Cesar Kuriyama: One second every day

243,823 views ใƒป 2013-02-06

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

00:00
Translator: Joseph Geni Reviewer: Morton Bast
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ืžืชืจื’ื: Shlomo Adam ืžื‘ืงืจ: Sigal Tifferet
00:16
So, I'm an artist.
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ืื ื™ ืืžืŸ,
00:17
I live in New York, and I've been working in advertising
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ืื ื™ ื’ืจ ื‘ื ื™ื•-ื™ื•ืจืง, ื•ืขื‘ื“ืชื™ ื‘ืคืจืกื•ื
00:20
for -- ever since I left school,
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ื‘ืžืฉืš-- ืžืื– ืฉืกื™ื™ืžืชื™ ืœืœืžื•ื“, ,
00:22
so about seven, eight years now,
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ื›ื‘ืจ ืฉื‘ืข-ืฉืžื•ื ื” ืฉื ื™ื,
00:24
and it was draining.
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ื•ื–ื” ื”ื™ื” ืžืชื™ืฉ.
00:26
I worked a lot of late nights. I worked a lot of weekends,
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ืขื‘ื“ืชื™ ื”ืจื‘ื” ื‘ืœื™ืœื•ืช. ืขื‘ื“ืชื™ ื”ืจื‘ื” ื‘ืกื•ืคื™-ืฉื‘ื•ืข,
00:28
and I found myself never having time for all the projects
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ื•ืžืฆืืชื™ ืฉืืฃ ืคืขื ืื™ืŸ ืœื™ ื–ืžืŸ ืœื›ืœ ื”ืžื™ื–ืžื™ื
00:31
that I wanted to work on on my own.
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ืฉืจืฆื™ืชื™ ืœืขื‘ื•ื“ ืขืœื™ื”ื ื‘ืื•ืคืŸ ืขืฆืžืื™.
00:34
And one day I was at work and I saw a talk
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ื™ื•ื ืื—ื“ ื”ื™ื™ืชื™ ื‘ืขื‘ื•ื“ื” ื•ืจืื™ืชื™ ื”ืจืฆืื”
00:36
by Stefan Sagmeister on TED,
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ืฉืœ ืกื˜ื™ื‘ืŸ ืกืื’ืžื™ื™ืกื˜ืจ ื‘-TED,
00:38
and it was called "The power of time off,"
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ื•ื”ื•ื ืงืจื ืœื”, "ื›ื•ื—ื• ืฉืœ ืคืกืง ื–ืžืŸ",
00:40
and he spoke about how every seven years,
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ื•ื”ื•ื ื“ื™ื‘ืจ ืขืœ ื›ืš ืฉื›ืœ ืฉื‘ืข ืฉื ื™ื,
00:42
he takes a year off from work so he could
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ื”ื•ื ืœื•ืงื— ืฉื ืช-ื—ื•ืคืฉ ืžื”ืขื‘ื•ื“ื” ื›ื“ื™ ืฉื™ื•ื›ืœ
00:44
do his own creative projects, and I was instantly inspired,
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ืœืขืฉื•ืช ืžื™ื–ืžื™ื ื™ืฆื™ืจืชื™ื™ื ืžืฉืœื•, ื•ื–ื” ื ืชืŸ ืœื™ ืžื™ื“ ื”ืฉืจืื”,
00:48
and I just said, "I have to do that. I have to take a year off.
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ื•ืžื™ื“ ืืžืจืชื™, "ืื ื™ ื—ื™ื™ื‘ ืœืขืฉื•ืช ืืช ื–ื”. ืื ื™ ื—ื™ื™ื‘ ืœืงื—ืช ืฉื ืช ื—ื•ืคืฉ.
00:51
I need to take time to travel and spend time with my family
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ืื ื™ ืฆืจื™ืš ื–ืžืŸ ื›ื“ื™ ืœื˜ื™ื™ืœ ื•ืœื‘ืœื•ืช ืขื ืžืฉืคื—ืชื™
00:56
and start my own creative ideas."
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ื•ืœื”ืชื—ื™ืœ ืœื‘ืฆืข ืืช ืจืขื™ื•ื ื•ืช ื”ื™ืฆื™ืจืชื™ื™ื ืฉืœื™."
00:58
So the first of those projects ended up being
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ื•ื›ืš ืงืจื” ืฉื”ืจืืฉื•ืŸ ืžื‘ื™ืŸ ื”ืžื™ื–ืžื™ื ื”ืืœื”
01:02
something I called "One Second Every Day."
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ื”ื™ื” ืžืฉื”ื• ืฉืื ื™ ืžื›ื ื”: "ืฉื ื™ื” ื‘ื™ื•ื".
01:05
Basically I'm recording one second of every day of my life
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ืขืงืจื•ื ื™ืช, ืื ื™ ืžืงืœื™ื˜ ืฉื ื™ื” ืื—ืช ื‘ื›ืœ ื™ื•ื ื‘ื—ื™ื™
01:08
for the rest of my life,
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ืœืžืฉืš ืฉืืจื™ืช ื—ื™ื™,
01:10
chronologically compiling these one-second
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ื•ืžืืจื’ืŸ ื‘ืฆื•ืจื” ื›ืจื•ื ื•ืœื•ื’ื™ืช ืืช ื—ืชื™ื›ื•ืช ื”ืฉื ื™ื” ื”ื‘ื•ื“ื“ืช ื”ืืœื”
01:13
tiny slices of my life into one single continuous video
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ืฉืœ ื—ื™ื™ ื‘ืกืจื˜ ืื—ื“ ืจืฆื™ืฃ
01:18
until, you know, I can't record them anymore.
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ืขื“, ื ื•, ืขื“ ืฉื›ื‘ืจ ืœื ืื•ื›ืœ ืœื”ืงืœื™ื˜.
01:23
The purpose of this project is, one:
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ืžื˜ืจืช ื”ืžื™ื–ื ื”ื–ื” ื”ื™ื, ื',
01:26
I hate not remembering things that I've done in the past.
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ืื ื™ ืœื ืื•ื”ื‘ ืœืฉื›ื•ื— ื“ื‘ืจื™ื ืฉืขืฉื™ืชื™ ื‘ืขื‘ืจ.
01:30
There's all these things that I've done with my life
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ืขืฉื™ืชื™ ื›ืœ ืžื™ื ื™ ื“ื‘ืจื™ื ื‘ื—ื™ื™ื ืฉืœื™
01:33
that I have no recollection of
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ืฉืื ื™ ืœื ื–ื•ื›ืจ ืžื”ื ื›ืœื•ื
01:35
unless someone brings it up, and sometimes I think,
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ืขื“ ืฉืžืฉื”ื• ืžื–ื›ื™ืจ ืœื™ ืื•ืชื, ื•ืœืคืขืžื™ื ืื ื™ ื—ื•ืฉื‘,
01:37
"Oh yeah, that's something that I did."
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"ืื”, ื›ืŸ. ื–ื” ืžืฉื”ื• ืฉืขืฉื™ืชื™."
01:40
And something that I realized early on in the project
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ื•ื“ื‘ืจ ืฉืงืœื˜ืชื™ ื›ื‘ืจ ื‘ื”ืชื—ืœืช ื”ืžื™ื–ื
01:42
was that if I wasn't doing anything interesting,
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ื”ื™ื” ืฉืื ืœื ืขืฉื™ืชื™ ืžืฉื”ื• ืžืขื ื™ื™ืŸ,
01:45
I would probably forget to record the video.
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ื›ื ืจืื” ืฉืฉื›ื—ืชื™ ื’ื ืœืฆืœื.
01:47
So the day -- the first time that I forgot, it really hurt me,
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ืื– ื‘ื™ื•ื -- ื‘ืคืขื ื”ืจืืฉื•ื ื” ืฉืฉื›ื—ืชื™, ื–ื” ืžืžืฉ ื”ื›ืื™ื‘ ืœื™.
01:51
because it's something that I really wanted to --
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ื›ื™ ื–ื” ืžืฉื”ื• ืฉื‘ืืžืช ืจืฆื™ืชื™ --
01:53
from the moment that I turned 30, I wanted
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ืžื”ืจื’ืข ืฉืžืœืื• ืœื™ 30, ืจืฆื™ืชื™
01:55
to keep this project going until forever,
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ืœื”ืžืฉื™ืš ืืช ื”ืžื™ื–ื ื”ื–ื” ืœื ืฆื—,
01:59
and having missed that one second, I realized,
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ื•ื›ืฉื”ื—ืžืฆืชื™ ืืช ื”ืฉื ื™ื” ื”ื”ื™ื, ืงืœื˜ืชื™,
02:01
it just kind of created this thing in my head
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ื•ื–ื” ืขืฉื” ืœื™ ืžืฉื”ื• ื‘ืจืืฉ,
02:05
where I never forgot ever again.
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ื•ืžืื– ืœื ืงืจื” ืฉืฉื›ื—ืชื™ ืฉื•ื‘.
02:10
So if I live to see 80 years of age,
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ืื– ืื ืื—ื™ื” ืขื“ ื’ื™ืœ 80,
02:13
I'm going to have a five-hour video
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ื™ื”ื™ื” ืœื™ ืกืจื˜ ืฉืœ 5 ืฉืขื•ืช
02:16
that encapsulates 50 years of my life.
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ืฉืžืงื™ืฃ 50 ืฉื ื™ื ื‘ื—ื™ื™.
02:19
When I turn 40, I'll have a one-hour video
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ื›ืฉืื”ื™ื” ื‘ืŸ 40, ื™ื”ื™ื” ืœื™ ืกืจื˜ ื‘ืื•ืจืš ืฉืขื” ืื—ืช
02:21
that includes just my 30s.
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ืฉื›ื•ืœืœ ืจืง ืืช ืฉื ื•ืช ื”-30 ืฉืœื™.
02:26
This has really
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ื–ื” ืžืžืฉ ื”ืžืจื™ืฅ ืื•ืชื™,
02:28
invigorated me day-to-day, when I wake up,
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ื‘ื›ืœ ื™ื•ื ื•ื™ื•ื, ื›ืฉืื ื™ ืžืชืขื•ืจืจ,
02:31
to try and do something interesting with my day.
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ืœื ืกื•ืช ืœืขืฉื•ืช ืžืฉื”ื• ืžืขื ื™ื™ืŸ ืขื ื”ื™ื•ื ืฉืœื™.
02:42
Now, one of the things that I have issues with is that,
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ืื—ื“ ื”ื“ื‘ืจื™ื ืฉื™ืฉ ืœื™ ื‘ืขื™ื” ืื™ืชื•,
02:45
as the days and weeks and months go by,
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ื›ื›ืœ ืฉื—ื•ืœืคื™ื ื”ื™ืžื™ื ื•ื”ืฉื‘ื•ืขื•ืช ื•ื”ื—ื•ื“ืฉื™ื,
02:49
time just seems to start blurring
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ื”ื–ืžืŸ ื›ืื™ืœื• ืžืชื—ื™ืœ ืœื”ื™ื˜ืฉื˜ืฉ
02:51
and blending into each other
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ื•ื”ื–ืžื ื™ื ืžืชืขืจื‘ื‘ื™ื,
02:53
and, you know, I hated that,
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ื•ืื ื™ ืฉื•ื ื ืืช ื–ื”,
02:57
and visualization is the way to trigger memory.
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ื•ื”ื“ื™ืžื•ื™ ื”ื—ื–ื•ืชื™ ื”ื•ื ืืžืฆืขื™ ืœืขื•ืจืจ ืืช ื”ื–ื›ืจื•ืŸ.
03:10
You know, this project for me is a way for me
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ื”ืžื™ื–ื ื”ื–ื”, ืขื‘ื•ืจื™, ื”ื•ื ื“ืจืš
03:13
to bridge that gap and remember everything that I've done.
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ืœื’ืฉืจ ืขืœ ื”ืคืขืจ ื•ืœื–ื›ื•ืจ ืืช ื›ืœ ืžื” ืฉืขืฉื™ืชื™.
03:16
Even just this one second allows me to remember
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ื”ืฉื ื™ื” ื”ืื—ืช ื”ื–ื• ืžืกืคื™ืงื” ืœื™ ื›ื“ื™ ืœื”ื™ื–ื›ืจ
03:19
everything else I did that one day.
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ื‘ื›ืœ ืฉืืจ ื”ื“ื‘ืจื™ื ืฉืขืฉื™ืชื™ ื‘ืื•ืชื• ื™ื•ื.
03:21
It's difficult, sometimes, to pick that one second.
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ื–ื” ืงืฉื”, ืœืคืขืžื™ื, ืœื‘ื—ื•ืจ ืืช ื”ืฉื ื™ื” ื”ื ื›ื•ื ื”.
03:23
On a good day, I'll have maybe three or four seconds
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ื‘ื™ื•ื ื˜ื•ื‘ ื™ืฉ ืœื™ ืื•ืœื™ 3-4 ืฉื ื™ื•ืช
03:27
that I really want to choose,
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ืฉืื ื™ ื‘ืืžืช ืจื•ืฆื” ืœื‘ื—ื•ืจ ื‘ื”ืŸ,
03:28
but I'll just have to narrow it down to one,
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ืื‘ืœ ืื ื™ ื—ื™ื™ื‘ ืœืฆืžืฆื ืืช ื”ื‘ื—ื™ืจื” ืœืื—ืช ื‘ืœื‘ื“,
03:30
but even narrowing it down to that one allows me
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ืืš ืขืฆื ื”ืฆืžืฆื•ื ื”ื–ื” ืœืื•ืชื” ืื—ืช ืžืืคืฉืจ ืœื™
03:32
to remember the other three anyway.
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ืœื–ื›ื•ืจ ืžืžื™ืœื ืืช ื›ืœ ื™ืชืจ ื”ืฉืœื•ืฉ.
03:35
It's also kind of a protest, a personal protest,
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ื–ื”ื• ื’ื ืกื•ื’ ืฉืœ ืžื—ืื”, ืžื—ืื” ืื™ืฉื™ืช,
03:38
against the culture we have now where people
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ื ื’ื“ ื”ืชืจื‘ื•ืช ืฉืœื ื• ื›ื™ื•ื, ืฉื‘ื” ืื ืฉื™ื
03:41
just are at concerts with their cell phones out
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ืฉื•ืœืคื™ื ื‘ื”ื•ืคืขื•ืช ืืช ื”ื˜ืœืคื•ื ื™ื ื”ื ื™ื™ื“ื™ื ืฉืœื”ื
03:43
recording the whole concert, and they're disturbing you.
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ื•ืžืงืœื™ื˜ื™ื ืืช ื›ืœ ื”ื”ื•ืคืขื”, ื•ืžืคื™ืฆื™ื ืืช ื–ื”.
03:45
They're not even enjoying the show.
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ื”ื ืืคื™ืœื• ืœื ื ื”ื ื™ื ืžื”ื”ื•ืคืขื”.
03:47
They're watching the concert through their cell phone.
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ื”ื ืฆื•ืคื™ื ื‘ื”ื•ืคืขื” ื“ืจืš ื”ื˜ืœืคื•ื ื™ื ื”ื ื™ื™ื“ื™ื ืฉืœื”ื.
03:50
I hate that. I admittedly used to be that guy a little bit,
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ืื ื™ ืฉื•ื ื ืืช ื–ื”. ืื ื™ ืžื•ื“ื” ืฉืคืขื ื”ื™ื™ืชื™ ืงืฆืช ื›ื–ื”,
03:54
back in the day, and I've decided that the best way
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ื•ื”ื—ืœื˜ืชื™ ืฉื”ื“ืจืš ื”ื˜ื•ื‘ื” ื‘ื™ื•ืชืจ
03:57
for me to still capture and keep a visual memory of my life
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ืžื‘ื—ื™ื ืชื™ ืœืœื›ื•ื“ ื•ืœืฉืžื•ืจ ื–ื›ืจื•ืŸ ื—ื–ื•ืชื™ ืฉืœ ื—ื™ื™
04:02
and not be that person, is to just record that one second
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ื•ืœื ืœื”ื™ื•ืช ื›ื–ื”, ื”ื™ื ืœื”ืงืœื™ื˜ ืจืง ืืช ื”ืฉื ื™ื” ื”ื–ื•
04:05
that will allow me to trigger that memory of,
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ืฉืชืืคืฉืจ ืœื™ ืœื”ืงืคื™ืฅ ืืช ื”ื–ื›ืจื•ืŸ ื›ื•ืœื•,
04:08
"Yeah, that concert was amazing. I really loved that concert."
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"ื›ืŸ, ื”ื”ื•ืคืขื” ื”ื™ืชื” ืžืขื•ืœื”. ื ื•ืจื ื ื”ื ื™ืชื™ ื‘ื”ื•ืคืขื” ื”ื”ื™ื."
04:11
And it just takes a quick, quick second.
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ื•ื ื—ื•ืฆื” ืจืง ืฉื ื™ื” ืžื”ื™ืจื” ืื—ืช.
04:16
I was on a three-month road trip this summer.
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ื™ืฆืืชื™ ื”ืงื™ืฅ ืœื˜ื™ื•ืœ ื‘ืŸ 3 ื—ื•ื“ืฉื™ื.
04:19
It was something that I've been dreaming about doing my whole life,
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ื–ื” ืžืฉื”ื• ืฉื›ืœ ื—ื™ื™ ื—ืœืžืชื™ ืœืขืฉื•ืชื•,
04:22
just driving around the U.S. and Canada
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ืคืฉื•ื˜ ื ืกืขืชื™ ื‘ืจื—ื‘ื™ ืืจื”"ื‘ ื•ืงื ื“ื”
04:25
and just figuring out where to go the next day,
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ื•ื”ื—ืœื˜ืชื™ ืžื™ื•ื ืœื™ื•ื ืœืืŸ ืœื”ืžืฉื™ืš,
04:28
and it was kind of outstanding.
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ื•ื–ื” ื”ื™ื” ื“ื™ ืžื“ื”ื™ื.
04:30
I actually ran out, I spent too much money on my road trip
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ื ื’ืžืจ ืœื™ ื”ื›ืกืฃ. ื‘ื–ื‘ื–ืชื™ ื™ื•ืชืจ ืžื“ื™ ืขืœ ื”ื˜ื™ื•ืœ ืฉืœื™
04:34
for the savings that I had to take my year off,
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ืžืžื” ืฉื—ืกื›ืชื™ ืœืฉื ืช ื”ื—ื•ืคืฉ ืฉืœื™,
04:37
so I had to, I went to Seattle and I spent some time
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ืื– ื ืืœืฆืชื™ ืœืœื›ืช ืœืกื™ืื˜ืœ ื•ืœื’ื•ืจ ืืฆืœ ื—ื‘ืจื™ื
04:40
with friends working on a really neat project.
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ื•ืœืขื‘ื•ื“ ืื™ืชื ืขืœ ืžื™ื–ื ื ื—ืžื“ ืžืื“.
04:51
One of the reasons that I took my year off was to spend more time with my family,
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ืื—ืช ื”ืกื™ื‘ื•ืช ืฉืœืงื—ืชื™ ืฉื ืช ื—ื•ืคืฉ ื”ื™ืชื” ืœื‘ืœื•ืช ื™ื•ืชืจ ืขื ืžืฉืคื—ืชื™,
04:55
and this really tragic thing happened where
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ื•ืื– ืงืจื” ื”ื“ื‘ืจ ื”ื˜ืจื’ื™ ื”ื–ื”,
04:58
my sister-in-law,
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ืฉื’ื™ืกืชื™,
05:00
her intestine suddenly strangled one day,
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ื”ื™ืชื” ืœื” ื™ื•ื ืื—ื“ ื—ืกื™ืžื” ื‘ืžืขื™ื™ื,
05:03
and we took her to the emergency room,
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ื•ืœืงื—ื ื• ืื•ืชื” ืœื—ื“ืจ ื”ืžื™ื•ืŸ,
05:06
and she was, she was in really bad shape.
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ื•ื”ื™ื ื”ื™ืชื” ื‘ืžืฆื‘ ืงืฉื” ืžืื“.
05:09
We almost lost her a couple of times,
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ืคืขืžื™ื™ื ื›ืžืขื˜ ืื™ื‘ื“ื ื• ืื•ืชื”,
05:11
and I was there with my brother every day.
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ื•ื”ื™ื™ืชื™ ืฉื ื›ืœ ื™ื•ื ืขื ืื—ื™.
05:19
It helped me realize something else during this project,
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ื–ื” ืขื–ืจ ืœื™ ืœื”ื‘ื™ืŸ ื“ื‘ืจ ื ื•ืกืฃ ื‘ืงืฉืจ ืœืžื™ื–ื ืฉืœื™,
05:21
is that recording that one second on a really bad day
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ืฉืœื”ืงืœื™ื˜ ืืช ื”ืฉื ื™ื” ื”ื”ื™ื ื‘ื™ื•ื ืจืข ื‘ืžื™ื•ื—ื“
05:28
is extremely difficult.
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ื–ื” ืงืฉื” ื‘ื™ื•ืชืจ.
05:29
It's not -- we tend to take our cameras out when we're doing awesome things.
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ื–ื” ืœื-- ืื ื• ื ื•ื˜ื™ื ืœืงื—ืช ืื™ืชื ื• ืืช ื”ืžืฆืœืžื” ื›ืฉืื ื• ืขื•ืฉื™ื ื“ื‘ืจื™ื ื›ื™ืคื™ื™ื.
05:34
Or we're, "Oh, yeah, this party, let me take a picture."
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ืœืžืฉืœ, "ื™ืฉ! ืžืกื™ื‘ื”! ื‘ื•ื ื ืฆืœื."
05:37
But we rarely do that when we're having a bad day,
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ืื‘ืœ ืœืขืชื™ื ืจื—ื•ืงื•ืช ืขื•ืฉื™ื ื–ืืช ื›ืฉื™ืฉ ืœื ื• ื™ื•ื ื’ืจื•ืข,
05:40
and something horrible is happening.
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ื•ืงื•ืจื” ืžืฉื”ื• ื ื•ืจื.
05:42
And I found that it's actually been very, very important
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ื•ื’ื™ืœื™ืชื™ ืฉืžืื“ ืžืื“ ื—ืฉื•ื‘
05:45
to record even just that one second of a really bad moment.
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ืœื”ืงืœื™ื˜ ื•ืœื• ืจืง ืืช ื”ืฉื ื™ื” ื”ื–ื• ืžืชื•ืš ืจื’ืข ื’ืจื•ืข ื‘ืžื™ื•ื—ื“.
05:49
It really helps you appreciate the good times.
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ื–ื” ื‘ืืžืช ืขื•ื–ืจ ืœื”ืขืจื™ืš ืืช ื”ื–ืžื ื™ื ื”ื˜ื•ื‘ื™ื.
05:52
It's not always a good day, so when you have a bad one,
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ืœื ืชืžื™ื“ ื™ืฉ ื™ืžื™ื ื˜ื•ื‘ื™ื, ืื– ื›ืฉื™ืฉ ื™ื•ื ื’ืจื•ืข,
05:57
I think it's important to remember it,
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ืœื“ืขืชื™, ื—ืฉื•ื‘ ืœื–ื›ื•ืจ ืืช ื–ื”,
05:59
just as much as it is important to remember the [good] days.
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ื‘ื“ื™ื•ืง ื›ืžื• ืฉื—ืฉื•ื‘ ืœื–ื›ื•ืจ ืืช ื”ื™ืžื™ื ื”ื˜ื•ื‘ื™ื.
06:12
Now one of the things that I do is I don't use any filters,
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ื•ื“ื‘ืจ ื ื•ืกืฃ, ืื ื™ ืœื ืžืฉืชืžืฉ ื‘ืžืกื ื ื™ื,
06:15
I don't use anything to -- I try to capture the moment
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ืื ื™ ืœื ืžืฉืชืžืฉ ื‘ืฉื•ื ื“ื‘ืจ ืฉ-- ืื ื™ ืžื ืกื” ืœืœื›ื•ื“ ืืช ื”ืจื’ืข
06:19
as much as possible as the way that I saw it with my own eyes.
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ื›ืœ ื”ืืคืฉืจ ื‘ื“ื™ื•ืง ื›ืคื™ ืฉืจืื™ืชื™ ืื•ืชื• ื‘ืขื™ื ื™ื™ื ืฉืœื™.
06:25
I started a rule of first person perspective.
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ื”ืชื—ืœืชื™ ืœื”ืฉืชืžืฉ ื‘ื›ืœืœ ืฉืœ "ืคืจืกืคืงื˜ื™ื‘ื” ื‘ื’ื•ืฃ ืจืืฉื•ืŸ".
06:27
Early on, I think I had a couple of videos where
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ื‘ื”ืชื—ืœื”, ื ื“ืžื” ืœื™ ืฉื”ื™ื• ืœื™ ื›ืžื” ืกืจื˜ื•ื ื™ื ืฉื‘ื”ื
06:29
you would see me in it, but I realized that wasn't the way to go.
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ืจื•ืื™ื ื‘ื”ื ืื•ืชื™, ืื‘ืœ ื”ื‘ื ืชื™ ืฉื–ื” ืœื ืžืชืื™ื.
06:34
The way to really remember what I saw
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ื”ื“ืจืš ืœื–ื›ื•ืจ ื‘ืืžืช ืืช ืžื” ืฉืจืื™ืชื™
06:35
was to record it as I actually saw it.
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ื”ื™ื ืœื”ืงืœื™ื˜ ืืช ื–ื” ื‘ื“ื™ื•ืง ื›ืžื• ืฉืจืื™ืชื™ ืืช ื–ื”.
06:47
Now a couple of things that I have in my head about this project are,
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ื•ืขื•ื“ ืฉื ื™ ื“ื‘ืจื™ื ืฉืขืœื• ื‘ื“ืขืชื™ ื‘ืงืฉืจ ืœืžื™ื–ื ื”ื–ื” ื”ื™ื•,
06:52
wouldn't it be interesting if thousands of people were doing this?
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ื ื›ื•ืŸ ืฉื™ื”ื™ื” ืžืขื ื™ื™ืŸ ืื ืืœืคื™ ืื ืฉื™ื ื™ืขืฉื• ืืช ื–ื”?
06:58
I turned 31 last week, which is there.
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ืœืคื ื™ ืฉื‘ื•ืข ืžืœืื• ืœื™ 31, ื”ื ื” ื–ื”.
07:04
I think it would be interesting to see
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ืื ื™ ื—ื•ืฉื‘ ืฉื™ื”ื™ื” ืžืขื ื™ื™ืŸ ืœืจืื•ืช
07:06
what everyone did with a project like this.
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ืžื” ื›ืœ ืื—ื“ ื”ื™ื” ืขื•ืฉื” ื‘ืžื™ื–ื ืื™ืฉื™ ื›ื–ื”.
07:07
I think everyone would have a different interpretation of it.
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ืœื“ืขืชื™, ืœื›ืœ ืื—ื“ ืชื”ื™ื” ืคืจืฉื ื•ืช ืฉื•ื ื” ืœื’ื‘ื™ ื–ื”.
07:09
I think everyone would benefit from just having that one second to remember every day.
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ืœื“ืขืชื™, ื›ืœ ืื—ื“ ื™ื™ื”ื ื” ืžื›ืš ืฉืชื”ื™ื” ืœื• ืฉื ื™ื” ืื—ืช ืฉืชื–ื›ื™ืจ ืœื• ื›ืœ ื™ื•ื.
07:14
Personally, I'm tired of forgetting,
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ืื™ืฉื™ืช, ื ืžืืก ืœื™ ืœืฉื›ื•ื—,
07:17
and this is a really easy thing to do.
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ื•ืžืžืฉ ืงืœ ืœืขืฉื•ืช ืืช ื–ื”.
07:20
I mean, we all have HD-capable cameras in our pockets right now --
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ื”ืจื™ ื™ืฉ ืœื›ื•ืœื ื• ื‘ื›ื™ืก ืžืฆืœืžื•ืช ื”ืคืจื“ื” ื’ื‘ื•ื”ื” --
07:22
most people in this room, I bet --
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ื‘ื˜ื•ื— ืฉืœืจื•ื‘ ื”ืื ืฉื™ื ื›ืืŸ ื‘ืื•ืœื --
07:24
and it's something that's --
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ื•ื–ื” ืžืฉื”ื• ืฉ--
07:26
I never want to forget another day that I've ever lived,
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ืื ื™ ืœื ืจื•ืฆื” ืœืฉื›ื•ื— ื™ื•ืชืจ ืฉื•ื ื™ื•ื ืžื—ื™ื™,
07:28
and this is my way of doing that,
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ื•ื–ื• ื“ืจื›ื™ ืœืขืฉื•ืช ื–ืืช,
07:30
and it'd be really interesting also to see,
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ื•ื™ื”ื™ื” ื’ื ืžืขื ื™ื™ืŸ ืœืจืื•ืช,
07:33
if you could just type in on a website,
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ืื ืชื•ื›ืœื• ืœื”ืงืœื™ื“ ืืช ื–ื” ื‘ืื™ื–ื” ืืชืจ ืื™ื ื˜ืจื ื˜,
07:35
"June 18, 2018,"
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"ื”-18 ืœื™ื•ื ื™, 2018",
07:38
and you would just see a stream of people's lives
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ื•ืœืจืื•ืช ืกืจื˜ื•ืŸ ืฉืœ ื—ื™ื™ื”ื ืฉืœ ืื ืฉื™ื
07:41
on that particular day from all over the world.
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ื‘ืื•ืชื• ื™ื•ื, ืžื›ืœ ื”ืขื•ืœื.
07:42
And I don't know, I think this project has a lot of possibilities,
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ืœื ื™ื•ื“ืข, ื ืจืื” ืœื™ ืฉืœืžื™ื–ื ื”ื–ื” ื™ืฉ ื”ืจื‘ื” ืืคืฉืจื•ื™ื•ืช,
07:46
and I encourage you all to record just a small snippet of your life every day,
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ื•ืื ื™ ืžืขื•ื“ื“ ืืช ื›ื•ืœื›ื ืœื”ืงืœื™ื˜ ืจืง ืืช ืื•ืชื• ืฉื‘ืจื™ืจ ืžื—ื™ื™ื›ื ื‘ื›ืœ ื™ื•ื,
07:49
so you can never forget that that day, you lived.
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ื›ื“ื™ ืฉืœืขื•ืœื ืœื ืชืฉื›ื—ื• ืืช ืื•ืชื• ื™ื•ื ื‘ื—ื™ื™ื›ื.
07:51
Thank you.
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ืชื•ื“ื” ืจื‘ื”.
07:53
(Applause)
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[ืžื—ื™ืื•ืช ื›ืคื™ื™ื]
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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