One year of turning the world inside out | JR

199,726 views ใƒป 2012-05-18

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

00:00
Translator: Timothy Covell Reviewer: Morton Bast
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ืžืชืจื’ื: Ido Dekkers ืžื‘ืงืจ: Sigal Tifferet
00:15
Twelve years ago, I was in the street writing my name
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ืœืคื ื™ ืฉืชื™ื ืขืฉืจื” ืฉื ื™ื, ื”ื™ื™ืชื™ ื‘ืจื—ื•ื‘ ื•ื›ืชื‘ืชื™ ืืช ืฉืžื™
00:19
to say, "I exist."
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ื›ื“ื™ ืœื”ื’ื™ื“, "ืื ื™ ืงื™ื™ื."
00:21
Then I went to taking photos of people to paste them on the street
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ืื– ืฆื™ืœืžืชื™ ืื ืฉื™ื ื›ื“ื™ ืœื”ื“ื‘ื™ืง ื‘ืจื—ื•ื‘
00:26
to say, "They exist."
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ื›ื“ื™ ืœื”ื’ื™ื“, "ื”ื ืงื™ื™ืžื™ื."
00:28
From the suburbs of Paris to the wall of Israel and Palestine,
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ืžื”ืคืจื•ื•ืจื™ื ืฉืœ ืคืจื™ื– ืœืงื™ืจ ื‘ื™ืŸ ื™ืฉืจืืœ ืœืคืœืกื˜ื™ืŸ,
00:33
the rooftops of Kenya
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ื”ื’ื’ื•ืช ืฉืœ ืงื ื™ื”
00:35
to the favelas of Rio,
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ืœืคื‘ืœื•ืช ืฉืœ ืจื™ื•,
00:37
paper and glue -- as easy as that.
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ื ื™ื™ืจ ื•ื“ื‘ืง -- ืคืฉื•ื˜ ื›ืœ ื›ืš.
00:41
I asked a question last year:
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ืฉืืœืชื™ ืฉืืœื” ื‘ืฉื ื” ืฉืขื‘ืจื”:
00:43
Can art change the world?
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ื”ืื ืืžื ื•ืช ื™ื›ื•ืœื” ืœืฉื ื•ืช ืืช ื”ืขื•ืœื?
00:45
Well let me tell you,
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ืื– ืชื ื• ืœื™ ืœืกืคืจ ืœื›ื,
00:47
in terms of changing the world there has been a lot of competition this year,
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ื‘ืžื•ื ื—ื™ื ืฉืœ ืฉื™ื ื•ื™ ืขื•ืœืžื™ ื”ื™ืชื” ื”ืจื‘ื” ืชื—ืจื•ืช ื”ืฉื ื”,
00:51
because the Arab Spring is still spreading,
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ืžืคื ื™ ืฉื”ืื‘ื™ื‘ ื”ืขืจื‘ื™ ืขื“ื™ื™ืŸ ืžืชืคืฉื˜,
00:54
the Eurozone has collapsed ... what else?
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ื”ืื™ื—ื•ื“ ื”ืืจื•ืคืื™ ืงืจืก ... ืžื” ืขื•ื“?
00:58
The Occupy movement found a voice,
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ืชื ื•ืขืช ืื•ืงื™ื•ืคื™ื™ ืžืฆืื” ืงื•ืœ,
01:01
and I still have to speak English constantly.
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ื•ืื ื™ ืขื“ื™ื™ืŸ ืฆืจื™ืš ืœื“ื‘ืจ ืื ื’ืœื™ืช ื›ืœ ื”ื–ืžืŸ.
01:03
So there has been a lot of change.
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ืื– ื”ื™ื• ื”ืจื‘ื” ืฉื™ื ื•ื™ื™ื.
01:06
So when I had my TED wish last year,
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ืื– ื›ืฉื”ื‘ืขืชื™ ืืช ืžืฉืืœืช TED ืฉืœื™ ื‘ืฉื ื” ืฉืขื‘ืจื”,
01:08
I said, look, I'm going to switch my concept.
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ืืžืจืชื™, ืชืจืื•, ืื ื™ ืขื•ืžื“ ืœื”ื—ืœื™ืฃ ืืช ื”ืงื•ื ืกืคื˜ ืฉืœื™.
01:11
You are going to take the photos.
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ืืชื ืชืฉืœื—ื• ืœื™ ืชืžื•ื ื•ืช.
01:14
You're going to send them to me.
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ืืชื ืชืฉืœื—ื• ืื•ืชืŸ ืืœื™.
01:16
I'm going to print them and send them back to you.
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ืื ื™ ืื“ืคื™ืก ืื•ืชืŸ ื•ืืฉืœื— ืื•ืชืŸ ื—ื–ืจื” ืืœื™ื›ื.
01:20
Then you're going to paste them where it makes sense
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ื•ืื– ืืชื ืชืชืœื• ืื•ืชืŸ ื”ื™ื›ืŸ ืฉื–ื” ื”ื’ื™ื•ื ื™
01:22
for you to place your own statement.
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ืœื›ื ืœืชืœื•ืช ืืช ื”ื”ืฆื”ืจื” ืฉืœื›ื.
01:24
This is Inside Out.
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ื–ื” ืžื‘ืคื ื™ื ื”ื—ื•ืฆื”.
01:26
One hundred thousand posters have been printed this year.
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ืžืื” ืืœืฃ ืคื•ืกื˜ืจื™ื ื”ื•ื“ืคืกื• ื”ืฉื ื”.
01:31
Those are the kind of posters, let me show you.
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ืืœื” ืกื•ื’ ื”ืคื•ืกื˜ืจื™ื, ืชื ื• ืœื™ ืœื”ืจืื•ืช ืœื›ื.
01:35
And we keep sending more every day.
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ื•ืื ื—ื ื• ืžืžืฉื™ื›ื™ื ืœืฉืœื•ื— ืขื•ื“ ื›ืœ ื™ื•ื.
01:37
This is the size.
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ื–ื” ื”ื’ื•ื“ืœ.
01:38
Just a regular piece of paper with a little bit of ink on it.
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ืจืง ืคื™ืกืช ื ื™ื™ืจ ืจื’ื™ืœื” ืขื ืงืฆืช ื“ื™ื• ืขืœื™ื”.
01:42
This one was from Haiti.
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ื–ื• ื”ื™ืชื” ืžื”ืื™ื˜ื™.
01:46
When I launched my wish last year,
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ื›ืฉื”ืฉืงืชื™ ืืช ื”ืžืฉืืœื” ืฉืœื™ ื‘ืฉื ื” ืฉืขื‘ืจื”,
01:48
hundreds of people stood up and said they wanted to help us.
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ืžืื•ืช ืื ืฉื™ื ืขืžื“ื• ื•ืืžืจื• ืฉื”ื ืจื•ืฆื™ื ืœืขื–ื•ืจ ืœื ื•.
01:53
But I say it has to be
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ืื‘ืœ ืื ื™ ืื•ืžืจ ืฉื–ื” ื—ื™ื™ื‘ ืœื”ื™ื•ืช
01:55
under the conditions I've always worked:
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ืชื—ืช ื”ืชื ืื™ื ื‘ื”ื ืชืžื™ื“ ืขื‘ื“ืชื™:
01:58
no credit, no logos, no sponsoring.
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ื‘ืœื™ ืงืจื“ื™ื˜, ื‘ืœื™ ืœื•ื’ื•ืื™ื, ื‘ืœื™ ืกืคื•ื ืกืจื™ื.
02:03
A week later, a handful of people were there ready to rock
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ืฉื‘ื•ืข ืžืื•ื—ืจ ื™ื•ืชืจ, ืงื•ืžืฅ ืื ืฉื™ื ื”ื™ื• ืžื•ื›ื ื™ื ืœื”ืชื—ื™ืœ
02:07
and empower the people on the ground
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ื•ืœื—ื–ืง ืืช ื”ืื ืฉื™ื ื‘ืฉื˜ื—
02:09
who wanted to change the world.
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ืฉืจืฆื• ืœืฉื ื•ืช ืืช ื”ืขื•ืœื.
02:11
These are the people I want to talk about to you today.
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ืืœื ื”ืื ืฉื™ื ืฉืจืฆื™ืชื™ ืœื“ื‘ืจ ืขืœื™ื”ื ื”ื™ื•ื.
02:16
Two weeks after my speech, in Tunisia,
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ืฉื‘ื•ืขื™ื™ื ืื—ืจื™ ื”ื ืื•ื ืฉืœื™, ื‘ืชื•ื ื™ืกื™ื™ื”,
02:22
hundreds of portraits were made.
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ืžืื•ืช ื“ื™ื•ืงื ื™ื ื ืขืฉื•.
02:25
And they pasted [over] every single portrait of the dictator
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ื•ื”ื ื”ื•ื“ื‘ืงื• ืขื ื›ืœ ืคื•ืกื˜ืจ ืฉืœ ื”ื“ื™ืงื˜ื˜ื•ืจ
02:30
[with] their own photos.
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ืขื ื”ืชืžื•ื ื•ืช ืฉืœื”ื.
02:31
Boom! This is what happened.
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ื‘ื•ื! ื–ื” ืžื” ืฉืงืจื”.
02:34
Slim and his friends went through the country
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ืกืœื™ื ื•ื—ื‘ืจื™ื• ืขื‘ืจื• ื‘ืžื“ื™ื ื”
02:36
and pasted hundreds of photos everywhere
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ื•ื”ื“ื‘ื™ืงื• ืžืื•ืช ืชืžื•ื ื•ืช ื‘ื›ืœ ืžืงื•ื
02:38
to show the diversity in the country.
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ื›ื“ื™ ืœื”ืจืื•ืช ืืช ื”ื’ื™ื•ื•ืŸ ื‘ืžื“ื™ื ื”.
02:41
They really make Inside Out their own project.
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ื”ื ื‘ืืžืช ื”ื•ืคื›ื™ื ืืช ื‘ืคื ื™ื ื”ื—ื•ืฆื” ืœืคืจื•ื™ื™ืงื˜ ืฉืœื”ื.
02:45
Actually, that photo was pasted in a police station,
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ืœืžืขืฉื”, ื”ืชืžื•ื ื” ื”ื–ื• ื”ื•ื“ื‘ืงื” ื‘ืชื—ื ืช ืžืฉื˜ืจื”,
02:49
and what you see on the ground
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ื•ืžื” ืฉืืชื ืจื•ืื™ื ืขืœ ื”ืื“ืžื”
02:50
are ID cards of all the photos of people being tracked by the police.
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ื”ืŸ ืชืขื•ื“ื•ืช ื–ื”ื•ืช ืฉืœ ื›ืœ ื”ืชืžื•ื ื•ืช ืฉืœ ืื ืฉื™ื ืฉื”ืžืฉื˜ืจื” ืขื•ืงื‘ืช ืื—ืจื™ื”ื.
02:56
Russia. Chad wanted to fight against homophobia in Russia.
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ืจื•ืกื™ื”. ืฆ'ืื“ ืจืฆื” ืœื”ืœื—ื ื ื’ื“ ื”ื•ืžื•ืคื•ื‘ื™ื” ื‘ืจื•ืกื™ื”.
03:01
He went with his friends in front of every Russian embassy in Europe
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ื”ื•ื ื”ืœืš ืขื ื—ื‘ืจื™ื ืฉืœื• ืžื•ืœ ื›ืœ ืฉื’ืจื™ืจื•ืช ืจื•ืกื™ืช ื‘ืื™ืจื•ืคื”
03:06
and stood there with the photos
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ื•ืขืžื“ ืฉื ืขื ื”ืชืžื•ื ื•ืช
03:08
to say, "We have rights."
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ืœื”ื’ื™ื“, "ื™ืฉ ืœื ื• ื–ื›ื•ื™ื•ืช."
03:10
They used Inside Out as a platform for protest.
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ื”ื ื”ืฉืชืžืฉื• ื‘ื‘ืคื ื™ื ื”ื—ื•ืฆื” ื›ืคืœื˜ืคื•ืจืžื” ืœืžื—ืื”.
03:14
Karachi, Pakistan.
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ืงืจืืฆ'ื™, ืคืงื™ืกื˜ืืŸ.
03:16
Sharmeen is actually here.
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ืฉืจืžื™ื™ืŸ ืœืžืขืฉื” ืคื”.
03:18
She organized a TEDx action out there
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ื”ื™ื ืื™ืจื’ื ื” ืคืขื™ืœื•ืช TEDx ืฉื
03:21
and made all the unseen faces of the city
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ื•ื”ื“ื‘ื™ืงื” ืืช ื›ืœ ื”ืคืจืฆื•ืคื™ื ื”ื‘ืœืชื™ ื ืจืื™ื ืฉืœ ื”ืขื™ืจ
03:24
on the walls in her town.
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ืขืœ ืงื™ืจื•ืช ืขื™ืจื”.
03:26
And I want to thank her today.
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ื•ืื ื™ ืจื•ืฆื” ืœื”ื•ื“ื•ืช ืœื” ื”ื™ื•ื.
03:29
North Dakota. Standing Rock Nation,
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ืฆืคื•ืŸ ื“ืงื•ื˜ื”. ืื•ืžืช ื”ืกืœืข ื”ื ื™ืฆื‘,
03:33
in this Turtle Island, [unclear name] from the Dakota Lakota tribe
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ื‘ื—ื•ืฃ ื”ืฆื‘ื™ื ื”ื–ื”, [ืฉื ืœื ื‘ืจื•ืจ] ืžืฉื‘ื˜ ื“ืงื•ื˜ื” ืœืงื•ื˜ื”
03:38
wanted to show that the Native Americans are still here.
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ืจืฆื” ืœื”ืจืื•ืช ืฉื”ืืžืจื™ืงืื™ื ื”ื™ืœื™ื“ื™ื ืขื“ื™ื™ืŸ ื›ืืŸ.
03:42
The seventh generation are still fighting for their rights.
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ื”ื“ื•ืจ ื”ืฉื‘ื™ืขื™ ืขื“ื™ื™ืŸ ื ืœื—ืžื™ื ืขืœ ื”ื–ื›ื•ื™ื•ืช ืฉืœื”ื.
03:45
He pasted up portraits all over his reservation.
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ื”ื•ื ื”ื“ื‘ื™ืง ืคื•ืจื˜ืจื˜ื™ื ืขืœ ื›ืœ ื”ืฉืžื•ืจื”.
03:48
And he's here also today.
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ื•ื’ื ื”ื•ื ื›ืืŸ ื”ื™ื•ื.
03:50
Each time I get a wall in New York,
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ื›ืœ ืคืขื ืฉืื ื™ ืžืงื‘ืœ ืงื™ืจ ื‘ื ื™ื• ื™ื•ืจืง,
03:54
I use his photos to continue spreading the project.
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ืื ื™ ืžืฉืชืžืฉ ื‘ืชืžื•ื ื•ืช ืฉืœื• ื›ื“ื™ ืœื”ืžืฉื™ืš ืœื”ืคื™ืฅ ืืช ื”ืคืจื•ื™ื™ืงื˜.
03:59
Juarez: You've heard of the border --
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ื—ื•ืืจื–: ืฉืžืขืชื ืขืœ ื”ื’ื‘ื•ืœ --
04:02
one of the most dangerous borders in the world.
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ืื—ื“ ื”ื’ื‘ื•ืœื•ืช ื”ืžืกื•ื›ื ื™ื ื‘ืขื•ืœื.
04:05
Monica has taken thousands of portraits with a group of photographers
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ืžื•ื ื™ืงื” ืฆื™ืœืžื” ืืœืคื™ ืคื•ืจื˜ืจื˜ื™ื ืขื ืงื‘ื•ืฆืช ืฆืœืžื™ื
04:09
and covered the entire border.
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ื•ื›ื™ืกืชื” ืืช ื›ืœ ื”ื’ื‘ื•ืœ.
04:12
Do you know what it takes to do this?
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ืืชื ื™ื•ื“ืขื™ื ืžื” ื ื“ืจืฉ ื›ื“ื™ ืœืขืฉื•ืช ืืช ื–ื”?
04:14
People, energy, make the glue, organize the team.
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ืื ืฉื™ื, ืื ืจื’ื™ื”, ืœื”ื›ื™ืŸ ืืช ื”ื“ื‘ืง, ืœืืจื’ืŸ ืืช ื”ืฆื•ื•ืช.
04:18
It was amazing.
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ื–ื” ื”ื™ื” ืžื“ื”ื™ื.
04:20
While in Iran at the same time
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ื›ืฉื‘ืื•ืชื• ื–ืžืŸ ื‘ืื™ืจืŸ
04:23
Abololo -- of course a nickname --
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ืื‘ื•-ืœื•ืœื• -- ื›ืžื•ื‘ืŸ ื›ื™ื ื•ื™ --
04:25
has pasted one single face of a woman
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ื”ื“ื‘ื™ืง ืคืจืฆื•ืฃ ืื—ื“ ืฉืœ ืื™ืฉื”
04:28
to show his resistance against the government.
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ื›ื“ื™ ืœื”ืจืื•ืช ืืช ื”ื”ืชื ื’ื“ื•ืช ืœืžืžืฉืœ.
04:32
I don't have to explain to you what kind of risk he took for that action.
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ืื ื™ ืœื ืฆืจื™ืš ืœื”ืกื‘ื™ืจ ืื™ื–ื” ืกื™ื›ื•ืŸ ื”ื•ื ืœืงื— ื‘ืคืขื•ืœื” ื”ื–ื•.
04:37
There are tons of school projects.
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ื™ืฉ ื”ืžื•ืŸ ืคืจื•ื™ื™ืงื˜ื™ื ืฉืœ ื‘ืชื™ ืกืคืจ.
04:39
Twenty percent of the posters we are receiving comes from schools.
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ืขืฉืจื™ื ืื—ื•ื– ืžื”ืคื•ืกื˜ืจื™ื ืฉืื ื—ื ื• ืžืงื‘ืœื™ื ื”ื ืžื‘ืชื™ ืกืคืจ.
04:43
Education is so essential.
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ื—ื™ื ื•ืš ื”ื•ื ื—ื™ื•ื ื™.
04:45
Kids just make photos in a class, the teacher receives them,
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ื™ืœื“ื™ื ืคืฉื•ื˜ ืžืฆืœืžื™ื ืชืžื•ื ื•ืช ื‘ื›ื™ืชื”, ื”ืžื•ืจื” ืžืงื‘ืœ ืื•ืชืŸ,
04:48
they paste them on the school.
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ื”ื ืžื“ื‘ื™ืงื™ื ืื•ืชืŸ ืขืœ ื‘ื™ืช ื”ืกืคืจ.
04:50
Here they even got the help of the firemen.
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ื›ืืŸ ื”ื ืืคื™ืœื• ืงื™ื‘ืœื• ืขื–ืจื” ืžืžื›ื‘ื™ ื”ืืฉ.
04:52
There should be even more schools doing this kind of project.
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ืฆืจื™ื›ื™ื ืœื”ื™ื•ืช ืืคื™ืœื• ื™ื•ืชืจ ื‘ืชื™ ืกืคืจ ืฉืขื•ืฉื™ื ืืช ื”ืคืจื•ื™ื™ืงื˜ ื”ื–ื”.
04:56
Of course we wanted to go back to Israel and Palestine.
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ื›ืžื•ื‘ืŸ ืฉืจืฆื™ื ื• ืœื—ื–ื•ืจ ืœื™ืฉืจืืœ ื•ืคืœืกื˜ื™ืŸ.
05:01
So we went there with a truck. This is a photobooth truck.
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ืื– ื”ืœื›ื ื• ืœืฉื ืขื ืžืฉืื™ืช. ื–ื• ืžืฉืื™ืช ืชื ืฆื™ืœื•ื.
05:05
You go on the back of that truck, it takes your photo,
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ืืชื ื”ื•ืœื›ื™ื ืœืื—ื•ืจื™ ื”ืžืฉืื™ืช, ื”ื™ื ืžืฆืœืžืช ืืชื›ื,
05:07
30 seconds later take it from the side, you're ready to rock.
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30 ืฉื ื™ื•ืช ืœืื—ืจ ืžื›ืŸ ืงื—ื• ืื•ืชื” ืžื”ืฆื“, ืืชื ืžื•ื›ื ื™ื ืœื”ื“ื‘ื™ืง.
05:11
Thousands of people use them
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ืืœืคื™ ืื ืฉื™ื ืžืฉืชืžืฉื™ื ื‘ื”ืŸ
05:14
and each of them signs up for a two-state peace solution
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ื•ื›ืœ ืื—ื“ ืžื”ื ื—ื•ืชื ืœืคื™ืชืจื•ืŸ ืฉืชื™ ืžื“ื™ื ื•ืช
05:18
and then walk in the street.
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ื•ืื– ื”ื•ืœืš ืœืจื—ื•ื‘.
05:20
This is march, the 450,000 march -- beginning of September.
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ื–ื• ืฆืขื“ื”, ืฆืขื“ืช 450,000 -- ื‘ืชื—ื™ืœืช ืกืคื˜ืžื‘ืจ.
05:24
They were all holding their photo as a statement.
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ื”ื ื›ื•ืœื ื”ื—ื–ื™ืงื• ืชืžื•ื ื•ืช ื›ื”ื›ืจื–ื”.
05:26
On the other side, people were wrapping up streets, buildings.
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ืžื”ืฆื“ ื”ืฉื ื™, ืื ืฉื™ื ื›ื™ืกื• ืจื—ื•ื‘ื•ืช, ื‘ื ื™ื™ื ื™ื.
05:30
It's everywhere.
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ื–ื” ื‘ื›ืœ ืžืงื•ื.
05:32
Come on, don't tell me that people aren't ready for peace out there.
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ืงื“ื™ืžื”, ืืœ ืชื’ื™ื“ื• ืœื™ ืฉืื ืฉื™ื ืœื ืžื•ื›ื ื™ื ืœืฉืœื•ื ืฉื.
05:35
These projects took thousands of actions in one year,
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ื”ืคืจื•ื™ื™ืงื˜ื™ื ื”ืืœื” ืœืงื—ื• ืืœืคื™ ืคืขื•ืœื•ืช ื‘ืฉื ื” ืื—ืช,
05:40
making hundreds of thousands of people participating,
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ื•ื”ืคื›ื• ืžืื•ืช ืืœืคื™ ืื ืฉื™ื ืœืžืฉืชืชืคื™ื,
05:43
creating millions of views.
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ื•ื™ืฆืจื• ืžื™ืœื™ื•ื ื™ ืฆืคื™ื•ืช.
05:46
This is the biggest global art participatory project that's going on.
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ื–ื” ืคืจื•ื™ื™ืงื˜ ื”ื•ืžื ื•ืช ื”ื’ืœื•ื‘ืœื™ ื”ื’ื“ื•ืœ ื‘ื™ื•ืชืจ ื‘ื”ืฉืชืชืคื•ืช ื”ืงื”ืœ ืฉืงื•ืจื” ืขื›ืฉื™ื•.
05:53
So back to the question, "Can art change the world?"
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ืื– ื—ื–ืจื” ืœืฉืืœื”, "ื”ืื ืืžื ื•ืช ื™ื›ื•ืœื” ืœืฉื ื•ืช ืืช ื”ืขื•ืœื?"
05:57
Maybe not in one year. That's the beginning.
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ืื•ืœื™ ืœื ื‘ืฉื ื”. ื–ื• ื”ื”ืชื—ืœื”.
06:01
But maybe we should change the question.
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ืื‘ืœ ืื•ืœื™ ื›ื“ืื™ ืฉื ืฉื ื” ืืช ื”ืฉืืœื”.
06:04
Can art change people's lives?
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ื”ืื ืืžื ื•ืช ื™ื›ื•ืœื” ืœืฉื ื•ืช ืืช ื—ื™ื™ื”ื ืฉืœ ืื ืฉื™ื?
06:06
From what I've seen this year, yes.
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ืžืžื” ืฉืจืื™ืชื™ ื”ืฉื ื”, ื›ืŸ.
06:10
And you know what? It's just the beginning.
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ื•ืืชื ื™ื•ื“ืขื™ื ืžื”? ื–ื• ืจืง ื”ื”ืชื—ืœื”.
06:13
Let's turn the world inside out together.
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ื‘ื•ืื• ื ื”ืคื•ืš ืืช ื”ืขื•ืœื ืžื‘ืคื ื™ื ื”ื—ื•ืฆื” ื™ื—ื“.
06:16
Thank you.
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ืชื•ื“ื” ืœื›ื.
06:17
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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