Maya Beiser(s) and her cello(s)

28,649 views ・ 2011-06-17

TED


μ•„λž˜ μ˜λ¬Έμžλ§‰μ„ λ”λΈ”ν΄λ¦­ν•˜μ‹œλ©΄ μ˜μƒμ΄ μž¬μƒλ©λ‹ˆλ‹€.

λ²ˆμ—­: Poram Lee κ²€ν† : Bianca Lee
00:32
(Music)
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(μŒμ•…)
07:04
(Applause)
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(λ°•μˆ˜)
07:27
Thank you.
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κ°μ‚¬ν•©λ‹ˆλ‹€.
07:29
Imagining a solo cello concert,
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μ†”λ‘œ 첼둜 μ½˜μ„œνŠΈλ₯Ό μƒμƒν•΄λ³΄μ„Έμš”.
07:32
one would most likely think of Johann Sebastian Bach
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λŒ€λΆ€λΆ„ μš”ν•˜λ„€μŠ€ μ„Έλ°”μŠ€μ°¬ λ°”νμ˜
07:35
unaccompanied cello suites.
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무반주 첼둜 λͺ¨μŒκ³‘ λ– μ˜¬λ¦¬μ‹€ κ²λ‹ˆλ‹€.
07:38
As a child
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어렸을 λ•Œ,
07:40
studying these eternal masterpieces,
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이 μ˜μ›ν•œ λͺ…μž‘λ“€μ„ κ³΅λΆ€ν•˜λ‹€ 보면
07:43
Bach's music would intermingle
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λ°”νμ˜ μŒμ•…μ΄ 인근
07:45
with the singing voices of Muslim prayers
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μ•„λž λ§ˆμ„μ—μ„œ λ“€λ €μ˜€λŠ” μ΄μŠ¬λžŒκ΅λ„μ˜
07:48
from the neighboring Arab village
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기도 λ…Έλž«μ†Œλ¦¬μ™€ λ’€μ„žμ΄λŠ”
07:50
of the northern Kibbutz in Israel
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μ΄μŠ€λΌμ—˜μ˜ 뢁뢀 ν‚€λΆ€μΈ μ—μ„œ
07:52
where I grew up.
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μ €λŠ” μžλžμŠ΅λ‹ˆλ‹€.
07:54
Late at night, after hours of practicing,
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λŠ¦μ€ λ°€, λͺ‡μ‹œκ°„μ˜ μ—°μŠ΅ μ‹œκ°„ ν›„,
07:56
I would listen to Janis Joplin and Billie Holiday
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μ „ μ œλ‹ˆμŠ€ μ‘°ν”Œλ¦°κ³Ό 빌리 홀리데이λ₯Ό λ“£κΈΈ μ’‹μ•„ν–ˆμ£ .
07:59
as the sounds of tango music
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탱고 μŒμ•…μ˜ μ†Œλ¦¬κ°€
08:01
would be creeping from my parents' stereo.
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λΆ€λͺ¨λ‹˜ μŠ€ν…Œλ ˆμ˜€μ—μ„œ ν˜λŸ¬λ‚˜μ˜€λŠ” λ™μ•ˆμ— 말이죠.
08:04
It all became music to me.
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이 λͺ¨λ“  것이 제겐 λ‹€ μŒμ•…μ΄ λ˜μ—ˆμŠ΅λ‹ˆλ‹€.
08:07
I didn't hear the boundaries.
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제겐 (μŒμ•… μž₯λ₯΄κ°„μ˜) 경계가 μ—†μ—ˆμŠ΅λ‹ˆλ‹€.
08:10
I still start every day
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μ „ 아직도 맀일 바흐λ₯Ό
08:12
practicing playing Bach.
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μ—°μ£Όν•˜λ©° μ—°μŠ΅μ„ μ‹œμž‘ν•©λ‹ˆλ‹€.
08:14
His music never ceases
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그의 μŒμ•…μ€ 늘 μ‹ μ„ ν•˜κ²Œ 듀리고
08:16
to sound fresh and surprising to me.
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μ €λ₯Ό λ†€λΌκ²Œ ν•©λ‹ˆλ‹€.
08:18
But as I was moving away
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ν•˜μ§€λ§Œ μ œκ°€ 고전적인
08:20
from the traditional classical repertoire
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ν΄λž˜μ‹ λ ˆνΌν† λ¦¬μ—μ„œ
08:22
and trying to find new ways
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멀어지고 μƒˆλ‘œμš΄
08:24
of musical expression,
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μŒμ•…μ  ν‘œν˜„μ„ μ°ΎμœΌλ©΄μ„œ,
08:26
I realized that with today's technological resources,
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μ˜€λŠ˜λ‚ μ˜ 기술이라면
08:29
there's no reason to limit
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ν•˜λ‚˜μ˜ ν˜„μ•…κΈ°λ‘œλΆ€ν„°
08:31
what can be produced at one time
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ν•œ 번의 μ—°μ£Όλ‘œ μƒμ„±λ˜λŠ” 것을 μ œν•œν• 
08:34
from a single string instrument.
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μ΄μœ κ°€ μ—†μŒμ„ κΉ¨λ‹¬μ•˜μ£ .
08:36
The power and coherency
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단 ν•œ μ‚¬λžŒμ΄ λ“£κ³  μ΄ν•΄ν•˜κ³ 
08:38
that comes from one person hearing, perceiving and playing all the voices
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λͺ¨λ“  μ†Œλ¦¬λ₯Ό λ‚΄λŠ” κ²ƒμœΌλ‘œλΆ€ν„° λ‚˜μ˜€λŠ”
08:42
makes a very different experience.
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힘과 톡일성은 ꡉμž₯히 λ‹€λ₯Έ κ²½ν—˜μ΄μ£ .
08:45
The excitement of a great orchestra performance
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ν›Œλ₯­ν•œ μ˜€μΌ€μŠ€νŠΈλΌμ˜ 감동은
08:48
comes from the attempt to have a collective of musicians
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μ§‘λ‹¨μ˜ μŒμ•…κ°€λ“€μ΄ ν•˜λ‚˜λ‘œ ν†΅μΌλœ μ „κ°œλ…μ„
08:51
producing one unified whole concept.
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ν•¨κ»˜ μ—°μ£Όν•˜λ €λŠ” μ‹œλ„μ—μ„œ μ˜€λŠ”κ±°μ£ .
08:54
The excitement from using multi-tracking,
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μ œκ°€ λ©€ν‹°νŠΈλž™ν‚Ήμ„ μ‚¬μš©ν•˜μ—¬ λ§Œλ“ 
08:57
the way I did in the piece you will hear next,
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μ—¬λŸ¬λΆ„μ΄ λ‹€μŒμ— λ“€μœΌμ‹€ 제 μž‘ν’ˆμ€
09:01
comes from the attempt
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단 ν•˜λ‚˜μ˜ μ†ŒμŠ€λ‘œλΆ€ν„°
09:03
to build and create a whole universe
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μƒμ„±λœ λ‹€μ–‘ν•˜κ³  λ§Žμ€
09:06
with many diverse layers,
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측듀을 μ‚¬μš©ν•˜μ—¬
09:09
all generated from a single source.
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μ „ 우주λ₯Ό κ΅¬μΆ•ν•˜κ³ μž ν•œ μ‹œλ„μž…λ‹ˆλ‹€.
09:12
My cello and my voice are layered
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제 μ²Όλ‘œμ™€ μ €μ˜ λͺ©μ†Œλ¦¬λŠ” 이 큰
09:14
to create this large sonic canvas.
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μ†Œλ¦¬μ˜ μΊ”λ²„μŠ€λ₯Ό λ§Œλ“€κΈ° μœ„ν•΄ 겹겹이 μŒ“μ΄μ£ .
09:17
When composers write music for me,
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μ €λŠ” μž‘κ³‘κ°€λ“€μ΄ μ œκ³‘μ„ μ“Έ λ•Œ κ·Έλ“€μ—κ²Œ μ²Όλ‘œμ— λŒ€ν•΄ μ•Œκ³ μžˆλŠ”
09:20
I ask them to forget what they know about the cello.
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λͺ¨λ“  것듀을 μžŠμ–΄μ£ΌκΈ°λ₯Ό μš”μ²­ν•©λ‹ˆλ‹€.
09:22
I hope to arrive at new territories
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μ €λŠ” μ œκ°€ λ“€μ–΄λ³Έ 적이 μ—†λŠ” μ†Œλ¦¬λ₯Ό λ°œκ²¬ν•  수 μžˆλŠ”
09:25
to discover sounds I have never heard before.
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μƒˆλ‘œμš΄ μ˜μ—­μ— λ„λ‹¬ν•˜κΈ°λ₯Ό ν¬λ§ν•˜μ£ .
09:28
I want to create endless possibilities
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μ €λŠ” λ¬΄ν•œν•œ κ°€λŠ₯성을 λ§Œλ“€κ³  μ‹ΆμŠ΅λ‹ˆλ‹€
09:30
with this cello.
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이 μ²Όλ‘œμ™€ ν•¨κ»˜μš”.
09:32
I become the medium through which the music is being channeled,
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μ €λŠ” μŒμ•…μ΄ ν‘œμΆœλ˜λŠ” λ§€κ°œμ²΄κ°€ λ˜λŠ”κ±°μ£ .
09:35
and in the process, when all is right,
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그리고 이 κ³Όμ •μ—μ„œ λͺ¨λ“  상황이 λ§žλ‹€λ©΄,
09:38
the music is transformed
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μŒμ•…μ€ μ™„μ „νžˆ λ°”λ€λ‹ˆλ‹€.
09:40
and so am I.
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μ € λ˜ν•œ λ°”λ€Œμ£ .
09:49
(Music)
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(μŒμ•…)
19:59
(Applause)
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(λ°•μˆ˜)

Original video on YouTube.com
이 μ›Ήμ‚¬μ΄νŠΈ 정보

이 μ‚¬μ΄νŠΈλŠ” μ˜μ–΄ ν•™μŠ΅μ— μœ μš©ν•œ YouTube λ™μ˜μƒμ„ μ†Œκ°œν•©λ‹ˆλ‹€. μ „ 세계 졜고의 μ„ μƒλ‹˜λ“€μ΄ κ°€λ₯΄μΉ˜λŠ” μ˜μ–΄ μˆ˜μ—…μ„ 보게 될 κ²ƒμž…λ‹ˆλ‹€. 각 λ™μ˜μƒ νŽ˜μ΄μ§€μ— ν‘œμ‹œλ˜λŠ” μ˜μ–΄ μžλ§‰μ„ 더블 ν΄λ¦­ν•˜λ©΄ κ·Έκ³³μ—μ„œ λ™μ˜μƒμ΄ μž¬μƒλ©λ‹ˆλ‹€. λΉ„λ””μ˜€ μž¬μƒμ— 맞좰 μžλ§‰μ΄ μŠ€ν¬λ‘€λ©λ‹ˆλ‹€. μ˜κ²¬μ΄λ‚˜ μš”μ²­μ΄ μžˆλŠ” 경우 이 문의 양식을 μ‚¬μš©ν•˜μ—¬ λ¬Έμ˜ν•˜μ‹­μ‹œμ˜€.

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