Julian Treasure: The 4 ways sound affects us

373,045 views ・ 2009-10-16

TED


Please double-click on the English subtitles below to play the video.

00:16
Over the next five minutes,
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my intention is to transform your relationship with sound.
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Let me start with the observation
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that most of the sound around us is accidental;
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much of it is unpleasant. (Traffic noise)
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We stand on street corners, shouting over noise like this,
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pretending it doesn't exist.
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This habit of suppressing sound has meant
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that our relationship with sound has become largely unconscious.
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There are four major ways sound is affecting you all the time,
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and I'd like to raise them in your consciousness today.
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The first is physiological.
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(Alarm clocks ring)
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Sorry about that.
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I just gave you a shot of cortisol, your fight-flight hormone.
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Sounds are affecting your hormone secretions all the time,
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but also your breathing, heart rate -- which I just also did --
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and your brainwaves.
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It's not just unpleasant sounds like that that do it.
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This is surf. (Ocean waves)
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It has the frequency of roughly 12 cycles per minute.
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Most people find that very soothing,
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and, interestingly, 12 cycles per minute is roughly the frequency
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of the breathing of a sleeping human,
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so there is a deep resonance with being at rest.
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We also associate it with being stress-free and on holiday.
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The second way in which sound affects you is psychological.
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Music is the most powerful form of sound that we know
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that affects our emotional state. (Albinoni's Adagio)
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This is guaranteed to make most of you feel pretty sad if I leave it on.
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Music is not the only kind of sound, however, which affects your emotions.
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Natural sound can do that, too.
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Birdsong, for example, is a sound which most people find reassuring.
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There's a reason: over hundreds of thousands of years
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we've learned that when the birds are singing, things are safe.
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It's when they stop you need to be worried.
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The third way in which sound affects you is cognitively.
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You can't understand two people talking at once (Voice-over)
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or in this case, one person talking twice.
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You have to choose which me you're going to listen to.
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We have a very small amount of bandwidth for processing auditory input,
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which is why noise like this ...
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(Office noise)
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is extremely damaging for productivity.
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If you have to work in an open-plan office like this,
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your productivity is greatly reduced.
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And whatever number you're thinking of, it probably isn't as bad as this.
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[Open-plan offices productivity down 66%]
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You are one-third as productive in open-plan offices as in quiet rooms.
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I have a tip for you:
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if you work in spaces like that, carry headphones with you,
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with a soothing sound like birdsong.
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Put them on, and your productivity goes back up to triple what it would be.
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The fourth way in which sound affects us is behaviorally.
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With all that other stuff going on,
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it would be amazing if our behavior didn't change.
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(Techno music)
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So ask yourself: Is this person ever going to drive
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at a steady 28 miles per hour?
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I don't think so.
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At the simplest, you move away from unpleasant sound
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and towards pleasant sounds.
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So if I were to play this ...
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(Jackhammer)
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for more than a few seconds, you'd feel uncomfortable;
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for more than a few minutes, you'd be leaving the room in droves.
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For people who can't get away from noise like that,
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it's extremely damaging for their health.
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And that's not the only thing that bad sound damages.
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Most retail sound is inappropriate and accidental, even hostile,
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and it has a dramatic effect on sales.
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For you retailers, you may want to look away before I show this slide.
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[Inappropriate retail soundscapes sales down 28%]
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They're losing up to 30 percent of their business
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with people leaving shops faster, or just turning around at the door.
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We've all done it, left the area,
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because the sound in there is so dreadful.
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I want to spend just a moment talking about the model we've developed,
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which allows us to start at the top and look at the drivers of sound,
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analyze the soundscape
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and then predict the four outcomes I just talked about.
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Or start at the bottom and say what outcomes we want,
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and then design a soundscape to have a desired effect.
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At last we've got some science we can apply.
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And we're in the business of designing soundscapes.
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Just a word on music.
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Music is the most powerful sound there is, often inappropriately deployed.
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It's powerful for two reasons:
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you recognize it fast, and you associate it very powerfully.
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I'll give you two examples.
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(First chord of "A Hard Day's Night")
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Most of you recognize that immediately.
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The younger, maybe not.
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(Laughter)
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(First notes of "Jaws" theme)
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Most of you associate that with something!
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Now, those are one-second samples of music.
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Music is very powerful,
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and unfortunately, it's veneering commercial spaces, often inappropriately.
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I hope that's going to change over the next few years.
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Let me talk about brands for a moment, since some of you run brands.
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Every brand is out there making sound right now.
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There are eight expressions of a brand in sound; they're all important.
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And every brand needs to have guidelines at the center.
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I'm glad to say that is starting to happen now.
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(Intel ad jingle)
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You all recognize that one.
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(Nokia ringtone)
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This is the most-played tune in the world today --
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1.8 billion times a day, that tune is played.
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(Laughter)
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And it cost Nokia absolutely nothing.
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I'll leave you with four golden rules, for those of you who run businesses,
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for commercial sound.
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First, make it congruent,
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pointing in the same direction as your visual communication.
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That increases impact by over 1,100 percent.
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If your sound is pointing the opposite direction, incongruent,
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you reduce impact by 86 percent.
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That's an order of magnitude, up or down.
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This is important.
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Secondly, make it appropriate to the situation.
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Thirdly, make it valuable.
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Give people something with the sound, don't just bombard them with stuff.
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Finally, test and test it again.
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Sound is complex; there are many countervailing influences.
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It can be a bit like a bowl of spaghetti:
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sometimes you just have to eat it and see what happens.
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So I hope this talk has raised sound in your consciousness.
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If you're listening consciously,
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you can take control of the sound around you.
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It's good for your health and for your productivity.
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If we all do that, we move to a state
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that I like to think will be sound living in the world.
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I'll leave you with more birdsong. (Birds chirping)
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I recommend at least five minutes a day, but there's no maximum dose.
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Thank you for lending me your ears today.
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(Applause)
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