Anand Agarawala: BumpTop desktop is a beautiful mess

182,733 views ใƒป 2007-06-20

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: ืžื•ื˜ื™ ื˜ื™ื™ื˜ืœ ืžื‘ืงืจ: Ameer kh
00:25
So, I kind of believe that we're in like the "cave-painting" era of computer interfaces.
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ืื–, ืื ื™ ื“ื™ ืžืืžื™ืŸ ืฉืื ื—ื ื• ื‘ืคืชื—ื• ืฉืœ ืขื™ื“ืŸ ื—ื“ืฉ ื‘ืชื—ื•ื ืžืžืฉืงื™ ื”ืžื—ืฉื‘.
00:30
Like, they're very kind of -- they don't go as deep or as emotionally engaging as they possibly could be
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ื”ื™ื•ื ื”ื ืœื ืžืขืžื™ืงื™ื ื•ืžืจืชืงื™ื ื›ืคื™ ืฉื”ื ื™ื›ื•ืœื™ื ืœื”ื™ื•ืช,
00:34
and I'd like to change all that.
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ื•ื”ื™ื™ืชื™ ืจื•ืฆื” ืœืฉื ื•ืช ืืช ื”ืžืฆื‘ ื”ื–ื”.
00:36
Hit me.
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ืงื“ื™ืžื”!
00:39
OK. So I mean, this is the kind of status quo interface, right?
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ื˜ื•ื‘. ืื– ื–ื” ื‘ืขืฆื ื”ืžืžืฉืง ื”ืกื˜ื ื“ืจื˜ื™, ื ื›ื•ืŸ?
00:42
It's very flat, kind of rigid.
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ื”ื•ื ืžืื•ื“ ืฉื˜ื—ื™, ื•ืืคื™ืœื• ืงืฆืช ื ื•ืงืฉื”.
00:44
And OK, so you could sex it up and like go to a much more lickable Mac,
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ื˜ื•ื‘, ืื– ืืคืฉืจ "ืœืชื‘ืœ" ืื•ืชื• ืงืฆืช ื›ืžื• ื‘ืžืžืฉืง ื ื—ืžื“ ื›ืžื• ืฉืœ Mac
00:48
you know, but really it's the kind of same old crap we've had for the last,
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ื˜ื•ื‘ ื ื•, ืื‘ืœ ืขื“ื™ื™ืŸ ื–ื” ืื•ืชื• ื–ื‘ืœ ืžื™ื•ืฉืŸ ืฉื™ืฉ ืœื ื• ื‘...
00:52
you know, 30 years.
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ื‘ื•ืื• ื ื’ื™ื“, 30 ื”ืฉื ื™ื ื”ืื—ืจื•ื ื•ืช.
00:54
(Laughter) (Applause)
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(ืฆื—ื•ืง) (ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
00:57
Like I think we really put up with a lot of crap with our computers.
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ืœื ื‘ืจืฆื™ื ื•ืช, ืื ื™ ื—ื•ืฉื‘ ืฉืื ื—ื ื• ืกื•ื‘ืœื™ื ื”ืžื•ืŸ ืžื”ืžื—ืฉื‘ื™ื ืฉืœื ื•.
01:00
I mean it's point and click, it's like the menus, icons, it's all the kind of same thing.
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ื–ื” ืจืง ืœื‘ื—ื•ืจ ื•ืœื”ืงืœื™ืง, ืชืคืจื™ื˜ื™ื, ืื™ื™ืงื•ื ื™ื, ื”ืจื‘ื” ื‘ืขืฆื ืžืื•ืชื• ื”ื“ื‘ืจ.
01:05
And so one kind of information space that I take inspiration from is my real desk.
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ื˜ื•ื‘, ืื– ืื—ืช ื”ืกื‘ื™ื‘ื•ืช ืฉืื ื™ ืื•ื”ื‘ ืœืฉื•ืื‘ ืžื”ืŸ ื”ืฉืจืื” ื”ื™ื ื”ืฉื•ืœื—ืŸ ื”ืžืฆื™ืื•ืชื™ ืฉืœื™.
01:09
It's so much more subtle, so much more visceral
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ื”ื™ื ื”ืจื‘ื” ื™ื•ืชืจ ืžื•ืชืืžืช ืœื™, ื•ื”ืจื‘ื” ื”ืจื‘ื” ื™ื•ืชืจ ืื™ื ื˜ื•ืื™ื˜ื™ื‘ื™ืช
01:13
-- you know, what's visible, what's not.
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ืืชื ื™ื•ื“ืขื™ื, ืžื” ืงื™ื™ื, ื•ืžื” ืœื.
01:15
And I'd like to bring that experience to the desktop.
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ื•ื”ื™ื™ืชื™ ืจื•ืฆื” ืœื“ืžื•ืช ืืช ื”ื—ื•ื•ื™ื” ื”ื–ื• ื‘ื“ืกืงื˜ื•ืค.
01:18
So I kind of have a -- this is BumpTop.
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ื•ื›ื›ื” ื‘ืขืฆื ื”ื’ืขืชื™ ืœ -- ื–ื” ื” BumpTop.
01:22
It's kind of like a new approach to desktop computing.
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ื–ืืช ื‘ืขืฆื ื’ื™ืฉื” ื—ื“ืฉื” ืœืฉื™ืžื•ืฉ ื‘ื“ืกืงื˜ื•ืค.
01:25
So you can bump things -- they're all physically, you know, manipulable and stuff.
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ื ื™ืชืŸ ืœื”ืชื ื’ืฉ ื‘ื“ื‘ืจื™ื, ื™ืฉ ื”ืจื’ืฉื” ืฉืœ ืกื‘ื™ื‘ื” ืืžื™ืชื™ืช,
01:32
And instead of that point and click, it's like a push and pull,
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ื•ื‘ืžืงื•ื ืœื‘ื—ื•ืจ ื•ืœื”ืงืœื™ืง, ื–ื” ืœื“ื—ื•ืฃ ื•ืœืžืฉื•ืš,
01:35
things collide as you'd expect them. Just like on my real desk,
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ื“ื‘ืจื™ื ืžืชื ื’ืฉื™ื ื›ืžื• ืฉื”ื™ื™ืชื ืžืฆืคื™ื ืžื”ื. ื‘ื“ื™ื•ืง ื›ืžื• ื‘ืฉื•ืœื—ืŸ ื”ืžืฆื™ืื•ืชื™ ืฉืœื™,
01:39
I can -- let me just grab these guys -- I can turn things into piles
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ืœื“ื•ื’ืžื -- ืจืง ืชื ื• ืœื™ ืœืชืคื•ืก ืืช ืืœื• -- ืื ื™ ื™ื›ื•ืœ ืœืขืจื•ื ื“ื‘ืจื™ื ื‘ืขืจื™ืžื”,
01:42
instead of just the folders that we have.
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ื‘ืžืงื•ื ื”ืกืคืจื™ื•ืช ืฉื™ืฉ ืœื ื•.
01:48
And once things are in a pile I can browse them by throwing them into a grid,
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ื•ื‘ื–ืžืŸ ืฉื“ื‘ืจื™ื ื‘ืขืจื™ืžื”, ืื ื™ ื™ื›ื•ืœ ืœื“ืคื“ืฃ ื‘ื”ื ื‘ืฆื•ืจืช ืจืฉืช,
01:52
or you know, flip through them like a book
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ืื•, ืœื“ื•ื’ืžื, ืœื“ืคื“ืฃ ื‘ื”ื ื‘ื“ื™ื•ืง ื›ืžื• ื‘ืกืคืจ,
01:55
or I can lay them out like a deck of cards.
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ืื• ืฉืื ื™ ื™ื›ื•ืœ ืœืคืจื•ืก ืื•ืชื ื›ืžื• ื—ืคื™ืกืช ืงืœืคื™ื.
02:00
When they're laid out, I can pull things to new locations or delete things
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ืฉื”ื ืคืจื•ืกื™ื, ืื ื™ ื™ื›ื•ืœ ืœื’ืจื•ืจ ืื•ืชื ืœืžื™ืงื•ื ืื—ืจ, ืื• ืœืžื—ื•ืง ื“ื‘ืจื™ื,
02:05
or just quickly sort a whole pile, you know, just immediately, right?
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ืื• ืœืžื™ื™ืŸ ื‘ืžื”ื™ืจื•ืช ืืช ื›ืœ ื”ืขืจื™ืžื”, ื‘ืฆื•ืจื” ืžื™ื™ื“ื™ืช.
02:10
And then, it's all smoothly animated, instead of these jarring changes you see in today's interfaces.
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ืงื™ื™ืžื•ืช ื›ืœ ืžื™ื ื™ ืื ื™ืžืฆื™ื•ืช ื–ื•ืจืžื•ืช, ื‘ืžืงื•ื ื”ืฆื•ืจื” ื”ื—ื•ืจืงืช ื‘ืžืžืฉืงื™ื ื”ืงื™ื™ืžื™ื
02:15
Also, if I want to add something to a pile, well, how do I do that?
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ื‘ื ื•ืกืฃ, ืื ืชืจืฆื• ืœื”ื•ืกื™ืฃ ืžืฉื”ื• ืœืขืจื™ืžื”, ืื–, ืื™ืš ืชืขืฉื• ื–ืืช?
02:17
I just toss it to the pile, and it's added right to the top. It's a kind of nice way.
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ืื ื™ ืคืฉื•ื˜ ืžืฉืœื™ืš ืืช ื–ื” ืœืขืจื™ืžื”, ื•ื–ื” ืžื•ืคื™ืข ื‘ืจืืฉื”. ื–ืืช ื“ืจืš ื“ื™ ื ื—ืžื“ื”.
02:23
Also some of the stuff we can do is,
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ื•ืขื•ื“ ื›ืžื” ื“ื‘ืจื™ื ืฉื ื™ืชืŸ ื‘ื ื•ืกืฃ ืœื‘ืฆืข
02:25
for these individual icons we thought -- I mean,
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ืœืื™ื™ืงื•ืŸ ื”ืกืคืฆื™ืคื™ ื”ื–ื” ื—ืฉื‘ื ื• -- ืื ื™ ืžืชื›ื•ื•ืŸ,
02:27
how can we play with the idea of an icon, and push that further?
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ืื™ืš ื ื•ื›ืœ "ืœืฉื—ืง" ืขื ื”ืจืขื™ื•ืŸ ืฉืœ ืื™ื™ืงื•ืŸ, ื•ืœืงื“ื ืื•ืชื• ืงื“ื™ืžื”?
02:30
And one of the things I can do is make it bigger
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ื•ืื—ื“ ื”ื“ื‘ืจื™ื ืฉื ื™ืชืŸ ืœืขืฉื•ืช ื”ื•ื ืœื”ื’ื“ื™ืœ ืื•ืชื•
02:33
if I want to emphasize it and make it more important.
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ื‘ืžื™ื“ื” ื•ืื ื™ ืจื•ืฆื” ืœื”ื“ื’ื™ืฉ ืืช ื”ื—ืฉื™ื‘ื•ืช ืฉืœื•.
02:35
But what's really cool is that since there's a physics simulation running under this,
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ืื‘ืœ ืžื” ืฉื”ื›ื™ ืžื’ื ื™ื‘ ืฉืžื›ื™ื•ื•ืŸ ืฉื–ื” ืžื“ืžื” ืกื‘ื™ื‘ื” ืžืฆื™ืื•ืชื™ืช,
02:39
it's actually heavier. So the lighter stuff doesn't really move
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ื”ื•ื ื›ื‘ื“ ื™ื•ืชืจ. ืื– ื”ื“ื‘ืจื™ื ื”ืงืœื™ื ืœื ื‘ืืžืช ืžื–ื™ื–ื™ื ืื•ืชื•
02:44
but if I throw it at the lighter guys, right?
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ืื‘ืœ ืื ืื ื™ ื–ื•ืจืง ืื•ืชื• ืขืœ ื”ื™ื•ืชืจ ืงืœื™ื, ืื–?
02:48
(Laughter)
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(ืฆื—ื•ืง)
02:51
So it's cute, but it's also like a subtle channel of conveying information, right?
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ืื– ื–ื” ื—ืžื•ื“, ืื‘ืœ ื–ืืช ื’ื ืฉื™ื˜ื” ื ื—ืžื“ื” ืœื”ืฆื’ืช ืžื™ื“ืข, ื ื›ื•ืŸ?
02:56
This is heavy so it feels more important. So it's kind of cool.
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ื–ื” ื›ื‘ื“, ืื– ื–ื” ืžืจื’ื™ืฉ ื—ืฉื•ื‘ ื™ื•ืชืจ. ื–ื” ื“ื™ ืžื’ื ื™ื‘.
02:59
Despite computers everywhere paper really hasn't disappeared,
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ืœืžืจื•ืช ื”ืชืคืฉื˜ื•ืช ื”ืžื—ืฉื‘ื™ื, ื”ื ื™ื™ืจ ืขื“ื™ื™ืŸ ืœื ื ืขืœื,
03:02
because it has a lot of, I think, valuable properties.
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ื›ื ืจืื” ื‘ื’ืœืœ ื”ืฉื™ืžื•ืฉื™ื ื”ืžื’ื•ื•ื ื™ื ืฉืœื•.
03:04
And some of those we wanted to transfer to the icons in our system.
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ื•ื—ืœืง ืžื”ืŸ ืื ื—ื ื• ืจื•ืฆื™ื ืœื”ืงื ื•ืช ืœืื™ื™ืงื•ื ื™ื ื‘ืžืขืจื›ืช ืฉืœื ื•
03:07
So one of the things you can do to our icons, just like paper, is crease them and fold them,
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ืื– ืื—ื“ ื”ื“ื‘ืจื™ื ืฉื ื™ืชืŸ ืœื‘ืฆืข ืขื ื”ืื™ื™ืงื•ื ื™ื ืฉืœื ื•, ื‘ื“ื•ืžื” ืœื ื™ื™ืจ, ื”ื•ื ืœืงืคืœ ื•ืœืขื•ื•ืช ืื•ืชื
03:11
just like paper. Remember, you know, something for later.
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ื‘ื“ื™ื•ืง ื›ืžื• ื ื™ื™ืจ.
03:15
Or if you want to be destructive, you can just crumple it up
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ืื•, ืื ืืชื ืจื•ืฆื™ื ืœื”ื™ื•ืช ื”ืจืกื ื™ื™ื, ืืชื ื™ื›ื•ืœื™ื ืœืžืขื•ืš ืื•ืชื•,
03:18
and, you know, toss it to the corner.
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ื•ืื– ื›ืžื•ื‘ืŸ, ืœื”ืฉืœื™ืš ืื•ืชื• ืœืคื™ื ื”.
03:21
Also just like paper, around our workspace
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ื‘ื ื•ืกืฃ ื‘ื“ื™ื•ืง ื›ืžื• ื ื™ื™ืจ, ื‘ืกื‘ื™ื‘ืช ื”ืขื‘ื•ื“ื” ืฉืœื ื•
03:24
we'll pin things up to the wall to remember them later,
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ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœื”ืฆืžื™ื“ ื“ื‘ืจื™ื ืœืงื™ืจ ื›ื“ื™ ืœื–ื›ื•ืจ ืœื˜ืคืœ ื‘ื”ื ืžืื•ื—ืจ ื™ื•ืชืจ,
03:26
and I can do the same thing here,
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ื•ืื ื™ ื™ื›ื•ืœ ืœืขืฉื•ืช ืื•ืชื• ื“ื‘ืจ ื’ื ืคื”,
03:29
and you know, you'll see post-it notes and things like that around people's offices.
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ื”ืจื™ ืืชื ืชืจืื• ื“ืคื™ ืžื–ื›ืจ ื•ื“ื•ืžื™ื”ื ื‘ืžืฉืจื“ื™ื ืฉืœ ืื ืฉื™ื.
03:32
And I can pull them off when I want to work with them.
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ื•ืื ื™ ื™ื›ื•ืœ ืœื”ื•ืจื™ื“ ืื•ืชื ืฉืื ื™ ืจื•ืฆื” ืœืขื‘ื•ื“ ืื™ืชื.
03:34
So, one of the criticisms of this kind of approach to organization is that,
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ืื‘ืœ, ืื—ืช ื”ื‘ื™ืงื•ืจื•ืช ื›ืœืคื™ ื”ื’ื™ืฉื” ื”ื–ื• ื”ื™ื,
03:39
you know, "Okay, well my real desk is really messy. I don't want that mess on my computer."
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ืœื“ื•ื’ืžื, " ื˜ื•ื‘, ื™ืฉ ืœื™ ื‘ืœืื’ืŸ ื‘ืฉื•ืœื—ืŸ ื”ืžืฆื™ืื•ืชื™. ืื ื™ ืœื ืฆืจื™ืš ืืช ื”ื‘ืœืื’ืŸ ื”ื–ื” ื’ื ื‘ืžื—ืฉื‘."
03:43
So one thing we have for that is like a grid align,
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ืœื›ืŸ, ืื—ื“ ื”ืคืชืจื•ื ื•ืช ืœืžืฆื‘ ื”ื–ื” ื”ื•ื ืกื™ื“ื•ืจ ื‘ืฆื•ืจืช ืจืฉืช
03:46
kind of -- so you get that more traditional desktop. Things are kind of grid aligned.
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ื‘ืขืจืš -- ื›ื“ื™ ืฉื ื•ื›ืœ ืœื“ืžื•ืช ืืช ื”ื“ืกืงื˜ื•ืค ื”ืกื˜ื ื“ืจื˜ื™. ื ื™ืชืŸ ืœื™ื™ืฉืจ ืื•ืชื.
03:50
More boring, but you still have that kind of colliding and bumping.
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ื™ื•ืชืจ ืžืฉืขืžื, ืื‘ืœ ืขื“ื™ื™ืŸ ืงื™ื™ืžื•ืช ื”ืื•ืคืฆื™ื•ืช ืฉืœ ื”ื”ืชื ื’ืฉื•ื™ื•ืช ื•ื”ื”ืชืงืœื•ื™ื•ืช.
03:53
And you can still do fun things like make shelves on your desktop.
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ื•ืขื“ื™ื™ืŸ ืฉื ื™ืชืŸ ืœื”ืฉืชืขืฉืข ื•ืœื™ืฆื•ืจ ืžื“ืคื™ื ื‘ื“ืกืงื˜ื•ืค ืฉืœื ื•.
04:00
Let's just break this shelf. Okay, that shelf broke.
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ื‘ื•ืื• ื ืฉื‘ื•ืจ ืืช ื”ืžื“ืฃ ื”ื–ื”. ื–ื”ื• ื”ื•ื ืฉื‘ื•ืจ.
04:03
I think beyond the icons, I think another really cool domain for this software --
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ืื ื™ ื—ื•ืฉื‘ ืžืขื‘ืจ ืœืื™ื™ืงื•ื ื™ื, ืื ื™ ื—ื•ืฉื‘ ืฉืฉื™ืžื•ืฉ ืžื’ื ื™ื‘ ืœืชื•ื›ื ื” ื”ื–ื•
04:08
I think it applies to more than just icons and your desktop -- but browsing photographs.
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ืื ื™ ื—ื•ืฉื‘ ืฉื–ื” ืžืชืงืฉืจ ืœื™ื•ืชืจ ืžืกืชื ืื™ื™ืงื•ื ื™ื ื‘ื“ืกืงื˜ื•ืค -- ืืœื ื“ืคื“ื•ืฃ ื‘ื™ืŸ ืชืžื•ื ื•ืช.
04:14
I think you can really enrich the way we browse our photographs
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ืื ื™ ื—ื•ืฉื‘ ืฉื ื™ืชืŸ ืœื”ืขืฉื™ืจ ืืช ื”ื“ืจืš ืฉื‘ื” ืื ื—ื ื• ืžื“ืคื“ืคื™ื ื‘ืชืžื•ื ื•ืช
04:17
and bring it to that kind of shoebox of, you know, photos with your family on the kitchen table kind of thing.
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ื•ืœื”ื‘ื™ื ืืช ื–ื” ืœืกื‘ื™ื‘ื” ืฉืœื ื•, ืœื“ื•ื’ืžื, ืชืžื•ื ื•ืช ืžืฉืคื—ืชื™ื•ืช ืขืœ ืฉื•ืœื—ืŸ ื”ืžื˜ื‘ื—.
04:22
I can toss these things around. They're so much more tangible and touchable --
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ืื ื™ ื™ื›ื•ืœ ืœื”ืฉืœื™ืš ืืช ื”ื“ื‘ืจื™ื ื”ืืœื•. ื”ื ื”ืจื‘ื” ื™ื•ืชืจ ืžื•ื—ืฉื™ื™ื ื•ืžืžืฉื™ื™ื
04:25
and you know I can double-click on something to take a look at it.
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ื•ื›ืžื•ื‘ืŸ ืฉืื ื™ ื™ื•ื›ืœ ืœื”ืงืœื™ืง ืขืœ ืžืฉื”ื• ื›ื“ื™ ืœื”ืกืชื›ืœ ืขืœื™ื•.
04:28
And I can do all that kind of same stuff I showed you before.
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ื•ืื ื™ ื™ื•ื›ืœ ื›ืžื•ื‘ืŸ ืœืขืฉื•ืช ื›ืœ ืžื” ืฉื›ื‘ืจ ื”ืจืืชื™ ืœื›ื.
04:30
So I can pile things up, I can flip through it, I can, you know --
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ืื ื™ ื™ื›ื•ืœ ืœืขืจื•ื ื“ื‘ืจื™ื, ืœื“ืคื“ืฃ ื•ื›ื• ื•ื›ื•
04:33
okay, let's move this photo to the back, let's delete this guy here,
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ื‘ื•ืื• ื ื–ื™ื– ืืช ื”ืชืžื•ื ื” ื”ื–ื• ืื—ื•ืจื”, ื•ื ืžื—ืง ืืช ื–ื•,
04:39
and I think it's just a much more rich kind of way of interacting with your information.
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ืื ื™ ื—ื•ืฉื‘ ืฉื–ื• ื“ืจืš ืขืฉื™ืจื” ื”ืจื‘ื” ื™ื•ืชืจ ืœืื™ื ื˜ืจืืงืฆื™ื” ืขื ื”ืžื™ื“ืข.
04:43
And that's BumpTop. Thanks!
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ื•ื–ื” ื‘ืขืฆื BumpTop. ืชื•ื“ื”!
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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