Design for All 5 Senses | Jinsop Lee | TED Talks

572,566 views ใƒป 2013-08-06

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Shir Ben Asher Kestin ืžื‘ืงืจ: Ido Dekkers
00:12
In an age of global strife and climate change,
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ื‘ืขื™ื“ืŸ ืฉืœ ืขื™ืžื•ืชื™ื ื’ืœื•ื‘ืœื™ื™ื ื•ืฉื™ื ื•ื™ื™ ืืงืœื™ื,
00:15
I'm here to answer the all important question:
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ืื ื™ ื›ืืŸ ื›ื“ื™ ืœืขื ื•ืช ืขืœ ื”ืฉืืœื” ื”ื—ืฉื•ื‘ื” ื‘ื™ื•ืชืจ:
00:19
Why is sex so damn good?
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ืœืžื” ืกืงืก ื”ื•ื ื›ืœ ื›ืš ื˜ื•ื‘ ืœื›ืœ ื”ืจื•ื—ื•ืช?
00:22
If you're laughing, you know what I mean.
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ืื ืืชื ืฆื•ื—ืงื™ื, ืืชื ืžื‘ื™ื ื™ื ืขืœ ืžื” ืื ื™ ืžื“ื‘ืจ.
ื˜ื•ื‘, ืœืคื ื™ ืฉื ื’ื™ืข ืœืชืฉื•ื‘ื” ืขืœ ื”ืฉืืœื” ื”ื–ื•,
00:24
Now, before we get to that answer,
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ืชื ื• ืœื™ ืœืกืคืจ ืœื›ื ืขืœ ื›ืจื™ืก ื”ื•ืกืžืจ.
00:26
let me tell you about Chris Hosmer.
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00:28
Chris is a great friend of mine from my university days,
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ื›ืจื™ืก ื”ื•ื ื—ื‘ืจ ื˜ื•ื‘ ืฉืœื™ ืžืชืงื•ืคืช ื”ืœื™ืžื•ื“ื™ื ื‘ืื•ื ื™ื‘ืจืกื™ื˜ื”,
00:30
but secretly, I hate him.
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ืื‘ืœ ื‘ืกืชืจ ืœื‘ื™, ืื ื™ ืฉื•ื ื ืื•ืชื•.
00:33
Here's why. Back in university, we had a quick project
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ื”ื ื” ื”ืกื™ื‘ื”. ื›ืฉืœืžื“ื ื• ื‘ืื•ื ื™ื‘ืจืกื™ื˜ื”, ื”ื™ื” ืœื ื• ืคืจื•ื™ืงื˜ ืงืฆืจ,
00:36
to design some solar-powered clocks.
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ืœืชื›ื ืŸ ืฉืขื•ื ื™ื ืกื•ืœืืจื™ื™ื.
00:38
Here's my clock.
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ื”ื ื” ื”ืฉืขื•ืŸ ืฉืœื™.
00:40
It uses something called the dwarf sunflower,
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ื”ื•ื ืžืฉืชืžืฉ ื‘ืžืฉื”ื• ืฉื ืงืจื ื—ืžื ื™ื™ื” ื ื ืกื™ืช
00:42
which grows to about 12 inches in height.
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ืฉื’ื“ืœื” ืœื’ื•ื‘ื” ืฉืœ 30 ืกื ื˜ื™ืžื˜ืจ ื‘ืขืจืš.
00:45
Now, as you know, sunflowers
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ื›ืคื™ ืฉืืชื ื™ื•ื“ืขื™ื, ื—ืžื ื™ื•ืช
00:47
track the sun during the course of the day.
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ืขื•ืงื‘ื•ืช ืื—ืจื™ ื”ืฉืžืฉ ื‘ืžื”ืœืš ื”ื™ื•ื.
00:49
So in the morning, you see which direction the sunflower is facing,
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ื›ืš ืฉื‘ื‘ื•ืงืจ, ืืชื” ืžืกืชื›ืœ ืขืœ ื”ื—ืžื ื™ื™ื” ื•ืจื•ืื” ืœืื™ื–ื” ื›ื™ื•ื•ืŸ ื”ื™ื ืคื•ื ื”.
00:52
and you mark it on the blank area in the base.
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ื•ืืชื” ืžืกืžืŸ ืืช ื–ื” ื‘ืฉื˜ื— ื”ืจื™ืง ืฉื‘ื‘ืกื™ืก ื”ืฉืขื•ืŸ.
00:55
At noon, you mark the changed position of the sunflower,
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ื‘ืฆื”ืจื™ื™ื, ืืชื” ืžืกืžืŸ ืืช ื”ื›ื™ื•ื•ืŸ ื”ื—ื“ืฉ ืฉืœ ื”ื—ืžื ื™ื™ื”
00:58
and in the evening again, and that's your clock.
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ื•ื‘ืขืจื‘ ืฉื•ื‘ - ื•ื–ื”ื•, ื–ื” ื”ืฉืขื•ืŸ ืฉืœืš.
01:02
Now, I know my clock doesn't tell you the exact time,
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ืื ื™ ื™ื•ื“ืข ืฉื”ืฉืขื•ืŸ ืฉืœื™ ืœื ืžืฉืงืฃ ืืช ื”ื–ืžืŸ ื”ืžื“ื•ื™ืง,
01:04
but it does give you a general idea using a flower.
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ืื‘ืœ ื”ื•ื ื›ืŸ ื ื•ืชืŸ ืœืš ืจืขื™ื•ืŸ ื›ืœืœื™ ืžื” ื”ืฉืขื”, ืชื•ืš ืฉื™ืžื•ืฉ ื‘ื—ืžื ื™ื™ื”.
01:07
So, in my completely unbiased, subjective opinion,
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ืื–, ืœืขื ื™ื•ืช ื“ืขืชื™ ืฉื”ื™ื ืœื—ืœื•ื˜ื™ืŸ ืœื ืžื•ื˜ื” ื•ืื•ื‘ื™ื™ืงื˜ื™ื‘ื™ืช,
01:10
it's brilliant.
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ื–ื” ืžื‘ืจื™ืง.
01:12
However, here's Chris's clock.
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ืื‘ืœ, ื”ื ื” ื”ืฉืขื•ืŸ ืฉืœ ื›ืจื™ืก.
01:15
It's five magnifying glasses with a shot glass under each one.
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ืืœื” ื—ืžืฉ ื–ื›ื•ื›ื™ื•ืช ืžื’ื“ื™ืœื•ืช ืขื ื›ื•ืกื™ื•ืช ืชื—ืช ื›ืœ ืื—ืช.
01:19
In each shot glass is a different scented oil.
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ื‘ื›ืœ ื›ื•ืกื™ืช ื™ืฉ ืฉืžืŸ ืืจื•ืžื˜ื™ ื‘ืจื™ื— ืื—ืจ.
01:22
In the morning, the sunlight will shine down
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ื‘ื‘ื•ืงืจ, ื”ืฉืžืฉ ื–ื•ืจื—ืช
01:23
on the first magnifying glass,
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ืขืœ ื–ื›ื•ื›ื™ืช ื”ืžื’ื“ืœืช ื”ืจืืฉื•ื ื”,
01:25
focusing a beam of light on the shot glass underneath.
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ืงืจื ื™ ื”ืฉืžืฉ ืžืžื•ืงื“ื•ืช ื‘ื›ื•ืกื™ืช ืฉืžืชื—ืช.
01:28
This will warm up the scented oil inside,
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ื–ื” ืžื—ืžื ืืช ื”ืฉืžืŸ ื”ืืจื•ืžื˜ื™ ืฉื‘ืชื•ืš ื”ื›ื•ืกื™ืช
01:30
and a particular smell will be emitted.
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ื•ื ื™ื—ื•ื— ืžืกื•ื™ื ืžื•ืคืง ื•ืžืชืคืฉื˜ ื‘ื—ื“ืจ.
01:33
A couple of hours later, the sun will shine
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ื›ืžื” ืฉืขื•ืช ืžืื•ื—ืจ ื™ื•ืชืจ, ื”ืฉืžืฉ ื–ื•ืจื—ืช
01:35
on the next magnifying glass, and a different smell will be emitted.
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ืขืœ ื–ื›ื•ื›ื™ืช ื”ืžื’ื“ืœืช ื”ืฉื ื™ื™ื”, ื•ื ื™ื—ื•ื— ืฉื•ื ื” ืžื•ืคืง.
01:38
So during the course of the day, five different smells
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ื›ืš ืฉื‘ืžื”ืœืš ื”ื™ื•ื, ื—ืžื™ืฉื” ื ื™ื—ื•ื—ื•ืช ืฉื•ื ื™ื
01:41
are dispersed throughout that environment.
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ืžื•ืคืฆื™ื ืœื—ืœืœ.
01:43
Anyone living in that house can tell the time
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ื›ืœ ืžื™ ืฉื’ืจ ื‘ื‘ื™ืช, ื™ื›ื•ืœ ืœื“ืขืช ืžื” ื”ืฉืขื”
01:46
just by the smell.
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ืจืง ืขืœ ืคื™ ื”ืจื™ื—.
01:48
You can see why I hate Chris.
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ืืชื ื™ื›ื•ืœื™ื ืœื”ื‘ื™ืŸ ืœืžื” ืื ื™ ืฉื•ื ื ืืช ื›ืจื™ืก.
01:50
I thought my idea was pretty good,
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ื—ืฉื‘ืชื™ ืฉื”ืจืขื™ื•ืŸ ืฉืœื™ ื”ื•ื ื“ื™ ื˜ื•ื‘,
01:52
but his idea is genius,
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ืื‘ืœ ื”ืจืขื™ื•ืŸ ืฉืœื• ื’ืื•ื ื™.
01:54
and at the time, I knew his idea was better than mine,
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ื‘ืื•ืชื• ื–ืžืŸ, ื™ื“ืขืชื™ ืฉื”ืจืขื™ื•ืŸ ืฉืœื• ื”ื™ื” ื˜ื•ื‘ ืžืฉืœื™,
01:57
but I just couldn't explain why.
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ืื‘ืœ ืคืฉื•ื˜ ืœื ื™ื›ื•ืœืชื™ ืœื”ืกื‘ื™ืจ ืœืžื”.
02:00
One thing you have to know about me is I hate to lose.
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ื“ื‘ืจ ืื—ื“ ืฉืืชื ืฆืจื™ื›ื™ื ืœื“ืขืช ืขืœื™ื™ ื”ื•ื ืฉืื ื™ ืฉื•ื ื ืœื”ืคืกื™ื“.
02:03
This problem's been bugging me for well over a decade.
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ื”ื‘ืขื™ื” ื”ื–ื• ื”ื˜ืจื™ื“ื” ืื•ืชื™ ื‘ืžืฉืš ื™ื•ืชืจ ืžืขืฉื•ืจ.
02:07
All right, let's get back to the question of why sex is so good.
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ื˜ื•ื‘, ื‘ื•ืื• ื ื—ื–ื•ืจ ืœืฉืืœื” ืœื’ื‘ื™ ืžื“ื•ืข ืกืงืก ื”ื•ื ื“ื‘ืจ ื˜ื•ื‘ ื›ืœ ื›ืš.
02:11
Many years after the solar powered clocks project,
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ื”ืจื‘ื” ืฉื ื™ื ืœืื—ืจ ืคืจื•ื™ื™ืงื˜ ื”ืฉืขื•ืŸ ื”ืกื•ืœืืจื™,
02:13
a young lady I knew suggested maybe sex is so good
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ื’ื‘ืจืช ืฆืขื™ืจื” ืื—ืช ืฉื”ื›ืจืชื™ ื”ืฆื™ืขื” ืฉืื•ืœื™ ืกืงืก ื”ื•ื ื›ืœ ื›ืš ื˜ื•ื‘
02:17
because of the five senses.
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ื‘ื’ืœืœ ื—ืžืฉืช ื”ื—ื•ืฉื™ื.
02:19
And when she said this, I had an epiphany.
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ื•ื›ืืฉืจ ื”ื™ื ืืžืจื” ืืช ื–ื”, ื”ื™ื™ืชื” ืœื™ ื”ืชื’ืœื•ืช.
02:22
So I decided to evaluate different experiences I had in my life
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ืื– ื”ื—ืœื˜ืชื™ ืœื‘ื—ื•ืŸ ื—ื•ื•ื™ื•ืช ืฉื•ื ื•ืช ืฉื”ื™ื• ืœื™ ื‘ืžื”ืœืš ื—ื™ื™
02:26
from the point of view of the five senses.
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ืžื ืงื•ื“ืช ื”ืžื‘ื˜ ืฉืœ ื—ืžืฉืช ื”ื—ื•ืฉื™ื.
02:28
To do this, I devised something called the five senses graph.
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ื›ื“ื™ ืœืขืฉื•ืช ืืช ื–ื”, ืชื›ื ื ืชื™ ืžืฉื”ื• ืฉื ืงืจื ื’ืจืฃ ื—ืžืฉืช ื”ื—ื•ืฉื™ื.
02:32
Along the y-axis, you have a scale from zero to 10,
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ืœืื•ืจืš ืฆื™ืจ ื”Y, ื™ืฉ ืœื›ื ืกื•ืœื ืž0 ืขื“ 10,
02:35
and along the x-axis, you have, of course, the five senses.
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ื•ืœืื•ืจืš ืฆื™ืจ ื”X, ื™ืฉ ืœื›ื, ื›ืžื•ื‘ืŸ, ืืช ื—ืžืฉืช ื”ื—ื•ืฉื™ื.
02:38
Anytime I had a memorable experience in my life,
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ื‘ื›ืœ ืคืขื ืฉื”ื™ื™ืชื” ืœื™ ื—ื•ื•ื™ื” ืžืฉืžืขื•ืชื™ืช ื‘ื—ื™ื™ื,
02:41
I would record it on this graph like a five senses diary.
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ื”ื™ื™ืชื™ ืžืชืขื“ ืื•ืชื” ืขืœ ื”ื’ืจืฃ ื”ื–ื”, ื›ืžื• ื™ื•ืžืŸ ื—ืžืฉืช ื”ื—ื•ืฉื™ื.
02:45
Here's a quick video to show you how it works.
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ื”ื ื” ืกืจื˜ื•ืŸ ืงืฆืจ ื›ื“ื™ ืœื”ื“ื’ื™ื ืœื›ื ืื™ืš ื–ื” ืขื•ื‘ื“.
02:48
(Video) Jinsop Lee: Hey, my name's Jinsop,
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(ื•ื™ื“ืื•) ื’'ื™ื ืกื•ืค ืœื™: ื”ื™ื™, ืฉืžื™ ื”ื•ื ื’'ื™ื ืกื•ืค,
02:51
and today, I'm going to show you what riding motorbikes
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ื•ื”ื™ื•ื, ืื ื™ ืขื•ืžื“ ืœื”ืจืื•ืช ืœื›ื ื›ื™ืฆื“ ื ืจืื™ืช ืจื›ื™ื‘ื” ืขืœ ืื•ืคื ื•ืข
ืžื ืงื•ื“ืช ื”ืžื‘ื˜ ืฉืœ ื—ืžืฉืช ื”ื—ื•ืฉื™ื. ื”ื™ื™!
02:54
is like from the point of view of the five senses. Hey!
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02:57
Bike designer: This is [unclear], custom bike designer.
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ืžืชื›ื ืŸ ื”ืื•ืคื ื•ืข: ื–ื”ื• [ืœื ื‘ืจื•ืจ], ืžืชื›ื ืŸ ืื•ืคื ื•ืขื™ื ื‘ื”ืชืืžื” ืื™ืฉื™ืช.
03:00
(Motorcyle revving)
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(ืกืงื™ืจืช ืื•ืคื ื•ืข)
03:06
[Sound]
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[ืฉืžืข]
03:27
[Touch]
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[ืžื’ืข]
03:36
[Sight]
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[ืจืื™ื™ื”]
03:47
[Smell]
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[ืจื™ื—]
03:55
[Taste]
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[ื˜ืขื]
04:01
JL: And that's how the five senses graph works.
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ื’"ืœ: ื•ื›ืš ืขื•ื‘ื“ ื’ืจืฃ ื—ืžืฉืช ื”ื—ื•ืฉื™ื.
04:03
Now, for a period of three years, I gathered data,
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ื‘ืžืฉืš ืชืงื•ืคื” ืฉืœ ืฉืœื•ืฉ ืฉื ื™ื, ืืกืคืชื™ ืžื™ื“ืข,
04:07
not just me but also some of my friends,
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ืœื ืจืง ืื ื™ ืืœื ื’ื ื›ืžื” ืžื—ื‘ืจื™ื™,
04:10
and I used to teach in university, so I forced my --
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ื•ื’ื ืœื™ืžื“ืชื™ ื‘ืื•ื ื™ื‘ืจืกื™ื˜ื”, ืื– ื”ื›ืจื—ืชื™ ืืช --
04:12
I mean, I asked my students to do this as well.
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ืื ื™ ืžืชื›ื•ื•ืŸ, ื‘ื™ืงืฉืชื™ ืžื”ืกื˜ื•ื“ื ื˜ื™ื ืฉืœื™ ืœื”ืฉืชืชืฃ ื’ื ื›ืŸ.
04:15
So here are some other results.
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ืื– ื”ื ื” ืขื•ื“ ื›ืžื” ืชื•ืฆืื•ืช.
04:17
The first is for instant noodles.
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ื”ืจืืฉื•ื ื” ื”ื™ื ืขื‘ื•ืจ "ืžื ื” ื—ืžื”" ืฉืœ ื ื•ื“ืœืก.
04:20
Now obviously, taste and smell are quite high,
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ื‘ืจื•ืจ ื›ืžื•ื‘ืŸ, ืฉืฆื™ื•ื ื™ ื”ื˜ืขื ื•ื”ืจื™ื— ื”ื ื“ื™ ื’ื‘ื•ื”ื™ื,
04:23
but notice sound is at three.
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ืื‘ืœ ืฉื™ืžื• ืœื‘ ืฉื—ื•ืฉ ื”ืฉืžื™ืขื” ื”ื•ื ืขืœ 3.
04:27
Many people told me a big part
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ื”ืจื‘ื” ืื ืฉื™ื ืืžืจื• ืœื™, ืฉื—ืœืง ื’ื“ื•ืœ
04:28
of the noodle-eating experience is the slurping noise.
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ืžื—ื•ื•ื™ื™ืช ืื›ื™ืœืช ื”ื ื•ื“ืœืก, ื”ื™ื ืงื•ืœ ื”ืฉืื™ื‘ื” ืฉืœ ื”ืื˜ืจื™ื•ืช.
04:31
You know. (Slurps)
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ืืชื ื™ื•ื“ืขื™ื. (ืงื•ืœ ืฉืื™ื‘ื”).
04:34
Needless to say, I no longer dine with these people.
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ืื™ืŸ ืฆื•ืจืš ืœื•ืžืจ, ืฉืื ื™ ืœื ืื•ื›ืœ ื™ื•ืชืจ ืขื ื”ืื ืฉื™ื ื”ืืœื”.
04:37
OK, next, clubbing.
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ืื•ืงื™ื™, ื”ืœืื”, ื‘ื™ืœื•ื™ ื‘ืžื•ืขื“ื•ื ื™ื.
04:39
OK, here what I found interesting was
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ื˜ื•ื‘, ื”ื“ื‘ืจ ื”ืžืขื ื™ื™ืŸ ืฉืžืฆืืชื™ ื›ืืŸ
04:43
that taste is at four, and many respondents told me
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ื”ื•ื ืฉื”ื“ื™ืจื•ื’ ืฉืœ ื”ื˜ืขื ื”ื•ื 4, ื•ื”ืจื‘ื” ืžื’ื™ื‘ื™ื ืืžืจื• ืœื™
04:47
it's because of the taste of drinks,
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ืฉื–ื” ื‘ื’ืœืœ ื˜ืขื ื”ืžืฉืงืื•ืช,
04:49
but also, in some cases, kissing is a big part of the clubbing experience.
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ืื‘ืœ, ื‘ืžืงืจื™ื ืžืกื•ื™ืžื™ื, ื’ื ื ืฉื™ืงื•ืช ื”ืŸ ื—ืœืง ื’ื“ื•ืœ ืžื—ื•ื•ื™ื™ืช ื”ืžื•ืขื“ื•ื ื™ื.
04:53
These people I still do hang out with.
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ืขื ื”ืื ืฉื™ื ื”ืืœื” ืื ื™ ืขื“ื™ื™ืŸ ืžืกืชื•ื‘ื‘.
04:56
All right, and smoking.
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ื˜ื•ื‘, ื•ืขื™ืฉื•ืŸ.
04:59
Here I found touch is at [six], and one of the reasons
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ื›ืืŸ ืžืฆืืชื™ ืฉื—ื•ืฉ ื”ืžื™ืฉื•ืฉ ื”ื•ื ื‘ 6, ื•ืื—ืช ื”ืกื™ื‘ื•ืช ืœื›ืš
05:04
is that smokers told me the sensation of holding a cigarette
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ื›ืคื™ ืฉืžืขืฉื ื™ื ืืžืจื• ืœื™, ืฉื”ืชื—ื•ืฉื” ืฉืœ ื”ื—ื–ืงืช ืกื™ื’ืจื™ื™ื”
05:07
and bringing it up to your lips is a big part of the smoking experience,
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ื•ื”ืงื™ืจื•ื‘ ืฉืœื” ืืœ ื”ืฉืคืชื™ื™ื ืฉืœืš ื”ื™ื ื—ืœืง ื’ื“ื•ืœ ืžื—ื•ื•ื™ื™ืช ื”ืขื™ืฉื•ืŸ,
05:11
which shows, it's kind of scary to think
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ืžื” ืฉืžืจืื”, ื•ื–ื” ืงืฆืช ืžืคื—ื™ื“ ืœื—ืฉื•ื‘ ืขืœ ื–ื”,
05:13
how well cigarettes are designed by the manufacturers.
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ื›ืžื” ื˜ื•ื‘ ืžืชื•ื›ื ื ื•ืช ื”ืกื™ื’ืจื™ื•ืช ืขืœ ื™ื“ื™ ื”ื™ืฆืจื ื™ื.
05:17
OK. Now, what would the perfect experience
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ืื•ืงื™ื™. ื›ืขืช, ื›ื™ืฆื“ ืชื™ืจืื” ื”ื—ื•ื™ื™ื” ื”ืžื•ืฉืœืžืช
05:20
look like on the five senses graph?
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ืขืœ ื’ื‘ื™ ื’ืจืฃ ื—ืžืฉืช ื”ื—ื•ืฉื™ื?
05:22
It would, of course, be a horizontal line along the top.
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ื›ืžื•ื‘ืŸ ืฉื–ื” ื™ื”ื™ื” ืงื• ืื•ืคืงื™ ื‘ื—ืœืง ื”ืขืœื™ื•ืŸ.
05:26
Now you can see, not even as intense an experience
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ื›ืคื™ ืฉืืชื ื™ื›ื•ืœื™ื ืœืจืื•ืช, ืืคื™ืœื• ื—ื•ื•ื™ื” ืื™ื ื˜ื ืกื™ื‘ื™ืช ื›ืžื•
05:29
as riding a motorbike comes close.
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ืจื›ื™ื‘ื” ืขืœ ืื•ืคื ื•ืข, ืœื ืžืชืงืจื‘ืช ืœื–ื”.
05:31
In fact, in the years that I gathered data,
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ืœืžืขืฉื”, ื‘ืฉื ื™ื ืฉื‘ื”ืŸ ืืกืคืชื™ ืžื™ื“ืข,
05:33
only one experience came close to being the perfect one.
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ืจืง ื—ื•ื™ื™ื” ืื—ืช ื”ืชืงืจื‘ื” ืœื—ื•ื•ื™ื™ื” ืžื•ืฉืœืžืช.
05:37
That is, of course, sex. Great sex.
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ื•ื”ื™ื, ื›ืžื•ื‘ืŸ, ืกืงืก. ืกืงืก ืžืขื•ืœื”.
05:40
Respondents said that great sex
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ืžื’ื™ื‘ื™ื ืืžืจื• ืฉืกืงืก ืžืขื•ืœื”
05:42
hits all of the five senses at an extreme level.
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ืžืคืขื™ืœ ืืช ื›ืœ ื”ื—ื•ืฉื™ื ื‘ืขื•ืฆืžื” ื—ื–ืงื” ืžืื•ื“.
05:46
Here I'll quote one of my students who said,
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ืื ื™ ืืฆื˜ื˜ ื›ืืŸ ืืช ืื—ื“ ื”ืกื˜ื•ื“ื ื˜ื™ื ืฉืืžืจ,
"ืกืงืก ื”ื•ื ื›ืœ ื›ืš ื˜ื•ื‘, ืฉื”ื•ื ื˜ื•ื‘ ืืคื™ืœื• ื›ืฉื”ื•ื ืจืข".
05:48
"Sex is so good, it's good even when it's bad."
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05:52
So the five senses theory does help explain
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ืื– ืชืื•ืจื™ื™ืช ื—ืžืฉืช ื”ื—ื•ืฉื™ื ืื›ืŸ ืขื•ื–ืจืช ืœื”ืกื‘ื™ืจ
05:55
why sex is so good.
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ืžื“ื•ืข ืกืงืก ื”ื•ื ื›ืœ ื›ืš ื˜ื•ื‘.
05:58
Now in the middle of all this five senses work,
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ื‘ืืžืฆืข ื›ืœ ืคืจื•ื™ื™ืงื˜ ื—ืžืฉืช ื”ื—ื•ืฉื™ื ื”ื–ื”,
06:00
I suddenly remembered the solar-powered clocks project
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ื ื–ื›ืจืชื™ ืคืชืื•ื ื‘ืคืจื•ื™ื™ืงื˜ ื”ืฉืขื•ื ื™ื ื”ืกื•ืœืืจื™ื™ื
06:03
from my youth.
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ืžืฆืขื™ืจื•ืชื™.
06:04
And I realized this theory also explains why Chris's clock
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ื•ื”ื‘ื ืชื™ ืฉื”ืชื™ืื•ืจื™ื” ื”ื–ื• ืžืกื‘ื™ืจื”, ืžื“ื•ืข ื”ืฉืขื•ืŸ ืฉืœ ื›ืจื™ืก
06:07
is so much better than mine.
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ื”ื™ื” ื›ืœ ื›ืš ื˜ื•ื‘ ื™ื•ืชืจ ืžืืฉืจ ืฉืœื™.
06:09
You see, my clock only focuses on sight,
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ืืชื ืžื‘ื™ื ื™ื, ื”ืฉืขื•ืŸ ืฉืœื™ ื”ืชืžืงื“ ืจืง ื‘ื—ื•ืฉ ื”ืจืื™ื™ื”,
06:12
and a little bit of touch.
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ื•ืงืฆืช ื‘ืžื’ืข.
06:15
Here's Chris's clock.
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ื”ื ื” ื”ืฉืขื•ืŸ ืฉืœ ื›ืจื™ืก.
06:17
It's the first clock ever that uses smell to tell the time.
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ื–ื” ื”ืฉืขื•ืŸ ื”ืจืืฉื•ืŸ ืฉื ื‘ื ื” ืžืขื•ืœื, ืฉืžืจืื” ืืช ื”ืฉืขื” ืขืœ ืคื™ ื”ืจื™ื—.
06:21
In fact, in terms of the five senses,
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ืœืžืขืฉื”, ื‘ืžื•ื ื—ื™ื ืฉืœ ื—ืžืฉืช ื”ื—ื•ืฉื™ื,
06:23
Chris's clock is a revolution.
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ื”ืฉืขื•ืŸ ืฉืœ ื›ืจื™ืก ื”ื•ื ืžื”ืคื™ื›ื”.
06:26
And that's what this theory taught me about my field.
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ื•ื–ื” ืžื” ืฉื”ืชื™ืื•ืจื™ื” ื”ื–ื• ืœื™ืžื“ื” ืื•ืชื™ ืขืœ ืชื—ื•ื ื”ืžื—ืงืจ ืฉืœื™.
06:29
You see, up till now, us designers,
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ืืชื ืžื‘ื™ื ื™ื, ืขื“ ืขื›ืฉื™ื•, ืื ื—ื ื• ื”ืžืขืฆื‘ื™ื,
06:31
we've mainly focused on making things look very pretty,
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ื”ืชืจื›ื–ื ื• ื‘ืขื™ืงืจ ื‘ื™ืฆื™ืจื” ืฉืœ ื“ื‘ืจื™ื ืฉื™ื™ืจืื• ื™ืคื™ื ืžืื•ื“,
06:34
and a little bit of touch,
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ื•ื™ื›ืœืœื• ืงืฆืช ืžื’ืข,
06:36
which means we've ignored the other three senses.
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ืžื” ืฉืื•ืžืจ ืฉื”ืชืขืœืžื ื• ืžื›ืœ ืฉืœื•ืฉืช ื”ื—ื•ืฉื™ื ื”ืื—ืจื™ื.
06:39
Chris's clock shows us that even raising just one
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ื”ืฉืขื•ืŸ ืฉืœ ื›ืจื™ืก ืžืจืื” ืœื ื• ืฉืขื™ืจื•ื‘ ืฉืœ ืืคื™ืœื• ืื—ื“
06:41
of those other senses can make for a brilliant product.
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ืžื”ื—ื•ืฉื™ื ื”ืื—ืจื™ื ื”ืืœื” ื™ื›ื•ืœ ืœื”ื•ืœื™ื“ ืชื•ืฆืจ ืžื‘ืจื™ืง.
06:45
So what if we started using the five senses theory
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ืื– ืžื” ื”ื™ื” ืงื•ืจื” ืื™ืœื• ื”ื™ื™ื ื• ืžืชื—ื™ืœื™ื ืœื”ืฉืชืžืฉ ื‘ืชื™ืื•ืจื™ื™ืช ื—ืžืฉืช ื”ื—ื•ืฉื™ื
06:49
in all of our designs?
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ื‘ื›ืœ ื”ืขื™ืฆื•ื‘ื™ื ืฉืœื ื•?
06:50
Here's three quick ideas I came up with.
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ื”ื ื” ื‘ืงืฆืจื” ืฉืœื•ืฉื” ืจืขื™ื•ื ื•ืช ืฉืขืœื• ื‘ื“ืขืชื™.
06:53
This is an iron, you know, for your clothes,
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ื–ื”ื• ืžื”ื’ืฅ, ืืชื ื™ื•ื“ืขื™ื, ื‘ืฉื‘ื™ืœ ื”ื‘ื’ื“ื™ื ืฉืœื›ื,
06:55
to which I added a spraying mechanism,
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ืฉื”ื•ืกืคืชื™ ืœื• ืžื ื’ื ื•ืŸ ื”ืชื–ื”,
06:58
so you fill up the vial with your favorite scent,
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ื›ืš ืฉืืชื” ื™ื›ื•ืœ ืœืžืœื ืืช ื”ืžื™ื›ืœ ืขื ื”ื‘ื•ืฉื ื”ืื”ื•ื‘ ืขืœื™ืš,
07:01
and your clothes will smell nicer,
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ื•ื”ื‘ื’ื“ื™ื ืฉืœืš ื™ืจื™ื—ื• ื˜ื•ื‘ ื™ื•ืชืจ,
07:03
but hopefully it should also make
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ื•ื‘ืชืงื•ื•ื” ื–ื” ื’ื ื™ื”ืคื•ืš
07:04
the ironing experience more enjoyable.
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ืืช ื—ื•ื•ื™ื™ืช ื”ื’ื™ื”ื•ืฅ ืœืžื”ื ื” ื™ื•ืชืจ.
07:06
We could call this "the perfumator."
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ื”ื™ื™ื ื• ื™ื›ื•ืœื™ื ืœืงืจื•ื ืœื–ื”: "ื”ื‘ื™ืฉื•ืžื˜ื•ืจ".
07:09
All right, next.
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ื˜ื•ื‘, ื”ืœืื”.
07:11
So I brush my teeth twice a day,
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ืื– ืื ื™ ืžืฆื—ืฆื— ืฉื™ื ื™ื™ื ืคืขืžื™ื™ื ื‘ื™ื•ื,
07:13
and what if we had a toothbrush
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ื•ืžื” ืื ื”ื™ื™ืชื” ืœื ื• ืžื‘ืจืฉืช ืฉื™ื ื™ื™ื
07:15
that tastes like candy,
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ื‘ื˜ืขื ืฉืœ ืžืžืชืงื™ื,
07:17
and when the taste of candy ran out,
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ื•ื›ืฉื”ื˜ืขื ื ื’ืžืจ,
07:19
you'd know it's time to change your toothbrush?
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ืืชื” ื™ื•ื“ืข ืฉื–ื” ื”ื–ืžืŸ ืœื”ื—ืœื™ืฃ ืืช ื”ืžื‘ืจืฉืช?
07:22
Finally, I have a thing for the keys on a flute or a clarinet.
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ืœืกื™ื•ื, ื™ืฉ ืœื™ ืžืฉื”ื• ืœืžื ื•ืคื™ื ืฉืœ ื—ืœื™ืœ ืฆื“ ืื• ืงืœืจื™ื ื˜,
07:27
It's not just the way they look, but I love the way they feel
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ืœื ืจืง ืื™ืš ืฉื”ื ื ืจืื™ื, ืื ื™ ืื•ื”ื‘ ืืช ืื™ืš ืฉื”ื ืžืจื’ื™ืฉื™ื
07:30
when you press down on them.
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ื›ืฉืืชื” ืœื•ื—ืฅ ืขืœื™ื”ื.
07:33
Now, I don't play the flute or the clarinet,
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ืขื›ืฉื™ื•, ืื ื™ ืœื ืžื ื’ืŸ ืขืœ ื—ืœื™ืœ ืฆื“ ืื• ืขืœ ืงืœืจื™ื ื˜,
07:35
so I decided to combine these keys with an instrument I do play:
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ืื– ื”ื—ืœื˜ืชื™ ืœืฉืœื‘ ืืช ื”ืžื ื•ืคื™ื ืขื ื›ืœื™ ืฉืขืœื™ื• ืื ื™ ื›ืŸ ืžื ื’ืŸ:
07:39
the television remote control.
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ื”ืฉืœื˜-ืจื—ื•ืง ืฉืœ ื”ื˜ืœื•ื™ื–ื™ื”.
07:42
Now, when we look at these three ideas together,
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ืขื›ืฉื™ื•, ื›ืฉืื ื—ื ื• ืžืกืชื›ืœื™ื ืขืœ ืฉืœื•ืฉืช ื”ืจืขื™ื•ื ื•ืช ื”ืืœื” ื™ื—ื“,
07:45
you'll notice that the five senses theory
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ืชื‘ื—ื™ื ื• ืฉืชืื•ืจื™ื™ืช ื—ืžืฉืช ื”ื—ื•ืฉื™ื
07:48
doesn't only change the way we use these products
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ืœื ืจืง ืžืฉื ื” ืืช ื”ื“ืจืš ืฉื‘ื” ืื ื—ื ื• ืžืฉืชืžืฉื™ื ื‘ืžื•ืฆืจื™ื ื”ืืœื”
07:51
but also the way they look.
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ืืœื ื’ื ืืช ืื™ืš ืฉื”ื ื ืจืื™ื.
07:54
So in conclusion, I've found the five senses theory
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ืื– ืœืกื™ื›ื•ื, ืื ื™ ืžืฆืืชื™ ืืช ืชืื•ืจื™ื™ืช ื—ืžืฉืช ื”ื—ื•ืฉื™ื
07:58
to be a very useful tool in evaluating
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ื›ื›ืœื™ ืžืื•ื“ ื™ืขื™ืœ ื‘ืฉื‘ื™ืœ ืœื”ืขืจื™ืš
08:01
different experiences in my life,
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ื—ื•ื•ื™ื•ืช ืฉื•ื ื•ืช ื‘ื—ื™ื™,
08:02
and then taking those best experiences
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ื•ืื– ืœืงื—ืช ืืช ื”ื—ื•ื•ื™ื•ืช ื”ื˜ื•ื‘ื•ืช ื‘ื™ื•ืชืจ
08:05
and hopefully incorporating them into my designs.
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ื•ื‘ืชืงื•ื•ื” ืœืฉืœื‘ ืื•ืชืŸ ืœืชื•ืš ื”ืขื™ืฆื•ื‘ื™ื ืฉืœื™.
08:08
Now, I realize the five senses isn't the only thing
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ืขื›ืฉื™ื•, ืื ื™ ืžื‘ื™ืŸ ืฉื—ืžืฉืช ื”ื—ื•ืฉื™ื ื–ื” ืœื ื”ื“ื‘ืจ ื”ื™ื—ื™ื“
08:12
that makes life interesting.
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ืฉื”ื•ืคืš ืืช ื”ื—ื™ื™ื ืœืžืขื ื™ื™ื ื™ื.
08:14
There's also the six emotions
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ื™ืฉ ื’ื ืืช ืฉืฉืช ื”ืจื’ืฉื•ืช
08:16
and that elusive x-factor.
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ื•ืืช ื’ื•ืจื ื”-X ื”ื—ืžืงืžืง.
08:20
Maybe that could be the topic of my next talk.
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ืื•ืœื™ ื–ื” ื™ื›ื•ืœ ืœื”ื™ื•ืช ื”ื ื•ืฉื ืฉืœ ื”ืฉื™ื—ื” ื”ื‘ืื” ืฉืœื™.
08:23
Until then, please have fun
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ืขื“ ืื–, ื‘ื‘ืงืฉื” ืชื”ื ื•
08:26
using the five senses in your own lives
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ื‘ืฉื™ืžื•ืฉ ืฉืœ ื—ืžืฉืช ื”ื—ื•ืฉื™ื ื‘ื—ื™ื™ื ืฉืœื›ื
08:28
and your own designs.
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ื•ื‘ืขื™ืฆื•ื‘ื™ื ืฉืœื›ื
08:30
Oh, one last thing before I leave.
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ืื•, ื“ื‘ืจ ืื—ื“ ืื—ืจื•ืŸ ืœืคื ื™ ืฉืื ื™ ืขื•ื–ื‘,
08:33
Here's the experience you all had while listening
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ื”ื ื” ื”ื—ื•ื•ื™ื” ืฉื›ื•ืœื›ื ื—ื•ื•ื™ืชื ื‘ื–ืžืŸ ืฉื”ืงืฉื‘ืชื
08:35
to the TED Talks.
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ืœืฉื™ื—ืช TED.
08:36
However, it would be better if we could boost up
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ืขื ื–ืืช, ื–ื” ื™ื›ื•ืœ ืœื”ื™ื•ืช ื˜ื•ื‘ ื™ื•ืชืจ ืื ื ื•ื›ืœ ืœืชื’ื‘ืจ
ืขื•ื“ ื›ืžื” ืžื”ื—ื•ืฉื™ื ื”ืื—ืจื™ื ื›ืžื• ืจื™ื— ื•ื˜ืขื.
08:39
a couple of the other senses like smell and taste.
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08:42
And the best way to do that is with
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ื•ื”ื“ืจืš ื”ื™ื—ื™ื“ื” ืœืขืฉื•ืช ืืช ื–ื” ื”ื™ื ื‘ืขื–ืจืช
08:45
free candy.
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ืžืžืชืงื™ื ื—ื™ื ื.
08:47
You guys ready?
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ืืชื ืžื•ื›ื ื™ื?
08:49
All right.
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ื‘ืกื“ืจ.
08:52
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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