Bahia Shehab: A thousand times no

20,902 views ใƒป 2015-07-17

TED


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

00:00
Translator: Joseph Geni Reviewer: Morton Bast
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๋ฒˆ์—ญ: K Bang ๊ฒ€ํ† : Sujin Byeon
00:12
Two years ago, I was invited as an artist
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2๋…„์ „, ์ €๋Š” ์œ ๋Ÿฝ์˜ ์ด์Šฌ๋žŒ ๋ฏธ์ˆ  100๋…„์„ ๊ธฐ๋…ํ•˜๋Š”
00:15
to participate in an exhibition commemorating
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์ „์‹œํšŒ์— ์ฐธ๊ฐ€ํ•ด๋‹ฌ๋ผ๋Š”
00:18
100 years of Islamic art in Europe.
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์ดˆ๋Œ€๋ฅผ ๋ฐ›์•˜์Šต๋‹ˆ๋‹ค.
00:20
The curator had only one condition:
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๊ฐ๋…์€ ์˜ค์ง ํ•˜๋‚˜์˜ ์กฐ๊ฑด๋งŒ ๊ฑธ์—ˆ์Šต๋‹ˆ๋‹ค:
00:23
I had to use the Arabic script for my artwork.
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์ œ ์ž‘ํ’ˆ์— ์•„๋ž์–ด๋กœ ๋œ ์„ค๋ช…์„ ๋‹ฌ๊ธฐ๋งŒํ•˜๋ฉด ๋œ๋‹ค๋Š” ๊ฑฐ์˜€์ฃ .
00:26
Now, as an artist, a woman, an Arab,
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๋ฏธ์ˆ ๊ฐ€๋กœ์จ, ์—ฌ์ž๋กœ์จ, ์•„๋ž์ธ์œผ๋กœ์จ
00:30
or a human being living in the world in 2010,
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2010๋…„๋Œ€์— ์ด ์„ธ๊ณ„์— ์‚ด๊ณ  ์žˆ๋Š” ์‚ฌ๋žŒ์œผ๋กœ์จ
00:33
I only had one thing to say:
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์ œ๊ฐ€ ํ•  ์ˆ˜ ์žˆ๋Š” ๋ง์€ ๋‹จ ํ•˜๋‚˜์˜€์Šต๋‹ˆ๋‹ค:
00:36
I wanted to say no.
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์ €๋Š” '์•„๋‹ˆ'๋ผ๊ณ  ๋งํ•˜๊ณ  ์‹ถ์—ˆ์Šต๋‹ˆ๋‹ค.
00:39
And in Arabic, to say "no," we say "no,
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์•„๋ž์–ด๋กœ "์•„๋‹ˆ"๋ผ๊ณ  ๋งํ•˜๋Š” ๊ฒƒ์€ "์•„๋‹ˆ,
00:41
and a thousand times no."
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๊ทธ๋ฆฌ๊ณ  ์ฒœ๋ฒˆ์€ ๋” ์•„๋‹ˆ์•ผ."๋ž€ ๋œป์ž…๋‹ˆ๋‹ค.
00:43
So I decided to look for a thousand different noes.
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๊ทธ๋ž˜์„œ ์ €๋Š” ์ฒœ์—ฌ๊ฐœ์˜ '์•„๋‹ˆ'๋ผ๋Š” ๋ง์„ ์ฐพ์•„๋ณด๊ธฐ๋กœ ํ–ˆ์Šต๋‹ˆ๋‹ค.
00:47
on everything ever produced
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์ง€๋‚œ 1400์—ฌ๋…„๊ฐ„ ์ŠคํŽ˜์ธ์—์„œ ์ค‘๊ตญ ๊ตญ๊ฒฝ๊นŒ์ง€
00:49
under Islamic or Arab patronage in the past 1,400 years,
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์ด์Šฌ๋žŒ๊ณผ ์•„๋ž๊ถŒ์—์„œ ์ด์ œ๊ป ๋‚˜์™”๋˜ ๋ชจ๋“  ๊ฒƒ์—์„œ
00:54
from Spain to the borders of China.
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'์•„๋‹ˆ'๋ผ๋Š” ํ‘œํ˜„์„ ์ฐพ์•„๋ณธ๊ฑฐ์ฃ .
00:58
I collected my findings in a book,
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์ œ๊ฐ€ ์ฐพ์•„๋‚ธ ๊ฒƒ๋“ค์„
01:00
placed them chronologically, stating the name,
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์ด๋ฆ„์œผ๋กœ ์‹œ์ž‘ํ•ด์„œ ์ €์ž‘์ž, ๋งค์ฒด๋ณ„, ๋‚ ์งœ์ˆœ์œผ๋กœ ๋‚˜์—ดํ•˜๊ณ 
01:03
the patron, the medium and the date.
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์—ฐ๋Œ€์ˆœ์œผ๋กœ ์ •๋ฆฌํ•˜์—ฌ ์ฑ…์œผ๋กœ ๋ฌถ์—ˆ์Šต๋‹ˆ๋‹ค.
01:07
Now, the book sat on a small shelf next to the installation,
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๊ทธ ์ฑ…์€ 2010๋…„ 9์›” ํ˜„์žฌ ๋…์ผ์˜ ๋ฎจํ—จ์—
01:10
which stood three by seven meters, in Munich, Germany,
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3x7 ๋ฏธํ„ฐ์งœ๋ฆฌ ์žฅ์น˜๋ฌผ ์˜† ์ž‘์€ ์„ ๋ฐ˜์œ„์—
01:13
in September of 2010.
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๋†“์—ฌ ์žˆ์Šต๋‹ˆ๋‹ค.
01:17
Now, in January, 2011, the revolution started,
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2011๋…„ 1์›”, ํ˜๋ช…์ด ์‹œ์ž‘๋˜์—ˆ์ง€์š”.
01:23
and life stopped for 18 days,
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๊ทธ๋ฆฌ๊ณ  ์„ธ์ƒ์€ 18์ผ๊ฐ„ ๋ฉˆ์ถฐ์„ฐ์Šต๋‹ˆ๋‹ค.
01:26
and on the 12th of February,
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2์›” 12์ผ,
01:27
we naively celebrated on the streets of Cairo,
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์šฐ๋ฆฌ๋Š” ์นด์ด๋กœ์˜ ๊ฑฐ๋ฆฌ์—์„œ ์ฒœ์ง„๋‚œ๋งŒํ•˜๊ฒŒ ์ž์ถ•ํ–ˆ์–ด์š”.
01:30
believing that the revolution had succeeded.
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ํ˜๋ช…์ด ์„ฑ๊ณตํ•œ๊ฑฐ๋ผ๊ณ  ๋ฏฟ๊ณ  ์žˆ์—ˆ๋˜ ๊ฒƒ์ด์ฃ .
01:34
Nine months later I found myself spraying messages
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9๊ฐœ์›” ํ›„, ์ €๋Š” ํƒ€๋ฆฌํ ๊ด‘์žฅ์—์„œ ์Šคํ”„๋ ˆ์ด๋กœ ๋ฌธ์ž๋ฅผ
01:38
in Tahrir Square. The reason for this act
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์“ฐ๊ณ  ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค. ์ด๋Ÿฐ ํ–‰๋™์„ ํ–ˆ๋˜ ์ด์œ ๋Š”
01:42
was this image that I saw in my newsfeed.
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๋‰ด์Šค์—์„œ ๋ณธ ์˜์ƒ ๋•Œ๋ฌธ์ด์—ˆ์ง€์š”.
01:46
I did not feel that I could live in a city
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์ €๋Š” ์‚ฌ๋žŒ๋“ค์ด ์‚ดํ•ด๋˜๊ณ 
01:49
where people were being killed
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์“ฐ๋ ˆ๊ธฐ์ฒ˜๋Ÿผ ๋ฒ„๋ ค์ง€๋Š”
01:51
and thrown like garbage on the street.
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๊ทธ๋Ÿฐ ๋„์‹œ์—๋Š” ์‚ด ์ˆ˜ ์—†์—ˆ์–ด์š”.
01:54
So I took one "no" off a tombstone from
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์ €๋Š” ์นด์ด๋กœ์˜ ์ด์Šฌ๋žŒ ๋ฐ•๋ฌผ๊ด€์— ์žˆ๋Š” ๋น„์„์— "์•„๋‹ˆ"๋ผ๊ณ 
01:56
the Islamic Museum in Cairo, and I added a message to it:
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์ผ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ ๋Š” ๊ฑฐ๊ธฐ์— ๊ตฌํ˜ธ๋ฅผ ์ ์–ด ๋„ฃ์—ˆ์Šต๋‹ˆ๋‹ค:
02:00
"no to military rule."
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"๊ตฐ์‚ฌ์ •๊ถŒ์€ ๋ฌผ๋Ÿฌ๊ฐ€๋ผ."
02:01
And I started spraying that on the streets in Cairo.
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์ €๋Š” ์นด์ด๋กœ ๊ฑฐ๋ฆฌ์— ๊ทธ๋Ÿฐ ๋ฌธ๊ตฌ๋ฅผ ์Šคํ”„๋ ˆ์ด๋กœ ์“ฐ๊ธฐ ์‹œ์ž‘ํ–ˆ์–ด์š”.
02:04
But that led to a series of no, coming out of the book
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๊ทธ๊ฒƒ์€, ๊ธฐ๊ด€์ด์ฒ˜๋Ÿผ ๊ณ„์†๋˜๋Š”, ์ฑ…์— ๋‚˜์˜ค๋Š”
02:07
like ammunition, and adding messages to them,
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์ผ๋ จ์˜ ๊ฑฐ๋ถ€ ๋ฌธ๊ตฌ๋กœ ์ด์–ด์กŒ๊ณ  ๊ฑฐ๊ธฐ์— ์ƒˆ๋กœ์šด ๊ตฌํ˜ธ๊ฐ€ ๋”ํ•ด์กŒ์–ด์š”.
02:10
and I started spraying them on the walls.
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์ €๋Š” ๊ฑฐ๋ฆฌ์˜ ๋ฒฝ์— ๊ทธ๊ฒƒ๋„ ์Šคํ”„๋ ˆ์ด๋กœ ์“ฐ๊ธฐ ์‹œ์ž‘ํ–ˆ์ฃ .
02:13
So I'll be sharing some of these noes with you.
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์—ฌ๋Ÿฌ๋ถ„๋“ค๊ณผ ์ด๋Ÿฐ '์•„๋‹ˆ์•ผ'๋ผ๋Š” ๊ฒƒ๋“ค์„ ํ•จ๊ป˜ ๋ณด๊ณ ์ž ํ•ฉ๋‹ˆ๋‹ค.
02:15
No to a new Pharaoh, because whoever comes next
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์ƒˆ๋กœ์šด ํŒŒ๋ผ์˜ค ์™•์— ๋Œ€ํ•œ ๊ฑฐ๋ถ€์—์š”. ๋‹ค์Œ์— ๋ˆ„๊ฐ€ ์˜ค๋“ 
02:18
should understand that we will never be ruled by another dictator.
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์šฐ๋ฆฌ๋Š” ๊ฒฐ์ฝ” ๋…์žฌ์ž์—์˜ํ•ด ์ง€๋ฐฐ๋˜์ง€ ์•Š์„๊ฑฐ๋ž€ ์‚ฌ์‹ค์„ ์•Œ์•„์•ผ ํ•ฉ๋‹ˆ๋‹ค.
02:22
No to violence: Ramy Essam came to Tahrir
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ํญ๋ ฅ์— ๋Œ€ํ•œ ๊ฑฐ๋ถ€์ฃ : ํ˜๋ช… ์ดํ‹€์งธ ๋˜๋Š” ๋‚ 
02:26
on the second day of the revolution,
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๋ผ๋ฏธ ์—์ƒด์ด ํƒ€๋ฆฌํ์— ์™”์Šต๋‹ˆ๋‹ค.
02:28
and he sat there with this guitar, singing.
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๊ทธ๋Š” ๊ธฐํƒ€๋ฅผ ๋“ค๊ณ  ์•‰์•„ ๋…ธ๋ž˜๋ฅผ ๋ถˆ๋ €์ฃ .
02:31
One month after Mubarak stepped down, this was his reward.
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ํ•œ๋‹ฌ ํ›„์— ๋ฌด๋ฐ”๋ฝ ๋Œ€ํ†ต๋ น์ด ๋ฌผ๋Ÿฌ๋‚œ๊ฑด ์—์ƒด์ด ๋ฐ›์€ ๋ณด๋‹ต์ด์—ˆ์–ด์š”.
02:36
No to blinding heroes. Ahmed Harara lost his right eye
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๋ˆˆ๋จผ ์˜์›…์— ๋Œ€ํ•œ ๊ฑฐ๋ถ€์ž…๋‹ˆ๋‹ค: ์•„๋ฉ”๋“œ ํ•˜๋ผ๋ผ๋Š” 1์›” 28์ผ
02:41
on the 28th of January,
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๊ทธ์˜ ์˜ค๋ฅธ์ชฝ ๋ˆˆ์„ ์žƒ์—ˆ์Šต๋‹ˆ๋‹ค.
02:42
and he lost his left eye on the 19th of November,
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11์›” 19์ผ์—๋Š” ์™ผ์ชฝ๋ˆˆ๋„ ์žƒ์—ˆ์ง€์š”.
02:46
by two different snipers.
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์„œ๋กœ ๋‹ค๋ฅธ ๋‘๋ช…์˜ ์ €๊ฒฉ์ˆ˜๊ฐ€ ๊ทธ๋žฌ์Šต๋‹ˆ๋‹ค.
02:49
No to killing, in this case no to killing men of religion,
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์‚ด์ธ์— ๋Œ€ํ•œ ๊ฑฐ๋ถ€์ž…๋‹ˆ๋‹ค. ์ด ๊ฒฝ์šฐ๋Š” ์ข…๊ต์ธ์˜ ํ•™์‚ด์— ๋Œ€ํ•œ ๊ฑฐ๋ถ€์—์š”.
02:53
because Sheikh Ahmed Adina Refaat was shot
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์„ธ์ดํฌ ์•„๋ฉ”๋“œ ์•„๋””๋‚˜ ๋ ˆํŒŒํ”„๋Š”
02:56
on December 16th, during a demonstration,
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12์›” 16์ผ ์‹œ์œ„ ๋„์ค‘์— ์ €๊ฒฉ๋‹นํ–ˆ์Šต๋‹ˆ๋‹ค.
02:59
leaving behind three orphans and a widow.
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๋ถ€์ธ๊ณผ ์„ธ ์•„์ด๋ฅผ ๋‚จ๊ฒผ์Šต๋‹ˆ๋‹ค.
03:03
No to burning books. The Institute of Egypt was burned
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๋ถ„์„œ(์ฑ…์„ ๋ถˆํƒœ์›€,็„šๆ›ธ)์— ๋Œ€ํ•œ ๊ฑฐ๋ถ€์ž…๋‹ˆ๋‹ค. ์ด์ง‘ํŠธ ์—ฐ๊ตฌ์†Œ๊ฐ€
03:06
on December 17th, a huge cultural loss.
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12์›” 17์ผ์— ๋ถˆํƒœ์›Œ์กŒ์–ด์š”. ๋ฌธํ™”์ ์œผ๋กœ ์—„์ฒญ๋‚œ ์†์‹ค์ด์—ˆ์Šต๋‹ˆ๋‹ค.
03:10
No to stripping the people,
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์‚ฌ๋žŒ๋“ค์˜ ์˜ท์„ ๋ฒ—๊ธฐ๋Š” ๊ฒƒ์— ๋Œ€ํ•œ ๊ฑฐ๋ถ€์ž…๋‹ˆ๋‹ค.
03:13
and the blue bra is to remind us of our shame
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์—ฌ๊ธฐ ํ‘ธ๋ฅธ์ƒ‰ ๋ธŒ๋ผ๋Š” ๋ฒ ์ผ์„ ๋‘๋ฅธ ์—ฌ์ž๋“ค์ด
03:16
as a nation when we allow a veiled woman to be stripped
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๊ธธ์—์„œ ์˜ท๋ฒ—๊ฒจ์ง€๊ณ  ํญํ–‰์„ ๋‹นํ•˜๋Š” ๊ฒƒ์— ๋Œ€ํ•ด
03:20
and beaten on the street, and the footprint reads,
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๊ตญ๊ฐ€์ ์ธ ๋ถ€๋„๋Ÿฌ์›€์„ ๋˜์ƒˆ๊ฒจ์ฃผ๊ณ ์ž ํ•˜๋ ค๋Š” ๊ฒƒ์ด์—์š”. ์ฃผ์„์€ ์ด๋ ‡์Šต๋‹ˆ๋‹ค.
03:24
"Long live a peaceful revolution,"
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"ํ‰ํ™”์ ์ธ ํ˜๋ช…์ด์—ฌ. ์˜์›ํ•˜๋ผ."
03:26
because we will never retaliate with violence.
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์™œ๋ƒํ•˜๋ฉด ์šฐ๋ฆฌ๋Š” ์ ˆ๋Œ€ ํญ๋ ฅ์œผ๋กœ ๋˜๊ฐ‘์ง€ ์•Š์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
03:30
No to barrier walls. On February 5th,
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์žฅ๋ฒฝ์— ๋Œ€ํ•œ ๊ฑฐ๋ถ€์ž…๋‹ˆ๋‹ค. 2์›” 5์ผ,
03:33
concrete roadblocks were set up in Cairo
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์ฝ˜ํฌ๋ฆฌํŠธ๋กœ ๋งŒ๋“  ๊ฑฐ๋ฆฌ ์žฅ๋ฒฝ์ด ์นด์ด๋กœ์— ์„ธ์›Œ์กŒ์–ด์š”.
03:38
to protect the Ministry of Defense from protesters.
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๊ตญ๋ฐฉ์„ฑ์„ ์‹œ์œ„์ž๋“ค๋กœ๋ถ€ํ„ฐ ๋ง‰์œผ๋ ค๋Š” ๊ฒƒ์ด์—ˆ์ฃ .
03:43
Now, speaking of walls, I want to share with you the story
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์žฅ๋ฒฝ์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐ ํ•˜์ž๋ฉด, ์นด์ด๋กœ์˜ ํ•œ ๋ฐฉ๋ฒฝ์— ๋Œ€ํ•ด
03:46
of one wall in Cairo.
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๋“ค๋ ค๋“œ๋ฆฌ๊ณ  ์‹ถ๊ตฐ์š”.
03:48
A group of artists decided to paint a life-size tank
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ํ•œ ๋ฌด๋ฆฌ์˜ ๋ฏธ์ˆ ๊ฐ€๋“ค์ด ์žฅ๋ฒฝ์— ์‹ค์ œ ํฌ๊ธฐ์˜ ํƒฑํฌ ๊ทธ๋ฆผ์„
03:53
on a wall. It's one to one.
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๊ทธ๋ฆฌ๊ธฐ๋กœ ํ–ˆ์–ด์š”. ํ•œ ์‚ฌ๋žŒ๋‹น ํ•˜๋‚˜์”ฉ์ด์—ˆ์ฃ .
03:55
In front of this tank there's a man on a bicycle
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์ด ํƒฑํฌ ์•ž์— ์ž์ „๊ฑฐ๋ฅผ ํƒ„ ์‚ฌ๋žŒ์ด
03:58
with a breadbasket on his head. To any passerby,
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๋จธ๋ฆฌ์— ๋นต์ฃผ๋จธ๋‹ˆ๋ฅผ ์ด๊ณ  ์žˆ์ฃ . ์ง€๋‚˜๊ฐ€๋Š” ํ–‰์ธ์—๊ฒŒ
04:02
there's no problem with this visual.
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์ด๋Ÿฐ ๊ทธ๋ฆผ์€ ์•„๋ฌด๋Ÿฐ ๋ฌธ์ œ๊ฐ€ ๋˜์ง€ ์•Š๊ฒ ์ฃ .
04:04
After acts of violence, another artist came,
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ํญ๋™์ด ์ง€๋‚˜๊ฐ„ ํ›„, ๋‹ค๋ฅธ ๋ฏธ์ˆ ๊ฐ€๊ฐ€ ์™€์„œ
04:08
painted blood, protesters being run over by the tank,
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ํ”ผ๋ฅผ ๊ทธ๋ ค ๋„ฃ์—ˆ์Šต๋‹ˆ๋‹ค. ํƒฑํฌ์— ๊น”๋ฆฐ ์‹œ์œ„์ž๋“ค์˜ ํ”ผ์˜€์–ด์š”.
04:13
demonstrators, and a message that read,
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๊ฑฐ๊ธฐ์—” ์ด๋Ÿฐ ๋ฌธ๊ตฌ๊ฐ€ ๋“ค์–ด ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค.
04:16
"Starting tomorrow, I wear the new face,
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"๋‚ด์ผ๋ถ€ํ„ฐ ๋‚˜๋Š” ๋‹ค๋ฅธ ํ‘œ์ •์„ ์ง€์„ ๊ฒƒ์ด๋‹ค,
04:19
the face of every martyr. I exist."
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๋ชจ๋“  ์ˆœ๊ต์ž์˜ ํ‘œ์ •์„. ๋‚˜๋Š” ์กด์žฌํ•œ๋‹ค."
04:23
Authority comes, paints the wall white,
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๋‹น๊ตญ์ž๊ฐ€ ๋‚˜์™€ ๋ฒฝ์„ ํฐ์ƒ‰์œผ๋กœ ์ง€์›Œ๋ฒ„๋ ธ์ฃ .
04:26
leaves the tank and adds a message:
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ํƒฑํฌ๋Š” ๋‚จ๊ธฐ๊ณ  ๋‹ค๋ฅธ ๋ฌธ๊ตฌ๋ฅผ ์จ๋„ฃ์—ˆ์–ด์š”:
04:28
"Army and people, one hand. Egypt for Egyptians."
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"๊ตฐ๋Œ€์™€ ๊ตญ๋ฏผ๋“ค์€ ํ•œ ์†์—. ๊ตญ๋ฏผ์„ ์œ„ํ•œ ์ด์ง‘ํŠธ."
04:34
Another artist comes, paints the head of the military
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๋˜๋‹ค๋ฅธ ๋ฏธ์ˆ ๊ฐ€๊ฐ€ ์™€์„œ, ๊ตฐ๋ถ€ ์ˆ˜๋‡Œ์˜ ๋จธ๋ฆฌ๋ฅผ ๊ทธ๋ ค๋„ฃ์—ˆ์ฃ .
04:37
as a monster eating a maiden in a river of blood
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ํƒฑํฌ ์•ž์—์„œ ํ”ผ ํ˜๋ฆฌ๋Š” ์†Œ๋…€๋ฅผ ์žก์•„๋จน๋Š”
04:41
in front of the tank.
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๊ดด๋ฌผ๋กœ ํ‘œํ˜„ํ•œ ๊ฒ๋‹ˆ๋‹ค.
04:43
Authority comes, paints the wall white, leaves the tank,
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๋‹น๊ตญ์ž๊ฐ€ ์™€์„œ ๋‹ค์‹œ ํฐ์ƒ‰์œผ๋กœ ๋ฎ์œผ๋ฉด์„œ ํƒฑํฌ๋Š” ๋‚จ๊ฒผ์–ด์š”.
04:47
leaves the suit, and throws a bucket of black paint
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์˜ท๋„ ๋‚จ๊ธฐ๊ณ  ๊ฒจ์šฐ ๊ดด๋ฌผ์˜ ์–ผ๊ตด์„ ๊ฐ€๋ฆฌ๋ ค๊ณ 
04:50
just to hide the face of the monster.
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๊ฒ€์€์ƒ‰ ํŽ˜์ธํŠธ๋กœ ์ง€์› ์–ด์š”.
04:51
So I come with my stencils, and I spray them on the suit,
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๊ทธ๋ž˜์„œ ์ œ๊ฐ€ ์ €์˜ ์›๋ณธ ๊ทธ๋ฆผ๋“ค์„ ๊ฐ€์ ธ๋‹ค๊ฐ€ ๊ทธ ๋ฌธ์–‘์„ ์˜ท ๋ถ€๋ถ„์— ์Šคํ”„๋ ˆ์ด๋กœ ๊ทธ๋ ค๋„ฃ์—ˆ์Šต๋‹ˆ๋‹ค.
04:55
on the tank, and on the whole wall,
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ํƒฑํฌ์—, ๋˜ ๋ฒฝ ์ „์ฒด์— ๊ทธ๋ ค ๋„ฃ์–ด์„œ
04:58
and this is how it stands today
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์ง€๊ธˆ์€ ์ด๋Ÿฐ ๋ชจ์Šต์œผ๋กœ ๋‚จ์•„ ์žˆ์Šต๋‹ˆ๋‹ค.
05:00
until further notice. (Laughter)
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๋‹ค๋ฅธ ์ง€์‹œ๊ฐ€ ์žˆ์„ ๋•Œ๊นŒ์ง€๊ฒ ์ฃ . (์›ƒ์Œ)
05:02
Now, I want to leave you with a final no.
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์ด์ œ ์ œ๊ฐ€ ๋งˆ์ง€๋ง‰ '์•„๋‹ˆ'๋ผ๋Š” ๋ง์„ ์—ฌ๋Ÿฌ๋ถ„๊ป˜ ๋‚จ๊ธฐ๋ ค ํ•ฉ๋‹ˆ๋‹ค.
05:06
I found Neruda scribbled on a piece of paper
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์ œ๊ฐ€ ํƒ€๋ฆฌํ์˜ ํ•œ ์•ผ์ „ ๋ณ‘์›์—์„œ ์ข…์ด์— ์“ฐ์ธ
05:09
in a field hospital in Tahrir, and I decided to take a no of
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๋„ค๋ฃจ๋‹ค์˜ ์นœํ•„ ๋‚™์„œ๋ฅผ ๋ฐœ๊ฒฌํ–ˆ๋Š”๋ฐ ์นด์ด๋กœ์— ์žˆ๋Š” ๋Œ€๋ฌ˜์— ์žˆ๋Š”
05:15
Mamluk Mausoleum in Cairo.
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'์•„๋‹ˆ'๋ผ๋Š” ํ‘œํ˜„์„ ๊ฐ€์ ธ๋‹ค ์“ฐ๊ธฐ๋กœ ํ–ˆ์Šต๋‹ˆ๋‹ค.
05:17
The message reads,
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์ด๋Ÿฐ ๋ฌธ๊ตฌ์—์š”.
05:19
[Arabic]
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[์•„๋ž์–ด]
05:25
"You can crush the flowers, but you can't delay spring."
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"๊ฝƒ์„ ์ง“๋ฐŸ์„ ์ˆ˜๋Š” ์žˆ์ง€๋งŒ ๋ด„์„ ๋ง‰์„ ์ˆ˜๋Š” ์—†๋‹ค."
05:29
Thank you. (Applause)
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค. (๋ฐ•์ˆ˜)
05:33
(Applause)
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(๋ฐ•์ˆ˜)
05:42
Thank you. Shukran. (Applause)
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค. ์Šˆํฌ๋ž€. (๋ฐ•์ˆ˜)

Original video on YouTube.com
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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