Julian Treasure: Shh! Sound health in 8 steps

129,685 views ใƒป 2010-09-24

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Ron Bentata ืžื‘ืงืจ: Sigal Tifferet
00:16
The Hindus say, "Nada brahma,"
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ื”ื”ื™ื ื“ื™ื ืื•ืžืจื™ื, "ื ืื“ื” ื‘ืจื”ืžื”",
00:18
one translation of which is, "The world is sound."
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ืชืจื’ื•ื ืืคืฉืจื™ ืื—ื“ ื”ื•ื: "ื”ืขื•ืœื ื”ื•ื ืฆืœื™ืœ".
00:21
And in a way, that's true, because everything is vibrating.
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ื•ื‘ืžื•ื‘ืŸ ืžืกื•ื™ื ื–ื” ื ื›ื•ืŸ, ืžื›ื™ื•ื•ืŸ ืฉื”ื›ืœ ืจื•ื˜ื˜.
00:24
In fact, all of you as you sit here right now are vibrating.
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ืœืžืขืฉื”, ื‘ืขื•ื“ื›ื ื™ืฉื•ื‘ื™ื ื›ืืŸ, ื›ื•ืœื›ื ืจื•ื˜ื˜ื™ื.
00:27
Every part of your body is vibrating at different frequencies.
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ื›ืœ ื—ืœืง ื‘ื’ื•ืคื›ื ืจื•ื˜ื˜ ื‘ืชื“ื™ืจื•ืช ืฉื•ื ื”.
00:30
So you are, in fact, a chord --
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ื›ืš ืฉืืชื ืœืžืขืฉื” ืžื™ืชืจื™ื,
00:32
each of you an individual chord.
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ื›ืœ ืื—ื“ ืžื›ื ื”ื•ื ืžื™ืชืจ ื ืคืจื“.
00:34
One definition of health may be
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ื”ื’ื“ืจื” ืื—ืช ืฉืœ ื‘ืจื™ืื•ืช ื™ื›ื•ืœื” ืœื”ื™ื•ืช
00:36
that that chord is in complete harmony.
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ืฉื”ืžื™ืชืจ ื”ื–ื” ื ืžืฆื ื‘ื”ืจืžื•ื ื™ื” ืžื•ื—ืœื˜ืช.
00:38
Your ears can't hear that chord;
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ื”ืื•ื–ื ื™ื™ื ืฉืœื›ื ืœื ื™ื›ื•ืœื•ืช ืœืฉืžื•ืข ืืช ื”ืžื™ืชืจ ื”ื–ื”.
00:40
they can actually hear amazing things. Your ears can hear 10 octaves.
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ื”ืŸ ื™ื›ื•ืœื•ืช ืœืฉืžื•ืข ื“ื‘ืจื™ื ืžื“ื”ื™ืžื™ื. ืื•ื–ื ื™ื›ื ื™ื›ื•ืœื•ืช ืœืฉืžื•ืข 10 ืื•ืงื˜ื‘ื•ืช.
00:43
Incidentally, we see just one octave.
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ื“ืจืš ืื’ื‘, ืื ื• ื™ื›ื•ืœื™ื ืœืจืื•ืช ืจืง ืื•ืงื˜ื‘ื” ืื—ืช.
00:46
Your ears are always on -- you have no ear lids.
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ืื•ื–ื ื™ื›ื ืชืžื™ื“ ืคื•ืขืœื•ืช. ืื™ืŸ ืœื›ื ืจื™ืกื™ ืื•ื–ื ื™ื™ื.
00:48
They work even when you sleep.
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ื”ืŸ ืคืขื™ืœื•ืช ื’ื ื›ืฉืืชื ื™ืฉื ื™ื.
00:50
The smallest sound you can perceive
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ื”ืฆืœื™ืœ ื”ื—ืœืฉ ื‘ื™ื•ืชืจ ืื•ืชื• ืืชื ื™ื›ื•ืœื™ื ืœืงืœื•ื˜
00:52
moves your eardrum just four atomic diameters.
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ืžื–ื™ื– ืืช ืขื•ืจ ื”ืชื•ืฃ ืฉืœื›ื ื‘-4 ืงื˜ืจื™ื ืื˜ื•ืžื™ื™ื ื‘ืœื‘ื“.
00:55
The loudest sound you can hear
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ื”ืฆืœื™ืœ ื”ืจื•ืขืฉ ื‘ื™ื•ืชืจ ืฉืืชื ื™ื›ื•ืœื™ื ืœืฉืžื•ืข
ื”ื•ื ืคื™ ื˜ืจื™ืœื™ื•ืŸ ื™ื•ืชืจ ื—ื–ืง ืžื–ื”.
00:57
is a trillion times more powerful than that.
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00:59
Ears are made not for hearing,
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ื”ืื•ื–ื ื™ื™ื ื ื•ืขื“ื• ืœื ืœืฉืžื™ืขื”,
01:01
but for listening.
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ื›ื™ ืื ืœื”ืงืฉื‘ื”.
01:03
Listening is an active skill,
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ื”ื”ืงืฉื‘ื” ื”ื™ื ืžื™ื•ืžื ื•ืช ืคืขื™ืœื”.
01:05
whereas hearing is passive, listening is something that we have to work at --
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ืื ื”ืฉืžื™ืขื” ื”ื™ื ืกื‘ื™ืœื”. ื”ืจื™ ืฉื”ื”ืงืฉื‘ื” ื“ื•ืจืฉืช ืžืื™ืชื ื• ื”ืฉืงืขื”:
01:08
it's a relationship with sound.
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ื–ื• ืžืขืจื›ืช ื™ื—ืกื™ื ืขื ื”ืฆืœื™ืœื™ื.
01:10
And yet it's a skill that none of us are taught.
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ื•ืขื ื–ืืช ื–ื• ืžื™ื•ืžื ื•ืช ืฉืœื ืžืœืžื“ื™ื ืื™ืฉ ืžืื™ืชื ื•.
01:12
For example, have you ever considered that there are listening positions,
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ืœื“ื•ื’ืžื”, ื”ืื ื—ืฉื‘ืชื ืคืขื ืฉื™ืฉ ืžืฆื‘ื™ ื”ืงืฉื‘ื”,
01:15
places you can listen from?
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ื ืงื•ื“ื•ืช-ืžื•ืฆื ืฉืžื”ืŸ ืืคืฉืจ ืœื”ืงืฉื™ื‘?
01:17
Here are two of them.
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ื”ื ื” ืฉื ื™ ืžืฆื‘ื™ื ื›ืืœื”.
01:19
Reductive listening is listening "for."
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ื”ืงืฉื‘ื” ืžืฆืžืฆืžืช ื”ื™ื ื”ืงืฉื‘ื” "ื‘ืฉื‘ื™ืœ".
01:21
It reduces everything down to what's relevant
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ื”ื™ื ืžืฆืžืฆืžืช ืืช ื”ื›ืœ ืœืžื” ืฉืจืœื•ื•ื ื˜ื™ ื‘ืืžืช,
01:24
and it discards everything that's not relevant.
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ื•ืžื‘ื˜ืœืช ืืช ื›ืœ ืžื” ืฉืœื ืจืœื•ื•ื ื˜ื™.
01:26
Men typically listen reductively.
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ื”ื’ื‘ืจื™ื ืžืงืฉื™ื‘ื™ื ืœืจื•ื‘ ื‘ืื•ืคืŸ ืžืฆืžืฆื.
01:28
So he's saying, "I've got this problem."
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ื”ืื—ื“ ืื•ืžืจ, "ื™ืฉ ืœื™ ื‘ืขื™ื” ื›ื–ื•".
01:30
He's saying, "Here's your solution. Thanks very much. Next."
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ื•ื”ืื—ืจ ืื•ืžืจ, "ื”ื ื” ื”ืคืชืจื•ืŸ. ืชื•ื“ื” ืจื‘ื”. ื”ืœืื”".
01:32
That's the way we talk, right guys?
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ื›ืš ืื ื• ืžื“ื‘ืจื™ื, ื ื›ื•ืŸ, ื‘ื—ื•ืจื™ื?
01:34
Expansive listening, on the other hand,
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ื”ืงืฉื‘ื” ืคืชื•ื—ื”, ืžืฆื“ ืฉื ื™,
01:36
is listening "with," not listening "for."
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ื”ื™ื ื”ืงืฉื‘ื” "ืขื", ื•ืœื "ื‘ืฉื‘ื™ืœ".
01:38
It's got no destination in mind --
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ืื™ืŸ ืœื” ื™ืขื“ ื›ืœืฉื”ื• ื•ืžื˜ืจืชื” ืจืง ืœื™ื”ื ื•ืช ืžื”ืชื”ืœื™ืš.
01:40
it's just enjoying the journey.
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01:42
Women typically listen expansively.
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ื ืฉื™ื ื‘ื“"ื› ืžืงืฉื™ื‘ื•ืช ื‘ืื•ืคืŸ ืคืชื•ื—.
01:44
If you look at these two, eye contact, facing each other,
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ื”ื‘ื™ื˜ื• ื‘ืฉืชื™ ืืœื”: ืงืฉืจ ืขื™ืŸ, ื”ืŸ ืคื•ื ื•ืช ื–ื• ืืœ ื–ื•,
01:46
possibly both talking at the same time.
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ืกื‘ื™ืจ ืœื”ื ื™ื— ืฉื”ืŸ ืžื“ื‘ืจื•ืช ื‘ื•-ื–ืžื ื™ืช.
01:48
(Laughter)
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(ืฆื—ื•ืง)
01:51
Men, if you get nothing else out of this talk,
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ื’ื‘ืจื™ื, ืื ืœื ืชืœืžื“ื• ื›ืœื•ื ืžื”ื”ืจืฆืื” ื”ื–ื•,
01:53
practice expansive listening,
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ืœืคื—ื•ืช, ืชืจื’ืœื• ื”ืงืฉื‘ื” ืคืชื•ื—ื”,
ื•ืชื•ื›ืœื• ืœืฉื ื•ืช ืืช ืžืขืจื›ื•ืช ื”ื™ื—ืกื™ื ืฉืœื›ื.
01:55
and you can transform your relationships.
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01:57
The trouble with listening is that so much of what we hear
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ื”ื‘ืขื™ื” ืขื ื”ืงืฉื‘ื” ื”ื™ื ืฉื”ืจื‘ื” ืžืžื” ืฉืื ื• ืฉื•ืžืขื™ื
02:00
is noise, surrounding us all the time.
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ื”ื•ื ื”ืจืขืฉ ืฉืžืงื™ืฃ ืื•ืชื ื• ื›ืœ ื”ื–ืžืŸ.
02:03
Noise like this, according to the European Union,
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ืจืขืฉ ื›ืžื• ื–ื”, ืขืœ ืคื™ ื”ืื™ื—ื•ื“ ื”ืื™ืจื•ืคื™,
02:06
is reducing the health and the quality of life
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ืžื•ืจื™ื“ ืืช ืจืžืช ื”ื‘ืจื™ืื•ืช ื•ืื™ื›ื•ืช ื”ื—ื™ื™ื
02:08
of 25 percent
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ืืฆืœ 25 ืื—ื•ื–ื™ื ืžื”ืื•ื›ืœื•ืกื™ื” ื‘ืื™ืจื•ืคื”.
02:10
of the population of Europe.
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02:12
Two percent of the population of Europe --
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2 ืื—ื•ื–ื™ื ืžื”ืื•ื›ืœื•ืกื™ื” ื‘ืื™ืจื•ืคื” --
02:14
that's 16 million people --
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ื›ืœื•ืžืจ 16 ืžื™ืœื™ื•ืŸ ืื ืฉื™ื --
02:16
are having their sleep devastated
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ืกื•ื‘ืœื™ื ืžื”ืคืจืขื•ืช ืฉื™ื ื”
02:18
by noise like that.
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ื‘ืฉืœ ืจืขืฉ ื›ืžื• ื–ื”.
02:20
Noise kills
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ื”ืจืขืฉ ื”ื•ืจื’ 200,000 ืื™ืฉ ื‘ืฉื ื”, ื‘ืื™ืจื•ืคื”.
02:22
200,000 people a year in Europe.
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02:24
It's a really big problem.
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ื–ื• ื‘ืืžืช ื‘ืขื™ื” ื’ื“ื•ืœื”.
ื›ืฉื”ื™ื™ืชื ืงื˜ื ื™ื, ื›ืฉื”ื™ื” ืจืขืฉ ื•ืœื ืจืฆื™ืชื ืœืฉืžื•ืข ืื•ืชื•,
02:26
Now, when you were little, if you had noise and you didn't want to hear it,
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ื”ื™ื™ืชื ืชื•ื—ื‘ื™ื ืืฆื‘ืขื•ืช ืœืื•ื–ื ื™ื™ื ื•ืžื–ืžื–ืžื™ื.
02:28
you'd stick your fingers in your ears and hum.
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02:30
These days, you can do a similar thing, it just looks a bit cooler.
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ื”ื™ื•ื ืชื•ื›ืœื• ืœืขืฉื•ืช ื“ื‘ืจ ื“ื•ืžื”. ื–ื” ืจืง ื ืจืื” ืžื’ื ื™ื‘ ื™ื•ืชืจ.
02:33
It looks a bit like this.
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ื–ื” ื ืจืื” ื‘ืขืจืš ื›ื›ื”.
02:35
The trouble with widespread headphone use
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ื”ื‘ืขื™ื” ืขื ืฉื™ืžื•ืฉ ื ืจื—ื‘ ื‘ืื•ื–ื ื™ื•ืช
02:37
is it brings three really big health issues.
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ื”ื™ื ืฉื–ื” ื’ื•ืจื ืœ-3 ื‘ืขื™ื•ืช ื‘ืจื™ืื•ืชื™ื•ืช ื’ื“ื•ืœื•ืช.
02:40
The first really big health issue is a word that Murray Schafer coined:
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ื”ื‘ืขื™ื™ื” ื”ื’ื“ื•ืœื” ื”ืจืืฉื•ื ื” ื”ื™ื ืžื•ื ื— ืฉืœ ืžืืจื™ื™ ืฉืคืจ:
02:43
"schizophonia."
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"ืกื›ื™ื–ื•ืคื•ื ื™ื”".
02:45
It's a dislocation
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ื–ื”ื• ื—ื•ืกืจ ื”ืชืืžื”
02:47
between what you see and what you hear.
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ื‘ื™ืŸ ืžื” ืฉืจื•ืื™ื ืœื‘ื™ืŸ ืžื” ืฉืฉื•ืžืขื™ื.
02:49
So, we're inviting into our lives
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ื›ืœื•ืžืจ, ืื ื• ืžื–ืžื™ื ื™ื ืœื—ื™ื™ื ื•
02:51
the voices of people who are not present with us.
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ืงื•ืœื•ืช ืฉืœ ืื ืฉื™ื ืฉืื™ื ื ื ื•ื›ื—ื™ื ืœืฆื™ื“ื ื•.
02:54
I think there's something deeply unhealthy
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ืœื“ืขืชื™ ื™ืฉ ืžืฉื”ื• ืžืื“ ืœื ื‘ืจื™ื
02:56
about living all the time in schizophonia.
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ืœื—ื™ื•ืช ื›ืœ ื”ื—ื™ื™ื ื‘ืžืฆื‘ ืฉืœ ืกื›ื™ื–ื•ืคื•ื ื™ื”.
02:58
The second problem that comes with headphone abuse
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ื”ื‘ืขื™ื” ื”ืฉื ื™ื” ืฉื ื•ืฆืจืช ืžืฉื™ืžื•ืฉ ืœืงื•ื™ ื‘ืื•ื–ื ื™ื•ืช
03:00
is compression.
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ื”ื™ื ื“ื—ื™ืกื”.
03:02
We squash music to fit it into our pocket
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ืื ื• ืžื›ื•ื•ืฆื™ื ืืช ื”ืžื•ื–ื™ืงื” ื›ื“ื™ ืฉืชืชืื™ื ืœื›ื™ืก ืฉืœื ื•.
03:04
and there is a cost attached to this.
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ื•ื™ืฉ ืœื–ื” ืžื—ื™ืจ.
03:06
Listen to this -- this is an uncompressed piece of music.
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ื”ืงืฉื™ื‘ื• ืœื–ื”. ื–ื”ื• ืงื˜ืข ืœื ื“ื—ื•ืก ืฉืœ ืžื•ื–ื™ืงื”.
03:09
(Music)
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(ืžื•ื–ื™ืงื”)
03:15
And now the same piece of music with 98 percent of the data removed.
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ื•ื”ื ื” ืื•ืชื• ืงื˜ืข ืžื•ื–ื™ืงืœื™ ืœืื—ืจ ื”ืกืจื” ืฉืœ 98% ืžื”ืžื™ื“ืข ืฉื‘ื•.
03:18
(Music)
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(ืžื•ื–ื™ืงื”)
03:22
I do hope that some of you at least
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ืื ื™ ืžืงื•ื•ื” ืฉืœืคื—ื•ืช ื—ืœืง ืžื›ื
03:24
can hear the difference between those two.
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ื™ื›ื•ืœื™ื ืœืฉืžื•ืข ืืช ื”ื”ื‘ื“ืœ ืฉื‘ื™ืŸ ืฉื ื™ ื”ืงื˜ืขื™ื.
03:26
There is a cost of compression.
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ืœื“ื—ื™ืกื” ื™ืฉ ืžื—ื™ืจ.
ืžืขื™ื™ืฃ ื•ืžืขืฆื‘ืŸ ืœื”ืฉืœื™ื ืืช ื›ืœ ื”ืžื™ื“ืข ื”ื–ื”.
03:28
It makes you tired and irritable to have to make up all of that data.
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03:30
You're having to imagine it.
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ืืชื ื ืืœืฆื™ื ืœื“ืžื™ื™ืŸ ืืช ื–ื”.
03:32
It's not good for you in the long run.
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ืœืื•ืจืš ื˜ื•ื•ื—, ื–ื” ืœื ื˜ื•ื‘ ืขื‘ื•ืจื›ื.
03:34
The third problem with headphones is this: deafness --
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ื”ื‘ืขื™ื” ื”ืฉืœื™ืฉื™ืช ืขื ืื•ื–ื ื™ื•ืช ื”ื™ื ื–ื•: ื—ื™ืจืฉื•ืช --
03:37
noise-induced hearing disorder.
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ื”ืคืจืขืช-ืฉืžื™ืขื” ื›ืชื•ืฆืื” ืžืจืขืฉ.
03:39
Ten million Americans already have this for one reason or another,
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10 ืžื™ืœื™ื•ืŸ ืืžืจื™ืงืื™ื ื›ื‘ืจ ืกื•ื‘ืœื™ื ืžื›ืš ืžืกื™ื‘ื” ื–ื• ืื• ืื—ืจืช,
03:42
but really worryingly,
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ืืš ืžื“ืื™ื’ ืขื•ื“ ื™ื•ืชืจ ื”ื•ื,
03:44
16 percent --
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ืฉ-16 ืื—ื•ื–,
03:46
roughly one in six -- of American teenagers
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ื‘ืขืจืš 1 ืžืชื•ืš 6 ื‘ื ื™-ื ื•ืขืจ ืืžืจื™ืงืื™ื™ื
03:48
suffer from noise-induced hearing disorder
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ืกื•ื‘ืœื™ื ืžื”ืคืจืขืช-ืฉืžื™ืขื” ื›ืชื•ืฆืื” ืžืจืขืฉ
03:50
as a result of headphone abuse.
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ื”ื ื’ืจื ืžืฉื™ืžื•ืฉ ืœื-ื ื›ื•ืŸ ื‘ืื•ื–ื ื™ื•ืช.
03:53
One study at an American university
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ืžื—ืงืจ ืื—ื“ ืฉืœ ืื•ื ื™ื‘ืจืกื™ื˜ื” ืืžืจื™ืงืื™ืช
03:55
found that 61 percent of college freshmen
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ืžืฆื ื›ื™ 61 ืื—ื•ื– ืžืชืœืžื™ื“ื™ ื”ืฉื ื” ื”ืจืืฉื•ื ื”
03:58
had damaged hearing
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ืกื•ื‘ืœื™ื ืžืœื™ืงื•ื™ื™ ืฉืžื™ืขื”
04:00
as a result of headphone abuse.
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ื›ืชื•ืฆืื” ืžืฉื™ืžื•ืฉ ืœื-ื ื›ื•ืŸ ื‘ืื•ื–ื ื™ื•ืช.
04:02
We may be raising an entire generation of deaf people.
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ื™ื™ืชื›ืŸ ืฉืื ื• ืžื’ื“ืœื™ื ื“ื•ืจ ืฉืœื ืฉืœ ื—ื™ืจืฉื™ื.
04:05
Now that's a really serious problem.
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ื•ื–ืืช ื‘ืขื™ื” ื—ืžื•ืจื” ื‘ื™ื•ืชืจ.
04:07
I'll give you three quick tips to protect your ears
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ืืชืŸ ืœื›ื ื‘ืžื”ื™ืจื•ืช 3 ืขืฆื•ืช ืœื”ื’ื ื” ืขืœ ืื•ื–ื ื™ื›ื,
04:09
and pass these on to your children, please.
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ื•ื‘ื‘ืงืฉื”, ื”ืขื‘ื™ืจื• ืื•ืชืŸ ืœื™ืœื“ื™ื›ื.
04:11
Professional hearing protectors are great;
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ืžื’ื™ื ื™ ืื•ื–ื ื™ื™ื ืžืงืฆื•ืขื™ื™ื ื”ื ื“ื‘ืจ ืžืขื•ืœื”;
04:13
I use some all the time.
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ืื ื™ ืžืฉืชืžืฉ ื‘ื”ื ื›ืœ ื”ื–ืžืŸ.
04:15
If you're going to use headphones, buy the best ones you can afford
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ืื ื‘ื“ืขืชื›ื ืœื”ืฉืชืžืฉ ื‘ืื•ื–ื ื™ื•ืช, ืงื ื• ืืช ื”ื›ื™ ื˜ื•ื‘ื•ืช ืฉืชื•ื›ืœื• ืœื”ืฉื™ื’,
04:18
because quality means you don't have to have it so loud.
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ื›ื™ ืื™ื›ื•ืช ืžืฉืžืขื” ืฉืื™ืŸ ืฆื•ืจืš ืœื”ืงืฉื™ื‘ ื‘ืขื•ืฆืžื” ื’ื‘ื•ื”ื”.
04:20
If you can't hear somebody talking to you in a loud voice,
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ืื ืื™ื ื›ื ื™ื›ื•ืœื™ื ืœืฉืžื•ืข ืžื™ืฉื”ื• ืžื“ื‘ืจ ืืœื™ื›ื ื‘ืงื•ืœ ืจื,
04:22
it's too loud.
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ื–ื” ืจื•ืขืฉ ืžื“ื™.
04:24
And thirdly, if you're in bad sound,
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ื•ืฉืœื™ืฉื™ืช, ืื ืืชื ื‘ืกื‘ื™ื‘ื” ืจื•ืขืฉืช,
04:26
it's fine to put your fingers in your ears or just move away from it.
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ื–ื” ื‘ืกื“ืจ ืœืชื—ื•ื‘ ืืฆื‘ืขื•ืช ืœืื•ื–ื ื™ื™ื ืื• ืคืฉื•ื˜ ืœื”ืชืจื—ืง.
04:28
Protect your ears in that way.
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ื›ืš ืชื’ื ื• ืขืœ ืื•ื–ื ื™ื›ื.
04:30
Let's move away from bad sound and look at some friends that I urge you to seek out.
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ื ืขื–ื•ื‘ ืœืจื’ืข ืืช ื”ืฆืœื™ืœื™ื ื”ืจืขื™ื ื•ื ืกืงื•ืจ ื›ืžื” ื™ื“ื™ื“ื™ื ืฉื›ื“ืื™ ืœื›ื ืœื—ืคืฉ.
04:33
WWB:
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ืจืž"ืฆ:
04:35
Wind, water, birds --
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ืจื•ื—, ืžื™ื, ืฆื™ืคื•ืจื™ื --
04:38
stochastic natural sounds
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ืงื•ืœื•ืช ืืงืจืื™ื™ื ืžื”ื˜ื‘ืข
04:40
composed of lots of individual random events,
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ืฉืžื•ืจื›ื‘ื™ื ืžื”ืจื‘ื” ืื™ืจื•ืขื™ื ืืงืจืื™ื™ื ื‘ื•ื“ื“ื™ื,
ื›ื•ืœื ืฆืœื™ืœื™ื ื‘ืจื™ืื™ื ืžืื“, ืฆืœื™ืœื™ื ืฉื”ืชืจื’ืœื ื• ืœืฉืžื•ืข ื‘ืžืฉืš ื”ืื‘ื•ืœื•ืฆื™ื”.
04:43
all of it very healthy,
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04:45
all of it sound that we evolved to over the years.
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04:47
Seek those sounds out; they're good for you and so it this.
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ื—ืคืฉื• ืงื•ืœื•ืช ืืœื”; ื”ื ื˜ื•ื‘ื™ื ืขื‘ื•ืจื›ื, ื•ื’ื ื–ื”.
04:53
Silence is beautiful.
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ื”ื“ืžืžื” ื”ื™ื ื“ื‘ืจ ื™ืคื”.
04:55
The Elizabethans described language
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ื”ืืœื™ื–ื‘ืชื ื™ื ื”ื’ื“ื™ืจื• ืืช ื”ืฉืคื”
04:57
as decorated silence.
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ื›"ื“ืžืžื” ืžืขื•ื˜ืจืช".
04:59
I urge you to move away from silence with intention
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ืื ื™ ืžืžืœื™ืฅ ืœื›ื ืœื ืงื•ื˜ ืžื•ื“ืขื•ืช ื›ืฉืืชื ืžืชืจื—ืงื™ื ืžืŸ ื”ื“ืžืžื”,
05:02
and to design soundscapes just like works of art.
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ื•ืœืขืฆื‘ ื ื•ืคื™ ืฆืœื™ืœ ืžืžืฉ ื›ืžื• ื™ืฆื™ืจื•ืช ืื•ืžื ื•ืช.
05:05
Have a foreground, a background, all in beautiful proportion.
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ืฆืจื• ื—ื–ื™ืช, ืจืงืข, ื•ื”ื›ืœ ื‘ืคืจื•ืคื•ืจืฆื™ื” ื™ืคื”.
05:08
It's fun to get into designing with sound.
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ื›ื™ืฃ ืœืขืฆื‘ ืฆืœื™ืœื™ื.
05:10
If you can't do it yourself, get a professional to do it for you.
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ืื ืื™ื ื›ื ื™ื›ื•ืœื™ื ืœืขืฉื•ืช ื–ืืช ื‘ืขืฆืžื›ื, ื”ื™ืขื–ืจื• ื‘ืื™ืฉ-ืžืงืฆื•ืข.
05:13
Sound design is the future,
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ืขื™ืฆื•ื‘ ืฆืœื™ืœ ื”ื•ื ื”ืขืชื™ื“,
05:15
and I think it's the way we're going to change the way the world sounds.
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ื•ืœื“ืขืชื™, ื›ืš ื ืฉื ื” ืืช ื”ืื•ืคืŸ ื‘ื• ื”ืขื•ืœื ื ืฉืžืข.
05:18
I'm going to just run quickly through eight modalities,
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ืืขื‘ื•ืจ ื‘ืžื”ื™ืจื•ืช ืขืœ 8 ืึธืคื ื•ืช,
05:20
eight ways sound can improve health.
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8 ื“ืจื›ื™ื ืฉื‘ื”ืŸ ื”ืฆืœื™ืœ ื™ื›ื•ืœ ืœืชืจื•ื ืœื‘ืจื™ืื•ืช.
05:23
First, ultrasound: we're very familiar with it from physical therapy;
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ืจืืฉื™ืช, ืื•ืœื˜ืจืืกืื•ื ื“: ืื ื• ืžื›ื™ืจื™ื ื–ืืช ื”ื™ื˜ื‘ ืžืคื™ื–ื™ื•ืชืจืคื™ื”.
05:26
it's also now being used to treat cancer.
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ื›ื™ื•ื ื–ื” ืžืฉืžืฉ ื’ื ืœื˜ื™ืคื•ืœ ื‘ืกืจื˜ืŸ.
05:28
Lithotripsy -- saving thousands of people a year from the scalpel
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ื”ื˜ื›ื ื™ืงื” ืœืžืขื™ื›ืช ืื‘ื ื™ ื›ืœื™ื•ืช ืžืฆื™ืœื” ืืœืคื™ ืื ืฉื™ื ื‘ืฉื ื” ืžืื™ื–ืžืœ ื”ื ื™ืชื•ื—ื™ื
05:31
by pulverizing stones with high-intensity sound.
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ืข"ื™ ืจื™ืกื•ืง ื”ืื‘ื ื™ื ื‘ืขื–ืจืช ืฆืœื™ืœื™ื ืขื–ื™ื.
05:34
Sound healing is a wonderful modality.
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ืจื™ืคื•ื™ ื‘ืฆืœื™ืœ ื”ื•ื ืึธืคื ื” ืžืฆื•ื™ื ืช.
05:36
It's been around for thousands of years.
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ื”ื•ื ื ืžืฆื ื‘ืฉื™ืžื•ืฉ ืžื–ื” ืืœืคื™ ืฉื ื™ื.
05:38
I do urge you to explore this.
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ืื ื™ ืžืžืœื™ืฅ ืœื›ื ืœื‘ื“ื•ืง ืืช ื–ื”.
05:40
There are great things being done there, treating now autism,
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ื ืขืฉื™ื ื‘ืชื—ื•ื ื–ื” ื“ื‘ืจื™ื ื ืคืœืื™ื, ื˜ื™ืคื•ืœ ื‘ืื•ื˜ื™ื–ื,
05:42
dementia and other conditions.
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ื‘ืฉื™ื˜ื™ื•ืŸ ื•ื‘ืžื—ืœื•ืช ืื—ืจื•ืช.
05:44
And music, of course. Just listening to music is good for you,
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ื•ืžื•ื–ื™ืงื”, ื›ืžื•ื‘ืŸ. ืขืฆื ื”ื”ืื–ื ื” ืœืžื•ื–ื™ืงื” ืชื•ืขื™ืœ ืœื›ื.
05:47
if it's music that's made with good intention,
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ืื ื–ื• ืžื•ื–ื™ืงื” ืฉื ื•ืฆืจื” ืžืชื•ืš ื›ื•ื•ื ื” ื˜ื•ื‘ื”,
05:49
made with love, generally.
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ืžืชื•ืš ืื”ื‘ื”, ื‘ืื•ืคืŸ ื›ืœืœื™.
05:51
Devotional music, good -- Mozart, good.
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ืžื•ื–ื™ืงื” ื“ืชื™ืช - ื˜ื•ื‘. ืžื•ืฆืจื˜ - ื˜ื•ื‘.
05:53
There are all sorts of types of music
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ื™ืฉ ืกื•ื’ื™ื ืจื‘ื™ื ืฉืœ ืžื•ื–ื™ืงื”
05:55
that are very healthy.
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ืฉื”ื ืžืื“ ื‘ืจื™ืื™ื.
05:57
And four modalities where you need to take some action
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ื•ื”ื ื” ืืจื‘ืข ืืคื ื•ืช ื‘ื”ืŸ ืขืœื™ื›ื ืœืคืขื•ืœ ื•ืœื’ืœื•ืช ืžืขื•ืจื‘ื•ืช.
05:59
and get involved.
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06:01
First of all, listen consciously.
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ื”ืจืืฉื•ื ื” ื”ื™ื, ืœื”ืงืฉื™ื‘ ื‘ืื•ืคืŸ ืžื•ื“ืข.
06:03
I hope that that after this talk you'll be doing that.
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ืื ื™ ืžืงื•ื•ื” ืฉืื—ืจื™ ื”ื”ืจืฆืื” ืชืขืฉื• ื–ืืช.
06:05
It's a whole new dimension to your life and it's wonderful to have that dimension.
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ื–ื” ื™ื”ื™ื” ืžื™ืžื“ ื—ื“ืฉ ืœื’ืžืจื™ ื‘ื—ื™ื™ื›ื, ื•ื–ื”ื• ืžื™ืžื“ ื ืคืœื.
06:08
Secondly, get in touch with making some sound --
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ืฉื ื™ืช, ื”ืชื—ื‘ืจื• ืœื™ืฆื™ืจื” ืฉืœ ืฆืœื™ืœื™ื. ืฆืจื• ืฆืœื™ืœื™ื.
06:11
create sound.
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ื”ืงื•ืœ ื”ื•ื ื”ื›ืœื™ ืฉื‘ื• ื›ื•ืœื ื• ืžื ื’ื ื™ื,
06:13
The voice is the instrument we all play,
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06:15
and yet how many of us are trained in using our voice? Get trained;
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ืืš ื›ืžื” ืžืื™ืชื ื• ืžืื•ืžื ื™ื ื‘ืฉื™ืžื•ืฉ ื‘ื•? ื”ืฉื™ื’ื• ื”ื›ืฉืจื” ื‘ื•.
06:18
learn to sing, learn to play an instrument.
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ืœื™ืžื“ื• ืœืฉื™ืจ. ืœื™ืžื“ื• ืœื ื’ืŸ ื‘ื›ืœื™-ื ื’ื™ื ื”.
06:20
Musicians have bigger brains -- it's true.
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ืœืžื•ื–ื™ืงืื™ื ื™ืฉ ืžื•ื— ื’ื“ื•ืœ ื™ื•ืชืจ -- ื–ื” ื ื›ื•ืŸ.
06:23
You can do this in groups as well.
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ืืคืฉืจ ืœืขืฉื•ืช ื–ืืช ื’ื ื‘ืงื‘ื•ืฆื•ืช. ื ื•ื’ื“ืŸ ืžืขื•ืœื” ืœืกื›ื™ื–ื•ืคื•ื ื™ื”
06:25
It's a fantastic antidote to schizophonia;
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06:27
to make music and sound in a group of people,
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ื”ื•ื ื™ืฆื™ืจืช ืžื•ื–ื™ืงื” ื•ืฆืœื™ืœื™ื ื‘ืงื‘ื•ืฆื”,
06:29
whichever style you enjoy particularly.
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ื‘ื›ืœ ืกื’ื ื•ืŸ ืฉืืชื ืื•ื”ื‘ื™ื.
06:32
And let's take a stewarding role for the sound around us.
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ื”ื‘ื” ื ื ื”ืœ ืืช ื”ืฆืœื™ืœื™ื ื”ืกื•ื‘ื‘ื™ื ืื•ืชื ื•.
06:34
Protect your ears? Yes, absolutely.
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ืœื”ื’ืŸ ืขืœ ื”ืื•ื–ื ื™ื™ื? ื›ืŸ, ื‘ื”ื—ืœื˜.
06:36
Design soundscapes to be beautiful around you
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ืขืฆื‘ื• ืกื‘ื™ื‘ื›ื ื ื•ืคื™-ืฆืœื™ืœ ื™ืคื™ื
06:38
at home and at work.
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ื‘ื‘ื™ืช ื•ื‘ืขื‘ื•ื“ื”.
06:40
And let's start to speak up
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ื•ื‘ื•ืื• ื ืชื—ื™ืœ ืœื”ืฉืžื™ืข ืืช ืงื•ืœื ื•
06:42
when people are assailing us
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ื›ืฉืื ืฉื™ื ืชื•ืงืคื™ื ืื•ืชื ื•
06:44
with the noise that I played you early on.
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ืขื ื”ืจืขืฉ ืื•ืชื• ื”ืฉืžืขืชื™ ืœื›ื ืงื•ื“ื ืœื›ืŸ.
06:46
So I'm going to leave you with seven things you can do right now
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ืืคืจื“ ืžื›ื ืขื 7 ื“ื‘ืจื™ื ืฉืชื•ื›ืœื• ืœืขืฉื•ืช ืžืžืฉ ืขื›ืฉื™ื•
06:49
to improve your health with sound.
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ืœืฉื™ืคื•ืจ ื”ื‘ืจื™ืื•ืช ืฉืœื›ื ื‘ืขื–ืจืช ืฆืœื™ืœื™ื. ื”ื—ื–ื•ืŸ ืฉืœื™ ื”ื•ื ืขื•ืœื ืฉื ืฉืžืข ื™ืคื”,
06:51
My vision is of a world that sounds beautiful
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1. ืœื”ืงืฉื™ื‘ ื‘ืžื•ื“ืข 2. ื”ื’ื ื” ืœืื•ื–ื ื™ื™ื 3. ืœื”ืชื™ื™ื“ื“ ืขื ื”ื“ืžืžื” 4. ืœืืžืŸ ืืช ื”ืงื•ืœ 5. ืœื™ืฆื•ืจ ืžื•ืกื™ืงื” 6. ืœืขืฆื‘ ื ื•ืคื™-ืฆืœื™ืœ 7. ืœืขืžื•ื“ ืขืœ ืฉืœื›ื
06:54
and if we all start doing these things,
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06:56
we will take a very big step in that direction.
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06:58
So I urge you to take that path.
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ื•ืื ื ืชื—ื™ืœ ืœื‘ืฆืข ืืช ืืœื”, ื ืฆืขื“ ืฆืขื“ ื’ื“ื•ืœ ืžืื•ื“ ื‘ื›ื™ื•ื•ืŸ ื”ื–ื”.
ืื– ืื ื™ ืžืžืœื™ืฅ ืœื›ื ืœืœื›ืช ื‘ื“ืจืš ื–ื•.
07:01
I'm leaving you with a little more birdsong, which is very good for you.
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ืืฉืื™ืจ ืืชื›ื ืขื ืขื•ื“ ืงืฆืช ืฉื™ืจืช ืฆื™ืคื•ืจื™ื, ืฉื”ื™ื ืžืื“ ืžื•ืขื™ืœื” ืขื‘ื•ืจื›ื.
07:03
I wish you sound health.
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ืื ื™ ืžืื—ืœ ืœื›ื ื‘ืจื™ืื•ืช ื‘ืฆืœื™ืœ ื”ื ื›ื•ืŸ.
07:05
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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