืžืงื•ื.
01:01
in cafes and in libraries, at the U.N., everywhere.
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ื‘ื‘ืชื™ ืงืคื”, ื‘ืกืคืจื™ื•ืช, ื‘ื‘ื ื™ื™ืŸ ื”ืื•"ื. ื‘ื›ืœ ืžืงื•ื
01:05
I blogged about those letters and the days
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ื›ืชื‘ืชื™ ื‘ื‘ืœื•ื’ ืฉืœื™ ืขืœ ืื•ืชื ืžื›ืชื‘ื™ื ื•ืขืœ ื”ืชืงื•ืคื”
01:08
when they were necessary, and I posed
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ื‘ื” ื”ื ื”ื™ื• ื ื—ื•ืฆื™ื, ื•ืคืจืกืžืชื™ ื‘ืจืฉืช
01:10
a kind of crazy promise to the Internet:
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ื”ื‘ื˜ื—ื” ืžื˜ื•ืจืคืช:
01:12
that if you asked me for a hand-written letter,
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ืžื™ ืฉื™ื‘ืงืฉ ืžืžื ื™ ืžื›ืชื‘ ื‘ื›ืชื‘-ื™ื“,
01:15
I would write you one, no questions asked.
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ืื›ืชื•ื‘ ืœื• ื›ื–ื”, ื‘ืœื™ ืœืฉืื•ืœ ืฉืืœื•ืช.
01:18
Overnight, my inbox morphed into this harbor of heartbreak --
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ื‘ื™ืŸ-ืœื™ืœื” ื”ืคื›ื” ืชื™ื‘ืช ื”ื“ื•ื"ืœ ื”ื ื›ื ืก ืฉืœื™ ืœืžืคืœื˜ ืœืฉื‘ื•ืจื™-ื”ืœื‘ -
01:22
a single mother in Sacramento, a girl being bullied
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ืื ื—ื“-ื”ื•ืจื™ืช ืžืกืงืจืžื ื˜ื•, ื ืขืจื” ืฉื”ืชืขืžืจื• ื‘ื”
01:25
in rural Kansas, all asking me, a 22-year-old girl
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ืžืงื ื–ืก ื”ื›ืคืจื™ืช, ื›ื•ืœืŸ ื‘ื™ืงืฉื• ืžืžื ื™, ื™ืœื“ื” ื‘ืช 22,
01:29
who barely even knew her own coffee order,
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ืฉื‘ืงื•ืฉื™ ื™ื•ื“ืขืช ืื™ื–ื” ืงืคื” ืœื”ื–ืžื™ืŸ,
01:31
to write them a love letter and give them a reason
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ืœื›ืชื•ื‘ ืœื”ืŸ ืžื›ืชื‘-ืื”ื‘ื” ื•ืœืกืคืง ืœื”ืŸ ืกื™ื‘ื”
01:34
to wait by the mailbox.
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ืœื”ืžืชื™ืŸ ืœื™ื“ ืชื ื”ื“ื•ืืจ.
01:36
Well, today I fuel a global organization
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ืื– ื”ื™ื•ื ืื ื™ ืžืคืขื™ืœื” ืืจื’ื•ืŸ ืขื•ืœืžื™
01:39
that is fueled by those trips to the mailbox,
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ืฉื”ื“ืœืง ืฉืœื• ื”ื•ื ืื•ืชื ื˜ื™ื•ืœื™ื ืœืชื ื”ื“ื•ืืจ,
01:42
fueled by the ways in which we can harness social media
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ื•ื”ื“ืจื›ื™ื ื‘ื”ืŸ ืื ื• ื™ื›ื•ืœื™ื ืœืจืชื•ื ืืช ื”ืžื“ื™ื” ื”ื—ื‘ืจืชื™ืช
01:44
like never before to write and mail strangers letters
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ื™ื•ืชืจ ืžืื™-ืคืขื, ืœื›ืชื™ื‘ื” ื•ืœืžืฉืœื•ื— ืฉืœ ืžื›ืชื‘ื™ื ืœื–ืจื™ื ื’ืžื•ืจื™ื
01:48
when they need them most, but most of all,
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ื›ืฉื”ื ื”ื›ื™ ื–ืงื•ืงื™ื ืœื”ื, ืืš ืžืขืœ ืœื›ืœ,
01:51
fueled by crates of mail like this one, my trusty mail crate,
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ื”ืžื ื™ืข ืฉืœื• ื”ื•ื ืืจื’ื–ื™ ืžื›ืชื‘ื™ื, ื›ืžื• ื–ื”, ืืจื’ื– ื”ืžื›ืชื‘ื™ื ื”ื ืืžืŸ ืฉืœื™,
01:54
filled with the scriptings of ordinary people,
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ื”ืžืœื ื‘ื›ืชื‘ื™ ื”ื™ื“ ืฉืœ ืื ืฉื™ื ืจื’ื™ืœื™ื,
01:58
strangers writing letters to other strangers not because
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ื–ืจื™ื ืฉื›ืชื‘ื• ืžื›ืชื‘ื™ื ืœื–ืจื™ื ืื—ืจื™ื, ื•ืœื ืžืฉื•ื ืฉื”ื
02:01
they're ever going to meet and laugh over a cup of coffee,
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ืื™-ืคืขื ื™ื™ืคื’ืฉื• ื•ื™ืฆื—ืงื• ื™ื—ื“ ืขืœ ื›ื•ืก ืงืคื”,
02:04
but because they have found one another by way of letter-writing.
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ืืœื ืžืฉื•ื ืฉืžืฆืื• ืืœื” ืืช ืืœื” ื‘ืืžืฆืขื•ืช ื›ืชื™ื‘ืช ืžื›ืชื‘ื™ื.
02:07
But, you know, the thing that always gets me
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ืื‘ืœ ืžื” ืฉื”ื›ื™ ืงืจื•ื‘ ืœืœื‘ื™
02:09
about these letters is that most of them have been written
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ื‘ืžื›ืชื‘ื™ื ื”ืืœื”, ื”ื•ื ืฉืžืจื‘ื™ืชื
02:12
by people that have never known themselves loved on a piece of paper.
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ื ื›ืชื‘ื• ื‘ื™ื“ื™ ืื ืฉื™ื ืฉืžืขื•ืœื ืœื ื–ื›ื• ืœื‘ื™ื˜ื•ื™ื™ ืื”ื‘ื” ื›ืชื•ื‘ื™ื.
02:17
They could not tell you about the ink of their own love letters.
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ื”ื ืœื ื™ื›ื•ืœื™ื ืœืกืคืจ ืขืœ ื”ื“ื™ื• ืฉื‘ืžื›ืชื‘ื™ ื”ืื”ื‘ื” ืฉืงื™ื‘ืœื•:
02:21
They're the ones from my generation,
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ืžื“ื•ื‘ืจ ื‘ืื ืฉื™ื ืžื”ื“ื•ืจ ืฉืœื™,
02:23
the ones of us that have grown up into a world
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ืืœื” ืžื‘ื™ื ื™ื ื• ืฉื’ื“ืœื• ื‘ืขื•ืœื
02:25
where everything is paperless, and where some
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ืฉื‘ื• ื”ื›ืœ ื ื˜ื•ืœ-ื ื™ื™ืจ, ื•ืฉื‘ื•
02:28
of our best conversations have happened upon a screen.
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ื›ืžื” ืžืฉื™ื—ื•ืชื™ื ื• ื”ื˜ื•ื‘ื•ืช ื‘ื™ื•ืชืจ ื”ืชื ื”ืœื• ืžืขืœ ื’ื‘ื™ ืžืกื›ื™ื.
02:32
We have learned to diary our pain onto Facebook,
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ืœืžื“ื ื• ืœืชืขื“ ืืช ื›ืื‘ื™ื ื• ื‘"ืคื™ื™ืกื‘ื•ืง",
02:34
and we speak swiftly in 140 characters or less.
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ื•ืื ื• ืžื“ื‘ืจื™ื ื‘ื–ืจื™ื–ื•ืช, ื‘-150 ืชื•ื•ื™ื ืื• ืคื—ื•ืช.
02:38
But what if it's not about efficiency this time?
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ืื‘ืœ ืžื” ืื ื”ืคืขื ื”ืขื ื™ื™ืŸ ืื™ื ื ื• ื™ืขื™ืœื•ืช?
02:41
I was on the subway yesterday with this mail crate,
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ืืชืžื•ืœ ื ืกืขืชื™ ื‘ืชื—ืชื™ืช ืขื ืืจื’ื– ื”ืžื›ืชื‘ื™ื ื”ื–ื”,
02:44
which is a conversation starter, let me tell you.
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ืžืขื•ืจืจ-ืฉื™ื—ื•ืช ื™ืขื™ืœ ื‘ื™ื•ืชืจ, ื”ืืžื™ื ื• ืœื™.
02:46
If you ever need one, just carry one of these. (Laughter)
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ืื ืื™-ืคืขื ืชื–ื“ืงืงื• ืœื›ืš, ืคืฉื•ื˜ ืงื—ื• ืื™ืชื›ื ืืจื’ื– ื›ื–ื”. [ืฆื—ื•ืง]
02:48
And a man just stared at me, and he was like,
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ื•ืื™ืฉ ืื—ื“ ื”ื‘ื™ื˜ ื‘ื™ ื•ืืžืจ,
02:51
"Well, why don't you use the Internet?"
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"ืœืžื” ืืช ืœื ืžืฉืชืžืฉืช ื‘ืื™ื ื˜ืจื ื˜?"
02:54
And I thought, "Well, sir, I am not a strategist,
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ื•ืื ื™ ื—ืฉื‘ืชื™ ืœืขืฆืžื™, "ืื“ื•ื ื™, ืื ื™ ืœื ืื™ืกื˜ืจื˜ื’ื™ืช
02:57
nor am I specialist. I am merely a storyteller."
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ื•ืœื ืžื•ืžื—ื™ืช, ืืœื ืกืชื ืžืกืคืจืช ืกื™ืคื•ืจื™ื."
03:01
And so I could tell you about a woman
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ื•ื™ื›ื•ืœืชื™ ืœืกืคืจ ืœื›ื ืขืœ ืืฉื” ืื—ืช
03:04
whose husband has just come home from Afghanistan,
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ืฉื‘ืขืœื” ื—ื–ืจ ื–ื” ืขืชื” ืžืืคื’ื ื™ืกื˜ืŸ,
03:07
and she is having a hard time unearthing this thing called conversation,
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ื•ื”ื™ื ืžืชืงืฉื” ืžืื“ ืœืขื•ืจืจ ืืช ื”ื“ื‘ืจ ื”ื–ื”, "ืฉื™ื—ื”",
03:10
and so she tucks love letters throughout the house
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ืœื›ืŸ ื”ื™ื ืชื•ืงืขืช ืžื›ืชื‘ื™ ืื”ื‘ื” ื‘ื›ืœ ื”ื‘ื™ืช
03:13
as a way to say, "Come back to me.
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ื›ืžืขื™ืŸ ื“ืจืš ืœื‘ืงืฉ, "ื—ื–ื•ืจ ืืœื™.
03:15
Find me when you can."
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ืžืฆื ืื•ืชื™, ื›ืฉืชื•ื›ืœ."
03:16
Or a girl who decides that she is going to leave love letters
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ืื• ื”ื™ืœื“ื” ืฉื”ื—ืœื™ื˜ื” ืœื”ืฉืื™ืจ ืžื›ืชื‘ื™ ืื”ื‘ื”
03:19
around her campus in Dubuque, Iowa, only to find
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ื‘ื›ืœ ื”ืงืžืคื•ืก ืฉืœื” ื‘ื“ื•ื‘ื•ืง ืฉื‘ืื™ื•ื•ื”, ื•ืœืชื“ื”ืžืชื” ื’ื™ืœืชื”
03:22
her efforts ripple-effected the next day when she walks out
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ืฉืžืืžืฆื™ื” ื”ื™ื›ื• ื’ืœื™ื, ื›ืฉืœืžื—ืจืช ื™ืฆืื” ื”ื—ื•ืฆื”
03:25
onto the quad and finds love letters hanging
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ืžื”ืžื’ื•ืจื™ื, ื•ื’ื™ืœืชื” ืžื›ืชื‘ื™ ืื”ื‘ื”
03:28
from the trees, tucked in the bushes and the benches.
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ืชืœื•ื™ื™ื ืขืœ ื”ืขืฆื™ื ื•ืชื—ื•ื‘ื™ื ื‘ืฉื™ื—ื™ื ื•ื‘ืกืคืกืœื™ื.
03:32
Or the man who decides that he is going to take his life,
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ืื• ืขืœ ื”ืื™ืฉ ืฉื”ื—ืœื™ื˜ ืœื™ื˜ื•ืœ ืืช ื—ื™ื™ื•,
03:35
uses Facebook as a way to say goodbye
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ื”ืฉืชืžืฉ ื‘"ืคื™ื™ืกื‘ื•ืง" ื›ื“ื™ ืœื”ื™ืคืจื“
03:38
to friends and family.
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ืžื—ื‘ืจื™ื• ื•ืžืžืฉืคื—ืชื•.
03:39
Well, tonight he sleeps safely with a stack of letters
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ื•ื”ืœื™ืœื” ื”ื•ื ื™ืฉืŸ ื‘ืฉืœื•ื•ื” ื›ืฉืขืจื™ืžืช ืžื›ืชื‘ื™ื
03:42
just like this one tucked beneath his pillow,
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ื›ื–ื• ื‘ื“ื™ื•ืง ืชื—ื•ื‘ื” ืžืชื—ืช ืœื›ืจื™ืชื•,
03:45
scripted by strangers who were there for him when.
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ื•ืฉื ื›ืชื‘ื• ื‘ื™ื“ื™ ื–ืจื™ื ืฉื ื—ืœืฆื• ืœืขื–ืจืชื•.
03:48
These are the kinds of stories that convinced me
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ืืœื” ื”ืกื™ืคื•ืจื™ื ืฉืฉื›ื ืขื• ืื•ืชื™
03:51
that letter-writing will never again need to flip back her hair
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ืฉื›ืชื™ื‘ืช ื”ืžื›ืชื‘ื™ื ื›ื‘ืจ ืœื ืชื™ืืœืฅ ืœื”ืชื ืฆืœ
03:54
and talk about efficiency, because she is an art form now,
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ื‘ื’ืœืœ ื—ื•ืกืจ ื”ื™ืขื™ืœื•ืช, ื›ื™ ืžืขืชื” ื–ื• ืฆื•ืจืช ืืžื ื•ืช,
03:57
all the parts of her, the signing, the scripting, the mailing,
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ื›ืœ ืžืจื›ื™ื‘ื™ื”: ื”ื—ืชื™ืžื”, ื›ืชื‘ ื”ื™ื“, ื”ืžืฉืœื•ื— ื‘ื“ื•ืืจ,
04:01
the doodles in the margins.
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ื”ืงืฉืงื•ืฉื™ื ื‘ืฉื•ืœื™ื™ื.
04:03
The mere fact that somebody would even just sit down,
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ืขืฆื ื”ืขื•ื‘ื“ื” ืฉืžื™ืฉื”ื• ืคืฉื•ื˜ ืžืชื™ื™ืฉื‘,
04:06
pull out a piece of paper and think about someone
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ืฉื•ืœืฃ ื“ืฃ ื ื™ื™ืจ ื•ื—ื•ืฉื‘ ืขืœ ืžื™ืฉื”ื•
04:08
the whole way through, with an intention that is so much
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ื›ืœ ืžืฉืš ื”ื›ืชื™ื‘ื”, ื‘ื”ืชื›ื•ื•ื ื•ืช ืฉื›ืœ-ื›ืš ืงืฉื”
04:11
harder to unearth when the browser is up and the iPhone
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ืœืขื•ืจืจ ื›ืฉื”ื“ืคื“ืคืŸ ืขืœ ื”ืžืกืš
04:14
is pinging and we've got six conversations rolling in at once,
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ื•ื”"ืื™ื™ืคื•ืŸ" ืžืฆืคืฆืฃ ื•ื™ืฉ ืœื ื• 6 ืฉื™ื—ื•ืช ื‘ื•-ื–ืžื ื™ืช,
04:17
that is an art form
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ื–ื• ืฆื•ืจืช ืืžื ื•ืช
04:19
that does not fall down to the Goliath of "get faster,"
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ืฉืื™ื ื” ืžื™ื“ืจื“ืจืช ืœื˜ื™ืจื•ืฃ ืฉืœ "ื™ื•ืชืจ ืžื”ืจ",
04:22
no matter how many social networks we might join.
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ื•ืœื ืžืฉื ื” ืœื›ืžื” ืจืฉืชื•ืช ื—ื‘ืจืชื™ื•ืช ืื ื• ืžืฆื˜ืจืคื™ื.
04:25
We still clutch close these letters to our chest,
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ืื ื• ื ืžืฉื™ืš ืœืฉืžื•ืจ ืžื›ืชื‘ื™ื ืืœื” ืงืจื•ื‘ ืœืœื™ื‘ื ื•,
04:28
to the words that speak louder than loud,
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ื•ื ื™ืฆืžื“ ืœืžืœื™ื ืฉืงื•ืœืŸ ื”ื•ื ื”ืจื ื‘ื™ื•ืชืจ,
04:30
when we turn pages into palettes to say the things
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ื›ืฉืื ื• ื”ื•ืคื›ื™ื ืืช ื“ืฃ ื”ื ื™ื™ืจ ืœืœื•ื—-ืฆื‘ืขื™ื ื›ื“ื™ ืœื•ืžืจ ืืช ื”ื“ื‘ืจื™ื
04:33
that we have needed to say,
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ืฉื—ืฉื ื• ืฆื•ืจืš ืœื•ืžืจ,
04:34
the words that we have needed to write, to sisters
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ืืช ื”ืžืœื™ื ืฉื—ืฉื ื• ืฆื•ืจืš ืœื›ืชื•ื‘,
04:37
and brothers and even to strangers, for far too long.
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ืœืื—ื™ื•ืช, ืื—ื™ื ื•ืืฃ ืœื–ืจื™ื, ืžื–ื” ื–ืžืŸ ืจื‘ ืžื“ื™.
04:40
Thank you. (Applause)
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ืชื•ื“ื” ืจื‘ื”. [ืžื—ื™ืื•ืช ื›ืคื™ื™ื]
04:44
(Applause)
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[ืžื—ื™ืื•ืช ื›ืคื™ื™ื]
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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