Margaret Stewart: How YouTube thinks about copyright

117,443 views ใƒป 2010-06-15

TED


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: sayeon jo ๊ฒ€ํ† : Sookjin Hyun
00:15
So, if you're in the audience today,
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๋„ค, ๋งŒ์•ฝ ์˜ค๋Š˜ ๋‹น์‹ ์ด ์ฒญ์ค‘์œผ๋กœ ๊ณ„์‹œ๋‹ค๋ฉด
00:17
or maybe you're watching this talk in some other time or place,
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๋˜๋Š” ๋‹น์‹ ์ด ์ผ๋ถ€ ๋‹ค๋ฅธ ์‹œ๊ฐ„ ๋˜๋Š” ์žฅ์†Œ์—์„œ ์ด ๊ฐ•์—ฐ์„ ๋ณด๊ณ ์žˆ๋‹ค๋ฉด,
00:20
you are a participant in the digital rights ecosystem.
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๋‹น์‹ ์€ ๋””์ง€ํ„ธ ์ €์ž‘๊ถŒ ์„ธ๊ณ„์†์˜ ์ฐธ์—ฌ์ž์ž…๋‹ˆ๋‹ค.
00:23
Whether you're an artist, a technologist,
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๋‹น์‹ ์ด ์˜ˆ์ˆ ๊ฐ€์ด๋“ , ๊ธฐ์ˆ ์ž์ด๋“ 
00:25
a lawyer or a fan,
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๋˜๋Š” ๋ณ€ํ˜ธ์‚ฌ์ด๊ฑด, ํŒฌ์ด๊ฑด ์ƒ๊ด€์—†์ด
00:27
the handling of copyright directly impacts your life.
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์ ์ž‘๊ถŒ์„ ๋‹ค๋ฃจ๋Š” ๊ฒƒ์€ ์ง์ ‘์ ์œผ๋กœ ๋‹น์‹ ์˜ ์ธ์ƒ์— ์˜ํ–ฅ์„ ๋ฏธ์นฉ๋‹ˆ๋‹ค.
00:30
Rights management is no longer
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์˜ค๋Š˜๋‚  ์ €์ž‘๊ถŒ ๊ด€๋ฆฌ๋Š” ๋”์ด์ƒ
00:32
simply a question of ownership,
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๋‹จ์ˆœํ•œ ์†Œ์œ ๊ถŒ์˜ ๋ฌธ์ œ๊ฐ€ ์•„๋‹™๋‹ˆ๋‹ค.
00:35
it's a complex web of relationships
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๊ด€๊ณ„๋“ค์˜ ๋ณต์žกํ•œ ๊ฑฐ๋ฏธ์ค„์ด๊ณ ,
00:37
and a critical part of our cultural landscape.
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์šฐ๋ฆฌ ๋ฌธํ™” ํ’๊ฒฝ์˜ ์ค‘๋Œ€ํ•œ ๋ถ€๋ถ„์ž…๋‹ˆ๋‹ค.
00:40
YouTube cares deeply about the rights of content owners,
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์œ ํˆฌ๋ธŒ๋Š” ์ปจํ…์ธ  ์†Œ์œ ์ฃผ๋“ค์˜ ๊ถŒ๋ฆฌ์— ๋Œ€ํ•ด ๊นŠ์ด ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
00:43
but in order to give them choices about what they can do
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๊ทธ๋Ÿฌ๋‚˜ ์šฐ๋ฆฌ๋Š” ๊ทธ ์†Œ์œ ์ฃผ๋“ค์ด ๋ณต์‚ฌ๋ณธ, mashp-up ๋“ฑ์„ ์ด์šฉํ•ด์„œ
00:45
with copies, mashups and more,
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์ž์‹ ๋“ค์ด ์›ํ•˜๋Š” ๊ฒƒ์„ ํ•  ์ˆ˜ ์žˆ๋„๋ก ํ•˜๋Š” ์„ ํƒ๊ถŒ์„ ์ฃผ๊ธฐ์œ„ํ•ด์„œ
00:48
we need to first identify
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์šฐ๋ฆฌ๋Š” ๋จผ์ €
00:50
when copyrighted material is uploaded to our site.
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์ €์ž‘๊ถŒ์œผ๋กœ ๋ณดํ˜ธ๋œ ๋‚ด์šฉ์ด ์šฐ๋ฆฌ ์‹ธ์ดํŠธ์— ๋“ฑ๋ก ๋  ๋•Œ ํ™•์ธํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
00:53
Let's look at a specific video so you can see how it works.
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์ด ๋น„๋””์˜ค๋ฅผ ๋ณด์‹œ๋ฉด ์–ด๋–ป๊ฒŒ ์ž‘๋™ํ•˜๋Š”์ง€ ์•Œ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
00:56
Two years ago, recording artist Chris Brown
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2๋…„์ „ ๋ ˆ์ฝ”๋”ฉ ์•„ํ‹ฐ์ŠคํŠธ ๊ทธ๋ฆฌ์Šค ๋ธŒ๋ผ์šด์€
00:58
released the official video of his single "Forever."
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๊ทธ์˜ ์‹ฑ๊ธ€๊ณต์‹ ๋น„๋””์˜ค "Forever" ๋ฅผ ๋ฐœ๋งคํ–ˆ์Šต๋‹ˆ๋‹ค.
01:01
A fan saw it on TV,
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ํ•œ ํŒฌ์ด TV์—์„œ ์ด๊ฒƒ์„ ๋ณด๊ณ 
01:03
recorded it with her camera phone,
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๊ทธ๋…€์˜ ์นด๋ฉ”๋ผํฐ์œผ๋กœ ๋…นํ™”๋ฅผ ํ•˜๊ณ ,
01:05
and uploaded it to YouTube.
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์ด๊ฒƒ์„ ์œ ํˆฌ๋ถ€์— ์˜ฌ๋ ธ์Šต๋‹ˆ๋‹ค.
01:08
Because Sony Music had registered Chris Brown's video
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ํ˜„์žฌ, ์†Œ๋‹ˆ๋ฎค์ง์€ ํฌ๋ฆฌ์Šค ๋ธŒ๋ผ์šด์˜ ๋น„๋””์˜ค๋ฅผ
01:11
in our Content ID system,
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์šฐ๋ฆฌ์˜ ์ปจํ…์ธ  ID์‹œ์Šคํ…œ์— ๋“ฑ๋ก์‹œ์ผฐ๊ธฐ ๋•Œ๋ฌธ์—
01:13
within seconds of attempting to upload the video,
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๊ทธ ๋น„๋””์˜ค๋ฅผ ๋“ฑ๋ก์‹œํ‚ค๋ ค๋Š” ๋ช‡ ์ดˆ๋‚ด์—
01:15
the copy was detected,
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๊ทธ ๋ณต์‚ฌ๋ณธ์ด ๊ฐ์ง€๋˜์—ˆ๊ณ ,
01:17
giving Sony the choice of what to do next.
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์†Œ๋‹ˆ์—๊ฒŒ ๊ทธ ๋‹ค์Œ์— ๋ฌด์—‡์„ ํ•ด์•ผํ• ์ง€์— ๋Œ€ํ•œ ์„ ํƒ๊ถŒ์„ ์ฃผ์—ˆ์Šต๋‹ˆ๋‹ค.
01:20
But how do we know that the user's video was a copy?
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ํ•˜์ง€๋งŒ ์šฐ๋ฆฌ๊ฐ€ ๊ทธ ์‚ฌ์šฉ์ž์˜ ๋น„๋””์˜ค๊ฐ€ ๋ณต์‚ฌ๋ณธ์ธ์ง€ ์–ด๋–ป๊ฒŒ ์•Œ ์ˆ˜ ์žˆ์„๊นŒ์š”?
01:23
Well, it starts with content owners
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๊ทธ๊ฒƒ์€ ์ปจํ…์ธ ์˜ ์†Œ์œ ์ž๋“ค์ด ๊ทธ๋“ค์˜ ์ž์‚ฐ์„
01:25
delivering assets into our database,
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์šฐ๋ฆฌ์˜ ๋ฐ์ดํ„ฐ๋ฒ ์ด์Šค์— ๋“ฑ๋กํ•˜๊ณ ,
01:27
along with a usage policy
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์ค‘๋ณต๋˜๋Š” ๋‚ด์šฉ์ด ๋ฐœ๊ฒฌ๋˜์—ˆ์„ ๋•Œ
01:29
that tells us what to do when we find a match.
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์–ด๋–ป๊ฒŒ ํ•  ์ง€๋ฅผ ์ •ํ•œ ์‚ฌ์šฉ ์ •์ฑ…์— ๋”ฐ๋ผ์„œ ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค.
01:33
We compare each upload
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์šฐ๋ฆฌ๋Š” ๊ฐ๊ฐ์˜ ์—…๋กœ๋“œ ํŒŒ์ผ๊ณผ
01:35
against all of the reference files in our database.
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๋ฐ์ดํƒ€๋ฒ ์ด์Šค๋‚ด์˜ ๋ชจ๋“  ์ฐธ์กฐ ํŒŒ์ผ์„ ๋น„๊ตํ•ฉ๋‹ˆ๋‹ค.
01:38
This heat map is going to show you
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ํ˜„์žฌ ์ด ํžˆํŠธ๋งต(heat map)์€ ๋‹น์‹ ์—๊ฒŒ ๊ทธ ์‹œ์Šคํ…œ์˜ ํ•ต์‹ฌ์ด
01:40
how the brain of the system works.
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์ž‘๋™ํ•˜๋Š” ๋ฐฉ๋ฒ•์„ ๋ณด์—ฌ ์ค„ ๊ฒƒ ์ž…๋‹ˆ๋‹ค.
01:42
Here we can see the original reference file
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์—ฌ๊ธฐ์„œ ์šฐ๋ฆฌ๋Š” ๊ทธ ์‚ฌ์šฉ์ž๊ฐ€ ์ƒ์„ฑํ•œ ์ปจํ…์ธ ์™€ ๋น„๊ต๋˜์–ด์ง„
01:44
being compared to the user generated content.
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์ฒ˜์Œ์˜ ์›๋ณธ ํŒŒ์ผ์„ ๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
01:48
The system compares every moment
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๊ทธ ์‹œ์Šคํ…œ์€ ์ผ์น˜ํ•˜๋Š” ๋‚ด์šฉ์ด ์žˆ๋Š”์ง€๋ฅผ ๊ฒ€์‚ฌํ•˜๊ธฐ ์œ„ํ•ด์„œ
01:50
of one to the other to see if there's a match.
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๋ชจ๋“  ์ˆœ๊ฐ„์„ ๋‹ค๋ฅธ๊ฒƒ๊ณผ ๋น„๊ตํ•ฉ๋‹ˆ๋‹ค.
01:52
This means that we can identify a match
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์ด๊ฒƒ์€ ์˜๋ฏธํ•˜๋Š” ๊ฒƒ์€,
01:54
even if the copy used is just a portion of the original file,
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๋น„๋ก ๊ทธ ์‚ฌ์šฉ๋˜์–ด์ง„ ๋ณต์‚ฌ๋ณธ์ด ์›๋ณธ์˜ ์ผ๋ถ€๋ถ„์ด๊ฑฐ๋‚˜
01:57
plays it in slow motion
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๋Š๋ฆฐ ๋™์ž‘์œผ๋กœ ์‹คํ–‰๋˜๊ฑฐ๋‚˜
01:59
and has degraded audio and video quality.
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์˜ค๋””์˜ค์™€ ์˜์ƒ์˜ ์งˆ์„ ๋‚ฎ์ถ˜๋‹ค ํ•ด๋„ ์šฐ๋ฆฌ๋Š” ์ผ์น˜ ๋˜๋Š” ๊ฒƒ์„ ์ฐพ์•„ ๋‚ผ ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:02
And we do this every time
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๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ๋Š” ์ด๊ฒƒ์„
02:04
that a video is uploaded to YouTube.
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๋น„๋””์˜ค๊ฐ€ ์œ ํˆฌ๋ธŒ์— ๋“ฑ๋ก ๋  ๋•Œ๋งˆ๋‹ค ํ•˜๋Š”๋ฐ
02:06
And that's over 20 hours of video every minute.
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๊ทธ๊ฒƒ์€ 1๋ถ„๋‹น 20์‹œ๊ฐ„ ๋ถ„๋Ÿ‰์ด ๋„˜์Šต๋‹ˆ๋‹ค.
02:09
When we find a match,
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์šฐ๋ฆฌ๊ฐ€ ์ผ์น˜๋˜๋Š” ๋‚ด์šฉ์„ ๋ฐœ๊ฒฌํ–ˆ์„ ๋•Œ๋Š”
02:11
we apply the policy that the rights owner has set down.
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์†Œ์œ ๊ถŒ์ž๋“ค์ด ๊ทœ์ •ํ•œ ์ •์ฑ…์„ ์ ์šฉํ•ฉ๋‹ˆ๋‹ค.
02:15
And the scale and the speed of this system
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์ด ์‹œ์Šคํ…œ์˜ ๊ทœ๋ชจ์™€ ์†๋„๋Š”
02:18
is truly breathtaking.
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์ •๋ง ์—„์ฒญ๋‚œ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:20
We're not just talking about a few videos,
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์šฐ๋ฆฌ๋Š” ๊ฒจ์šฐ ๋น„๋””์˜ค ๋ช‡ ๊ฐœ๋ฅผ ์ด์•ผ๊ธฐํ•˜๊ณ  ์žˆ๋Š” ๊ฒƒ์ด ์•„๋‹™๋‹ˆ๋‹ค.
02:23
we're talking about over
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์šฐ๋ฆฌ๋Š” ์ง€๊ธˆ
02:25
100 years of video every day,
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๋งค์ผ ์—…๋กœ๋“œ ๋˜๋Š” 100๋…„ ๋ถ„๋Ÿ‰ ์ด์ƒ์˜ ๋น„๋””์˜ค๋“ค์„
02:28
between new uploads and the legacy scans
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์ƒˆ๋กญ๊ฒŒ ์—…๋กœ๋“œ ๋˜๋Š” ๊ฒƒ๋“ค ๋ฐ ๊ธฐ์กด์˜ ๋น„๋””์˜ค์™€ ๋น„๊ตํ•˜๋Š” ๊ฒƒ,
02:30
we regularly do across all of the content on the site.
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์šฐ๋ฆฌ๊ฐ€ ๋ณดํ†ต ํ•˜๋Š”, ์‹ธ์ดํŠธ์˜ ๋ชจ๋“  ๋‚ด์šฉ์„ ์Šค์บ” ํ•˜๋Š” ๊ฒƒ์„ ์ด์•ผ๊ธฐํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
02:34
When we compare those hundred years of video,
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์šฐ๋ฆฌ๊ฐ€ ์ˆ˜๋ฐฑ๋…„ ๋ถ„๋Ÿ‰์˜ ๋น„๋””์˜ค๋ฅผ ๋น„๊ตํ•  ๋•Œ,
02:36
we're comparing it against millions
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์šฐ๋ฆฌ์˜ ๊ทธ๊ฒƒ๋“ค์„ ๋ฐ์ดํƒ€๋ฒ ์ด์Šค์˜ ์ˆ˜ ๋ฐฑ๋งŒ๊ฐœ์˜
02:38
of reference files in our database.
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์ฐธ์กฐํŒŒ์ผ๊ณผ ๋น„๊ตํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:40
It would be like 36,000 people
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์ด๊ฒƒ์€ 36,000๋ช…์˜ ์‚ฌ๋žŒ๋“ค์ด
02:42
staring at 36,000 monitors
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36,000๊ฐœ์˜ ๋ชจ๋‹ˆํ„ฐ๋ฅผ
02:45
each and every day, without so much as a coffee break.
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๋งค์ผ๋งค์ผ ํœด์‹์‹œ๊ฐ„๋„ ์—†์ด ๋“ค์—ฌ๋‹ค ๋ณด๊ณ  ์žˆ๋Š” ๊ฒƒ๊ณผ ๋งˆ์ฐฌ๊ฐ€์ง€ ์ž…๋‹ˆ๋‹ค.
02:48
Now, what do we do when we find a match?
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๊ทธ๋Ÿผ, ์ผ์น˜๋˜๋Š” ๋‚ด์šฉ์„ ๋ฐœ๊ฒฌํ•  ๋•Œ ์šฐ๋ฆฌ๋Š” ๋ฌด์—‡์„ ํ• ๊นŒ์š”?
02:51
Well, most rights owners, instead of blocking,
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๋„ค, ๋Œ€๋ถ€๋ถ„์˜ ์†Œ์œ ์ž๋“ค์€ ๊ทธ๊ฒƒ์„ ๋ง‰๋Š” ๋Œ€์‹ 
02:54
will allow the copy to be published.
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๊ทธ ๋ณต์‚ฌ๋ณธ์ด ๋ฐœํ–‰๋˜๋„๋ก ํ—ˆ๋ฝํ•  ๊ฒƒ ์ž…๋‹ˆ๋‹ค.
02:56
And then they benefit through the exposure,
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๋“ค์€ ๋…ธ์ถœ,
02:58
advertising and linked sales.
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๊ด‘๊ณ , ์—ฐ๊ฒฐ ํŒ๋งค๋ฅผ ํ†ตํ•ด ์ด์ต์„ ์–ป์Šต๋‹ˆ๋‹ค.
03:01
Remember Chris Brown's video "Forever"?
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ํฌ๋ฆฌ์Šค ๋ธŒ๋ผ์šด์˜ ๋น„๋””์˜ค "Forever" ๋ฅผ ๊ธฐ์–ตํ•˜์‹ญ๋‹ˆ๊นŒ?
03:03
Well, it had its day in the sun and then it dropped off the charts,
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์ด๊ฒƒ์€ ์‚ฌ๋žŒ๋“ค์˜ ๊ด€์‹ฌ์†์—์„œ ์ „์„ฑ๊ธฐ๋ฅผ ์–ป์—ˆ๊ณ  ๊ทธ ํ›„ ์ฐจํŠธ์—์„œ ๋–จ์–ด์กŒ์Šต๋‹ˆ๋‹ค.
03:05
and that looked like the end of the story,
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์€ ๊ทธ ์ด์•ผ๊ธฐ์˜ ๋์ธ๊ฒƒ ์ฒ˜๋Ÿผ ๋ณด์˜€์Šต๋‹ˆ๋‹ค.
03:08
but sometime last year, a young couple got married.
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๊ทธ๋Ÿฌ๋‚˜ ์ž‘๋…„์— ์ Š์€ ์ปคํ”Œ์ด ๊ฒฐํ˜ผํ–ˆ๊ณ ,
03:10
This is their wedding video.
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์ด ๋น„๋””์˜ค๋Š” ๊ทธ๋“ค์˜ ๊ฒฐํ˜ผ๋น„๋””์˜ค ์ž…๋‹ˆ๋‹ค.
03:12
You may have seen it.
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์•„๋งˆ ๋ณด์…จ์„ ๊ฒ๋‹ˆ๋‹ค.
03:14
(Music)
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(์Œ์•…)
03:16
What's amazing about this is,
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์ด๊ฒƒ์ด ๋†€๋ผ์šด ๊ฒƒ์€
03:18
if the processional of the wedding was this much fun,
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๋งŒ์•ฝ ๊ฒฐํ˜ผ ํ–‰์ง„์ด ์ด๋ ‡๊ฒŒ ์žฌ๋ฏธ์žˆ์—ˆ๋‹ค๋ฉด
03:20
can you imagine how much fun the reception must have been?
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๊ทธ ํ”ผ๋กœ์—ฐ์€ ์–ผ๋งˆ๋‚˜ ์žฌ๋ฏธ์žˆ์—ˆ์„์ง€ ์ƒ์ƒ ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๊นŒ?
03:22
I mean, who are these people?
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'์ด ์‚ฌ๋žŒ๋“ค์€ ๋ˆ„๊ตฌ์ง€?'
03:24
I totally want to go to that wedding.
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'์ •๋ง ๊ทธ ๊ฒฐํ˜ผ์‹์— ๊ฐ€๋ณด๊ณ  ์‹ถ๋‹ค.'
03:27
So their little wedding video went on
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๊ทธ๋ž˜์„œ ๊ทธ๋“ค์˜ ์ž‘์€ ๊ฒฐํ˜ผ์‹ ๋น„๋””์˜ค๋Š” 4์ฒœ๋งŒ๋ฒˆ ์ด์ƒ์˜
03:29
to get over 40 million views.
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์กฐํšŒ์ˆ˜๋ฅผ ์–ป์—ˆ์Šต๋‹ˆ๋‹ค.
03:32
And instead of Sony blocking,
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๊ทธ๋ฆฌ๊ณ  ์†Œ๋‹ˆ๋Š” ์ด๊ฒƒ์„ ๋ง‰๋Š” ๋Œ€์‹ 
03:34
they allowed the upload to occur.
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์—…๋กœ๋“œ ํ•˜๋Š” ๊ฒƒ์„ ํ—ˆ๋ฝํ–ˆ๊ณ ,
03:36
And they put advertising against it
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์ด๊ฒƒ์— ๋Œ€ํ•ด์„œ ๊ด‘๊ณ ํ•˜๊ณ ,
03:38
and linked from it to iTunes.
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์ด๊ฒƒ์„ ์•„์ดํŠ ์ฆˆ(์• ํ”Œ์‚ฌ์˜ ๋ฉ€ํ‹ฐ๋ฏธ๋””์–ด ํ”Œ๋ ˆ์ด์–ด ๋ฐ ์•„์ดํŒŸ์šฉ ๋™๊ธฐํ™” ํ”„๋กœ๊ทธ๋žจ) ์™€ ์—ฐ๊ฒฐํ–ˆ์Šต๋‹ˆ๋‹ค.
03:40
And the song, 18 months old,
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1๋…„ ๋ฐ˜๋งŒ์— ๊ทธ ๋…ธ๋ž˜๋Š”
03:43
went back to number four on the iTunes charts.
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์•„์ดํŠ ์ฆˆ ์ฐจํŠธ์—์„œ ๋‹ค์‹œ 4์œ„๋ฅผ ๊ธฐ๋กํ–ˆ์Šต๋‹ˆ๋‹ค.
03:46
So Sony is generating revenue from both of these.
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์†Œ๋‹ˆ๋Š” ์ด ๋‘๊ฐ€์ง€๋กœ ๋ถ€ํ„ฐ ์ด์ต์„ ๋ฐœ์ƒ์‹œํ‚ค๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
03:49
And Jill and Kevin, the happy couple,
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ํ–‰๋ณตํ•œ ์ปคํ”Œ์ธ ์งˆ๊ณผ ์ผ€๋นˆ์€
03:51
they came back from their honeymoon
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๊ทธ๋“ค์˜ ์‹ ํ˜ผ์—ฌํ–‰์œผ๋กœ ๋ถ€ํ„ฐ ๋Œ์•„์™”๊ณ ,
03:53
and found that their video had gone crazy viral.
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๊ทธ๋“ค์˜ ๋น„๋””์˜ค๊ฐ€ ์™„์ „ ๋Œ€๋ฐ• ๋‚œ ๊ฒƒ์„ ์•Œ๊ฒŒ๋˜์—ˆ๊ณ 
03:55
And they've ended up on a bunch of talk shows,
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๊ฒฐ๊ตญ ๋ช‡๋ช‡ ํ† ํฌ์‡ผ์—๊นŒ์ง€ ์ถœ์—ฐํ–ˆ์Šต๋‹ˆ๋‹ค.
03:58
and they've used it as an opportunity to make a difference.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๋“ค์€ ์ด๊ฒƒ์„ ์ฐจ๋ณ„ํ™”์˜ ๊ธฐํšŒ๋กœ์„œ ์‚ฌ์šฉํ–ˆ์Šต๋‹ˆ๋‹ค.
04:00
The video's inspired over 26,000 dollars in donations
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๊ทธ ์˜์ƒ๋•๋ถ„์— ๊ตญ๋‚ด์—์„œ ๊ฐ€์ •ํญ๋ ฅ์„ ์ข…์‹์‹œํ‚ค๊ธฐ ์œ„ํ•œ
04:03
to end domestic violence.
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๊ธฐ๋ถ€๊ธˆ์ด 26,000๋‹ฌ๋Ÿฌ๊ฐ€ ๋ชจ์˜€์Šต๋‹ˆ๋‹ค.
04:05
The "JK Wedding [Entrance] Dance" became so popular
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๋˜ํ•œ "์งˆ๊ณผ ์ผ€๋นˆ์˜ ๊ฒฐํ˜ผ ์ž…์žฅ ์ถค"์€ ๋„ˆ๋ฌด๋‚˜๋„ ์ธ๊ธฐ๊ฐ€ ๋งŽ์•„์ ธ์„œ
04:08
that NBC parodied it on the season finale of "The Office,"
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NBC๋Š” ์‡ผ์— ๊ฐ€๋Š”"The Office"์˜ ๋งˆ์ง€๋ง‰ ์‹œ์ฆŒ์—์„œ
04:11
which just goes to show,
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ํŒจ๋Ÿฌ๋”” ํ•˜๊ธฐ๋„ ํ–ˆ์Šต๋‹ˆ๋‹ค.
04:13
it's truly an ecosystem of culture.
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์ด๊ฒƒ์€ ์ •๋ง๋กœ ๋ฌธํ™”์˜ ์ƒํƒœ๊ณ„์ž…๋‹ˆ๋‹ค.
04:16
Because it's not just amateurs borrowing from big studios,
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์™œ๋ƒํ•˜๋ฉด ์ด๊ฒƒ์€ ๋Œ€ํ˜• ์ŠคํŠœ๋””์˜ค๋กœ๋ถ€ํ„ฐ ๋„์šฉํ•˜๋Š” ์•„๋งˆ์ถ”์–ด๋“ค์ผ ๋ฟ๋งŒ์•„๋‹ˆ๋ผ,
04:19
but sometimes big studios borrowing back.
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๋•Œ๋•Œ๋กœ ๋‹ค์‹œ ๋„์šฉํ•˜๋Š” ๋Œ€ํ˜• ์ŠคํŠœ๋””์˜ค์ด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
04:22
By empowering choice, we can create a culture of opportunity.
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์„ ํƒ์˜ ์ž์œจ๊ถŒ์œผ๋กœ, ์šฐ๋ฆฌ๋Š” ๊ธฐํšŒ์˜ ๋ฌธํ™”๋ฅผ ๋งŒ๋“ค ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
04:25
And all it took to change things around
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๊ทธ๋ฆฌ๊ณ  ์–ด๋–ค ๊ฒƒ์„ ๋ณ€ํ™”์‹œํ‚ค๋Š” ๋ชจ๋“ ๊ฒƒ๋“ค์€
04:27
was to allow for choice through rights identification.
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๊ถŒ๋ฆฌํ™•์ธ์„ ํ†ตํ•ด์„œ ์„ ํƒ์„ ํ—ˆ๋ฝํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
04:30
So why has no one ever solved this problem before?
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์™œ ์–ด๋– ํ•œ ๋ˆ„๊ตฌ๋„ ์ด ๋ฌธ์ œ๋ฅผ ๊ณผ๊ฑฐ์—๋Š” ํ•ด๊ฒฐ ํ•  ์ˆ˜ ์—†์—ˆ์„๊นŒ์š”?
04:33
It's because it's a big problem,
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์ด๊ฒƒ์ด ์•„์ฃผ ํฐ ๋ฌธ์ œ์ด๊ธฐ๋„ ํ•˜๊ณ ,
04:35
and it's complicated and messy.
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๊ต‰์žฅํžˆ ๋ณต์žกํ•˜๊ณ  ํ˜ผ๋ž€์Šค๋Ÿฌ์šด ๊ฒƒ์ด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
04:37
It's not uncommon for a single video
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ํ•˜๋‚˜์˜ ์‹ฑ๊ธ€ ๋น„๋””์˜ค๊ฐ€ ๋‹ค์ˆ˜์˜ ์†Œ์œ ๊ถŒ์ž๋“ค์„ ๊ฐ–๋Š” ๊ฒƒ์€
04:39
to have multiple rights owners.
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ํ”ํ•œ์ผ ์ž…๋‹ˆ๋‹ค.
04:41
There's musical labels.
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๋ฎค์ง€์ปฌ ์Œ๋ฐ˜์‚ฌ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
04:43
There's multiple music publishers.
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์—ฌ๋Ÿฌ๋ช…์˜ ์Œ์•… ๋ฐœํ–‰์ž๋“ค๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
04:45
And each of these can vary by country.
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์ด ๊ฐ๊ฐ์˜ ๊ฒƒ๋“ค์€ ๋‚˜๋ผ๋งˆ๋‹ค ๋‹ค๋ฆ…๋‹ˆ๋‹ค.
04:47
There's lots of cases
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๋˜ํ•œ ํ•œ๋ฒˆ์— ํ•œ๊ฐ€์ง€ ์ด์ƒ์˜ ์ž‘์—…์ด ํ•จ๊ป˜ ์–ด์šฐ๋Ÿฌ์ง€๋Š” ๊ฒฝ์šฐ๋„
04:49
where we have more than one work mashed together.
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๋งค์šฐ ๋งŽ์Šต๋‹ˆ๋‹ค.
04:51
So we have to manage many claims
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” ๊ฐ™์€ ๋น„๋””์˜ค์— ๋ฐœ์ƒํ•˜๋Š”
04:53
to the same video.
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๋งŽ์€ ์†Œ์œ ๊ถŒ ์ฃผ์žฅ๋“ค์„ ๊ด€๋ฆฌํ•ด์•ผ๋งŒ ํ•ฉ๋‹ˆ๋‹ค.
04:55
YouTube's Content ID system addresses all of these cases.
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์œ ํˆฌ๋ธŒ์˜ ์ปจํ…์ธ  ID ์‹œ์Šคํ…œ์€ ์ด๋Ÿฌํ•œ ๋ชจ๋“ ๊ฒƒ๋“ค์„ ์„ค๋ช…ํ•ฉ๋‹ˆ๋‹ค.
04:58
But the system only works through
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๊ทธ๋Ÿฌ๋‚˜ ๊ทธ ์‹œ์Šคํ…œ์€ ์†Œ์œ ๊ถŒ์ž๋“ค์˜ ์ฐธ์—ฌ๋ฅผ
05:00
the participation of rights owners.
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ํ†ตํ•ด์„œ๋งŒ ์ž‘๋™ํ•ฉ๋‹ˆ๋‹ค.
05:02
If you have content that others are uploading to YouTube,
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๋งŒ์•ฝ ๋‹น์‹ ์ด ๋‹ค๋ฅธ์‚ฌ๋žŒ์ด ์œ ํˆฌ๋ธŒ์— ๋“ฑ๋กํ•˜๋Š” ์ปจํ…์ธ ๋ฅผ ์†Œ์œ ํ•˜๊ณ  ์žˆ๋‹ค๋ฉด
05:05
you should register in the Content ID system,
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๋‹น์‹ ์€ ์ปจํ…์ธ  ID ์‹œ์Šคํ…œ์— ๋“ฑ๋กํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
05:07
and then you'll have the choice
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๊ทธ๋Ÿฌ๋ฉด ๋‹น์‹ ์€ ๋‹น์‹ ์˜ ์ปจํ…์ธ ๊ฐ€ ์‚ฌ์šฉ๋˜๋Š” ๋ฐฉ๋ฒ•์— ๋Œ€ํ•ด์„œ
05:09
about how your content is used.
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์„ ํƒ๊ถŒ์„ ๊ฐ–๊ฒŒ๋  ๊ฒƒ ์ž…๋‹ˆ๋‹ค.
05:11
And think carefully about the policies that you attach to that content.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ ์ปจํ…์ธ ์— ์ ์šฉํ•  ์ •์ฑ…๋“ค์— ๋Œ€ํ•ด์„œ ์‹ ์ค‘ํ•˜๊ฒŒ ์ƒ๊ฐํ•˜์‹ญ์‹œ์˜ค.
05:14
By simply blocking all reuse,
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๋‹จ์ˆœํžˆ ๋ชจ๋“  ์žฌ์‚ฌ์šฉ์„ ๋ง‰์Œ์œผ๋กœ์จ
05:16
you'll miss out on new art forms,
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๋‹น์‹ ์€ ์ƒˆ๋กœ์šด ์˜ˆ์ˆ ํ˜•ํƒœ,
05:18
new audiences,
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์ƒˆ๋กœ์šด ์ฒญ์ค‘,
05:20
new distribution channels
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์ƒˆ๋กœ์šด ๋ฐฐํฌ ๊ฒฝ๋กœ๋“ค,
05:22
and new revenue streams.
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๊ทธ๋ฆฌ๊ณ  ์ƒˆ๋กœ์šด ์ˆ˜์ž… ๊ฒฝ๋กœ๋ฅผ ์žƒ์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
05:24
But it's not just about dollars and impressions.
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๊ทธ๋Ÿฌ๋‚˜ ์ด๊ฒƒ์€ ๋‹จ์ง€ ๋ˆ๊ณผ ๋Š๋‚Œ๋“ค์— ๋Œ€ํ•œ ๊ฒƒ์€ ์•„๋‹™๋‹ˆ๋‹ค.
05:27
Just look at all the joy
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์ง„๋ณด์ ์ธ ์ €์ž‘๊ถŒ ๊ด€๋ฆฌ๋ฐฉ์‹๊ณผ
05:29
that was spread through progressive rights management
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์ƒˆ๋กœ์šด ๊ธฐ์ˆ ๋“ค์„ ํ†ตํ•ด ํŽผ์ณ์ง„
05:31
and new technology.
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์ฆ๊ฑฐ์›€์„ ๋ณด์‹ญ์‹œ์˜ค.
05:33
And I think we can all agree that joy is definitely an idea worth spreading.
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์ฆ๊ฑฐ์›€์ด์•ผ๋ง๋กœ ํผํŠธ๋ฆด๋งŒํ•œ ์•„์ด๋””์–ด๋ผ๋Š” ๊ฒƒ์— ์šฐ๋ฆฌ ๋ชจ๋‘๊ฐ€ ๋™์˜ ํ•  ์ˆ˜ ์žˆ๋‹ค๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
05:36
Thank you.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
05:38
(Applause)
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(๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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