Success, failure and the drive to keep creating | Elizabeth Gilbert

1,399,217 views

2014-04-25 ใƒป TED


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Success, failure and the drive to keep creating | Elizabeth Gilbert

1,399,217 views ใƒป 2014-04-25

TED


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: Catherine YOO ๊ฒ€ํ† : Jeong-Lan Kinser
00:12
So, a few years ago I was at JFK Airport
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๋ช‡ ๋…„ ์ „์— ์ œ๊ฐ€ JFK ๊ณตํ•ญ์—์„œ
00:15
about to get on a flight,
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๋น„ํ–‰๊ธฐ์— ํƒ‘์Šนํ•˜๋ ค๋Š”๋ฐ,
00:17
when I was approached by two women
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์—ฌ์ž๋ถ„ 2๋ช…์ด ์ œ๊ฒŒ ๋‹ค๊ฐ€์™”์–ด์š”
00:19
who I do not think would be insulted
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๊ทธ ๋ถ„๋“ค์ด ์–ด๋• ๋ƒ๋ฉด, ๋‹ค๋ฅธ ์‚ฌ๋žŒ๋“ค์ด ๊ทธ๋“ค์— ๋Œ€ํ•ด ์„ค๋ช…ํ•  ๋•Œ
00:20
to hear themselves described
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'์ž‘๊ณ  ๋Š™๊ณ  ์–ต์„ธ๊ฒŒ ๋งํ•˜๋Š” ์ดํƒˆ๋ฆฌ์•„๊ณ„ ๋ฏธ๊ตญ ์—ฌ์ž'๋ผ ํ•ด๋„
00:22
as tiny old tough-talking Italian-American broads.
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๊ธฐ๋ถ„๋‚˜๋น  ํ•˜์ง€๋Š” ์•Š์„ ๊ฒƒ ๊ฐ™์•˜์–ด์š”.
00:26
The taller one, who is like up here,
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์ด๋งŒํ•œ, ํ‚ค๊ฐ€ ๋” ํฐ์—ฌ์ž๊ฐ€,
00:29
she comes marching up to me, and she goes,
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ํ–‰์ง„ํ•˜๋Š”๊ฒƒ์ฒ˜๋Ÿผ ์ œ๊ฒŒ ๋‹ค๊ฐ€์™€ ํ•˜๋Š” ๋ง์ด,
00:31
"Honey, I gotta ask you something.
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"์–ธ๋‹ˆ, ๋ญ˜ ์ข€ ๋ฌผ์–ด๋ด์•ผ๊ฒ ์–ด.
00:33
You got something to do with that whole
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๋‹น์‹ ์ด '๋จน๊ณ , ๊ธฐ๋„ํ•˜๊ณ , ์‚ฌ๋ž‘ํ•˜๋ผ'์ธ์ง€ ๋ญ”์ง€ ํ•˜๋Š”
00:35
'Eat, Pray, Love' thing that's been going on lately?"
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์š”์ƒˆ ์œ ๋ช…ํ•œ ๊ทธ๊ฑฐ๋ž‘ ๋ฌด์Šจ ๊ด€๊ณ„๊ฐ€ ์žˆ๋Š” ์‚ฌ๋žŒ ๋งž์ง€?"
00:38
And I said, "Yes, I did."
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์ €๋Š” ๋งํ–ˆ์–ด์š”, "๋งž์•„์š”, ์ œ๊ฐ€ ๊ทธ๊ฑธ ์ผ์–ด์š”."
00:40
And she smacks her friend and she goes,
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๊ทธ๋Ÿฌ์ž ๊ทธ๋…€๊ฐ€ ์นœ๊ตฌ๋ฅผ ํƒ ์น˜๋ฉด์„œ ๋งํ•˜๊ธธ,
00:42
"See, I told you, I said, that's that girl.
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"๋ณด๋ผ๊ตฌ, ๋งํ–ˆ์ž–์•„, ๊ทธ๊ฒŒ ๊ทธ ์—ฌ์ž๋ผ๋‹ˆ๊นŒ.
00:44
That's that girl who wrote that book
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๋ฐ”๋กœ ๊ทธ ์ฑ…์„ ์“ด ์—ฌ์ž์•ผ.
00:46
based on that movie."
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๊ทธ ์˜ํ™”๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ํ•ด์„œ ๋ง์ด์•ผ."
00:48
(Laughter)
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(์›ƒ์Œ)
00:50
So that's who I am.
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๋„ค, ๊ทธ๊ฒŒ ๋ฐ”๋กœ ์ ‘๋‹ˆ๋‹ค.
00:52
And believe me, I'm extremely grateful to be that person,
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๊ทธ๋ฆฌ๊ณ  ์ €๋Š” ์ œ๊ฐ€ ๋ฐ”๋กœ ๊ทธ ์‚ฌ๋žŒ์ด๋ผ๋Š” ๊ฒƒ์— ๋งค์šฐ ๊ฐ์‚ฌํ•ดํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
00:56
because that whole "Eat, Pray, Love" thing
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์™œ๋ƒ๋ฉด ๊ทธ "๋จน๊ณ , ๊ธฐ๋„ํ•˜๊ณ , ์‚ฌ๋ž‘ํ•˜๋ผ" ๋ผ๋Š” ๊ฒƒ ์ „๋ถ€๊ฐ€
00:58
was a huge break for me.
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์ œ๊ฒŒ๋Š” ๊ต‰์žฅํ•œ ๊ธฐ๋ก์„ ๊นฌ์ด์—ˆ์œผ๋‹ˆ๊นŒ์š”.
00:59
But it also left me in a really tricky position
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ํ•˜์ง€๋งŒ ๊ทธ๊ฒƒ์€ ๋˜ํ•œ ์ €๋ฅผ ๊ณค๋ž€ํ•œ ์ฒ˜์ง€์— ๋น ์ง€๊ฒŒ ํ–ˆ์–ด์š”
01:02
moving forward as an author
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์ž‘๊ฐ€๋กœ์„œ ์•ž์œผ๋กœ ๋‚˜์•„๊ฐ€๋ ค๋ฉด
01:04
trying to figure out how in the world
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๋„๋Œ€์ฒด ์–ด๋–ป๊ฒŒ ํ•ด์•ผ ๋‚ด๊ฐ€ ๋‹ค์‹œ
01:06
I was ever going to write a book again
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์–ด๋–ค ํ•œ ์‚ฌ๋žŒ์ด๋ผ๋„ ๋งŒ์กฑํ•  ๋งŒํ•œ
01:07
that would ever please anybody,
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์ฑ…์„ ์จ ๋‚ผ ์ˆ˜ ์žˆ์„๊นŒ ํ•˜๋Š” ๊ณ ๋ฏผ์„ ํ–ˆ์–ด์š”.
01:09
because I knew well in advance
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์™œ๋ƒํ•˜๋ฉด ์ €๋Š” ์ด๋ฏธ ์•Œ๊ณ  ์žˆ์—ˆ๊ฑฐ๋“ ์š”
01:11
that all of those people who had adored "Eat, Pray, Love"
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"๋จน๊ณ , ๊ธฐ๋„ํ•˜๊ณ , ์‚ฌ๋ž‘ํ•˜๋ผ"๋ฅผ ๋Œ€๋‹จํžˆ ํ ๋ชจํ–ˆ๋˜ ๋ชจ๋“  ์‚ฌ๋žŒ๋“ค์ด
01:14
were going to be incredibly disappointed
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์ œ๊ฐ€ ๋‹ค์Œ์— ์“ฐ๋Š” ์–ด๋–ค ์ฑ…์—๋„
01:15
in whatever I wrote next
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๋Œ€๋‹จํžˆ ์‹ค๋งํ•˜๋ฆฌ๋ผ๋Š” ๊ฒƒ์„์š”,
01:17
because it wasn't going to be "Eat, Pray, Love,"
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์™œ๋ƒํ•˜๋ฉด ๊ทธ๊ฑด "๋จน๊ณ , ๊ธฐ๋„ํ•˜๊ณ , ์‚ฌ๋ž‘ํ•˜๋ผ"๊ฐ€ ์•„๋‹ ๊ฒƒ์ด๊ธฐ ๋•Œ๋ฌธ์ด์ฃ ,
01:18
and all of those people who had hated "Eat, Pray, Love"
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๊ทธ๋ฆฌ๊ณ , "๋จน๊ณ , ๊ธฐ๋„ํ•˜๊ณ , ์‚ฌ๋ž‘ํ•˜๋ผ"๋ฅผ ์‹ซ์–ดํ•œ ๋ชจ๋“  ์‚ฌ๋žŒ๋“ค ์—ญ์‹œ
01:21
were going to be incredibly disappointed
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์ œ๊ฐ€ ๋‹ค์Œ์— ์“ด ์–ด๋–ค ์ฑ…์—๋„
01:22
in whatever I wrote next
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๊ทน๋„๋กœ ์‹ค๋งํ•  ๊ฒƒ์ด์—ˆ์–ด์š”,
01:24
because it would provide evidence that I still lived.
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์™œ๋ƒํ•˜๋ฉด ๊ทธ๊ฑด ๊ทธ ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ๋‚ด๊ฐ€ ์—ฌ์ „ํžˆ ์‚ด์•„์„œ ์ฑ…์„ ์“ด๋‹ค๋Š” ๊ฒƒ์˜ ์ฆ๊ฑฐ๊ฐ€ ๋  ๊ฒƒ์ด๊ธฐ ๋•Œ๋ฌธ์ด์—ˆ์ฃ .
01:26
So I knew that I had no way to win,
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๊ทธ๋ž˜์„œ ์ €๋Š” ์ด ๋ฌธ์ œ๋ฅผ ํ•ด๊ฒฐํ•  ๋ฐฉ๋ฒ•์ด ์—†๋‹ค๋Š” ๊ฑธ ์•Œ๊ณ  ์žˆ์—ˆ๊ณ ,
01:29
and knowing that I had no way to win
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ํ•ด๊ฒฐํ•  ๋ฐฉ๋ฒ•์ด ์—†๋‹ค๋Š” ๊ฑธ ์•ˆ ๋’ค๋กœ,
์ €์—๊ฒŒ ์ด์ œ ๊ทธ๋งŒ ์ด ๊ฐˆ๋“ฑ์—์„œ ๋ฒ—์–ด๋‚˜
01:32
made me seriously consider for a while
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01:34
just quitting the game
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์‹œ๊ณจ๋กœ ์ด์‚ฌ๋ฅผ ๋‚ด๋ ค๊ฐ€ ์ฝ”๊ธฐ ๊ฒฌ์„ ๊ธฐ๋ฅด๋Š” ๊ฒƒ์„
01:35
and moving to the country to raise corgis.
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์‹ฌ๊ฐํ•˜๊ฒŒ ๊ณ ๋ คํ–ˆ์Šต๋‹ˆ๋‹ค.
01:39
But if I had done that, if I had given up writing,
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ํ•˜์ง€๋งŒ, ์ œ๊ฐ€ ๊ทธ๋žฌ๋‹ค๋ฉด, ๋งŒ์ผ ์ œ๊ฐ€ ๊ธ€์“ฐ๊ธฐ๋ฅผ ํฌ๊ธฐํ–ˆ๋‹ค๋ฉด,
01:41
I would have lost my beloved vocation,
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์ €๋Š” ์ œ๊ฐ€ ์‚ฌ๋ž‘ํ•˜๋Š” ์ง์—…์„ ์žƒ์—ˆ์„ ๊ฑฐ์˜ˆ์š”.
01:43
so I knew that the task was that I had to find
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๊ทธ๋ž˜์„œ ์ œ ์ž„๋ฌด๋Š”
๋‹ค์Œ ์ฑ…์„ ์“ฐ๊ธฐ ์œ„ํ•œ ์˜๊ฐ์„
01:45
some way to gin up the inspiration
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์ตœ๋Œ€ํ™” ํ•  ๋ฐฉ๋ฒ•์„ ์ฐพ๋Š”๊ฑฐ๋ผ๋Š” ๊ฑธ ์•Œ์•˜์–ด์š”
01:47
to write the next book
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01:49
regardless of its inevitable negative outcome.
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๊ทธ์— ๋”ฐ๋ฅด๋Š” ๋ถˆ๊ฐ€ํ”ผํ•œ ๊ฒฐ๊ณผ์™€๋Š” ์ƒ๊ด€์—†์ด ๋ง์ด์ฃ .
01:51
In other words, I had to find a way to make sure
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๋‹ค์‹œ ๋งํ•˜๋ฉด, ์ €๋Š” ์ œ ์ฐฝ์กฐ๋ ฅ์ด ์Šค์Šค๋กœ์˜ ์„ฑ๊ณต์— ํ™•์‹คํžˆ
01:53
that my creativity survived its own success.
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์‚ด์•„๋‚จ์„ ๋ฐฉ๋ฒ•์„ ์ฐพ์•„์•ผ ํ–ˆ์–ด์š”.
01:56
And I did, in the end, find that inspiration,
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๊ทธ๋ฆฌ๊ณ , ์ €๋Š”, ๊ฒฐ๊ตญ, ๊ทธ ์˜๊ฐ์„ ์ฐพ์•˜์ง€์š”,
01:58
but I found it in the most unlikely
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ํ•˜์ง€๋งŒ, ์ „ ๊ทธ๊ฑธ ๊ฐ€์žฅ ๊ทธ๋Ÿด๋“ฏํ•˜์ง€ ์•Š๊ณ ,
02:00
and unexpected place.
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๊ธฐ๋Œ€ํ•˜์ง€ ์•Š์€ ๊ณณ์—์„œ ์ฐพ์•˜๋‹ต๋‹ˆ๋‹ค.
02:01
I found it in lessons that I had learned earlier in life
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๊ทธ๊ฑธ ์ œ ์ผ์ƒ์˜ ์ดˆ๋…„๊ธฐ์— ๋ฐฐ์šด ๊ตํ›ˆ์—์„œ ์ฐพ์•˜์ฃ 
02:04
about how creativity can survive its own failure.
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์ฐฝ์กฐ๋ ฅ์ด ๋ณธ์ธ์˜ ์‹คํŒจ์—์„œ ์ƒ์กดํ•  ์ˆ˜ ์žˆ๋Š” ๋ฐฉ๋ฒ•์—์„œ์š”.
02:07
So just to back up and explain,
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๋’ท๋ฐ›์นจํ•˜๊ณ  ์„ค๋ช…ํ•œ๋‹ค๋ฉด,
02:09
the only thing I have ever wanted to be
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์ œ๊ฐ€ ๋˜๊ณ  ์‹ถ์–ดํ–ˆ๋˜ ์˜ค์ง ํ•œ๊ฐ€์ง€๋Š”,
02:11
for my whole life was a writer.
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์ œ ์ „ ์ธ์ƒ์„ ํ†ตํ•ด์„œ, ์ž‘๊ฐ€์˜€์–ด์š”.
02:13
I wrote all through childhood, all through adolescence,
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์ €๋Š” ์ดˆ๋…„๊ธฐ, ์ฒญ์†Œ๋…„๊ธฐ ์ „๋ถ€๋ฅผ ๊ฑฐ์น˜๋ฉฐ ๊ธ€์„ ์ผ๊ณ ,
02:15
by the time I was a teenager I was sending
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์ œ๊ฐ€ ์‹ญ๋Œ€๊ฐ€ ๋˜์—ˆ์„๋•Œ ์ฏค์—๋Š”,
02:17
my very bad stories to The New Yorker,
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์ œ ์งˆ๋‚ฎ์€ ์ด์•ผ๊ธฐ๋“ค์„ "๋‰ด์š”์ปค"์—
02:19
hoping to be discovered.
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๋ฐœ๊ฒฌ๋˜๊ธธ ๋ฐ”๋ผ๋ฉด์„œ ๋ณด๋‚ด๊ณค ํ–ˆ์ง€์š”.
02:20
After college, I got a job as a diner waitress,
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๋Œ€ํ•™์กธ์—…ํ›„์—, ์ €๋Š” ๊ฐ„์ด์‹๋‹น ์›จ์ด์ถ”๋ฆฌ์Šค ์ง์—…์„ ์–ป์—ˆ๊ณ ,,
02:23
kept working, kept writing,
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์ผ์„ ๊ณ„์†ํ–ˆ๊ณ , ๊ธ€์„ ๊ณ„์† ์ผ๊ณ ,
02:25
kept trying really hard to get published,
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์ถœํŒ์„ ํ•˜๊ธฐ์œ„ํ•ด ์ •๋ง ์—ด์‹ฌํžˆ ๋…ธ๋ ฅํ–ˆ๊ณ ,
02:27
and failing at it.
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๊ณ„์† ์‹คํŒจํ–ˆ์–ด์š”.
02:29
I failed at getting published
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์ €๋Š” ์ถœํŒํ•˜๋Š”๊ฒƒ์— ์‹คํŒจํ•˜๋Š” ๊ฒƒ์„
02:30
for almost six years.
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๊ฑฐ์˜ 6๋…„๋™์•ˆ ํ–ˆ์ง€์š”.
02:32
So for almost six years, every single day,
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๊ทธ๋ž˜์„œ ๊ฑฐ์˜ 6๋…„๋™์•ˆ, ๋งค์ผ,
02:33
I had nothing but rejection letters
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์ œ๊ฒŒ๋Š” ๋‹จ์ง€ ํ‡ด์งœ ํŽธ์ง€๋งŒ
02:35
waiting for me in my mailbox.
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์ œ ์šฐ์ฒดํ†ต์—์„œ ๊ธฐ๋‹ค๋ฆฌ๊ณ  ์žˆ์—ˆ์–ด์š”.
02:37
And it was devastating every single time,
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฑด ๋งค๋ฒˆ ์ฒ˜์ฐธํ–ˆ๊ณ ,
02:38
and every single time, I had to ask myself
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๋˜ ๋งค๋ฒˆ, ์ €๋Š” ์ œ์ž์‹ ์—๊ฒŒ ๋ฌผ์–ด์•ผ ํ–ˆ์ฃ 
02:41
if I should just quit while I was behind
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๋งŒ์ผ ์ œ๊ฐ€ ๋‚™์˜คํ•œ ๋™์•ˆ ๋‹จ์ˆœํžˆ ๊ทธ๋งŒ๋‘ฌ ๋ฒ„๋ฆฌ๊ณ 
02:43
and give up and spare myself this pain.
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ํฌ๊ธฐํ•˜๊ณ  ์ด ๊ณ ํ†ต์—์„œ ์Šค์Šค๋กœ๋ฅผ ์•„๊ปด์•ผ๋งŒ ํ•˜๋Š”์ง€๋ฅผ์š”.
02:47
But then I would find my resolve,
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ํ•˜์ง€๋งŒ ๊ทธ๋ฆฌ๊ณ  ๋‚˜๋ฉด ์ €๋Š” ์ œ ๋Œ€์ฑ…์„ ์ฐพ๊ณค ํ–ˆ์–ด์š”,
02:48
and always in the same way,
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ํ•ญ์ƒ ๊ฐ™์€ ๋ฐฉ๋ฒ•์œผ๋กœ,
02:50
by saying, "I'm not going to quit,
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"๋‚˜๋Š” ํฌ๊ธฐํ•˜์ง€ ์•Š์„๊ฑฐ์•ผ.
02:52
I'm going home."
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์ง‘์œผ๋กœ ๊ฐ€๋Š”๊ฑฐ์•ผ" ๋ผ๊ณ  ๋งํ•˜๋Š” ๊ฒƒ์œผ๋กœ์š”.
02:53
And you have to understand that for me,
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์—ฌ๋Ÿฌ๋ถ„์ด ์ดํ•ดํ•˜์…”์•ผ ํ•  ๊ฒƒ์€ ์ œ๊ฒŒ๋Š”, ์ง‘์œผ๋กœ ๊ฐ€๋Š”๊ฒƒ์ด
02:54
going home did not mean returning to my family's farm.
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์ œ ๊ฐ€์กฑ์˜ ๋†์žฅ์œผ๋กœ ๋Œ์•„๊ฐ์„ ์˜๋ฏธํ•˜์ง€ ์•Š๋Š”๊ฑฐ๋ผ๋Š”๊ฑฐ์ฃ .
02:58
For me, going home
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์ œ๊ฒŒ๋Š”, ์ง‘์œผ๋กœ ๊ฐ„๋‹ค๋Š”๊ฒƒ์€
03:00
meant returning to the work of writing
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๊ธ€์“ฐ๊ธฐ์˜ ์ž‘์—…์œผ๋กœ ๋Œ์•„๊ฐ์„ ์˜๋ฏธํ–ˆ์–ด์š”
03:01
because writing was my home,
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์™œ๋ƒ๋ฉด ๊ธ€์“ฐ๊ธฐ๊ฐ€ ์ œ ์ง‘์ด์—ˆ๊ธฐ์—,
03:03
because I loved writing more than I hated failing at writing,
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์ œ๊ฐ€ ๊ธ€์“ฐ๊ธฐ์—์„œ ์‹คํŒจํ•จ์„ ์ฆ์˜คํ•œ ๊ฒƒ ๋ณด๋‹ค ๋” ๊ธ€์“ฐ๊ธฐ๋ฅผ ์‚ฌ๋ž‘ํ–ˆ๊ธฐ์—,
03:06
which is to say that I loved writing
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์ฆ‰ ์ œ๊ฐ€ ์ œ ์ž์‹ ์˜ ์—๊ณ ๋ฅผ ์‚ฌ๋ž‘ํ–ˆ๋˜๊ฒƒ๋ณด๋‹ค
03:08
more than I loved my own ego,
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๊ธ€์“ฐ๊ธฐ๋ฅผ ๋” ์‚ฌ๋ž‘ํ–ˆ๋‹ค๋Š”๊ฑธ ์˜๋ฏธํ–ˆ๋Š”๋ฐ,
03:09
which is ultimately to say
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๊ทธ๊ฑด ๊ถ๊ทน์ ์œผ๋กœ ๋งํ•˜์ž๋ฉด ์ œ๊ฐ€
03:11
that I loved writing more than I loved myself.
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์ž์‹ ์„ ์‚ฌ๋ž‘ํ•œ ๊ฒƒ ๋ณด๋‹ค ๊ธ€์“ฐ๊ธฐ๋ฅผ ๋” ์‚ฌ๋ž‘ํ–ˆ๋‹ค๋Š” ๊ฑฐ์ฃ .
03:13
And that's how I pushed through it.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๋ ‡๊ฒŒ ํ•œ๊ฒƒ์ด ์ œ๊ฐ€ ๊ทธ๊ฑธ ๋ฐ€์–ด๋ถ™์ธ ๋ฐฉ๋ฒ•์ด์ฃ .
03:15
But the weird thing is that 20 years later,
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ํ•˜์ง€๋งŒ ๊ทธ ์ด์ƒํ•œ๊ฒƒ์€ 20๋…„ ์ดํ›„์—,
03:17
during the crazy ride of "Eat, Pray, Love,"
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"๋จน๊ณ , ๊ธฐ๋„ํ•˜๊ณ , ์‚ฌ๋ž‘ํ•˜๋ผ"์˜ ์—ด๊ด‘์ ์ธ ์ƒ์Šน๊ธฐ์—,
03:19
I found myself identifying all over again
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์ €๋Š” ์ œ์ž์‹ ์ด ์™„์ „ํžˆ ๋‹ค์‹œ ์ถœํŒํ•˜์ง€ ์•Š์€ ์–ด๋ฆฐ
03:21
with that unpublished young diner waitress
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๊ฐ„์ด์‹๋‹น ์›จ์ด์ถ”๋ฆฌ์Šค๋กœ,
03:24
who I used to be, thinking about her constantly,
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๊ณผ๊ฑฐ์˜ ์ €๋กœ ์‹๋ณ„ํ•˜๋Š”๊ฒƒ์„ ๋ฐœ๊ฒฌํ–ˆ์–ด์š”
03:26
and feeling like I was her again,
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๊ทธ๋…€์— ๋Œ€ํ•ด ๋Š์ž„์—†์ด ์ƒ๊ฐํ•˜๊ณ , ์ œ๊ฐ€ ๋‹ค์‹œ ๊ทธ๋…€์ธ๊ฒƒ์ฒ˜๋Ÿผ ๋Š๋ผ๋ฉฐ,
03:28
which made no rational sense whatsoever
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๊ทธ๊ฒŒ ์ด์„ฑ์ ์œผ๋กœ ์ „ํ˜€ ๋ง์ด ์•ˆ๋˜๊ณ 
03:29
because our lives could not have been more different.
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์™œ๋ƒ๋ฉด ์šฐ๋ฆฌ์˜ ์‚ถ์€ ์™„์ „ํžˆ ๋‹ฌ๋ž์Œ์—๋„ ๋ง์ด์ฃ .
03:31
She had failed constantly.
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๊ทธ๋…€๋Š” ๋Š์ž„์—†์ด ์‹คํŒจํ–ˆ์–ด์š”.
03:33
I had succeeded beyond my wildest expectation.
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์ €๋Š” ๊ฐ€์žฅ ์•ผ์„ฑ์ ์ธ ๊ธฐ๋Œ€๋ฅผ ๋ฒ—์–ด๋‚˜์„œ๋„ ์„ฑ๊ณตํ–ˆ์ฃ .
03:35
We had nothing in common.
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์šฐ๋ฆฌ๋Š” ๊ณตํ†ต๋ถ„๋ชจ๊ฐ€ ์—†์—ˆ์ฃ .
03:37
Why did I suddenly feel like I was her all over again?
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์™œ ์ œ๊ฐ€ ์™„์ „ํžˆ ๋‹ค์‹œ ๊ทธ๋…€์ธ๊ฒƒ์ฒ˜๋Ÿผ ๋Š๊ผˆ์„๊นŒ์š”?
03:40
And it was only when I was trying to unthread that
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๊ทธ๋ž˜์„œ ์ œ๊ฐ€ ๊ทธ ์‹ค์„ ํ’€๋ ค๊ณ  ๋…ธ๋ ฅํ–ˆ์„๋•Œ ๋งŒ
03:42
that I finally began to comprehend
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์ €๋Š” ๋งˆ์นจ๋‚ด ์ดํ•ดํ•˜๊ธฐ ์‹œ์ž‘ํ–ˆ์–ด์š”
03:44
the strange and unlikely psychological connection
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์šฐ๋ฆฌ์˜ ์ธ์ƒ์—์„œ ์šฐ๋ฆฌ๊ฐ€ ๊ฒฝํ—˜ํ•˜๋Š” ๊ฑฐ๋Œ€ํ•œ ์‹คํŒจ์˜ ๋ฐฉ๋ฒ•๊ณผ
03:46
in our lives between the way we experience great failure
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์šฐ๋ฆฌ๊ฐ€ ๊ฒฝํ—˜ํ•˜๋Š” ๊ฑฐ๋Œ€ํ•œ ์„ฑ๊ณต์˜ ๋ฐฉ๋ฒ•์‚ฌ์ด์—์„œ
03:49
and the way we experience great success.
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๊ทธ ์ด์ƒํ•˜๊ณ  ๋‹ฎ์ง€์•Š์€ ์‹ฌ๋ฆฌ์ ์ธ ์—ฐ๊ฒฐ์„ ๋ง์ด์ฃ .
03:51
So think of it like this:
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๊ทธ๊ฒƒ์„ ์ด๋ ‡๊ฒŒ ์ƒ๊ฐํ•˜์„ธ์š”:
03:53
For most of your life, you live out your existence
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์—ฌ๋Ÿฌ๋ถ„ ๋Œ€๋ถ€๋ถ„์˜ ์ธ์ƒ์—์„œ, ์—ฌ๋Ÿฌ๋ถ„์€ ์ด๊ณณ์˜ ์กด์žฌ๋ฅผ
03:54
here in the middle of the chain of human experience
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์ธ๊ฐ„๊ฒฝํ—˜ ๊ณ ๋ฆฌ์˜ ์ค‘์‹ฌ์—์„œ
03:57
where everything is normal and reassuring and regular,
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๋ชจ๋“ ๊ฒƒ์ด ์ •์ƒ์ ์ด๊ณ  ์•ˆ์‹ฌ์‹œํ‚ค๊ณ  ๊ทœ์น™์ ์ธ ๊ณณ์—์„œ ์‚ถ๋‹ˆ๋‹ค
04:00
but failure catapults you abruptly way out over here
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ํ•˜์ง€๋งŒ ์‹คํŒจ๋Š” ๊ฐ‘์ž‘์Šค๋ ˆ ๋จผ ์ด์ชฝ์œผ๋กœ ์‹ค๋ง์˜ ์–ด๋‘ ์†์œผ๋กœ
04:03
into the blinding darkness of disappointment.
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์‚ฌ๋žŒ์„ ํˆฌ์ฒ™์‹œํ‚ต๋‹ˆ๋‹ค.
04:06
Success catapults you just as abruptly but just as far
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์„ฑ๊ณต์€ ๋˜‘๊ฐ™์ด ๋ฉ€๋ฆฌ ์‚ฌ๋žŒ์„ ๊ฐ‘์ž‘์Šค๋ ˆ
04:10
way out over here
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ํˆฌ์ฒ™์‹œํ‚ค์ง€๋งŒ ๋จผ ์ด์ชฝ์œผ๋กœ
04:11
into the equally blinding glare
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๋™๋“ฑํ•˜๊ฒŒ ๋ถ„๋ณ„์„ ์žƒ๊ฒŒํ•˜๋Š”
04:13
of fame and recognition and praise.
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๋ช…์„ฑ๊ณผ ์ธ์ •๊ณผ ์ฐฌ์‚ฌ์˜ ๊ฐ๊ด‘์„ ํˆฌ์ฒ™์‹œํ‚ต๋‹ˆ๋‹ค.
04:16
And one of these fates
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๊ทธ๋ฆฌ๊ณ  ์ด ์šด๋ช…์ค‘ ํ•˜๋‚˜๋Š”
04:17
is objectively seen by the world as bad,
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์„ธ์ƒ์— ์˜ํ•ด ๊ฐ๊ด€์ ์œผ๋กœ ๋‚˜์˜๋‹ค๊ณ  ๋ณด์—ฌ์ง€๊ณ ,
04:19
and the other one is objectively seen by the world as good,
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๋‹ค๋ฅธ ํ•˜๋‚˜๋Š” ์„ธ์ƒ์— ์˜ํ•ด ๊ฐ๊ด€์ ์œผ๋กœ ์ข‹๋‹ค๊ณ  ๋ณด์—ฌ์ง€์ง€๋งŒ,
04:21
but your subconscious is completely incapable
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์—ฌ๋Ÿฌ๋ถ„์˜ ๋ฌด์˜์‹์€ ์ข‹์€๊ฒƒ๊ณผ ๋‚˜์œ๊ฒƒ ์‚ฌ์ด์˜ ๋‹ค๋ฅธ์ ์„ ๋ถ„๋ณ„ํ•˜๋Š”๊ฒŒ
04:24
of discerning the difference between bad and good.
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์™„์ „ํžˆ ๋ถˆ๊ฐ€๋Šฅํ•˜์ฃ .
04:27
The only thing that it is capable of feeling
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๋Š๋‚„ ์ˆ˜ ์žˆ๋Š” ๋‹จ ํ•œ๊ฐ€์ง€๊ฒƒ์€
04:29
is the absolute value of this emotional equation,
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์ด ์ •์„œ์ ์ธ ๋ฐฉ์ •์‹,
04:32
the exact distance that you have been flung
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์ž์‹ ์œผ๋กœ๋ถ€ํ„ฐ ๋‚ด๋™๋Œ•์ด์ณ์ง„
04:35
from yourself.
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์ •ํ™•ํžˆ ๊ทธ ๊ฑฐ๋ฆฌ์ด์ฃ .
04:36
And there's a real equal danger in both cases
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๊ทธ๋ž˜์„œ ํ”„์‹œ์ผ€์˜ ์˜ค์ง€์—์„œ
04:38
of getting lost out there
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๊ธธ์„ ์žƒ๋Š” ๋‘๊ฐ€์ง€ ๋ชจ๋‘์—๋Š”
04:40
in the hinterlands of the psyche.
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์ง„์ •์œผ๋กœ ๋˜‘ ๊ฐ™์€ ์œ„ํ—˜์ด ์žˆ์–ด์š”.
04:42
But in both cases, it turns out that there is
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ํ•˜์ง€๋งŒ ๋‘๊ฐ€์ง€ ๊ฒฝ์šฐ ๋ชจ๋‘์—, ์ž๊ธฐํšŒ๋ณต์„ ์œ„ํ•œ
04:43
also the same remedy for self-restoration,
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๊ฐ™์€ ์š”๋ฒ•์ด ์žˆ๋‹ค๋Š”๊ฒƒ์ด ๋ฐํ˜€์กŒ๊ณ ,
04:46
and that is that you have got to find your way back home again
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๊ทธ๊ฒƒ์€ ์—ฌ๋Ÿฌ๋ถ„์ด ๋‹ค์‹œ ์ง‘์œผ๋กœ ๊ฐ€๋Š” ๊ธธ์„
04:50
as swiftly and smoothly as you can,
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ํ•  ์ˆ˜ ์žˆ๋Š”๋Œ€๋กœ ๊ฐ€์žฅ ๋นจ๋ฆฌ ์ฐพ๋Š”๊ฒƒ์ด๊ณ ,
04:52
and if you're wondering what your home is,
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๋งŒ์ผ ์—ฌ๋Ÿฌ๋ถ„์˜ ์ง‘์ด ๋ฌด์—‡์ธ์ง€ ๊ถ๊ธˆํ•ด ํ•˜์‹ ๋‹ค๋ฉด,
04:54
here's a hint:
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์—ฌ๊ธฐ ํžŒํŠธ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค:
04:55
Your home is whatever in this world you love
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์—ฌ๋Ÿฌ๋ถ„์˜ ์ง‘์€ ์ด ์„ธ์ƒ์— ์žˆ๋Š” ๋ฌด์—‡์ด๋“  ์—ฌ๋Ÿฌ๋ถ„์ด ์‚ฌ๋ž‘ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค
04:57
more than you love yourself.
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์—ฌ๋Ÿฌ๋ถ„์ด ์Šค์Šค๋กœ๋ฅผ ์‚ฌ๋ž‘ํ•˜๋Š” ๊ฒƒ๋ณด๋‹ค ๋” ๋งŽ์ด ๋ง์ด์ฃ .
04:59
So that might be creativity, it might be family,
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๊ทธ๋ž˜์„œ ๊ทธ๊ฑด ์ฐฝ์กฐ๋ ฅ์ผ ์ˆ˜ ์žˆ๊ณ , ๊ฐ€์กฑ์ผ ์ˆ˜ ์žˆ๊ณ ,
05:01
it might be invention, adventure,
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๋ฐœ๋ช…์ผ ์ˆ˜ ์žˆ๊ณ , ๋ชจํ—˜,
05:03
faith, service, it might be raising corgis,
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์‹ ๋…, ์„œ๋น„์Šค, ์ฝ”๊ธฐ ๊ฒฌ์„ ๊ธฐ๋ฅด๋Š” ๊ฒƒ์ผ ์ˆ˜ ์žˆ์ฃ ,
05:06
I don't know, your home is that thing
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์ €๋Š” ๋ชจ๋ฆ…๋‹ˆ๋‹ค, ์—ฌ๋Ÿฌ๋ถ„์˜ ์ง‘์€ ๋ฐ”๋กœ ๊ทธ๊ฒƒ,
05:08
to which you can dedicate your energies
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์—ฌ๋Ÿฌ๋ถ„์˜ ์—๋„ˆ์ง€๋ฅผ
05:09
with such singular devotion
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๋Œ€๋‹จํ•œ ํ•œ๊ฐ€์ง€์˜ ํ—Œ์‹ ์œผ๋กœ ์ „๋…ํ•  ์ˆ˜ ์žˆ๋Š”,
05:11
that the ultimate results become inconsequential.
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๊ทธ ๊ถ๊ทน์ ์ธ ๊ฒฐ๊ณผ๊ฐ€ ๋น„๋…ผ๋ฆฌ์ ์ด๊ฒŒ ๋˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
05:15
For me, that home has always been writing.
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์ œ๊ฒŒ๋Š”, ๊ทธ ์ง‘์€ ์–ธ์ œ๋‚˜ ์ง€๊ธˆ๊นŒ์ง€ ๊ธ€์“ฐ๊ธฐ์˜€์–ด์š”.
05:17
So after the weird, disorienting success
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๊ทธ๋ž˜์„œ, ๊ทธ ์ด์ƒํ•˜๊ณ , ํ˜ผ๋ž€์‹œํ‚ค๋Š”, ์ œ๊ฐ€
05:20
that I went through with "Eat, Pray, Love,"
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"๋จน๊ณ , ๊ธฐ๋„ํ•˜๊ณ , ์‚ฌ๋ž‘ํ•˜๋ผ,"๋ฅผ ํ†ตํ•ด ๊ฒช์€ ์„ฑ๊ณต์ดํ›„์—,
05:22
I realized that all I had to do was exactly
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์ œ๊ฐ€ ๊นจ๋‹ฌ์€ ๊ฒƒ์€ ์ œ๊ฐ€ ํ•ด์•ผํ–ˆ๋˜๊ฒƒ์€ ์ œ๊ฐ€
05:23
the same thing that I used to have to do all the time
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ํ•ญ์ƒ ํ•˜๊ณค ํ–ˆ๋˜ ๋ฐ”๋กœ ๊ทธ๊ฒƒ์„ ํ•˜๋Š”๊ฒƒ์ด์—ˆ์–ด์š”
05:25
when I was an equally disoriented failure.
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์ œ๊ฐ€ ๋˜‘๊ฐ™์ด ํ˜ผ๋ž€์Šค๋Ÿฐ ์‹คํŒจ๋ฅผ ํ–ˆ์„๋•Œ๋ง์ด์ฃ .
05:27
I had to get my ass back to work,
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์ €๋Š” ๋‹ค์‹œ ์ž‘์—…ํ•˜๋Š”๊ฒƒ์œผ๋กœ ๋Œ์•„๊ฐ”๊ณ ,
05:29
and that's what I did, and that's how, in 2010,
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๊ทธ๋ž˜์„œ ๊ทธ๊ฒŒ ์ œ๊ฐ€ ํ•œ๊ฒƒ์ด์—ˆ๊ณ , ๊ทธ ๋ฐฉ๋ฒ•์ด, 2010๋…„์—,
05:32
I was able to publish the dreaded follow-up
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์ œ๊ฐ€ "๋จน๊ณ , ๊ธฐ๋„ํ•˜๊ณ , ์‚ฌ๋ž‘ํ•˜๋ผ"์— ์ด์€ ๋‘๋ ค์›Œํ•˜๋˜ ํ›„์†์„œ๋ฅผ
05:34
to "Eat, Pray, Love."
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์ถœ๊ฐ„ํ•  ์ˆ˜ ์žˆ์—ˆ์ฃ .
05:35
And you know what happened with that book?
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๊ทธ ์ฑ…์— ์–ด๋–ค์ผ์ด ์žˆ์—ˆ๋Š”์ง€ ์•„์„ธ์š”?
05:36
It bombed, and I was fine.
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ํญํƒ„์„ ๋งž์•˜๊ณ , ์ €๋Š” ๊ดœ์ฐฎ์•˜์–ด์š”,
05:39
Actually, I kind of felt bulletproof,
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์‹ค์€, ์ €๋Š” ๋นˆํ‹ˆ์ด ์—†๋Š”๊ฒƒ์„ ๋Š๊ผˆ์–ด์š”
05:41
because I knew that I had broken the spell
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์™œ๋ƒํ•˜๋ฉด ์ €๋Š” ์ œ๊ฐ€ ๊ทธ ๋งˆ๋ฒ•์„ ํ’€์—ˆ๋‹ค๋Š”๊ฒƒ์„ ์•Œ์•˜๊ณ 
05:43
and I had found my way back home
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์ €๋Š” ๊ธ€์“ฐ๊ธฐ์˜ ์ˆœ์ˆ˜ํ•œ ํ—Œ์‹ ์„ ์œ„ํ•ด ๊ธ€์“ฐ๊ธฐ,
05:45
to writing for the sheer devotion of it.
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์ง‘์œผ๋กœ ๋Œ์•„๊ฐ€๋Š” ๊ธธ์„ ์ฐพ์•˜๊ธฐ ๋•Œ๋ฌธ์ด์ฃ .
05:47
And I stayed in my home of writing after that,
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๊ทธ ํ›„, ์ €๋Š” ์ œ ๊ธ€์“ฐ๊ธฐ์˜ ์ง‘์— ๋จธ๋ฌผ๋ €๊ณ ,
05:49
and I wrote another book that just came out last year
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๋ฐ”๋กœ ์ž‘๋…„์— ์ถœํŒ๋œ ๋˜ ๋‹ค๋ฅธ ์ฑ…์„ ์ผ๊ณ 
05:51
and that one was really beautifully received,
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๊ทธ๊ฒƒ์€ ์ •๋ง ์•„๋ฆ„๋‹ต๊ฒŒ ๋ฐ›์•„๋“ค์—ฌ์กŒ๊ณ ,
05:53
which is very nice, but not my point.
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๊ทธ๊ฒƒ์€ ์ •๋ง ์ข‹์€๊ฑฐ์ง€๋งŒ, ์ œ ์š”์ ์€ ์•„๋‹ˆ์ฃ .
05:54
My point is that I'm writing another one now,
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์ œ ์š”์ ์€ ์ €๋Š”์ง€๊ธˆ ๋˜ ๋‹ค๋ฅธ ์ฑ…์„ ์“ฐ๊ณ  ์žˆ๊ณ ,
05:57
and I'll write another book after that
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๊ทธ ์ดํ›„์— ๋˜ ๋‹ค๋ฅธ ์ฑ…์„,
05:58
and another and another and another
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๋˜ ๋‹ค๋ฅธ ์ฑ…, ๋˜ ๋‹ค๋ฅธ ์ฑ…, ๋˜ ๋‹ค๋ฅธ ์ฑ…์„ ์“ธ๊ฒƒ์ด๊ณ 
06:00
and many of them will fail,
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๊ทธ ์ฑ…๋“ค ์ค‘ ๋งŽ์€ ๊ฒƒ์ด ์‹คํŒจํ• ๊ฒƒ์ด๊ณ ,
06:01
and some of them might succeed,
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๊ทธ ์ฑ…๋“ค ์ค‘ ์ผ๋ถ€๋Š” ์„ฑ๊ณตํ•  ์ˆ˜ ์žˆ์ง€๋งŒ,
06:03
but I will always be safe
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์ €๋Š” ์–ธ์ œ๋‚˜ ์•ˆ์ „ํ•  ๊ฑฐ์˜ˆ์š”
06:04
from the random hurricanes of outcome
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๊ฒฐ๊ณผ์˜ ๋ฌด๋ถ„๋ณ„ํ•œ ํ—ˆ๋ฆฌ์ผ€์ธ์œผ๋กœ ๋ถ€ํ„ฐ
06:07
as long as I never forget where I rightfully live.
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์ œ๊ฐ€ ์ •๋‹นํ•˜๊ฒŒ ์‚ฌ๋Š”๊ณณ์ด ์–ด๋””์ธ์ง€๋ฅผ ๊ฒฐ์ฝ” ์žŠ์ง€์•Š๋Š”๋‹ค๋ฉด์š”.
06:10
Look, I don't know where you rightfully live,
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๋ณด์„ธ์š”, ์ €๋Š” ์—ฌ๋Ÿฌ๋ถ„์ด ์–ด๋””์—์„œ ์ •๋‹นํ•˜๊ฒŒ ์‚ฌ๋Š”์ง€ ๋ชจ๋ฅด์ง€๋งŒ,
06:12
but I know that there's something in this world
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์ €๋Š” ์ด์„ธ์ƒ์— ๋ฌด์—‡์ธ๊ฐ€๋Š”
06:14
that you love more than you love yourself.
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์—ฌ๋Ÿฌ๋ถ„์ด ์—ฌ๋Ÿฌ๋ถ„ ์ž์‹ ๋ณด๋‹ค ๋” ์‚ฌ๋ž‘ํ•œ๋‹ค๋Š” ๊ฒƒ์„ ์•Œ์•„์š”.
06:16
Something worthy, by the way,
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๋ง๋ถ™์—ฌ ๋งํ•˜๋ฉด, ๋ญ”๊ฐ€ ๊ฐ€์น˜์žˆ๋Š”๊ฒƒ,
06:18
so addiction and infatuation don't count,
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๊ทธ๋ž˜์„œ ์ค‘๋…์ด๋‚˜ ์ž๊ธฐ์‹ฌ์ทจ๋Š” ํฌํ•จํ•˜์ง€ ์•Š์•„์š”,
06:20
because we all know that those are not safe places to live. Right?
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์™œ๋ƒํ•˜๋ฉด ์šฐ๋ฆฌ ์ „๋ถ€๋Š” ๊ทธ๊ฒƒ๋“ค์ด ์‚ด๊ธฐ์— ์•ˆ์ „ํ•œ ๊ณณ์ด ์•„๋‹ˆ๋ผ๋Š” ๊ฒƒ์„ ์•„๋‹ˆ๊นŒ์š”. ๊ทธ๋ ‡์ฃ ?
06:24
The only trick is that you've got to identify
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ํ•œ๊ฐ€์ง€ ํŠธ๋ฆญ์€ ์—ฌ๋Ÿฌ๋ถ„์ด ๊ฐ€์žฅ ์‚ฌ๋ž‘ํ•˜๋Š”
06:26
the best, worthiest thing that you love most,
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์ตœ๊ณ ์ด๊ณ  ๊ฐ€์žฅ ๊ฐ€์น˜์žˆ๋Š” ๊ฒƒ์„ ์‹๋ณ„ํ•ด์•ผ๋งŒ ํ•˜๊ณ ,
06:28
and then build your house right on top of it
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๊ทธ๋‹ค์Œ ์—ฌ๋Ÿฌ๋ถ„์˜ ์ง‘์„ ๋ฐ”๋กœ ๊ทธ ์œ„์— ์ง“๊ณ 
06:31
and don't budge from it.
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๊ทธ๊ณณ์—์„œ ์›€์ง์ด์ง€ ์•Š์•„์•ผ ํ•œ๋‹ค๋Š” ๊ฑฐ์ฃ .
06:32
And if you should someday, somehow
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๊ทธ๋ž˜์„œ ๋งŒ์ผ ์–ด๋Š๋‚ , ์–ด๋–ป๊ฒŒ๋“ ์ง€
06:35
get vaulted out of your home
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๊ต‰์žฅํ•œ ์‹คํŒจ๋‚˜ ๊ต‰์žฅํ•œ ์„ฑ๊ณต์œผ๋กœ
06:37
by either great failure or great success,
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์ง‘์—์„œ ์•„์ฃผ ๋ฉ€๋ฆฌ ๋–จ์–ด์ ธ ๋‚˜์˜ค๊ฒŒ ๋˜๋ฉด,
06:39
then your job is to fight your way back to that home
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์—ฌ๋Ÿฌ๋ถ„์˜ ์ž„๋ฌด๋Š” ์ง‘์— ๋Œ์•„๊ฐˆ ๊ธธ์„ ์œ„ํ•ด ํˆฌ์Ÿํ•˜๋Š” ๊ฑฐ๊ณ 
06:41
the only way that it has ever been done,
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์—ฌํƒœ๊นŒ์ง€ ํ–‰ํ•ด์กŒ๋˜ ๋‹จ ํ•œ๊ฐ€์ง€ ๋ฐฉ๋ฒ•์€,
06:43
by putting your head down and performing
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์—ฌ๋Ÿฌ๋ถ„์˜ ๋จธ๋ฆฌ๋Š˜ ๋‚ฎ์ถ”๊ณ 
06:45
with diligence and devotion
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๋ถ€์ง€๋Ÿฐํ•จ, ํ—Œ์‹ ,
06:47
and respect and reverence
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์กด๊ฒฝ๊ณผ ๊ณต๊ฒฝ์œผ๋กœ ์ˆ˜ํ–‰ํ•˜๋ฉฐ
06:49
whatever the task is that love
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๊ทธ ์ž„๋ฌด๊ฐ€ ๋ฌด์—‡์ด๋“ ์ง€ ์‚ฌ๋ž‘์„
06:51
is calling forth from you next.
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์—ฌ๋Ÿฌ๋ถ„์ด ๋‹ค์Œ์— ํ•  ๊ฒƒ์„ ๋ถˆ๋Ÿฌ์ผ์œผํ‚ต๋‹ˆ๋‹ค.
06:53
You just do that, and keep doing that
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์—ฌ๋Ÿฌ๋ถ„์ด ๋‹จ์ง€ ๊ทธ๋ ‡๊ฒŒ ํ•˜๊ณ , ๊ณ„์† ๊ทธ๋ ‡๊ฒŒ ํ•˜๊ณ ,
06:55
again and again and again,
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๋‹ค,์‹œ, ๋‹ค์‹œ, ๋˜ ๋‹ค์‹œ ํ•˜๋ฉด,
06:57
and I can absolutely promise you, from long personal experience
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์ €๋Š” ๊ธด ๊ฒฝํ—˜์œผ๋กœ ์—ฌ๋Ÿฌ๋ถ„๊ป˜ ํ™•์‹คํžˆ ์žฅ๋‹ดํ•  ์ˆ˜ ์žˆ์–ด์š”
06:59
in every direction, I can assure you
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๋ชจ๋“  ๋ฐฉํ–ฅ์—์„œ, ์—ฌ๋Ÿฌ๋ถ„๊ป˜ ๋ณด์žฅํ•  ์ˆ˜ ์žˆ์–ด์š”
07:02
that it's all going to be okay.
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๋ชจ๋“ ๊ฒŒ ๊ดœ์ฐฎ์„ ๊ฒƒ์ด๋ผ๊ณ  ๋ง์ด์ฃ .
07:04
Thank you.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
07:05
(Applause)
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(๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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