Sam Martin: The quirky world of "manspaces"

58,596 views ใƒป 2009-10-09

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Ido Dekkers ืžื‘ืงืจ: Sigal Tifferet
00:15
So, I am indeed going to talk about
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ืื–, ืื ื™ ื‘ื”ื—ืœื˜ ืขื•ืžื“ ืœื“ื‘ืจ ืขืœ
00:18
the spaces men create for themselves,
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ื”ืื–ื•ืจื™ื ืฉื’ื‘ืจื™ื ื™ื•ืฆืจื™ื ื‘ืฉื‘ื™ืœ ืขืฆืžื.
00:20
but first I want to tell you why I'm here.
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ืื‘ืœ ืงื•ื“ื ืื ื™ ืจื•ืฆื” ืœืกืคืจ ืœื›ื ืœืžื” ืื ื™ ื›ืืŸ.
00:22
I'm here for two reasons. These two guys
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ืื ื™ ื›ืืŸ ืžืฉืชื™ ืกื™ื‘ื•ืช. ืฉื ื™ ื”ื—ื‘ืจื” ื”ืืœื”
00:24
are my two sons Ford and Wren.
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ื”ื ืฉื ื™ ื”ื‘ื ื™ื ืฉืœื™ ืคื•ืจื“ ื•ืจืŸ.
00:27
When Ford was about three years old,
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ื›ืฉืคื•ืจื“ ื”ื™ื” ื‘ืขืจืš ื‘ืŸ ืฉืœื•ืฉ,
00:29
we shared a very small room together,
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ื—ืœืงื ื• ื—ื“ืจ ืงื˜ืŸ ื‘ื™ื—ื“,
00:31
in a very small space.
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ื‘ื—ืœืœ ืงื˜ืŸ ืžืื•ื“.
00:33
My office was on one half of the bedroom,
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ื”ืžืฉืจื“ ืฉืœื™ ื”ื™ื” ื‘ื—ืฆื™ ืื—ื“ ืฉืœ ื”ื—ื“ืจ.
00:35
and his bedroom was on the other half.
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ื•ื—ื“ืจ ื”ืฉื™ื ื” ืฉืœื• ื”ื™ื” ื‘ื—ืฆื™ ื”ืฉื ื™.
00:37
And you can imagine, if you're a writer,
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ื•ืืชื ื™ื›ื•ืœื™ื ืœื“ืžื™ื™ืŸ, ืื ืืชื ืกื•ืคืจื™ื,
00:39
that things would get really crowded around deadlines.
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ืฉื“ื‘ืจื™ื ื™ื”ื™ื• ืœื—ื•ืฆื™ื ืœืงืจืืช ืžื•ืขื“ ื”ื”ื’ืฉื”.
00:42
So when Wren was on the way,
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ืื– ื›ืฉืจืŸ ื”ื™ื” ื‘ื“ืจืš,
00:44
I realized I needed to find a space of my own.
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ื”ื‘ื ืชื™ ืฉืื ื™ ืฆืจื™ืš ืžืงื•ื ืœืขืฆืžื™.
00:46
There was no more space in the house. So I went out to the backyard,
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ืœื ื”ื™ื” ื™ื•ืชืจ ืžืงื•ื ื‘ื‘ื™ืช. ืื– ื™ืฆืืชื™ ืœื—ืฆืจ ื”ืื—ื•ืจื™ืช.
00:49
and without any previous building experience,
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ื•ื‘ืœื™ ื ืกื™ื•ืŸ ื‘ื‘ื ื™ื”,
00:51
and about 3,000 dollars and some
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ื•ืขื 3000 ื“ื•ืœืจ ื•ืงืฆืช
00:53
recycled materials, I built this space.
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ื—ื•ืžืจื™ื ืžืžื•ื—ื–ืจื™ื, ื‘ื ื™ืชื™ ืืช ื”ื—ืœืœ ื”ื–ื”.
00:55
It had everything I needed. It was quiet.
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ื”ื™ื” ืœื™ ื›ืœ ืžื” ืฉื”ื™ื™ืชื™ ืฆืจื™ืš. ื–ื” ื”ื™ื” ืฉืงื˜.
00:58
There was enough space. And I had control, which was very important.
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ื”ื™ื” ืžืกืคื™ืง ืžืงื•ื. ื•ื”ื™ื™ืชื™ ื‘ืฉืœื™ื˜ื”, ืžื” ืฉื”ื™ื” ืžืื•ื“ ื—ืฉื•ื‘.
01:01
As I was building this space, I thought
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ื›ืฉื‘ื ื™ืชื™ ืืช ื”ืžืงื•ื ื—ืฉื‘ืชื™
01:03
to myself, "Surely I'm not the only guy
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ืœืขืฆืžื™, "ื‘ื˜ื•ื— ืฉืื ื™ ืœื ื”ื’ื‘ืจ ื”ื™ื—ื™ื“
01:05
to have to have carved out a space for his own."
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ืฉื—ืฆื‘ ืœืขืฆืžื• ืžืงื•ื ืžืฉืœื•."
01:08
So I did some research.
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ืื– ืขืฉื™ืชื™ ืงืฆืช ืžื—ืงืจ.
01:10
And I found that there was an historic precedence.
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ื•ืžืฆืืชื™ ืฉื”ื™ื” ืชืงื“ื™ื ื”ื™ืกื˜ื•ืจื™.
01:12
Hemingway had his writing space.
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ืœื”ืžื™ื ื’ื•ื•ื™ ื”ื™ื” ืืช ืžืงื•ื ื”ื›ืชื™ื‘ื” ืฉืœื•.
01:14
Elvis had two or three manspaces,
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ืœืืœื‘ื™ืก ื”ื™ื• ืฉื ื™ื™ื ืื• ืฉืœื•ืฉื” "ืžืงื•ืžื•ืช ื’ื‘ืจื™ื™ื"
01:16
which is pretty unique because he lived with both his wife and his mother in Graceland.
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ืฉื–ื” ืžืื•ื“ ื™ื—ื•ื“ื™ ืžืคื ื™ ืฉื”ื•ื ื’ืจ ื’ื ืขื ืื™ืฉืชื• ื•ื’ื ืขื ืื™ืžื• ื‘ื’ืจื™ื™ืกืœื ื“.
01:20
In the popular culture, Superman had the Fortress of Solitude,
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ื‘ืชืจื‘ื•ืช ื”ืคื•ืคื•ืœืจื™ืช, ืœืกื•ืคืจืžืŸ ื”ื™ื” ืืช ืžื‘ืฆืจ ื”ื‘ื“ื™ื“ื•ืช.
01:24
and there was, of course, the Batcave.
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ื•ื›ืžื•ื‘ืŸ ื”ื™ืชื” ื”ืžืื•ืจื” ืฉืœ ื‘ืื˜ืžืŸ.
01:27
So I realized then that I wanted to go out on a journey
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ืื– ื”ื‘ื ืชื™ ืฉืื ื™ ืจื•ืฆื” ืœืฆืืช ืœืžืกืข
01:31
and see what guys were creating for themselves now.
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ื•ืœืจืื•ืช ืžื” ื’ื‘ืจื™ื ื™ืฆืจื• ืœืขืฆืžื.
01:34
Here is one of the first spaces I found. It is in Austin, Texas,
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ื”ื ื” ืื—ื“ ื”ืžืงื•ืžื•ืช ื”ืจืืฉื•ื ื™ื ืฉืžืฆืืชื™. ื–ื” ื‘ืื•ืกื˜ื™ืŸ, ื˜ืงืกืก.
01:36
which is where I'm from.
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ืžืฉื ื”ื’ืขืชื™.
01:38
On the outside it looks like a very typical garage, a nice garage.
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ืžื‘ื—ื•ืฅ ื–ื” ื ืจืื” ื›ืžื• ืžื•ืกืš ื˜ื™ืคื•ืกื™, ืžื•ืกืš ื ื—ืžื“.
01:41
But on the inside, it's anything but.
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ืื‘ืœ ืžื‘ืคื ื™ื, ื–ื” ื”ื›ืœ ื—ื•ืฅ ืžื–ื”.
01:43
And this, to me, is a pretty classic manspace.
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ื•ื–ื”, ื‘ืฉื‘ื™ืœื™, ื”ื•ื "ืื–ื•ืจ ื’ื‘ืจื™" ืงืœืืกื™ ื˜ื™ืคื•ืกื™.
01:45
It has neon concert posters, a bar
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ื™ืฉ ื‘ื• ืคื•ืกื˜ืจื™ ื ืื•ืŸ, ื‘ืืจ,
01:49
and, of course, the leg lamp,
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ื•ื›ืžื•ื‘ืŸ, ืžื ื•ืจืช ืจื’ืœ,
01:51
which is very important.
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ืฉื”ื™ื ืžืื•ื“ ื—ืฉื•ื‘ื”.
01:53
I soon realized that manspaces didn't have to be only inside.
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ืžื”ืจ ืžืื•ื“ ื”ื‘ื ืชื™ ืฉืื–ื•ืจื™ื ื’ื‘ืจื™ื™ื ืœื ื—ื™ื™ื‘ื™ื ืœื”ื™ื•ืช ื‘ืคื ื™ื.
01:56
This guy built a bowling alley in his backyard,
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ื”ืื™ืฉ ื”ื–ื” ื‘ื ื” ืžืกืœื•ืœ ื‘ืื•ืœื™ื ื’ ื‘ื—ืฆืจ ื”ืื—ื•ืจื™ืช,
01:59
out of landscaping timbers, astroturf.
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ืžืขืฆื™ ื‘ื ื™ื™ื”, ืื“ืžืช ืžื™ืœื•ื™,
02:01
And he found the scoreboard in the trash.
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ื•ืืช ืœื•ื— ื”ืชื•ืฆืื•ืช ื”ื•ื ืžืฆื ื‘ื–ื‘ืœ.
02:04
Here's another outdoor space, a little bit more sophisticated.
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ื”ื ื” ืขื•ื“ ื—ืœืœ ื—ื™ืฆื•ื ื™, ืžืฉื•ื›ืœืœ ื™ื•ืชืจ.
02:06
This a 1923 wooden tugboat,
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ื–ื• ืกื™ืจืช ื’ืจืจ ืžืขืฅ ืž1923,
02:09
made completely out of Douglas fir.
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ืฉืขืฉื•ื™ื™ื” ื›ื•ืœื” ืžืืฉื•ื— ื“ืื’ืœืืก.
02:11
The guy did it all himself.
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ื”ื‘ื—ื•ืจ ืขืฉื” ื”ื›ืœ ื‘ืขืฆืžื•.
02:13
And there is about 1,000 square feet of hanging-out space inside.
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ื•ื™ืฉ 1000 ืจื’ืœ ืžืจื•ื‘ืข ืžืงื•ื ื‘ื™ืœื•ื™ ื‘ืคื ื™ื.
02:17
So, pretty early on in my investigations
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ืื–, ื“ื™ ื‘ื”ืชื—ืœืช ื”ืžื—ืงืจ ืฉืœื™
02:20
I realized what I was finding was not what I expected to find,
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ื”ื‘ื ืชื™ ืฉืžื” ืฉืžืฆืืชื™ ืœื ื”ื™ื” ืžื” ืฉืฆื™ืคื™ืชื™ ืœืžืฆื•ื,
02:23
which was, quite frankly, a lot of beer can pyramids
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ืฉื”ื™ื”, ื”ืืžืช, ื”ืจื‘ื” ืคื™ืจืžื™ื“ื•ืช ืฉืœ ืคื—ื™ื•ืช ื‘ื™ืจื” ืจื™ืงื•ืช
02:25
and overstuffed couches and flat-screen TVs.
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ื•ืกืคื•ืช ืชืคื•ื—ื•ืช ื•ื˜ืœื•ื™ื–ื™ื•ืช LCD.
02:28
There were definitely hang-out spots.
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ื”ื™ื• ืžืงื•ืžื•ืช ื”ืจื’ืขื•ืช ืฉื•ื ื™ื.
02:30
But some were for working, some were for playing,
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ืื‘ืœ ื—ืœืง ื”ื™ื• ืœืขื‘ื•ื“ื”, ื—ืœืง ืœืžืฉื—ืง,
02:33
some were for guys to collect their things.
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ื—ืœืง ื”ื™ื• ืžืงื•ื ืœื’ื‘ืจื™ื ืœืืกื•ืฃ ื“ื‘ืจื™ื.
02:36
Most of all, I was just surprised with what I was finding.
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ื•ื‘ืขื™ืงืจ, ื”ื™ื™ืชื™ ืžื•ืคืชืข ืžืžื” ืฉืžืฆืืชื™.
02:39
Take this place for example.
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ืงื—ื• ืืช ื”ืžืงื•ื ื”ื–ื” ืœื“ื•ื’ืžื”.
02:41
On the outside it looks like a typical northeastern garage.
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ืžื‘ื—ื•ืฅ ื”ื•ื ื ืจืื” ื›ืžื• ืžื•ืกืš ืฆืคื•ืŸ ืžื–ืจื—ื™.
02:43
This is in Long Island, New York.
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ื–ื” ื‘ืœื•ื ื’ ืื™ื™ืœื ื“, ื ื™ื• ื™ื•ืจืง.
02:45
The only thing that might tip you off is the round window.
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ื”ื“ื‘ืจ ื”ื™ื—ื™ื“ ืฉื™ื›ื•ืœ ืœื”ืกื’ื™ืจ ืืช ื”ืžืงื•ื ื–ื” ื”ื—ืœื•ืŸ ื”ืขื’ื•ืœ.
02:48
On the inside it's a recreation of a
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ื‘ืคื ื™ื ื–ื” ืฉื—ื–ื•ืจ ืฉืœ
02:50
16th century Japanese tea house.
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ื‘ื™ืช ืชื” ื™ืคื ื™ ืžื”ืžืื” ื”16.
02:53
The man imported all the materials from Japan,
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ื”ืื™ืฉ ื™ื™ื‘ื ืืช ื›ืœ ื”ื—ื•ืžืจื™ื ืžื™ืคืŸ,
02:55
and he hired a Japanese carpenter
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ื•ืฉื›ืจ ื ื’ืจ ื™ืคื ื™
02:58
to build it in the traditional style.
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ืœื‘ื ื•ืช ื‘ืกื’ื ื•ืŸ ืžืกื•ืจืชื™.
03:00
It has no nails or screws.
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ืœื ื”ื™ื• ืฉื ืžืกืžืจื™ื ืื• ื‘ืจื’ื™ื.
03:02
All the joints are hand-carved and hand-scribed.
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ื›ืœ ื”ื—ื™ื‘ื•ืจื™ื ื’ื•ืœืคื• ื‘ื™ื“ ื•ื ื—ืจื˜ื• ื‘ื™ื“.
03:05
Here is another pretty typical scene. This is a suburban Las Vegas neighborhood.
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ื”ื ื” ืขื•ื“ ืกืฆื ื” ื˜ื™ืคื•ืกื™ืช. ื–ื• ืฉื›ื•ื ื” ืคืจื•ื•ืจื™ืช ืฉืœ ืœืืก ื•ื’ืืก.
03:08
But you open one of the garage doors
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ืื‘ืœ ืคื•ืชื—ื™ื ืืช ืื—ืช ืžื“ืœืชื•ืช ื”ืžื•ืกืš
03:11
and there is a professional-size boxing ring inside.
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ื•ื™ืฉ ื–ื™ืจืช ื”ืชืื’ืจืคื•ืช ื‘ื’ื•ื“ืœ ืžืงืฆื•ืขื™ ื‘ืคื ื™ื.
03:14
(Laughter)
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(ืฆื—ื•ืง)
03:15
And so there is a good reason for this.
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ื•ื™ืฉ ืกื™ื‘ื” ื˜ื•ื‘ื” ืœื–ื”.
03:17
It was built by this man who is Wayne McCullough.
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ื”ื™ื ื ื‘ื ืชื” ืขืœ ื™ื“ื™ ื”ืื™ืฉ ื”ื–ื” ืฉื”ื•ื ื•ื•ื™ืŸ ืžืงืœืื•.
03:19
He won the silver medal for Ireland
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ื”ื•ื ื–ื›ื” ื‘ืžื“ืœื™ืช ื”ื›ืกืฃ ืœืื™ืจืœื ื“
03:21
in the 1992 Olympics,
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ื‘ืื•ืœื™ืžืคื™ื™ื“ืช 1992.
03:23
and he trains in this space. He trains other people.
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ื•ื”ื•ื ืžืืžืŸ ื‘ืžืงื•ื ื”ื–ื”. ื”ื•ื ืžืืžืŸ ืื ืฉื™ื ืื—ืจื™ื.
03:26
And right off the garage he has his own trophy room
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ื•ืฆืžื•ื“ ืœืžื•ืกืš ื™ืฉ ืœื• ืืช ื—ื“ืจ ื”ื’ื‘ื™ืขื™ื
03:29
where he can sort of bask in his accomplishments,
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ืฉื ื”ื•ื ื™ื›ื•ืœ ืœื”ืชืขื ื’ ืžื”ืฉื’ื™ื•,
03:31
which is another sort of important part about a manspace.
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ืฉื–ื” ื“ื‘ืจ ื—ืฉื•ื‘ ื ื•ืกืฃ ื‘ืื–ื•ืจ ื’ื‘ืจื™.
03:34
So, while this space represents someone's profession,
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ืื–, ื‘ืขื•ื“ ืื–ื•ืจ ื–ื” ืžืฆื™ื’ ืืช ืžืงืฆื•ืขื• ืฉืœ ื”ืื“ื,
03:37
this one certainly represents a passion.
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ื–ื” ื‘ื”ื—ืœื˜ ืžื™ื™ืฆื’ ืชืฉื•ืงื”.
03:39
It's made to look like the inside of an English sailing ship.
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ื–ื” ื‘ื ื•ื™ ืœื”ืจืื•ืช ื›ืžื• ื‘ืชื•ืš ืกืคื™ื ืช ืžืคืจืฉ ืื ื’ืœื™ืช.
03:42
It's a collection of nautical antiques from the 1700s and 1800s.
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ื–ื” ืฆืจื•ืฃ ืฉืœ ืขืชื™ืงื•ืช ืฉื™ื™ื˜ ืžื”ืžืื•ืช ื”18 ื•ื”19.
03:45
Museum quality.
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ื‘ืื›ื•ืช ืžื•ื–ืืœื™ืช.
03:47
So, as I came to the end of my journey,
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ืื–, ื›ืฉื”ื’ืขืชื™ ืœืกื•ืฃ ื”ืžืกืข ืฉืœื™,
03:49
I found over 50 spaces.
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ืžืฆืืชื™ ื™ื•ืชืจ ืž50 ืžืจื—ื‘ื™ื.
03:51
And they were unexpected and they were surprising.
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ื•ื”ื ื”ื™ื• ื‘ืœืชื™ ืฆืคื•ื™ื™ื ื•ื”ื™ื• ืžืคืชื™ืขื™ื.
03:53
But they were also --
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ืื‘ืœ ื”ื ื”ื™ื• ื’ื --
03:55
I was really impressed by how personalized they were,
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ืžืื•ื“ ื”ืชืจืฉืžืชื™ ืžื›ืžื” ืžื•ืชืืžื™ื ืื™ืฉื™ืช ื”ื ื”ื™ื•,
03:57
and how much work went into them.
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ื•ื›ืžื” ืขื‘ื•ื“ื” ื”ื•ืฉืงืขื” ื‘ื”ื.
03:59
And I realized that's because the guys that I met
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ื•ื”ื‘ื ืชื™ ืฉื–ื” ื‘ื’ืœืœ ืฉืœื›ืœ ื”ืื ืฉื™ื ืฉืคื’ืฉืชื™
04:01
were all very passionate about what they did.
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ื”ื™ืชื” ืชืฉื•ืงื” ื’ื“ื•ืœื” ืœืžื” ืฉืขืฉื•.
04:03
And they really loved their professions.
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ื•ื”ื ื‘ืืžืช ืื”ื‘ื• ืืช ื”ืžืงืฆื•ืข ืฉืœื”ื.
04:05
And they were very passionate about their collections and their hobbies.
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ื•ื”ื™ืชื” ืœื”ื ืชืฉื•ืงื” ื’ื“ื•ืœื” ืœืื•ืกืคื™ื ื•ืœืชื—ื‘ื™ื‘ื™ื ืฉืœื”ื.
04:07
And so they created these spaces
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ืื– ื”ื ื™ืฆืจื• ืืช ื”ืื–ื•ืจื™ื ื”ืืœื”
04:09
to reflect what they love to do,
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ื›ื“ื™ ืœืฉืงืฃ ืืช ืžื” ืฉื”ื ืื•ื”ื‘ื™ื ืœืขืฉื•ืช,
04:12
and who they were.
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ื•ืžื™ ืฉื”ื.
04:14
So if you don't have a space of your own,
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ืื– ืื ืื™ืŸ ืœื›ื ืื–ื•ืจ ืžืฉืœื›ื,
04:16
I highly recommend finding one, and getting into it.
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ืื ื™ ืžืžืœื™ืฅ ืžืื•ื“ ืœืžืฆื•ื ืื—ื“, ื•ืœื”ื›ื ืก ืœื–ื”.
04:18
Thank you very much.
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ืชื•ื“ื” ืจื‘ื” ืœื›ื.
04:20
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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