Lucy McRae: How can technology transform the human body?

137,861 views ใƒป 2012-04-06

TED


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: Young-ho Park ๊ฒ€ํ† : Bianca Lee
00:15
I call myself a body architect.
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์ €๋Š” ์ œ ์ž์‹ ์„ ๋ชธ ๊ฑด์ถ•๊ฐ€(๋ฐ”๋”” ์•„ํ‚คํ…ํŠธ)๋ผ๊ณ  ๋ถ€๋ฆ…๋‹ˆ๋‹ค.
00:18
I trained in classical ballet
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์ €๋Š” ํด๋ž˜์‹ ๋ฐœ๋ ˆ๋ฅผ ์ „๊ณตํ–ˆ๊ณ 
00:19
and have a background in architecture and fashion.
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๊ฑด์ถ•ํ•™๊ณผ ํŒจ์…˜์— ๋ถ„์•ผ์—์„œ ์ผ์„ ํ–ˆ์Šต๋‹ˆ๋‹ค.
00:22
As a body architect, I fascinate with the human body
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์ €๋Š” ๋ฐ”๋”” ์•„ํ‚คํ…ํŠธ๋กœ์„œ ์ธ์ฒด์— ๋งค๋ฃŒ๋˜์žˆ์œผ๋ฉฐ
00:25
and explore how I can transform it.
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์ธ์ฒด์˜ ์™ธ๊ด€์„ ์ผ๋ณ€์‹œํ‚ค๋Š” ๋ฐฉ๋ฒ•์„ ๋ชจ์ƒ‰ํ•˜์ฃ .
00:28
I worked at Philips Electronics
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์ €๋Š” ํ•„๋ฆฝ์Šค ์ „์ž์‚ฌ์˜ 20๋…„์˜ ์žฅ๋ž˜๋ฅผ
00:31
in the far-future design research lab,
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๋ฐ”๋ผ๋ณด๋Š” ๋ฏธ๋ž˜ ๋””์ž์ธ ์—ฐ๊ตฌ์†Œ์—์„œ
00:33
looking 20 years into the future.
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์ผํ–ˆ์—ˆ์„ ๋•Œ ์ธ์ฒด์˜ ํ”ผ๋ถ€์™€ ํ…Œํฌ๋†€๋กœ์ง€๊ฐ€
00:35
I explored the human skin, and how technology can transform the body.
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์–ด๋–ป๊ฒŒ ์ธ์ฒด์˜ ์™ธ๊ด€์„ ์ผ๋ณ€์‹œํ‚ฌ ์ˆ˜ ์žˆ๋Š”๊ฐ€๋ฅผ ์—ฐ๊ตฌํ–ˆ์ฃ .
00:39
I worked on concepts like an electronic tattoo,
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์ €๋Š” ์†์œผ๋กœ ํ”ผ๋ถ€๋ฅผ ๋งŒ์งˆ ๋•Œ ์ฆ๊ฐ•ํ˜„์‹ค๋กœ ๋ฌธ์‹ ์ด
00:43
which is augmented by touch,
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๋‚˜ํƒ€๋‚˜๊ฒŒ ํ•˜๋Š” ์ „์ž ํƒ€ํˆฌ๋‚˜, ์—ฌ๋Ÿฌ์ƒ‰์˜
00:45
or dresses that blushed and shivered with light.
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๋น›์ด ๋‚˜์™€์„œ ์ถค์ถ”๋ฉฐ ์ „์œจํ•˜๋Š” ๋“œ๋ ˆ์Šค ๊ฐ™์€ ์ปจ์…‰์„ ์—ฐ๊ตฌํ–ˆ์ฃ .
00:48
I started my own experiments.
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๊ทธ ํ›„ ์ €๋Š” ๋…์ž์ ์ธ ์‹คํ—˜์„ ํ•˜๊ธฐ ์‹œ์ž‘ํ–ˆ๋Š”๋ฐ
00:51
These were the low-tech approaches to the high-tech conversations I was having.
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์ง€๊ธˆ๊นŒ์ง€ ๋ณด์—ฌ๋“œ๋ฆฐ ํ•˜์ดํ…์ด ์•„๋‹Œ ๋กœ์šฐํ… ๋ฐฉ์‹์ด์—ˆ์ฃ .
00:55
These are Q-tips stuck to my roommate with wig glue.
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์ด๊ฑด ์ œ ๋ฃธ๋ฉ”์ดํŠธ์˜ ๋ชธ์— ๊ฐ€๋ฐœ ์ ‘์ฐฉ์ œ๋กœ ๋ฉด๋ด‰์„ ๋ถ™์ธ๊ฒ๋‹ˆ๋‹ค.
00:59
(Laughter)
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(์›ƒ์Œ)
01:02
I started a collaboration with a friend of mine, Bart Hess --
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์ €๋Š” ์ œ ์นœ๊ตฌ์ธ ๋ฐ”ํŠธ ํ—ค์Šค์™€ ๊ณต๋™์ž‘์—…์„ ํ–ˆ์ฃ  --
01:06
he doesn't normally look like this --
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๊ทธ๋Š” ๋ณดํ†ต์€ ์ด๋ ‡๊ฒŒ ๋ณด์ด์ง€ ์•Š์•„์š” --
01:08
and we used ourselves as models.
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์ €ํฌ๋Š” ์ €ํฌ ์ž์‹ ์„ ๋ชจ๋ธ๋กœ ์‚ฌ์šฉํ–ˆ์–ด์š”.
01:11
We transformed our apartments into our laboratories,
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์ €ํฌ๋Š” ์ €ํฌ์˜ ์•„ํŒŒํŠธ๋ฅผ ์‹คํ—˜์‹ค๋กœ ๋งŒ๋“ค๊ณ 
01:14
and worked in a very spontaneous and immediate way.
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์ฆ‰ํฅ์ ์ด๋ฉฐ ์ง์ ‘์ ์ธ ์Šคํƒ€์ผ๋กœ ์ผ์„ ํ–ˆ์ฃ .
01:17
We were creating
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์šฐ๋ฆฌ๋Š” ์ธ๋ฅ˜์˜ ์ง„ํ™”๋ฅผ ์—ฐ์ƒ์‹œํ‚ค๋Š”
01:20
visual imagery provoking human evolution.
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์ด๋ฏธ์ง€๋“ค์„ ๋งŒ๋“ค์—ˆ์ฃ .
01:22
Whilst I was at Philips, we discussed this idea of a maybe technology,
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์ œ๊ฐ€ ํ•„๋ฆฝ์Šค์—์„œ ์ผํ• ๋•Œ ์šฐ๋ฆฌ๋Š” ์–ด๋–ค ์žฅ๋น„๊ฐ€ ์˜จ ๋˜๋Š” ์˜คํ”„๋œ ์ƒํƒœ์— ์žˆ๋Š”
01:27
something that wasn't either switched on or off, but in between.
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ํ…Œํฌ๋…ธ๋†€๋กœ์ง€๊ฐ€ ์•„๋‹Œ "์–ด์ฉŒ๋ฉด ํ…Œํฌ๋†€๋กœ์ง€"๋ผ๋Š” ์•„์ด๋””์–ด๋ฅผ ์˜๋…ผํ–ˆ์—ˆ์ฃ .
01:30
A maybe that could take the form of a gas or a liquid.
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๊ทธ '์–ด์ฉŒ๋ฉด'์€ ๊ฐ€์Šค๋‚˜ ์•ก์ฒด์˜ ํ˜•ํƒœ๋ฅผ ๊ฐ€์งˆ์ˆ˜๋„ ์žˆ์—ˆ์ฃ .
01:33
And I became obsessed with this idea of blurring the perimeter of the body,
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๊ทธ๋Ÿฌ๋‹ค๊ฐ€ ์ €๋Š” ์ธ์ฒด์˜ ๋ณ€๋‘๋ฆฌ๊ฐ€ ์• ๋งคํ•˜๊ฒŒ ๋ผ์„œ ์–ด๋””๊นŒ์ง€๊ฐ€ ํ”ผ๋ถ€๊ณ  ์–ด๋””์„œ๋ถ€ํ„ฐ
01:37
so you couldn't see where the skin ended and the near environment started.
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์ฃผ๋ณ€ ํ™˜๊ฒฝ์ด ์‹œ์ž‘ํ•˜๋Š”์ง€ ๋ชจ๋ฅผ ์ˆ˜ ์žˆ๋‹ค๋Š” ์•„์ด๋””์–ด์— ์ง‘์ฐฉํ•˜๊ฒŒ ๋์ง€์š”.
01:41
I set up my studio in the red-light district
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๊ทธํ›„, ์ €๋Š” ํ™๋“ฑ๊ฐ€ ์ง€์—ญ์— ์ŠคํŠœ๋””์˜ค๋ฅผ ๋งŒ๋“ค๊ณ 
01:44
and obsessively wrapped myself in plumbing tubing,
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์ œ ๋ชธ์„ ๋ฐฐ๊ด€ํŒŒ์ดํ”„๋กœ ์นญ์นญ๊ฐ์•„์„œ ์šฐ๋ฆฌ์˜ ํ”ผ๋ถ€๋ฅผ
01:47
and found a way to redefine the skin
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์ƒˆ๋กœ ์ •์˜ํ•˜๋Š” ์ด๋Ÿฌํ•œ ๋‹ค์ด๋‚˜๋ฏนํ•œ ์˜ท๊ฐ์„
01:50
and create this dynamic textile.
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๋งŒ๋“œ๋Š” ๋ฐฉ๋ฒ•์„ ์ฐพ์•„๋ƒˆ์ฃ .
01:52
I was introduced to Robyn, the Swedish pop star,
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์ €๋Š” ์Šค์›จ๋ด์˜ ํŒ์Šคํƒ€์ธ ๋กœ๋นˆ์—๊ฒŒ ์†Œ๊ฐœ๋ฌ์—ˆ๋Š”๋ฐ
01:57
and she was also exploring
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๊ทธ๋…€๋Š” ํ…Œํฌ๋†€๋กœ์ง€๊ฐ€ ์ธ๊ฐ„์˜ ๋ฒŒ๊ฑฐ๋ฒ—์€ ๊ฐ์ •๊ณผ
01:59
how technology coexists with raw human emotion.
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์–ด๋–ป๊ฒŒ ๊ณต์กดํ•  ์ˆ˜ ์žˆ๋Š”๊ฐ€๋ฅผ ํƒ๊ตฌํ•˜๊ณ  ์žˆ์—ˆ์ง€์š”.
02:02
And she talked about how technology with these new feathers,
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๊ทธ๋…€๋Š” ์ƒˆ๋กœ์šด ๊นƒํ„ธ, ํŽ˜์ด์Šค ํŽ˜์ธํŠธ, ํŽ‘ํฌ ์˜ˆ์ˆ ์— ํ…Œํฌ๋†€๋กœ์ง€๋ฅผ
02:05
this new face paint, this punk, the way that we identify with the world,
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์ ์šฉํ•ด์„œ ์–ด๋–ป๊ฒŒ ์ €ํฌ์˜ ์ฃผ์ฒด์„ฑ์„ ๋‚˜ํƒ€๋‚ผ ์ˆ˜ ์žˆ์„ ๊ฐ€๋ฅผ ์–˜๊ธฐํ–ˆ๊ณ 
02:08
and we made this music video.
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์ €ํฌ๋Š” ์ด ์Œ์•…๋น„๋””์˜ค๋ฅผ ๋งŒ๋“ค์—ˆ์ฃ .
02:10
I'm fascinated with the idea
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์ €๋Š” ์ƒ๋ฌผํ•™๊ณผ ํ…Œํฌ๋†€๋กœ์ง€๋ฅผ ํ•ฉ์น˜๋Š”
02:13
of what happens when you merge biology with technology,
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์•„์ด๋””์–ด์— ํฐ ๊ด€์‹ฌ์„ ๊ฐ€์ง€๊ณ  ์žˆ๋Š”๋ฐ ์•ž์œผ๋กœ๋Š”
02:16
and I remember reading about this idea of being able to reprogram
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์šฐ๋ฆฌ์˜ ๋ชธ์„ ์žฌ ํ”„๋กœ๊ทธ๋ž˜๋ฐํ•ด์„œ ๋…ธํ™”ํ˜„์ƒ์„ ๋ฐฉ์ง€ํ•˜๊ณ 
02:20
biology, in the future, away from disease and aging.
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๋ณ‘์— ๊ฑธ๋ฆฌ์ง€ ์•Š๊ฒŒ ํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ์ด๋ผ๊ณ  ์–ด๋””์„œ ์ฝ์—ˆ์ฃ .
02:23
And I thought about this concept of,
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์ €๋Š” ๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๊ฐ€ ๋งŒ์•ฝ์— ์šฐ๋ฆฌ์˜ ์‹ ์ฒด๋ฅผ
02:25
imagine if we could reprogram
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์žฌ ํ”„๋กœ๊ทธ๋ž˜๋ฐํ•ด์„œ ์šฐ๋ฆฌ์˜ ์ฒด์ทจ๋ฅผ
02:27
our own body odor, modify and biologically enhance it,
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์ƒ๋ฌผํ•™์ ์œผ๋กœ ํ–ฅ์ƒ์‹œํ‚ฌ ์ˆ˜ ์žˆ๋‹ค๋ฉด ์šฐ๋ฆฌ๊ฐ€ ๋‹ค๋ฅธ ์‚ฌ๋žŒ๊ณผ
02:31
and how would that change the way that we communicate with each other?
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์ปค๋ฎค๋‹ˆ์ผ€์ดํŠธํ•˜๋Š”๋ฐ ์–ด๋–ค ๋ณ€ํ™”๋ฅผ ๊ฐ€์ ธ์˜ค๊ณ  ์šฐ๋ฆฌ๊ฐ€
02:34
Or the way that we attract sexual partners?
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์„น์Šค ํŒŒํŠธ๋„ˆ๋ฅผ ์ฐพ๋Š” ๋ฐฉ๋ฒ•์ด ์–ด๋–ป๊ฒŒ ๋‹ฌ๋ผ์งˆ๊นŒ ์ƒ๊ฐํ•ด ๋ดค์ฃ .
02:37
And would we revert back to being more like animals,
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๊ทธ๋Ÿฌ๋ฉด ์šฐ๋ฆฌ๊ฐ€ ๋‹ค์‹œ ๋™๋ฌผ๋กœ ๋˜๋Œ์•„๊ฐ€์„œ ์›์‹œ์ ์ธ
02:39
more primal modes of communication?
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๋ฐฉ์‹์œผ๋กœ ์„œ๋กœ ์ปค๋ฎค๋‹ˆ์ผ€์ดํŠธํ•˜๊ฒŒ ๋ ๊นŒ์š”?
02:41
I worked with a synthetic biologist,
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์ €๋Š” ํ•ฉ์„ฑ์ƒ๋ฌผํ•™์ž ํ•œ๋ถ„๊ณผ ๊ฐ™์ด ์ผํ•œ ๊ฒฐ๊ณผ
02:44
and I created a swallowable perfume,
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์‚ผํ‚ฌ ์ˆ˜ ์žˆ๋Š” ํ–ฅ์ˆ˜๋ฅผ ๋งŒ๋“ค์—ˆ๋Š”๋ฐ
02:47
which is a cosmetic pill that you eat
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๊ทธ 'ํ™”์žฅ์•ฝ'์„ ๋จน์œผ๋ฉด ๋•€์„ ํ˜๋ฆด ๋•Œ
02:50
and the fragrance comes out through the skin's surface when you perspire.
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ํ”ผ๋ถ€์—์„œ ํ–ฅ๊ธฐ๊ฐ€ ๋‚˜์ฃ .
02:54
It completely blows apart the way that perfume is,
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๊ทธ ํ™”์žฅ์•ฝ์€ ์šฐ๋ฆฌ๊ฐ€ ํ–ฅ์ˆ˜๋ผ๋Š” ๊ฒƒ์„
02:58
and provides a whole new format.
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์™„์ „ํžˆ ์žฌ์ •์˜ ํ•  ์ˆ˜ ์žˆ๊ฒŒ ๋งŒ๋“ค์—ˆ์ฃ .
02:59
It's perfume coming from the inside out.
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๊ทธ ํ–ฅ์ˆ˜๋Š” ์ฒด๋‚ด์—์„œ ์ฒด์™ธ๋กœ ๋‚˜์˜ค๋‹ˆ๊นŒ์š”.
03:02
It redefines the role of skin, and our bodies become an atomizer.
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์ด ํ–ฅ์ˆ˜๋Š” ํ”ผ๋ถ€์˜ ์—ญํ• ์„ ์žฌ์ •์˜ํ•˜๊ณ  ์šฐ๋ฆฌ์˜ ๋ชธ์€ ๋ถ„๋ฌด๊ธฐ๊ฐ€ ๋์ฃ .
03:05
I've learned that there's no boundaries,
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์ €๋Š” ์ฒด๋‚ด์™€ ์ฒด์™ธ์˜ ๊ฒฝ๊ณ„์„ ์ด ์—†๋‹ค๋Š” ๊ฒƒ์„
03:09
and if I look at the evolution of my work
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๋ฐฐ์› ๊ณ , ์ง€๊ธˆ๊นŒ์ง€ ์ œ๊ฐ€ ํ•œ ์ผ๋“ค์„ ๋Œ์ด์ผœ๋ณด๋ฉด
03:11
i can see threads and connections that make sense.
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๋ชจ๋“  ๊ฒƒ์ด ์ƒํ˜ธ์—ฐ๊ฒฐ๋˜๋Š” ์–ด๋–ค ๋…ผ๋ฆฌ๊ฐ€ ํ†ตํ•œ๋‹ค๋Š” ๊ฒƒ์„ ๋Š๊ผˆ์ฃ .
03:15
But when I look towards the future,
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์ €๋Š” ์•ž์œผ๋กœ ์ œ๊ฐ€ ๋ฌด์Šจ์ผ์„ ํ•˜๊ฒŒ ๋  ์ง€
03:17
the next project is completely unknown and wide open.
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์ „ํ˜€ ๋ชจ๋ฅด์ง€๋งŒ, ๊ทธ์™€ ๋™์‹œ์— ๋ฌดํ•œํ•œ ๊ฐ€๋Šฅ์„ฑ์„ ๋Š๋‚๋‹ˆ๋‹ค.
03:20
I feel like I have all these ideas existing embedded inside of me,
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์ €๋Š” ์ด๋Ÿฐ ๋ชจ๋“  ์•„์ด๋””์–ด๋“ค์ด ๋งˆ์น˜ ์ œ ๋ชธ์†์˜ ์ผ๋ถ€์ธ ๊ฒƒ์ฒ˜๋Ÿผ
03:24
and it's these conversations and these experiences
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๋Š๋ผ๋ฉฐ ์ด๋Ÿฐ ์•„์ด๋””์–ด์— ๋Œ€ํ•œ ๋Œ€ํ™”์™€ ๊ฒฝํ—˜์ด
03:27
that connect these ideas, and they kind of instinctively come out.
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์ œ ๋ชธ์—์„œ ๋ณธ๋Šฅ์ ์œผ๋กœ ์šฐ๋Ÿฌ๋‚˜์˜ค๋Š” ๊ฒƒ์„ ๋Š๋‚„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
03:33
As a body architect,
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์ €๋Š” ๋ฐ”๋”” ์•„ํ‚คํ…ํŠธ๊ฐ€ ๋จ์œผ๋กœ์„œ ์•„๋ฌด๋Ÿฐ
03:35
I've created this limitless and boundless platform
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์ œ์•ฝ์ด๋‚˜ ์ œํ•œ์ด ์—†์ด ๋ฌด์—‡์ด๋“  ์ œ๊ฐ€ ์›ํ•˜๋Š” ๊ฒƒ์„
03:37
for me to discover whatever I want.
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์ถ”๊ตฌํ•  ์ˆ˜ ์žˆ๋Š” ํ”Œ๋žซํผ์„ ๋งŒ๋“ค์—ˆ๋‹ค๊ณ  ์ƒ๊ฐํ•˜๋ฉฐ
03:39
And I feel like I've just got started.
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์ œ ์ฒœ์ง์„ ๋ฐฉ๊ธˆ ์‹œ์ž‘ํ•œ ๊ฒƒ ์ฒ˜๋Ÿผ ๋Š๋‚๋‹ˆ๋‹ค.
03:42
So here's to another day at the office.
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์ด๊ฑด ์š”์ฆ˜ ์ œ๊ฐ€ ์‚ฌ๋ฌด์‹ค์—์„œ ์ผํ•˜๋Š” ์‚ฌ์ง„์ž…๋‹ˆ๋‹ค.
03:45
(Laughter) (Applause)
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(์›ƒ์Œ) (๋ฐ•์ˆ˜)
03:48
Thank you!
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค!
03:51
Thank you!
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค!
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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