Wisdom from great writers on every year of life | Joshua Prager

193,220 views ใƒป 2016-05-12

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์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: Kyunghee Jung ๊ฒ€ํ† : Ju Hye Lim
00:12
I'm turning 44 next month,
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๋‹ค์Œ ๋‹ฌ์ด๋ฉด 44์‚ด์ด ๋˜๋Š” ์ €๋Š”
00:15
and I have the sense that 44 is going to be a very good year,
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์ด๋ฒˆ ํ•œ ํ•ด๊ฐ€ ์„ฑ์ทจ๋ฅผ ์ด๋ฃจ๊ณ  ๊นจ๋‹ฌ์Œ์„ ์–ป๋Š” ๋œป๊นŠ์€
00:19
a year of fulfillment, realization.
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ํ•œ ํ•ด๊ฐ€ ๋˜๋ฆฌ๋ผ ์˜ˆ์ƒํ•ฉ๋‹ˆ๋‹ค.
00:23
I have that sense,
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์ œ๊ฐ€ ๊ทธ๋ ‡๊ฒŒ ์ƒ๊ฐํ•˜๋Š” ๊นŒ๋‹ญ์€
00:24
not because of anything particular in store for me,
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์ œ๊ฒŒ ๊ณ„ํšํ•œ ์ผ์ด ์žˆ์–ด์„œ ๊ทธ๋Ÿฐ ๊ฒƒ์€ ์•„๋‹ˆ๊ณ 
00:27
but because I read it would be a good year
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๋…ธ๋จผ ๋ฉ”์ผ๋Ÿฌ๊ฐ€ 1968๋…„์ž‘์ธ ์ž์‹ ์˜ ์ €์„œ์—์„œ ๊ทธ๋ ‡๊ฒŒ ์ผ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
00:30
in a 1968 book by Norman Mailer.
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00:34
"He felt his own age, forty-four ..."
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"๊ทธ๋Š” 44์„ธ์˜ ๋‚˜์ด๋ฅผ ์ฒด๊ฐํ–ˆ๋‹ค..."
00:37
wrote Mailer in "The Armies of the Night,"
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๋ฉ”์ผ๋Ÿฌ๋Š” "๋ฐค์˜ ๊ตฐ๋Œ€"์—์„œ ์ด๋ ‡๊ฒŒ ์ผ์Šต๋‹ˆ๋‹ค.
00:40
"... felt as if he were a solid embodiment
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"...๊ทธ๋Š” ๋งˆ์น˜ ์ž์‹ ์ด ์™„์ „ํžˆ ๋ผˆ, ๊ทผ์œก,
00:42
of bone, muscle, heart, mind, and sentiment to be a man,
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์‹ฌ์žฅ, ์ •์‹ , ๊ทธ๋ฆฌ๊ณ  ๊ฐ์ •์œผ๋กœ ์ด๋ฃจ์–ด์ง„ ์ธ๊ฐ„์˜ ์ „ํ˜•์ด ๋œ ๊ฒƒ์ฒ˜๋Ÿผ ๋Š๊ปด์กŒ๋‹ค.
00:46
as if he had arrived."
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๋งˆ์น˜ ๊ทธ๊ฐ€ ๋„์ฐฉํ•œ ๊ฒƒ์ฒ˜๋Ÿผ."
00:49
Yes, I know Mailer wasn't writing about me.
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๋ถ„๋ช… ๋ฉ”์ผ๋Ÿฌ๊ฐ€ ์ €๋ฅผ ๋‘๊ณ  ๊ทธ๋ ‡๊ฒŒ ์“ด ๊ฒƒ์€ ์•„๋‹ ๊ฒ๋‹ˆ๋‹ค.
00:52
But I also know that he was;
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ํ•˜์ง€๋งŒ ๊ทธ๊ฐ€ ๋‚˜์ด๋ฅผ ๋ถˆ๋ฌธํ•˜๊ณ 
00:54
for all of us -- you, me, the subject of his book,
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์—ฌ๋Ÿฌ๋ถ„๊ณผ ์ €, ์ด ์ฑ…์˜ ์ฃผ์ธ๊ณต์„ ๋น„๋กฏํ•œ ์šฐ๋ฆฌ ๋ชจ๋‘์— ๋Œ€ํ•ด
00:58
age more or less in step,
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์“ด ๊ฒƒ์ž„์„ ์••๋‹ˆ๋‹ค.
01:00
proceed from birth along the same great sequence:
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์šฐ๋ฆฌ ๋ชจ๋‘๋Š” ์ถœ์ƒ์œผ๋กœ๋ถ€ํ„ฐ ๋™์ผํ•œ ์ผ๋ จ์˜ ์œ„๋Œ€ํ•œ ๊ณผ์ •์„ ๊ฒฝํ—˜ํ•ฉ๋‹ˆ๋‹ค.
01:05
through the wonders and confinements of childhood;
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๋†€๋ผ์šด ์ผ์ด ๋งŽ๊ณ  ์ œํ•œ๋„ ๋งŽ์ด ๋ฐ›๋Š” ์œ ๋…„๊ธฐ์—์„œ
01:08
the emancipations and frustrations of adolescence;
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ํ•ด๋ฐฉ๊ฐ๊ณผ ์ขŒ์ ˆ๊ฐ์„ ํ•จ๊ป˜ ์ฒดํ—˜ํ•˜๋Š” ์ฒญ์†Œ๋…„๊ธฐ
01:12
the empowerments and millstones of adulthood;
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๊ถŒํ•œ์ด ๋งŽ์•„์ง€๋Š” ์ธ์ƒ์˜ ์ค‘์š”ํ•œ ์‹œ์ ์ธ ์„ฑ๋…„๊ธฐ
01:16
the recognitions and resignations of old age.
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์ธ์ •์„ ๋ฐ›๊ณ  ํ‡ด์งํ•˜๋Š” ๋…ธ๋…„๊ธฐ๊นŒ์ง€์š”.
01:20
There are patterns to life,
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์‚ถ์—๋Š” ์šฐ๋ฆฌ ๋ชจ๋‘๊ฐ€ ๊ณต์œ ํ•˜๋Š” ํŒจํ„ด์ด ์žˆ์Šต๋‹ˆ๋‹ค.
01:22
and they are shared.
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01:24
As Thomas Mann wrote: "It will happen to me as to them."
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ํ† ๋งˆ์Šค ๋งŒ์ด ์“ด ๊ฒƒ์ฒ˜๋Ÿผ, "๊ทธ๋“ค์—๊ฒŒ ์ผ์–ด๋‚ฌ๋“ฏ ๋‚ด๊ฒŒ๋„ ์ผ์–ด๋‚  ์ผ"์ž…๋‹ˆ๋‹ค.
01:29
We don't simply live these patterns.
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์šฐ๋ฆฌ๋Š” ๋‹จ์ˆœํžˆ ์ด ํŒจํ„ด๋Œ€๋กœ ์‚ฌ๋Š” ๋ฐ ๊ทธ์น˜์ง€ ์•Š๊ณ 
01:32
We record them, too.
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๊ทธ๊ฒƒ๋“ค์„ ๊ธฐ๋กํ•ฉ๋‹ˆ๋‹ค.
01:33
We write them down in books, where they become narratives
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์ด๊ฑธ ์ฑ…์œผ๋กœ ์จ์„œ ์šฐ๋ฆฌ๋“ค์ด ์ฝ๊ณ 
01:36
that we can then read and recognize.
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์ธ์ •ํ•  ์ˆ˜ ์žˆ๋Š” ์ด์•ผ๊ธฐ๊ฐ€ ๋ฉ๋‹ˆ๋‹ค.
01:39
Books tell us who we've been,
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์ฑ…์€ ์šฐ๋ฆฌ๊ฐ€ ๊ณผ๊ฑฐ์— ์–ด๋• ๋Š”์ง€
01:41
who we are, who we will be, too.
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ํ˜„์žฌ์—๋Š” ์–ด๋–ค์ง€, ๋ฏธ๋ž˜์—๋Š” ์–ด๋–จ์ง€๋ฅผ ๋งํ•ด์ค๋‹ˆ๋‹ค.
01:45
So they have for millennia.
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์ˆ˜ ์ฒœ๋…„๋™์•ˆ ๋งํ•ด์ฃผ์—ˆ์Šต๋‹ˆ๋‹ค.
01:48
As James Salter wrote,
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์ œ์ž„์Šค ์†”ํ„ฐ๋Š” ์ด๋Ÿฐ ๋ง์„ ์ผ์Šต๋‹ˆ๋‹ค.
01:49
"Life passes into pages if it passes into anything."
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"๋งŒ์•ฝ ์ธ์ƒ์ด ์–ด๋–ค ๊ฒƒ์˜ ์ผ๋ถ€๊ฐ€ ๋œ๋‹ค๋ฉด ์ฑ…์žฅ์˜ ์ผ๋ถ€๊ฐ€ ๋  ๊ฒƒ์ด๋‹ค."
01:54
And so six years ago, a thought leapt to mind:
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6๋…„ ์ „์— ์ด๋Ÿฐ ์ƒ๊ฐ์ด ๋จธ๋ฆฌ์— ์Šค์ณค์Šต๋‹ˆ๋‹ค.
01:58
if life passed into pages, there were, somewhere,
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๋งŒ์•ฝ ์ธ์ƒ์ด ์ฑ… ์†์— ๋‹ด๊ฒผ๋‹ค๋ฉด ๋ถ„๋ช… ์–ด๋”˜๊ฐ€์—๋Š”
02:02
passages written about every age.
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๋ชจ๋“  ๋‚˜์ด์— ๊ด€ํ•ด ์ ์€ ๊ตฌ์ ˆ์ด ์กด์žฌํ•  ๊ฒƒ์ด๋ผ๊ณ ์š”.
02:04
If I could find them, I could assemble them into a narrative.
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๊ทธ๊ฒƒ๋“ค์„ ์ฐพ์•„ ์ •๋ฆฌํ•ด์„œ ์ด์•ผ๊ธฐ๋กœ ๋ฌถ์„ ์ˆ˜ ์žˆ๋‹ค๋ฉด
02:08
I could assemble them into a life,
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ํ•˜๋‚˜์˜ ์ธ์ƒ์œผ๋กœ ๋ฌถ์„ ์ˆ˜ ์žˆ์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:10
a long life, a hundred-year life,
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100์‚ด์˜ ๊ธด ์ธ์ƒ์„์š”.
02:13
the entirety of that same great sequence
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์šฐ๋ฆฌ ์ค‘์—์„œ ๊ฐ€์žฅ ์šด์ด ์ข‹์€ ์‚ฌ๋žŒ๋“ค์ด ๊ฑฐ์น˜๋Š”
02:15
through which the luckiest among us pass.
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๊ทธ ์œ„๋Œ€ํ•œ ์ผ๋ จ์˜ ๊ณผ์ •์˜ ์ „์ฒด๋ฅผ ๋™์ผํ•˜๊ฒŒ ๋‹ด๊ณ  ์žˆ๋Š” ์ธ์ƒ์„์š”.
02:19
I was then 37 years old,
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๊ทธ ๋‹น์‹œ ์ €๋Š” 37์„ธ๋กœ
02:22
"an age of discretion," wrote William Trevor.
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์œŒ๋ฆฌ์—„ ํŠธ๋ ˆ๋ฒ„์— ๋”ฐ๋ฅด๋ฉด "์‹ ์ค‘ํ•œ ๋‚˜์ด"์˜€์Šต๋‹ˆ๋‹ค.
02:27
I was prone to meditating on time and age.
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์„ธ์›”๊ณผ ๋‚˜์ด์— ๋Œ€ํ•ด ๋งŽ์ด ์ˆ™๊ณ ํ•˜๋Š” ๋‚˜์ด์˜€์ฃ .
02:30
An illness in the family and later an injury to me
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๊ฐ€์กฑ ๋ณ‘๋ ฅ๊ณผ ๋‚˜์ค‘์—๋Š” ์ € ์ž์‹ ์˜ ๋ถ€์ƒ์ด
02:33
had long made clear that growing old could not be assumed.
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๋‚˜์ด๋ฅผ ๋จน์–ด๊ฐ€๋Š” ๊ฒŒ ํ•œ์น˜ ์•ž์„ ๋‚ด๋‹ค๋ณผ ์ˆ˜ ์—†๋Š” ์ผ์ž„์„ ์•Œ๋ ค์ฃผ์—ˆ์Šต๋‹ˆ๋‹ค.
02:37
And besides, growing old only postponed the inevitable,
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๊ฒŒ๋‹ค๊ฐ€ ๋Š™๋Š” ๊ฒƒ์€ ๋‹จ์ง€ ๋‹ค๊ฐ€์˜ฌ ์ผ์„ ๋Šฆ์ถ”๊ธฐ๋งŒ ํ•  ๋ฟ
02:40
time seeing through what circumstance did not.
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์„ธ์›”์€ ์ƒํ™ฉ์ด ๋ณด์ง€ ๋ชปํ•œ ๊ฒƒ์„ ๊ฟฐ๋šซ์–ด ๋ด…๋‹ˆ๋‹ค.
02:43
It was all a bit disheartening.
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์ด ๋ชจ๋“  ๊ฒƒ์ด ์•ฝ๊ฐ„ ์•ˆํƒ€๊น๊ธด ํ•˜์ง€๋งŒ
02:46
A list, though, would last.
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๊ทธ๋Ÿผ์—๋„ ์ œ๊ฐ€ ๊ธฐ๋กํ•œ ๋ชฉ๋ก์€ ์‚ด์•„๋‚จ๊ฒ ์ง€์š”.
02:49
To chronicle a life year by vulnerable year
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์ธ์ƒ์„ ์ผ ๋…„ ๋‹จ์œ„๋กœ ์ชผ๊ฐœ์–ด ์ •๋ฆฌํ•˜๋Š” ์ž‘์—…์€
02:52
would be to clasp and to ground what was fleeting,
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์ฐฐ๋‚˜์˜ ์ˆœ๊ฐ„๋“ค์„ ํฌ์ฐฉํ•˜์—ฌ ์ง€์ƒ์— ๋งค์–ด ๋‘๋Š” ๊ฒƒ์ด๋ฉฐ
02:55
would be to provide myself and others a glimpse into the future,
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๋˜ํ•œ ๋„๋‹ฌํ•  ์ˆ˜ ์žˆ์„์ง€์กฐ์ฐจ ๋ถˆํ™•์‹คํ•œ ๋ฏธ๋ž˜๋ฅผ ์‚ด์ง์ด๋‚˜๋งˆ
02:59
whether we made it there or not.
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๋“ค์—ฌ๋‹ค๋ณผ ์ˆ˜ ์žˆ๊ฒŒ ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
03:01
And when I then began to compile my list, I was quickly obsessed,
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๋ชฉ๋ก์„ ํŽธ์ฐฌํ•˜๊ธฐ ์‹œ์ž‘ํ•˜๊ณ ๋‚˜์„œ ์ €๋Š” ๊ณง ํŽ˜์ด์ง€๋ฅผ ๋„˜๊ฒจ๊ฐ€๋ฉฐ
03:05
searching pages and pages for ages and ages.
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๋‚˜์ด๋ฅผ ์ฐพ๋Š” ์ผ์— ํ‘น ๋น ์ ธ๋“ค๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
03:09
Here we were at every annual step through our first hundred years.
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์—ฌ๊ธฐ 100๋…„์˜ ๋ชฉ๋ก์€ ํ•œ ํ•ด ํ•œ ํ•ด์˜ ๋‹จ๊ณ„๋ฅผ ๋ณด์—ฌ์ค๋‹ˆ๋‹ค.
03:14
"Twenty-seven ... a time of sudden revelations,"
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"์Šค๋ฌผ ์ผ๊ณฑ... ๊ฐ‘์ž‘์Šค๋Ÿฌ์šด ๊ณ„์‹œ์˜ ์‹œ๊ธฐ"
03:19
"sixty-two, ... of subtle diminishments."
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"์˜ˆ์ˆœ ๋‘˜ ... ๋ฏธ๋ฌ˜ํ•˜๊ฒŒ ์ž‘์•„์ง€๋Š” ๋‚˜์ด"
03:23
I was mindful, of course, that such insights were relative.
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์ €๋Š” ๋ฌผ๋ก  ์ด๋Ÿฌํ•œ ์ดํ•ด๊ฐ€ ์ƒ๋Œ€์ ์ด๋ผ๋Š” ๊ฒƒ์„ ์œ ๋…ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
03:28
For starters, we now live longer, and so age more slowly.
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์šฐ์„ , ํ˜„์žฌ ์šฐ๋ฆฌ๋Š” ์ˆ˜๋ช…์ด ๋Š˜์–ด์„œ ๋” ์ฒœ์ฒœํžˆ ๋Š™๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
03:33
Christopher Isherwood used the phrase "the yellow leaf"
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ํฌ๋ฆฌ์Šคํ† ํผ ์ด์…”์šฐ๋“œ๋Š” "๋ˆ„๋ ‡๊ฒŒ ์‹œ๋“  ์žŽ"์ด๋ผ๋Š” ํ‘œํ˜„์„
03:36
to describe a man at 53,
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53์„ธ์˜ ๋‚จ์„ฑ์„ ๋ฌ˜์‚ฌํ•˜๋Š”๋ฐ ์ผ์ง€๋งŒ
03:38
only one century after Lord Byron used it to describe himself at 36.
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๋ถˆ๊ณผ 1์„ธ๊ธฐ ์ „์— ๋ฐ”์ด๋Ÿฐ ๊ฒฝ์€ 36์„ธ์ธ ์ž์‹ ์„ ๋ฌ˜์‚ฌํ•˜๋Š” ๋ฐ ์ผ์ง€์š”.
03:42
(Laughter)
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(์›ƒ์Œ)
03:45
I was mindful, too, that life can swing wildly and unpredictably
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๋˜ํ•œ ์ €๋Š” ์ผ ๋…„์ด ์ง€๋‚  ๋•Œ๋งˆ๋‹ค ์ธ์ƒ์ด ๊ฑท์žก์„ ์ˆ˜ ์—†๋Š” ๋ฐฉํ–ฅ์œผ๋กœ
03:48
from one year to the next,
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ํ˜๋Ÿฌ๊ฐˆ ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฑธ ์œ ๋…ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
03:50
and that people may experience the same age differently.
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๊ฐ™์€ ๋‚˜์ด๋ผ๋„ ์‚ฌ๋žŒ๋งˆ๋‹ค ๊ฒฝํ—˜ํ•˜๋Š” ๊ฒƒ์ด ๋‹ค๋ฅผ ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฒƒ๋„์š”.
03:54
But even so, as the list coalesced,
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ํ•˜์ง€๋งŒ ๊ทธ๋Ÿผ์—๋„ ์ด ๋ชฉ๋ก์„ ๋”ํ•ด๊ฐ์— ๋”ฐ๋ผ
03:57
so, too, on the page, clear as the reflection in the mirror,
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์ œ๊ฐ€ ์‚ด์•„์™”๋˜ ์‚ถ์ด ๊ฑฐ์šธ์— ๋น„์นœ ์ƒ์ฒ˜๋Ÿผ ์„ ๋ช…ํ•˜๊ฒŒ
04:01
did the life that I had been living:
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์ฑ…์˜ ํŽ˜์ด์ง€๋งˆ๋‹ค ๊ทธ ๋ชจ์Šต์„ ๋“œ๋Ÿฌ๋ƒˆ์Šต๋‹ˆ๋‹ค.
04:03
finding at 20 that "... one is less and less sure of who one is;"
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"๊ฐˆ์ˆ˜๋ก ์ž๊ธฐ ์ž์‹ ์— ๋Œ€ํ•œ ํ™•์‹ ์ด ์ค„์–ด๋“ ๋‹ค"๋Š” ๊ฑธ ์•Œ๊ฒŒ๋˜๋Š” ์Šค๋ฌผ
04:08
emerging at 30 from the "... wasteland of preparation into active life;"
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"๋ถˆ๋ชจ์ง€์—์„œ์˜ ์ค€๋น„๋ฅผ ๋๋งˆ์น˜๊ณ  ์‹ค์‚ฌํšŒ๋กœ ์ง„์ž…ํ•˜๋Š”" ์„œ๋ฅธ
04:13
learning at 40 "... to close softly the doors to rooms
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"๋‹ค์‹œ๋Š” ๋Œ์•„์˜ค์ง€ ์•Š์„ ๋ฐฉ์˜ ๋ฌธ์„ ์กฐ์‹ฌ์Šค๋Ÿฝ๊ฒŒ ๋‹ซ๋Š”" ๋ฒ•์„
04:17
[I would] not be coming back to."
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๋ฐฐ์šฐ๋Š” ๋งˆํ”์˜ ๋‚˜์ด๊นŒ์ง€.
04:20
There I was.
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์ €๋„ ๊ฐ™์€ ๊ฒƒ์„ ๊ฒฝํ—˜ํ–ˆ๊ณ 
04:23
Of course, there we all are.
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๋ฌผ๋ก  ์šฐ๋ฆฌ ๋ชจ๋‘๊ฐ€ ๊ทธ๋Ÿด ๊ฒ๋‹ˆ๋‹ค.
04:26
Milton Glaser, the great graphic designer
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์—ฌ๊ธฐ ์ด ์•„๋ฆ„๋‹ค์šด ์‹œ๊ฐ ๋””์ž์ธ์„ ๋งก์•„์ฃผ์‹ 
04:29
whose beautiful visualizations you see here,
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์œ„๋Œ€ํ•œ ๊ทธ๋ž˜ํ”ฝ ๋””์ž์ด๋„ˆ ๋ฐ€ํ„ด ๊ธ€๋ ˆ์ด์ €์”จ๊ป˜์„œ๋Š”
04:32
and who today is 85 --
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์˜ฌํ•ด 85์„ธ๋กœ
04:34
all those years "... a ripening and an apotheosis," wrote Nabokov --
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๋‚˜๋ณด์ฝ”ํ”„์— ๋”ฐ๋ฅด๋ฉด "์„ฑ์ˆ™๊ณผ ์ ˆ์ •"์˜ ๋‚˜์ด์— ๋‹ค๋‹ค๋ฅด์…จ๋Š”๋ฐ์š”.
04:39
noted to me that, like art and like color,
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๋ฐ€ํ„ด ์”จ๊ฐ€ ๋งํ•˜๊ธธ ๋ฌธํ•™์€ ๋งˆ์น˜ ์˜ˆ์ˆ ์ด๋‚˜ ์ƒ‰์ฑ„์ฒ˜๋Ÿผ
04:43
literature helps us to remember what we've experienced.
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๊ณผ๊ฑฐ์˜ ๊ฒฝํ—˜์„ ๋– ์˜ฌ๋ฆฌ๋„๋ก ๋„์™€์ค€๋‹ค๊ณ  ํ–ˆ์Šต๋‹ˆ๋‹ค.
04:47
And indeed, when I shared the list with my grandfather,
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์‹ค์ œ๋กœ, ์ œ๊ฐ€ ์ด ๋ชฉ๋ก์„ ํ• ์•„๋ฒ„์ง€๊ป˜ ๋ณด์—ฌ๋“œ๋ ธ๋”๋‹ˆ ํ• ์•„๋ฒ„์ง€๊ป˜์„œ๋Š”
04:50
he nodded in recognition.
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์ธ์ •ํ•˜์‹œ๋ฉฐ ๊ณ ๊ฐœ๋ฅผ ๋„๋•์ด์…จ์Šต๋‹ˆ๋‹ค.
04:53
He was then 95 and soon to die,
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๊ทธ ๋•Œ ๋‹น์‹ ๊ป˜์„œ๋Š” ๋กœ๋ฒ ๋ฅดํ†  ๋ณผ๋ผ๋‡จ์˜ ๋ง์ฒ˜๋Ÿผ
๊ณง ์ฃฝ๋Š”๋‹ค ํ•˜๋”๋ผ๋„ "์ ˆ๋Œ€ ์•ˆ ์ฃฝ๋Š” ๊ฒƒ๊ณผ ๋งˆ์ฐฌ๊ฐ€์ง€์ธ"
04:57
which, wrote Roberto Bolaรฑo,
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04:59
"... is the same as never dying."
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๋Œ์•„๊ฐ€์‹ค ๋‚ ์ด ๋จธ์ง€์•Š์€ 95์„ธ์˜ ๋‚˜์ด์…จ์Šต๋‹ˆ๋‹ค.
05:03
And looking back, he said to me that, yes,
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ํ• ์•„๋ฒ„์ง€๊ป˜์„œ๋Š” ์˜›์ผ์„ ํšŒ์ƒํ•˜์‹œ๋ฉฐ ์ œ๊ฒŒ ๋ง์”€ํ•˜์…จ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜, ๋งž์•„.
05:07
Proust was right that at 22, we are sure we will not die,
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22์‚ด์—๋Š” ํ”„๋ฃจ์ŠคํŠธ์˜ ๋ง๋Œ€๋กœ ์šฐ๋ฆฌ๋Š” ์ ˆ๋Œ€ ์ฃฝ์ง€ ์•Š์„ ๊ฑฐ๋ผ๊ณ  ์ƒ๊ฐํ•˜์ง€๋งŒ
05:13
just as a thanatologist named Edwin Shneidman was right
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90์‚ด์ด ๋˜๋ฉด ์‚ฌ๋งํ•™์ž์ธ ์—๋“œ์œˆ ์Šˆ๋‚˜์ด๋“œ๋งŒ์˜ ๋ง์ฒ˜๋Ÿผ
05:16
that at 90, we are sure we will.
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์ฃฝ์Œ์€ ๋„ˆ๋ฌด๋‚˜๋„ ๋‹น์—ฐํ•œ ๊ฒƒ์ด ๋˜์ง€.
05:21
It had happened to him,
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๊ทธ๋“ค์ด ๊ฒช์€ ์ผ๋“ค์„
05:23
as to them.
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ํ• ์•„๋ฒ„์ง€๋„ ๊ฒช์œผ์‹  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
05:27
Now the list is done:
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์ž ์ด์ œ 100๋…„์˜ ๋ชฉ๋ก์ด
05:30
a hundred years.
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๋ชจ๋‘ ๋๋‚ฌ์Šต๋‹ˆ๋‹ค.
05:33
And looking back over it,
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๊ทธ๊ฒƒ์„ ๋˜๋Œ์•„๋ณด๋ฉด
05:36
I know that I am not done.
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์ œ ์‚ถ์€ ์•„์ง ๋๋‚˜์ง€ ์•Š์•˜์Œ์„ ๋Š๋‚๋‹ˆ๋‹ค.
05:38
I still have my life to live,
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์ €์—๊ฒ ์‚ด์•„์•ผ ํ•  ๋‚ ๋“ค๊ณผ
05:40
still have many more pages to pass into.
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์˜ฎ๊ฒจ์•ผ ํ•  ํŽ˜์ด์ง€๊ฐ€ ์•„์ง๋„ ๋งŽ์ด ๋‚จ์•˜์Šต๋‹ˆ๋‹ค.
05:44
And mindful of Mailer,
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๋ฉ”์ผ๋Ÿฌ๊ฐ€ ํ•œ ๋ง์„ ์ƒ๊ฐํ•˜๋‹ˆ
05:46
I await 44.
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๋งˆํ” ๋„ค์‚ด์ด ๊ธฐ๋‹ค๋ ค์ง‘๋‹ˆ๋‹ค.
05:48
Thank you.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
05:49
(Applause)
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(๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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