Johanna Blakley: Social media and the end of gender

109,986 views ใƒป 2011-02-02

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Ido Dekkers ืžื‘ืงืจ: Sigal Tifferet
00:15
I'm going to make an argument today
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ืื ื™ ืขื•ืžื“ืช ืœื˜ืขื•ืŸ ื˜ื™ืขื•ืŸ ื”ื™ื•ื
00:17
that may seem a little bit crazy:
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ืฉืื•ืœื™ ื™ืฉืžืข ืžืขื˜ ืžื˜ื•ืจืฃ:
00:20
social media and the end of gender.
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ืžื“ื™ื” ื—ื‘ืจืชื™ืช ื•ืงืฅ ื”ืžื’ื“ืจ?
00:23
Let me connect the dots.
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ืชื ื• ืœื™ ืœื—ื‘ืจ ืืช ื”ื ืงื•ื“ื•ืช.
00:26
I'm going to argue today
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ืื ื™ ืขื•ืžื“ืช ืœื˜ืขื•ืŸ ื”ื™ื•ื
00:28
that the social media applications
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ืฉืืคืœื™ืงืฆื™ื•ืช ื”ืžื“ื™ื” ื”ื—ื‘ืจืชื™ืช
00:30
that we all know and love, or love to hate,
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ืฉื›ื•ืœื ื• ืžื›ื™ืจื™ื ื•ืื•ื”ื‘ื™ื, ืื• ืื•ื”ื‘ื™ื ืœืฉื ื•ื,
00:33
are actually going to help free us
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ื‘ืขืฆื ื™ืขื–ืจื• ืœืฉื—ืจืจ ืื•ืชื ื•
00:35
from some of the absurd assumptions
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ืžื›ืžื” ืžื”ื”ื ื—ื•ืช ื”ืื‘ืกื•ืจื“ื™ื•ืช
00:37
that we have as a society about gender.
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ืฉื™ืฉ ืœื ื• ื›ื—ื‘ืจื” ืขืœ ืžื’ื“ืจ.
00:40
I think that social media
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ืื ื™ ื—ื•ืฉื‘ืช ืฉื”ืžื“ื™ื” ื”ื—ื‘ืจืชื™ืช
00:42
is actually going to help us dismantle
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ืชืขื–ื•ืจ ืœื ื• ืœืžืกืžืก
00:44
some of the silly and demeaning stereotypes
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ื›ืžื” ืžื”ืกื˜ืจืื•ื˜ื™ืคื™ื ื”ืžื’ื“ืจื™ื™ื ื”ืžืฉืคื™ืœื™ื
00:47
that we see in media and advertising
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ื•ื”ืžื˜ื•ืคืฉื™ื ืฉืื ื—ื ื• ืจื•ืื™ื ื‘ืžื“ื™ื” ื•ื‘ืคืจืกื•ื.
00:50
about gender.
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ืขืœ ืžื’ื“ืจ.
00:52
If you hadn't noticed,
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ืื ืœื ืฉืžืชื ืœื‘.
00:54
our media climate generally provides
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ืืงืœื™ื ื”ืžื“ื™ื” ืฉืœื ื• ืžืกืคืง
00:56
a very distorted mirror
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ืžืจืื” ืžืื•ื“ ืžืขื•ื•ืชืช
00:58
of our lives and of our gender,
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ืฉืœ ื”ื—ื™ื™ื ืฉืœื ื• ื•ืฉืœ ื”ืžื’ื“ืจ ืฉืœื ื•.
01:00
and I think that's going to change.
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ื•ืื ื™ ื—ื•ืฉื‘ืช ืฉื–ื” ืขื•ืžื“ ืœืฉืชื ื•ืช.
01:02
Now most media companies --
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ืขื›ืฉื™ื• ืจื•ื‘ ื—ื‘ืจื•ืช ื”ืžื“ื™ื” --
01:04
television, radio, publishing, games, you name it --
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ื˜ืœื•ื™ื–ื™ื”, ืจื“ื™ื•, ื”ื•ืฆืื•ืช ืœืื•ืจ, ืžืฉื—ืงื™ื, ืžื” ืฉืชื’ื™ื“ื• --
01:07
they use very rigid segmentation methods
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ื”ื ืžืฉืชืžืฉื™ื ื‘ืฉื™ื˜ื•ืช ืคื™ืœื•ื— ืžืื•ื“ ืงืฉื™ื—ื•ืช
01:10
in order to understand their audiences.
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ื›ื“ื™ ืœื”ื‘ื™ืŸ ืืช ื”ืงื”ืœื™ื ืฉืœื”ื.
01:12
It's old-school demographics.
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ื–ื• ื“ืžื•ื’ืจืคื™ื” ืžื™ื•ืฉื ืช.
01:14
They come up with these very restrictive labels to define us.
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ื”ื ืžืžืฆื™ืื™ื ืืช ื”ืชื’ื™ื•ืช ื”ืžื’ื‘ื™ืœื•ืช ื”ืืœื” ื›ื“ื™ ืœื”ื’ื“ื™ืจ ืื•ืชื ื•.
01:19
Now the crazy thing
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ืขื›ืฉื™ื• ื”ื“ื‘ืจ ื”ืžื˜ื•ืจืฃ
01:21
is that media companies believe
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ื”ื•ื ืฉื—ื‘ืจื•ืช ื”ืžื“ื™ื” ืžืืžื™ื ื•ืช
01:23
that if you fall within a certain demographic category
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ืฉืื ืืชื ื ื•ืคืœื™ื ืœืงื˜ื’ื•ืจื™ื” ื“ืžื•ื’ืจืคื™ืช ืžืกื•ื™ื™ืžืช
01:26
then you are predictable in certain ways --
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ืื– ืืชื ืฆืคื•ื™ื™ื ื‘ื“ืจื›ื™ื ืžืกื•ื™ื™ืžื•ืช.
01:28
you have certain taste,
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ื™ืฉ ืœื›ื ื˜ืขืžื™ื ืžืกื•ื™ื™ืžื™ื,
01:30
that you like certain things.
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ืฉืืชื ืื•ื”ื‘ื ื“ื‘ืจื™ื ืžืกื•ื™ื™ืžื™ื.
01:32
And so the bizarre result of this
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ืื– ื”ืชื•ืฆืื” ื”ืžื•ื–ืจื” ืฉืœ ื–ื”
01:34
is that most of our popular culture
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ื”ื™ื ืฉืจื•ื‘ ื”ืชืจื‘ื•ืช ื”ืคื•ืคื•ืœืจื™ืช ืฉืœื ื•
01:36
is actually based on these presumptions
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ื‘ืขืฆื ืžื‘ื•ืกืกืช ืขืœ ื”ื ื—ื•ืช ืžื•ืงื“ืžื•ืช
01:38
about our demographics.
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ืขืœ ื”ืจืงืข ื”ื“ืžื•ื’ืจืคื™ ืฉืœื ื•.
01:41
Age demographics:
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ื“ืžื•ื’ืจืคื™ื™ืช ื’ื™ืœ:
01:43
the 18 to 49 demo
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ืœื“ืžื•ื’ืจืคื™ื™ืช 18 ืขื“ 49,
01:45
has had a huge impact
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ื”ื™ืชื” ื”ืฉืคืขื” ืื“ื™ืจื”
01:47
on all mass media programming in this country
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ืขืœ ื›ืœ ืชื›ื ื•ืŸ ื”ืžื“ื™ื” ื‘ืžื“ื™ื ื”
01:49
since the 1960s,
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ืžืื– ืฉื ื•ืช ื”60,
01:51
when the baby boomers were still young.
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ื›ืฉื”ื‘ื™ื™ื‘ื™ ื‘ื•ืžืจืก ืขื•ื“ ื”ื™ื• ืฆืขื™ืจื™ื.
01:54
Now they've aged out of that demographic,
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ืขื›ืฉื™ื• ื”ื ื”ืชื‘ื’ืจื• ืžื—ื•ืฅ ืœื“ืžื•ื’ืจืคื™ื”,
01:57
but it's still the case
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ืื‘ืœ ื–ื” ืขื“ื™ืŸ ื”ืžืงืจื”
01:59
that powerful ratings companies like Nielson
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ื—ื‘ืจื•ืช ื”ืจื™ื™ื˜ื™ื ื’ ื”ื—ื–ืงื•ืช ื›ืžื• ื ื™ืœืกืŸ
02:01
don't even take into account
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ืืคื™ืœื• ืœื ืžื—ืฉื™ื‘ื•ืช
02:03
viewers of television shows over age 54.
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ืฆื•ืคื™ ื˜ืœื•ื•ื™ื–ื™ื” ืžืขื‘ืจ ืœื’ื™ืœ 54.
02:06
In our media environment,
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ื‘ืกื‘ื™ื‘ืช ื”ืžื“ื™ื” ืฉืœื ื•,
02:08
it's as if they don't even exist.
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ื–ื” ื›ืื™ืœื• ื”ื ืœื ืงื™ื™ืžื™ื.
02:10
Now, if you watch "Mad Men," like I do --
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ืขื›ืฉื™ื• ืื ืืชื ืฆื•ืคื™ื ื‘"ื’ื‘ืจื™ื ืžืฉื“ืจื•ืช ืžื“ื™ืกื•ืŸ" ื›ืžื•ื ื™ --
02:12
it's a popular TV show in the States --
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ื–ื• ืกื“ืจืช ื˜ืœื•ื™ื–ื™ื” ืคื•ืคื•ืœืจื™ืช ื‘ืืจื”"ื‘ --
02:15
Dr. Faye Miller does something called psychographics,
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ื“"ืจ ืคื™ื™ ืžื™ืœืจ ืขื•ืฉื” ืžืฉื”ื• ืฉื ืงืจื ืคืกื™ื›ื•ื’ืจืคื™ื”,
02:18
which first came about in the 1960s,
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ืฉื”ื•ืคื™ืขื” ืœืจืืฉื•ื ื” ื‘ืฉื ื•ืช ื”60,
02:21
where you create these complex psychological profiles
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ื›ืฉื™ื•ืฆืจื™ื ืคืจื•ืคื™ืœื™ื ืคืกื™ื›ื•ืœื•ื’ื™ื™ื ืžื•ืจื›ื‘ื™ื
02:23
of consumers.
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ืฉืœ ืœืงื•ื—ื•ืช.
02:25
But psychographics really haven't had a huge impact on the media business.
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ืื‘ืœ ืœืคืกื™ื›ื•ื’ืจืคื™ื” ืœื ืžืžืฉ ื”ื™ืชื” ื”ืฉืคืขื” ืขืœ ืขืกืง ื”ืžื“ื™ื”.
02:28
It's really just been basic demographics.
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ื–ื• ื‘ืขืฆื ื”ื™ืชื” ื“ืžื•ื’ืจืคื™ื” ื‘ืกื™ืกื™ืช.
02:32
So I'm at the Norman Lear Center at USC,
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ืื– ืื ื™ ื‘ืžืจื›ื– ื ื•ืจืžืŸ ืœื™ืจ ื‘USC.
02:35
and we've done a lot of research over the last seven, eight years
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ื•ืขืฉื™ื ื• ืžื—ืงืจื™ื ืจื‘ื™ื ื‘ืžื”ืœืš ืฉื‘ืข-ืฉืžื•ื ื” ื”ืฉื ื™ื ื”ืื—ืจื•ื ื•ืช
02:38
on demographics
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ืขืœ ื“ืžื•ื’ืจืคื™ื”
02:40
and how they affect media and entertainment
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ื•ืื™ืš ื”ื™ื ืžืฉืคื™ืขื” ืขืœ ื”ืžื“ื™ื” ื•ื”ื‘ื™ื“ื•ืจ
02:42
in this country and abroad.
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ื‘ืžื“ื™ื ื” ื”ื–ืืช ื•ื‘ื—ื•"ืœ.
02:44
And in the last three years,
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ื•ื‘ืฉืœื•ืฉ ื”ืฉื ื™ื ื”ืื—ืจื•ื ื•ืช
02:46
we've been looking specifically at social media to see what has changed,
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ื”ื‘ื˜ื ื• ืกืคืฆื™ืคื™ืช ืขืœ ืžื“ื™ื” ื—ื‘ืจืชื™ืช ื›ื“ื™ ืœืจืื•ืช ืžื” ื”ืฉืชื ื”.
02:49
and we've discovered some very interesting things.
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ื•ื’ื™ืœื™ื ื• ื“ื‘ืจื™ื ืžืื•ื“ ืžืขื ื™ื™ื ื™ื.
02:53
All the people who participate in social media networks
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ื›ืœ ื”ืื ืฉื™ื ืฉื”ืฉืชืชืคื• ื‘ืจืฉืชื•ืช ืžื“ื™ื” ื—ื‘ืจืชื™ืช
02:55
belong to the same old demographic categories
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ืฉื™ื™ื›ื™ื ืœืื•ืชืŸ ืงื˜ื’ื•ืจื™ื•ืช ื“ืžื•ื’ืจืคื™ื•ืช ื™ืฉื ื•ืช
02:58
that media companies and advertisers
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ืฉื—ื‘ืจื•ืช ื”ืžื“ื™ื” ื•ื”ืžืคืจืกืžื™ื
03:00
have used in order to understand them.
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ื”ืฉืชืžืฉื• ื‘ื”ื ื›ื“ื™ ืœื”ื‘ื™ืŸ ืื•ืชื.
03:02
But those categories mean even less now
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ืื‘ืœ ื”ืงื˜ื’ื•ืจื™ื•ืช ื”ืืœื” ืื•ืžืจื•ืช ืขื•ื“ ืคื—ื•ืช ืขื›ืฉื™ื•
03:05
than they did before,
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ืžืฉื”ืŸ ืืžืจื• ื‘ืขื‘ืจ.
03:07
because with online networking tools,
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ืžืคื ื™ ืฉืขื ื›ืœื™ ืจืฉืช ืžืงื•ื•ื ื™ื,
03:09
it's much easier for us
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ื–ื” ื”ืจื‘ื” ื™ื•ืชืจ ืคืฉื•ื˜ ื”ื™ื•ื
03:11
to escape some of our demographic boxes.
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ืœื‘ืจื•ื— ืžื—ืœืง ืžื”ืงื•ืคืกืื•ืช ื”ื“ืžื•ื’ืจืคื™ื•ืช ืฉืœื ื•.
03:13
We're able to connect with people quite freely
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ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœืชืงืฉืจ ืขื ืื ืฉื™ื ื“ื™ ื‘ืงืœื•ืช
03:16
and to redefine ourselves online.
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ื•ืœื”ื’ื“ื™ืจ ืืช ืขืฆืžื™ื ื• ืžื—ื“ืฉ ืื•ื ืœื™ื™ืŸ.
03:18
And we can lie about our age online, too, pretty easily.
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ื•ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœืฉืงืจ ื‘ืงืฉืจ ืœื’ื™ืœื ื• ื‘ืื™ื ื˜ืจื ื˜ ื‘ืงืœื•ืช ื™ืชืจื”.
03:22
We can also connect with people
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ืื ื—ื ื• ื’ื ื™ื›ื•ืœื™ื ืœื”ืชื—ื‘ืจ ืœืื ืฉื™ื
03:25
based on our very specific interests.
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ืขืœ ื‘ืกื™ืก ืชื—ื•ืžื™ ืขื ื™ื™ืŸ ืกืคืฆื™ืคื™ื™ื.
03:27
We don't need a media company
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ื•ืื ื—ื ื• ืœื ืฆืจื™ื›ื™ื ื—ื‘ืจืช ืžื“ื™ื”
03:29
to help do this for us.
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ื›ื“ื™ ืฉืชืขืฉื” ืืช ื–ื” ื‘ืฉื‘ื™ืœื ื•.
03:31
So the traditional media companies, of course,
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ืื– ื—ื‘ืจื•ืช ื”ืžื“ื™ื” ื”ืžืกื•ืจืชื™ื•ืช, ื›ืžื•ื‘ืŸ,
03:34
are paying very close attention to these online communities.
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ืžืงื“ื™ืฉื•ืช ืชืฉื•ืžืช ืœื‘ ืงืจื•ื‘ื” ืœืงื”ื™ืœื•ืช ื”ืžืงื•ื•ื ื•ืช ื”ืืœื”.
03:37
They know this is the mass audience of the future;
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ื”ื ื™ื•ื“ืขื™ื ืฉื–ื” ื”ืงื”ืœ ื”ืขืชื™ื“ื™.
03:40
they need to figure it out.
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ื”ื ืฆืจื™ื›ื™ื ืœื”ื‘ื™ืŸ ืืช ื–ื”.
03:42
But they're having a hard time doing it
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ืื‘ืœ ืงืฉื” ืœื”ืŸ ืœืขืฉื•ืช ืืช ื–ื”
03:44
because they're still trying to use demographics in order to understand them,
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ืžืคื ื™ ืฉื”ืŸ ืขื“ื™ื™ืŸ ืžื ืกื•ืช ืœื”ืฉืชืžืฉ ื‘ื“ืžื•ื’ืจืคื™ื” ื›ื“ื™ ืœื”ื‘ื™ืŸ ืื•ืชื,
03:47
because that's how ad rates are still determined.
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ืžืคื ื™ ืฉื›ืš ืขื“ื™ื™ืŸ ื ืงื‘ืข ื“ืจื•ื’ ื”ืคืจืกื•ืžื•ืช.
03:50
When they're monitoring your clickstream --
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ื›ืฉื ืžื ื˜ืจื™ื ืืช ื–ืจื ื”ืงืœื™ืงื™ื ืฉืœื›ื --
03:52
and you know they are --
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ื•ืืชื ื™ื•ื“ืขื™ื ืฉื”ื ืขื•ืฉื™ื ืืช ื–ื” --
03:54
they have a really hard time
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ืงืฉื” ืœื”ื ืžืื•ื“
03:56
figuring out your age, your gender and your income.
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ืœื”ื‘ื™ืŸ ืืช ื”ื’ื™ืœ , ืืช ื”ืžื™ืŸ ื•ืืช ื”ื”ื›ื ืกื” ืฉืœื›ื.
03:58
They can make some educated guesses.
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ื”ื ื™ื›ื•ืœื™ื ืœืขืฉื•ืช ื ื™ื—ื•ืฉื™ื ืžืœื•ืžื“ื™ื.
04:00
But they get a lot more information
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ืื‘ืœ ื”ื ืžืงื‘ืœื™ื ื”ืจื‘ื” ื™ื•ืชืจ ืžื™ื“ืข
04:02
about what you do online,
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ืขืœ ืžื” ืืชื ืขื•ืฉื™ื ื‘ืจืฉืช.
04:04
what you like, what interests you.
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ืžื” ืืชื ืื•ื”ื‘ื™ื, ืžื” ืชื—ื•ืžื™ ื”ืขื ื™ืŸ ืฉืœื›ื.
04:06
That's easier for them to find out than who you are.
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ื–ื” ื™ื•ืชืจ ืงืœ ืœื”ื ืœื”ื‘ื™ืŸ ืžืืฉืจ ืžื™ ืืชื.
04:09
And even though that's still sort of creepy,
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ื•ืœืžืจื•ืช ืฉื–ื” ืขื“ื™ื™ืŸ ืžืฆืžืจืจ,
04:12
there is an upside
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ื™ืฉ ืœื–ื” ืฆื“ ื—ื™ื•ื‘ื™
04:14
to having your taste monitored.
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ืฉืžื ื˜ืจื™ื ืืช ื”ื˜ืขื ืฉืœื›ื.
04:17
Suddenly our taste is being respected
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ืคืชืื•ื ืžื›ื‘ื“ื™ื ืืช ื”ื˜ืขื ืฉืœื ื•
04:19
in a way that it hasn't been before.
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ื‘ื“ืจืš ืฉืžืขื•ืœื ืœื ื›ื™ื‘ื“ื• ืงื•ื“ื.
04:21
It had been presumed before.
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ืžืฉื”ื ื™ื—ื• ืงื•ื“ื.
04:24
So when you look online at the way people aggregate,
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ืื– ื›ืฉืžื‘ื™ื˜ื™ื ื‘ืจืฉืช ืขืœ ื”ื“ืจืš ื‘ื” ืื ืฉื™ื ืžืชืงื‘ืฆื™ื,
04:27
they don't aggregate
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ื”ื ืœื ืžืชืงื‘ืฆื™ื
04:29
around age, gender and income.
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ืžืกื‘ื™ื‘ ืœื’ื™ืœ, ืžื’ื“ืจ ืื• ื”ื›ื ืกื”.
04:31
They aggregate around the things they love,
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ื”ื ืžืชืงื‘ืฆื™ื ืžืกื‘ื™ื‘ ืœื“ื‘ืจื™ื ืฉื”ื ืื•ื”ื‘ื™ื,
04:33
the things that they like,
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ื”ื“ื‘ืจื™ื ืฉืžืขื ื™ื™ื ื™ื ืื•ืชื.
04:35
and if you think about it, shared interests and values
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ื•ืื ืืชื ื—ื•ืฉื‘ื™ื ืขืœ ื–ื”, ืชื—ื•ืžื™ ืขื ื™ื™ืŸ ื•ืขืจื›ื™ื ืžืฉื•ืชืคื™ื
04:37
are a far more powerful aggregator of human beings
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ืžื”ื•ื•ื™ื ื“ืจืš ื˜ื•ื‘ื” ื‘ื”ืจื‘ื” ืœืงื‘ืฅ ืื ืฉื™ื.
04:40
than demographic categories.
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ืžืืฉืจ ืงื˜ื’ื•ืจื™ื•ืช ื“ืžื•ื’ืจืคื™ื•ืช.
04:42
I'd much rather know
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ื”ื™ื™ืชื™ ืžืขื“ื™ืคื” ื‘ื”ืจื‘ื” ืœื“ืขืช
04:44
whether you like "Buffy the Vampire Slayer"
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ืื ืืชื ืื•ื”ื‘ื™ื "ื‘ืืคื™ ืฆื™ื™ื“ืช ื”ืขืจืคื“ื™ื"
04:47
rather than how old you are.
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ืžืืฉืจ ืœื“ืขืช ื‘ื ื™ ื›ืžื” ืืชื.
04:49
That would tell me something more substantial about you.
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ื–ื” ื™ื’ื™ื“ ืœื™ ืžืฉื”ื• ื™ื•ืชืจ ืžื•ื—ืฉื™ ืขืœื™ื›ื.
04:53
Now there's something else that we've discovered about social media
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ืขื›ืฉื™ื• ื™ืฉ ืžืฉื”ื• ื ื•ืกืฃ ืฉื’ื™ืœื™ืชื™ ืขืœ ืžื“ื™ื” ื—ื‘ืจืชื™ืช
04:55
that's actually quite surprising.
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ืฉื”ื™ื” ืžืื•ื“ ืžืคืชื™ืข ืœืžืขืŸ ื”ืืžืช.
04:57
It turns out that women
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ืžืกืชื‘ืจ ืฉื ืฉื™ื
04:59
are really driving the social media revolution.
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ื‘ืืžืช ืžื ื™ืขื•ืช ืืช ืžื”ืคื›ืช ื”ืžื“ื™ื” ื”ื—ื‘ืจืชื™ืช.
05:03
If you look at the statistics --
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ืื ืชื‘ื™ื˜ื• ื‘ืกื˜ื˜ื™ืกื˜ื™ืงื” --
05:05
these are worldwide statistics --
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ืืœื” ืกื˜ื˜ื™ืกื˜ื™ืงื•ืช ืขื•ืœืžื™ื•ืช --
05:07
in every single age category,
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ื‘ื›ืœ ืงื˜ื’ื•ืจื™ื•ืช ื”ื’ื™ืœ,
05:10
women actually outnumber men
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ื ืฉื™ื ืขื•ืœื•ืช ื‘ืžืกืคืจืŸ ืขืœ ื”ื’ื‘ืจื™ื
05:12
in their use of social networking technologies.
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ื‘ืฉื™ืžื•ืฉ ื‘ื˜ื›ื ื•ืœื•ื’ื™ื•ืช ืจืฉืชื•ืช ื—ื‘ืจืชื™ื•ืช.
05:16
And then if you look at the amount of time
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ื•ืื– ืื ืชื‘ื™ื˜ื• ื‘ื›ืžื•ืช ื”ื–ืžืŸ
05:18
that they spend on these sites,
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ืฉื”ืŸ ืžื‘ืœื•ืช ื‘ืืชืจื™ื ื”ืืœื”,
05:20
they truly dominate the social media space,
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ื”ืŸ ื‘ืืžืช ืฉื•ืœื˜ื•ืช ื‘ืžื“ื™ื” ื”ื—ื‘ืจืชื™ืช,
05:23
which is a space that's having a huge impact
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ืฉื–ื” ืžืงื•ื ืฉื™ืฉ ืœื• ื”ืฉืคืขื” ืขืžื•ืงื”
05:26
on old media.
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ืขืœ ื”ืžื“ื™ื” ื”ื™ืฉื ื”.
05:28
The question is: what sort of impact
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ื”ืฉืืœื” ื”ื™ื, ืื™ื–ื” ืกื•ื’ ืฉืœ ื”ืฉืคืขื”
05:30
is this going to have on our culture,
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ืขื•ืžื“ืช ืœื”ื™ื•ืช ืœื–ื” ืขืœ ื”ืชืจื‘ื•ืช ืฉืœื ื•,
05:33
and what's it going to mean for women?
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ื•ืžื” ื–ื” ื™ืขืฉื” ืœื ืฉื™ื?
05:35
If the case is that social media
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ืื ื”ืžืงืจื” ื”ื•ื ืฉื”ืžื“ื™ื” ื”ื—ื‘ืจืชื™ืช
05:37
is dominating old media
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ืฉื•ืœื˜ืช ื‘ืžื“ื™ื” ื”ื™ืฉื ื”
05:39
and women are dominating social media,
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ื•ื ืฉื™ื ืฉื•ืœื˜ื•ืช ื‘ืžื“ื™ื” ื”ื—ื‘ืจืชื™ืช,
05:42
then does that mean that women
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ื”ืื ื–ื” ืื•ืžืจ ืฉื ืฉื™ื
05:44
are going to take over global media?
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ื™ืฉืชืœื˜ื• ืขืœ ื”ืžื“ื™ื” ื”ื’ืœื•ื‘ืœื™ืช?
05:46
Are we suddenly going to see
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ื”ืื ืคืชืื•ื ื ืจืื”
05:48
a lot more female characters in cartoons
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ื”ืจื‘ื” ื™ื•ืชืจ ื“ืžื•ื™ื•ืช ืฉืœ ื ืฉื™ื ื‘ืงืจื™ืงื˜ื•ืจื•ืช
05:50
and in games and on TV shows?
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ื•ื‘ืžืฉื—ืงื™ื ื•ื‘ืชื•ื›ื ื™ื•ืช ื˜ืœื•ื™ื–ื™ื”?
05:53
Will the next big-budget blockbuster movies
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ื”ืื ื”ืกืจื˜ ืฉื•ื‘ืจ ื”ืงื•ืคื•ืช ื”ื‘ื
05:57
actually be chick flicks?
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ื™ื”ื™ื” ืกืจื˜ ื‘ื ื•ืช?
06:00
Could this be possible,
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ื”ืื ื–ื” ืืคืฉืจื™,
06:02
that suddenly our media landscape
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ืฉืคืชืื•ื ืžืคืช ื”ืžื“ื™ื” ืฉืœื ื•
06:04
will become a feminist landscape?
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ืชื”ืคื•ืš ืœืžืคื” ืคืžื™ื ื™ืกื˜ื™ืช?
06:08
Well, I actually don't think that's going to be the case.
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ืื–, ืื ื™ ืœื ื‘ืืžืช ื—ื•ืฉื‘ืช ืฉื–ื” ื™ื”ื™ื” ื”ืžืงืจื”.
06:11
I think that media companies are going to hire a lot more women,
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ืื ื™ ื—ื•ืฉื‘ืช ืฉื—ื‘ืจื•ืช ื”ืžื“ื™ื” ื™ืฉื›ืจื• ื”ืจื‘ื” ื™ื•ืชืจ ื ืฉื™ื,
06:14
because they realize this is important for their business,
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ืžืคื ื™ ืฉื”ืŸ ื™ื‘ื™ื ื• ืฉื–ื” ื—ืฉื•ื‘ ืœืขืกืงื™ื ืฉืœื”ืŸ.
06:16
and I think that women
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ื•ืื ื™ ื—ื•ืฉื‘ืช ืฉื ืฉื™ื
06:18
are also going to continue to dominate
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ื™ืžืฉื™ื›ื• ืœืฉืœื•ื˜
06:20
the social media sphere.
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ื‘ืžืจื—ื‘ ื”ืžื“ื™ื” ื”ื—ื‘ืจืชื™ืช.
06:22
But I think women are actually going to be -- ironically enough --
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ืื‘ืœ ืื ื™ ื—ื•ืฉื‘ืช ืฉื ืฉื™ื ื‘ืขืฆื ื™ื”ื™ื• -- ื‘ืฆื•ืจื” ืื™ืจื•ื ื™ืช --
06:25
responsible for driving a stake through the heart
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ืื—ืจืื™ื•ืช ืœื ืขื™ืฆืช ื™ืชื“ ื‘ืœื‘ื
06:28
of cheesy genre categories
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ืฉืœ ืงื˜ื’ื•ืจื™ื•ืช ื”ื–'ืื ืจ ื”ืžื–ื•ื™ื™ืฃ
06:32
like the "chick flick"
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ื›ืžื• ืกื™ืจื˜ื™ ื”ื‘ื ื•ืช
06:34
and all these other genre categories
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ื•ื›ืœ ืฉืืจ ื”ืงื˜ื’ื•ืจื™ื•ืช ื‘ื–'ืื ืจ
06:36
that presume that certain demographic groups
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ืฉืžืฉืขืจื™ื ืฉืงื‘ื•ืฆื•ืช ื“ืžื•ื’ืจืคื™ื•ืช ืžืกื•ื™ื™ืžื•ืช
06:39
like certain things --
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ืื•ื”ื‘ื•ืช ื“ื‘ืจื™ื ืžืกื•ื™ื™ืžื™ื,
06:41
that Hispanics like certain things,
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ืฉื”ื™ืกืคื ื™ื ืื•ื”ื‘ื™ื ื“ื‘ืจื™ื ืžืกื•ื™ื™ืžื™ื,
06:43
that young people like certain things.
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ืฉืื ืฉื™ื ืฆืขื™ืจื™ื ืื•ื”ื‘ื™ื ื“ื‘ืจื™ื ืžืกื•ื™ื™ืžื™ื.
06:45
This is far too simplistic.
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ื–ื” ืคืฉื˜ื ื™ ืžื“ื™.
06:47
The future entertainment media that we're going to see
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ื”ืžื“ื™ื” ื”ื‘ื™ื“ื•ืจื™ืช ื”ืขืชื™ื“ื™ืช ืฉื ืจืื”
06:50
is going to be very data-driven,
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ืชื”ื™ื” ืžื•ื ืขืช ืžื™ื“ืข,
06:52
and it's going to be based on the information
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ื•ื”ื™ื ืขื•ืžื“ืช ืœื”ื™ื•ืช ืžื‘ื•ืกืกืช ืขืœ ื”ืžื™ื“ืข
06:54
that we ascertain from taste communities online,
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ืฉืื ื—ื ื• ืื™ืžืชื ื• ืžื”ืงื”ื™ืœื•ืช ื”ืžืงื•ื•ื ื•ืช,
06:57
where women are really driving the action.
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ืฉื ื ืฉื™ื ื‘ืืžืช ืžื•ื‘ื™ืœื•ืช ืืช ื”ืืงืฉืŸ.
07:00
So you may be asking, well why is it important
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ืื– ืื•ืœื™ ืืชื ืฉื•ืืœื™ื, ืœืžื” ื–ื” ื—ืฉื•ื‘
07:03
that I know what entertains people?
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ืฉื ื“ืข ืžื” ืžื‘ื“ืจ ืืช ื”ืื ืฉื™ื?
07:05
Why should I know this?
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ืœืžื” ืฉื ื“ืข ืืช ื–ื”?
07:07
Of course, old media companies and advertisers
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ื›ืžื•ื‘ืŸ ืฉื—ื‘ืจื•ืช ื”ืžื“ื™ื” ื”ื•ืชื™ืงื•ืช ื•ื”ืžืคืจืกืžื™ื
07:09
need to know this.
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ืฆืจื™ื›ื™ื ืœื“ืขืช ืืช ื–ื”.
07:11
But my argument is that,
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ืื‘ืœ ื”ื˜ื™ืขื•ืŸ ืฉืœื™ ื”ื•ื,
07:13
if you want to understand the global village,
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ืฉืื ืืชื ืจื•ืฆื™ื ืœื”ื‘ื™ืŸ ืืช ื”ื›ืคืจ ื”ื’ืœื•ื‘ืœื™,
07:15
it's probably a good idea that you figure out
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ื–ื” ื›ื ืจืื” ืจืขื™ื•ืŸ ื˜ื•ื‘ ืฉืชื‘ื™ื ื•
07:17
what they're passionate about, what amuses them,
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ืžื” ื”ืชืฉื•ืงื•ืช ืฉืœื”ื, ืžื” ืžื‘ื“ืจ ืื•ืชื,
07:20
what they choose to do in their free time.
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ืžื” ื”ื ื‘ื•ื—ืจื™ื ืœืขืฉื•ืช ื‘ื–ืžืŸ ื”ื—ื•ืคืฉื™ ืฉืœื”ื.
07:23
This is a very important thing to know about people.
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ื–ื” ื“ื‘ืจ ื—ืฉื•ื‘ ืœื“ืขืช ืขืœ ืื ืฉื™ื.
07:26
I've spent most of my professional life
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ื‘ื™ืœื™ืชื™ ืืช ืจื•ื‘ ื—ื™ื™ ื”ืžืงืฆื•ืขื™ื™ื
07:29
researching media and entertainment
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ื‘ืžื—ืงืจ ืžื“ื™ื” ื•ื‘ื™ื“ื•ืจ
07:31
and its impact on people's lives.
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ื•ื”ื”ืฉืคืขื” ืฉืœื”ื ืขืœ ื”ื—ื™ื™ื ืฉืœ ืื ืฉื™ื.
07:33
And I do it not just because it's fun --
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ื•ืื ื™ ืขื•ืฉื” ืืช ื–ื”, ืœื ืจืง ื‘ื’ืœืœ ืฉื–ื” ื›ื™ืฃ --
07:36
though actually, it is really fun --
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ืœืžืจื•ืช ืฉืœืžืขืŸ ื”ืืžืช, ื–ื” ื‘ืืžืช ื›ื™ืฃ --
07:38
but also because
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ืืœื ื’ื ื‘ื’ืœืœ
07:40
our research has shown over and over again
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ืฉื”ืžื—ืงืจื™ื ืฉืœื ื• ื”ืจืื• ืฉื•ื‘ ื•ืฉื•ื‘
07:42
that entertainment and play
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ืฉืœื‘ื™ื“ื•ืจ ื•ืžืฉื—ืง
07:44
have a huge impact on people's lives --
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ื™ืฉ ื”ืฉืคืขื” ืขืฆื•ืžื” ืขืœ ื—ื™ื™ื”ื ืฉืœ ืื ืฉื™ื --
07:47
for instance, on their political beliefs
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ืœื“ื•ื’ืžื”, ืขืœ ื”ืืžื•ื ื•ืช ื”ืคื•ืœื™ื˜ื™ื•ืช ืฉืœื”ื
07:49
and on their health.
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ื•ืขืœ ื”ื‘ืจื™ืื•ืช ืฉืœื”ื.
07:51
And so, if you have any interest in understanding the world,
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ื•ืื–, ืื ื™ืฉ ืœื›ื ืขื ื™ื™ืŸ ื‘ื”ื‘ื ืช ื”ืขื•ืœื,
07:54
looking at how people amuse themselves
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ืœื”ื‘ื™ื˜ ื‘ืื ืฉื™ื ืžื‘ื“ืจื™ื ืืช ืขืฆืžื
07:56
is a really good way to start.
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ื–ื• ื“ืจืš ืžืขื•ืœื” ืœื”ืชื—ื™ืœ.
07:59
So imagine a media atmosphere
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ืื– ื“ืžื™ื™ื ื• ืืช ืื˜ืžื•ืกืคื™ืจืช ื”ืžื“ื™ื”
08:02
that isn't dominated by lame stereotypes
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ืฉืœื ื ืฉืœื˜ืช ืขืœ ื™ื“ื™ ืกื˜ืจืื•ื˜ื™ืคื™ื ืขืœื•ื‘ื™ื
08:05
about gender
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ืขืœ ืžื’ื“ืจ
08:07
and other demographic characteristics.
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ื•ืžืืคื™ื™ื ื™ื ื“ืžื•ื’ืจืคื™ื™ื ืื—ืจื™ื.
08:09
Can you even imagine what that looks like?
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ืืชื ื™ื›ื•ืœื™ื ื‘ื›ืœืœ ืœื“ืžื™ื™ืŸ ืื™ืš ื–ื” ื ืจืื”?
08:11
I can't wait to find out what it looks like.
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ืื ื™ ืœื ื™ื›ื•ืœื” ืœื—ื›ื•ืช ื›ื“ื™ ืœืจืื•ืช ืื™ืš ื–ื” ื ืจืื”.
08:13
Thank you so much.
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ืชื•ื“ื” ืจื‘ื” ืœื›ื.
08:15
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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