Julian Treasure: The 4 ways sound affects us

381,035 views ใƒป 2009-10-16

TED


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: Eunyoung Lim ๊ฒ€ํ† : Ukseop Jeong
์ €๋Š” ์•ž์œผ๋กœ 5๋ถ„๋™์•ˆ
00:16
Over the next five minutes,
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00:17
my intention is to transform your relationship with sound.
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์—ฌ๋Ÿฌ๋ถ„๊ณผ ์†Œ๋ฆฌ์™€์˜ ๊ด€๊ณ„๋ฅผ ๋ฐ”๊ฟ”๋ณด๋ ค ํ•ฉ๋‹ˆ๋‹ค.
00:21
Let me start with the observation
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์šฐ๋ฆฌ ์ฃผ๋ณ€ ๋Œ€๋ถ€๋ถ„์˜ ์†Œ๋ฆฌ๊ฐ€ ๋Œ๋ฐœ์ ์ด๋ผ๋Š” ์‚ฌ์‹ค๋ถ€ํ„ฐ ์‹œ์ž‘ํ•ด๋ณด๋„๋ก ํ•˜์ฃ .
00:22
that most of the sound around us is accidental;
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๋˜ํ•œ ์†Œ๋ฆฌ ์ค‘ ๋Œ€๋‹ค์ˆ˜๋Š” ๋ถˆ์พŒํ•˜๊ฒŒ ๋Š๊ปด์ง‘๋‹ˆ๋‹ค. (โ™ช ๊ตํ†ต ์†Œ์Œ)
00:25
much of it is unpleasant. (Traffic noise)
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์šฐ๋ฆฌ๋Š” ๊ธธ ๋ชจํ‰์ด์—์„œ ์ด๋Ÿฐ ์†Œ์Œ ์†์— ์„œ ์žˆ๊ฒŒ ๋˜๋ฉด ํฐ ์†Œ๋ฆฌ๋กœ ๋งํ•ฉ๋‹ˆ๋‹ค.
00:27
We stand on street corners, shouting over noise like this,
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๋งˆ์น˜ ์‹œ๋„๋Ÿฝ์ง€ ์•Š์€ ์ฒ™ํ•˜๋ฉด์„œ์š”.
00:30
pretending it doesn't exist.
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00:31
This habit of suppressing sound has meant
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์†Œ๋ฆฌ๋ฅผ ์ฐธ๋Š” ์ด๋Ÿฐ ์Šต๊ด€์€ ์†Œ๋ฆฌ์— ๋Œ€ํ•œ ์šฐ๋ฆฌ์˜ ๊ด€๊ณ„๊ฐ€
00:33
that our relationship with sound has become largely unconscious.
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๋Œ€์ฒด๋กœ ๋ฌด์˜์‹์ ์ด๋ผ๋Š” ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
00:36
There are four major ways sound is affecting you all the time,
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์†Œ๋ฆฌ๋Š” ๋„ค ๊ฐ€์ง€ ์ฃผ์š”ํ•œ ๋ฐฉ์‹์œผ๋กœ ์—ฌ๋Ÿฌ๋ถ„์—๊ฒŒ ํ•ญ์ƒ ์˜ํ–ฅ์„ ๋ผ์น˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
00:39
and I'd like to raise them in your consciousness today.
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์ €๋Š” ์˜ค๋Š˜ ์—ฌ๋ ค๋ถ„๋“ค์—๊ฒŒ ์ด ๋„ค๊ฐ€์ง€๋ฅผ ์•Œ๋ ค๋“œ๋ฆฌ๊ณ  ์‹ถ์Šต๋‹ˆ๋‹ค.
00:42
The first is physiological.
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์ฒซ์งธ๋Š” ์ƒ๋ฆฌ์ ์ธ ๊ฒƒ์ž…๋‹ˆ๋‹ค. (โ™ช ์‹œ๋„๋Ÿฌ์šด ์•Œ๋žŒ ์‹œ๊ณ„ ์†Œ๋ฆฌ)
00:44
(Alarm clocks ring)
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00:47
Sorry about that.
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์ฃ„์†กํ•ฉ๋‹ˆ๋‹ค. ์—ฌ๋Ÿฌ๋ถ„์—๊ฒŒ ํˆฌ์Ÿ ๋˜๋Š” ๋„ํ”ผ ๋ฐ˜์‘์„ ์ผ์œผํ‚ค๋Š” ํ˜ธ๋ฅด๋ชฌ์ธ ์ฝ”๋ฅดํ‹ฐ์†”์„ ๋ถ„๋น„์‹œํ‚ค๊ฒŒ ํ–ˆ๋„ค์š”.
00:48
I just gave you a shot of cortisol, your fight-flight hormone.
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์†Œ๋ฆฌ๋Š” ํ•ญ์ƒ ์—ฌ๋Ÿฌ๋ถ„์˜ ํ˜ธ๋ฅด๋ชฌ ๋ถ„๋น„์— ์˜ํ–ฅ์„ ์ฃผ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
00:51
Sounds are affecting your hormone secretions all the time,
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00:53
but also your breathing, heart rate -- which I just also did --
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ํ˜ธํก, ์‹ฌ๋ฐ•์ˆ˜์—๋„ ์ž‘์šฉํ•ฉ๋‹ˆ๋‹ค. ์ €๋ฅผ ๋ณด๋ฉด์„œ๋„ ๊ทธ๋Ÿฌ์…จ๊ฒ ์ฃ .
๋˜, ๋‡ŒํŒŒ์—๋„ ์˜ํ–ฅ์„ ์ค๋‹ˆ๋‹ค.
00:57
and your brainwaves.
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00:58
It's not just unpleasant sounds like that that do it.
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์†Œ๋ฆฌ๊ฐ€ ์ €๋Ÿฐ ๊ฒƒ๋“ค์ฒ˜๋Ÿผ ๋‹จ์ง€ ๋ถˆ์พŒํ•œ ๊ฒƒ๋งŒ์€ ์•„๋‹™๋‹ˆ๋‹ค.
์ด๊ฑด ํŒŒ๋„ ์†Œ๋ฆฌ์ž…๋‹ˆ๋‹ค. (โ™ช ํŒŒ๋„ ์†Œ๋ฆฌ)
01:01
This is surf. (Ocean waves)
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01:02
It has the frequency of roughly 12 cycles per minute.
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ํŒŒ๋„ ์†Œ๋ฆฌ์˜ ์ฃผํŒŒ์ˆ˜๋Š” ๋Œ€๋žต ๋ถ„๋‹น 12 ์‹ธ์ดํด์ž…๋‹ˆ๋‹ค.
๋Œ€๋ถ€๋ถ„์˜ ์‚ฌ๋žŒ๋“ค์€ ํŒŒ๋„ ์†Œ๋ฆฌ๋ฅผ ๋“ฃ๊ณ  ํ‰์˜จ์„ ๋Š๋ผ์ฃ .
01:05
Most people find that very soothing,
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01:06
and, interestingly, 12 cycles per minute is roughly the frequency
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ํฅ๋ฏธ๋กญ๊ฒŒ๋„, ์‚ฌ๋žŒ์ด ์ˆ˜๋ฉด ์ƒํƒœ์—์„œ ํ˜ธํกํ•  ๋•Œ์˜ ์ฃผํŒŒ์ˆ˜๋„
๋Œ€๋žต ๋ถ„๋‹น 12 ์‹ธ์ดํด ์ •๋„์ž…๋‹ˆ๋‹ค.
01:09
of the breathing of a sleeping human,
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01:11
so there is a deep resonance with being at rest.
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ํŒŒ๋„ ์†Œ๋ฆฌ๋Š” ํœด์‹ ์ƒํƒœ์™€ ๊นŠ์€ ๋™์งˆ์„ฑ์ด ์žˆ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
๋˜ํ•œ ์ŠคํŠธ๋ ˆ์Šค๊ฐ€ ์—†๋Š” ์ƒํ™ฉ์ด๋‚˜,
01:14
We also associate it with being stress-free and on holiday.
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ํœด์ผ์„ ์—ฐ์ƒ์‹œํ‚ค๊ธฐ๋„ ํ•˜๊ตฌ์š”.
01:17
The second way in which sound affects you is psychological.
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๋‘ ๋ฒˆ์งธ๋กœ, ์†Œ๋ฆฌ๋Š” ์‹ฌ๋ฆฌ์ ์œผ๋กœ ์˜ํ–ฅ์„ ๋ผ์นฉ๋‹ˆ๋‹ค.
01:20
Music is the most powerful form of sound that we know
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์Œ์•…์€ ์šฐ๋ฆฌ๊ฐ€ ์•„๋Š” ๊ฐ€์žฅ ๊ฐ•๋ ฅํ•œ ์˜ํ–ฅ๋ ฅ์„ ๊ฐ€์ง„ ์†Œ๋ฆฌ์ž…๋‹ˆ๋‹ค.
01:23
that affects our emotional state. (Albinoni's Adagio)
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์šฐ๋ฆฌ์˜ ๊ฐ์ • ์ƒํƒœ์—๋„ ์˜ํ–ฅ์„ ์ฃผ์ง€์š”. (โ™ซ ์•Œ๋น„๋…ธ๋‹ˆ์˜ ์•„๋‹ค์ง€์˜ค)
01:25
This is guaranteed to make most of you feel pretty sad if I leave it on.
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์—ฌ๋Ÿฌ๋ถ„ ์ค‘ ๋Œ€๋ถ€๋ถ„์€ ์ด ์Œ์•…์„ ๋“ฃ๊ณ  ๊ฝค ์Šฌํ”ˆ ๊ฐ์ •์„ ๋Š๋ผ๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
์ œ๊ฐ€ ๊ณ„์† ์Œ์•…์„ ํ‹€์–ด ๋‘”๋‹ค๋ฉด์š”.
01:29
Music is not the only kind of sound, however, which affects your emotions.
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๊ทธ๋ ‡์ง€๋งŒ ์Œ์•…๋งŒ์ด ์—ฌ๋Ÿฌ๋ถ„์˜ ๊ฐ์ •์— ์ž‘์šฉํ•˜๋Š” ์œ ์ผํ•œ ์†Œ๋ฆฌ๋Š” ์•„๋‹™๋‹ˆ๋‹ค.
01:32
Natural sound can do that, too.
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์ž์—ฐ์˜ ์†Œ๋ฆฌ๋„ ๋˜ํ•œ ๊ฐ์ •์— ์˜ํ–ฅ์„ ์ค„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
01:34
Birdsong, for example, is a sound which most people find reassuring.
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์˜ˆ๋ฅผ ๋“ค์–ด, ์ƒˆ์†Œ๋ฆฌ๋ฅผ ๋“ค์œผ๋ฉด ๋Œ€๋ถ€๋ถ„์˜ ์‚ฌ๋žŒ๋“ค์€
ํŽธ์•ˆํ•จ์„ ๋Š๋ผ์ฃ . (โ™ช ์ƒˆ๋“ค์˜ ์ง€์ €๊ท)
01:38
There's a reason: over hundreds of thousands of years
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์ด๊ฒƒ์€ ์ด์œ ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ์ˆ˜์‹ญ๋งŒ๋…„ ๋™์•ˆ
01:40
we've learned that when the birds are singing, things are safe.
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์šฐ๋ฆฌ๋Š” ์ƒˆ๊ฐ€ ์ง€์ €๊ทˆ ๋•Œ๋Š” ์•ˆ์ „ํ•œ ์ƒํƒœ๋ผ๋Š” ๊ฒƒ์„ ํ•™์Šตํ•˜์—ฌ ์™”์Šต๋‹ˆ๋‹ค.
01:43
It's when they stop you need to be worried.
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์—ฌ๋Ÿฌ๋ถ„์ด ๊ฑฑ์ •ํ•ด์•ผ ํ•  ์ƒํ™ฉ์€ ์ƒˆ์†Œ๋ฆฌ๊ฐ€ ๋ฉˆ์ถฐ์งˆ ๋•Œ์ด์ง€์š”.
01:45
The third way in which sound affects you is cognitively.
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์„ธ ๋ฒˆ์งธ๋กœ, ์†Œ๋ฆฌ๋Š” ์ธ์ง€์ ์œผ๋กœ ์˜ํ–ฅ์„ ๋ผ์นฉ๋‹ˆ๋‹ค.
01:48
You can't understand two people talking at once (Voice-over)
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์—ฌ๋Ÿฌ๋ถ„์€ ๋‘ ์‚ฌ๋žŒ์ด ๋™์‹œ์— ๋ง์„ ํ•˜๊ฑฐ๋‚˜ ("์ง€๊ธˆ ์ œ ๋ง์ด ๋“ค๋ฆฐ๋‹ค๋ฉด")
("์ž˜๋ชปํ•˜๊ณ  ์žˆ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค") ๋˜๋Š” ํ•œ ๋ช…์ด ๋‘ ๋ฒˆ ๋งํ•˜๋Š” ๊ฒฝ์šฐ์—๋„ ๋‚ด์šฉ์„ ์ดํ•ดํ•  ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค.
01:51
or in this case, one person talking twice.
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๋˜ ๋‹ค๋ฅธ ๊ฒƒ๋„ ๋“ค์–ด๋ณด์‹œ์ฃ . ("์—ฌ๋Ÿฌ๋ถ„์€ ์ €์˜ ๋ง ์ค‘ ์–ด๋–ค ๊ฒƒ์„ ๋“ค์„ ์ง€ ์„ ํƒํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.")
01:53
You have to choose which me you're going to listen to.
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01:55
We have a very small amount of bandwidth for processing auditory input,
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์šฐ๋ฆฌ์˜ ์ฒญ๊ฐ ์ •๋ณด ์ฒ˜๋ฆฌ ๋Œ€์—ญํญ์€ ๋งค์šฐ ํ˜‘์†Œํ•ฉ๋‹ˆ๋‹ค.
๊ทธ๋ ‡๊ธฐ ๋•Œ๋ฌธ์—, ์ด๋Ÿฐ ์†Œ์Œ์€ (โ™ช ์‚ฌ๋ฌด์‹ค ์†Œ์Œ)
01:59
which is why noise like this ...
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02:00
(Office noise)
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์ƒ์‚ฐ์„ฑ์— ๊ทน์‹ฌํ•œ ์†ํ•ด๋ฅผ ์ž…ํžˆ๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
02:01
is extremely damaging for productivity.
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02:03
If you have to work in an open-plan office like this,
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์ด๋ ‡๊ฒŒ ์‹œ๋„๋Ÿฌ์šด ๊ฐœ๋ฐฉํ˜• ์‚ฌ๋ฌด์‹ค์—์„œ ์ผ์„ ํ•ด์•ผ ํ•œ๋‹ค๋ฉด,
02:06
your productivity is greatly reduced.
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์—ฌ๋Ÿฌ๋ถ„์˜ ์ƒ์‚ฐ์„ฑ์€ ๋งค์šฐ ๋‚ฎ์•„์ง€๊ฒ ์ฃ .
02:08
And whatever number you're thinking of, it probably isn't as bad as this.
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์–ผ๋งˆ๋งŒํผ์˜ ์ˆซ์ž๋ฅผ ์ƒ์ƒํ•˜๊ณ  ๊ณ„์‹ ์ง€ ๋ชจ๋ฅด๊ฒ ์ง€๋งŒ, ์•„๋งˆ๋„ ์ด ์ •๋„๋กœ ๋‚˜์˜์ง€๋Š” ์•Š์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:11
[Open-plan offices productivity down 66%]
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"๊ฐœ๋ฐฉํ˜• ์‚ฌ๋ฌด์‹ค์€ ์ƒ์‚ฐ์„ฑ์„ 66% ๊ฐ์†Œ์‹œํ‚ด" (โ™ซ ๋ถˆ๊ธธํ•œ ์Œ์•…)
02:15
You are one-third as productive in open-plan offices as in quiet rooms.
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๊ฐœ๋ฐฉํ˜• ์‚ฌ๋ฌด์‹ค์—์„œ๋Š” ์กฐ์šฉํ•œ ๋ฐฉ๊ณผ ๋น„๊ตํ•˜์—ฌ 1/3 ์ˆ˜์ค€์˜ ์ƒ์‚ฐ๋ ฅ์„ ๊ฐ€์ง‘๋‹ˆ๋‹ค.
02:18
I have a tip for you:
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์—ฌ๋Ÿฌ๋ถ„์—๊ฒŒ ํ•œ ๊ฐ€์ง€ ๋น„๋ฒ•์„ ์•Œ๋ ค๋“œ๋ฆฌ์ฃ . ๋งŒ์•ฝ ์ด๋Ÿฐ ๊ณต๊ฐ„์—์„œ ์ผํ•ด์•ผ ํ•œ๋‹ค๋ฉด,
02:20
if you work in spaces like that, carry headphones with you,
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์ด์–ดํฐ์„ ๋ผ๊ณ  ์ƒˆ์†Œ๋ฆฌ์™€ ๊ฐ™์€ ํ‰์˜จํ•œ ์†Œ๋ฆฌ๋ฅผ ๋“ค์œผ์„ธ์š”.
02:22
with a soothing sound like birdsong.
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02:24
Put them on, and your productivity goes back up to triple what it would be.
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์ƒ์‚ฐ์„ฑ์ด 3๋ฐฐ ์ฆ๊ฐ€ํ•˜์—ฌ ์›๋ž˜ ์ˆ˜์ค€์œผ๋กœ ํšŒ๋ณตํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
๋„ค ๋ฒˆ์งธ๋กœ, ์†Œ๋ฆฌ๋Š” ํ–‰๋™์ ์œผ๋กœ ์˜ํ–ฅ์„ ๋ผ์นฉ๋‹ˆ๋‹ค.
02:28
The fourth way in which sound affects us is behaviorally.
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02:31
With all that other stuff going on,
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๋‹ค๋ฅธ ๊ฒƒ๋“ค์— ์ด๋ ‡๊ฒŒ ์˜ํ–ฅ์„ ๋ผ์น˜๊ณ  ์žˆ๋Š”๋ฐ,
02:33
it would be amazing if our behavior didn't change.
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์šฐ๋ฆฌ ํ–‰๋™์„ ๋ณ€ํ™”์‹œํ‚ค์ง€ ์•Š๋Š”๋‹ค๋ฉด ๋ง์ด ์•ˆ๋˜๊ฒ ์ฃ .
02:35
(Techno music)
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(โ™ซ ์ฐจ ์•ˆ์— ํ‹€์–ด๋†“์€ ํ…Œํฌ๋…ธ ์Œ์•… ์†Œ๋ฆฌ) ์—ฌ๋Ÿฌ๋ถ„ ์Šค์Šค๋กœ ์ž๋ฌธํ•ด ๋ณด์‹ญ์‹œ์˜ค: ์ด ์‚ฌ๋žŒ์ด ๊ณผ์—ฐ
02:36
So ask yourself: Is this person ever going to drive
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ํ•œ๊ฒฐ๊ฐ™์ด ์‹œ์† 28 ๋งˆ์ผ์˜ ์†๋„๋กœ ์šด์ „์„ ํ•  ์ˆ˜ ์žˆ์„๊นŒ์š”? ์ €๋Š” ๊ทธ๋ ‡๊ฒŒ ์ƒ๊ฐํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
02:39
at a steady 28 miles per hour?
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02:40
I don't think so.
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02:41
At the simplest, you move away from unpleasant sound
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๋‹จ์ˆœํ™”ํ•˜๋ฉด, ์—ฌ๋Ÿฌ๋ถ„์€ ๋ถˆ์พŒํ•œ ์†Œ๋ฆฌ๋กœ๋ถ€ํ„ฐ ๋ฉ€์–ด์ง€๋ ค ํ•˜๊ณ 
02:44
and towards pleasant sounds.
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๊ธฐ๋ถ„์ข‹์€ ์†Œ๋ฆฌ๋ฅผ ๊ฐ€๊นŒ์ด ํ•˜๋ ค ํ•ฉ๋‹ˆ๋‹ค.
02:46
So if I were to play this ...
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์ œ๊ฐ€ ์ด๋Ÿฐ ์†Œ๋ฆฌ๋ฅผ (โ™ช ์ฐฉ์•”๊ธฐ)
02:47
(Jackhammer)
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02:48
for more than a few seconds, you'd feel uncomfortable;
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๋ช‡ ์ดˆ ์ด์ƒ ํ‹€์–ด๋‘๋ฉด, ์งœ์ฆ๋‚˜๊ฒ ์ฃ .
02:51
for more than a few minutes, you'd be leaving the room in droves.
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๋ช‡ ๋ถ„ ์ด์ƒ ํ‹€์–ด๋‘๋ฉด, ์•„๋งˆ๋„ ์šฐ๋ฃจ๋ฃจ ์ด ๋ฐฉ์„ ๋‚˜๊ฐˆ ๊ฒ๋‹ˆ๋‹ค.
02:54
For people who can't get away from noise like that,
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์ด๋Ÿฌํ•œ ์†Œ์Œ์—์„œ ๋ฒ—์–ด๋‚  ์ˆ˜ ์—†๋Š” ์‚ฌ๋žŒ๋“ค์€
๊ฑด๊ฐ•์— ์ •๋ง ์‹ฌ๊ฐํ•œ ํ•ด๋ฅผ ์ž…์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:57
it's extremely damaging for their health.
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์ž˜๋ชป๋œ ์†Œ๋ฆฌ๋กœ ์ธํ•œ ์†ํ•ด๋Š” ์ด๊ฒƒ๋ฟ๋งŒ์ด ์•„๋‹™๋‹ˆ๋‹ค.
02:59
And that's not the only thing that bad sound damages.
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03:01
Most retail sound is inappropriate and accidental, even hostile,
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๋Œ€๋ถ€๋ถ„์˜ ์ƒ์—…์šฉ ์‚ฌ์šด๋“œ๋Š” ๋ถ€์ ์ ˆํ•˜๊ณ  ๋Œ๋ฐœ์ ์ด๋ฉฐ, ์‹ฌ์ง€์–ด ํ•ด๋กญ๊ธฐ๊นŒ์ง€ ํ•ฉ๋‹ˆ๋‹ค.
03:04
and it has a dramatic effect on sales.
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๊ทธ๋ฆฌ๊ณ  ํŒ๋งค์—๋„ ๊ทน์ ์ธ ํšจ๊ณผ๋ฅผ ์ฃผ์ฃ .
03:07
For you retailers, you may want to look away before I show this slide.
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์žฅ์‚ฌ๋ฅผ ํ•˜์‹œ๋Š” ๋ถ„์ด๋ผ๋ฉด, ์•„๋งˆ๋„ ๊ด€์‹ฌ์ด ์žˆ์œผ์‹ค ๊ฒƒ ๊ฐ™๋„ค์š”.
์ด ์Šฌ๋ผ์ด๋“œ๋ฅผ ๋ณด์‹œ๋ฉด์š”. "๋ถ€์ ์ ˆํ•œ ์ƒ์—…์šฉ ์‚ฌ์šด๋“œ๋Š” ํŒ๋งค๋ฅผ 28% ๊ฐ์†Œ์‹œํ‚ด"
03:10
[Inappropriate retail soundscapes sales down 28%]
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03:12
They're losing up to 30 percent of their business
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๋ถ€์ ์ ˆํ•œ ์‚ฌ์šด๋“œ๋Š” ์˜์—…์— 30% ์ •๋„์˜ ์†์‹ค์„ ์ค๋‹ˆ๋‹ค.
์‚ฌ๋žŒ๋“ค์ด ๋” ๋นจ๋ฆฌ ๊ฐ€๊ฒŒ๋ฅผ ๋‚˜๊ฐ€๊ฒŒ ํ•˜๊ฑฐ๋‚˜ ๊ฐ€๊ฒŒ๋ฌธ ์ฃผ๋ณ€๋งŒ ๊ธฐ์›ƒ๊ฑฐ๋ฆฌ๊ฒŒ ํ•˜๋ฉด์„œ์š”.
03:15
with people leaving shops faster, or just turning around at the door.
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์‹ค์ œ๋กœ ์šฐ๋ฆฌ ๋ชจ๋‘๋„ ๊ทธ๋ ‡์Šต๋‹ˆ๋‹ค.
03:18
We've all done it, left the area,
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์†Œ๋ฆฌ๊ฐ€ ๋„ˆ๋ฌด ๋ถˆ์พŒํ•˜๋ฉด ๊ทธ๊ณณ์„ ํ”ผํ•˜๊ณ  ์‹ถ์ž–์•„์š”.
03:20
because the sound in there is so dreadful.
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03:22
I want to spend just a moment talking about the model we've developed,
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์ž ์‹œ ์†Œ๊ฐœ๋“œ๋ฆฌ๊ณ  ์‹ถ์€ ๊ฒƒ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
์ €ํฌ๊ฐ€ ๊ฐœ๋ฐœํ•œ ๋ชจ๋ธ์ธ๋ฐ, ์œ„์—์„œ๋ถ€ํ„ฐ ์ถœ๋ฐœํ•˜๋ฉด
03:25
which allows us to start at the top and look at the drivers of sound,
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์†Œ๋ฆฌ๋ฅผ ์ด๋„๋Š” ์š”์ธ๋“ค์„ ์‚ดํŽด๋ณด๊ณ , ์†Œ๋ฆฌํ™˜๊ฒฝ์„ ๋ถ„์„ํ•œ ํ›„
03:28
analyze the soundscape
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03:29
and then predict the four outcomes I just talked about.
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์ œ๊ฐ€ ๋ฐฉ๊ธˆ ์„ค๋ช…๋“œ๋ฆฐ ๋„ค ๊ฐ€์ง€ ๊ฒฐ๊ณผ๋ฅผ ์˜ˆ์ธกํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
๋˜๋Š” ๋ฐ‘์—์„œ๋ถ€ํ„ฐ ์ถœ๋ฐœํ•˜๋ฉด,
03:32
Or start at the bottom and say what outcomes we want,
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์šฐ๋ฆฌ๊ฐ€ ์›ํ•˜๋Š” ๊ฒฐ๊ณผ๊ฐ€ ๋ฌด์—‡์ธ์— ๋Œ€ํ•ด ๊ธฐ์ˆ ํ•˜์—ฌ
03:35
and then design a soundscape to have a desired effect.
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๊ธฐ๋Œ€ํ•˜๋Š” ํšจ๊ณผ๋ฅผ ์–ป๊ธฐ ์œ„ํ•œ ์†Œ๋ฆฌ ํ™˜๊ฒฝ์„ ๋””์ž์ธํ•  ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
์ฆ‰, ์†Œ๋ฆฌ๋ฅผ ๊ณผํ•™์ ์œผ๋กœ ์ ์šฉํ•˜๊ฒŒ ๋œ ๊ฒƒ์ด์ง€์š”.
03:38
At last we've got some science we can apply.
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์ €ํฌ๋Š” ์ด๋ ‡๊ฒŒ ์†Œ๋ฆฌํ™˜๊ฒฝ์„ ๋””์ž์ธํ•˜๋Š” ์ผ์„ ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
03:40
And we're in the business of designing soundscapes.
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03:42
Just a word on music.
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์Œ์•…์„ ์ž ๊น ์–ธ๊ธ‰ํ•ด๋ณด์ฃ . ์Œ์•…์€ ๊ฐ€์žฅ ๊ฐ•๋ ฅํ•œ ์†Œ๋ฆฌ์ž…๋‹ˆ๋‹ค.
03:43
Music is the most powerful sound there is, often inappropriately deployed.
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๊ทธ๋ž˜์„œ ์ข…์ข… ๋ถ€์ ์ ˆํ•˜๊ฒŒ ์ด์šฉ๋˜๊ธฐ๋„ ํ•˜์ฃ .
03:47
It's powerful for two reasons:
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์Œ์•…์ด ๊ฐ•๋ ฅํ•œ ๋ฐ์—๋Š” ๋‘ ๊ฐ€์ง€ ์ด์œ ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ์Œ์•…์€ ๋นจ๋ฆฌ ์ง€๊ฐ๋ฉ๋‹ˆ๋‹ค.
03:49
you recognize it fast, and you associate it very powerfully.
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๊ทธ๋ฆฌ๊ณ  ์Œ์•…์€ ๊ฐ•๋ ฅํ•œ ์—ฐ์ƒ ์ž‘์šฉ์„ ํ•ฉ๋‹ˆ๋‹ค.
03:52
I'll give you two examples.
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๋‘ ๊ฐ€์ง€ ์˜ˆ๋ฅผ ๋“ค์–ด๋ณด์ฃ . (โ™ช ๋น„ํ‹€์ฆˆ์˜ 'ํ•˜๋“œ ๋ฐ์ด์ฆˆ ๋‚˜์ดํŠธ" ์ค‘ ์ฒซ ๋ฒˆ์งธ ์ฝ”๋“œ)
03:53
(First chord of "A Hard Day's Night")
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03:55
Most of you recognize that immediately.
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์—ฌ๋Ÿฌ๋ถ„ ๋Œ€๋ถ€๋ถ„์€ ์ด๊ฒŒ ๋ฌด์—‡์ธ์ง€ ๊ธˆ๋ฐฉ ์•Œ์•„์ฐจ๋ฆฌ์…จ์„ ๊ฒ๋‹ˆ๋‹ค.
03:57
The younger, maybe not.
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์ Š์€ ๋ถ„๋“ค์€ ์–ด์ฉŒ๋ฉด ์•„๋‹ˆ๊ฒ ๋„ค์š”. (โ™ช ์›ƒ์Œ)
03:58
(Laughter)
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04:00
(First notes of "Jaws" theme)
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(โ™ซ "์ฃ ์Šค"์˜ ํ…Œ๋งˆ ์ค‘ ์ฒซ ๋‘ ์Œ) ์ด๊ฒƒ์„ ๋“ฃ๊ณ  ๋Œ€๋ถ€๋ถ„ ๋ญ”๊ฐ€๊ฐ€ ์ƒ๊ฐ๋‚˜์…จ๊ฒ ์ฃ !
04:01
Most of you associate that with something!
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04:03
Now, those are one-second samples of music.
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์ž, ์ด๊ฒƒ๋“ค์€ ์Œ์•…์˜ ์งง์€ ์˜ˆ๋“ค์ž…๋‹ˆ๋‹ค.
04:05
Music is very powerful,
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์Œ์•…์€ ๋งค์šฐ ๊ฐ•๋ ฅํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๋ถˆํ–‰์Šค๋Ÿฝ๊ฒŒ๋„
04:06
and unfortunately, it's veneering commercial spaces, often inappropriately.
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์ข…์ข… ์ ์ ˆ์น˜ ๋ชปํ•œ ๋ฐฉ๋ฒ•์œผ๋กœ ์ƒ์—…์ ์ธ ๊ณต๊ฐ„์„ ๋‘”๊ฐ‘์‹œํ‚ต๋‹ˆ๋‹ค.
04:10
I hope that's going to change over the next few years.
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์ €๋Š” ์•ž์œผ๋กœ ๋ช‡ ๋…„ ์ด๋‚ด ์ด๋Ÿฐ ๊ฒƒ๋“ค์ด ๋ฐ”๋€”๊ฑฐ๋ผ ๊ธฐ๋Œ€ํ•ฉ๋‹ˆ๋‹ค.
04:13
Let me talk about brands for a moment, since some of you run brands.
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์ž ์‹œ ๋ธŒ๋žœ๋“œ์— ๋Œ€ํ•ด ์–˜๊ธฐํ• ๊นŒ ํ•ฉ๋‹ˆ๋‹ค.
์—ฌ๋Ÿฌ๋ถ„ ์ค‘ ๋ธŒ๋žœ๋“œ๋ฅผ ๊ด€๋ฆฌํ•˜๋Š” ๋ถ„๋„ ๋ช‡ ๋ถ„ ๊ณ„์‹œ๊ฒ ๋„ค์š”. ๋ชจ๋“  ๋ธŒ๋žœ๋“œ๋Š” ์ถœ์‹œ๋  ๋•Œ
04:16
Every brand is out there making sound right now.
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์‚ฌ์šด๋“œ๋„ ๋ฐ”๋กœ ์ œ์ž‘ํ•ฉ๋‹ˆ๋‹ค.
04:19
There are eight expressions of a brand in sound; they're all important.
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์†Œ๋ฆฌ๋กœ ๋ธŒ๋žœ๋“œ๋ฅผ ํ‘œํ˜„ํ•˜๋Š”๋ฐ๋Š” 8๊ฐ€์ง€๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
8๊ฐ€์ง€ ๋ชจ๋‘ ์ค‘์š”ํ•œ ๊ฒƒ๋“ค์ด์ฃ . ๋˜ ๋ชจ๋“  ๋ธŒ๋žœ๋“œ๋Š” ๋ณธ์‚ฌ์˜ ๊ฐ€์ด๋“œ๋ผ์ธ์ด ํ•„์š”ํ•ฉ๋‹ˆ๋‹ค.
04:22
And every brand needs to have guidelines at the center.
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๋ฐ˜๊ฐ‘๊ฒŒ๋„ ์ด๋Ÿฐ ์ผ๋“ค์€ ๋ฒŒ์จ ์‹œ์ž‘๋˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
04:25
I'm glad to say that is starting to happen now.
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(โ™ซ ์ธํ…” ๊ด‘๊ณ  ์ง•๊ธ€)
04:27
(Intel ad jingle)
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04:29
You all recognize that one.
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๋ชจ๋‘ ์ด ์†Œ๋ฆฌ๋ฅผ ์•„์‹œ๊ฒ ์ฃ . (โ™ซ ๋…ธํ‚ค์•„ ๋ฒจ์†Œ๋ฆฌ) ์ด๊ฑด
04:30
(Nokia ringtone)
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04:31
This is the most-played tune in the world today --
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ํ˜„์žฌ ์„ธ๊ณ„์ ์œผ๋กœ ๊ฐ€์žฅ ๋งŽ์ด ์šธ๋ฆฌ๋Š” ๋ฉœ๋กœ๋””์ž…๋‹ˆ๋‹ค.
ํ•˜๋ฃจ์— 18์–ต ๋ฒˆ, ์ด ๋ฉœ๋กœ๋””๊ฐ€ ์šธ๋ฆฝ๋‹ˆ๋‹ค.
04:34
1.8 billion times a day, that tune is played.
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04:36
(Laughter)
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04:37
And it cost Nokia absolutely nothing.
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๊ทธ๋Ÿฐ๋ฐ๋„ ๋…ธํ‚ค์•„๋Š” ๋น„์šฉ์ด ์ „ํ˜€ ๋“ค์ง€ ์•Š์ฃ .
04:40
I'll leave you with four golden rules, for those of you who run businesses,
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๋ธŒ๋žœ๋“œ๋ฅผ ๊ด€๋ฆฌํ•˜์‹œ๋Š” ๋ถ„๋“ค์€, ๋„ค ๊ฐ€์ง€ ์ง€์นจ๋งŒ ์ดํ•ดํ•˜์‹œ๋ฉด ๋ฉ๋‹ˆ๋‹ค.
์ƒ์—…์šฉ ์‚ฌ์šด๋“œ๋ฅผ ์œ„ํ•œ ์ง€์นจ์ด์ฃ .
04:43
for commercial sound.
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04:44
First, make it congruent,
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์ฒซ์งธ, ์กฐํ™”๋กœ์›Œ์•ผ ํ•ฉ๋‹ˆ๋‹ค.
04:46
pointing in the same direction as your visual communication.
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์‹œ๊ฐ ๋งค์ฒด์™€ ๋™์ผํ•œ ์ „๋žต์„ ๋”ฐ๋ผ์•ผ ํ•ฉ๋‹ˆ๋‹ค.
์ด๋Ÿด ๊ฒฝ์šฐ ์˜ํ–ฅ๋ ฅ์€ 1100% ์ด์ƒ ์ฆ๊ฐ€๋ฉ๋‹ˆ๋‹ค.
04:49
That increases impact by over 1,100 percent.
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๋งŒ์•ฝ ์‚ฌ์šด๋“œ๊ฐ€ ์„œ๋กœ ์–ด๊ธ‹๋‚˜๊ณ  ์กฐํ™”๋กญ์ง€ ๋ชปํ•˜๋ฉด
04:52
If your sound is pointing the opposite direction, incongruent,
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04:55
you reduce impact by 86 percent.
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์˜ํ–ฅ๋ ฅ์€ 86% ๊ฐ์†Œ๋˜๊ตฌ์š”.
04:57
That's an order of magnitude, up or down.
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์œ„ ์•„๋ž˜๋กœ 10๋ฐฐ ์ •๋„์˜ ์ฐจ์ด๊ฐ€ ๋‚˜๋Š” ๊ฒƒ์ด์ฃ .
04:59
This is important.
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๋”ฐ๋ผ์„œ ์กฐํ™”๊ฐ€ ์ค‘์š”ํ•ฉ๋‹ˆ๋‹ค.
05:01
Secondly, make it appropriate to the situation.
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๋‘˜์งธ๋กœ, ์ƒํ™ฉ์— ์–ด์šธ๋Ÿฌ์•ผ ํ•ฉ๋‹ˆ๋‹ค.
05:04
Thirdly, make it valuable.
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์…‹์งธ๋กœ, ๊ฐ€์น˜์žˆ์–ด์•ผ ํ•ฉ๋‹ˆ๋‹ค. ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ๊ทธ ์‚ฌ์šด๋“œ๋กœ ๋ฌด์–ธ๊ฐ€๋ฅผ ์ค„ ์ˆ˜ ์žˆ์–ด์•ผ์ฃ .
05:05
Give people something with the sound, don't just bombard them with stuff.
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๊ทธ์ € ์žก๋™์‚ฌ๋‹ˆ๋“ค์€ ํผ๋ถ€์–ด์„œ๋Š” ์•ˆ๋ฉ๋‹ˆ๋‹ค.
๊ทธ๋ฆฌ๊ณ , ๋งˆ์ง€๋ง‰์œผ๋กœ ์ง€์†์ ์œผ๋กœ ํ…Œ์ŠคํŠธํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
05:09
Finally, test and test it again.
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05:10
Sound is complex; there are many countervailing influences.
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์†Œ๋ฆฌ๋Š” ๋ณต์žกํ•ฉ๋‹ˆ๋‹ค. ์ƒ์‡„ ์ž‘์šฉ์„ ์ผ์œผํ‚ค๋Š” ๊ฒฝ์šฐ๊ฐ€ ๋งŽ์ฃ .
์ŠคํŒŒ๊ฒŒํ‹ฐ๋ณผ ํšจ๊ณผ๋ฅผ ์ผ์œผํ‚ฌ ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฒ๋‹ˆ๋‹ค.
05:13
It can be a bit like a bowl of spaghetti:
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์ŠคํŒŒ๊ฒŒํ‹ฐ๋ฅผ ๋จน์„ ๋•Œ ๊ตญ์ˆ˜ ๊ฐ€๋‹ฅ์ด ์–ฝํžˆ๊ณ  ์„คํ‚ค ๋“ฏ๋ง์ด์ฃ .
05:15
sometimes you just have to eat it and see what happens.
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05:18
So I hope this talk has raised sound in your consciousness.
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์ œ ์ด ๊ฐ•์—ฐ์„ ๋“ฃ๊ณ  ์—ฌ๋Ÿฌ๋ถ„๋“ค์ด ์†Œ๋ฆฌ์— ๋Œ€ํ•œ ์ดํ•ด๊ฐ€ ๋†’์•„์กŒ๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค.
05:20
If you're listening consciously,
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๋งŒ์•ฝ ์˜์‹์ ์œผ๋กœ ์†Œ๋ฆฌ๋ฅผ ๋“ฃ๋Š”๋‹ค๋ฉด,
05:22
you can take control of the sound around you.
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์—ฌ๋Ÿฌ๋ถ„์€ ์ฃผ๋ณ€์˜ ์†Œ๋ฆฌ๋ฅผ ์กฐ์ ˆํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
05:24
It's good for your health and for your productivity.
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์ด๋ ‡๊ฒŒ ํ•˜๋Š” ๊ฒƒ์ด ์—ฌ๋Ÿฌ๋ถ„์˜ ๊ฑด๊ฐ•์—๋„ ์ข‹๊ณ , ๋˜ ์ƒ์‚ฐ์„ฑ์—๋„ ์ข‹์Šต๋‹ˆ๋‹ค.
์šฐ๋ฆฌ ๋ชจ๋‘๊ฐ€ ์ด๋ ‡๊ฒŒ ํ•œ๋‹ค๋ฉด,
05:27
If we all do that, we move to a state
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์šฐ๋ฆฌ๊ฐ€ ์›ํ•˜๋Š” ์†Œ๋ฆฌ ์ƒํƒœ๋ฅผ ๋”ฐ๋ผ ์›€์ง์ผ ์ˆ˜๋„ ์žˆ์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
05:29
that I like to think will be sound living in the world.
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05:31
I'll leave you with more birdsong. (Birds chirping)
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์ƒˆ์†Œ๋ฆฌ๋ฅผ ์ข€ ๋” ๋“ค๋ ค๋“œ๋ฆฌ๋ฉด์„œ ์ด์ œ ๊ฐ•์—ฐ์„ ๋งˆ์น ๊นŒ ํ•ฉ๋‹ˆ๋‹ค. (โ™ช ์ƒˆ๋“ค์˜ ์ง€์ €๊ท)
์ด๋Ÿฐ ์†Œ๋ฆฌ๋ฅผ ํ•˜๋ฃจ์— ์ ์–ด๋„ 5๋ถ„ ์ •๋„๋ฅผ ๊ถŒ์žฅํ•˜์ง€๋งŒ, ๋งŽ์ด ๋“ค์œผ์…”๋„ ์ƒ๊ด€์—†์Šต๋‹ˆ๋‹ค.
05:34
I recommend at least five minutes a day, but there's no maximum dose.
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์˜ค๋Š˜ ์ œ ๊ฐ•์—ฐ์„ ๋“ค์–ด์ฃผ์…”์„œ ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
05:37
Thank you for lending me your ears today.
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(โ™ช ๋ฐ•์ˆ˜)
05:39
(Applause)
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์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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