An Internet Without Screens Might Look Like This | Tom Uglow | TED Talks

160,358 views ใƒป 2015-11-13

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: inbar omer ืžื‘ืงืจ: Zeeva Livshitz
00:12
I'd like to start by asking you all to go to your happy place, please.
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ืื ื™ ืจื•ืฆื” ืœื”ืชื—ื™ืœ ื‘ืœื‘ืงืฉ ืžื›ื ืœืœื›ืช ืœืžืงื•ื ื”ืžืื•ืฉืจ ืฉืœื›ื.
00:17
Yes, your happy place,
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ื›ืŸ, ื”ืžืงื•ื ื”ืžืื•ืฉืจ ืฉืœื›ื,
00:18
I know you've got one even if it's fake.
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ืื ื™ ื™ื•ื“ืข ืฉื™ืฉ ืœื›ื ื›ื–ื” ื’ื ืื ื”ื•ื ืžื–ื•ื™ืฃ.
00:20
(Laughter)
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(ืฆื—ื•ืง)
00:21
OK, so, comfortable?
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ื˜ื•ื‘, ืžืจื’ื™ืฉื™ื ื‘ื ื•ื—?
00:23
Good.
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ื™ื•ืคื™.
00:24
Now I'd like to you to mentally answer the following questions.
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ืขื›ืฉื™ื• ืื ื™ ืจื•ืฆื” ืฉืชืขื ื• ื‘ืจืืฉ ืขืœ ื”ืฉืืœื•ืช ื”ื‘ืื•ืช.
00:27
Is there any strip lighting in your happy place?
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ื™ืฉ ืจืฆื•ืขืช ืžื ื•ืจื•ืช ื‘ืžืงื•ื ื”ืžืื•ืฉืจ ืฉืœื›ื?
00:31
Any plastic tables?
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ืฉื•ืœื—ื ื•ืช ืคืœืกื˜ื™ืง?
00:33
Polyester flooring?
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ืจืฆืคืช ืคื•ืœื™ืืกื˜ืจ?
00:35
Mobile phones?
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ื˜ืœืคื•ื ื™ื ื ื™ื™ื“ื™ื?
00:36
No?
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ืœื?
00:37
I think we all know that our happy place
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ืื ื™ ื—ื•ืฉื‘ ืฉื›ื•ืœื ื• ื™ื•ื“ืขื™ื ืฉื”ืžืงื•ื ื”ืžืื•ืฉืจ ืฉืœื ื•
00:39
is meant to be somewhere natural, outdoors --
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ืืžื•ืจ ืœื”ื™ื•ืช ื‘ืžืงื•ื ื˜ื‘ืขื™, ื‘ื—ื•ืฅ --
00:42
on a beach, fireside.
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ืขืœ ื—ื•ืฃ, ืœืฆื“ ืžื“ื•ืจื”.
00:44
We'll be reading or eating or knitting.
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ืื ื—ื ื• ืืžื•ืจื™ื ืœืงืจื•ื ืื• ืœืื›ื•ืœ ืื• ืœืกืจื•ื’.
00:48
And we're surrounded by natural light and organic elements.
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ื•ืื ื—ื ื• ืžื•ืงืคื™ื ื‘ืื•ืจ ื˜ื‘ืขื™ ื•ื™ืกื•ื“ื•ืช ืื•ืจื’ื ื™ื™ื.
00:52
Natural things make us happy.
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ื“ื‘ืจื™ื ื˜ื‘ืขื™ื™ื ืžืฉืžื—ื™ื ืื•ืชื ื•.
00:55
And happiness is a great motivator; we strive for happiness.
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ื•ืื•ืฉืจ ื”ื•ื ื›ืœื™ ืžื•ื˜ื™ื‘ืฆื™ื” ืžืขื•ืœื”; ืื ื—ื ื• ืฉื•ืืคื™ื ืœืื•ืฉืจ.
00:59
Perhaps that's why we're always redesigning everything,
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ืื•ืœื™ ื‘ื’ืœืœ ื–ื” ืื ื—ื ื• ืชืžื™ื“ ืžืขืฆื‘ื™ื ื”ื›ืœ ืžื—ื“ืฉ,
01:01
in the hopes that our solutions might feel more natural.
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ื‘ืชืงื•ื•ื” ืฉื”ืคืชืจื•ื ื•ืช ืฉืœื ื• ื™ืจื’ื™ืฉื• ื˜ื‘ืขื™ื™ื ื™ื•ืชืจ.
01:06
So let's start there --
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ืื– ื‘ื•ืื• ื ืชื—ื™ืœ ืฉื --
01:08
with the idea that good design should feel natural.
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ืขื ื”ืจืขื™ื•ืŸ ืฉืขื™ืฆื•ื‘ ื˜ื•ื‘ ืฆืจื™ืš ืœื”ืจื’ื™ืฉ ื˜ื‘ืขื™.
01:12
Your phone is not very natural.
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ื”ื˜ืœืคื•ืŸ ืฉืœื›ื ืœื ื˜ื‘ืขื™ ื‘ืžื™ื•ื—ื“.
01:17
And you probably think you're addicted to your phone,
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ื•ืืชื ื‘ื˜ื— ื—ื•ืฉื‘ื™ื ืฉืืชื ืžื›ื•ืจื™ื ืœื˜ืœืคื•ืŸ ืฉืœื›ื,
01:19
but you're really not.
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ืื‘ืœ ืืชื ื‘ืืžืช ืœื.
01:21
We're not addicted to devices,
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ืื ื—ื ื• ืœื ืžื›ื•ืจื™ื ืœืžื›ืฉื™ืจื™ื,
01:23
we're addicted to the information that flows through them.
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ืื ื—ื ื• ืžื›ื•ืจื™ื ืœืžื™ื“ืข ืฉื–ื•ืจื ื“ืจื›ื.
01:26
I wonder how long you would be happy in your happy place
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ืื ื™ ืชื•ื”ื” ื›ืžื” ื–ืžืŸ ืชื™ืฉืืจื• ืžืื•ืฉืจื™ื ื‘ืžืงื•ื ื”ืžืื•ืฉืจ ืฉืœื›ื
01:29
without any information from the outside world.
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ื‘ืœื™ ืžื™ื“ืข ืžื”ืขื•ืœื ื”ื—ื™ืฆื•ืŸ.
01:33
I'm interested in how we access that information,
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ืื ื™ ืžืชืขื ื™ื™ืŸ ื‘ืื™ืš ืฉืื ื—ื ื• ื ื™ื’ืฉื™ื ืœืžื™ื“ืข ื”ื–ื”,
01:35
how we experience it.
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ืื™ืš ืฉืื ื—ื ื• ื—ื•ื•ื™ื ืื•ืชื•.
01:37
We're moving from a time of static information,
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ืื ื—ื ื• ื ืขื™ื ืžืขื™ื“ืŸ ืฉืœ ืžื™ื“ืข ืกื˜ื˜ื™,
01:41
held in books and libraries and bus stops,
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ืฉืžืื•ื—ืกืŸ ื‘ืกืคืจื™ื ื•ืกืคืจื™ื•ืช ื•ืชื—ื ื•ืช ืื•ื˜ื•ื‘ื•ืก,
01:44
through a period of digital information,
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ื“ืจืš ืชืงื•ืคื” ืฉืœ ืžื™ื“ืข ื“ื™ื’ื™ื˜ืœื™,
01:47
towards a period of fluid information,
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ืœืขื‘ืจ ืชืงื•ืคื” ืฉืœ ืžื™ื“ืข ื ื•ื–ืœื™,
01:49
where your children will expect to be able to access anything, anywhere at any time,
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ื‘ื• ื”ื™ืœื“ื™ื ืฉืœื›ื ื™ืฆืคื• ืœื”ื™ื•ืช ื™ื›ื•ืœื™ื ืœื”ื’ื™ืข ืœื›ืœ ื“ื‘ืจ, ื‘ื›ืœ ืžืงื•ื, ื‘ื›ืœ ื–ืžืŸ,
01:55
from quantum physics to medieval viticulture,
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ืžืคื™ื–ื™ืงื” ืงื•ื•ื ื˜ื™ืช ืœื’ื™ื“ื•ืœ ื’ืคื ื™ื ื‘ื™ืžื™ ื”ื‘ื™ื ื™ื™ื,
01:59
from gender theory to tomorrow's weather,
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ืžืชืื•ืจื™ื™ืช ื”ืžื’ื“ืจ ืœืžื–ื’ ื”ืื•ื•ื™ืจ ืฉืœ ืžื—ืจ,
02:03
just like switching on a lightbulb --
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ืžืžืฉ ื›ืžื• ืœื”ืคืขื™ืœ ืžืชื’ --
02:06
Imagine that.
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ืชืชืืจื• ืœื›ื.
02:08
Humans also like simple tools.
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ื‘ื ื™ ืื“ื ื’ื ืื•ื”ื‘ื™ื ื›ืœื™ื ืคืฉื•ื˜ื™ื.
02:11
Your phone is not a very simple tool.
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ื”ื˜ืœืคื•ืŸ ืฉืœื›ื ื”ื•ื ืœื ื›ืœื™ ืคืฉื•ื˜ ื‘ืžื™ื•ื—ื“.
02:14
A fork is a simple tool.
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ืžื–ืœื’ ื”ื•ื ื›ืœื™ ืคืฉื•ื˜.
02:16
(Laughter)
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(ืฆื—ื•ืง)
02:17
And we don't like them made of plastic,
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ื•ืื ื—ื ื• ืœื ืื•ื”ื‘ื™ื ืฉื”ื ืขืฉื•ื™ื™ื ืžืคืœืกื˜ื™ืง,
02:20
in the same way I don't really like my phone very much --
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ื‘ืื•ืชื• ืื•ืคืŸ ืื ื™ ืœื ื›ืœ ื›ืš ืื•ื”ื‘ ืืช ื”ื˜ืœืคื•ืŸ ืฉืœื™ --
02:22
it's not how I want to experience information.
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ืœื ื›ื›ื” ืื ื™ ืจื•ืฆื” ืœื—ื•ื•ืช ืžื™ื“ืข.
02:27
I think there are better solutions than a world mediated by screens.
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ืื ื™ ื—ื•ืฉื‘ ืฉื™ืฉ ืคืชืจื•ื ื•ืช ื˜ื•ื‘ื™ื ื™ื•ืชืจ ืžืขื•ืœื ืกื•ื‘ื‘ ืžืกื›ื™ื.
02:31
I don't hate screens, but I don't feel --
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ืื ื™ ืœื ืฉื•ื ื ืžืกื›ื™ื, ืื‘ืœ ืื ื™ ืœื ืžืจื’ื™ืฉ --
02:34
and I don't think any of us feel that good
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ื•ืื ื™ ืœื ื—ื•ืฉื‘ ืฉืžื™ืฉื”ื• ืžืื™ืชื ื• ืžืจื’ื™ืฉ ื›ืœ ื›ืš ื˜ื•ื‘
02:36
about how much time we spend slouched over them.
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ื‘ื ื•ื’ืข ืœื›ืžื” ื–ืžืŸ ืื ื—ื ื• ืžื‘ืœื™ื ืจื›ื•ื ื™ื ืžืขืœื™ื”ื.
02:40
Fortunately,
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ืœืžืจื‘ื” ื”ืžื–ืœ,
02:41
the big tech companies seem to agree.
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ื ืจืื” ืฉื—ื‘ืจื•ืช ื”ื˜ื›ื ื•ืœื•ื’ื™ื” ื”ื’ื“ื•ืœื•ืช ืžืกื›ื™ืžื•ืช.
02:43
They're actually heavily invested in touch and speech and gesture,
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ื”ื ืžืฉืงื™ืขื™ื ื”ืžื•ืŸ ื‘ืžื’ืข ื•ื“ื™ื‘ื•ืจ ื•ืžื—ื•ื•ื”,
02:48
and also in senses --
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ื•ื’ื ื‘ื—ื•ืฉื™ื --
02:49
things that can turn dumb objects, like cups,
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ื“ื‘ืจื™ื ืฉื™ื›ื•ืœื™ื ืœื”ืคื•ืš ื—ืคืฆื™ื ืจื’ื™ืœื™ื, ื›ืžื• ื›ื•ืกื•ืช,
02:52
and imbue them with the magic of the Internet,
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ื•ืœื”ื›ื ื™ืก ื‘ื”ื ืืช ื”ืงืกื ืฉืœ ื”ืื™ื ื˜ืจื ื˜,
02:56
potentially turning this digital cloud
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ื‘ืชืงื•ื•ื” ืœื”ืคื•ืš ืืช ื”ืขื ืŸ ื”ื“ื™ื’ื™ื˜ืœื™ ื”ื–ื”
02:58
into something we might touch and move.
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ืœืžืฉื”ื• ืฉื ื•ื›ืœ ืœื’ืขืช ื‘ื• ื•ืœื”ื–ื™ื– ืื•ืชื•.
03:01
The parents in crisis over screen time
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ื”ื”ื•ืจื™ื ืฉื‘ืžืฉื‘ืจ ื‘ื ื•ื’ืข ืœื–ืžืŸ ืžืกื›ื™ื
03:04
need physical digital toys teaching their kids to read,
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ืฆืจื™ื›ื™ื ืฆืขืฆื•ืขื™ื ืคื™ื–ื™ื™ื ื“ื™ื’ื™ื˜ืœื™ื™ื ืฉื™ืœืžื“ื• ืืช ื”ื™ืœื“ื™ื ืฉืœื”ื ืœืงืจื•ื,
03:07
as well as family-safe app stores.
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ื‘ื ื•ืกืฃ ืœื—ื ื•ื™ื•ืช ืืคืœื™ืงืฆื™ื•ืช ื™ื“ื™ื“ื•ืชื™ื•ืช ืœืžืฉืคื—ื”.
03:11
And I think, actually, that's already really happening.
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ื•ืื ื™ ื—ื•ืฉื‘ ืฉื–ื” ื›ื‘ืจ ืงื•ืจื”.
03:15
Reality is richer than screens.
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ื”ืžืฆื™ืื•ืช ื”ื™ื ืขืฉื™ืจื” ื™ื•ืชืจ ืžืžืกื›ื™ื.
03:20
For example, I love books.
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ืœื“ื•ื’ืžื”, ืื ื™ ืื•ื”ื‘ ืกืคืจื™ื.
03:24
For me they are time machines -- atoms and molecules bound in space,
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ื‘ืฉื‘ื™ืœื™ ื”ื ื›ืžื• ืžื›ื•ื ื•ืช ื–ืžืŸ -- ืื˜ื•ืžื™ื ื•ืžื•ืœืงืœื•ืช ืงืฉื•ืจื™ื ื‘ื—ืœืœ,
03:29
from the moment of their creation to the moment of my experience.
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ืžืจื’ืข ื”ื™ืฆื™ืจื” ืฉืœื”ื ืœืจื’ืข ื”ื—ื•ื•ื™ื” ืฉืœื™.
03:33
But frankly,
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ืื‘ืœ ืœืžืขืฉื”,
03:35
the content's identical on my phone.
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ื”ืชื•ื›ืŸ ื–ื”ื” ื‘ื˜ืœืคื•ืŸ ืฉืœื™.
03:37
So what makes this a richer experience than a screen?
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ืื– ืžื” ืขื•ืฉื” ืืช ื–ื” ืœื—ื•ื•ื™ื” ืขืฉื™ืจื” ื™ื•ืชืจ ืžืžืกืš?
03:41
I mean, scientifically.
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ืžื‘ื—ื™ื ื” ืžื“ืขื™ืช ืื ื™ ืžืชื›ื•ื•ืŸ.
03:45
We need screens, of course.
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ืื ื—ื ื• ืฆืจื™ื›ื™ื ืžืกื›ื™ื, ื›ืžื•ื‘ืŸ.
03:47
I'm going to show film, I need the enormous screen.
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ืื ื™ ืขื•ืžื“ ืœื”ืจืื•ืช ืกืจื˜, ืื ื™ ืฆืจื™ืš ืืช ื”ืžืกืš ื”ืขื ืงื™.
03:52
But there's more than you can do with these magic boxes.
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ืื‘ืœ ื™ืฉ ื™ื•ืชืจ ืžืžื” ืฉืืคืฉืจ ืœืกื‘ื•ืœ ืžื”ืงื•ืคืกืื•ืช ื”ืงืกื•ืžื•ืช ื”ืืœื”.
03:56
Your phone is not the Internet's door bitch.
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ื”ื˜ืœืคื•ืŸ ืฉืœื›ื ื”ื•ื ืœื ื”ืกืœืงื˜ื•ืจื™ืช ืฉืœ ื”ืื™ื ื˜ืจื ื˜.
03:59
(Laughter)
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(ืฆื—ื•ืง)
04:00
We can build things -- physical things,
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ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœื‘ื ื•ืช ื“ื‘ืจื™ื -- ื“ื‘ืจื™ื ืคื™ื–ื™ื™ื,
04:03
using physics and pixels,
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ื‘ืขื–ืจืช ืคื™ื–ื™ืงื” ื•ืคื™ืงืกืœื™ื,
04:06
that can integrate the Internet into the world around us.
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ืฉื™ื•ื›ืœื• ืœืฉืœื‘ ืืช ื”ืื™ื ื˜ืจื ื˜ ื‘ืขื•ืœื ืกื‘ื™ื‘ื ื•.
04:09
And I'm going to show you a few examples of those.
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ื•ืื ื™ ื”ื•ืœืš ืœื”ืจืื•ืช ืœื›ื ื›ืžื” ื“ื•ื’ืžืื•ืช ืฉืœื”ื.
04:14
A while ago, I got to work with a design agency, Berg,
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ืœืคื ื™ ื–ืžืŸ ืžื” ื”ืชื—ืœืชื™ ืœืขื‘ื•ื“ ืขื ืกื•ื›ื ื•ืช ืขื™ืฆื•ื‘, ื‘ืจื’.
04:17
on an exploration of what the Internet without screens might actually look like.
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ื—ืงืจื ื• ืื™ืš ืื™ื ื˜ืจื ื˜ ืœืœื ืžืกื›ื™ื ื™ื™ืจืื”.
04:22
And they showed us a range ways
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ื•ื”ื ื”ืจืื• ืœื ื• ืžื’ื•ื•ืŸ ื“ืจื›ื™ื
04:24
that light can work with simple senses and physical objects
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ื‘ื”ื ืื•ืจ ื™ื›ื•ืœ ืœืขื‘ื•ื“ ืขื ื—ื•ืฉื™ื ืคืฉื•ื˜ื™ื ื•ื—ืคืฆื™ื ืคื™ื–ื™ื™ื
04:29
to really bring the Internet to life, to make it tangible.
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ืขืœ ืžื ืช ื‘ืืžืช ืœื”ื—ื™ื•ืช ืืช ื”ืื™ื ื˜ืจื ื˜, ืœื”ืคื•ืš ืื•ืชื• ืœืžื•ื—ืฉื™.
04:33
Like this wonderfully mechanical YouTube player.
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ื›ืžื• ื ื’ืŸ ื”ื™ื•ื˜ื™ื•ื‘ ื”ืžื›ื ื™ ื”ื ืคืœื ื”ื–ื”.
04:38
And this was an inspiration to me.
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ื•ื–ื• ื”ื™ื™ืชื” ื”ืฉืจืื” ืขื‘ื•ืจื™.
04:42
Next I worked with the Japanese agency, AQ,
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ืœืื—ืจ ืžื›ืŸ ืขื‘ื“ืชื™ ืขื ื”ืกื•ื›ื ื•ืช ื”ื™ืคื ื™ืช, AQ,
04:45
on a research project into mental health.
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ืขืœ ืคืจื•ื™ืงื˜ ืžื—ืงืจ ืฉืœ ื‘ืจื™ืื•ืช ื ืคืฉื™ืช.
04:47
We wanted to create an object
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ืจืฆื™ื ื• ืœื™ืฆื•ืจ ืขืฆื
04:49
that could capture the subjective data around mood swings
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ืฉื™ืชืขื“ ืืช ื”ื ืชื•ื ื™ื ื”ืกื•ื‘ื™ื™ืงื˜ื™ื‘ื™ื™ื ืžืกื‘ื™ื‘ ืœืฉื™ื ื•ื™ ืžืฆื‘ื™ ืจื•ื—
04:53
that's so essential to diagnosis.
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ืฉื ื—ื•ืฆื™ื ื›ืœ ื›ืš ืœืื‘ื—ื•ืŸ.
04:56
This object captures your touch,
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ื”ืขืฆื ื”ื–ื” ืžืชืขื“ ืืช ื”ืžื’ืข ืฉืœืš,
04:58
so you might press it very hard if you're angry,
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ืื ืืชื” ืœื•ื—ืฅ ืขืœื™ื• ื—ื–ืง ื›ืฉืืชื” ื›ื•ืขืก,
05:01
or stroke it if you're calm.
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ืื• ืžืœื˜ืฃ ืื•ืชื• ื›ืฉืืชื” ืจื’ื•ืข.
05:03
It's like a digital emoji stick.
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ื–ื” ื›ืžื• ืžืงืœ ืื™ืžื•ื’'ื™ ื“ื™ื’ื™ื˜ืœื™.
05:05
And then you might revisit those moments later,
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ื•ืœืื—ืจ ืžื›ืŸ ืืคืฉืจ ืœื—ื–ื•ืจ ืœืจื’ืขื™ื ื”ืืœื”,
05:09
and add context to them online.
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ื•ืœื”ื•ืกื™ืฃ ืœื”ื ืชื•ื›ืŸ ื‘ืจืฉืช.
05:11
Most of all,
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ืžืขืœ ื”ื›ืœ,
05:12
we wanted to create an intimate, beautiful thing
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ืจืฆื™ื ื• ืœื™ืฆื•ืจ ืžืฉื”ื• ื™ืคื” ื•ืื™ื ื˜ื™ืžื™
05:16
that could live in your pocket
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ืฉื™ื•ื›ืœ ืœื—ื™ื•ืช ื‘ื›ื™ืก ืฉืœื›ื
05:18
and be loved.
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ื•ืœื”ื™ื•ืช ืื”ื•ื‘.
05:20
The binoculars are actually a birthday present
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ื”ืžืฉืงืคืช ื”ื™ื ื‘ืขืฆื ืžืชื ืช ื™ื•ื ื”ื•ืœื“ืช
05:22
for the Sydney Opera House's 40th anniversary.
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ืœื™ื•ื ื”ืฉื ื” ื”40 ืฉืœ ื‘ื™ืช ื”ืื•ืคืจื” ืฉืœ ืกื™ื“ื ื™.
05:25
Our friends at Tellart in Boston brought over a pair of street binoculars,
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ื”ื—ื‘ืจื™ื ืฉืœื ื• ื‘ื˜ืœืจื˜ ื‘ื‘ื•ืกื˜ื•ืŸ ื”ื‘ื™ืื• ืžืฉืงืคืช ืจื—ื•ื‘
05:29
the kind you might find on the Empire State Building,
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ืžื”ืกื•ื’ ืฉืชืžืฆืื• ืขืœ ืžื’ื“ืœ ื”ืืžืคื™ื™ืจ ืกื˜ื™ื™ื˜,
05:31
and they fitted them with 360-degree views
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ื•ื”ื ื”ื›ื™ื ื• ืœื” ืชืžื•ื ื•ืช ื ื•ืฃ ืฉืœ 360 ืžืขืœื•ืช
05:34
of other iconic world heritage sights --
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ืฉืœ ืืชืจื™ ืžื•ืจืฉืช ืขื•ืœืžื™ื™ื ืื™ื™ืงื•ื ื™ื ืื—ืจื™ื --
05:37
(Laughter)
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(ืฆื—ื•ืง)
05:38
using Street View.
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ื‘ืขื–ืจืช ืชืฆื•ื’ืช ืจื—ื•ื‘.
05:40
And then we stuck them under the steps.
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ื•ื”ื ื—ื ื• ืื•ืชื” ืžืชื—ืช ืœืžื“ืจื’ื•ืช.
05:43
So, they became this very physical, simple reappropriation,
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ื”ื™ื ื”ื™ื•ื•ืชื” ื”ืขื‘ืจื” ืžื•ื—ืฉื™ืช ื•ืคืฉื•ื˜ื”,
05:48
or like a portal to these other icons.
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ืื• ืžื™ืŸ ืฉืขืจ ืœืื™ื™ืงื•ื ื™ื ื”ืืœื”.
05:50
So you might see Versailles or Shackleton's Hut.
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ื›ื›ื” ืฉืืคืฉืจ ืœืจืื•ืช ืืช ืืจืžื•ืŸ ื•ืจืกืื™ ืื• ืืช ื”ื‘ืงืชื” ืฉืœ ืฉืงืœื˜ื•ืŸ.
05:53
Basically, it's virtual reality circa 1955.
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ื‘ืขื™ืงืจื•ืŸ ื–ื” ืžืฆื™ืื•ืช ื•ื™ืจื˜ื•ืืœื™ืช ืž 1955
05:56
(Laughter)
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(ืฆื—ื•ืง)
05:59
In our office we use hacky sacks to exchange URLs.
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ื‘ืžืฉืจื“ ืฉืœื ื• ืื ื—ื ื• ืžืฉืชืžืฉื™ื ื‘ื›ื“ื•ืจื™ ืฉืง ื›ื“ื™ ืœื”ื—ืœื™ืฃ ื›ืชื•ื‘ื•ืช URL.
06:02
This is incredibly simple, it's like your Opal card.
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ื–ื” ืคืฉื•ื˜ ืœื”ืคืœื™ื, ื–ื” ื›ืžื• ื›ืจื˜ื™ืก ื”Opal ืฉืœื›ื.
06:05
You basically put a website on the little chip in here,
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ืืชื ืคืฉื•ื˜ ืฉืžื™ื ืืชืจ ื‘ืชื•ืš ื”ืฉื‘ื‘ ื‘ืคื ื™ื,
06:09
and then you do this and ... bosh! --
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ื•ืื– ืืชื ืขื•ืฉื™ื ื›ื›ื” ื•... ื‘ื•ืฉ! --
06:13
the website appears on your phone.
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ื”ืืชืจ ืžื•ืคื™ืข ื‘ื˜ืœืคื•ืŸ ืฉืœื›ื.
06:15
It's about 10 cents.
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ื–ื” ื‘ืขืจืš 10 ืกื ื˜.
06:17
Treehugger is a project that we're working on
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ื˜ืจื™ื”ืื’ืจ ื”ื•ื ืคืจื•ื™ืงื˜ ืฉืื ื—ื ื• ืขื•ื‘ื“ื™ื ืขืœื™ื•
06:20
with Grumpy Sailor and Finch, here in Sydney.
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ืขื ื’ืจืžืคื™ ืกื™ื™ืœื•ืจ ื•ืคื™ื ืฅ', ื›ืืŸ ื‘ืกื™ื“ื ื™.
06:22
And I'm very excited about what might happen
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ื•ืื ื™ ืžืื•ื“ ืžืชืจื’ืฉ ืžืžื” ืฉื™ื›ื•ืœ ืœืงืจื•ืช
06:25
when you pull the phones apart and you put the bits into trees,
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ื›ืฉืžืคืจืงื™ื ืืช ื”ื˜ืœืคื•ืŸ ืœื’ื•ืจืžื™ื ื•ืžื›ื ื™ืกื™ื ืืช ื”ื‘ื™ื˜ื™ื ืœืชื•ืš ืขืฆื™ื,
06:29
and that my children might have an opportunity
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ื•ืฉืœื™ืœื“ื™ื ืฉืœื™ ืชื”ื™ื” ื”ื–ื“ืžื ื•ืช
06:32
to visit an enchanted forest guided by a magic wand,
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ืœื‘ืงืจ ื‘ื™ืขืจ ืžื›ื•ืฉืฃ ื‘ืขื–ืจืช ืฉืจื‘ื™ื˜ ืงืกืžื™ื,
06:36
where they could talk to digital fairies and ask them questions,
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ื•ืœื“ื‘ืจ ืฉื ืขื ืคื™ื•ืช ื“ื™ื’ื™ื˜ืœื™ื•ืช ื•ืœืฉืื•ืœ ืื•ืชืŸ ืฉืืœื•ืช,
06:39
and be asked questions in return.
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ื•ืœื”ืฉืืœ ืฉืืœื•ืช ื‘ื—ื–ืจื”.
06:42
As you can see,
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ื›ืžื• ืฉืืชื ื™ื›ื•ืœื™ื ืœืจืื•ืช,
06:43
we're at the cardboard stage with this one.
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ืื ื—ื ื• ื‘ืฉืœื‘ ื”ืงืจื˜ื•ืŸ ืขื ื”ืคืจื•ื™ืงื˜ ื”ื–ื”.
06:45
(Laughter)
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(ืฆื—ื•ืง)
06:46
But I'm very excited
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ืื‘ืœ ืื ื™ ืžืื•ื“ ืžืชืจื’ืฉ
06:47
by the possibility of getting kids back outside without screens,
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ืžื”ืืคืฉืจื•ืช ืœื”ื•ืฆื™ื ื™ืœื“ื™ื ื—ื–ืจื” ื”ื—ื•ืฆื” ืœืขื•ืœื ื‘ืœื™ ืžืกื›ื™ื,
06:51
but with all the powerful magic of the Internet at their fingertips.
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ืื‘ืœ ืขื ื›ืœ ื”ืงืกื ื”ืขืฆืžืชื™ ืฉืœ ื”ืื™ื ื˜ืจื ื˜ ื‘ื”ื™ืฉื’ ื™ื“ื.
06:55
And we hope to have something like this working by the end of the year.
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ื•ืื ื—ื ื• ืžืงื•ื•ื™ื ืฉื™ื”ื™ื” ืœื ื• ืžืฉื”ื• ื›ื–ื” ืฉืขื•ื‘ื“ ื›ื‘ืจ ื‘ืกื•ืฃ ื”ืฉื ื”.
07:01
So let's recap.
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ืื– ื‘ื•ืื• ื ืกื›ื.
07:03
Humans like natural solutions.
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ื‘ื ื™ ืื“ื ืื•ื”ื‘ื™ื ืคืชืจื•ื ื•ืช ื˜ื‘ืขื™ื™ื.
07:05
Humans love information.
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ื‘ื ื™ ืื“ื ืื•ื”ื‘ื™ื ืžื™ื“ืข.
07:07
Humans need simple tools.
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ื‘ื ื™ ืื“ื ืฆืจื™ื›ื™ื ื›ืœื™ื ืคืฉื•ื˜ื™ื.
07:10
These principles should underpin how we design for the future,
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ื”ืขืงืจื•ื ื•ืช ื”ืืœื” ืฆืจื™ื›ื™ื ืœื”ื ื—ื•ืช ืื•ืชื ื• ืื™ืš ืœืขืฆื‘ ืœืงืจืืช ื”ืขืชื™ื“,
07:15
not just for the Internet.
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ืœื ืจืง ื‘ืขื‘ื•ืจ ื”ืื™ื ื˜ืจื ื˜.
07:18
You may feel uncomfortable about the age of information that we're moving into.
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ื™ื›ื•ืœ ืœื”ื™ื•ืช ืฉืืชื ืžืจื’ื™ืฉื™ื ืœื ื‘ื ื•ื— ื‘ื ื•ื’ืข ืœืขื™ื“ืŸ ื”ืžื™ื“ืข ืฉืื ื—ื ื• ื ื›ื ืกื™ื ืืœื™ื•.
07:23
You may feel challenged, rather than simply excited.
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ืื•ืœื™ ืืชื ืžืจื’ื™ืฉื™ื ืžืื•ืชื’ืจื™ื, ื™ื•ืชืจ ืžืืฉืจ ืžืชืจื’ืฉื™ื.
07:28
Guess what? Me too.
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ื ื—ืฉื• ืžื”? ื’ื ืื ื™.
07:30
It's a really extraordinary period of human history.
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ื–ื• ืชืงื•ืคื” ืžื“ื”ื™ืžื” ื‘ื”ื™ืกื˜ื•ืจื™ื” ื”ืื ื•ืฉื™ืช.
07:35
We are the people that actually build our world,
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ืื ื—ื ื• ื”ืื ืฉื™ื ืฉื‘ื•ื ื™ื ืืช ื”ืขื•ืœื,
07:39
there are no artificial intelligences...
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ืื™ืŸ ื‘ื™ื ื•ืช ืžืœืื›ื•ืชื™ื•ืช...
07:41
yet.
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ื‘ื™ื ืชื™ื™ื.
07:43
(Laughter)
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(ืฆื—ื•ืง)
07:45
It's us -- designers, architects, artists, engineers.
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ืืœื” ืื ื—ื ื• -- ืžืขืฆื‘ื™ื, ืืจื›ื™ื˜ืงื˜ื™ื, ืืžื ื™ื, ืžื”ื ื“ืกื™ื.
07:50
And if we challenge ourselves,
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ื•ืื ื ืืชื’ืจ ืืช ืขืฆืžื ื•,
07:53
I think that actually we can have a happy place
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ืื ื™ ื—ื•ืฉื‘ ืฉื‘ืืžืช ื™ื”ื™ื” ืœื ื• ืžืงื•ื ืžืื•ืฉืจ
07:57
filled with the information we love
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ืžืœื ื‘ืžื™ื“ืข ืฉืื ื—ื ื• ืื•ื”ื‘ื™ื
07:59
that feels as natural and as simple as switching on lightbulb.
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ืฉืžืจื’ื™ืฉ ื˜ื‘ืขื™ ื•ืคืฉื•ื˜ ื›ืžื• ืœื”ืคืขื™ืœ ื ื•ืจืช ื—ืฉืžืœ.
08:04
And although it may seem inevitable,
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ื•ืœืžืจื•ืช ืฉื–ื” ืื•ืœื™ ืžืจื’ื™ืฉ ื‘ืœืชื™ ื ืžื ืข,
08:06
that what the public wants is watches and websites and widgets,
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ืฉืžื” ืฉื”ืฆื™ื‘ื•ืจ ืจื•ืฆื” ื–ื” ืฉืขื•ื ื™ื ื•ืืชืจื™ื ื•ื•ื•ื™ื“ื’'ื˜ื™ื,
08:11
maybe we could give a bit of thought to cork and light and hacky sacks.
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ืื•ืœื™ ืืคืฉืจ ืœื”ืฉืงื™ืข ืงืฆืช ืžื—ืฉื‘ื” ื‘ืฉืขื ื•ืื•ืจ ื•ื›ื“ื•ืจ ืฉืง.
08:17
Thank you very much.
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ืชื•ื“ื” ืจื‘ื”.
08:19
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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