Wisdom from great writers on every year of life | Joshua Prager

193,214 views ใƒป 2016-05-12

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Shlomo Adam ืžื‘ืงืจ: Ido Dekkers
00:12
I'm turning 44 next month,
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ื‘ื—ื•ื“ืฉ ื”ื‘ื ืื”ื™ื” ื‘ืŸ 44,
00:15
and I have the sense that 44 is going to be a very good year,
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ื•ื™ืฉ ืœื™ ื”ืจื’ืฉื” ืฉืฉื ืชื™ ื”-44 ืชื”ื™ื” ืฉื ื” ื˜ื•ื‘ื” ืžืื“,
00:19
a year of fulfillment, realization.
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ืฉื ื” ืฉืœ ืžื™ืžื•ืฉ, ื”ื’ืฉืžื”.
00:23
I have that sense,
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ื™ืฉ ืœื™ ื”ืจื’ืฉื” ื›ื–ืืช,
00:24
not because of anything particular in store for me,
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ืœื ื›ื™ ืžืฆืคื” ืœื™ ืžืฉื”ื• ืžื™ื•ื—ื“,
00:27
but because I read it would be a good year
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ืืœื ื›ื™ ืงืจืืชื™ ืฉื–ืืช ืชื”ื™ื” ืฉื ื” ื˜ื•ื‘ื”
00:30
in a 1968 book by Norman Mailer.
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ื‘ืกืคืจ ืž-1968, ืฉื›ืชื‘ ื ื•ืจืžืŸ ืžื™ื™ืœืจ.
00:34
"He felt his own age, forty-four ..."
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"ื”ื•ื ื—ืฉ ืืช ืžืฉื 44 ืฉื ื•ืชื™ื•..."
00:37
wrote Mailer in "The Armies of the Night,"
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ื›ืชื‘ ืžื™ื™ืœืจ ื‘"ืฆื‘ืื•ืช ื”ืœื™ืœื”,"
00:40
"... felt as if he were a solid embodiment
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"ื›ืžื• ื”ื™ื• ื”ืชื’ืœืžื•ืช ืžื•ืฆืงื”
00:42
of bone, muscle, heart, mind, and sentiment to be a man,
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"ืฉืœ ืขืฆื, ืฉืจื™ืจ, ืœื‘, ืžื•ื— ื•ืจื’ืฉ ื‘ื“ืžื•ืช ื’ื‘ืจ,
00:46
as if he had arrived."
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"ื›ืžื• ื–ื” ืขืชื” ื ื”ื™ื”."
00:49
Yes, I know Mailer wasn't writing about me.
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ื›ืŸ, ืื ื™ ื™ื•ื“ืข ืฉืžื™ื™ืœืจ ืœื ื›ืชื‘ ืขืœื™,
00:52
But I also know that he was;
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ืื‘ืœ ืื ื™ ื’ื ื™ื•ื“ืข ืฉื”ื•ื ื›ืŸ,
00:54
for all of us -- you, me, the subject of his book,
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ื›ื™ ื›ื•ืœื ื• - ืืชื, ืื ื™, ื”ื’ื™ื‘ื•ืจ ืฉืœ ืกืคืจื•,
00:58
age more or less in step,
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ืžื–ื“ืงื ื™ื ืคื—ื•ืช ืื• ื™ื•ืชืจ ื‘ืื•ืชื• ื”ืงืฆื‘,
01:00
proceed from birth along the same great sequence:
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ืžืชื ื”ืœื™ื ื”ื—ืœ ืžืŸ ื”ืœื™ื“ื” ื‘ืื•ืชื• ืจืฆืฃ ื›ื‘ื™ืจ:
01:05
through the wonders and confinements of childhood;
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ื”ื—ืœ ืžื”ืคืœืื™ื ื•ื”ืื™ืกื•ืจื™ื ืฉืœ ื”ื™ืœื“ื•ืช,
01:08
the emancipations and frustrations of adolescence;
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ืขื‘ื•ืจ ื‘ื—ื•ืคืฉ ื•ื‘ืชืกื›ื•ืœื™ื ืฉืœ ื”ื”ืชื‘ื’ืจื•ืช,
01:12
the empowerments and millstones of adulthood;
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ื‘ืขืฆืžืื•ืช ื•ื‘ืžืขืžืกื•ืช ืฉืœ ืชืงื•ืคืช ื”ื‘ื’ืจื•ืช,
01:16
the recognitions and resignations of old age.
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ื•ื›ืœื” ื‘ื”ืฉืœืžื” ื•ื‘ื•ื•ื™ืชื•ืจ ืฉืœ ื”ื–ื™ืงื ื”.
01:20
There are patterns to life,
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ืœื—ื™ื™ื ื™ืฉ ื“ืคื•ืกื™ื
01:22
and they are shared.
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ื•ื”ื ืžืฉื•ืชืคื™ื ืœื›ื•ืœื ื•.
01:24
As Thomas Mann wrote: "It will happen to me as to them."
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ื›ืคื™ ืฉื›ืชื‘ ืชื•ืžืก ืžืืŸ: "ื–ื” ื™ืงืจื” ืœื™ ื›ืžื• ืœื”ื."
01:29
We don't simply live these patterns.
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ื•ืœื ืจืง ืฉืื ื• ื—ื™ื™ื ื“ืคื•ืกื™ื ืืœื”,
ืื ื• ื’ื ืžืชืขื“ื™ื ืื•ืชื.
01:32
We record them, too.
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01:33
We write them down in books, where they become narratives
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ืื ื• ื›ื•ืชื‘ื™ื ืื•ืชื ื‘ืกืคืจื™ื ื•ื”ื ื”ื•ืคื›ื™ื ืœื ืจื˜ื™ื‘ื™ื
01:36
that we can then read and recognize.
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ืฉืื ื• ื™ื›ื•ืœื™ื ืœืงืจื•ื ื•ืœื–ื”ื•ืช ืžื—ื“ืฉ.
01:39
Books tell us who we've been,
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ื”ืกืคืจื™ื ืžืกืคืจื™ื ืœื ื• ืžื™ ื”ื™ื™ื ื•,
01:41
who we are, who we will be, too.
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ืžื™ ืื ื—ื ื• ื•ื’ื ืžื™ ื ื”ื™ื”.
01:45
So they have for millennia.
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ื”ื ืขื•ืฉื™ื ื–ืืช ื›ื‘ืจ ืืœืคื™ ืฉื ื™ื.
01:48
As James Salter wrote,
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ื›ืคื™ ืฉื›ืชื‘ ื’'ื™ื™ืžืก ืกืืœื˜ืจ:
01:49
"Life passes into pages if it passes into anything."
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"ื”ื—ื™ื™ื ื”ื•ืคื›ื™ื ืœื“ืคื™ื, ืื ื”ื ื‘ื›ืœืœ ื”ื•ืคื›ื™ื ืœืžืฉื”ื•."
01:54
And so six years ago, a thought leapt to mind:
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ืื– ืœืคื ื™ ืฉืฉ ืฉื ื™ื ืฆืฆื” ื‘ืžื•ื—ื™ ืžื—ืฉื‘ื”:
01:58
if life passed into pages, there were, somewhere,
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ืื ื”ื—ื™ื™ื ื”ื•ืคื›ื™ื ืœื“ืคื™ื, ืงื™ื™ืžื•ืช ืื™-ืฉื, ืžืŸ ื”ืกืชื,
02:02
passages written about every age.
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ืคืกืงืื•ืช ืฉื ื›ืชื‘ื• ืื•ื“ื•ืช ื›ืœ ื’ื™ืœ ืฉื”ื•ื.
02:04
If I could find them, I could assemble them into a narrative.
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ืื ืื•ื›ืœ ืœืžืฆื•ื ืื•ืชืŸ, ืื•ื›ืœ ืœื”ืจื›ื™ื‘ ืžื”ืŸ ื ืจื˜ื™ื‘.
02:08
I could assemble them into a life,
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ืื•ื›ืœ ืœื”ืจื›ื™ื‘ ืžื”ืŸ ื—ื™ื™ื,
02:10
a long life, a hundred-year life,
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ื—ื™ื™ื ืืจื•ื›ื™ื, ื—ื™ื™ื ื‘ื ื™ ืžืื” ืฉื ื™ื,
02:13
the entirety of that same great sequence
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ืืช ื›ืœ ื”ืจืฆืฃ ื”ื›ื‘ื™ืจ ื”ื–ื” ื›ื•ืœื•
02:15
through which the luckiest among us pass.
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ืฉืื•ืชื• ืขื•ื‘ืจื™ื ื‘ืจื™ ื”ืžื–ืœ ืฉื‘ื™ื ื™ื ื•.
02:19
I was then 37 years old,
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ื”ื™ื™ืชื™ ืื– ื‘ืŸ 37,
02:22
"an age of discretion," wrote William Trevor.
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"ื’ื™ืœ ืฉืœ ืชื‘ื•ื ื”", ื›ืชื‘ ื•ื•ื™ืœื™ืื ื˜ืจื•ื•ืจ.
02:27
I was prone to meditating on time and age.
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ื”ื™ืชื” ืœื™ ื ื˜ื™ื” ืœื”ื’ื•ืช ื‘ืžืฉืžืขื•ืช ื”ื–ืžืŸ ื•ื”ื’ื™ืœ.
02:30
An illness in the family and later an injury to me
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ืžื—ืœื” ืฉืคื’ืขื” ื‘ืžืฉืคื—ืชื™ ื•ืื—ืจ, ืคืฆื™ืขื” ืฉื ืคืฆืขืชื™,
02:33
had long made clear that growing old could not be assumed.
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ื”ื‘ื”ื™ืจื• ืœื™ ื”ื™ื˜ื‘ ืฉื”ื”ื–ื“ืงื ื•ืช ืื™ื ื” ืžื•ื˜ืœืช ื‘ืกืคืง.
02:37
And besides, growing old only postponed the inevitable,
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ื•ื—ื•ืฅ ืžื–ื”, ื”ื”ื–ื“ืงื ื•ืช ืจืง ื“ื•ื—ื” ืืช ื”ื‘ืœืชื™-ื ืžื ืข,
02:40
time seeing through what circumstance did not.
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ื”ื–ืžืŸ ืฉืจื•ืื” ืืช ืžื” ืฉื”ื ืกื™ื‘ื•ืช ืœื ื—ื–ื•.
02:43
It was all a bit disheartening.
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ื›ืœ ื–ื” ื”ื™ื” ืžื™ื™ืืฉ ืžืขื˜.
02:46
A list, though, would last.
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ืื‘ืœ ืจืฉื™ืžื” ืชื™ืฉืืจ ืœื ืฆื—.
02:49
To chronicle a life year by vulnerable year
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ืชื™ืขื•ื“ ืฉืœ ื”ื—ื™ื™ื ืœืื•ืจืš ื”ืฉื ื™ื ื”ืคื’ื™ืขื•ืช
02:52
would be to clasp and to ground what was fleeting,
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ื™ื”ื™ื” ื‘ื’ื“ืจ ืื—ื™ื–ื” ื•ืจื™ืชื•ืง ืฉืœ ืžื” ืฉื—ื•ืžืง ื•ื ืขืœื,
02:55
would be to provide myself and others a glimpse into the future,
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ื”ื•ื ื™ืขื ื™ืง ืœื™ ื•ืœืื—ืจื™ื ื”ืฆืฆื” ืืœ ื”ืขืชื™ื“,
02:59
whether we made it there or not.
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ื‘ื™ืŸ ืื ื ื’ื™ืข ืืœื™ื• ืื• ืœื.
03:01
And when I then began to compile my list, I was quickly obsessed,
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ื•ืื–, ื›ืฉื”ืชื—ืœืชื™ ืœื”ื›ื™ืŸ ืืช ืจืฉื™ืžืชื™, ื ืขืฉื™ืชื™ ื‘ืžื”ืจื” ืื—ื•ื–-ื“ื™ื‘ื•ืง.
03:05
searching pages and pages for ages and ages.
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ื—ื™ืคืฉืชื™ ื‘ืื™ื ืกืคื•ืจ ื“ืคื™ื ื‘ืžืฉืš ื”ืžื•ืŸ ื”ืžื•ืŸ ื–ืžืŸ,
03:09
Here we were at every annual step through our first hundred years.
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ื•ืžืฆืืชื™ ื‘ื”ื ื›ืœ ืฉื ื” ื•ืฉื ื” ืฉืœื ื• ื‘-100 ืฉื ื•ืชื™ื ื• ื”ืจืืฉื•ื ื•ืช.
03:14
"Twenty-seven ... a time of sudden revelations,"
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"27!... ืชืงื•ืคื” ืฉืœ ื’ื™ืœื•ื™ื™ื ืคืชืื•ืžื™ื™ื," - ื’'ื•ื™ืก ืงืจื•ืœ ืื•ื˜ืก.
03:19
"sixty-two, ... of subtle diminishments."
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"62... ื’ื™ืœ ืฉืœ ื“ืขื™ื›ื•ืช ืกืžื•ื™ื•ืช." - ืคื•ืœ ืช'ืจื•
03:23
I was mindful, of course, that such insights were relative.
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ื”ื™ื™ืชื™ ื›ืžื•ื‘ืŸ ืžื•ื“ืข ืœื›ืš ืฉืืœื• ืชื•ื‘ื ื•ืช ื™ื—ืกื™ื•ืช.
03:28
For starters, we now live longer, and so age more slowly.
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ืงื•ื“ื ื›ืœ, ืื ื• ื—ื™ื™ื ื”ื™ื•ื ื™ื•ืชืจ ื•ืœื›ืŸ ืžื–ื“ืงื ื™ื ืœืื˜ ื™ื•ืชืจ.
03:33
Christopher Isherwood used the phrase "the yellow leaf"
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ื›ืจื™ืกื˜ื•ืคืจ ืื™ืฉืจื•ื•ื“ ื”ืฉืชืžืฉ ื‘ื‘ื™ื˜ื•ื™ "ื”ืขืœื” ื”ืฆื”ื•ื‘"
03:36
to describe a man at 53,
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ื›ื“ื™ ืœืชืืจ ื’ื‘ืจ ื‘ื’ื™ืœ 53,
03:38
only one century after Lord Byron used it to describe himself at 36.
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ืžืื” ืฉื ื™ื ื‘ืœื‘ื“ ืื—ืจื™ ืฉื”ืœื•ืจื“ ื‘ื™ื™ืจื•ืŸ ืชื™ืืจ ื›ืš ืืช ืขืฆืžื• ื‘ื’ื™ืœ 36.
03:42
(Laughter)
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(ืฆื—ื•ืง)
03:45
I was mindful, too, that life can swing wildly and unpredictably
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ื–ื›ืจืชื™ ื’ื ืฉื”ื—ื™ื™ื ื™ื•ื“ืขื™ื ืœื”ืฉืชื ื•ืช ื‘ืคืจืื•ืช ื•ื‘ืคืชืื•ืžื™ื•ืช
03:48
from one year to the next,
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ืžืฉื ื” ืœืฉื ื”.
03:50
and that people may experience the same age differently.
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ื•ืฉื›ืœ ืื“ื ืขืฉื•ื™ ืœื—ื•ื•ืช ืื—ืจืช ืืช ืื•ืชื• ื”ื’ื™ืœ.
03:54
But even so, as the list coalesced,
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ืื‘ืœ ื’ื ื›ืš, ื›ื›ืœ ืฉื”ืจืฉื™ืžื” ื”ืชื’ื‘ืฉื”,
03:57
so, too, on the page, clear as the reflection in the mirror,
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ื”ืจื™ ืฉื’ื ืขืœ ื”ื ื™ื™ืจ, ื‘ื”ื™ืจื™ื ื›ืžื• ื”ืฉืชืงืคื•ืช ื‘ืžืจืื”,
ื”ืชื‘ืจืจื• ื”ื—ื™ื™ื ืฉื—ื™ื™ืชื™ ืื ื™:
04:01
did the life that I had been living:
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04:03
finding at 20 that "... one is less and less sure of who one is;"
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ื’ื™ืœื™ืชื™ ืฉื‘ื’ื™ืœ 20
"ืื“ื ื‘ื˜ื•ื— ืคื—ื•ืช ื•ืคื—ื•ืช ืžื™ ื”ื•ื" - ื•"ืก ืคืจื™ืฆ'ื˜
04:08
emerging at 30 from the "... wasteland of preparation into active life;"
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ื™ืฆืืชื™ ื‘ื’ื™ืœ 30 ืžืชื•ืš
"ืฉืžืžืช ื”ื”ื›ื ื•ืช ื”ืืคืœื” ืืœ ื”ื—ื™ื™ื ื”ืคืขื™ืœื™ื," - ืชื•ืžืก ืžืืŸ
04:13
learning at 40 "... to close softly the doors to rooms
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ืœืžื“ืชื™ ื‘ื’ื™ืœ 40 "ืœืกื’ื•ืจ ื‘ืฉืงื˜ ืืช ื“ืœืชื•ืชื™ื”ื ืฉืœ ื—ื“ืจื™ื
04:17
[I would] not be coming back to."
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"ืืœื™ื”ื ืœื ืืฉื•ื‘ ืขื•ื“." - ื“ื•ื ืœื“ ื’'ืกื˜ื™ืก
04:20
There I was.
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ืžืฆืืชื™ ืฉื ืืช ืขืฆืžื™.
04:23
Of course, there we all are.
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ื›ืžื•ื‘ืŸ, ื›ื•ืœื ื• ื ืžืฆืื™ื ืฉื.
04:26
Milton Glaser, the great graphic designer
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ืžื™ืœื˜ื•ืŸ ื’ืœื™ื™ื–ืจ, ื”ืžืขืฆื‘ ื”ื’ืจืคื™ ื”ื“ื’ื•ืœ,
04:29
whose beautiful visualizations you see here,
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ืฉืืช ืขื™ืฆื•ื‘ื™ื• ื”ื ืคืœืื™ื ืืชื ืจื•ืื™ื ื›ืืŸ,
04:32
and who today is 85 --
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ื•ืฉื›ื™ื•ื ื”ื•ื ื‘ืŸ 85 --
04:34
all those years "... a ripening and an apotheosis," wrote Nabokov --
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ื›ืœ ืฉื ื•ืช "ื”ื”ื‘ืฉืœื” ื•ื”ืžื•ืคืช" ื›ื“ื‘ืจื™ ื ื‘ื•ืงื•ื‘ --
04:39
noted to me that, like art and like color,
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ืฆื™ื™ืŸ ื‘ืื•ื–ื ื™ ืฉื›ืžื• ื”ืืžื ื•ืช ื•ื›ืžื• ื”ืฆื‘ืขื™ื
04:43
literature helps us to remember what we've experienced.
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ื”ืกืคืจื•ืช ืขื•ื–ืจืช ืœื ื• ืœื–ื›ื•ืจ ืืช ืืฉืจ ื—ื•ื•ื™ื ื•.
04:47
And indeed, when I shared the list with my grandfather,
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ื•ืื›ืŸ, ื›ืฉื”ืจืื™ืชื™ ืืช ื”ืจืฉื™ืžื” ืœืกื‘ื™,
04:50
he nodded in recognition.
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ื”ื•ื ื”ื ื”ืŸ ืžืชื•ืš ื–ื™ื”ื•ื™.
04:53
He was then 95 and soon to die,
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ื”ื•ื ื”ื™ื” ืื– ื‘ืŸ 95 ื•ืงืจื•ื‘ ืœืžื•ืช,
04:57
which, wrote Roberto Bolaรฑo,
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ื•ื–ื”, ื›ืคื™ ืฉื›ืชื‘ ืจื•ื‘ืจื˜ื• ื‘ื•ืœืื ื™ื•,
04:59
"... is the same as never dying."
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"ื›ืžื• ืœื ืœืžื•ืช ืœืขื•ืœื".
05:03
And looking back, he said to me that, yes,
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ื•ืื ื™ ื ื–ื›ืจ ืฉื”ื•ื ืืžืจ ืœื™, ืฉืืžื ื
05:07
Proust was right that at 22, we are sure we will not die,
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ืคืจื•ืกื˜ ืฆื“ืง ืฉื‘ื’ื™ืœ 22 ืื ื• ื‘ื˜ื•ื—ื™ื ืฉืœืขื•ืœื ืœื ื ืžื•ืช,
05:13
just as a thanatologist named Edwin Shneidman was right
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ื›ืคื™ ืฉืฆื“ืง ื’ื ื—ื•ืงืจ ืžื•ื•ืช ื‘ืฉื ืื“ื•ื•ื™ืŸ ืฉื ื™ื™ื“ืžืŸ
05:16
that at 90, we are sure we will.
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ืฉืืžืจ ืฉื‘ื’ื™ืœ 90 ื‘ืจื•ืจ ืœื ื• ืฉื ืžื•ืช.
05:21
It had happened to him,
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ื–ื” ืงืจื” ืœื•
05:23
as to them.
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ื›ืžื• ืœื”ื.
05:27
Now the list is done:
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ื›ืขืช ื”ืจืฉื™ืžื” ืขืฉื•ื™ื” ื•ื’ืžื•ืจื”:
05:30
a hundred years.
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ืžืื” ืฉื ื™ื.
05:33
And looking back over it,
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ื•ื›ืฉืื ื™ ืกื•ืงืจ ืื•ืชื”,
05:36
I know that I am not done.
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ื‘ืจื•ืจ ืœื™ ืฉืื ื™ ื˜ืจื ืขืฉื•ื™ ื•ื’ืžื•ืจ.
05:38
I still have my life to live,
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ื—ื™ื™ ืขื•ื“ ืœืคื ื™,
05:40
still have many more pages to pass into.
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ื™ืฉ ืœื™ ืขื•ื“ ื“ืคื™ื ืจื‘ื™ื ืœื”ื™ื›ืชื‘ ื‘ื”ื.
05:44
And mindful of Mailer,
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ื•ื‘ื–ื›ืจื™ ืืช ืžื™ื™ืœืจ,
05:46
I await 44.
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ืื ื™ ืžืฆืคื” ื‘ืฉืงื™ืงื” ืœืฉื ืชื™ ื”-44.
05:48
Thank you.
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ืชื•ื“ื” ืœื›ื.
05:49
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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