Ryan Holladay: To hear this music you have to be there. Literally

171,721 views ・ 2014-01-10

TED


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翻译人员: Shiwen He 校对人员: Zhiting Chen
00:14
(Music)
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(音乐)
00:19
For any of you who have visited or lived in New York City,
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如果你曾经去过或者居住在纽约,
00:23
these shots might start to look familiar.
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也许会对这些画面感到熟悉
00:28
This is Central Park,
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这是“中央公园”
00:29
one of the most beautifully designed
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全美设计最美的
00:31
public spaces in America.
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公共区域之一
00:34
But to anyone who hasn't visited,
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然而对没去过那里的人来说
00:36
these images can't really fully convey.
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这些画面很难触动他们
00:40
To really understand Central Park,
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如果你想真正了解中央公园
00:42
you have to physically be there.
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就必须亲身前往
00:45
Well, the same is true of the music,
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当然了,音乐也一样
00:49
which my brother and I composed and mapped
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这些专门为中央公园创作的片段
00:52
specifically for Central Park.
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是由我的弟弟和我一起作曲并配图完成的
00:55
(Music)
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(音乐)
01:00
I'd like to talk to you today a little bit about the work
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今天我想与大家分享一些
01:03
that my brother Hays and I are doing --
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我弟弟海斯和我一直在做的工作—
01:06
That's us there. That's both of us actually —
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这就是我们。实际上这是我们两个人—
01:10
specifically about a concept that we've been developing over the last few years,
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准确地说,这是我俩多年来 创造并发展的一个概念
01:14
this idea of location-aware music.
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称为"位置感知型音乐"
01:17
Now, my brother and I, we're musicians
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我弟弟和我是音乐家
01:19
and music producers.
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同时也是音乐制作人
01:21
We've been working together since,
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从童年开始,
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well, since we were kids, really.
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我们就在一起工作
01:24
But recently, we've become more and more interested
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可最近,我们对一些项目越来越感兴趣
01:27
in projects where art
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这些项目里,
01:29
and technology intersect,
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艺术和科技相互交叉
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from creating sight-specific audio
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内容从创作特定图画的影音,
01:34
and video installation
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设定视频装置
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to engineering interactive concerts.
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延伸到策划互动型音乐会
01:39
But today I want to focus on this concept
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然而今天,我想要重点谈的是
01:41
of composition for physical space.
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为物理空间作曲的概念
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But before I go too much further into that,
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不过在更深入这个话题之前
01:48
let me tell you a little bit about how we got started
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我想大致谈谈我们是如何产生
01:49
with this idea.
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这个想法的
01:51
My brother and I were living in New York City
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我弟弟和我住在纽约市的时候
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when the artists Christo and Jeanne-Claude
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艺术家克里斯托和让娜-克劳德夫妇
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did their temporary installation, The Gates,
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在中央公园搭建了
01:57
in Central Park.
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临时展品《门》
01:59
Hundreds of these brightly-colored sculptures
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上千座艳丽的雕塑
02:01
decorated the park for a number of weeks,
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装饰了公园,长达数周
02:04
and unlike work that's exhibited
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与陈列在更为普通的空间中的
02:06
in a more neutral space,
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展品不同
02:07
like on the walls of a gallery or a museum,
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它们并不在画廊或博物馆的墙上
02:11
this was work that was really in dialogue
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而是与环境
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with this place,
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进行着对话
02:14
and in a lot of ways, The Gates
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从很多角度看,
02:16
was really a celebration
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《门》称得上是对
02:18
of Frederick Olmsted's incredible design.
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弗莱德里克 欧姆斯泰德非凡设计的致敬
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This was an experience that stayed with us
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这段经历一直跟随着我们
02:23
for a long time, and years later,
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多年以后
02:25
my brother and I moved back to Washington, D.C.,
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我和弟弟搬回了华盛顿特区
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and we started to ask the question,
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我们开始问这样一个问题:
02:30
would it be possible,
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有没有可能,
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in the same way that The Gates
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就像《门》
02:33
responded to the physical layout of the park,
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呼应了公园的布局一样,
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to compose music for a landscape?
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也可以创作呼应自然风景的音乐呢?
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Which brought us to this.
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这种想法给了我们这个作品
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(Music)
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(音乐)
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On Memorial Day, we released "The National Mall,"
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阵亡将士纪念日那天,我们发行了《华盛顿广场》
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a location-aware album
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一张基于地理位置的专辑
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released exclusively as a mobile app
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这是一个独特的移动软件
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that uses the device's built-in GPS functionality
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它能使用移动设备中得GPS功能
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to sonically map the entire park
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让人在公园的不同区域听到不同的音乐
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in our hometown of Washington, D.C.
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在我们的家乡华盛顿特区都能实现
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Hundreds of musical segments
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上千条音乐片段
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are geo-tagged throughout the entire park
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对整个公园进行了地理标记
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so that as a listener traverses the landscape,
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这样当听众穿行在景点中
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a musical score is actually unfolding around them.
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一份乐谱便在他们身边缓缓展开
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So this is not a playlist or a list of songs
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因此,这并不是一个以公园为主题的
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intended for the park,
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播放列表
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but rather an array of distinct melodies and rhythms
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而是一系列独特的旋律
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that fit together like pieces of a puzzle
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和拼图一样,
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and blend seamlessly
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天衣无缝地吻合在一起
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based on a listener's chosen trajectory.
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一切都是根据听众选择的路径进行的
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So think of this as
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所以请将它当做
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a choose-your-own-adventure of an album.
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一张“任你探索”的专辑
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Let's take a closer look.
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让我们进一步了解
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Let's look at one example here.
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请看这个例子
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So using the app,
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当你使用这个软件
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as you make your way towards the grounds
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走进华盛顿纪念碑周围的小路
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surrounding the Washington Monument,
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走进华盛顿纪念碑周围的小路
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you hear the sounds of instruments warming up,
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会听见乐器的声音活跃起来
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which then gives way to the sound of a mellotron
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接着由电子琴接上,
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spelling out a very simple melody.
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奏出一段简单的旋律
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This is then joined by the sound of sweeping violins.
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然后加入小提琴的泛音
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Keep walking, and a full choir joins in,
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一直走下去,和声也加入了
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until you finally reach the top of the hill
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等到你到达国会山顶
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and you're hearing the sound of drums and fireworks
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会听见鼓声和烟花
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and all sorts of musical craziness,
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以及各种音乐华彩
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as if all of these sounds are radiating out
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就好像它们正从公园中心的
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from this giant obelisk that punctuates
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巨大纪念碑
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the center of the park.
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向外辐射开来
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But were you to walk in the opposite direction,
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但是如果你朝相反的方向走
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this entire sequence happens in reverse.
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整个音乐顺序就会反过来
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And were you to actually exit the perimeter of the park,
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如果你离开公园的地界
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the music would fade to silence,
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音乐就会减弱到无声
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and the play button would disappear.
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“播放”键也会消失不见
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We're sometimes contacted by people in other parts of the world
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一些无法来美国旅行的外国人,
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who can't travel to the United States,
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有时会和我们联络
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but would like to hear this record.
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希望听听这些音乐
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Well, unlike a normal album,
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但是,这和传统的唱片不一样
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we haven't been able to accommodate this request.
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我们还无法满足他们的要求
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When they ask for a C.D. or an MP3 version,
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当他们想要一张CD或者MP3的版本时
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we just can't make that happen,
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我们真的无法做到
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and the reason is because
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因为这并不是
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this isn't a promotional app
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一个试用版
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or a game to promote or accompany
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也不是某个游戏的宣传版,
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the release of a traditional record.
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或者传统唱片的试听小样
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In this case, the app is the work itself,
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对这个产品来说,这个软件就是它本身
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and the architecture of the landscape
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而景观是什么样子,取决于欣赏的过程
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is intrinsic to the listening experience.
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而景观是什么样子,取决于欣赏的过程
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Six months later, we did a location-aware album
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六个月之后,我们为中央公园
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for Central Park,
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做了一个地理感知的唱片
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a park that is over two times the size of the National Mall,
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中央公园比两个华盛顿广场还大
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with music spanning from the Sheep's Meadow
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从“绵羊草坪”到“游荡“再到”水库湖“,
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to the Ramble to the Reservoir.
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都充满了音乐
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Currently, my brother and I are working on
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如今我和弟弟一起
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projects all over the country,
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在全国各地开展创作
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but last spring we started a project,
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上个春天我们进行了一个项目
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here actually at Stanford's
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就在这里,斯坦福大学的
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Experimental Media Art Department,
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实验媒体艺术系
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where we're creating our largest location-aware album to date,
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我们创作着迄今最大的一个地理感知专辑
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one that will span the entirety of Highway 1
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它将跨越整个西海岸的
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here on the Pacific Coast.
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一号公路
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But what we're doing, integrating GPS with music,
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然而所有这些,将GPS技术和音乐结合的工作
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is really just one idea.
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仅仅是一种理念
05:58
But it speaks to a larger vision
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但它给音乐产业带来一个新愿景
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for a music industry that's sometimes struggled
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有时候传统音乐很难在数码时代
06:02
to find its footing in this digital age,
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找到立足之地
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that they begin to see these new technologies
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(通过地理感知音乐)人们开始看到这些新技术
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not simply as ways of adding bells and whistles
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不仅仅能为音乐加上
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to an existing model,
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铃声和口哨声
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but to dream up entirely new ways
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而是能开辟一番新天地
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for people to interact with
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让人们能够与音乐互动
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and experience music.
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并感知它们
06:17
Thank you.
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谢谢大家。
06:19
(Applause)
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(掌声)
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