An artist's unflinching look at racial violence | Sanford Biggers

74,143 views ・ 2016-06-06

TED


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Prevodilac: Ivana Krivokuća Lektor: Tijana Mihajlović
00:12
As a conceptual artist,
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Kao konceptualni umetnik,
00:14
I'm constantly looking for creative ways to spark challenging conversations.
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stalno tragam za kreativnim načinima da podstaknem izazovne razgovore.
00:18
I do this though painting, sculpture, video and performance.
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To činim kroz slikarstvo, skulpture, video zapise i performans.
00:22
But regardless of the format,
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Ipak, bez obzira na format,
00:23
two of my favorite materials are history and dialogue.
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dva moja omiljena materijala su istorija i dijalog.
00:27
In 2007, I created "Lotus,"
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Godine 2007. stvorio sam „Lotosa“,
00:30
a seven-and-a-half-foot diameter,
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2,3 metara u prečniku,
00:32
600-pound glass depiction of a lotus blossom.
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270 kg težine staklenog prikaza lotosovog cveta.
00:35
In Buddhism, the lotus is a symbol for transcendence
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U budizmu, lotos predstavlja simbol transcedentnosti
00:39
and for purity of mind and spirit.
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i čistoće uma i duha.
00:41
But a closer look at this lotus
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Međutim, sagledavanje ovog lotosa izbliza
00:44
reveals each petal to be the cross-section of a slave ship.
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otkriva da svaka latica predstavlja poprečni presek broda sa robovima.
00:47
This iconic diagram was taken from a British slaving manual
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Ovaj čuveni dijagram je preuzet iz britanskog priručnika za robovlasnike
00:51
and later used by abolitionists to show the atrocities of slavery.
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i kasnije su ga koristili abolicionisti da prikažu strahote ropstva.
00:56
In America, we don't like to talk about slavery,
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U Americi ne volimo da govorimo o ropstvu,
00:58
nor do we look at it as a global industry.
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niti ga posmatramo kao globalnu industriju.
01:01
But by using this Buddhist symbol,
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Ipak, pomoću ovog budističkog simbola,
01:03
I hope to universalize and transcend
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nadam se da učinim univerzalnim i postignem prevazilaženje
01:05
the history and trauma of black America
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istorije i traume crne Amerike
01:08
and encourage discussions about our shared past.
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i podstaknem diskusije o našoj zajedničkoj prošlosti.
01:12
To create "Lotus," we carved over 6,000 figures.
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Da bismo stvorili „Lotos“, izgravirali smo preko 6 000 figura.
01:16
And this later led to a commission by the City of New York
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Ovo je kasnije dovelo do porudžbine od strane grada Njujorka
01:19
to create a 28-foot version in steel
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da se napravi verzija od 7,6 metara u čeliku
01:21
as a permanent installation at the Eagle Academy for Young Men,
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kao stalna instalacija akademije za mladiće Igl,
01:24
a school for black and latino students,
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škole za crnačke i latinoameričke učenike,
01:27
the two groups most affected by this history.
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dve grupe koje je ova istorija najviše pogodila.
01:30
The same two groups are very affected by a more recent phenomenon,
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Iste dve grupe su pod velikim uticajem jedne skorije pojave,
01:33
but let me digress.
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ali dopustite da napravim digresiju.
01:35
I've been collecting wooden African figures
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Prikupljao sam drvene afričke figure
iz turističkih radnji i sa buvljih pijaca širom sveta.
01:38
from tourist shops and flea markets around the world.
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01:40
The authenticity and origin of them is completely debatable,
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Njihova autentičnost i poreklo su sasvim pod znakom pitanja,
01:43
but people believe these to be imbued with power,
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ali ljudi veruju da ih prožima moć,
01:46
or even magic.
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pa čak i magija.
01:47
Only recently have I figured out how to use this in my own work.
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Tek nedavno sam našao način kako da ovo iskoristim u svom radu.
01:51
(Gun shots)
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(Pucnji pištolja)
02:05
Since 2012, the world has witnessed the killings of Trayvon Martin,
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Od 2012. godine, svet je bio svedok ubistava Trejvona Martina,
02:09
Michael Brown, Eric Garner, Sandra Bland, Tamir Rice
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Majkla Brauna, Erika Garnera, Sandre Blend, Tamira Rajsa
02:13
and literally countless other unarmed black citizens
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i bukvalno bezbroj drugih nenaoružanih građana crne rase
02:16
at the hands of the police,
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koje je počinila policija,
02:17
who frequently walk away with no punishment at all.
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pri čemu bi se ona često izvukla bez ikakve kazne.
02:20
In consideration of these victims
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Radi uvažavanja ovih žrtava
02:22
and the several times that even I,
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i nekoliko situacija u kojima sam čak i ja,
02:24
a law-abiding, Ivy League professor,
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profesor cenjenog univerziteta koji se pridržava zakona,
02:27
have been targeted and harassed at gunpoint by the police.
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bio meta maltretiranja policije pod pretnjom oružjem.
02:30
I created this body of work simply entitled "BAM."
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Stvorio sam ovaj opus jednostavno nazvan „BAM“.
02:36
It was important to erase the identity of each of these figures,
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Bilo je važno izbrisati identitet svake od ovih figura,
02:39
to make them all look the same and easier to disregard.
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učiniti da izgledaju isto i da bude lakše ne pridavati im značaj.
02:43
To do this, I dip them in a thick, brown wax
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Da bih to postigao, umočio sam ih u debeli braon vosak
02:45
before taking them to a shooting range
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pre nego što sam ih odneo na strelište
02:47
where I re-sculpted them using bullets.
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gde sam im izmenio oblik mecima.
02:51
And it was fun,
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Bilo je zabavno
02:52
playing with big guns and high-speed video cameras.
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igrati se velikim oružjem i kamerama za usporeno snimanje.
02:55
But my reverence for these figures kept me from actually pulling the trigger,
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Ipak, moje poštovanje prema ovim figurama sprečavalo me je da zaista povučem okidač,
02:58
somehow feeling as if I would be shooting myself.
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jer sam se nekako osećao kao da bih pucao na samog sebe.
03:01
Finally, my cameraman, Raul, fired the shots.
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Na kraju je moj kamerman Raul pucao.
03:06
I then took the fragments of these
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Zatim sam uzeo ostatke ovih figura,
03:08
and created molds, and cast them first in wax,
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napravio kalupe i izlio ih najpre u vosku,
03:12
and finally in bronze like the image you see here,
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a na kraju u bronzi, kao na prikazu koju ovde vidite,
03:15
which bears the marks of its violent creation
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koji nosi tragove svog nasilnog stvaranja
03:18
like battle wounds or scars.
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poput bojnih rana ili ožiljaka.
03:20
When I showed this work recently in Miami,
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Kada sam nedavno pokazao ovaj rad u Majamiju,
03:22
a woman told me she felt every gun shot to her soul.
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jedna žena mi je rekla da je osetila svaki pucanj na svojoj duši.
03:25
But she also felt that these artworks
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Takođe je osetila da ovakva umetnička dela
03:28
memorialized the victims of these killings
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odaju počast žrtvama tih ubijanja,
03:30
as well as other victims of racial violence throughout US history.
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kao i drugim žrtvama rasnog nasilja kroz čitavu istoriju SAD-a.
03:33
But "Lotus" and "BAM" are larger than just US history.
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Međutim, „Lotos“ i „BAM“ predstavljaju više od istorije SAD-a.
03:36
While showing in Berlin last year,
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Kada sam ih prikazivao prošle godine u Berlinu,
03:38
a philosophy student asked me what prompted these recent killings.
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student filozofije me je upitao šta je podstaklo na ta nedavna ubistva.
03:42
I showed him a photo of a lynching postcard
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Pokazao sam mu fotografiju razglednice sa linčovanjem
03:44
from the early 1900s
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iz ranih 1900-ih godina
03:46
and reminded him that these killings have been going on for over 500 years.
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i podsetio ga da se ta ubijanja odvijaju već preko 500 godina.
03:51
But it's only through questions like his
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Ipak, samo kroz pitanja poput njegovog
03:53
and more thoughtful dialogue about history and race
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i promišljeniji dijalog o istoriji i rasi
03:56
can we evolve as individuals and society.
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možemo se razviti kao pojedinci i društvo.
03:59
I hope my artwork creates a safe space
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Nadam se da će moj umetnički rad stvoriti siguran prostor
04:02
for this type of honest exchange
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za tu vrstu iskrene razmene
04:05
and an opportunity for people to engage one another
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i priliku da se ljudi međusobno aktiviraju
04:07
in real and necessary conversation.
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u pravom i neophodnom razgovoru.
04:10
Thank you.
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Hvala.
04:11
(Applause)
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(Aplauz)
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