A virtual choir 2,000 voices strong | Eric Whitacre

1,946,871 views ใƒป 2011-04-04

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Sigal Tifferet ืžื‘ืงืจ: Ido Dekkers
00:15
I wanted to be a rock star.
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ืจืฆื™ืชื™ ืœื”ื™ื•ืช ื›ื•ื›ื‘ ืจื•ืง.
00:17
I dreamed of it, and that's all I dreamed of.
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ื—ืœืžืชื™ ืขืœ ื–ื” ื•ืจืง ืขืœ ื–ื”.
00:20
To be more accurate, I wanted to be a pop star.
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ืœืžืขืŸ ื”ื“ื™ื•ืง, ืจืฆื™ืชื™ ืœื”ื™ื•ืช ื›ื•ื›ื‘ ืคื•ืค.
00:22
This was in the late '80s.
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ื–ื” ื”ื™ื” ื‘ืฉื ื•ืช ื”-80 ื”ืžืื•ื—ืจื•ืช.
00:24
And mostly I wanted to be the fifth member
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ื•ื”ื›ื™ ืจืฆื™ืชื™ ืœื”ื™ื•ืช ื”ื—ื‘ืจ ื”ื—ืžื™ืฉื™
00:26
of Depeche Mode or Duran Duran.
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ื‘ื“ืคืฉ ืžื•ื“ ืื• ื“ื•ืจืืŸ ื“ื•ืจืืŸ.
00:28
They wouldn't have me.
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ื”ื ืœื ืงื™ื‘ืœื• ืื•ืชื™.
00:30
I didn't read music, but I played synthesizers and drum machines.
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ืœื ืงืจืืชื™ ืชื•ื•ื™ื, ืื‘ืœ ื ื™ื’ื ืชื™ ืขืœ ืกื™ื ืชื™ืกื™ื™ื–ืจื™ื ื•ืขืœ ืžื›ื•ื ื•ืช ืชื•ืคื™ื.
00:33
And I grew up in this little farming town in northern Nevada.
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ื•ื’ื“ืœืชื™ ื‘ืขื™ื™ืจื” ื—ืงืœืื™ืช ืงื˜ื ื” ื‘ืฆืคื•ืŸ ื ื‘ืื“ื”.
00:36
And I was certain that's what my life would be.
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ื•ื”ื™ื™ืชื™ ื‘ื˜ื•ื— ืฉื›ืš ื™ื™ืจืื• ื—ื™ื™.
00:38
And when I went to college at the University of Nevada, Las Vegas
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ื•ื›ืฉื”ืœื›ืชื™ ืœืœืžื•ื“ ื‘ืื•ื ื™ื‘ืจืกื™ื˜ืช ื ื‘ืื“ื”, ืœืืก ื•ื’ืืก,
00:40
when I was 18,
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ื›ืฉื”ื™ื™ืชื™ ื‘ืŸ 18,
00:42
I was stunned to find
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ื ื“ื”ืžืชื™ ืœื’ืœื•ืช
00:44
that there was not a Pop Star 101,
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ืฉืื™ืŸ ืงื•ืจืก "ืžื‘ื•ื ืœื›ื•ื›ื‘ื™ ืคื•ืค",
00:47
or even a degree program for that interest.
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ื•ืืคื™ืœื• ืœื ืชื•ืืจ ื‘ืชื—ื•ื ื”ื–ื”.
00:50
And the choir conductor there
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ื•ื”ืžื ืฆื— ืฉืœ ื”ืžืงื”ืœื” ืฉื
00:52
knew that I sang
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ื™ื“ืข ืฉืื ื™ ืฉืจ,
00:54
and invited me to come and join the choir.
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ื•ื”ื•ื ื”ื–ืžื™ืŸ ืื•ืชื™ ืœื”ืฆื˜ืจืฃ ืœืžืงื”ืœื”.
00:56
And I said, "Yes, I would love to do that. It sounds great."
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ื•ืื ื™ ืืžืจืชื™ "ื‘ื˜ื—, ืื ื™ ืืฉืžื—. ื–ื” ื ืฉืžืข ืžืฆื•ื™ืŸ."
00:59
And I left the room and said, "No way."
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ื•ื™ืฆืืชื™ ืžื”ื—ื“ืจ ื•ืืžืจืชื™ "ืื™ืŸ ืžืฆื‘."
01:03
The choir people in my high school were pretty geeky,
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ื‘ืชื™ื›ื•ืŸ ืžื™ ืฉืฉืจ ื‘ืžืงื”ืœื” ื”ื™ื• ื“ื™ ื—ื ื•ื ื™ื,
01:06
and there was no way I was going to have anything to do with those people.
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ื•ืœื ืจืฆื™ืชื™ ืฉื•ื ืงืฉืจ ืœืื ืฉื™ื ื›ืืœื”.
01:09
And about a week later, a friend of mine came to me and said,
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ื•ืื—ืจื™ ืฉื‘ื•ืข ื ื™ื’ืฉ ืืœื™ ื—ื‘ืจ ืฉืœื™ ื•ืืžืจ ืœื™
01:11
"Listen, you've got to join choir.
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"ืฉืžืข, ืืชื” ื—ื™ื™ื‘ ืœื”ืฆื˜ืจืฃ ืœืžืงื”ืœื”.
01:13
At the end of the semester, we're taking a trip to Mexico,
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ื‘ืกื•ืฃ ื”ืกืžืกื˜ืจ ืื ื—ื ื• ื ื•ืกืขื™ื ืœืžืงืกื™ืงื•,
01:15
all expenses paid.
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ืžืฉืœืžื™ื ืœื ื• ืขืœ ื›ืœ ื”ื”ื•ืฆืื•ืช.
01:17
And the soprano section is just full of hot girls."
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ื•ื‘ืกื•ืคืจื ื• ื™ืฉ ืžืœื ื‘ื—ื•ืจื•ืช ืฉื•ื•ืช."
01:21
And so I figured for Mexico and babes,
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ืื– ื—ืฉื‘ืชื™ ืฉื‘ืฉื‘ื™ืœ ืžืงืกื™ืงื• ื•ื—ืชื™ื›ื•ืช,
01:23
I could do just about anything.
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ืื ื™ ื™ื›ื•ืœ ืœืขืฉื•ืช ื›ืžืขื˜ ื›ืœ ื“ื‘ืจ.
01:26
And I went to my first day in choir,
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ื•ื”ืœื›ืชื™ ืœืžืงื”ืœื” ื‘ื™ื•ื ื”ืจืืฉื•ืŸ,
01:28
and I sat down with the basses
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ื•ื™ืฉื‘ืชื™ ืขื ื–ืžืจื™ ื”ื‘ืก
01:30
and sort of looked over my shoulder
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ื•ื”ืกืชื›ืœืชื™ ืžืขื‘ืจ ืœื›ืชืฃ ืฉืœื™
01:32
to see what they were doing.
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ื›ื“ื™ ืœืจืื•ืช ืžื” ื”ื ืขื•ืฉื™ื.
01:34
They opened their scores, the conductor gave the downbeat,
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ื”ื ืคืชื—ื• ืืช ื”ืชื•ื•ื™ื, ื”ืžื ืฆื— ื ืชืŸ ืืช ื”ืื•ืช,
01:36
and boom, they launched into the Kyrie
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ื•ื‘ื•ื, ื”ื ืคืจืฆื• ืœืชื•ืš ื”ืงื™ืจื™ื™
01:39
from the "Requiem" by Mozart.
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ืžื”ืจืงื•ื•ื™ืื ืฉืœ ืžื•ืฆืจื˜.
01:41
In my entire life I had seen in black and white,
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ื›ืœ ื—ื™ื™ ืจืื™ืชื™ ื‘ืฉื—ื•ืจ ืœื‘ืŸ,
01:44
and suddenly everything was in shocking Technicolor.
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ื•ืคืชืื•ื ื”ื›ืœ ื ืฆื‘ืข ื‘ืฆื‘ืขื™ื ืžื”ืžืžื™ื.
01:48
The most transformative experience I've ever had --
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ื”ื—ื•ื•ื™ื” ื”ื›ื™ ืžืฉื ืช ื—ื™ื™ื ืฉื”ื™ืชื” ืœื™ ืื™ ืคืขื -
01:51
in that single moment, hearing dissonance and harmony
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ื‘ืื•ืชื• ืจื’ืข, ื›ืฉืฉืžืขืชื™ ื“ื™ืกื•ื ื ืก ื•ื”ืจืžื•ื ื™ื”,
01:54
and people singing, people together,
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ื•ืื ืฉื™ื ืฉืจื™ื, ืื ืฉื™ื ื™ื—ื“,
01:57
the shared vision.
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ื—ื–ื•ืŸ ืžืฉื•ืชืฃ.
01:59
And I felt for the first time in my life
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ื•ื”ืจื’ืฉืชื™ ืœืจืืฉื•ื ื” ื‘ื—ื™ื™
02:01
that I was part of something bigger than myself.
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ืฉืื ื™ ื—ืœืง ืžืžืฉื”ื• ืฉื”ื•ื ื’ื“ื•ืœ ืžืžื ื™.
02:03
And there were a lot of cute girls in the soprano section, as it turns out.
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ื•ื”ื™ื• ื’ื ื”ืจื‘ื” ื‘ื—ื•ืจื•ืช ื—ืžื•ื“ื•ืช ื‘ืกื•ืคืจื ื•.
02:07
I decided to write a piece for choir
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ื”ื—ืœื˜ืชื™ ืœื”ืœื—ื™ืŸ ื™ืฆื™ืจื” ืœืžืงื”ืœื”
02:10
a couple of years later
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ื›ืžื” ืฉื ื™ื ืžืื•ื—ืจ ื™ื•ืชืจ,
02:12
as a gift to this conductor
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ื›ืžืชื ื” ืœืžื ืฆื— ื”ื–ื”
02:14
who had changed my life.
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ืฉืฉื™ื ื” ืืช ื—ื™ื™.
02:16
I had learned to read music by then, or slowly learning to read music.
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ืขื“ ืื– ืœืžื“ืชื™ ืชื•ื•ื™ื, ืœืื˜ ืœืื˜.
02:19
And that piece was published,
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ื•ื”ื™ืฆื™ืจื” ื”ื–ื• ืคื•ืจืกืžื”,
02:21
and then I wrote another piece, and that got published.
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ื•ืื– ื”ืœื—ื ืชื™ ืขื•ื“ ื™ืฆื™ืจื”, ื•ื’ื ื”ื™ื ืคื•ืจืกืžื”.
02:23
And then I started conducting,
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ื•ืื– ื”ืชื—ืœืชื™ ืœื ืฆื—,
02:25
and I ended up doing my master's degree at the Juilliard School.
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ื•ื‘ืกื•ืฃ ืขืฉื™ืชื™ ืืช ื”ืชื•ืืจ ื”ืฉื ื™ ื‘ื’'ื•ืœื™ืืจื“.
02:27
And I find myself now in the unlikely position
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ื•ืžืฆืืชื™ ืืช ืขืฆืžื™ ื‘ืžืฆื‘ ื”ืœื ืกื‘ื™ืจ
02:29
of standing in front of all of you
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ืฉืื ื™ ืขื•ืžื“ ืžื•ืœื›ื
02:31
as a professional classical composer and conductor.
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ื›ืžืœื—ื™ืŸ ื•ืžื ืฆื— ืžืงืฆื•ืขื™ ืฉืœ ืžื•ื–ื™ืงื” ืงืœืืกื™ืช.
02:35
Well a couple of years ago,
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ื•ื‘ื›ืŸ, ืœืคื ื™ ื›ืžื” ืฉื ื™ื,
02:37
a friend of mine emailed me
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ื—ื‘ืจ ืฉืœื™ ืฉืœื— ืœื™
02:39
a link, a YouTube link,
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ืœื™ื ืง ืžื™ื•-ื˜ื™ื•ื‘,
02:41
and said, "You have got to see this."
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ื•ืืžืจ "ืืชื” ื—ื™ื™ื‘ ืœืจืื•ืช ืืช ื–ื”."
02:43
And it was this young woman who had posted a fan video to me,
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ื•ื–ื• ื”ื™ืชื” ืืฉื” ืฆืขื™ืจื” ืฉื”ืขืœืชื” ืงืœื™ืค ืžืขืจื™ืฆื™ื ื‘ืฉื‘ื™ืœื™,
02:46
singing the soprano line
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ื‘ื• ื”ื™ื ืฉืจื” ืืช ืชืคืงื™ื“ ื”ืกื•ืคืจืŸ
02:48
to a piece of mine called "Sleep."
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ืœื™ืฆื™ืจื” ืงื˜ื ื” ืฉืœื™ ื‘ืฉื "ืฉื™ื ื”."
02:50
(Video) Britlin Losee: Hi Mr. Eric Whitacre.
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ื‘ืจื™ื˜ืœื™ืŸ ืœื•ืกื™: ื”ื™ ืžืจ ืืจื™ืง ื•ื•ื™ื˜ืงืจ.
02:53
My name is Britlin Losee,
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ืงื•ืจืื™ื ืœื™ ื‘ืจื™ื˜ืœื™ืŸ ืœื•ืกื™,
02:55
and this is a video
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ื•ื–ื” ื•ื™ื“ื™ืื•
02:57
that I'd like to make for you.
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ืฉืื ื™ ืจื•ืฆื” ืœืขืฉื•ืช ืขื‘ื•ืจืš.
02:59
Here's me singing "Sleep."
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ื›ืืŸ ืื ื™ ืฉืจื” ืืช "ืฉื™ื ื”".
03:05
I'm a little nervous, just to let you know.
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ืื ื™ ืงืฆืช ืžืชืจื’ืฉืช, ืจืง ืฉืชื“ืข.
03:10
โ™ซ If there are noises โ™ซ
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โ™ซ ืื ื™ืฉ ืจืขืฉื™ื โ™ซ
03:19
โ™ซ in the night โ™ซ
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โ™ซื‘ื—ืฉื™ื›ื”โ™ซ
03:25
Eric Whitacre: I was thunderstruck.
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ื•ื•ื™ื˜ืงืจ: ื”ื™ื™ืชื™ ื”ืžื•ื.
03:27
Britlin was so innocent and so sweet,
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ื‘ืจื™ื˜ืœื™ืŸ ื”ื™ืชื” ื›"ื› ืชืžื™ืžื” ื•ืžืชื•ืงื”,
03:30
and her voice was so pure.
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ื•ื”ืงื•ืœ ืฉืœื” ื”ื™ื” ื›"ื› ื˜ื”ื•ืจ.
03:32
And I even loved seeing behind her;
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ื•ืืคื™ืœื• ืื”ื‘ืชื™ ืืช ืžื” ืฉื”ื™ื” ื‘ืจืงืข.
03:34
I could see the little teddy bear sitting on the piano behind her in her room.
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ืจืื™ืชื™ ืืช ื”ื“ื•ื‘ื™ ื”ืงื˜ืŸ ืฉื™ื•ืฉื‘ ืขืœ ื”ืคืกื ืชืจ ืžืื—ื•ืจื™ื” ื‘ื—ื“ืจ.
03:37
Such an intimate video.
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ื•ื™ื“ื™ืื• ื›"ื› ืื™ื ื˜ื™ืžื™.
03:39
And I had this idea: if I could get 50 people
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ื•ืขืœื” ืœื™ ืจืขื™ื•ืŸ, ืื ืื•ื›ืœ ืœื”ืฉื™ื’ 50 ืื™ืฉ
03:41
to all do this same thing,
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ืฉื™ืขืฉื• ืืช ืื•ืชื• ื”ื“ื‘ืจ,
03:43
sing their parts -- soprano, alto, tenor and bass --
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ื™ืฉื™ืจื• ืืช ื”ืชืคืงื™ื“ื™ื ืฉืœื”ื - ืกื•ืคืจืŸ, ืืœื˜, ื˜ื ื•ืจ ื•ื‘ืก -
03:45
wherever they were in the world, post their videos to YouTube,
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ืžื›ืœ ืžืงื•ื ื‘ืขื•ืœื, ื•ื™ืขืœื• ืืช ื”ื•ื™ื“ื™ืื• ืฉืœื”ื ืœื™ื•-ื˜ื™ื•ื‘,
03:48
we could cut it all together and create a virtual choir.
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ื ื•ื›ืœ ืœืขืจื•ืš ืืช ื”ื›ืœ ื™ื—ื“ ื•ืœื™ืฆื•ืจ ืžืงื”ืœื” ื•ื™ืจื˜ื•ืืœื™ืช.
03:51
So I wrote on my blog, "OMG OMG."
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ืื– ื›ืชื‘ืชื™ ื‘ื‘ืœื•ื’ ืฉืœื™ "OMG OMG" (ืืœื•ื”ื™ื ืื“ื™ืจื™ื!)
03:54
I actually wrote, "OMG,"
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ืžืžืฉ ื›ืชื‘ืชื™ "OMG",
03:56
hopefully for the last time in public ever.
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ื‘ืชืงื•ื•ื” ืฉื–ื• ื”ืคืขื ื”ืื—ืจื•ื ื” ืฉืืขืฉื” ื–ืืช ื‘ืฆื™ื‘ื•ืจ.
03:59
(Laughter)
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(ืฆื—ื•ืง)
04:01
And I sent out this call to singers.
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ื•ืื– ืฉืœื—ืชื™ ืืช ื”ืงืจื™ืื” ื”ื–ื• ืœื–ืžืจื™ื.
04:03
And I made free the download of the music
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ื•ืืคืฉืจืชื™ ืœื”ื•ืจื™ื“ ื‘ื—ื™ื ื ืืช ื”ืžื•ื–ื™ืงื”
04:06
to a piece that I had written in the year 2000
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ืœื™ืฆื™ืจื” ืฉื›ืชื‘ืชื™ ื‘ืฉื ืช 2000
04:08
called "Lux Aurumque," which means "light and gold."
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ืฉื ืงืจืืช "ืœื•ืงืก ืื•ืจื•ืžืงื”", ืฉืžืฉืžืขื” "ืื•ืจ ื•ื–ื”ื‘."
04:11
And lo and behold, people started uploading their videos.
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ื•ืจืื• ื–ื” ืคืœื, ืื ืฉื™ื ื”ืชื—ื™ืœื• ืœื”ืขืœื•ืช ืืช ื”ืงืœื™ืคื™ื ืฉืœื”ื.
04:14
Now I should say, before that,
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ืืงื“ื™ื ื•ืื•ืžืจ,
04:16
what I did is I posted a conductor track
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ืžื” ืฉืขืฉื™ืชื™ ื–ื” ื”ืขืœื™ืชื™ ืืช ื”ื˜ืจืง ืฉืœ ื”ืžื ืฆื—,
04:18
of myself conducting.
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ืื•ืชื™ ืžื ืฆื—.
04:20
And it's in complete silence when I filmed it,
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ื•ื”ืงืœื˜ืชื™ ืืช ื–ื” ื‘ื“ืžืžื” ืžื•ื—ืœื˜ืช,
04:23
because I was only hearing the music in my head,
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ื›ื™ ืฉืžืขืชื™ ืืช ื”ืžื•ื–ื™ืงื” ืจืง ื‘ืจืืฉื™,
04:25
imagining the choir that would one day come to be.
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ื•ื“ืžื™ื™ื ืชื™ ืืช ื”ืžืงื”ืœื” ืฉืชื”ื™ื” ื™ื•ื ืื—ื“.
04:28
Afterwards, I played a piano track underneath
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ืœืื—ืจ ืžื›ืŸ, ืฉืžืชื™ ื˜ืจืง ืฉืœ ืคืกื ืชืจ ืžืชื—ืช ืœื–ื”,
04:30
so that the singers would have something to listen to.
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ื›ืš ืฉื”ื–ืžืจื™ื ื™ื•ื›ืœื• ืœืฉืžื•ืข ืžืฉื”ื•.
04:33
And then as the videos started to come in ...
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ื•ืื– ื›ืฉื”ืงืœื™ืคื™ื ื”ืชื—ื™ืœื• ืœื”ื’ื™ืข...
04:38
(Singing)
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(ืฉื™ืจื”)
04:42
This is Cheryl Ang from Singapore.
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ื–ื•ื”ื™ ืฉืจื™ืœ ืื ื’ ืžืกื™ื ื’ืคื•ืจ.
04:46
(Singing)
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(ืฉื™ืจื”)
04:51
This is Evangelina Etienne
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ื–ื•ื”ื™ ืื•ื•ื ื’'ืœื™ื ื” ืื˜ื™ื™ืŸ
04:53
(Singing)
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(ืฉื™ืจื”)
05:00
from Massachusetts.
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ืžืžืกืฆ'ื•ืกื˜ืก.
05:03
(Singing)
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(ืฉื™ืจื”)
05:05
Stephen Hanson from Sweden.
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ืกื˜ืคืŸ ื”ื ืกื•ืŸ ืžืฉื‘ื“ื™ื”.
05:07
(Singing)
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(ืฉื™ืจื”)
05:09
This is Jamal Walker from Dallas, Texas.
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ื–ื” ื’'ืžืืœ ื•ื•ืงืจ ืžื“ืืœืืก, ื˜ืงืกืก.
05:12
(Singing)
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(ืฉื™ืจื”)
05:20
There was even a little soprano solo in the piece,
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ื”ื™ื” ืืคื™ืœื• ืกื•ืœื• ืกื•ืคืจืŸ ืงื˜ืŸ ื‘ื™ืฆื™ืจื”,
05:22
and so I had auditions.
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ืื– ืขืจื›ืชื™ ืื•ื“ื™ืฉื ื™ื.
05:24
And a number of sopranos uploaded their parts.
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ื•ืžืกืคืจ ืกื•ืคืจื ื™ื•ืช ื”ืขืœื•ืช ืืช ื”ืชืคืงื™ื“ื™ื ืฉืœื”ืŸ.
05:26
I was told later,
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ืื—"ื› ืกื™ืคืจื• ืœื™,
05:28
and also by lots of singers who were involved in this,
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ื•ื’ื ื”ืจื‘ื” ื–ืžืจื™ื ืฉื”ื™ื• ืžืขื•ืจื‘ื™ื ื‘ื–ื”,
05:30
that they sometimes recorded 50 or 60 different takes
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ืฉืœืคืขืžื™ื ื”ื ื”ืงืœื™ื˜ื• 50 ืื• 60 ื ืกื™ื•ื ื•ืช
05:33
until they got just the right take -- they uploaded it.
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ืขื“ ืฉื”ื ื”ืฆืœื™ื—ื• ืœื”ื’ื™ืข ืœืชื•ืฆืื” ื”ืจืฆื•ื™ื” - ื•ืื– ื”ืขืœื• ืื•ืชื”.
05:36
Here's our winner of the soprano solo.
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ื”ื ื” ื”ื–ื•ื›ื” ื‘ืกื•ืœื• ื”ืกื•ืคืจืŸ.
05:38
This is Melody Myers from Tennessee.
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ื–ื•ื”ื™ ืžืœืื ื™ ืžืื™ื™ืจืก ืžื˜ื ืกื™.
05:43
(Singing)
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(ืฉื™ืจื”)
05:58
I love the little smile she does right over the top of the note --
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ืื ื™ ืžืช ืขืœ ื”ื—ื™ื•ืš ื”ืงื˜ืŸ ืฉื™ืฉ ืœื” ืžืขืœ ืœืชื• ื”ื’ื‘ื•ื”-
06:01
like, "No problem, everything's fine."
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ื›ืื™ืœื•, "ืื™ืŸ ื‘ืขื™ื”, ื”ื›ืœ ื‘ืกื“ืจ."
06:03
(Laughter)
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(ืฆื—ื•ืง)
06:05
And from the crowd
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ื•ืžื”ืงื”ืœ,
06:07
emerged this young man, Scott Haines.
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ื”ื’ื™ืข ื‘ื—ื•ืจ ืฆืขื™ืจ, ืกืงื•ื˜ ื”ื™ื™ื ืก.
06:09
And he said, "Listen, this is the project
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ื•ื”ื•ื ืืžืจ, "ืฉืžืข, ื–ื” ื”ืคืจื•ื™ื™ืงื˜
06:11
I've been looking for my whole life.
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ืฉื—ื™ื›ื™ืชื™ ืœื• ื›ืœ ื—ื™ื™.
06:13
I'd like to be the person to edit this all together."
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ืื ื™ ืจื•ืฆื” ืœื”ื™ื•ืช ื–ื” ืฉื™ืขืจื•ืš ื”ื›ืœ ื™ื—ื“."
06:15
I said, "Thank you, Scott. I'm so glad that you found me."
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ืืžืจืชื™, "ืชื•ื“ื” ืกืงื•ื˜. ืื ื™ ื›"ื› ืฉืžื— ืฉืžืฆืืช ืื•ืชื™."
06:18
And Scott aggregated all of the videos.
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ื•ืกืงื•ื˜ ื—ื™ื‘ืจ ืืช ื›ืœ ื”ืงืœื™ืคื™ื.
06:20
He scrubbed the audio.
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ื”ื•ื ื ื™ืงื” ืืช ื”ืคืกืงื•ืœ.
06:22
He made sure that everything lined up.
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ื”ื•ื ื•ื™ื“ื ืฉื”ื›ืœ ืžืชื—ื‘ืจ ื™ื—ื“.
06:24
And then we posted this video to YouTube about a year and a half ago.
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ื•ืื– ื”ื—ืœื˜ื ื• ืœื”ืขืœื•ืช ืืช ื”ื•ื™ื“ืื• ื”ื–ื” ืœื™ื•ื˜ื™ื•ื‘ ืœืคื ื™ ืฉื ื” ื•ื—ืฆื™.
06:27
This is "Lux Aurumque" sung by the Virtual Choir.
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ื–ื”ื• "ืœื•ืงืก ืื•ืจื•ืžืงื”" ืžื‘ื•ืฆืข ืข"ืข ื”ืžืงื”ืœื” ื”ื•ื™ืจื˜ื•ืืœื™ืช.
06:29
(Singing)
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(ืฉื™ืจื”)
07:49
I'll stop it there in the interest of time.
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ืืขืฆื•ืจ ื›ืืŸ ื‘ื’ืœืœ ืงื•ืฆืจ ื”ื–ืžืŸ.
07:52
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
07:56
Thank you. Thank you.
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ืชื•ื“ื”. ืชื•ื“ื”.
08:00
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
08:08
Thank you.
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ืชื•ื“ื”.
08:10
So there's more. There's more.
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ืื– ื™ืฉ ืขื•ื“. ื™ืฉ ืขื•ื“.
08:13
Thank you so much.
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ืชื•ื“ื” ืจื‘ื” ืœื›ื.
08:15
And I had the same reaction you did.
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ื•ื”ื™ืชื” ืœื™ ืืช ืื•ืชื” ื”ืชื’ื•ื‘ื” ืฉื”ื™ืชื” ืœื›ื.
08:17
I actually was moved to tears when I first saw it.
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ื”ืชืจื’ืฉืชื™ ืขื“ ื“ืžืขื•ืช ื›ืฉืจืื™ืชื™ ืืช ื–ื” ืœืจืืฉื•ื ื”.
08:19
I just couldn't believe the poetry of all of it --
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ืœื ื™ื›ื•ืœืชื™ ืœื”ืืžื™ืŸ ืœืคื™ื•ื˜ื™ื•ืช ืฉืœ ื–ื”,
08:22
these souls all on their own desert island,
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ื”ื ืฉืžื•ืช ื”ืืœื” ืฉื ืžืฆืื•ืช ื›ืœ ืื—ืช ื‘ืื™ ื ื˜ื•ืฉ ืžืฉืœื”,
08:26
sending electronic messages in bottles to each other.
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ืฉื•ืœื—ื•ืช ื”ื•ื“ืขื•ืช ืืœืงื˜ืจื•ื ื™ื•ืช ื‘ื‘ืงื‘ื•ืงื™ื ื–ื• ืœื–ื•.
08:29
And the video went viral.
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ื•ื”ื•ื™ื“ืื• ื”ืคืš ืœื•ื•ื™ืจืืœื™.
08:31
We had a million hits in the first month
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ื”ื™ื• ืœื ื• ืžื™ืœื™ื•ืŸ ืฆืคื™ื•ืช ื‘ื—ื•ื“ืฉ ื”ืจืืฉื•ืŸ,
08:33
and got a lot of attention for it.
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ื•ืงื™ื‘ืœื ื• ื”ืจื‘ื” ืชืฉื•ืžืช ืœื‘.
08:35
And because of that, then a lot of singers started saying,
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ื•ืžืฉื•ื ื›ืš, ื”ืจื‘ื” ื–ืžืจื™ื ืืžืจื•,
08:37
"All right, what's Virtual Choir 2.0?"
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"ื˜ื•ื‘, ืžื” ืขื•ืฉื™ื ืœืžืงื”ืœื” ื”ื•ื™ืจื˜ื•ืืœื™ืช 2.0?"
08:39
And so I decided for Virtual Choir 2.0
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ืื– ื‘ื—ืจืชื™ ืœืžืงื”ืœื” ื”ื•ื™ืจื˜ื•ืืœื™ืช 2.0
08:41
that I would choose the same piece that Britlin was singing,
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ืืช ืื•ืชื” ื”ื™ืฆื™ืจื” ืฉื‘ืจื™ื˜ืœื™ืŸ ืฉืจื”,
08:44
"Sleep," which is another work
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"ืฉื™ื ื”," ื–ื• ื™ืฆื™ืจื” ื ื•ืกืคืช
08:46
that I wrote in the year 2000 --
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ืฉื›ืชื‘ืชื™ ื‘ืฉื ืช 2000 -
08:48
poetry by my dear friend Charles Anthony Silvestri.
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ืœืžื™ืœื™ื ืฉืœ ื—ื‘ืจื™ ื”ื™ืงืจ ืฆ'ืจืœืก ืื ืชื•ื ื™ ืกื™ืœื‘ืกื˜ืจื™.
08:50
And again, I posted a conductor video,
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ื•ืฉื•ื‘, ื”ืขืœื™ืชื™ ื•ื™ื“ืื• ืฉืœ ื”ืžื ืฆื—,
08:52
and we started accepting submissions.
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ื•ื”ืชื—ืœื ื• ืœืงื‘ืœ ืคื ื™ื•ืช.
08:55
This time we got some more mature members.
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ื”ืคืขื ืงื™ื‘ืœื ื• ื›ืžื” ื—ื‘ืจื™ื ื‘ื•ื’ืจื™ื ื™ื•ืชืจ.
08:58
(Singing)
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(ืฉื™ืจื”)
09:08
And some younger members.
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ื•ื›ืžื” ืฆืขื™ืจื™ื ื™ื•ืชืจ.
09:11
(Video) Soprano: โ™ซ Upon my pillow โ™ซ
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โ™ซ ืขืœ ื”ื›ืจื™ืช ืฉืœื™ โ™ซ
09:16
โ™ซ Safe in bed โ™ซ
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โ™ซ ื‘ื˜ื•ื—ื” ื‘ืžื™ื˜ื” โ™ซ
09:20
EW: That's Georgie from England. She's only nine.
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ื–ื•ื”ื™ ื’'ื•ืจื’'ื™ ืžืื ื’ืœื™ื”. ื”ื™ื ืจืง ื‘ืช 9.
09:23
Isn't that the sweetest thing you've ever seen?
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ื ื›ื•ืŸ ืฉื”ื™ื ื”ื“ื‘ืจ ื”ื›ื™ ืžืชื•ืง ืฉืจืื™ืชื ืื™ ืคืขื?
09:26
Someone did all eight videos --
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ืžื™ืฉื”ื• ืขืฉื” ืืช ื›ืœ 8 ื”ืชืคืงื™ื“ื™ื -
09:28
a bass even singing the soprano parts.
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ื‘ืก ืฉืฉืจ ืืคื™ืœื• ืืช ืชืคืงื™ื“ื™ ื”ืกื•ืคืจืŸ.
09:30
This is Beau Awtin.
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ื–ื”ื• ื‘ื• ืื•ื˜ื™ืŸ.
09:32
(Video) Beau Awtin: โ™ซ Safe in bed โ™ซ
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โ™ซื‘ื˜ื•ื—ื” ื‘ืžื™ื˜ื”โ™ซ
09:39
EW: And our goal -- it was sort of an arbitrary goal --
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ื•ื”ื™ืขื“ ืฉืœื ื•, ื–ื” ื”ื™ื” ื™ืขื“ ืฉืจื™ืจื•ืชื™,
09:42
there was an MTV video where they all sang "Lollipop"
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ื”ื™ื” ืงืœื™ืค ื‘ MTV ื‘ื• ื›ื•ืœื ืฉืจื• "ืœื•ืœื™ืคื•ืค" (ืกื•ื›ืจื™ื” ืขืœ ืžืงืœ)
09:44
and they got people from all over the world to just sing that little melody.
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ื•ื”ื ื”ืฉื™ื’ื• ืื ืฉื™ื ืžื›ืœ ื”ืขื•ืœื ืฉื™ืฉื™ืจื• ืืช ื”ืžื ื’ื™ื ื” ื”ืงื˜ื ื” ื”ื–ื•.
09:47
And there were 900 people involved in that.
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ื•ื”ื™ื• ืฉื 900 ืื™ืฉ ืžืขื•ืจื‘ื™ื ื‘ื–ื”.
09:49
So I told the singers, "That's our goal.
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ืื– ืืžืจืชื™ ืœื–ืžืจื™ื ืฉืœื ื•, "ื–ื” ื”ื™ืขื“ ืฉืœื ื•.
09:51
That's the number for us to beat."
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ืื ื—ื ื• ืฆืจื™ื›ื™ื ืœืขืงื•ืฃ ืืช ื”ืžืกืคืจ ื”ื–ื”."
09:53
And we just closed submissions January 10th,
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ื•ืกื’ืจื ื• ืืช ื”ืคื ื™ื•ืช ื‘10 ื‘ื™ื ื•ืืจ, ืจืง ืขื›ืฉื™ื•,
09:56
and our final tally was 2,051 videos
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ื•ื”ืกืคื™ืจื” ื”ืกื•ืคื™ืช ื”ื™ืชื” 2,051 ืงืœื™ืคื™ื
09:59
from 58 different countries.
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ืž 58 ืžื“ื™ื ื•ืช ืฉื•ื ื•ืช.
10:01
Thank you.
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ืชื•ื“ื” ืจื‘ื”.
10:03
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
10:06
From Malta, Madagascar, Thailand, Vietnam,
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ืžืžืœื˜ื”, ืžื“ื’ืกืงืจ, ืชืื™ืœื ื“, ื•ื™ืื˜ื ื,
10:09
Jordan, Egypt, Israel,
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ื™ืจื“ืŸ, ืžืฆืจื™ื, ื™ืฉืจืืœ,
10:12
as far north as Alaska and as far south as New Zealand.
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ืžืืœืกืงื” ื‘ืฆืคื•ืŸ ื•ืขื“ ื ื™ื•-ื–ื™ืœื ื“ ื‘ื“ืจื•ื.
10:15
And we also put a page on Facebook
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ื•ื”ืขืœื™ื ื• ื’ื ื“ืฃ ื‘ืคื™ื™ืกื‘ื•ืง
10:19
for the singers to upload their testimonials,
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ืฉื”ื–ืžืจื™ื ื™ื›ืชื‘ื• ืขืœ ื”ื—ื•ื•ื™ื•ืช ืฉืœื”ื,
10:22
what it was like for them, their experience singing it.
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ืื™ืš ื–ื” ื”ื™ื” ืขื‘ื•ืจื.
10:25
And I've just chosen a few of them here.
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ื•ื‘ื—ืจืชื™ ืœื”ืจืื•ืช ืœื›ื ื›ืžื”.
10:27
"My sister and I used to sing in choirs together constantly.
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"ืื—ื•ืชื™ ื•ืื ื™ ืฉืจื ื• ื‘ืขื‘ืจ ื™ื—ื“ ื‘ืžืงื”ืœื•ืช.
10:29
Now she's an airman in the air force constantly traveling.
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ืขื›ืฉื™ื• ื”ื™ื ื‘ื—ื™ืœ ื”ืื•ื™ืจ, ื›ืœ ื”ื–ืžืŸ ื˜ืกื”.
10:32
It's so wonderful to sing together again!"
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ื–ื” ื ื”ื“ืจ ืฉืื ื—ื ื• ื™ื›ื•ืœื•ืช ืฉื•ื‘ ืœืฉื™ืจ ื™ื—ื“!"
10:35
I love the idea that she's singing with her sister.
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ืื ื™ ืžืช ืขืœ ื–ื” ืฉื”ื™ื ืฉืจื” ืขื ืื—ื•ืชื”.
10:37
"Aside from the beautiful music,
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"ืžืขื‘ืจ ืœืžื•ื–ื™ืงื” ื”ื™ืคื”ืคื™ื”,
10:39
it's great just to know I'm part of a worldwide community of people I never met before,
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ื–ื” ื ื”ื“ืจ ืœื”ื™ื•ืช ื—ืœืง ืžืงื”ื™ืœื” ื‘ื™ื ืœืื•ืžื™ืช ืฉืœ ืื ืฉื™ื ืฉืžืขื•ืœื ืœื ืคื’ืฉืชื™,
10:42
but who are connected anyway."
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ืื‘ืœ ืฉืžื—ื•ื‘ืจื™ื ื‘ื›ืœ-ื–ืืช."
10:44
And my personal favorite,
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ื•ื”ืื”ื•ื‘ ืขืœื™ ืžื›ืœ:
10:46
"When I told my husband that I was going to be a part of this,
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"ื›ืฉืกื™ืคืจืชื™ ืœื‘ืขืœื™ ืฉืื ื™ ื”ื•ืœื›ืช ืœืงื—ืช ื—ืœืง ื‘ื–ื”,
10:48
he told me that I did not have the voice for it."
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ื”ื•ื ืืžืจ ืœื™ ืฉืื™ืŸ ืœื™ ืงื•ืœ ืžืชืื™ื."
10:50
Yeah, I'm sure a lot of you have heard that too.
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ื›ืŸ, ืื ื™ ื‘ื˜ื•ื— ืฉืจื‘ื™ื ืžื›ื ืฉืžืขื• ื“ื‘ืจื™ื ื›ืืœื”.
10:52
Me too.
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ื’ื ืื ื™.
10:54
"It hurt so much, and I shed some tears,
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"ื–ื” ื›"ื› ืคื’ืข ื‘ื™, ื•ื”ื–ืœืชื™ ื›ืžื” ื“ืžืขื•ืช,
10:56
but something inside of me wanted to do this despite his words.
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ืื‘ืœ ืžืฉื”ื• ื‘ืชื•ื›ื™ ืจืฆื” ืœืขืฉื•ืช ืืช ื–ื” ืœืžืจื•ืช ื”ืžื™ืœื™ื ืฉืœื•.
10:59
It is a dream come true to be part of this choir,
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ื–ื” ื—ืœื•ื ืฉื”ืชื’ืฉื ืœื”ื™ื•ืช ื—ืœืง ื‘ืžืงื”ืœื” ื”ื–ื•,
11:02
as I've never been part of one.
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ื›ื™ ืืฃ ืคืขื ืœื ื”ื™ื™ืชื™ ื‘ืžืงื”ืœื”.
11:04
When I placed a marker on the Google Earth Map,
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ื›ืฉืฉืžืชื™ ืกืžืŸ ื‘ืžืคื” ืฉืœ ื’ื•ื’ืœ ืืจื˜',
11:06
I had to go with the nearest city, which is about 400 miles away from where I live.
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ื”ื™ื™ืชื™ ืฆืจื™ื›ื” ืœืกืžืŸ ืืช ื”ืขื™ืจ ื”ืงืจื•ื‘ื” ื‘ื™ื•ืชืจ, ืฉื”ื™ื ื‘ืžืจื—ืง ืฉืœ 600 ืง"ืž ืžืžื ื™.
11:09
As I am in the Great Alaskan Bush,
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ื›ื™ ืื ื™ ื’ืจื” ื‘ืชื•ืš ื”ื˜ื‘ืข ื‘ืืœืกืงื”,
11:11
satellite is my connection to the world."
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ื”ืœื•ื•ื™ื™ืŸ ื”ื•ื ื”ื—ื™ื‘ื•ืจ ืฉืœื™ ืืœ ื”ืขื•ืœื."
11:14
So two things struck me deeply about this.
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ืฉื ื™ ื“ื‘ืจื™ื ื”ืจืฉื™ืžื• ืื•ืชื™ ืžืื•ื“ ื‘ื–ื”.
11:17
The first is that human beings
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ื”ืื—ื“ ื”ื•ื ืฉื‘ื ื™ ื”ืื“ื
11:19
will go to any lengths necessary
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ื™ืขืฉื• ืžืืžืฆื™ื ื’ื“ื•ืœื™ื
11:21
to find and connect with each other.
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ื›ื“ื™ ืœืžืฆื•ื ืื—ืจื™ื ื•ืœื”ืชื—ื‘ืจ ืืœื™ื”ื.
11:24
It doesn't matter the technology.
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ืœืœื ืงืฉืจ ืœื˜ื›ื ื•ืœื•ื’ื™ื”.
11:26
And the second is
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ื•ื”ื“ื‘ืจ ื”ืฉื ื™ ื”ื•ื
11:28
that people seem to be experiencing an actual connection.
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ืฉืื ืฉื™ื ื—ื•ื•ื™ื ื—ื™ื‘ื•ืจ ืืžื™ืชื™.
11:31
It wasn't a virtual choir.
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ื–ื• ืœื ื”ื™ืชื” ืžืงื”ืœื” ื•ื™ืจื˜ื•ืืœื™ืช.
11:34
There are people now online that are friends; they've never met.
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ื ื•ืฆืจื• ื—ื‘ืจื•ื™ื•ืช ืื•ื ืœื™ื™ืŸ ื‘ื™ืŸ ืื ืฉื™ื ืฉืžืขื•ืœื ืœื ื ืคื’ืฉื•.
11:37
But, I know myself too, I feel
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ืื‘ืœ ื’ื ืื ื™ ืžืจื’ื™ืฉ
11:39
this virtual esprit de corps, if you will, with all of them.
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ืื—ื•ื•ื” ืงื‘ื•ืฆืชื™ืช ืขื ื›ื•ืœื.
11:42
I feel a closeness to this choir --
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ืื ื™ ืžืจื’ื™ืฉ ืงื™ืจื‘ื” ืœืžืงื”ืœื” ื”ื–ื•,
11:44
almost like a family.
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ื›ืžืขื˜ ื›ืžื• ืืœ ืžืฉืคื—ื”.
11:47
What I'd like to close with then today
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ืื ื™ ืจื•ืฆื” ืœืกื™ื™ื ื”ื™ื•ื
11:49
is the first look
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ืขื ื”ืฆืฆื” ืจืืฉื•ื ื”
11:51
at "Sleep" by Virtual Choir 2.0.
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ืืœ "ืฉื™ื ื”" ืฉืœ ื”ืžืงื”ืœื” ื”ื•ื™ืจื˜ื•ืืœื™ืช 2.0.
11:53
This will be a premiere today.
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ื–ื• ืชื”ื™ื” ื”ืงืจื ืช ื‘ื›ื•ืจื” ื”ื™ื•ื.
11:55
We're not finished with the video yet.
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ืขื“ื™ื™ืŸ ืœื ืกื™ื™ืžื ื• ืืช ื”ื•ื™ื“ืื•.
11:57
You can imagine, with 2,000 synchronized YouTube videos,
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ืืชื ื™ื›ื•ืœื™ื ืœื“ืžื™ื™ืŸ, ืกื™ื ื›ืจื•ืŸ ืฉืœ 2,000 ืงืœื™ืคื™ื ืฉืœ ื™ื•-ื˜ื™ื•ื‘,
12:00
the render time is just atrocious.
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ืžืฉืš ื”ืขื™ื‘ื•ื“ ื”ื•ื ืžื–ืขื–ืข.
12:03
But we do have the first three minutes.
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ืื‘ืœ ื™ืฉ ืœื ื• ืืช ืฉืœื•ืฉ ื”ื“ืงื•ืช ื”ืจืืฉื•ื ื•ืช.
12:05
And it's a tremendous honor
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ื•ื–ื” ื›ื‘ื•ื“ ืขืฆื•ื
12:07
for me to be able to show it to you here first.
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ื‘ืฉื‘ื™ืœื™ ืœื”ืจืื•ืช ืื•ืชืŸ ืœื›ื ื›ืืŸ ืœืจืืฉื•ื ื”.
12:10
You're the very first people to see this.
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ืืชื ื”ืื ืฉื™ื ื”ืจืืฉื•ื ื™ื ืฉืจื•ืื™ื ืืช ื–ื”.
12:12
This is "Sleep," the Virtual Choir.
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ื–ื•ื”ื™ "ืฉื™ื ื”", ื”ืžืงื”ืœื” ื”ื•ื™ืจื˜ื•ืืœื™ืช.
12:17
(Video) Virtual Choir: โ™ซ The evening hangs โ™ซ
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(ื•ื™ื“ืื•: ื”ืžืงื”ืœื” ื”ื•ื™ืจื˜ื•ืืœื™ืช): โ™ซ ื”ืขืจื‘ ื ื— โ™ซ
12:21
โ™ซ beneath the moon โ™ซ
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โ™ซ ืชื—ืช ื”ื™ืจื— โ™ซ
12:30
โ™ซ A silver thread on darkened dune โ™ซ
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โ™ซ ื—ื•ื˜ ืฉืœ ื›ืกืฃ ืขืœ ื“ื™ื•ื ื” ื—ืฉื•ื›ื” โ™ซ
12:42
โ™ซ With closing eyes and resting head โ™ซ
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โ™ซ ื‘ืขื™ื ื™ื ืขืฆื•ืžื•ืช ื•ืจืืฉ ืžื•ื ื— โ™ซ
12:52
โ™ซ I know that sleep is coming soon โ™ซ
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โ™ซ ืื ื™ ื™ื•ื“ืข ืฉื”ืฉื™ื ื” ืžื’ื™ืขื” ืžื™ื“ โ™ซ
13:07
โ™ซ Upon my pillow, โ™ซ
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โ™ซ ืขืœ ื”ื›ืจื™ืช, โ™ซ
13:12
โ™ซ safe in bed, โ™ซ
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โ™ซ ื‘ื˜ื•ื— ื‘ืžื™ื˜ืชื™, โ™ซ
13:20
โ™ซ a thousand pictures fill my head โ™ซ
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โ™ซ ืืœืฃ ืชืžื•ื ื•ืช ืžืžืœืื•ืช ืืช ืจืืฉื™ โ™ซ
13:32
โ™ซ I cannot sleep โ™ซ
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โ™ซ ืื ื™ ืœื ื ืจื“ื โ™ซ
13:35
โ™ซ my mind's aflight โ™ซ
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โ™ซ ืžื—ืฉื‘ื•ืชื™ ื ื•ื“ื“ื•ืช โ™ซ
13:40
โ™ซ and yet my limbs seem made of lead โ™ซ
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โ™ซ ืืš ืื™ื‘ืจื™ ื›ืžื• ืขืฉื•ื™ื™ื ืขื•ืคืจืช โ™ซ
13:54
โ™ซ If there are noises in the night โ™ซ
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โ™ซ ืื ื™ืฉ ืจืขืฉื™ื ื‘ืœื™ืœื” โ™ซ
14:07
Eric Whitacre: Thank you very, very much. Thank you.
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ืชื•ื“ื” ืจื‘ื”, ืจื‘ื”. ืชื•ื“ื”.
14:10
(Applause)
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(ื’ืจืกื ืžืœืื” ืžืืคืจื™ืœ 2011)(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
14:20
Thank you very much. Thank you. Thank you.
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ืชื•ื“ื” ืจื‘ื”. ืชื•ื“ื”. ืชื•ื“ื”.
14:23
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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