Ze Frank's web playroom

526,869 views ใƒป 2010-10-15

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Ariel Kirson ืžื‘ืงืจ: Ido Dekkers
00:15
Every presentation needs this slide in it.
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ื›ืœ ืžืฆื’ืช ืฆืจื™ื›ื” ืฉืงืฃ ื›ื–ื”.
00:18
(Laughter)
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(ืฆื—ื•ืง)
00:20
It's beautiful, isn't it?
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ื–ื” ื™ืคื”ืคื”, ืœื?
00:22
Do you see?
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ืืชื ืจื•ืื™ื?
00:24
All the points, all the lines --
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ืืช ื›ืœ ื”ื ืงื•ื“ื•ืช, ืืช ื›ืœ ื”ืงื•ื•ื™ื.
00:26
it's incredible.
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ื–ื” ืžื“ื”ื™ื.
00:28
It is the network;
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ื–ื•ื”ื™ ื”ืจืฉืช.
00:30
and in my case, the network has been important in media,
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ื•ื‘ืžืงืจื” ืฉืœื™, ื”ืจืฉืช ืžื™ืœืื” ืชืคืงื™ื“ ื—ืฉื•ื‘ ื‘ืžื“ื™ื”,
00:32
because I get to connect to people.
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ืžืคื ื™ ืฉืื ื™ ื–ื•ื›ื” ืœื”ืชื—ื‘ืจ ืœืื ืฉื™ื.
00:35
Isn't it amazing?
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ื–ื” ืœื ืžื“ื”ื™ื?
00:37
Through that, I connect to people.
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ื“ืจืš ื–ื”, ืื ื™ ืžืชื—ื‘ืจ ืœืื ืฉื™ื.
00:40
And the way that I've been doing it
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ื•ื”ื“ืจืš ืฉื‘ื” ืื ื™ ืขื•ืฉื” ื–ืืช
00:42
has been multifaceted.
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ื”ื™ื ืจื‘ืช ืคื ื™ื.
00:44
For example, I get people to dress up their vacuum cleaners.
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ืœื“ื•ื’ืžื”, ืื ื™ ื’ื•ืจื ืœืื ืฉื™ื ืœื”ืœื‘ื™ืฉ ืืช ืฉื•ืื‘ื™ ื”ืื‘ืง ืฉืœื”ื ื‘ืชื—ืคื•ืฉื•ืช.
00:47
(Laughter)
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(ืฆื—ื•ืง)
00:52
I put together projects like Earth Sandwich,
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ืื ื™ ื™ื•ื–ื ืคืจื•ื™ื™ืงื˜ื™ื ื›ืžื• "ื›ืจื™ืš ืขื•ืœื",
00:54
where I ask people
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ื‘ื”ื ืื ื™ ืžื‘ืงืฉ ืžืื ืฉื™ื
00:56
to try and simultaneously place
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ืœื ืกื•ืช ื‘ื• ื–ืžื ื™ืช ืœื”ื ื™ื—
00:58
two pieces of bread
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ืฉืชื™ ืคืจื•ืกื•ืช ืœื—ื
01:00
perfectly opposite each other on the Earth.
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ืื—ืช ืžื•ืœ ื”ืฉื ื™ื” ื‘ืฆื“ื“ื™ื ื”ืคื•ื›ื™ื ืฉืœ ื›ื“ื•ืจ ื”ืืจืฅ.
01:02
And people started laying bread in tribute,
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ื•ืื ืฉื™ื ื”ืชื—ื™ืœื• ืœื”ื ื™ื— ืœื—ื ื›ื“ื™ ืœืชืช ื›ื‘ื•ื“,
01:05
and eventually a team was able to do it
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ื•ื‘ืกื•ืคื• ืฉืœ ื“ื‘ืจ ื”ื™ื” ืฆื•ื•ืช ืฉื”ืฆืœื™ื— ืœืขืฉื•ืช ื–ืืช
01:07
between New Zealand and Spain.
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ื‘ื™ืŸ ื ื™ื• ื–ื™ืœื ื“ ื•ืกืคืจื“.
01:10
It's pretty incredible -- the video's online.
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ื–ื” ื“ื™ ืžื“ื”ื™ื. ื”ืกืจื˜ื•ืŸ ื ืžืฆื ื‘ืจืฉืช.
01:13
Connecting to people in projects
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ืžืชื—ื‘ืจ ืœืื ืฉื™ื ื‘ืคืจื•ื™ื™ืงื˜ื™ื
01:15
like YoungmeNowme for example.
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ื›ื’ื•ืŸ YoungmeNowme (ืื ื™-ืฆืขื™ืจ-ืื ื™-ืขื›ืฉื™ื•).
01:17
In YoungmeNowme, the audience was asked
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ื‘-YoungmeNowme ื”ืงื”ืœ ื”ืชื‘ืงืฉ
01:19
to find a childhood photograph of themselves
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ืœืžืฆื•ื ืชืžื•ื ืช ื™ืœื“ื•ืช ืฉืœื”ื
01:22
and restage it as an adult.
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ื•ืœื‘ื™ื™ื ืื•ืชื” ืžื—ื“ืฉ ื›ืžื‘ื•ื’ืจื™ื.
01:25
(Laughter)
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(ืฆื—ื•ืง)
01:37
This is the same person --
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ื–ื”ื• ืื•ืชื• ื‘ืŸ ืื“ื -
01:39
top photo, James, bottom photo, [Jennifer].
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ื‘ืชืžื•ื ื” ื”ืขืœื™ื•ื ื”, ื’'ื™ื™ืžืก, ื‘ืชืžื•ื ื” ื”ืชื—ืชื•ื ื”, ื’'ื•ืœื™ื”.
01:42
Poignant.
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ืžืขื•ืจืจ ืžื—ืฉื‘ื”.
01:44
This was a Mother's Day gift.
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ื–ื• ื”ื™ื™ืชื” ืžืชื ื” ืœื™ื•ื ื”ืื.
01:46
(Laughter)
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(ืฆื—ื•ืง)
01:48
Particularly creepy.
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ืžื˜ืจื™ื“ ื‘ืžื™ื•ื—ื“.
01:50
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
01:52
(Laughter)
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(ืฆื—ื•ืง)
01:54
My favorite of these photos, which I couldn't find,
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ื”ืชืžื•ื ื” ื”ืื”ื•ื‘ื” ืขืœื™, ืฉืœื ื”ืฆืœื—ืชื™ ืœืžืฆื•ื,
01:56
is there's a picture of a 30 year-old woman or so
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ื”ื™ื ืชืžื•ื ื” ืฉืœ ืื™ืฉื” ื›ื‘ืช 30
01:59
with a little baby on her lap,
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ืขื ืชื™ื ื•ืง ืงื˜ืŸ ืขืœ ื‘ืจื›ื™ื”,
02:01
and the next photo is a 220-lb man
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ื•ื‘ืชืžื•ื ื” ื”ื‘ืื” ื™ืฉื ื• ื’ื‘ืจ ื”ืฉื•ืงืœ 100 ืงื™ืœื•ื’ืจื
02:04
with a tiny, little old lady peaking over his shoulder.
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ืขื ืงืฉื™ืฉื” ืงื˜ื ื˜ื ื” ื”ืžืฆื™ืฆื” ืžืขื‘ืจ ืœื›ืชืคื•.
02:08
But this project changed the way
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ืื‘ืœ ื”ืคืจื•ื™ื™ืงื˜ ื”ื–ื” ืฉื™ื ื” ืืช ื”ื“ืจืš
02:10
that I thought about connecting to people.
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ืฉื‘ื” ื—ืฉื‘ืชื™ ืขืœ ื”ืชื—ื‘ืจื•ืช ืœืื ืฉื™ื.
02:12
This is project called Ray.
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ืœืคืจื•ื™ื™ืงื˜ ื”ื–ื” ืงื•ืจืื™ื "ืจื™ื™".
02:14
And what happened was I was sent this piece of audio
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ื•ืžื” ืฉืงืจื” ื–ื” ืฉืฉืœื—ื• ืœื™ ืืช ืคื™ืกืช ื”ื”ืงืœื˜ื” ื”ืงื•ืœื™ืช ื”ื–ื•
02:17
and had no idea who generated the audio.
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ื•ืœื ื”ื™ื” ืœื™ ืžื•ืฉื’ ืžื™ ื”ืงืœื™ื˜ ืื•ืชื”.
02:19
Somebody said, "You have to listen to this."
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ืžื™ืฉื”ื• ืืžืจ, "ืืชื” ื—ื™ื™ื‘ ืœื”ืงืฉื™ื‘ ืœื–ื”."
02:22
And this is what came to me.
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ื•ื–ื” ืžื” ืฉืงื™ื‘ืœืชื™.
02:24
Recording: Hi, my name is Ray,
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ื”ืงืœื˜ื”: ืฉืœื•ื, ืฉืžื™ ื”ื•ื ืจื™ื™,
02:26
and on yesterday my daughter called me
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ื•ืืชืžื•ืœ ื”ื‘ืช ืฉืœื™ ื”ืชืงืฉืจื” ืืœื™
02:28
because she was stressed out
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ื‘ื’ืœืœ ืฉื”ื™ื ื”ื™ื™ืชื” ืœื—ื•ืฆื”
02:30
because of things that were going on on her job
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ื‘ื’ืœืœ ื“ื‘ืจื™ื ืฉืงืจื• ื‘ืขื‘ื•ื“ื” ืฉืœื”
02:32
that she felt was quite unfair.
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ืฉื”ื™ื ื—ืฉื‘ื” ืฉื”ื ืœื ื”ื•ื’ื ื™ื.
02:35
Being quite disturbed, she called for comfort,
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ื‘ื”ื™ื•ืชื” ืžืื“ ืžื•ื˜ืจื“ืช, ื”ื™ื ื”ืชืงืฉืจื” ื›ื“ื™ ืฉืื ื—ื ืื•ืชื”,
02:37
and I didn't really know what to tell her,
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ื•ืœื ืžืžืฉ ื™ื“ืขืชื™ ืžื” ืœื”ื’ื™ื“ ืœื”,
02:39
because we have to deal with so much mess in our society.
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ื‘ื’ืœืœ ืฉืื ื—ื ื• ืฆืจื™ื›ื™ื ืœื”ืชืžื•ื“ื“ ืขื ื›ืœ-ื›ืš ื”ืจื‘ื” ืœื—ืฅ ื‘ื—ื‘ืจื” ืฉืœื ื•.
02:42
So I was led to write this song just for her,
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ืœื›ืŸ ื™ืฆื ืฉื›ืชื‘ืชื™ ืืช ื”ืฉื™ืจ ื”ื–ื” ื‘ืžื™ื•ื—ื“ ื‘ืฉื‘ื™ืœื”,
02:46
just to give her some encouragement
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ืจืง ื›ื“ื™ ืœืขื•ื“ื“ ืื•ืชื” ืžืขื˜
02:48
while dealing with stress and pressures on her job.
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ืขืช ื”ื™ื ืžืชืžื•ื“ื“ืช ืขื ื”ืœื—ืฆื™ื ืฉื‘ืขื‘ื•ื“ื” ืฉืœื”.
02:51
And I figured I'd put it on the Internet
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ื•ื—ืฉื‘ืชื™ ืฉืื ื™ ืืฉื™ื ืื•ืชื• ื‘ืื™ื ื˜ืจื ื˜
02:53
for all employees under stress
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ืœืžืขืŸ ื›ืœ ื”ืขื•ื‘ื“ื™ื ื”ืœื—ื•ืฆื™ื
02:55
to help you better deal with what you're going through on your job.
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ื›ื“ื™ ืฉื™ื•ื›ืœื• ืœื”ืชืžื•ื“ื“ ื˜ื•ื‘ ื™ื•ืชืจ ืขื ืžื” ืฉืงื•ืจื” ืœื”ื ื‘ืขื‘ื•ื“ื”.
02:58
Here's how the song goes.
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ื•ื›ื›ื” ื”ื•ืœืš ื”ืฉื™ืจ.
03:00
โ™ซ I'm about to whip somebody's ass โ™ซ
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โ™ซ ืื ื™ ืขื•ืžื“ ืœื›ืกื— ืœืžื™ืฉื”ื• ืช'ืชื—ืช โ™ซ
03:06
โ™ซ Oh, I'm about to whip somebody's ass โ™ซ
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โ™ซ ืื•, ืื ื™ ืขื•ืžื“ ืœื›ืกื— ืœืžื™ืฉื”ื• ืช'ืชื—ืช โ™ซ
03:14
โ™ซ Oh, if you don't leave me alone, โ™ซ
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โ™ซ ืื•, ืื ืœื ืชืขื–ื‘ื• ืื•ืชื™ ื‘ืฉืงื˜, โ™ซ
03:18
โ™ซ you gonna have to send me home โ™ซ
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โ™ซ ืชืฆื˜ืจื›ื• ืœืฉืœื•ื— ืื•ืชื™ ื”ื‘ื™ืชื” โ™ซ
03:21
โ™ซ 'Cause I'm about to whip somebody's ass โ™ซ
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โ™ซ ื›ื™ ืื ื™ ืขื•ืžื“ ืœื›ืกื— ืœืžื™ืฉื”ื• ืช'ืชื—ืช โ™ซ
03:26
Now you might not be able to sing that out loud,
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ืขื›ืฉื™ื•, ื™ื›ื•ืœ ืœื”ื™ื•ืช ืฉืœื ืชื•ื›ืœื• ืœืฉื™ืจ ืืช ื–ื” ื‘ืงื•ืœ,
03:29
but you can hum it to yourself, and you know what the words are.
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ืื‘ืœ ืืชื ื™ื›ื•ืœื™ื ืœื–ืžื–ื ืืช ื–ื” ืœืขืฆืžื›ื, ื•ืืชื ืžื›ื™ืจื™ื ืืช ื”ืžื™ืœื™ื.
03:32
And let it give you some strength to get the next few moments on your job.
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ื•ืฉืื‘ื• ืžื–ื” ืืช ื”ื›ื— ืœื”ืชืžื•ื“ื“ ืขื ืขื•ื“ ืžืกืคืจ ืจื’ืขื™ื ื‘ืขื‘ื•ื“ื”.
03:35
All right. Stay strong. Peace.
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ื‘ืกื“ืจ. ื”ื™ื• ื—ื–ืงื™ื. ื‘ืจื›ื•ืช.
03:38
Ze Frank: So -- yeah.
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ื–ื™ ืคืจื ืง: ืื– - ื›ืŸ.
03:40
No, no, no, shush. We've got to go quickly.
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ืœื, ืœื, ืœื, ืฉืงื˜. ืื ื—ื ื• ืฆืจื™ื›ื™ื ืœื”ืชืงื“ื ืžื”ืจ.
03:44
So I was so moved by this --
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ืื– ื–ื” ื›ืœ ื›ืš ืจื™ื’ืฉ ืื•ืชื™.
03:46
this is incredible. This was connecting, right.
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ื–ื” ืœื ื™ืืžืŸ. ื–ื•ื”ื™ ื”ืชื—ื‘ืจื•ืช, ื ื›ื•ืŸ.
03:48
This was, at a distance,
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ื–ื• ื”ื™ื™ืชื”, ืžืจื—ื•ืง,
03:50
realizing that someone was feeling something,
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ื”ื”ื‘ื ื” ืฉืžื™ืฉื”ื• ืžืจื’ื™ืฉ ืžืฉื”ื•,
03:52
wanting to affect them in a particular way,
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ื•ืจืฆื•ืŸ ืœื”ืฉืคื™ืข ืขืœื™ื• ื‘ื“ืจืš ืžืกื•ื™ื™ืžืช,
03:54
using media to do it, putting it online
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ื‘ืืžืฆืขื•ืช ืžื“ื™ื”, ื“ืจืš ื”ืจืฉืช
03:56
and realizing that there was a greater impact.
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ื•ื”ื”ื‘ื ื” ืฉื™ืฉ ืœื–ื” ื”ืฉืคืขื” ืจื—ื‘ื” ื™ื•ืชืจ.
03:58
This was incredible; this is what I wanted to do.
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ื–ื” ื”ื™ื” ืžื“ื”ื™ื. ื–ื” ืžื” ืฉืจืฆื™ืชื™ ืœืขืฉื•ืช.
04:00
So the first thing I thought of is we have to thank him.
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ืื– ื”ื“ื‘ืจ ื”ืจืืฉื•ืŸ ืฉื—ืฉื‘ืชื™ ืขืœื™ื• ื”ื•ื ืฉืื ื—ื ื• ื—ื™ื™ื‘ื™ื ืœื”ื•ื“ื•ืช ืœื•.
04:02
And I asked my audience, I said, "Listen to this piece of audio.
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ื•ืฉืืœืชื™ ืืช ื”ืงื”ืœ ืฉืœื™, ืืžืจืชื™, "ื”ืงืฉื™ื‘ื• ืœื”ืงืœื˜ื” ื”ื–ื•.
04:04
We have to remix it. He's got a great voice.
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ืื ื—ื ื• ื—ื™ื™ื‘ื™ื ืœืขืฉื•ืช ืœื” ืจื”-ืžื™ืงืก. ื™ืฉ ืœื• ืงื•ืœ ื ื”ื“ืจ.
04:07
It's actually in the key of B flat.
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ื–ื” ืœืžืขืฉื” ื‘ืžืคืชื— ืจื” ืžื™ื ื•ืจ.
04:10
And have to do something with it."
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ื•ื—ื™ื™ื‘ื™ื ืœืขืฉื•ืช ืขื ื–ื” ืžืฉื”ื•.
04:12
Hundreds of remixes came back -- lots of different attempts.
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ืžืื•ืช ืจื”-ืžื™ืงืกื™ื ื—ื–ืจื• ืืœื™ - ื”ืจื‘ื” ื ื™ืกื™ื•ื ื•ืช ืฉื•ื ื™ื.
04:15
One stood out in particular.
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ืื—ื“ ื‘ืœื˜ ื‘ืžื™ื•ื—ื“.
04:17
It was done by a guy named Goose.
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ื”ื•ื ื ืขืฉื” ืข"ื™ ื‘ื—ื•ืจ ื‘ืฉื ื’ื•ืก.
04:20
Remix: โ™ซ I'm about to whip somebody's ass โ™ซ
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ืจื”-ืžื™ืงืก: โ™ซ ืื ื™ ืขื•ืžื“ ืœื›ืกื— ืœืžื™ืฉื”ื• ืช'ืชื—ืช โ™ซ
04:27
โ™ซ Oh, I'm about to whip somebody's ass โ™ซ
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โ™ซ ืื•, ืื ื™ ืขื•ืžื“ ืœื›ืกื— ืœืžื™ืฉื”ื• ืช'ืชื—ืช โ™ซ
04:36
โ™ซ Oh, if you don't leave me alone, โ™ซ
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โ™ซ ืื•, ืื ืœื ืชืขื–ื‘ื• ืื•ืชื™ ื‘ืฉืงื˜, โ™ซ
04:40
โ™ซ You gonna have to send me home โ™ซ
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โ™ซ ืชืฆื˜ืจื›ื• ืœืฉืœื•ื— ืื•ืชื™ ื”ื‘ื™ืชื” โ™ซ
04:44
โ™ซ Cuz I'm about to whip somebody's ass โ™ซ
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โ™ซ ื›ื™ ืื ื™ ืขื•ืžื“ ืœื›ืกื— ืœืžื™ืฉื”ื• ืช'ืชื—ืช โ™ซ
04:59
โ™ซ I'm about to whip some โ™ซ --
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โ™ซ ืื ื™ ืขื•ืžื“ ืœื›ืกื— โ™ซ -
05:03
ZF: Great, so it was incredible.
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ื–ื™ ืคืจื ืง: ื ื”ื“ืจ. ืื– ื–ื” ื”ื™ื” ืžื“ื”ื™ื.
05:05
That song -- (Applause) Thank you.
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ื”ืฉื™ืจ ื”ื–ื” - (ืžื—ื™ืื•ืช ื›ืคื™ื™ื) ืชื•ื“ื”.
05:08
So that song, somebody told me that it was at a baseball game
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ืื– ื”ืฉื™ืจ ื”ื–ื”, ืžื™ืฉื”ื• ืกื™ืคืจ ืœื™ ืฉื”ืฉืžื™ืขื• ืื•ืชื• ื‘ืžืฉื—ืง ื›ื“ื•ืจ ื‘ืกื™ืก
05:11
in Kansas City.
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ื‘ืงื ื–ืก ืกื™ื˜ื™.
05:13
In the end,
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ื‘ืกื•ืคื• ืฉืœ ื“ื‘ืจ,
05:15
it was one of the top downloads
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ื”ื•ื ื”ื™ื” ืื—ื“ ื”ื”ื•ืจื“ื•ืช ื”ืคื•ืคื•ืœืจื™ื•ืช ื‘ื™ื•ืชืจ
05:17
on a whole bunch of music streaming services.
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ื‘ืžืกืคืจ ืจื‘ ืฉืœ ืืชืจื™ ืื™ืจื•ื— ืžื•ืกื™ืงื”.
05:19
And so I said, "Let's put this together in an album."
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ืื– ืื ื™ ืืžืจืชื™, "ื‘ื•ืื• ื ืขืฉื” ืžื›ืœ ื–ื” ืืœื‘ื•ื."
05:22
And the audience came together, and they designed an album cover.
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ื•ื”ืงื”ืœ ื”ืชืื’ื“, ื•ื”ื ืขื™ืฆื‘ื• ืขื˜ื™ืคื” ืœืืœื‘ื•ื.
05:24
And I said, "If you put it all on this, I'm going to deliver it to him,
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ื•ืืžืจืชื™, "ืื ืชืฉื™ืžื• ื‘ื–ื” ืืช ื”ื›ืœ, ืื ื™ ื”ื•ืœืš ืœืฉืœื•ื— ืœื• ืืช ื–ื”,
05:27
if you can figure out who this person is,"
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ืื ืชืฆืœื™ื—ื• ืœื’ืœื•ืช ืžื™ ื”ื‘ืŸ ืื“ื ื”ื–ื”."
05:30
because all I had was his name -- Ray --
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ืžืคื ื™ ืฉื”ื™ื” ื‘ื™ื“ื™ ืจืง ืฉืžื•, ืจื™ื™.
05:33
and this little piece of audio
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ื•ืคื™ืกืช ื”ื”ืงืœื˜ื” ื”ื–ื•
05:35
and the fact that his daughter was upset.
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ื•ื”ืขื•ื‘ื“ื” ืฉื‘ืชื• ื”ื™ื™ืชื” ืขืฆื•ื‘ื”.
05:38
In two weeks, they found him.
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ืชื•ืš ืฉื‘ื•ืขื™ื™ื, ื”ื ืžืฆืื• ืื•ืชื•.
05:40
I received and email and it said,
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ืงื™ื‘ืœืชื™ ื“ื•ืืจ ืืœืงื˜ืจื•ื ื™ ื•ื‘ื• ื”ื™ื” ื›ืชื•ื‘,
05:42
"Hi, I'm Ray.
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"ื”ื™, ืื ื™ ืจื™ื™.
05:44
I heard you were looking for me."
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ืฉืžืขืชื™ ืฉืืชื” ืžื—ืคืฉ ืื•ืชื™."
05:46
(Laughter)
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(ืฆื—ื•ืง)
05:48
And I was like, "Yeah, Ray.
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ื•ืื ื™ ื”ื™ื™ืชื™ ื›ืื™ืœื•, "ื›ืŸ, ืจื™ื™.
05:50
It's been an interesting two weeks."
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ืขื‘ืจื• ืขืœื™ ืฉื‘ื•ืขื™ื™ื ืžืขื ื™ื™ื ื™ื."
05:53
And so I flew to St. Louis
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ืื– ื˜ืกืชื™ ืœืกื ื˜ ืœื•ืื™ืก
05:55
and met Ray,
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ื•ืคื’ืฉืชื™ ืืช ืจื™ื™,
05:57
and he's a preacher --
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ื•ื”ื•ื ื›ื•ืžืจ.
05:59
(Laughter)
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(ืฆื—ื•ืง)
06:02
among other things.
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ื‘ื™ืŸ ื”ื™ืชืจ.
06:04
So but anyways, here's the thing --
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ืื‘ืœ, ื”ื ื” ื”ืขื ื™ื™ืŸ.
06:06
is it reminds me of this,
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ื•ื–ื” ืžื–ื›ื™ืจ ืœื™ ืืช ื–ื”,
06:08
which is a sign that you see in Amsterdam on every street corner.
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ื–ื”ื• ืฉืœื˜ ืฉืจื•ืื™ื ื‘ืืžืกื˜ืจื“ื ื‘ื›ืœ ืคื™ื ืช ืจื—ื•ื‘.
06:11
And it's sort of a metaphor for me for the virtual world.
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ื•ืขื‘ื•ืจื™ ื–ื•ื”ื™ ืžืขื™ืŸ ืžื˜ืคื•ืจื” ืฉืœ ื”ืขื•ืœื ื”ื•ื™ืจื˜ื•ืืœื™.
06:14
I look at this photo, and he seems really interested
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ืื ื™ ืžื‘ื™ื˜ ื‘ืชืžื•ื ื” ื”ื–ื•, ื•ื ืจืื” ืฉื”ื•ื ื‘ืืžืช ืžืชืขื ื™ื™ืŸ
06:17
in what's going on with that button,
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ื‘ืžื” ืฉืงื•ืจื” ืขื ื”ื›ืคืชื•ืจ ื”ื–ื”,
06:19
but it doesn't seem like he is really that interested in crossing the street.
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ืื‘ืœ ืœื ื ืจืื” ืฉื”ื•ื ื‘ืืžืช ืžืขื•ื ื™ื™ืŸ ืœื—ืฆื•ืช ืืช ื”ื›ื‘ื™ืฉ.
06:22
(Laughter)
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(ืฆื—ื•ืง)
06:24
And it makes me think of this.
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ื•ื–ื” ื’ื•ืจื ืœื™ ืœื—ืฉื•ื‘ ืขืœ ื”ื“ื‘ืจ ื”ื‘ื.
06:26
On street corners everywhere, people are looking at their cell phones,
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ื‘ืคื™ื ื•ืช ืจื—ื•ื‘ ื‘ื›ืœ ืžืงื•ื, ืื ืฉื™ื ืžื‘ื™ื˜ื™ื ื‘ื˜ืœืคื•ื ื™ื ื”ื ื™ื™ื“ื™ื ืฉืœื”ื,
06:29
and it's easy to dismiss this
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ื•ืงืœ ืœื‘ื˜ืœ ื–ืืช
06:31
as some sort of bad trend
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ื‘ืชื•ืจ ืžื’ืžื” ืฉืœื™ืœื™ืช ื›ืœืฉื”ื™
06:33
in human culture.
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ื‘ืชืจื‘ื•ืช ื”ืื ื•ืฉื™ืช.
06:35
But the truth is
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ืื‘ืœ ื”ืืžืช ื”ื™ื,
06:37
life is being lived there.
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ืฉืฉื ื”ื ื—ื™ื™ื ืืช ื”ื—ื™ื™ื.
06:39
When they smile --
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ื›ืฉื”ื ืžื—ื™ื™ื›ื™ื -
06:41
right, you've seen people stop --
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ื ื›ื•ืŸ, ื™ืฆื ืœื›ื ืœืจืื•ืช ืื ืฉื™ื ืขื•ืฆืจื™ื -
06:44
all of a sudden, life is being lived there,
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ืคืชืื•ื, ื—ื™ื™ื ืฉื ืืช ื”ื—ื™ื™ื,
06:46
somewhere up in that weird, dense network.
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ืื™ืคืฉื”ื• ื‘ืจืฉืช ื”ื“ื—ื•ืกื”, ื”ืžื•ื–ืจื” ื”ื–ืืช.
06:50
And this is it, right, to feel and be felt.
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ื•ื–ื” ื”ืขื ื™ื™ืŸ, ื ื›ื•ืŸ, ืœื”ืจื’ื™ืฉ ื•ืœื”ื™ื•ืช ืžื•ืจื’ืฉ.
06:53
It's the fundamental force
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ื–ื”ื• ื”ื›ื— ื”ื‘ืกื™ืกื™
06:55
that we're all after.
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ืฉื›ื•ืœื ื• ืžื—ืคืฉื™ื.
06:57
We can build all sorts of environments
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ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœื‘ื ื•ืช ื›ืœ ืžื™ื ื™ ืกื‘ื™ื‘ื•ืช
06:59
to make it a little bit easier,
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ื›ื“ื™ ืฉื™ื”ื™ื” ืงืฆืช ื™ื•ืชืจ ืงืœ,
07:01
but ultimately, what we're trying to do
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ืื‘ืœ ื‘ืกื•ืคื• ืฉืœ ื“ื‘ืจ, ืžื” ืฉืื ื—ื ื• ืžื ืกื™ื ืœืขืฉื•ืช
07:03
is really connect with one other person.
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ื–ื” ืœื”ืชื—ื‘ืจ ืขื ื‘ืŸ ืื“ื ืื—ื“ ื ื•ืกืฃ ื‘ืืžืช.
07:06
And that's not always going to happen in physical spaces.
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ื•ื–ื” ืœื ืชืžื™ื“ ื™ืงืจื” ื‘ืžืจื—ื‘ื™ื ืคื™ื–ื™ื™ื.
07:08
It's also going to now happen in virtual spaces,
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ื–ื” ื™ืงืจื” ืขื›ืฉื™ื• ื’ื ืœืคืขืžื™ื ื‘ืžืจื—ื‘ื™ื ื•ื™ืจื˜ื•ืืœื™ื™ื,
07:11
and we have to get better at figuring that out.
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ื•ืื ื—ื ื• ืฆืจื™ื›ื™ื ืœื”ืฉืชืคืจ ื‘ืœื”ื‘ื™ืŸ ืืช ื–ื”.
07:13
I think, of the people that build all this technology in the network,
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ืื ื™ ื—ื•ืฉื‘, ืขืœ ื”ืื ืฉื™ื ืฉื‘ื•ื ื™ื ืืช ื›ืœ ื”ื˜ื›ื ื•ืœื•ื’ื™ื” ื”ื–ืืช ืฉื‘ืจืฉืช,
07:16
a lot of them aren't very good
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ื”ืจื‘ื” ืžื”ื ืื™ื ื ื˜ื•ื‘ื™ื ื‘ืžื™ื•ื—ื“
07:18
at connecting with people.
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ื‘ืœื”ืชื—ื‘ืจ ืขื ืื ืฉื™ื.
07:20
This is kind of like something I used to do
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ื–ื” ื“ื•ืžื” ืงืฆืช ืœืžืฉื”ื• ืฉื”ื™ื™ืชื™ ืขื•ืฉื”
07:22
in third grade.
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ื‘ื›ื™ืชื” ื’'.
07:24
(Laughter)
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(ืฆื—ื•ืง)
07:26
So here's a series of projects
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ืื– ื”ื ื” ืกื“ืจืช ืคืจื•ื™ื™ืงื˜ื™ื
07:28
over the last few years
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ืžื”ืฉื ื™ื ื”ืื—ืจื•ื ื•ืช
07:30
where I've been inspired by trying to figure out
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ื‘ื”ื ืฉืื‘ืชื™ ื”ืฉืจืื” ืžื”ื ืกื™ื•ืŸ ืœื”ื‘ื™ืŸ
07:33
how to really facilitate close connection.
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ื›ื™ืฆื“ ืืคืฉืจ ืœื™ื™ืฆืจ ืงืฉืจ ืงืจื•ื‘.
07:36
Sometimes they're very, very simple things.
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ืœืคืขืžื™ื ืืœื• ื“ื‘ืจื™ื ืžืื“ ืžืื“ ืคืฉื•ื˜ื™ื.
07:38
A Childhood Walk, which is a project
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"ื˜ื™ื•ืœ ื™ืœื“ื•ืช", ื–ื”ื• ืคืจื•ื™ื™ืงื˜
07:40
where I ask people to remember a walk
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ื‘ื• ื‘ื™ืงืฉืชื™ ืžืื ืฉื™ื ืœื”ื™ื–ื›ืจ ื‘ื˜ื™ื•ืœ
07:42
that they used to take as a child over and over again
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ืฉื”ื™ื• ืขื•ืฉื™ื ืฉื•ื‘ ื•ืฉื•ื‘ ื›ื™ืœื“ื™ื
07:45
that was sort of meaningless --
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ืฉื”ื™ื” ื“ื™ ื—ืกืจ ืžืฉืžืขื•ืช,
07:47
like on the route to the bus stop, to a neighbor's house,
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ื›ืžื• ื”ื“ืจืš ืœืชื—ื ืช ื”ืื•ื˜ื•ื‘ื•ืก, ืœื‘ื™ืช ืฉืœ ื”ืฉื›ื ื™ื,
07:50
and take it inside of Google Streetview.
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ื•ืœืฉื—ื–ืจ ืื•ืชื• ื‘ืืžืฆืขื•ืช Google Streetview.
07:52
And I promise you,
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ื•ืื ื™ ืžื‘ื˜ื™ื— ืœื›ื,
07:54
if you take that walk inside Google Streetview,
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ืฉืื ืชืฉื—ื–ืจื• ืืช ื”ื˜ื™ื•ืœ ื”ื–ื” ื‘ืืžืฆืขื•ืช Google Streetview,
07:56
you come to a moment
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ืชื’ื™ืขื• ืœื ืงื•ื“ื”
07:58
where something comes back
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ืฉื‘ื” ืžืฉื”ื• ื—ื•ื–ืจ
08:00
and hits you in the face.
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ื•ื”ื•ืœื ื‘ื›ื ื‘ืคื ื™ื.
08:02
And I collected those moments --
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ื•ืืกืคืชื™ ืืช ื”ืจื’ืขื™ื ื”ืืœื• -
08:04
the photos inside Google Streetview
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ืืช ื”ืชืžื•ื ื•ืช ื‘ืชื•ืš Google Streetview
08:06
and the memories, specifically.
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ื•ืกืคืฆื™ืคื™ืช, ืืช ื”ื–ื›ืจื•ื ื•ืช.
08:08
"Our conversation started with me saying, 'I'm bored,'
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"ื”ืฉื™ื—ื” ื‘ื™ื ื™ื ื• ื”ื—ืœื” ื‘ื–ื” ืฉืืžืจืชื™, 'ืžืฉืขืžื ืœื™,'
08:11
and her replying, 'When I'm bored I eat pretzels.'
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ื•ื‘ื–ื” ืฉื”ื™ื ืขื ืชื”, 'ื›ืฉืžืฉืขืžื ืœื™ ืื ื™ ืื•ื›ืœืช ื‘ื™ื™ื’ืœื”.'
08:13
I remember this distinctly because it came up a lot."
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ืื ื™ ื–ื•ื›ืจ ืืช ื–ื” ื‘ื‘ื™ืจื•ืจ ืžืคื ื™ ืฉื–ื” ืขืœื” ื”ืจื‘ื”."
08:16
"Right after he told me and my brother
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"ืžื™ื“ ืœืื—ืจ ืฉืกื™ืคืจ ืœื™ ื•ืœืื—ื™
08:18
he was going to be separating from my mom,
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ืฉื”ื•ื ืขื•ืžื“ ืœื”ื™ืคืจื“ ืžืืžื ืฉืœื™,
08:20
I remember walking to a convenience store
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ืื ื™ ื–ื•ื›ืจืช ืฉื”ืœื›ืชื™ ืœืžื›ื•ืœืช
08:22
and getting a cherry cola."
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ื•ืงื ื™ืชื™ ืงื•ืœื” ื“ื•ื‘ื“ื‘ื ื™ื."
08:24
"They used some of the morbidly artist footage,
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"ื”ื ื”ืฉืชืžืฉื• ื‘ื—ืœืง ืžื”ืงื˜ืขื™ื ื”ืืžื ื•ืชื™ื™ื ื”ื“ื›ืื•ื ื™ื™ื,
08:26
a close-up of Chad's shoes in the middle of the highway.
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ืชืงืจื™ื‘ ืฉืœ ื”ื ืขืœื™ื™ื ืฉืœ ืฆ'ืื“ ื‘ืืžืฆืข ื”ื›ื‘ื™ืฉ ื”ืžื”ื™ืจ.
08:28
I guess the shoes came off when he was hit.
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ืื ื™ ืžื ื™ื— ืฉื”ื ืขืœื™ื™ื ืขืคื• ื›ืฉื”ื•ื ื ืคื’ืข.
08:31
He slept over at my house once, and he left his pillow.
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ื”ื•ื ื™ืฉืŸ ืืฆืœื™ ื‘ื‘ื™ืช ืคืขื, ื•ื”ื•ื ื”ืฉืื™ืจ ืืช ื”ื›ืจื™ืช ืฉืœื•.
08:34
It had 'Chad' written in magic marker on it.
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ื”ื™ื” ื›ืชื•ื‘ ืขืœื™ื” 'ืฆ'ืื“' ื‘ื˜ื•ืฉ.
08:36
He died long after he left the pillow at my house,
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ื”ื•ื ืžืช ื”ืจื‘ื” ืื—ืจื™ ืฉื”ื•ื ื”ืฉืื™ืจ ืืช ื”ื›ืจื™ืช ื‘ื‘ื™ืช ืฉืœื™,
08:38
but we never got around to returning it."
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ืื‘ืœ ืืฃ ืคืขื ืœื ืžืฆืื ื• ื–ืžืŸ ืœื”ื—ื–ื™ืจ ืื•ืชื”."
08:40
Sometimes they're a little bit more abstract.
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ืœืขื™ืชื™ื ื”ื ืงืฆืช ื™ื•ืชืจ ืžื•ืคืฉื˜ื™ื.
08:42
This is Pain Pack.
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ื–ื”ื• "ื—ื‘ื™ืœืช ื›ืื‘."
08:44
Right after September 11th, last year,
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ืžื™ื“ ืœืื—ืจ ื”-11 ื‘ืกืคื˜ืžื‘ืจ, ื‘ืฉื ื” ืฉืขื‘ืจื”,
08:46
I was thinking about pain and the way that we disperse it,
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ื—ืฉื‘ืชื™ ืขืœ ื›ืื‘ ื•ืขืœ ื”ืื•ืคืŸ ื‘ื• ืื ื• ืžืคื™ืฆื™ื ืื•ืชื•,
08:48
the way that we excise it from our bodies.
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ื”ืื•ืคืŸ ืฉื‘ื• ืื ื• ืžืกืœืงื™ื ืื•ืชื• ืžื’ื•ืคื™ื ื•.
08:51
So what I did is I opened up a hotline --
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ืื– ืžื” ืฉืขืฉื™ืชื™ ื–ื” ืฉืคืชื—ืชื™ ืงื• ื—ื,
08:53
a hotline where people could leave voicemails of their pain,
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ืงื• ื—ื ื‘ื• ืื ืฉื™ื ื™ื›ื•ืœื™ื ืœื”ืฉืื™ืจ ื”ื•ื“ืขื•ืช ืฉืœ ื”ื›ืื‘ ืฉืœื”ื,
08:56
not necessarily related to that event.
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ืœื ื‘ื”ื›ืจื— ื‘ื”ืงืฉืจ ืฉืœ ื”ืืจื•ืข ื”ื”ื•ื.
08:59
And people called in and left messages like this.
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ื•ืื ืฉื™ื ื”ืชืงืฉืจื• ื•ื”ืฉืื™ืจื• ื”ื•ื“ืขื•ืช ื›ืžื• ื–ื•.
09:03
Recording: Okay, here's something.
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ื”ืงืœื˜ื”: ืื•.ืงื™ื™, ื”ื ื” ืžืฉื”ื•.
09:07
I'm not alone,
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ืื ื™ ืœื ืœื‘ื“,
09:09
and I am loved.
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ื•ืื ื™ ืื”ื•ื‘ื”.
09:11
I'm really fortunate.
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ืื ื™ ื‘ืืžืช ื‘ืจืช ืžื–ืœ.
09:15
But sometimes I feel really lonely.
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ืื‘ืœ ืœืคืขืžื™ื ืื ื™ ืžืจื’ื™ืฉื” ืžืื“ ื‘ื•ื“ื“ื”.
09:19
And when I feel that way
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ื•ื›ืฉืื ื™ ืžืจื’ื™ืฉื” ื›ื›ื”
09:25
even the smallest act of kindness
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ืžืขืฉื” ื˜ื•ื‘ ื•ืœื• ื”ืงื˜ืŸ ื‘ื™ื•ืชืจ
09:28
can make me cry.
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ื™ื›ื•ืœ ืœื’ืจื•ื ืœื™ ืœื‘ื›ื•ืช.
09:30
Like even people in convenience stores
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ืืคื™ืœื• ืื ืฉื™ื ื‘ื—ื ื•ื™ื•ืช ื”ืžื›ื•ืœืช
09:32
saying, "Have a nice day,"
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ืฉืืžืจื•, "ืฉื™ื”ื™ื” ืœืš ื™ื•ื ื˜ื•ื‘,"
09:35
when they're accidentally looking me in the eye.
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ื›ืฉื”ื ื”ื‘ื™ื˜ื• ืœื™ ื‘ื˜ืขื•ืช ื‘ืขื™ื ื™ื™ื.
09:41
ZF: So what I did was I took those voicemails,
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ื–.ืค.: ืื– ืžื” ืฉืขืฉื™ืชื™ ื–ื” ืฉืœืงื—ืชื™ ืืช ื”ื”ื•ื“ืขื•ืช ื”ืืœื•,
09:43
and with their permission, converted them to MP3s
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ื•ื‘ืื™ืฉื•ืจื, ื”ืกื‘ืชื™ ืื•ืชื ืœืงื‘ืฆื™ MP3
09:46
and distributed them to sound editors
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ื•ื”ืคืฆืชื™ ืื•ืชื ืœืขื•ืจื›ื™ ืงื•ืœ
09:48
who created short sounds
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ืฉื”ื›ื™ื ื• ืงื˜ืขื™ ืงื•ืœ ืงืฆืจื™ื
09:50
using just those voicemails.
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ื‘ืืžืฆืขื•ืช ื”ื”ื•ื“ืขื•ืช ื”ืืœื• ื‘ืœื‘ื“.
09:54
And those were then distributed to DJs
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ื•ืืœื” ื”ื•ืคืฆื• ืœ-DJ-ื™ื
09:57
who have made hundreds of songs
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ืฉื™ืฆืจื• ืžื”ื ืžืื•ืช ืฉื™ืจื™ื
10:00
using that source material.
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ื‘ืืžืฆืขื•ืช ื—ื•ืžืจื™ ื”ืžืงื•ืจ ื”ืœืœื•.
10:05
(Music)
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(ืžื•ืกื™ืงื”)
10:07
We don't have time to play much of it.
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ืื™ืŸ ืœื ื• ื–ืžืŸ ืœื”ืฉืžื™ืข ื”ืจื‘ื” ืžื–ื”.
10:09
You can look at it online.
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ืืชื ื™ื›ื•ืœื™ื ืœืจืื•ืช ืืช ื–ื” ื‘ืจืฉืช.
10:11
"From 52 to 48 with love"
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"ืž-52 ืœ-48 ื‘ืื”ื‘ื”"
10:13
was a project around the time of the last election cycle,
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ื”ื™ื” ืคืจื•ื™ื™ืงื˜ ื‘ืชืงื•ืคืช ืžื—ื–ื•ืจ ื”ื‘ื—ื™ืจื•ืช ื”ืื—ืจื•ืŸ,
10:16
where McCain and Obama both,
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ื›ืฉืžืง'ื™ื™ืŸ ื•ืื•ื‘ืžื” ืฉื ื™ื”ื,
10:18
in their speeches after the election, talked about reconciliation,
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ื“ื™ื‘ืจื• ืขืœ ืคื™ื•ืก ื‘ื ืื•ืžื™ื”ื ืฉืœืื—ืจ ื”ื‘ื—ื™ืจื•ืช,
10:21
and I was like, "What the hell
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ื•ืื ื™ ื”ื™ื™ืชื™ ื›ืื™ืœื•, "ืื™ืš ืœืขื–ืื–ืœ
10:23
does that look like?"
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ื–ื” ื ืจืื”?"
10:25
So I thought, "Well let's just give it a try.
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ืื– ื—ืฉื‘ืชื™, "ื‘ื•ืื• ืคืฉื•ื˜ ื ื ืกื” ืืช ื–ื”.
10:27
Let's have people hold up signs about reconciliation."
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ื ื™ืชืŸ ืœืื ืฉื™ื ืœื”ืจื™ื ืฉืœื˜ื™ื ืขืœ ืคื™ื•ืก."
10:30
And so some really nice things came together.
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ื•ื™ืฆืื• ืžื–ื” ื›ืœ ืžื™ื ื™ ื“ื‘ืจื™ื ืžืžืฉ ื ื—ืžื“ื™ื.
10:32
"I voted blue. I voted red.
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"ื”ืฆื‘ืขืชื™ ื›ื—ื•ืœ. ื”ืฆื‘ืขืชื™ ืื“ื•ื.
10:34
Together, for our future."
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ื™ื—ื“, ืœืžืขืŸ ืขืชื™ื“ื ื•."
10:36
These are very, very cute little things right.
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ืืœื” ื“ื‘ืจื™ื ืžืžืฉ ืžืžืฉ ื—ืžื•ื“ื™ื.
10:39
Some came from the winning party.
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ื—ืœืง ื”ื’ื™ืขื• ืžื”ืžืคืœื’ื” ื”ื–ื•ื›ื”.
10:41
"Dear 48, I promise to listen to you, to fight for you, to respect you always."
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"48 ื”ื™ืงืจื™ื, ืื ื™ ืžื‘ื˜ื™ื— ืœื”ืงืฉื™ื‘ ืœื›ื, ืœื”ื™ืœื—ื ืœืžืขื ื›ื, ืœื›ื‘ื“ ืืชื›ื ืชืžื™ื“."
10:44
Some came from the party who had just lost.
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ื—ืœืง ื”ื’ื™ืขื• ืžื”ืžืคืœื’ื” ืฉื–ื” ืขืชื” ื”ืคืกื™ื“ื”.
10:46
"From a 48 to a 52, may your party's leadership be as classy as you,
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"ืžืื—ื“ ื”-48 ืœืื—ื“ ื”-52, ืžื™ ื™ืชืŸ ื•ืžื ื”ื™ื’ื•ืช ื”ืžืคืœื’ื” ืฉืœืš ื™ื”ื™ื” ื‘ืจืžื” ื’ื‘ื•ื”ื” ื›ืžื•ืš.
10:49
but I doubt it."
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ืื‘ืœ ืื ื™ ื‘ืกืคืง."
10:52
But the truth was that as this start becoming popular,
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ืื‘ืœ ื”ืืžืช ื”ื™ื ืฉื›ืฉื–ื” ื”ืชื—ื™ืœ ืœื”ื™ื•ืช ืคื•ืคื•ืœืืจื™,
10:55
a couple rightwing blogs and some message boards
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ื›ืžื” ื‘ืœื•ื’ื™ื ื•ืœื•ื—ื•ืช ืžื•ื“ืขื•ืช
10:57
apparently found it to be a little patronizing,
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ื›ืคื™ ื”ื ืจืื” ื”ืจื’ื™ืฉื• ืฉื–ื” ืงืฆืช ืžืชื ืฉื,
10:59
which I could also see.
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ืฉื’ื ืื ื™ ืจืื™ืชื™.
11:01
And so I started getting amazing amounts of hate mail,
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ืื– ื”ืชื—ืœืชื™ ืœืงื‘ืœ ื›ืžื•ื™ื•ืช ืžื“ื”ื™ืžื•ืช ืฉืœ ื“ื•ืืจ ืฉื ืื”,
11:04
death threats even.
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ืืคื™ืœื• ืื™ื•ืžื™ื ืขืœ ื—ื™ื™.
11:06
And one guy in particular kept on writing me these pretty awful messages,
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ื•ื‘ื—ื•ืจ ืื—ื“ ื‘ืžื™ื•ื—ื“ ื”ื™ื” ื›ื•ืชื‘ ืœื™ ื”ื•ื“ืขื•ืช ื“ื™ ืื™ื•ืžื•ืช,
11:09
and he was dressed as Batman.
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ื•ื”ื•ื ื”ื™ื” ืœื‘ื•ืฉ ื›ื‘ืื˜ืžืŸ.
11:12
And he said, "I'm dressed as Batman to hide my identity."
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ื•ื”ื•ื ืืžืจ, "ืื ื™ ืœื‘ื•ืฉ ื›ื‘ืื˜ืžืŸ ื›ื“ื™ ืœื”ืกืชื™ืจ ืืช ื–ื”ื•ืชื™."
11:15
Just in case I thought the real Batman
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ืœืžืงืจื” ืฉื—ืฉื‘ืชื™ ืฉื‘ืื˜ืžืŸ ื”ืืžื™ืชื™
11:17
was coming after me;
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ื‘ื ืœื—ืคืฉ ืื•ืชื™.
11:19
which actually made me feel a little better --
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ืžื” ืฉื’ืจื ืœื™ ืœื”ืจื’ื™ืฉ ืงืฆืช ื™ื•ืชืจ ื˜ื•ื‘.
11:21
like, "Phew, it's not him."
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ื›ืื™ืœื•, "ืื™ื–ื” ืžื–ืœ, ื–ื” ืœื ื”ื•ื."
11:23
So what I did --
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ืื– ืžื” ืฉืขืฉื™ืชื™ -
11:25
unfortunately, I was harboring all this kind of
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ืœื“ืื‘ื•ื ื™ ืื’ืจืชื™ ืืช ื›ืœ
11:27
awful experience and this pain inside of me,
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ื”ื”ืชื ืกื•ืช ื”ื–ืืช ื•ืืช ื”ื›ืื‘ ื‘ืชื•ืš ืชื•ื›ื™,
11:30
and it started to eat away at my psyche.
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ื•ื–ื” ื”ื—ืœ ืœื›ืจืกื ื‘ืชื•ื“ืขื” ืฉืœื™.
11:33
And I was protecting the project from it, I realized. I was protecting it --
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ื•ื”ื‘ื ืชื™ ืฉืื ื™ ื’ื•ื ื ืชื™ ืขืœ ื”ืคืจื•ื™ื™ืงื˜ ืžื–ื”. ืื ื™ ื”ื’ื ืชื™ ืขืœื™ื•.
11:36
I didn't want this special, little group of photographs
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ืœื ืจืฆื™ืชื™ ืฉืงื•ื‘ืฅ ื”ืชืžื•ื ื•ืช ื”ืงื˜ืŸ ื•ื”ืžื™ื•ื—ื“ ื”ื–ื”
11:39
to get sullied in some way.
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ื™ื•ื›ืชื ื‘ืื™ื–ื•ืฉื”ื™ ืฆื•ืจื”.
11:41
So what I did, I took all those emails,
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ืื– ืžื” ืฉืขืฉื™ืชื™ ื–ื” ืฉืœืงื—ืชื™ ืืช ื›ืœ ื”ืžื™ื™ืœื™ื ื”ืืœื•,
11:44
and I put them together into something called Angrigami,
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ื•ื—ื™ื‘ืจืชื™ ืื•ืชื ืœืžืฉื”ื• ืฉื ืงืจื "ืฉื ืื”-ื’ืžื™" (Angrigami),
11:47
which was an origami template
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ืฉื”ื™ื” ืชื‘ื ื™ืช ืœืื•ืจื™ื’ืžื™
11:49
made out of this sort of vile stuff.
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ืขืฉื•ื™ ืžื›ืœ ื”ื“ื‘ืจื™ื ื”ืžื’ืขื™ืœื™ื ื”ืืœื•.
11:51
And I asked people to send me beautiful things
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ื•ื‘ื™ืงืฉืชื™ ืžืื ืฉื™ื ืœืฉืœื•ื— ืœื™ ื“ื‘ืจื™ื ื™ืคื™ื
11:53
made out of the Angrigami.
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ืฉืขืฉื• ืžื”ืฉื ืื”-ื’ืžื™.
11:55
(Laughter)
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(ืฆื—ื•ืง)
12:02
But this was the emotional moment.
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ืื‘ืœ ื–ื” ื”ื™ื” ื”ืจื’ืข ื”ืžืจื’ืฉ.
12:05
One of my viewer's uncles died on a particular day
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ื“ื•ื“ื• ืฉืœ ืื—ื“ ื”ืฆื•ืคื™ื ืฉืœื™ ื ืคืชืจ ื‘ื™ื•ื ืžืกื•ื™ื™ื,
12:08
and he chose to commemorate it with a piece of hate.
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ื•ื”ื•ื ื‘ื—ืจ ืœื”ื ืฆื™ื— ืืช ื–ื” ืขื ืคื™ืกืช ืฉื ืื”.
12:11
It's amazing.
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ื–ื” ืžื“ื”ื™ื.
12:13
The last thing I'm going to tell you about is a series of projects
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ื”ื“ื‘ืจ ื”ืื—ืจื•ืŸ ืฉืืกืคืจ ืœื›ื ืขืœื™ื• ื”ื•ื ืกื“ืจื” ืฉืœ ืคืจื•ื™ื™ืงื˜ื™ื
12:16
called Songs You Already Know,
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ืฉืงื•ืจืื™ื ืœื”ื "ืฉื™ืจื™ื ืฉืืชื ื›ื‘ืจ ืžื›ื™ืจื™ื",
12:19
where the idea was,
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ื•ื”ืจืขื™ื•ืŸ ื”ื™ื”,
12:21
I was trying to figure out to address
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ื ื™ืกื™ืชื™ ืœืคืขื ื— ืื™ืš ืœื”ืชื™ื™ื—ืก
12:23
particular kinds of emotions with group projects.
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ืœืกื•ื’ื™ ืจื’ืฉื•ืช ืžืกื•ื™ื™ืžื™ื ื‘ืืžืฆืขื•ืช ืคืจื•ื™ื™ืงื˜ื™ื ืงื‘ื•ืฆืชื™ื™ื.
12:26
So one of them was fairly straightforward.
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ืื– ืื—ื“ ืžื”ื ื”ื™ื” ื“ื™ ืคืฉื•ื˜.
12:28
A guy said that his daughter got scared at night
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ื‘ื—ื•ืจ ืื—ื“ ืืžืจ ืฉื”ื‘ืช ืฉืœื• ืžืคื—ื“ืช ื‘ืœื™ืœื”
12:30
and could I write a song for her, his daughter.
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ื•ื‘ื™ืงืฉ ืžืžื ื™ ืœื›ืชื•ื‘ ืœื” ืฉื™ืจ, ืœื‘ืช ืฉืœื•.
12:32
And I said, "Oh yeah,
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ื•ืื ื™ ืืžืจืชื™, ืื” ื›ืŸ,
12:34
I'll try to write a mantra that she can sing to herself
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ืื ืกื” ืœื›ืชื•ื‘ ืœื” ืžื ื˜ืจื” ืฉื”ื™ื ื™ื›ื•ืœื” ืœืฉื™ืจ ืœืขืฆืžื”
12:36
to help herself go to sleep."
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ื›ื“ื™ ืฉื–ื” ื™ืขื–ื•ืจ ืœื” ืœื”ื™ืจื“ื.
12:38
And this was "Scared."
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ื•ื–ื” ื”ื™ื” "ืžืคื—ื“."
12:54
(Video) โ™ซ This is a song that I sing when I'm scared of something โ™ซ
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(ื•ื™ื“ืื•) โ™ซ ื–ื”ื• ืฉื™ืจ ืฉืื ื™ ืฉืจ ื›ืฉืื ื™ ืžืคื—ื“ ืžืžืฉื”ื• โ™ซ
12:58
โ™ซ I don't know why but it helps me get over it โ™ซ
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โ™ซ ืื ื™ ืœื ื™ื•ื“ืข ืœืžื” ืื‘ืœ ื–ื” ืขื•ื–ืจ ืœื™ ืœื”ืชื’ื‘ืจ ืขืœ ื–ื” โ™ซ
13:02
โ™ซ The words of the song just move me along โ™ซ
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โ™ซ ืžื™ืœื•ืช ื”ืฉื™ืจ ืคืฉื•ื˜ ืžืงื“ืžื•ืช ืื•ืชื™ โ™ซ
13:06
โ™ซ And somehow I get over it โ™ซ
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โ™ซ ื•ืื™ื›ืฉื”ื• ืื ื™ ืžืชื’ื‘ืจ ืขืœ ื–ื” โ™ซ
13:10
โ™ซ At least I don't suck at life โ™ซ
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โ™ซ ืœืคื—ื•ืช ืื ื™ ืœื ื ื›ืฉืœ ื‘ื—ื™ื™ื โ™ซ
13:13
โ™ซ I keep on trying despite โ™ซ
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โ™ซ ืื ื™ ืžืžืฉื™ืš ืœื ืกื•ืช ืœืžืจื•ืช โ™ซ
13:17
โ™ซ At least I don't suck at life โ™ซ
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โ™ซ ืœืคื—ื•ืช ืื ื™ ืœื ื ื›ืฉืœ ื‘ื—ื™ื™ื โ™ซ
13:21
โ™ซ I keep on trying despite โ™ซ
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โ™ซ ืื ื™ ืžืžืฉื™ืš ืœื ืกื•ืช ืœืžืจื•ืช โ™ซ
13:24
โ™ซ This is a song that I sing when I'm scared of something โ™ซ
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โ™ซ ื–ื”ื• ืฉื™ืจ ืฉืื ื™ ืฉืจ ื›ืฉืื ื™ ืžืคื—ื“ ืžืžืฉื”ื• โ™ซ
13:28
Okay, so I wrote that song, right. Thank you.
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ื˜ื•ื‘, ืื– ื›ืชื‘ืชื™ ืืช ื”ืฉื™ืจ ื”ื–ื”, ื ื›ื•ืŸ. ืชื•ื“ื”.
13:32
So the nice thing was is he walked by his daughter's room at some point,
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ืื– ื”ื“ื‘ืจ ื”ื ื—ืžื“ ื”ื•ื ืฉื”ื•ื ื ื›ื ืก ื‘ืื™ื–ืฉื”ื• ืฉืœื‘ ืœื—ื“ืจ ืฉืœ ื”ื‘ืช ืฉืœื•,
13:35
and she actually was singing that song to herself.
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ื•ื”ื™ื ืžืžืฉ ืฉืจื” ืืช ื”ืฉื™ืจ ื”ื–ื” ืœืขืฆืžื”.
13:37
So I was like, "Awesome. This is great."
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ืื– ืื ื™ ื”ื™ื™ืชื™ ื›ืื™ืœื•, "ืกื‘ื‘ื”. ื–ื” ื’ื“ื•ืœ."
13:39
And then I got this email. And there's a little bit of a back story to this.
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ื•ืื– ืงื™ื‘ืœืชื™ ืืช ื”ืžื™ื™ืœ ื”ื–ื”. ื•ื™ืฉ ืœื–ื” ืงืฆืช ืกื™ืคื•ืจ ืจืงืข.
13:41
And I don't have much time.
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ื•ืื™ืŸ ืœื™ ื”ืจื‘ื” ื–ืžืŸ.
13:43
But the idea was that at one point
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ืื‘ืœ ื”ืจืขื™ื•ืŸ ื”ื™ื” ืฉื‘ืฉืœื‘ ืžืกื•ื™ื™ื
13:45
I did a project called Facebook Me Equals You,
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ืขืฉื™ืชื™ ืคืจื•ื™ื™ืงื˜ ื‘ืฉื "ืคื™ื™ืกื‘ื•ืง ืื ื™ ืฉื•ื•ื” ืืชื”",
13:47
where I wanted to experience what it was like
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ื‘ื• ืจืฆื™ืชื™ ืœื—ื•ื•ืช ืื™ืš ื–ื”
13:49
to live as another person.
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ืœื—ื™ื•ืช ื›ืžื™ืฉื”ื• ืื—ืจ.
13:51
So I asked for people's usernames and passwords to be sent to me.
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ืื– ื‘ื™ืงืฉืชื™ ืžืื ืฉื™ื ืฉื™ื™ืฉืœื—ื• ืœื™ ืืช ืฉืžื•ืช ื”ืžืฉืชืžืฉ ื•ื”ืกื™ืกืžืื•ืช ืฉืœื”ื.
13:54
And I got a lot, like 30 in a half an hour.
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ื•ืงื™ื‘ืœืชื™ ื”ืจื‘ื”, ื‘ืขืจืš 30 ืชื•ืš ื—ืฆื™ ืฉืขื”.
13:57
And I shut that part down.
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ื•ืกื’ืจืชื™ ืืช ื”ืงื˜ืข ื”ื–ื”.
13:59
And I chose two people to be,
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ื•ื‘ื—ืจืชื™ ืœื”ื™ื•ืช ืฉื ื™ ืื ืฉื™ื,
14:01
and I asked them to send me descriptions
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ื•ื‘ื™ืงืฉืชื™ ืžื”ื ืฉื™ื™ืฉืœื—ื• ืœื™ ืชื™ืื•ืจื™ื
14:03
of how to act as them on Facebook.
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ืฉืœ ืื™ืš ืœื”ืชื ื”ื’ ื›ืžื•ื”ื ื‘ืคื™ื™ืกื‘ื•ืง.
14:05
One person sent me a very detailed description;
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ืื—ื“ ืžื”ื ืฉืœื— ืœื™ ืชื™ืื•ืจ ืžืื“ ืžืคื•ืจื˜.
14:07
the other person didn't.
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ื•ื”ืฉื ื™ื” ืœื.
14:09
And the person who didn't, it turned out,
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ื•ื–ืืช ืฉืœื, ืžืกืชื‘ืจ,
14:11
had just moved to a new city and taken on a new job.
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ืขื‘ืจื” ื‘ื“ื™ื•ืง ืœืขื™ืจ ืื—ืจืช ื•ืžืฆืื” ืขื‘ื•ื“ื” ื—ื“ืฉื”.
14:13
So, you know, people were writing me and saying, "How's your new job?"
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ืื–, ืืชื ื™ื•ื“ืขื™ื, ืื ืฉื™ื ื›ืชื‘ื• ืœื™ ื•ืฉืืœื•, "ืื™ืš ื”ืขื‘ื•ื“ื” ื”ื—ื“ืฉื”?"
14:16
I was like, "I don't know.
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ื•ื”ื™ื™ืชื™ ื›ืื™ืœื•, "ืœื ื™ื•ื“ืข.
14:18
Didn't know I had one."
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ืœื ื™ื“ืขืชื™ ืฉืžืฆืืชื™."
14:20
But anyway, this same person, Laura,
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ืื‘ืœ ื‘ื›ืœ ืžืงืจื”, ืื•ืชื” ืื—ืช, ืœืื•ืจื”,
14:23
ended up emailing me a little bit after that project.
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ื‘ืกื•ืฃ ืฉืœื—ื” ืœื™ ืžื™ื™ืœ ืงืฆืช ืื—ืจื™ ื”ืคืจื•ื™ื™ืงื˜ ื”ื–ื”.
14:26
And I felt badly for not having done a good job.
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ื•ื”ืจื’ืฉืชื™ ืจืข ืขืœ ืฉืœื ืขืฉื™ืชื™ ืขื‘ื•ื“ื” ื˜ื•ื‘ื”.
14:29
And she said, "I'm really anxious, I just moved to a new town, I have this new job,
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ื•ื”ื™ื ืืžืจื”, "ืื ื™ ืžืื“ ื—ืจื“ื”, ื‘ื“ื™ื•ืง ืขื‘ืจืชื™ ืœืขื™ืจ ื—ื“ืฉื”, ื™ืฉ ืœื™ ืขื‘ื•ื“ื” ื—ื“ืฉื”,
14:32
and I've just had this incredible amount of anxiety."
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ื•ืคืฉื•ื˜ ื™ืฉ ืœื™ ื”ืžื•ืŸ ื—ืจื“ื•ืช."
14:35
So she had seen the "Scared" song and wondered if I could do something.
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ื”ื™ื ืจืืชื” ืืช ื”ืฉื™ืจ "ืžืคื—ื“" ื•ืชื”ืชื” ืื ืื ื™ ื™ื›ื•ืœ ืœืขืฉื•ืช ืžืฉื”ื•.
14:38
So I asked her, "What does it feel like when you feel this way?"
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ืื– ืฉืืœืชื™ ืื•ืชื”, "ืื™ืš ื–ื” ืžืจื’ื™ืฉ ื›ืฉืืช ืžืจื’ื™ืฉื” ื›ื›ื”?"
14:41
And she wrote a sort of descriptive set
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ื•ื”ื™ื ื›ืชื‘ื” ืžื™ืŸ ืงื•ื‘ืฅ ืชื™ืื•ืจื™ื
14:43
of what it felt like to have had this anxiety.
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ืฉืœ ืื™ืš ื–ื” ืžืจื’ื™ืฉ ื›ืฉื™ืฉ ืœืš ืืช ื›ืœ ื”ื—ืจื“ื•ืช ื”ืืœื•.
14:46
And so what I decided to do.
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ืื– ืžื” ืฉื”ื—ืœื˜ืชื™ ืœืขืฉื•ืช.
14:48
I said, "Okay, I'll think about it."
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ืืžืจืชื™, "ื‘ืกื“ืจ. ืื—ืฉื•ื‘ ืขืœ ื–ื”."
14:50
And so quietly in the background, I started sending people this.
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ืื– ื‘ืฉืงื˜ ื•ื‘ืจืงืข, ื”ืชื—ืœืชื™ ืœืฉืœื•ื— ืœืื ืฉื™ื ืืช ื”ื“ื‘ืจ ื”ื‘ื.
14:57
(Audio) โ™ซ Hey โ™ซ
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(ื”ืงืœื˜ื”) โ™ซ ื”ื™ โ™ซ
14:59
โ™ซ You're okay โ™ซ
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โ™ซ ืืช ื‘ืกื“ืจ โ™ซ
15:03
โ™ซ You'll be fine โ™ซ
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โ™ซ ืืชื” ืชื”ื™ื™ ื‘ืกื“ืจ โ™ซ
15:06
So I asked people
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ืื– ืฉืืœืชื™ ืื ืฉื™ื
15:08
whether they had basic audio capabilities,
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ืื ื™ืฉ ืœื”ื ื›ื™ืฉื•ืจื™ื ืงื•ืœื™ื™ื ื‘ืกื™ืกื™ื™ื,
15:11
just so they could sing along to the song with headphones on,
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ืจืง ื›ื“ื™ ืฉื™ื•ื›ืœื• ืœืœื•ื•ืช ืืช ื”ืฉื™ืจ ืขื ืื•ื–ื ื™ื•ืช,
15:14
so I could just get their voices back.
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ื•ืฉืื•ื›ืœ ืœืงื‘ืœ ืžื”ื ืืช ื”ืงื•ืœื•ืช ืฉืœื”ื.
15:16
And this is the kind of thing that I got back.
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ื•ื–ื” ืกื•ื’ ื”ื“ื‘ืจื™ื ืฉืงื™ื‘ืœืชื™.
15:21
Recording: โ™ซ Hey โ™ซ
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ื”ืงืœื˜ื”: โ™ซ ื”ื™ โ™ซ
15:24
โ™ซ You're okay โ™ซ
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โ™ซ ืืช ื‘ืกื“ืจ โ™ซ
15:28
โ™ซ You'll be fine โ™ซ
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โ™ซ ืืช ืชื”ื™ื™ ื‘ืกื“ืจ โ™ซ
15:31
ZF: So that's one of the better ones, really.
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ื–.ืค.: ืื– ื–ื” ืื—ื“ ื”ืžื•ืฆืœื—ื™ื ื™ื•ืชืจ, ื‘ืืžืช.
15:33
But what's awesome is, as I started getting more and more and more of them,
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ืื‘ืœ ืžื” ืฉืžื’ื ื™ื‘ ื–ื”, ืฉืื—ืจื™ ืฉืงื™ื‘ืœืชื™ ืขื•ื“ ื•ืขื•ื“ ื›ืืœื”,
15:36
all of a sudden I had 30, 40 voices from around the world.
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ื”ื™ื• ืœื™ ืคืชืื•ื 30, 40 ืงื•ืœื•ืช ืžืจื—ื‘ื™ ื”ืขื•ืœื.
15:40
And when you put them together, something magical happens,
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ื•ื›ืฉืžื—ื‘ืจื™ื ืื•ืชื, ืžืฉื”ื• ืงืกื•ื ืงื•ืจื”,
15:43
something absolutely incredible happens,
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ืžืฉื”ื• ืžืžืฉ ืžื“ื”ื™ื ืงื•ืจื”,
15:45
and all of a sudden I get a chorus from around the world.
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ื•ืคืชืื•ื ื™ืฆืื” ืœื™ ืžืงื”ืœื” ืžืจื—ื‘ื™ ื”ืขื•ืœื.
15:48
And what was really great is, I'm putting all this work together in the background,
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ื•ืžื” ืฉื”ื™ื” ืžืžืฉ ื ื”ื“ืจ ื–ื” ืฉื‘ื–ืžืŸ ืฉืื ื™ ื”ื›ื ืชื™ ืืช ื›ืœ ื–ื” ื‘ืจืงืข,
15:51
and Laura sent me a follow-up email because a good month had passed by.
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ืœืื•ืจื” ืฉืœื—ื” ืœื™ ืžื™ื™ืœ ื”ืžืฉืš ืžืคื ื™ ืฉืขื‘ืจ ื›ื‘ืจ ื—ื•ื“ืฉ.
15:54
And she said, "I know you've forgotten about me.
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ื•ื”ื™ื ืืžืจื”, "ืื ื™ ื™ื•ื“ืขืช ืฉืฉื›ื—ืช ืžืžื ื™.
15:57
I just want to say thanks for even considering it."
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ืื‘ืœ ืจืฆื™ืชื™ ืœื•ืžืจ ืชื•ื“ื” ืฉื—ืฉื‘ืช ืขืœ ื–ื”."
16:01
And then a few days later I sent her this.
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ื•ืื—ืจื™ ืžืกืคืจ ื™ืžื™ื ืฉืœื—ืชื™ ืœื” ืืช ื–ื”.
16:06
(Audio) โ™ซ Right now, it feels like I forgot to turn the light on โ™ซ
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(ื”ืงืœื˜ื”) โ™ซ ื›ืจื’ืข, ืื ื™ ืžืจื’ื™ืฉื” ื›ืื™ืœื• ืฉื›ื—ืชื™ ืœื”ื“ืœื™ืง ืืช ื”ืื•ืจ โ™ซ
16:14
โ™ซ And things that looked so good yesterday โ™ซ
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โ™ซ ื•ื“ื‘ืจื™ื ืฉื ืจืื• ื›ืœ-ื›ืš ื˜ื•ื‘ ืืชืžื•ืœ โ™ซ
16:18
โ™ซ are now shades of gray โ™ซ
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โ™ซ ืงื™ื‘ืœื• ืขื›ืฉื™ื• ื’ื•ื•ืŸ ืืคื•ืจ โ™ซ
16:21
โ™ซ And it seems like the world is spinning โ™ซ
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โ™ซ ื•ื ืจืื” ืฉื”ืขื•ืœื ืžืกืชื•ื‘ื‘ โ™ซ
16:25
โ™ซ while I'm standing still โ™ซ
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โ™ซ ื‘ื–ืžืŸ ืฉืื ื™ ืขื•ืžื“ืช ื‘ืžืงื•ื โ™ซ
16:28
โ™ซ Or maybe I am spinning I can't tell โ™ซ
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โ™ซ ืื• ืฉืื•ืœื™ ืื ื™ ืžืกืชื•ื‘ื‘ืช ืื ื™ ืœื ื™ื•ื“ืขืช โ™ซ
16:33
โ™ซ And then you say โ™ซ
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โ™ซ ื•ืื– ืืชื” ืื•ืžืจ โ™ซ
16:35
โ™ซ Hey โ™ซ
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โ™ซ ื”ื™ โ™ซ
16:38
โ™ซ You're okay โ™ซ
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โ™ซ ืืช ื‘ืกื“ืจ โ™ซ
16:42
โ™ซ You'll be fine โ™ซ
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โ™ซ ืืช ืชื”ื™ื™ ื‘ืกื“ืจ โ™ซ
16:45
โ™ซ Just breathe โ™ซ
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โ™ซ ืจืง ืชื ืฉืžื™ โ™ซ
16:48
โ™ซ And now the words sing โ™ซ
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โ™ซ ื•ื”ืžื™ืœื™ื ืฉืจื•ืช ืขื›ืฉื™ื• โ™ซ
16:50
โ™ซ Hey โ™ซ
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โ™ซ ื”ื™ โ™ซ
16:53
โ™ซ You're okay โ™ซ
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โ™ซ ืืช ื‘ืกื“ืจ โ™ซ
16:56
โ™ซ You'll be fine โ™ซ
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โ™ซ ืืช ืชื”ื™ื™ ื‘ืกื“ืจ โ™ซ
17:00
โ™ซ Just breathe โ™ซ
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โ™ซ ืจืง ืชื ืฉืžื™ โ™ซ
17:03
โ™ซ Now everybody sings โ™ซ
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โ™ซ ืขื›ืฉื™ื• ื›ื•ืœื ืฉืจื™ื โ™ซ
17:05
โ™ซ Hey โ™ซ
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โ™ซ ื”ื™ โ™ซ
17:08
โ™ซ You're okay โ™ซ
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โ™ซ ืืช ื‘ืกื“ืจ โ™ซ
17:11
โ™ซ You'll be fine โ™ซ
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โ™ซ ืืช ืชื”ื™ื™ ื‘ืกื“ืจ โ™ซ
17:15
โ™ซ Just breathe โ™ซ
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โ™ซ ืจืง ืชื ืฉืžื™ โ™ซ
17:20
โ™ซ Hey โ™ซ
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โ™ซ ื”ื™ โ™ซ
17:22
โ™ซ You're okay โ™ซ
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โ™ซ ืืช ื‘ืกื“ืจ โ™ซ
17:26
โ™ซ You'll be fine โ™ซ
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โ™ซ ืืช ืชื”ื™ื™ ื‘ืกื“ืจ โ™ซ
17:30
โ™ซ Just breathe โ™ซ
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โ™ซ ืจืง ืชื ืฉืžื™ โ™ซ
17:34
โ™ซ Hey โ™ซ
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โ™ซ ื”ื™ โ™ซ
17:37
โ™ซ You're okay โ™ซ
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โ™ซ ืืช ื‘ืกื“ืจ โ™ซ
17:41
โ™ซ You'll be fine โ™ซ
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โ™ซ ืืช ืชื”ื™ื™ ื‘ืกื“ืจ โ™ซ
17:44
โ™ซ Just breathe โ™ซ
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โ™ซ ืจืง ืชื ืฉืžื™ โ™ซ
17:47
Thank you.
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ืชื•ื“ื”.
17:49
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)

Original video on YouTube.com
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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