Tavi Gevinson: A teen just trying to figure it out

52,247 views ใƒป 2015-07-15

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Yifat Adler ืžื‘ืงืจ: Ido Dekkers
00:12
Four years ago today, exactly, actually,
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ื‘ื“ื™ื•ืง ืœืคื ื™ ืืจื‘ืข ืฉื ื™ื
00:14
I started a fashion blog called Style Rookie.
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ืคืชื—ืชื™ ื‘ืœื•ื’ ื‘ืขื ื™ื™ื ื™ ืื•ืคื ื” ืฉื ืงืจื Style Rookie.
00:17
Last September of 2011, I started an online magazine
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ื‘ืกืคื˜ืžื‘ืจ 2011 ืคืชื—ืชื™ ืžื’ื–ื™ืŸ ืžืงื•ื•ืŸ
00:21
for teenage girls called Rookiemag.com.
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ืœื‘ื ื•ืช ืขืฉืจื” ื‘ืฉื Rookiemag.com.
00:25
My name's Tavi Gevinson, and
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ืื ื™ ื˜ืื‘ื™ ื’ื‘ื™ื ืกื•ืŸ,
00:29
the title of my talk is "Still Figuring It Out,"
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ื•ื”ื›ื•ืชืจืช ืฉืœ ื”ื”ืจืฆืื” ืฉืœื™ ื”ื™ื "ืขื“ื™ื™ืŸ ืžื ืกื” ืœื”ื‘ื™ืŸ ืžื” ื”ื•ืœืš."
00:32
and the MS Paint quality of my slides
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ื”ื›ื ืชื™ ืืช ื”ืฉืงืคื™ื ื‘ืขื–ืจืช ื”ืฆื™ื™ืจ ืฉืœ ื—ืœื•ื ื•ืช,
00:35
was a total creative decision in keeping with today's theme,
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ื•ื–ืืช ื”ื™ืชื” ื”ื—ืœื˜ื” ื™ืฆื™ืจืชื™ืช ื‘ืขืงื‘ื•ืช ื”ื ื•ืฉื ื”ื™ื•ืžื™,
00:38
and has nothing to do with my inability
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ื•ืื™ืŸ ืœื” ื›ืœ ืงืฉืจ ืœื—ื•ืกืจ ื”ื™ื›ื•ืœืช ืฉืœื™
00:40
to use PowerPoint. (Laughter)
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ืœื”ืฉืชืžืฉ ื‘ืคืื•ื•ืจืคื•ื™ื ื˜. [ืฆื—ื•ืง]
00:43
So I edit this site for teenage girls. I'm a feminist.
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ืื ื™ ืขื•ืจื›ืช ืืชืจ ืœื‘ื ื•ืช ืขืฉืจื”. ืื ื™ ืคืžื™ื ื™ืกื˜ื™ืช.
00:48
I am kind of a pop culture nerd, and I think a lot about
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ืื ื™ ืกื•ื’ ืฉืœ ื—ื ื•ื ื™ืช ืฉืœ ืชืจื‘ื•ืช ื”ืคื•ืค,
00:50
what makes a strong female character,
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ื•ืื ื™ ื—ื•ืฉื‘ืช ื”ืจื‘ื” ืขืœ "ืžื”ื™ ืืฉื” ื—ื–ืงื”."
00:53
and, you know, movies and TV shows,
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ืืชื ื™ื•ื“ืขื™ื, ืœืกืจื˜ื™ื ื•ืœื˜ืœื•ื•ื™ื–ื™ื”,
00:55
these things have influence. My own website.
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ื™ืฉ ื”ืฉืคืขื” ื’ื“ื•ืœื”, ื•ืœื›ืŸ ืคืชื—ืชื™ ืืชืจ ืžืฉืœื™.
00:59
So I think the question of what makes a strong female
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ืื ื™ ื—ื•ืฉื‘ืช ืฉื”ืฉืืœื” ืžื”ื™ ืืฉื” ื—ื–ืงื”
01:02
character often goes misinterpreted,
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ืžื•ื‘ื ืช ืœืขื™ืชื™ื ืงืจื•ื‘ื•ืช ื‘ืฆื•ืจื” ืœื ื ื›ื•ื ื”,
01:04
and instead we get these two-dimensional superwomen
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ื•ื‘ืžืงื•ื ืชืฉื•ื‘ื”, ืื ื—ื ื• ืžืงื‘ืœื™ื ืกื•ืคืจื•ื•ืžื ื™ื•ืช ื“ื• ืžื™ืžื“ื™ื•ืช
01:08
who maybe have one quality that's played up a lot,
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ืฉื™ืฉ ืœื”ืŸ ืชื›ื•ื ื” ืื—ืช ื‘ื•ืœื˜ืช
01:11
like a Catwoman type,
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ื›ืžื• ื”ื˜ื™ืคื•ืก ืฉืœ ืืฉืช ื”ื—ืชื•ืœ,
01:14
or she plays her sexuality up a lot,
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ืื• ืืฉื” ืฉืžืฉืชืžืฉืช ื”ืจื‘ื” ื‘ืžื™ื ื™ื•ืช ืฉืœื”,
01:18
and it's seen as power.
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ื•ืจื•ืื™ื ื‘ื–ื” ื›ื•ื—.
01:19
But they're not strong characters who happen to be female.
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ืืš ืืœื• ื”ืŸ ืœื ื“ืžื•ื™ื•ืช ื—ื–ืงื•ืช ืฉื”ืŸ ื‘ืžืงืจื” ื ืฉื™ื.
01:22
They're completely flat,
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ื”ืŸ ืฉื˜ื•ื—ื•ืช ืœื’ืžืจื™,
01:24
and they're basically cardboard characters.
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ื•ื”ืŸ ื“ืžื•ื™ื•ืช ืงืจื˜ื•ื ื™ื•ืช.
01:27
The problem with this is that then
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ื”ื‘ืขื™ื” ื”ื™ื ืฉื”ื“ื‘ืจ ื’ื•ืจื ืœื›ืš
01:28
people expect women to be that easy to understand,
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ืฉืื ืฉื™ื ืžืฆืคื™ื ืฉื ืฉื™ื ื™ื”ื™ื• ืงืœื•ืช ืœื”ื‘ื ื”,
01:32
and women are mad at themselves
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ื•ื ืฉื™ื ื›ื•ืขืกื•ืช ืขืœ ืขืฆืžืŸ
01:35
for not being that simple,
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ืฉื”ืŸ ืœื ืคืฉื•ื˜ื•ืช ื›ืžื•ื”ืŸ.
01:36
when, in actuality, women are complicated,
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ื›ืฉืœืžืขืฉื” ื ืฉื™ื ื”ืŸ ืžื•ืจื›ื‘ื•ืช.
01:39
women are multifaceted -- not because women are crazy,
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ื ืฉื™ื ื”ืŸ ืจื‘ ืฆื“ื“ื™ื•ืช - ืœื ื‘ื’ืœืœ ืฉื ืฉื™ื ื”ืŸ ืžื˜ื•ืจืœืœื•ืช,
01:42
but because people are crazy,
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ืืœื ื‘ื’ืœืœ ืฉื‘ื ื™ ืื“ื ื”ื ืžื˜ื•ืจืœืœื™ื,
01:44
and women happen to be people. (Laughter)
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ื•ื ืฉื™ื ื”ืŸ ื‘ืžืงืจื” ื’ื ื‘ื ื™ ืื“ื. [ืฆื—ื•ืง]
01:48
So the flaws are the key.
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ื”ื—ืกืจื•ื ื•ืช, ืื ื›ืš, ื”ื ื”ืžืคืชื—.
01:50
I'm not the first person to say this.
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ืื ื™ ืœื ื”ืื“ื ื”ืจืืฉื•ืŸ ืฉืื•ืžืจ ื–ืืช.
01:52
What makes a strong female character
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ื“ืžื•ืช ืฉืœ ืืฉื” ื—ื–ืงื”
01:54
is a character who has weaknesses, who has flaws,
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ื”ื™ื ื“ืžื•ืช ืฉื™ืฉ ืœื” ื ืงื•ื“ื•ืช ื—ื•ืœืฉื”, ืฉื™ืฉ ืœื” ื—ืกืจื•ื ื•ืช,
01:59
who is maybe not immediately likable,
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ืฉืœื ืชืžื™ื“ ืžืชื—ื‘ื‘ืช ื‘ืงืœื•ืช,
02:01
but eventually relatable.
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ืื‘ืœ ื‘ืกื•ืคื• ืฉืœ ื“ื‘ืจ ืžืขื•ืจืจืช ื”ื–ื“ื”ื•ืช.
02:03
I don't like to acknowledge a problem
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ืื ื™ ืœื ืื•ื”ื‘ืช ืœื”ืชื™ื™ื—ืก ืœื‘ืขื™ื”,
02:05
without also acknowledging those who work to fix it,
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ื‘ืœื™ ืœื”ืชื™ื™ื—ืก ื’ื ืœืื ืฉื™ื ืฉืžื ืกื™ื ืœืคืชื•ืจ ืื•ืชื”.
02:07
so just wanted to acknowledge shows like "Mad Men,"
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ืื– ืื ื™ ืจื•ืฆื” ืœื”ื•ื“ื•ืช ืœืกื“ืจื•ืช ื›ืžื• "ืžื“ ืžืŸ,"
02:10
movies like "Bridesmaids," whose female characters
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ื•ืกืจื˜ื™ื ื›ืžื• "ืžืกื™ื‘ืช ืจื•ื•ืงื•ืช," ืฉื‘ื”ื ื”ื“ืžื•ื™ื•ืช ื”ื ืฉื™ื•ืช
02:13
or protagonists are complex, multifaceted.
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ื”ืจืืฉื™ื•ืช ื”ืŸ ืžื•ืจื›ื‘ื•ืช ื•ืจื‘ ืฆื“ื“ื™ื•ืช.
02:17
Lena Dunham, who's on here, her show on HBO
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ืœืœื ื” ื“ื ื”ื, ืฉื ืžืฆืืช ื›ืืŸ, ื™ืฉ ืกื“ืจื” ื‘-HBO
02:22
that premiers next month, "Girls,"
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ืฉืชื•ืงืจืŸ ื”ื—ืœ ืžื”ื—ื•ื“ืฉ ื”ื‘ื ื‘ืฉื "ื‘ื ื•ืช."
02:24
she said she wanted to start it because she felt that
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ื”ื™ื ืืžืจื” ืฉื”ื™ื ื™ืฆืจื” ืื•ืชื” ื›ื™ ื”ืจื’ื™ืฉื”
02:26
every woman she knew was just a bundle of contradictions,
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ืฉื›ืœ ื”ื ืฉื™ื ืฉื”ื™ื ื”ื›ื™ืจื” ื”ื™ื• ืื•ืกืฃ ืฉืœ ืกืชื™ืจื•ืช,
02:29
and that feels accurate for all people,
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ื•ื”ื“ื‘ืจ ื ื›ื•ืŸ ืœื’ื‘ื™ ื›ืœ ื”ืื ืฉื™ื,
02:32
but you don't see women represented like that as much.
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ืื‘ืœ ื›ืžืขื˜ ืฉืœื ืจื•ืื™ื ื ืฉื™ื ืฉืžื•ืฆื’ื•ืช ื›ืš.
02:34
Congrats, guys. (Laughs)
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ื‘ืจื›ื•ืชื™, ื—ื‘ืจื™ื. [ืฆื—ื•ืง]
02:38
But I don't feel that โ€” I still feel that there are some types
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ืืš ืื ื™ ืขื“ื™ื™ืŸ ืžืจื’ื™ืฉื” ืฉื™ืฉ ื›ืžื” ืกื•ื’ื™ ื ืฉื™ื
02:41
of women who are not represented that way,
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ืฉืœื ืžื™ื•ืฆื’ื•ืช ืžืกืคื™ืง,
02:44
and one group that we'll focus on today are teens,
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ื•ื”ื™ื•ื ืื ื™ ืืชืžืงื“ ื‘ื‘ื ื•ืช ื”ืขืฉืจื”,
02:46
because I think teenagers are especially contradictory
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ื›ื™ ืื ื™ ื—ื•ืฉื‘ืช ืฉื‘ื’ื™ืœ ื”ื–ื” ื‘ืžื™ื•ื—ื“ ื™ืฉ ื”ืจื‘ื” ืกืชื™ืจื•ืช
02:50
and still figuring it out,
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ื•ืื ืฉื™ื ืขื“ื™ื™ืŸ ืžื—ืคืฉื™ื ืืช ืขืฆืžื.
02:53
and in the '90s there was "Freaks and Geeks"
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ื‘ืฉื ื•ืช ื”-90 ื”ื•ืฆื’ื• ื”ืกื“ืจื•ืช "ืคืจื™ืงื™ื ื•ื’ื™ืงื™ื"
02:56
and "My So-Called Life," and their characters,
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ื•-"ืืœื” ื”ื ื—ื™ื™," ื•ื”ื“ืžื•ื™ื•ืช ื”ืจืืฉื™ื•ืช ืฉืœื”ืŸ
02:59
Lindsay Weir and Angela Chase,
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ืœื™ื ื“ื–ื™ ื•ื•ื™ืจ ื•ืื ื’'ืœื” ืฆ'ื™ื™ืก,
03:02
I mean, the whole premise of the shows
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ื•ื›ืœ ื”ืจืขื™ื•ืŸ ืฉืœ ื”ืกื“ืจื•ืช
03:04
were just them trying to figure themselves out, basically,
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ื”ื™ื” ื”ื ื™ืกื™ื•ืŸ ืฉืœื”ืŸ ืœื”ื‘ื™ืŸ ืืช ืขืฆืžืŸ.
03:08
but those shows only lasted a season each,
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ืื‘ืœ ื”ืกื“ืจื•ืช ื”ืืœื” ืฉื•ื“ืจื• ืจืง ื‘ืžืฉืš ืขื•ื ื” ืื—ืช,
03:11
and I haven't really seen anything like that on TV since.
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ื•ืžืื– ืœื ืจืื™ืชื™ ื“ื‘ืจื™ื ื“ื•ืžื™ื ื‘ื˜ืœื•ื•ื™ื–ื™ื”.
03:16
So this is a scientific diagram of my brain โ€” (Laughter) โ€”
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ื–ื” ืชืจืฉื™ื ืžื“ืขื™ ืฉืœ ื”ืžื•ื— ืฉืœื™ [ืœื”ื™ื•ืช ื ืขืจื”, ืžื” ื”ื•ืœืš ื›ืืŸ ื‘ื›ืœืœ, ื‘ืœื‘ื•ืœ, ืคืžื™ื ื™ื–ื, ื”ืฆื™ืœื•]
03:22
around the time when I was,
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ื‘ืชืงื•ืคื” ืฉื‘ื”
03:24
when I started watching those TV shows.
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ื”ืชื—ืœืชื™ ืœืฆืคื•ืช ื‘ืกื“ืจื•ืช ื”ืืœื”.
03:26
I was ending middle school, starting high school --
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ื”ื™ื™ืชื™ ื‘ืกื•ืฃ ื‘ื™"ืก ื™ืกื•ื“ื™, ื‘ืชื—ื™ืœืช ื”ืชื™ื›ื•ืŸ.
03:28
I'm a sophomore now โ€”
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ื”ื™ื•ื ืื ื™ ื‘ื›ื™ืชื” ื™',
03:31
and I was trying to reconcile
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ื•ื ื™ืกื™ืชื™ ืื– ืœื™ื™ืฉื‘ ื‘ื™ืŸ ื›ืœ ื”ื“ื‘ืจื™ื
03:33
all of these differences that you're told you can't be
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ื”ืืœื” ืฉืžืกืคืจื™ื ืœื›ืŸ ืฉืืชืŸ ืœื ื™ื›ื•ืœื•ืช ืœื”ื™ื•ืช
03:36
when you're growing up as a girl.
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ื›ืฉืืชืŸ ื’ื“ืœื•ืช ื›ื‘ื ื•ืช.
03:37
You can't be smart and pretty.
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ืืช ืœื ื™ื›ื•ืœื” ืœื”ื™ื•ืช ื™ืคื” ื•ื—ื›ืžื”.
03:40
You can't be a feminist who's also interested in fashion.
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ืืช ืœื ื™ื›ื•ืœื” ืœื”ื™ื•ืช ืคืžื™ื ื™ืกื˜ื™ืช ืฉื’ื ืžืชืขื ื™ื™ื ืช ื‘ืื•ืคื ื”.
03:43
You can't care about clothes if it's not for the sake
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ืืช ืœื ื™ื›ื•ืœื” ืœื”ืชืขื ื™ื™ืŸ ื‘ื‘ื’ื“ื™ื, ืืœื ืจืง ื‘ื’ืœืœ
03:47
of what other people, usually men, will think of you.
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ืžื” ืฉืื ืฉื™ื ืื—ืจื™ื, ื’ื‘ืจื™ื ื‘ื“"ื›, ื—ื•ืฉื‘ื™ื ืขืœื™ื™ืš.
03:50
So I was trying to figure all that out,
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ืื– ื ื™ืกื™ืชื™ ืœื”ื‘ื™ืŸ ืืช ื›ืœ ื”ืขืกืง ื”ื–ื”,
03:53
and I felt a little confused,
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ื•ื”ื™ื™ืชื™ ื“ื™ ืžื‘ื•ืœื‘ืœืช,
03:56
and I said so on my blog,
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ื•ื›ืชื‘ืชื™ ืืช ื–ื” ื‘ื‘ืœื•ื’ ืฉืœื™,
03:58
and I said that I wanted to start
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ื•ื›ืชื‘ืชื™ ืฉืื ื™ ืจื•ืฆื” ืœืคืชื•ื—
04:02
a website for teenage girls
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ืืชืจ ืื™ื ื˜ืจื ื˜ ืœื‘ื ื•ืช ืขืฉืจื”,
04:05
that was not this kind of one-dimensional
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ืฉืœื ื™ื”ื™ื” ืืชืจ ืฉืžืขืฆื™ื
04:08
strong character empowerment thing
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ื“ืžื•ื™ื•ืช ื—ื–ืงื•ืช ื—ื“ ืžืžื“ื™ื•ืช,
04:11
because I think one thing that can be very alienating
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ื›ื™ ืื ื™ ื—ื•ืฉื‘ืช ืฉื“ื‘ืจ ืื—ื“ ืฉื’ื•ืจื ืœืคื—ื“ ืžืคืžื™ื ื™ื–ื
04:14
about a misconception of feminism is that
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ื•ืœื—ื•ืกืจ ื”ื‘ื ื” ืฉืœ ื”ืคืžื™ื ื™ื–ื ื”ื•ื
04:16
girls then think that to be a feminist, they have to live up to
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ืฉื‘ื ื•ืช ื—ื•ืฉื‘ื•ืช ืฉืื ืืช ืคืžื™ื ื™ืกื˜ื™ืช,
04:20
being perfectly consistent in your beliefs,
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ื”ื“ืขื•ืช ืฉืœืš ื—ื™ื™ื‘ื•ืช ืœื”ื™ื•ืช ืขืงื‘ื™ื•ืช ืœื’ืžืจื™,
04:22
never being insecure, never having doubts,
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ืฉืืกื•ืจ ืœืš ืืฃ ืคืขื ืœื”ื™ื•ืช ืœื ื‘ื˜ื•ื—ื”, ืฉืืกื•ืจ ืฉื™ื”ื™ื• ืœืš ืกืคืงื•ืช,
04:26
having all of the answers. And this is not true,
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ืฉืืช ืชืžื™ื“ ืฆืจื™ื›ื” ืœื“ืขืช ืืช ื›ืœ ื”ืชืฉื•ื‘ื•ืช. ื•ื”ื“ื‘ืจ ื”ื–ื” ืœื ื ื›ื•ืŸ.
04:29
and, actually, reconciling all the contradictions I was feeling
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ืœืžืขืฉื”, ื”ื™ื” ืœื™ ื”ืจื‘ื” ื™ื•ืชืจ ืงืœ ืœื’ืฉืจ ื‘ื™ืŸ ื›ืœ ื”ืกืชื™ืจื•ืช ืฉื”ืจื’ืฉืชื™
04:33
became easier once I understood that feminism
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ื‘ืจื’ืข ืฉื”ื‘ื ืชื™ ืฉืคืžื™ื ื™ื–ื
04:37
was not a rulebook but a discussion,
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ื”ื•ื ืœื ืกืคืจ ื—ื•ืงื™ื ืืœื ื“ื™ื•ืŸ,
04:39
a conversation, a process,
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ืฉื™ื—ื”, ืชื”ืœื™ืš.
04:41
and this is a spread from a zine that I made last year
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ื–ืืช ื›ืชื‘ื” ืžื”ืžื’ื–ื™ืŸ ืฉื›ืชื‘ืชื™ ื‘ืฉื ื” ืฉืขื‘ืจื”.
04:44
when I -- I mean, I think I've let myself go a bit
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ืžืื– ืงืฆืช ื”ืจืคืชื™
04:47
on the illustration front since.
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ืžืขื ื™ื™ืŸ ื”ืื™ื•ืจื™ื...
04:49
But, yeah.
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ืื‘ืœ, ื›ืŸ.
04:53
So I said on my blog that I wanted to start this publication
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ืื– ื›ืชื‘ืชื™ ื‘ื‘ืœื•ื’ ืฉืœื™ ืฉืื ื™ ืจื•ืฆื” ืœืคืชื•ื— ืืชืจ ืœื‘ื ื•ืช ืขืฉืจื”
04:58
for teenage girls and ask people to submit
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ื•ื‘ื™ืงืฉืชื™ ืžื‘ื ื•ืช ืœืฉืœื•ื—
05:00
their writing, their photography, whatever,
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ื“ื‘ืจื™ื ืฉื”ืŸ ื›ื•ืชื‘ื•ืช, ืชืžื•ื ื•ืช, ื›ืœ ื“ื‘ืจ,
05:02
to be a member of our staff.
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ื›ื“ื™ ืœื”ืฆื˜ืจืฃ ืœืฆื•ื•ืช ืฉืœื ื•.
05:04
I got about 3,000 emails.
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ืงื™ื‘ืœืชื™ ื‘ืขืจืš 3,000 ืžื™ื™ืœื™ื.
05:07
My editorial director and I went through them and
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ื”ืขื•ืจื›ืช ื”ืจืืฉื™ืช ื•ืื ื™ ืขื‘ืจื ื• ืขืœื™ื”ื
05:10
put together a staff of people,
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ื•ื”ืจื›ื‘ื ื• ื‘ื™ื—ื“ ืฆื•ื•ืช,
05:13
and we launched last September.
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ื•ื™ืฆืื ื• ืœื“ืจืš ื‘ืกืคื˜ืžื‘ืจ ื”ืื—ืจื•ืŸ.
05:15
And this is an excerpt from my first editor's letter,
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ื–ื”ื• ืงื˜ืข ืžืžื›ืชื‘ ื”ืžืขืจื›ืช ื”ืจืืฉื•ืŸ ืฉืœื™.
05:18
where I say that Rookie, we don't have all the answers,
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ื›ืชื‘ืชื™ ืฉื‘-Rookie ืื™ืŸ ืœื ื• ืืช ื›ืœ ื”ืชืฉื•ื‘ื•ืช.
05:21
we're still figuring it out too, but the point is not to
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ื’ื ืื ื—ื ื• ืขื“ื™ื™ืŸ ืžื ืกื™ื ืœื”ื‘ื™ืŸ ืžื” ื”ื•ืœืš, ืื‘ืœ ื”ืจืขื™ื•ืŸ ื”ื•ื
05:24
give girls the answers, and not even give them permission
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ืœื ืœืชืช ืชืฉื•ื‘ื•ืช ืœื‘ื ื•ืช, ื•ื’ื ืœื ืœืชืช ืœื”ืŸ ืจืฉื•ืช
05:28
to find the answers themselves,
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ืœืžืฆื•ื ืืช ื”ืชืฉื•ื‘ื•ืช ื‘ืขืฆืžืŸ,
05:30
but hopefully inspire them to understand that
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ืืœื ืœื”ืขื ื™ืง ืœื‘ื ื•ืช ื”ืฉืจืื” ืœื”ื‘ื™ืŸ
05:32
they can give themselves that permission,
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ืฉื”ืŸ ื™ื›ื•ืœื•ืช ืœืชืช ืœืขืฆืžืŸ ืืช ื”ืจืฉื•ืช ื”ื–ืืช,
05:34
they can ask their own questions, find their own answers,
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ืฉื”ืŸ ื™ื›ื•ืœื•ืช ืœืฉืื•ืœ ืืช ื”ืฉืืœื•ืช ืฉืœื”ืŸ, ื•ืœืžืฆื•ื ืืช ื”ืชืฉื•ื‘ื•ืช ืฉืœื”ืŸ.
05:37
all of that, and Rookie, I think we've been trying to make it
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ื ื™ืกื™ื ื• ืœื”ืคื•ืš ืืช Rookie
05:40
a nice place for all of that to be figured out.
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ืœืžืงื•ื ืฉื™ื”ื™ื” ื‘ื• ื ืขื™ื ืœื—ืฉื•ื‘ ืขืœ ื›ืœ ื”ืขื ื™ื™ื ื™ื ื”ืืœื”.
05:45
So I'm not saying, "Be like us,"
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ืื– ืื ื™ ืœื ืื•ืžืจืช, "ืชื”ื™ื• ื›ืžื•ื ื•,"
05:47
and "We're perfect role models," because we're not,
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ื•-"ืื ื—ื ื• ื“ืžื•ื™ื•ืช ืžื•ืฉืœืžื•ืช ืœื—ื™ืงื•ื™," ืžื›ื™ื•ื•ืŸ ืฉืื ื—ื ื• ืœื ื›ืืœื”,
05:49
but we just want to help represent girls
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ืื ื—ื ื• ืจืง ืจื•ืฆื•ืช ืœื™ื™ืฆื’ ื‘ื ื•ืช
05:55
in a way that shows those different dimensions.
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ื‘ื“ืจืš ืฉืžืจืื” ืืช ื”ืžืžื“ื™ื ื”ืฉื•ื ื™ื ื”ืืœื”.
05:58
I mean, we have articles called
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ื™ืฉ ืœื ื• ืžืืžืจื™ื ื›ืžื•
06:01
"On Taking Yourself Seriously: How to Not Care What People Think of You,"
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"ืœืงื—ืช ืืช ืขืฆืžืš ื‘ืจืฆื™ื ื•ืช: ืื™ืš ืœื ืœื“ืื•ื’ ืžื” ืื ืฉื™ื ืื—ืจื™ื ื—ื•ืฉื‘ื™ื ืขืœื™ืš,"
06:05
but we also have articles like,
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ืื‘ืœ ื™ืฉ ืœื ื• ื’ื ืžืืžืจื™ื ื›ืžื•,
06:07
oops -- I'm figuring it out!
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ืื•ืคืคืก -- ืื ื™ ืžื ืกื” ืœื”ื‘ื™ืŸ ืžื” ื”ื•ืœืš ืคื”!
06:10
Ha ha. (Laughter)
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ื”ื ื”ื. [ืฆื—ื•ืง]
06:13
If you use that, you can get away with anything.
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ืื ืžืฉืชืžืฉื™ื ื‘ื–ื”, ืืคืฉืจ ืœืฆืืช ืžื›ืœ ืžืฆื‘.
06:17
We also have articles called
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ื™ืฉ ืœื ื• ื’ื ืžืืžืจื™ื ื›ืžื•
06:18
"How to Look Like You Weren't Just Crying in Less than Five Minutes."
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"ืื™ืš ืœื”ืจืื•ืช ืชื•ืš ื—ืžืฉ ื“ืงื•ืช ื›ืื™ืœื• ืœื ื‘ื›ื™ืช."
06:22
So all of that being said, I still really appreciate
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ืื ื™ ืžืขืจื™ื›ื” ืžืื•ื“
06:25
those characters in movies and
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ืืช ื”ื“ืžื•ื™ื•ืช ื”ื”ืŸ ืžื”ืกืจื˜ื™ื
06:29
articles like that on our site,
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ื•ืžืืžืจื™ื ื›ืžื• ื‘ืืชืจ ืฉืœื ื•,
06:30
that aren't just about being totally powerful,
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ืฉืœื ืžื“ื‘ืจื™ื ืจืง ืขืœ ืื™ืš ืœื”ื™ื•ืช ื—ื–ืงื”,
06:34
maybe finding your acceptance with yourself
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ืืœื ืื™ืš ืœืœืžื•ื“ ืœืงื‘ืœ ืืช ืขืฆืžืš,
06:37
and self-esteem and your flaws and how you accept those.
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ื•ืœื”ืขืจื™ืš ืืช ืขืฆืžืš ื•ืื™ืš ืœืงื‘ืœ ืืช ื”ื—ืกืจื•ื ื•ืช ืฉืœืš.
06:42
So what I you to take away from my talk,
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ื•ืžื” ืฉืื ื™ ืจื•ืฆื” ืฉืชื™ืงื—ื• ืžื”ื”ืจืฆืื” ืฉืœื™,
06:46
the lesson of all of this, is to just be Stevie Nicks.
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ื”ืœืงื— ืฉืœ ื›ืœ ื–ื” ื”ื•ื ืคืฉื•ื˜ ืœื”ื™ื•ืช ืกื˜ื™ื‘ื™ ื ื™ืงืก.
06:50
Like, that's all you have to do. (Laughter)
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ื–ื” ื›ืœ ืžื” ืฉืืชื ืฆืจื™ื›ื™ื ืœืขืฉื•ืช. [ืฆื—ื•ืง]
06:53
Because my favorite thing about her,
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ืžื” ืฉืื ื™ ื”ื›ื™ ืื•ื”ื‘ืช ื‘ื”,
06:56
other than, like, everything, is that
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ื—ื•ืฅ ืžื”ื›ืœ,
06:59
she is very -- has always been
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ื–ื” ืฉื”ื™ื ืชืžื™ื“
07:02
unapologetically present on stage,
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ื ื•ื›ื—ืช ืขืœ ื”ื‘ืžื” ืœืœื ื›ืœ ื”ืชื ืฆืœื•ื™ื•ืช,
07:05
and unapologetic about her flaws
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ื•ื”ื™ื ืœื ื—ืฉื” ืฆื•ืจืš ืœื”ืชื ืฆืœ ืขืœ ื”ื—ื•ืœืฉื•ืช ืฉืœื”
07:07
and about reconciling all of her contradictory feelings
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ื•ืขืœ ื”ืฆื•ืจืš ืœื’ืฉืจ ื‘ื™ืŸ ื”ืจื’ืฉื•ืช ื”ืกื•ืชืจื™ื ืฉืœื”,
07:12
and she makes you listen to them and think about them,
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ื•ื”ื™ื ื’ื•ืจืžืช ืœื›ื ืœื”ืงืฉื™ื‘ ืœื”ื ื•ืœื—ืฉื•ื‘ ืขืœื™ื”ื,
07:15
and yeah, so please be Stevie Nicks.
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ืื– ื›ืŸ, ื‘ื‘ืงืฉื” ืชื”ื™ื• ืกื˜ื™ื‘ื™ ื ื™ืงืก.
07:17
Thank you. (Applause)
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ืชื•ื“ื”. [ืžื—ื™ืื•ืช ื›ืคื™ื™ื]
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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