John Hodgman: Design, explained.

96,471 views ใƒป 2012-06-08

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

00:00
Translator: Katheryn McGaffigan Reviewer: Jenny Zurawell
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ืžืชืจื’ื: Orr Schlesinger ืžื‘ืงืจ: Ido Dekkers
00:15
Today I'm going to unpack for you
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ื”ื™ื•ื ืื ื™ ื”ื•ืœืš ืœื”ืจืื•ืช ืœื›ื
00:17
three examples of iconic design,
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ืฉืœื•ืฉ ื“ื•ื’ืžืื•ืช ืื™ืงื•ื ื™ื•ืช ืฉืœ ืขื™ืฆื•ื‘,
00:20
and it makes perfect sense
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ื•ื™ืฉ ื‘ื–ื” ื”ื’ื™ื•ืŸ
00:21
that I should be the one to do it
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ืฉืื ื™ ื”ื‘ืŸ ืื“ื ื”ืžื•ืฉืœื ืœืžืฉื™ืžื”
00:24
because I have a Bachelor's degree in Literature.
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ื›ื™ื•ื•ืŸ ืฉื™ืฉ ืœื™ ืชื•ืืจ ืจืืฉื•ืŸ ื‘ืกืคืจื•ืช.
00:28
(Laughter)
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(ืฆื—ื•ืง)
00:29
But I'm also a famous
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ืื‘ืœ ืื ื™ ื’ื ืžืคื•ืจืกื,
00:31
minor television personality
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ื“ืžื•ืช ื˜ืœื•ื•ื™ื–ื™ื•ื ื™ืช ืžื™ื ื•ืจื™ืช
00:33
and an avid collector of
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ื•ืืกืคืŸ ื ืœื”ื‘ ืฉืœ
00:35
Design Within Reach catalogs,
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ืงื˜ืœื•ื’ื™ื ืฉืœ ืคืจื™ื˜ื™ ืขื™ืฆื•ื‘ ื‘ืจื™ ื”ืฉื’ื”,
00:37
so I pretty much know
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ื›ืœ ื›ืš ื”ืจื‘ื” ืื ื™ ื™ื•ื“ืข...
00:39
everything there is.
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ื›ืœ ืžื” ืฉื™ืฉ.
00:40
Now, I'm sure you
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ืขื›ืฉื™ื•, ืื ื™ ื‘ื˜ื•ื— ืฉืืชื
00:42
recognize this object;
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ืžื–ื”ื™ื ืืช ื”ืื•ื‘ื™ื™ืงื˜ ื”ื–ื”.
00:43
many of you probably saw it
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ืจื‘ื™ื ืžื‘ื ื™ื›ื ื‘ื˜ื— ืจืื• ืื•ืชื•
00:45
as you were landing your private zeppelins
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ื›ืืฉืจ ื ื—ืชืชื ื‘ืกืคื™ื ื•ืช ื”ืื•ื•ื™ืจ ื”ืคืจื˜ื™ื•ืช ืฉืœื›ื
00:46
at Los Angeles International Airport
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ื‘ืฉื“ื” ื”ืชืขื•ืคื” ืฉืœ ืœื•ืก ืื ื’'ืœืก
00:49
over the past couple of days.
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ื‘ื™ืžื™ื ื”ืื—ืจื•ื ื™ื.
00:51
This is known as the Theme Building;
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ื–ื” ื™ื“ื•ืข ื‘ืชื•ืจ "ื‘ื ื™ื™ืŸ ื ื•ืฉื".
00:54
that is its name for reasons
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ื–ื” ืฉืžื• ืžืžืกืคืจ ืกื™ื‘ื•ืช
00:56
that are still very murky.
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ืฉื˜ื™ื‘ืŸ ืขื“ื™ื™ืŸ ืœื•ื˜ื” ื‘ืขืจืคืœ.
00:59
And it is perhaps
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ื–ืืช ื›ื ืจืื” ื’ื
01:00
the best example we have in Los Angeles
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ื”ื“ื•ื’ืžื” ื”ื˜ื•ื‘ื” ื‘ื™ื•ืชืจ ืฉื™ืฉ ืœื ื• ื‘ืœื•ืก ืื ื’'ืœืก
01:03
of ancient extraterrestrial architecture.
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ืœืืจื›ื™ื˜ืงื˜ื•ืจื” ื—ื™ื™ื–ืจื™ืช ืขืชื™ืงื”.
01:08
It was first excavated in 1961
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ื—ืคื™ืจื•ืช ืืจื›ื™ืื•ืœื•ื’ื™ื•ืช ืจืืฉื•ื ื•ืช ื ืขืจื›ื• ื‘-1961
01:11
as they were building LAX,
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ื›ืฉื‘ื ื• ืืช ืฉื“ื” ื”ืชืขื•ืคื” LAX,
01:13
although scientists believe that
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ืœืžืจื•ืช ืฉืžื“ืขื ื™ื ืžืืžื™ื ื™ื
01:15
it dates back to the year 2000
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ืฉื”ื‘ื ื™ื™ืŸ ื ื‘ื ื” ื‘ืกื‘ื™ื‘ื•ืช ืฉื ืช 2000
01:17
Before Common Era,
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ืœืคื ื™ ื”ืชืงื•ืคื” ื”ื ื•ื›ื—ื™ืช,
01:19
when it was used as
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ื›ืฉื”ื•ื ืฉื™ืžืฉ
01:21
a busy transdimensional space port
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ื›ื ืžืœ ื—ืœืœ ื‘ื™ืŸ ืžื™ืžื“ื™
01:23
by the ancient astronauts
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ืขืœ ื™ื“ื™ ื”ืืกื˜ืจื•ื ืื•ื˜ื™ื ื”ืขืชื™ืงื™ื
01:25
who first colonized this planet
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ืฉืื›ืœืกื• ืœืจืืฉื•ื ื” ืืช ื”ื›ื•ื›ื‘ ื”ื–ื”,
01:27
and raised our species
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ืฉืงื™ื“ืžื• ืืช ื”ืžื™ืŸ ืฉืœื ื•
01:29
from savagery by giving us
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ืžื”ื™ื•ืชื ื• ืคืจืื™ื ืขืœ ื™ื“ื™ ื›ืš ืฉื ืชื ื• ืœื ื•
01:31
the gift of written language
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ืืช ื”ืฉืคื” ื”ื›ืชื•ื‘ื”,
01:32
and technology and
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ืืช ื”ื˜ื›ื ื•ืœื•ื’ื™ื”
01:34
the gift of revolving restaurants.
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ื•ืืช ื”ืคืœื ืฉืœ ืžืกืขื“ื•ืช ืžืกืชื•ื‘ื‘ื•ืช.
01:37
It is thought to have been
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ื—ื•ืฉื‘ื™ื ืฉื”ื‘ื ื™ื™ืŸ ื”ื–ื” ืฉื™ืžืฉ
01:40
a replacement for the older space ports
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ื›ืชื—ืœื™ืฃ ืœื ืžืœื™ ื—ืœืœ ื™ืฉื ื™ื ื™ื•ืชืจ
01:42
located, of course, at Stonehenge
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ืฉืžืžื•ืงืžื™ื ื›ืžื•ื‘ืŸ ื‘ืกื˜ื•ื ื”ื ื’',
01:45
and considered to be
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ื›ืš ืฉื”ื‘ื ื™ื™ืŸ ื”ื–ื”
01:46
quite an improvement
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ื ื—ืฉื‘ ื›ืฉื™ืคื•ืจ ื’ื“ื•ืœ
01:47
due to the uncluttered design,
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ืขืงื‘ ื”ืขื™ืฆื•ื‘ ื”ืžืกื•ื“ืจ,
01:49
the lack of druids hanging around all the time
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ื”ืขื•ื‘ื“ื” ืฉื“ืจื•ืื™ื“ื™ื ืœื ืžืกืชื•ื‘ื‘ื™ื ืฉื ื›ืœ ื”ื–ืžืŸ,
01:52
and obviously, the much better
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ื•ื›ืžื•ื‘ืŸ,
01:54
access to parking.
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ื”ื’ื™ืฉื” ื”ืžืฉื•ืคืจืช ืœื—ื ื™ื”.
01:56
When it was uncovered,
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ื›ืืฉืจ ื”ืžื‘ื ื” ื ื—ืฉืฃ,
01:58
it ushered in a new era
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ื”ื•ื ื”ื•ื‘ื™ืœ ืœืชืงื•ืคื” ื—ื“ืฉื”
02:00
of streamlined, archaically futuristic design
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ืฉืœ ืžื‘ื ื™ื ืื•ื•ื™ืจื•ื“ื™ื ืžื™ื™ื, ื‘ืขื™ืฆื•ื‘ ืืจื›ืื™-ืขืชื™ื“ื ื™
02:03
called Googie,
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ืฉื ืงืจื "ื’ื•ื’ื™",
02:05
which came to be synonymous with
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ืฉืžื™ื•ื—ืก ืชืžื™ื“
02:07
the Jet Age, a misnomer.
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ืœืขื™ื“ืŸ ื”ืกื™ืœื•ืŸ. ืฉื ื“ื™ื™ ืžื˜ืขื”.
02:09
After all, the ancient astronauts who used it
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ืื—ืจื™ ื”ื›ืœ, ื”ืืกื˜ืจื•ื ืื•ื˜ื™ื ื”ืขืชื™ืงื™ื ืฉื”ืฉืชืžืฉื• ื‘ื•
02:12
did not travel by jet very often,
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ืœื ื”ืฉืชืžืฉื ื• ื‘ืžื ื•ืขื™ ืกื™ืœื•ืŸ ืœืขื™ืชื™ื ืงืจื•ื‘ื•ืช,
02:13
preferring instead to travel by feathered serpent
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ื›ื™ื•ื•ืŸ ืฉื”ืขื“ื™ืคื• ืืช ื”ืฉื™ืžื•ืฉ ื‘ื ื—ืฉื™ื ืžื›ื•ื ืคื™ื
02:17
powered by crystal skulls.
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ืฉื”ื™ื• ืžื•ื ืขื™ื ืขืœ ื™ื“ื™ ื’ื•ืœื’ืœื•ืช ืงืจื™ืกื˜ืœ.
02:19
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
02:22
(Music)
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(ืžื•ื–ื™ืงื”)
02:25
Ah yes, a table.
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ืื” ื›ืŸ, ื–ื” ืฉื•ืœื—ืŸ.
02:29
We use these every day.
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ืื ื—ื ื• ืžืฉืชืžืฉื™ื ื‘ื”ื ื›ืœ ื™ื•ื.
02:30
And on top of it,
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ืขืœ ื”ืฉื•ืœื—ืŸ,
02:32
the juicy salif.
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ื–ื” ื”"ื’'ื•ืกื™ ืกืืœื™ืฃ"
02:34
This is a design by Philippe Starck,
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ืคืจื™ ื”ืขื‘ื•ื“ื” ืฉืœ ื”ืžืขืฆื‘ ืคื™ืœื™ืค ืกื˜ืืจืง,
02:36
who I believe is in the audience at this very moment.
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ืฉืื ื™ ืžืืžื™ืŸ ืฉื ืžืฆื ื‘ืงื”ืœ ืขื™ืžื ื• ื‘ืจื’ืข ื–ื”.
02:38
And you can tell it is a Starck design
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ืืคืฉืจ ืœืจืื•ืช ืืช ื˜ื‘ื™ืขืช ื”ืืฆื‘ืข ืฉืœ ืกื˜ืืจืง
02:40
by its precision, its playfulness,
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ื‘ื“ื™ื•ืง ื”ืจื‘, ื‘ืฉื•ื‘ื‘ื•ืช,
02:43
its innovation and
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ื‘ื—ื“ืฉื ื•ืช
02:45
its promise of imminent violence.
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ื•ื‘ื”ื‘ื˜ื—ื” ืฉืœื• ืœืืœื™ืžื•ืช ืงืจื‘ื” ื•ื‘ืื”.
02:49
(Laughter)
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(ืฆื—ื•ืง)
02:51
It is a design that challenges your intuition --
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ื”ืขื™ืฆื•ื‘ ืžืืชื’ืจ ืืช ื”ืื™ื ื˜ื•ืื™ืฆื™ื”,
02:54
it is not what you think it is when you first see it.
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ื–ื” ืœื ืžื” ืฉืืชื ื—ื•ืฉื‘ื™ื ืฉื–ื” ืžืžื‘ื˜ ืจืืฉื•ืŸ.
02:56
It is not a fork designed
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ื–ื” ืื™ื ื ื• ืžื–ืœื’ ืžืขืฆื‘ื™ื
02:58
to grab three hors d'oeuvres at a time,
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ืฉืžืฉืžืฉ ืœืชืคื™ืกืช ืฉืœื•ืฉื” ืžืชืื‘ื ื™ื ื‘ืคืขื ืื—ืช,
03:01
which would be useful out in the lobby,
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ื“ื‘ืจ ืฉื”ื™ื” ื™ื›ื•ืœ ืœื”ื™ื•ืช ืžืื•ื“ ืฉื™ืžื•ืฉื™ ื‘ืœื•ื‘ื™ ืคื” ื‘ื—ื•ืฅ,
03:03
I would say.
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ื”ื™ื™ืชื™ ืื•ืžืจ...
03:04
And despite its obvious
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ื•ืœืžืจื•ืช ื”ื”ืฉืคืขื” ื”ื‘ืจื•ืจื”
03:05
influence by the ancient astronauts
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ืฉืœ ื”ืืกื˜ืจื•ื ืื•ื˜ื™ื ื”ืขืชื™ืงื™ื,
03:07
and its space agey-ness and tripodism,
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ื”ืžืจืื” ื”ื—ืœืœื™ ื•ื”ืชืœืช-ืจื’ืœื™ื•ืช ืฉืœื•,
03:11
it is not something
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ื”ืžื›ืฉื™ืจ ื”ื–ื” ืื™ื ื ื• ืžืชื•ื›ื ืŸ
03:13
designed to attach to your brain
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ืขืœ ืžื ืช ืœื”ืชื—ื‘ืจ ืœื›ื ืืœ ื”ืžื•ื—
03:15
and suck out your thoughts.
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ื•ืœืžืฆื•ืฅ ืืช ื”ืžื—ืฉื‘ื•ืช ืฉืœื›ื.
03:17
It is in fact a citrus juicer
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ืœืžืขืฉื”, ื–ืืช ืžืกื—ื˜ืช ื”ื“ืจื™ื
03:19
and when I say that,
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ื•ืžื”ืจื’ืข ืฉืื ื™ ืื•ืžืจ ืœื›ื ืืช ื–ื”,
03:21
you never see it as anything else again.
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ืืชื ืœื ืชืจืื• ื‘ื–ื” ื™ื•ืชืจ ืฉื•ื ื“ื‘ืจ ืื—ืจ.
03:24
It is also not a monument to design,
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ื–ื” ืื™ื ื ื• ืžื•ื ื•ืžื ื˜ ืœืขื™ืฆื•ื‘,
03:28
it is a monument to design's utility.
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ื–ื” ืžื•ื ื•ืžื ื˜ ืœืฉื™ืžื•ืฉื™ื•ืช ืฉื‘ืขื™ืฆื•ื‘.
03:31
You can take it home with you,
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ืืชื ื™ื›ื•ืœื™ื ืœืงื—ืช ืืช ื–ื” ืื™ืชื›ื ื”ื‘ื™ืชื”,
03:33
unlike the Theme Building,
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ื‘ื ื™ื’ื•ื“ ืœื‘ื ื™ื™ืŸ ื”ื ื•ืฉื,
03:35
which will stay where it is forever.
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ืฉื™ืฉืืจ ืชืžื™ื“ ื”ื™ื›ืŸ ืฉื”ื•ื.
03:37
This is affordable
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ื”ื•ื ื‘ืจ ื”ืฉื’ื” ืžื‘ื—ื™ื ืช ื”ืžื—ื™ืจ
03:39
and can come home with you
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ื•ื™ื›ื•ืœ ืœื”ื’ื™ืข ืืชื›ื ื”ื‘ื™ืชื”
03:40
and, as such, it can sit
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ื•ืœื›ืŸ ื”ื•ื ื™ื›ื•ืœ ืœืฉื‘ืช ืœื›ื
03:42
on your kitchen counter --
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ืขืœ ื”ื“ืœืคืง ื‘ืžื˜ื‘ื— -
03:45
it can't go in your drawers;
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ื”ื•ื ืœื ื™ื›ื•ืœ ืœื”ื™ื›ื ืก ืœืชื•ืš ื”ืžื’ื™ืจื•ืช,
03:46
trust me, I found that out the hard way --
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ืชืืžื™ื ื• ืœื™, ื’ื™ืœื™ืชื™ ืืช ื–ื” ื‘ื“ืจืš ื”ืงืฉื” -
03:49
and make your kitchen counter into
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ื•ื–ื” ื™ื›ื•ืœ ืœื”ืคื•ืš ืืช ื”ื“ืœืคืง ืืฆืœื›ื ื‘ืžื˜ื‘ื—
03:51
a monument to design.
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ืœืžื•ื ื•ืžื ื˜ ืœืขื™ืฆื•ื‘.
03:52
One other thing about it,
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ื“ื‘ืจ ื ื•ืกืฃ ืœื’ื‘ื™ื•,
03:53
if you do have one at home,
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ืื ื™ืฉ ืœื›ื ืื—ื“ ื›ื–ื” ื‘ื‘ื™ืช,
03:55
let me tell you one of the features you may not know:
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ื”ืจืฉื• ืœื™ ืœืกืคืจ ืœื›ื ื“ื‘ืจ ืื—ื“ ืฉืœื ื™ื“ืขืชื:
03:57
when you fall asleep,
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ื›ืืฉืจ ืืชื ื”ื•ืœื›ื™ื ืœื™ืฉื•ืŸ,
03:59
it comes alive
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ื”ื•ื ืžืชืขื•ืจืจ ืœื—ื™ื™ื
04:03
and it walks around your house
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ื•ืžื”ืœืš ืœื• ื‘ืจื—ื‘ื™ ื”ื‘ื™ืช,
04:05
and goes through your mail
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ืขื•ื‘ืจ ืœื›ื ืขืœ ื”ื“ื•ืืจ
04:06
and watches you as you sleep.
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ื•ืฆื•ืคื” ื‘ื›ื ื™ืฉื ื™ื.
04:08
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
04:13
Okay, what is this object?
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ืื•ืงื™ื™, ืžื” ื–ื” ื”ืคืจื™ื˜ ื”ื–ื”?
04:19
I have no idea. I don't know what that thing is.
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ืื™ืŸ ืœื™ ืžื•ืฉื’, ืื ื™ ืœื ื™ื•ื“ืข ืžื” ื–ื”.
04:23
It looks terrible. Is it a little hot plate?
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ื”ื•ื ื ืจืื” ื ื•ืจื, ื”ืื ื–ื• ืคืœื˜ืช ื—ื™ืžื•ื?
04:24
I don't get it.
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ืื ื™ ืœื ืžื‘ื™ืŸ ืืช ื–ื”.
04:26
Does anyone know? Chi?
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ืžื™ืฉื”ื• ื™ื•ื“ืข ืื•ืœื™? ืฆ'ื™?
04:28
It's an ... iPhone. iPhone.
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ื–ื”... ืื™ื™ืคื•ืŸ. ืื™ื™ืคื•ืŸ.
04:30
Oh yes, that's right, I remember those;
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ืื”. ื›ืŸ. ื ื›ื•ืŸ, ืื ื™ ื–ื•ื›ืจ ืืช ืืœื”....
04:32
I had my whole bathroom tiles
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ื”ื™ื• ืœื™ ืžืจืฆืคื•ืช ื‘ืืžื‘ื˜ื™ื”
04:34
redone with those back in the good old days.
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ืฉืฉื•ืคืฆื• ืขื ื“ื‘ืจื™ื ื›ืืœื” ื‘ื™ืžื™ื ื”ื”ื.
04:37
No, I have an iPhone. Of course I do.
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ืœื, ื™ืฉ ืœื™ ืื™ื™ืคื•ืŸ. ื‘ื˜ื— ืฉื™ืฉ ืœื™.
04:39
Here is my well-loved iPhone.
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ื”ื ื” ื”ืื™ื™ืคื•ืŸ ื”ืื”ื•ื‘ ืฉืœื™.
04:41
I do so many things on this little device.
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ืื ื™ ืขื•ืฉื” ื›ืœ ื›ืš ื”ืจื‘ื” ื“ื‘ืจื™ื ื‘ืืžืฆืขื•ืช ื”ืžื›ืฉื™ืจ ื”ืงื˜ืŸ ื”ื–ื”.
04:44
I like to read books on it.
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ืื ื™ ืื•ื”ื‘ ืœืงืจื•ื ื‘ืืžืฆืขื•ืชื• ืกืคืจื™ื.
04:46
More than that, I like to buy books on it
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ื•ื™ื•ืชืจ ืžื›ืš, ืื ื™ ืื•ื”ื‘ ืœืงื ื•ืช ื‘ืืžืฆืขื•ืชื• ืกืคืจื™ื
04:49
that I never have to feel guilty about not reading
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ื›ืš ืฉืœืขื•ืœื ืœื ืืจื’ื™ืฉ ืจืข ืขืœ ื›ืš ืฉืื™ื ื™ ืงื•ืจื ืื•ืชื
04:51
because they go in here and I never look at them again
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ื›ื™ื•ื•ืŸ ืฉื”ื ื ื›ื ืกื™ื ืœื›ืืŸ, ื•ืื ื™ ืœื ืืจืื” ืื•ืชื ื™ื•ืชืจ ืœืขื•ืœื.
04:52
and it's perfect.
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ื–ื” ืžื•ืฉืœื.
04:55
I use it every day to
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ืื ื™ ืžืฉืชืžืฉ ื‘ื• ื›ืœ ื™ื•ื ืขืœ ืžื ืช
04:57
measure the weight of an ox,
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ืœืžื“ื•ื“ ืืช ืžืฉืงืœื• ืฉืœ ืฉื•ืจ,
05:00
for example.
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ืœืžืฉืœ.
05:02
Every now and then,
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ื•ืœืคืขืžื™ื,
05:03
I admit that I complete
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ืื ื™ ืžื•ื“ื”, ืื ื™ ืžื‘ืฆืข
05:05
a phone call on it occasionally.
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ื‘ื• ืฉื™ื—ื•ืช ื˜ืœืคื•ืŸ.
05:07
And yet I forget about it all the time.
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ื•ืขื“ื™ื™ืŸ, ืงื•ืจื” ืฉืื ื™ ืฉื•ื›ื— ืฉื”ื•ื ืงื™ื™ื.
05:11
This is a design
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ื–ื”ื• ืขื™ืฆื•ื‘
05:12
that once you saw it,
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ืฉื‘ืจื’ืข ืฉืืชื” ืจื•ืื” ืื•ืชื•,
05:14
you forgot about it.
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ืืชื” ืฉื•ื›ื— ืžืžื ื•.
05:15
It is easy to forget the gasp-inducement
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ืงืœ ืœืฉื›ื•ื— ืืช ื”ืชืื•ื•ื” ื”ื’ื“ื•ืœื”
05:18
that occurred in 2007 when you first
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ืฉื”ื™ืชื” ื‘ 2007 ื›ืืฉืจ ืœืจืืฉื•ื ื”
05:21
touched this thing because it became
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ื ื’ืขื ื• ื‘ืžื›ืฉื™ืจ ื”ื–ื”, ื›ื™ื•ื•ืŸ ืฉื”ื•ื ื”ืคืš
05:24
so quickly pervasive
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ืžื”ืจ ืžืื•ื“ ืœื ืคื•ืฅ ื›ืœ ื›ืš
05:25
and because of how instantly
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ื•ื‘ื’ืœืœ ืฉื›ืžืขื˜ ื‘ืŸ ืจื’ืข
05:28
we adopted these gestures
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ืื™ืžืฆื ื• ืืช ื”ืชื ื•ืขื•ืช ื”ืืœื”
05:30
and made it an extension of our life.
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ื•ื”ืคื›ื ื• ืื•ืชืŸ ืœื—ืœืง ื‘ืœืชื™ ื ืคืจื“ ืžื—ื™ื™ื ื•.
05:33
Unlike the Theme Building,
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ื‘ื ื™ื’ื•ื“ ืœื‘ื ื™ื™ื ื™ื ืขื ื ื•ืฉื,
05:36
this is not alien technology.
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ื–ื• ืื™ื ื ื” ื˜ื›ื ื•ืœื•ื’ื™ื” ื—ื™ื™ื–ืจื™ืช.
05:38
Or I should say,
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ืื• ืฉืขืœื™ ืœื•ืžืจ,
05:39
what it did was it took technology
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ืžื” ืฉื”ื•ื ืขืฉื”, ื–ื” ืœืงื—ืช ื˜ื›ื ื•ืœื•ื’ื™ื”
05:41
which, unlike people in this room,
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ืฉื‘ื ื™ื’ื•ื“ ืœืื ืฉื™ื ื‘ื—ื“ืจ ื”ื–ื”,
05:43
to many other people in the world,
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ืœืื ืฉื™ื ืจื‘ื™ื ื‘ืขื•ืœื,
05:44
still feels very alien,
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ืขื“ื™ื™ืŸ ืžืื•ื“ ื–ืจื”,
05:45
and made it immediately and instantly feel
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ื•ื”ืคืš ืื•ืชื” ืžื™ื™ื“
05:47
familiar and intimate.
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ืœื™ื“ื™ื“ื•ืชื™ืช ื•ืื™ื ื˜ื™ืžื™ืช...
05:49
And unlike the juicy salif,
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ื•ื‘ื ื™ื’ื•ื“ ืœ"ื’'ื•ืกื™ ืกืืœื™ืฃ",
05:52
it does not threaten
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ื”ื•ื ืื™ื ื ื• ืžืื™ื™ื
05:53
to attach itself to your brain,
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ืœื”ืชื—ื‘ืจ ืœื›ื ืœืžื•ื—,
05:55
rather, it simply
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ืืœื ืจืง,
05:57
attaches itself to your brain.
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ืœื”ืชื—ื‘ืจ ืœื›ื ืœืžื•ื—...
05:59
(Laughter)
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(ืฆื—ื•ืง)
06:01
And you didn't even notice it happened.
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ื•ืืคื™ืœื• ืœื ืฉืžืชื ืœื‘ ืœื›ืš...
06:04
So there you go. My name is John Hodgman.
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ืื– ื”ื ื” ืœื›ื. ื”ืฉื ืฉืœื™ ื”ื•ื ื’'ื•ืŸ ื”ื•ื“ื’'ืžืŸ.
06:06
I just explained design.
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ื•ื‘ื“ื™ื•ืง ื”ืกื‘ืจืชื™ ืœื›ื ืขืœ ืขื™ืฆื•ื‘.
06:09
Thank you very much.
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ืชื•ื“ื” ืจื‘ื” ืœื›ื.
06:11
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)

Original video on YouTube.com
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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