Why should you read “Kafka on the Shore”? - Iseult Gillespie

1,901,699 views ・ 2019-08-20

TED-Ed


請雙擊下方英文字幕播放視頻。

譯者: Lilian Chiu 審譯者: Helen Chang
00:08
“Sometimes fate is like a small sandstorm that keeps changing directions.
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「有時候所謂命運這東西,
就像不斷改變前進方向的 區域沙風暴一樣。
00:13
You change direction but the sandstorm chases you.
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你想要避開它而改變腳步,
結果,風暴也好像 在配合你似的改變腳步。
00:16
You turn again, but the storm adjusts.
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你再一次改變腳步,於是 風暴也同樣地再度改變腳步。
00:19
Over and over you play this out,
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好幾次又好幾次,
簡直就像黎明前和死神 所跳的不祥舞步一樣,
00:21
like some ominous dance with death just before dawn.
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不斷地重複又重複。
00:25
Why?
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你要問為什麼嗎?
00:27
Because this storm isn't something that blew in from far away…
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因為那風暴並不是 從某個遠方吹來的……
00:31
This storm is you. Something inside of you.”
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(這暴風)就是你自己。
那就是你心中的什麼。」
00:35
This quote,
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這段文字引述自村上春樹的作品 《海邊的卡夫卡》當中的第一章,
00:36
from the first chapter of Haruki Murakami’s "Kafka on the Shore,"
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00:40
captures the teenage protagonist's turmoil.
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這段文字捕捉到了 青少年主角的混亂。
00:43
Desperate to escape his tyrannical father
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這位主角極度渴望逃離 他暴虐的父親,
00:45
and the family curse he feels doomed to repeat,
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以及他覺得自己注定會 重蹈的家族詛咒。
00:49
he renames himself Kafka after his favorite author
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他將自己改名為卡夫卡, 他最愛的作家,接著逃離他的家。
00:52
and runs away from home.
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00:54
But memories of a missing mother,
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但,對於失蹤母親的記憶
00:56
along with dreams that haunt his waking life,
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及他在清醒時仍揮之不去的夢境,
00:59
prove more difficult to outrun.
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比想像的還難擺脫。
01:02
Published in Japanese in 2002
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2002 年,《海邊的卡夫卡》 日文版出版,三年後翻譯為英文,
01:04
and translated into English three years later,
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01:07
"Kafka on the Shore" is an epic literary puzzle
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它是個史詩級的文學難題, 充滿了時間旅行的內容、
01:10
filled with time travel, hidden histories, and magical underworlds.
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隱藏的歷史,以及魔法地下世界。
01:15
Readers delight in discovering how the mind-bending imagery,
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讀者的樂趣來自於 發現難以理解意象、
01:18
whimsical characters and eerie coincidences fit together.
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怪誕的角色,及奇異的巧合 如何拼湊在一起。
01:23
Kafka narrates every second chapter,
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每隔一章,卡夫卡就會講述旁白,
01:26
with the rest centering on an old man named Satoru Nakata.
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其他部分則是以一位 名叫中田悟的老人為中心。
01:30
After awakening from a coma he went into during the Second World War,
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在二次大戰中昏迷中, 等到醒過來之後,
01:34
Nakata loses the ability to read and write–
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中田失去了閱讀和寫字的能力——
01:37
but gains a mysterious knack for talking to cats.
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卻得到了神秘的本領, 可以和貓說話。
01:41
When he’s asked to tail a missing pet,
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當他受託去追蹤一隻走失的寵物,
01:44
he’s thrown onto a dangerous path that runs parallel to Kafka’s.
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他便踏上了一條 和卡夫卡平行的危險之路。
01:48
Soon prophecies come true, portals to different dimensions open up–
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很快的,預言成真了, 通往其他次元的入口打開了——
01:53
and fish and leeches begin raining from the sky.
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天空開始下起魚和水蛭的雨。
01:57
But what ties these two characters together–
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但,這兩位角色 是被什麼綁在一起——
01:59
and is it a force either one of them can control?
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是他們兩人都無法控制的力量嗎?
02:03
The collision of different worlds is a common thread
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村上春樹的作品中常常會有 不同世界碰撞的故事線。
02:06
in Haruki Murakami’s work.
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02:08
His novels and short stories often forge fantastic connections
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他的小說和短篇故事 通常會以很奇異的方式
02:12
between personal experience,
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將個人經歷連結到
02:14
supernatural possibilities, and Japanese history.
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超自然的可能性和日本歷史。
02:18
Born in Kyoto in 1949,
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村上春樹於 1949 年在京都出生,
02:20
Murakami grew up during the post-World War II
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在二次大戰後美國人 佔領日本的時期長大。
02:23
American occupation of Japan.
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02:26
The shadow of war hung over his life as it does his fiction;
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戰爭的陰影籠罩了他的人生, 也籠罩了他的故事;
02:30
"Kafka on the Shore" features biological attacks,
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《海邊的卡夫卡》的特點 包括生物攻擊、
02:33
military ghosts and shady conspiracies.
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軍中的鬼魂,以及陰暗的密謀。
02:37
Murakami’s work blurs historical periods
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村上春樹的作品模糊了歷史時期,
02:40
and draws from multiple cultural traditions.
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並從多種文化傳統中取材。
02:42
References to Western society and Japanese customs
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在他的作品中,西方社會 和日本習俗撞擊混合,
02:46
tumble over each other,
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02:47
from literature and fashion to food and ghost stories.
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從文學與時尚,到食物和鬼故事。
02:51
He has a penchant for musical references, too,
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他也非常愛好引用音樂, 特別是在《海邊的卡夫卡》中。
02:54
especially in "Kafka on the Shore."
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02:56
As the runaway Kafka wanders the streets of a strange city,
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當逃走的卡夫卡在一個 奇特城市的街道上遊蕩時,
03:00
Led Zeppelin and Prince keep him company.
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有齊柏林飛船和王子陪伴他。
03:02
Soon, he takes refuge in an exquisite private library.
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很快的,他找到一間 精緻的圖書館讓他避難。
03:06
While he spends his days poring over old books
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他把時間用來鑽研古書
03:09
and contemplating a strange painting and the library’s mysterious owner,
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以及思忖一幅怪畫 和神秘的圖書館館長,
03:13
he also befriends the librarian–
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此外,他也結交了圖書館館員——
03:16
who introduces him to classical music like Schubert.
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這位館員讓他認識了 古典音樂如舒伯特。
03:19
This musical sensibility makes Murakami’s work
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這些音樂的感受, 讓村上春樹的作品更有催眠力。
03:22
all the more hypnotic.
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03:23
He frequently bends the line between reality and a world of dreams,
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他經常去彎曲現實 與夢世界之間的界線,
03:28
and is considered a master of magic lurking in the mundane.
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被認為是世俗中的魔法隱身大師。
03:32
This is a key feature of magical realism.
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這是魔幻寫實主義的關鍵特色。
03:35
In contrast to fantasy,
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相對於幻想,
03:37
magic in this sort of writing rarely offers a way out of a problem.
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在這類作品中,魔法很少 能夠提供問題的出路。
03:41
Instead, it becomes just one more thing that complicates life.
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它反而還讓人生變得更複雜。
03:45
In "Kafka on the Shore,"
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在《海邊的卡夫卡》中,
03:47
characters are faced with endless otherworldly distractions,
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角色要面對無盡的 超自然現象讓他們分心,
03:50
from a love sick ghost to a flute made from cat souls.
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從苦念的鬼魂,到貓靈魂 製成的笛子都有。
03:55
These challenges offer no easy answers.
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這些挑戰並沒有 提供我們簡單的答案。
03:57
Instead, they leave us marveling at the resourcefulness
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反之,它們讓我們驚嘆人類精神
04:00
of the human spirit to deal with the unexpected.
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在處理未預期的事物上 有多麼足智多謀。
04:04
While Kafka often seems suspended in strangeness,
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雖然卡夫卡通常總是 處在奇異的處境當中,
04:07
there’s a tenderness and integrity at the heart of his mission
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那驅使他向前行的使命,
04:10
that keeps him moving forward.
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其實有著溫柔正直的核心。
04:12
Gradually he comes to accept his inner confusion.
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漸漸地,他接受了他內在的困惑。
04:16
In the end, his experience echoes the reader’s:
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最終,他的經歷 和讀者的經歷產生共鳴:
04:19
the deeper you go, the more you find.
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越是深入,就會發現越多。
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