Use art to turn the world inside out | JR

Translator: Yi Peng Reviewer: Shelley Krishna Tsang

Two weeks ago I was in my studio in Paris,

兩個星期之前，我響巴黎工作室

and the phone rang and I heard,

聽到電話響，話

"Hey, JR,

"喂 JR...

you won the TED Prize 2011.

...你贏左TED2011大獎...

You have to make a wish to save the world."

...要許個願拯救地球喔。"

I was lost.

我即時呆左

I mean, I can't save the world. Nobody can.

我唔識拯救世界呀，呢件事無人做得到

The world is fucked up.

宜家個世界真系亂到阿媽都唔認得。

Come on, you have dictators ruling the world,

你睇，呢個跟本就系獨裁者嘅天下

population is growing by millions,

人口成百萬咁遞增

there's no more fish in the sea,

海裏面嘅魚無曬

the North Pole is melting

北極啲冰都融埋

and as the last TED Prize winner said,

先頭嘅TED獲獎得主仲話

we're all becoming fat.

我地會越來越肥添。

(Laughter)

（笑）

Except maybe French people.

法國人會唔會例外呢。

Whatever.

是但啦。

So I called back

跟住我打返電話俾佢

and I told her,

同佢講

"Look, Amy,

“嗱，Amy，

tell the TED guys I just won't show up.

你話俾TED班人知，我唔出現啦

I can't do anything to save the world."

我救唔到地球呀。“

She said, "Hey, JR,

佢就話，”JR呀，

your wish is not to save the world, but to change the world."

你嘅願望又唔系拯救世界，系改變佢姐。"

"Oh, all right."

"哦，咁啊"

(Laughter)

（笑）

"That's cool."

”甘好啦。“

I mean, technology, politics, business

其實我發現科技、政治、商業

do change the world --

都響度改變世界--

not always in a good way, but they do.

結果唔一定理想，但系一定有改變。

What about art?

咁藝術呢？

Could art change the world?

藝術系咪都可以改變世界？

I started when I was 15 years old.

我從15歲開始搞創作

And at that time, I was not thinking about changing the world.

當時無唸住要改變世界

I was doing graffiti --

就系玩開graffiti街頭噴畫--

writing my name everywhere,

到處留名

using the city as a canvas.

將城市當成畫布

I was going in the tunnels of Paris,

我會鑽入巴黎的隧道

on the rooftops with my friends.

又同朋友爬上樓頂

Each trip was an excursion,

每次出去都好盡興

was an adventure.

好刺激

It was like leaving our mark on society,

感覺終於響呢個社會留底屬於我地自己嘅印記

to say, "I was here," on the top of a building.

響樓頂記低“本人到此一遊”

So when I found a cheap camera on the subway,

有一次我響地鐵執到部簡易相機

I started documenting those adventures with my friends

之後就開始拍低我同朋友嘅歷險記

and gave them back as photocopies --

然後將相片畀返佢地

really small photos just that size.

啲相好細張，得咁大

That's how, at 17 years old,

然之後，17歲嘅我就咁

I started pasting them.

開始左我嘅貼相生涯

And I did my first "expo de rue,"

搞左自己的第一個expo de rue

which means sidewalk gallery.

無非系一個"街頭影展”

And I framed it with color

我響每一張相片周圍涂左彩色框

so you would not confuse it with advertising.

路人就唔會以為系廣告

I mean, the city's the best gallery I could imagine.

我發現城市真系一個最佳畫廊

I would never have to make a book and then present it to a gallery

無必要出書 更加無必要搵畫廊

and let them decide

請專家鑒定

if my work was nice enough to show it to people.

作品系咪夠好 夠吸引

I would control it directly with the public

響大街度

in the streets.

可以更加直接

So that's Paris.

呢張系巴黎

I would change --

我會視乎

depending on the places I would go --

展出地點

the title of the exhibition.

調整主題。

That's on the Champs-Elysees.

呢張系香榭麗舍大街

I was quite proud of that one.

呢張系我嘅得意之作

Because I was just 18

因為嗰年我先18歲

and I was just up there on the top of the Champs-Elysees.

就已經佔領香榭麗舍嘅頂峰。

Then when the photo left,

後來張相唔見左

the frame was still there.

相框仲留響度

(Laughter)

（笑）

November 2005:

2005年11月：

the streets are burning.

火燒街頭

A large wave of riots

大規模暴亂

had broken into the first projects of Paris.

響巴黎最舊的住宅區爆發

Everyone was glued to the TV,

人人睇電視追蹤

watching disturbing, frightening images

見到從住宅區周邊傳返來嘅影像

taken from the edge of the neighborhood.

畫面令人擔憂又驚恐

I mean, these kids, without control,

呢啲細路無人管教

throwing Molotov cocktails,

起勢掟汽油炸彈

attacking the cops and the firemen,

攻擊警察同消防隊

looting everything they could in the shops.

掃蕩商舖

These were criminals, thugs, dangerous,

呢班罪犯、歹徒同危險分子

destroying their own environment.

用盡手段同環境抗爭

And then I saw it -- could it be possible? --

忽然間我見到一樣嘢--有無可能啊？--

my photo on a wall

畫面嘅牆上有一幅我貼嘅相

revealed by a burning car --

就響嗰部燒著嘅汽車後面--

a pasting I'd done a year earlier --

我一年前貼嘅--

an illegal one -- still there.

呢張非法張貼--仲響度

I mean, these were the faces of my friends.

相片裏面系我朋友嘅面孔

I know those guys.

我瞭解呢啲人

All of them are not angels,

佢哋都唔系天使

but they're not monsters either.

但亦唔系惡魔

So it was kind of weird to see

響電視度睇見啲眼望住自己

those images and those eyes stare back at me through a television.

感覺有些少怪

So I went back there

於是我返返去

with a 28 mm lens.

帶埋部28mm焦距相機

It was the only one I had at that time.

亦系我當時唯一一部相機

But with that lens,

用佢影相

you have to be as close as 10 inches from the person.

要靠埋個人物 離得25公分

So you can do it only with their trust.

所以攝影師一定要俾人信得過至影到相

So I took full portraits of people from Le Bosquet.

我影左四張相，主角都系Le Bosquet波士基人

They were making scary faces

佢地扮怪面嚇人

to play the caricature of themselves.

用搞笑誇張嘅方式表現自我

And then I pasted huge posters everywhere

跟住我將啲相整成巨幅海報

in the bourgeois area of Paris

貼勻巴黎嘅bourgeois購物區

with the name, age, even building number

上面寫埋人物嘅姓名，年齡

of these guys.

連屋企嘅門牌號都有埋

A year later,

一年之後

the exhibition was displayed in front of the city hall of Paris.

呢輯相片響巴黎市政廳前展出

And we go from thug images,

對比起以前我地睇到嗰啲

who've been stolen and distorted by the media,

經過媒體偷拍、扭曲嘅相

who's now proudly taking over his own image.

嗰日展出嘅一張張自豪嘅面龐

That's where I realized

響一刻令我意識到

the power of paper and glue.

紙張同漿糊嘅力量

So could art change the world?

藝術系咪都可以改變世界呢？

A year later,

時隔一年

I was listening to all the noise

我聽講中東地區衝突連連

about the Middle East conflict.

傳黎各種聲音

I mean, at that time, trust me,

當時，我可以負責任咁講

they were only referring to the Israeli and Palestinian conflict.

所有話題都指向以色列同巴勒斯坦

So with my friend Marco,

所以我同朋友Marco

we decided to go there

決定去現場

and see who are the real Palestinians and who are the real Israelis.

見識一下真正的巴勒斯坦人同真正的以色列人

Are they so different?

佢地之間差別真系咁大咩？

When we got there, we just went in the street,

落腳之後我地出街

started talking with people everywhere,

周圍同人傾計

and we realized that things were a bit different

發現事實同媒體嘅聲音

from the rhetoric we heard in the media.

有些少差別

So we decided to take portraits

於是我地又決定影頭像

of Palestinians and Israelis

主角系從事同樣職業嘅

doing the same jobs --

巴勒斯坦人同以色列人 --

taxi-driver, lawyer, cooks.

有的士司機、律師、同埋有廚師 --

Asked them to make a face as a sign of commitment.

為表誠意 我地請佢地扮鬼

Not a smile -- that really doesn't tell

唔系笑--

about who you are and what you feel.

因為笑面無辦法傳達人嘅心理狀態同感受

They all accepted

佢地都接受

to be pasted next to the other.

將自己嘅相同對方嘅貼埋一齊

I decided to paste

我決定去8個以色列

in eight Israeli and Palestinian cities

同巴勒斯坦城市貼相

and on both sides of the wall.

貼系牆嘅兩邊

We launched the biggest illegal art exhibition ever.

我哋籌辦左有史以來最大型的非法藝術展

We called the project Face 2 Face.

個名稱系：面對面

The experts said, "No way.

專家話 ”無可能[做到]...

The people will not accept.

民眾唔會接受..."

The army will shoot you, and Hamas will kidnap you."

"...軍隊會開槍打你，同埋哈馬斯會綁架你哋。“

We said, "Okay, let's try and push as far as we can."

我哋就話 ”咁 我地試下可以行幾遠啦“

I love the way that people will ask me,

我最鍾意人哋問我

"How big will my photo be?"

“到時我張相有幾大架？”

"It will be as big as your house."

”會同你間屋一樣咁大呀“

When we did the wall, we did the Palestinian side.

貼相上牆嘅時候，我地響巴勒斯坦

So we arrived with just our ladders

帶埋條梯到現場，

and we realized that they were not high enough.

先發現條梯唔夠高。

And so Palestinians guys say,

於是幾個巴勒斯坦人話，

"Calm down. No wait. I'm going to find you a solution."

“唔好心急，等陣。我幫你搞掂佢”

So he went to the Church of Nativity

佢跑到一個基督教堂

and brought back an old ladder

扛左一條舊梯返黎

that was so old that it could have seen Jesus being born.

條梯真系舊到不得了，我估可能系耶穌時期傳落黎嘅

(Laughter)

（笑）

We did Face 2 Face with only six friends,

系6個朋友嘅幫助之下，我哋完成左”面對面“

two ladders, two brushes,

兩條梯，兩把刷

a rented car, a camera

一架租返黎嘅車，一部相機

and 20,000 square feet of paper.

仲有20000平方英寸嘅纸

We had all sorts of help

我哋得到各行各業嘅人

from all walks of life.

各式各樣嘅幫助。

Okay, for example, that's Palestine.

就好似呢張巴勒斯坦相甘，

We're in Ramallah right now.

我哋當時系拉馬拉

We're pasting portraits --

貼緊相 --

so both portraits in the streets in a crowded market.

兩張相都貼系熱鬧嘅市場

People come around us and start asking,

啲人圍住我哋，問我哋

"What are you doing here?"

”你哋系到做緊咩呀？“

"Oh, we're actually doing an art project

“哦，我哋搞緊藝術呀

and we are pasting an Israeli and a Palestinian doing the same job.

我哋宜家將做同一個工作嘅以色列人同巴勒斯坦人嘅相貼埋一齊。

And those ones are actually two taxi-drivers."

呢兩個就系的士司機喇。”

And then there was always a silence.

呢個時候啲人就會驚左。

"You mean you're pasting an Israeli face --

“你嘅意思系你系度 --

doing a face -- right here?"

貼緊以色列人嘅相？"

"Well, yeah, yeah, that's part of the project."

“哦，系呀，系呀，系呢個藝術嘅一部分黎架。”

And I would always leave that moment,

呢個時候，我會俾佢地睇一陣，

and we would ask them,

然後問佢地，

"So can you tell me who is who?"

“你可唔可以話我聽邊個打邊個呀？”

And most of them couldn't say.

而佢地大部分都講唔出。

(Applause)

（鼓掌）

We even pasted on Israeli military towers,

我哋甚至系以色列嘅軍事防禦塔到貼左相，

and nothing happened.

咩都無發生。

When you paste an image, it's just paper and glue.

當你貼一張相嘅時候，佢只不過系紙同漿糊。

People can tear it, tag on it, or even pee on it --

啲人可以搣左佢，貼野系上面，甚至可以系上面尿尿

some are a bit high for that, I agree --

不過有啲太高啦，我諗應該尿唔到 --

but the people in the street,

但系街上面嘅人，

they are the curator.

佢哋就系策展人。

The rain and the wind will take them off anyway.

遇到落雨打風，啲相遲早會唔見

They are not meant to stay.

我本來就無打算要佢哋留系到。

But exactly four years after,

不過正正4年之後，

the photos, most of them are still there.

果啲相大多數仲系到。

Face 2 Face demonstrated

”面對面“證實左

that what we thought impossible was possible --

有啲我哋覺得唔可能嘅事系可能發生嘅 --

and, you know what, even easy.

而且，你知唔知呀？好易架咋。

We didn't push the limit;

我哋無挑戰界限，

we just showed that they were further than anyone thought.

我哋只不過系證明我哋做到嘅野比啲人諗嘅遠。

In the Middle East, I experienced my work

系中東，我系[好多]博物館

in places without [many] museums.

展出我嘅作品。

So the reactions in the street

系街展覽呢個方向

were kind of interesting.

有啲搞笑。

So I decided to go further in this direction

於是我決定繼續向呢個方向發展

and go in places where there were zero museums.

去啲無博物館嘅地方。

When you go in these developing societies,

當你行入呢啲發展中嘅社會，

women are the pillars of their community,

你會發現女人系佢地社區嘅支柱，

but the men are still the ones holding the streets.

不過男人仲系條街嘅話事人。

So we were inspired to create a project

於是我哋啟發左要創作一個項目

where men will pay tribute to women

等啲男人通過啲相

by posting their photos.

向女人致敬。

I called that project Women Are Heroes.

我叫呢個項目做《婦女系英雄》

When I listened to all the stories

當我聽到果啲故事嘅時候

everywhere I went on the continents,

系任何我去過嘅地方，

I couldn't always understand

我唔系次次都明

the complicated circumstances of their conflict.

衝突嘅複雜情況，

I just observed.

我淨系觀察。

Sometimes there was no words,

有時候系無文字，

no sentence, just tears.

無句子，只有眼淚。

I just took their pictures

我影左佢地嘅相

and pasted them.

貼左出黎。

Women Are Heroes took me around the world.

《婦女系英雄》帶我走遍世界。

Most of the places I went to,

我去左好多地方。

I decided to go there

我決定去果度

because I've heard about it through the media.

系因為我系媒體上面聽過。

So for example, in June 2008,

好似2008年6月

I was watching TV in Paris,

我系巴黎睇電視，

and then I heard about this terrible thing

聽到系

that happened in Rio de Janeiro --

里約熱內盧發生嘅慘案。

the first favela of Brazil named Providencia.

巴西嘅第一個貧民窟叫做Providencia

Three kids -- that was three students --

三個細路，系三個學生黎嘅，

were [detained] by the army

被軍隊扣押

because they were not carrying their papers.

因為佢地無帶身份證明

And the army took them,

軍隊抓住佢地

and instead of bringing them to the police station,

無將佢地送去警局，

they brought them to an enemy favela

反而將佢地送左去一個同佢地有仇嘅貧民窟

where they get chopped into pieces.

於是佢地俾人斬到一碌碌。

I was shocked.

我好震驚。

All Brazil was shocked.

所有巴西人都好震驚。

I heard it was one of the most violent favelas,

我聽講呢個系最暴力嘅貧民窟之一

because the largest drug cartel controls it.

因為最大嘅販毒集團掌控呢個區域。

So I decided to go there.

所以我決定去果度。

When I arrived --

當我抵達嘅時候 --

I mean, I didn't have any contact with any NGO.

我嘅意思系，我無同任何NGO取得聯繫。

There was none in place -- no association, no NGOs, nothing --

果度咩都無 -- 無旅行社，無NGO，咩都無 --

no eyewitnesses.

連證人都無。

So we just walked around,

我哋周圍行，

and we met a woman,

然後遇到一個女人，

and I showed her my book.

我俾我本書佢睇。

And she said, "You know what?

然後佢同我講，”你知唔知呀？

We're hungry for culture.

我哋好文化飢渴呀。

We need culture out there."

我哋呢度需要文化。”

So I went out and I started with the kids.

我從幫小朋友影相開始。

I just took a few photos of the kids,

我淨系拍左幾張小朋友嘅相，

and the next day I came with the posters and we pasted them.

第二日我攞住張海報過黎，貼上去。

The day after, I came back and they were already scratched.

第三日已經俾人搣左喇。

But that's okay.

不過，唔緊要啦。

I wanted them to feel that this art belongs to them.

我就系想俾佢地覺得啲藝術系佢地嘅。

Then the next day, I held a meeting on the main square

第四日，我系主要嘅廣場開左個會

and some women came.

有哋婦女黎左。

They were all linked to the three kids that got killed.

佢地都系同果三個比人殺死嘅細路有關。

There was the mother, the grandmother, the best friend --

有細路嘅阿媽，阿婆，好朋友。

they all wanted to shout the story.

佢地全部都想大叫甘講個故事出黎。

After that day,

果日之後，

everyone in the favela gave me the green light.

每個貧民窟嘅人都對我開左綠燈。

I took more photos, and we started the project.

我影左更多相，終於開始左個計劃。

The drug lords were kind of worried

啲毒販對於我哋系到影相

about us filming in the place,

有啲擔心。

so I told them, "You know what?

我同佢哋講，“你哋知唔知呀？

I'm not interested in filming the violence and the weapons.

我對暴力同武器無興趣。

You see that enough in the media.

你系媒體度都見到啦。

What I want to show is the incredible life and energy.

我要展示呢到嘅美好生活。

I've been seeing it around me the last few days."

而過去幾日我真系見到。"

So that's a really symbolic pasting,

呢張好有代表性，

because that's the first one we did that you couldn't see from the city.

因為呢個系第一張你系城市見唔到嘅相。

And that's where the three kids got arrested,

三個細路就系o系呢到俾人抓左，

and that's the grandmother of one of them.

張相入面就系其中一個人嘅阿婆。

And on that stairs,

而呢條樓梯，

that's where the traffickers always stand

就系啲毒販成日黎嘅地方。

and there's a lot of exchange of fire.

呢度成日都交火。

Everyone there understood the project.

個個都明白個計劃系咩意思。

And then we pasted everywhere -- the whole hill.

然後我哋將啲相貼滿左成個山。

(Applause)

（掌聲）

What was interesting is that the media couldn't get in.

有趣嘅系媒體過唔到黎。

I mean, you should see that.

我嘅意思系，你可以理解。

They would have to film us from a really long distance by helicopter

佢地系從好遠嘅距離嘅直升機上面影我哋，

and then have a really long lens,

要用果種好長嘅鏡頭，

and we would see ourselves, on TV, pasting.

然後我哋可以系電視機見到自己貼緊相。

And they would put a number: "Please call this number

而且佢地仲寫左個電話，話：“如果你知道

if you know what's going on in Providencia."

果度發生左咩事，請打呢個電話。"

We just did a project and then left

我哋做完個計劃就走左

so the media wouldn't know.

所以媒體唔知道發生咩事。

So how can we know about the project?

甘點樣可以了解呢個計劃呢？

So they had to go and find the women

所以佢地去左搵啲女人

and get an explanation from them.

從佢地果到得到解釋。

So you create a bridge between the media

甘樣，你就創造左一個媒體

and the anonymous women.

同埋無名氏婦女之間嘅橋樑。

We kept traveling.

我哋繼續旅行。

We went to Africa, Sudan, Sierra Leone,

一路去左非洲、蘇丹、塞拉热昂、

Liberia, Kenya.

利比里亞、肯尼亞。

In war-torn places like Monrovia,

系好似蒙羅維亞啲戰火紛飛嘅地方，

people come straight to you.

啲人會直接走到你面前。

I mean, they want to know what you're up to.

姐系，佢哋想知道你黎呢到做咩。

They kept asking me, "What is the purpose of your project?

佢地不停問我，”你黎呢到有咩目的？

Are you an NGO? Are you the media?"

你系咪NGO嘅人呀？你系咪媒體呀？"

Art. Just doing art.

藝術，搞藝術咋。

Some people question, "Why is it in black and white?

有啲人問，"點解系黑白架？

Don't you have color in France?"

法國無顏色咩？”

(Laughter)

（笑）

Or they tell you, "Are these people all dead?"

有時佢地會問，"呢啲人系咪死左呀？"

Some who understood the project would explain it to others.

有哋人睇得明，就會同其他人解釋。

And to a man who did not understand, I heard someone say,

我聽到有個人同個唔明嘅人解釋，

"You know, you've been here for a few hours

“嗱，你企系到幾個鐘

trying to understand, discussing with your fellows.

冥思苦想，同你嘅同伴討論。

During that time, you haven't thought about

系呢段時間，你從來都無諗過

what you're going to eat tomorrow.

聽日食啲咩。

This is art."

甘就系藝術啦。"

I think it's people's curiosity

我覺得系啲人嘅好奇心

that motivates them

激發佢地

to come into the projects.

去參與呢個計劃。

And then it becomes more.

所以個計劃先會越來越多。

It becomes a desire, a need, an armor.

變成一種慾望，一種需要，一種[聽唔清楚]。

On this bridge that's in Monrovia,

系蒙羅維亞嘅橋上面，

ex-rebel soldiers helped us pasting a portrait

一個曾經系叛軍嘅軍人幫我哋貼一張相

of a woman that might have been raped during the war.

呢張相系一個系戰爭中被軍隊強姦嘅婦女。

Women are always the first ones targeted

系衝突之中

during conflict.

婦女總系最早嘅受害者。

This is Kibera, Kenya,

呢到系这是肯尼亞的基貝拉，

one of the largest slums of Africa.

非洲最大嘅貧民窟之一。

You might have seen images about the post-election violence

你或者見過2008選舉後發生

that happened there in 2008.

嘅一啲畫面。

This time we covered the roofs of the houses,

今次我哋從房頂落手，

but we didn't use paper,

不過我哋無用紙，

because paper doesn't prevent the rain

因為紙一落雨就無左

from leaking inside the house --

唔可以幫啲屋擋雨 --

vinyl does.

乙烯基塑料就得喇。

Then art becomes useful.

呢個時候藝術有實際用途。

So the people kept it.

啲人保留左佢地。

You know what I love is, for example, when you see the biggest eye there,

我最鍾意嘅系當你睇到最大果隻眼嘅時候，

there are so [many] houses inside.

你可以看到眼睛果到有好多屋。

And I went there a few months ago --

幾個月前我去左果度 --

photos are still there -- and it was missing a piece of the eye.

啲相仲系到 -- 不過眼睛入面有一塊唔見左。

So I asked the people what happened.

我問啲人發生咩事。

"Oh, that guy just moved."

“哦，果個人搬左屋呀。”

(Laughter)

（笑）

When the roofs were covered, a woman said as a joke,

當我哋將啲乙烯基塑料鋪系屋頂嘅時候，有個女人同我哋講笑，

"Now God can see me."

”宜家上帝可以見到我啦。“

When you look at Kibera now,

你宜家再睇基貝拉，

they look back.

佢地都會睇返你

Okay, India.

好啦，印度。

Before I start that, just so you know,

我開始講之前，你要知道，

each time we go to a place, we don't have authorization,

我們每一次去一個地方，都無旅遊顧問，

so we set up like commandos --

所以我哋搞到好似突擊隊甘 --

we're a group of friends who arrive there,

我哋一班人去到果個地方，

and we try to paste on the walls.

到左就想辦法講啲相貼到牆上面。

But there are places where you just can't paste on a wall.

不過有啲地方你唔可以就甘貼野系牆。

In India it was just impossible to paste.

系印度想貼野系無可能嘅。

I heard culturally and because of the law,

我聽講系文化同埋法律嘅原因，

they would just arrest us at the first pasting.

如果我們系牆貼左野，就會即刻俾人拉。

So we decided to paste white,

於是我哋決定貼白色，

white on the walls.

系牆上貼白紙。

So imagine white guys pasting white papers.

你想像下一班人系牆到貼白紙。

So people would come to us and ask us,

有人過黎問我哋，

"Hey, what are you up to?"

“喂，你哋搞緊咩呀？”

"Oh, you know, we're just doing art." "Art?"

“哦，無野，搞緊藝術。” “藝術？”

Of course, they were confused.

當然，佢地好唔知點甘嘅樣。

But you know how India has a lot of dust in the streets,

不過你知啦，印度條街好多塵架嘛，

and the more dust you would have

越多塵

going up in the air,

系空氣到飄下飄下，

on the white paper you can almost see,

系白紙到都見到甘制，

but there is this sticky part

不過有啲位系有粘性嘅

like when you reverse a sticker.

就好似你反轉張貼紙甘。

So the more dust you have, the more it will reveal the photo.

所以越多塵，就越可以見到張相。

So we could just walk in the street during the next days

之後幾日我哋系條街到行

and the photos would get revealed by themselves.

就見到啲相自己顯現左出黎。

(Applause)

（掌聲）

Thank you.

多謝。

So we didn't get caught this time.

所以我哋今次無俾人抓住。

Each project -- that's a film

呢個計劃，系《婦女系英雄》

from Women Are Heroes.

一條片。

(Music)

（音樂）

Okay.

（好）

For each project we do

我哋將每一個計劃

a film.

都整左一條片。

And most of what you see -- that's a trailer from "Women Are Heroes" --

呢個系《婦女系英雄》嘅預告片 --

its images, photography,

有形象、相片，

taken one after the other.

一張一張排起。

And the photos kept traveling even without us.

就是我哋唔系到，啲相都會繼續旅行。

(Laughter)

（笑）

(Applause)

（掌聲）

Hopefully, you'll see the film,

希望你哋有機會睇到呢條片，

and you'll understand the scope of the project

然後你就會明白呢個計劃嘅範圍

and what the people felt when they saw those photos.

同埋啲人見到啲相有咩感覺。

Because that's a big part of it. There's layers behind each photo.

呢個系計劃更重要嘅一部分。每一張相都有層次。

Behind each image is a story.

每張相都有故事。

Women Are Heroes created a new dynamic

《婦女系英雄》呢個計劃為社區

in each of the communities,

增加左新嘅活力，

and the women kept that dynamic after we left.

呢啲婦女系我哋走左之後仲繼續保持呢種活力。

For example, we did books -- not for sale --

例如，我哋整左啲書 -- 非賣品 --

that all the community would get.

全個社區都可以得到。

But to get it, they would have to [get] it signed by one of the women.

不過想要就要攞本書俾其中一個女人簽名。

We did that in most of the places.

好多地方我哋都甘做。

We go back regularly.

我哋定時定候就會返去。

And so in Providencia, for example, in the favela,

包括果個貧民窟，

we have a cultural center running there.

我哋系果到有一個固定嘅中心。

In Kibera, each year we cover more roofs.

系基貝拉，每年我哋都會整多啲相系房頂。

Because of course, when we left, the people who were just at the edge of the project

因為，每一次我哋走果陣，有啲人嘅房頂就系我哋個計劃旁邊，

said, "Hey, what about my roof?"

佢地話：“喂，我個屋頂呢？”

So we decided to come the year after

於是我哋決定第二年再去過

and keep doing the project.

繼續做呢個計劃。

A really important point for me

對我黎講，好重要嘅一點系

is that I don't use any brand or corporate sponsors.

我無用任何品牌或者公司嘅贊助。

So I have no responsibility

所以我對其他人無責任

to anyone but myself

除左對自己

and the subjects.

仲有呢個主題。

(Applause)

（掌聲）

And that is for me

對我黎講

one of the more important things in the work.

亦系我工作中最重要嘅事

I think, today,

我覺得，宜家，

as important as the result is the way you do things.

事情嘅結果同你做事嘅方式一樣重要。

And that has always been a central part of the work.

而呢個總系工作嘅一部分。

And what's interesting is that fine line that I have

有趣嘅系我會將圖像同廣告

with images and advertising.

明確甘分開。

We just did some pasting in Los Angeles

上個禮拜，我哋系洛杉磯

on another project in the last weeks.

貼左啲相，開始左一個新計劃。

And I was even invited to cover the MOCA museum.

佢地甚至邀請我將啲相貼到加州現代藝術博物館。

But yesterday the city called them and said,

不過尋日，市政府嘅人打電話俾我 ，話

"Look, you're going to have to tear it down.

“睇黎，我哋要將佢地搣左佢。

Because this can be taken for advertising,

因為啲人會覺得我哋做緊廣告，

and because of the law,

法律唔俾呀，

it has to be taken down."

以一定要攞落黎。“

But tell me, advertising for what?

不過唔該話我知，我哋做緊咩廣告？

The people I photograph

俾我影相嘅人

were proud to participate in the project

好自豪甘黎參加呢個計劃

and to have their photo in the community.

好自豪可以系社區展示佢地嘅相。

But they asked me for a promise basically.

佢地只有一個好基本嘅要求。

They asked me, "Please, make our story travel with you."

佢地話，”求下你啦，俾我哋嘅故事同你一齊旅行。"

So I did. That's Paris.

所以我做左。呢到系巴黎。

That's Rio.

呢到系里約。

In each place, we built exhibitions with a story, and the story traveled.

每一個地方，我哋都用一個故事做展覽，然後呢個故事開始傳播。

You understand the full scope of the project.

你會理解成個計劃嘅範圍。

That's London.

呢到系倫敦，

New York.

紐約。

And today, they are with you in Long Beach.

今日，佢地系長島，同你一齊。

All right, recently I started a public art project

好啦，最近我開始左另外一項公共藝術項目

where I don't use my artwork anymore.

今次我唔用自己嘅作品喇。

I use Man Ray, Helen Levitt,

我用Man Ray, Helen Levitt

Giacomelli, other people's artwork.

Gracomelli，其他人嘅作品。

It doesn't matter today if it's your photo or not.

系唔系你嘅相唔緊要。

The importance is what you do

重要嘅系你用啲相

with the images,

黎做咩，

the statement it makes where it's pasted.

佢貼嘅地方有咩用意。

So for example, I pasted the photo of the minaret

舉例，我貼左一張尖塔嘅相

in Switzerland

系瑞士，

a few weeks after they voted the law forbidding minarets in the country.

因為佢地系幾個禮拜之前投票通過禁止國內起尖塔嘅法律。

(Applause)

（掌聲）

This image of three men wearing gas masks

呢張有三個帶住防毒面具男人嘅相，

was taken in Chernobyl originally,

系o系Chernobyl影嘅，

and I pasted it in Southern Italy,

我將佢貼系意大利南部，

where the mafia sometimes bury the garbage under the ground.

果度啲黑手黨成日將啲垃圾埋系地下。

In some ways, art can change the world.

從某啲方面黎講，藝術系可以改變世界嘅。

Art is not supposed to change the world,

藝術本身唔系為左改變世界，

to change practical things,

唔系為左去改變具體的事，

but to change perceptions.

而系去改變觀點。

Art can change

藝術可以改變

the way we see the world.

我哋睇世界嘅方式。

Art can create an analogy.

藝術可以創造一種類比。

Actually the fact that art cannot change things

事實上藝術改變唔到事態

makes it a neutral place

藝術處於中立地帶

for exchanges and discussions,

為交流同討論提供環境，

and then enables you to change the world.

令到改變世界變得可能。

When I do my work,

系我創作嘅時候，

I have two kinds of reactions.

一般會遇到兩種反應。

People say, "Oh, why don't you go in Iraq or Afghanistan.

有人會話：”噢，你不如去伊拉克或者阿富汗啦...

They would be really useful."

響嗰邊一定好有用。“

Or, "How can we help?"

又有人問 ”我哋可以點幫你？“

I presume that you belong to the second category,

我諗你哋似乎系屬於第二類，

and that's good,

其實系好事

because for that project,

因為呢個計劃，

I'm going to ask you to take the photos

我要請大家影相

and paste them.

然後貼出黎。

So now my wish is:

所以我宜家嘅心願系：

(mock drum roll)

(敲鼓動作)

(Laughter)

（笑）

I wish for you to stand up

我希望各位積極參與

for what you care about

通過呢個全球性的藝術項目

by participating in a global art project,

表現你最關切的人物事件，

and together we'll turn the world inside out.

我哋一齊顛覆世界。

And this starts right now.

而家就開始

Yes, everyone in the room.

從在座的每一位開始 就系你

Everyone watching.

仲有屏幕另一邊嘅每一位觀眾

I wanted that wish

我希望呢個願望

to actually start now.

可以從呢一分鐘開始實行。

So a subject you're passionate about, a person who you want to tell their story

揀一個你心動嘅主題 搵一位有精彩故事嘅人物

or even your own photos --

或者你自己張相 --

tell me what you stand for.

話我知 你嘅觀點。

Take the photos, the portraits,

影啲相，影啲人像，

upload it -- I'll give you all the details --

放上網--我會講明細節--

and I'll send you back your poster. Join by groups

跟住等我寄返張海報俾你。一班人一齊

and reveal things to the world.

將現實展示俾全世界。

The full data is on the website --

所以嘅資料都系呢個網站：

insideoutproject.net --

insideoutproject.net

that is launching today.

網站今日會上線。

What we see changes who we are.

我哋見到嘅野會改變我哋。

When we act together,

當我哋一齊行動，

the whole thing is much more than the sum of the parts.

團體嘅效應遠遠超出個人嘅總和

So I hope that, together, we'll create something

所以我希望，我哋可以一齊創造

that the world will remember.

一啲世界會記得嘅事。

And this starts right now and depends on you.

宜家開始啦，靠曬你。

Thank you.

多謝。

(Applause)

(掌聲)

Thank you.

多謝大家

(Applause)

（掌聲）