Why is Vermeer's "Girl with the Pearl Earring" considered a masterpiece? - James Earle

5,366,482 views ・ 2016-10-18

TED-Ed


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翻译人员: G Ko 校对人员: Cissy Yun
00:06
Is she turning towards you or away from you?
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她是向你靠近还是离你远去?
00:09
No one can agree.
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没人能给出结论
00:11
She's the mysterious subject of Dutch master Johannes Vermeer's
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她就是荷兰艺术大师约翰内斯·维米尔的一件神秘作品
00:14
"Girl with the Pearl Earring,"
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《戴珍珠耳环的少女》
00:17
a painting often referred to as the 'Mona Lisa of the North.'
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这幅画常被认为是“荷兰的蒙娜丽莎”
00:22
Belonging to a Dutch style of idealized, sometimes overly expressive paintings
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它属于荷兰式理想主义的、有时过度表达的画派
00:27
known as tronies,
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叫做“tronies”,(真人肖像畫)
00:28
the "Girl with the Pearl Earring" has the allure
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《戴珍珠耳环的少女》有着
00:31
and subtlety characteristic of Vermeer's work.
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维米尔式的魅力和微妙
00:34
But this painting stands apart from the quiet narrative scenes
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但是这幅画和维米尔其他远观角度的
00:37
that we observe from afar in many of Vermeer's paintings.
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静态叙事场景不同
00:42
A girl reading a letter.
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《窗前读信的女人》
00:43
A piano lesson.
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《钢琴课》
00:44
A portrait artist at work.
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《工作中的肖像画家》
00:46
These paintings give us a sense of intimacy while retaining their distance,
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这些画的人物在保持距离的同时又给人一种亲切之感,
00:51
a drawn curtain often emphasizes the separation.
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通常用窗帘来表示隔离
00:54
We can witness a milkmaid serenely pouring a bowl of milk,
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我们看到一个女仆往罐子里倒牛奶
00:58
but that milk isn't for us.
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但是知道牛奶不是倒给我们
01:00
We're only onlookers.
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我们只是旁观者
01:02
The studied composition in Vermeer's paintings
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画中精密的构图
01:04
invokes a balanced harmony.
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制造出一种平衡的和谐
01:07
With the checkered floor in many of his works,
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他的画中经常出现方格地板
01:10
Vermeer demonstrates his command of perspective and foreshortening.
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画家强调了自己对视角、透视法和缩短法的掌控
01:14
That's a technique that uses distortion
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这是一种利用扭曲
01:16
to give the illusion of an object receding into the distance.
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制造出一个物体缓缓退到远方的幻象
01:20
Other elements, like sight lines, mirrors, and light sources
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其他元素,比如视线、镜子和光源
01:24
describe the moment through space and position.
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描述了当时的空间和位置
01:27
The woman reading a letter by an open window
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一个女人在打开的窗前读着信
01:29
is precisely placed so the window can reflect her image back to the viewer.
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描绘地如此精确, 窗户上可以看到她的倒影
01:35
Vermeer would even hide the leg of an easel for the sake of composition.
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维米尔甚至会藏起画架的一条腿只为达到构图目的
01:40
The absence of these very elements brings the "Girl with the Pearl Earring" to life.
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《戴珍珠耳环的少女》弃用了上述元素 反而显得亲近生动
01:45
Vermeer's treatment of light and shadow, or chiaroscuro,
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维米尔对光影和明暗对比的运用,
01:48
uses a dark, flat background to further spotlight her three-dimensionality.
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深色平面的背景突出了人物的立体
01:54
Instead of being like a set piece in a theatrical narrative scene,
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她并没有置身于戏剧性的叙事场景,
01:58
she becomes a psychological subject.
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而是变成一个心理主体
02:01
Her eye contact and slightly parted lips, as if she is about to say something,
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她的眼神和轻启的双唇,好像有话要说,
02:06
draw us into her gaze.
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让我们注意到她的凝视
02:08
Traditional subjects of portraiture were often nobility or religious figures.
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肖像画的传统主体通常是贵族或宗教人物
02:12
So why was Vermeer painting an anonymous girl?
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维米尔为什么会画一位无名女性呢?
02:16
In the 17th century, the city of Delft, like the Netherlands in general,
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17世纪的德尔福特市以及整个荷兰,
02:20
had turned against ruling aristocracy and the Catholic church.
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都反对贵族和天主教的统治
02:25
After eight decades of rebellion against Spanish power,
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经过80多年对西班牙力量的反对,
02:27
the Dutch came to favor the idea of self-rule and a political republic.
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荷兰希望能实现自治并建立政治共和国
02:34
Cities like Delft were unsupervised by kings or bishops,
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德尔福特这类城市并没有国王或主教管理
02:37
so many artists like Vermeer were left without traditional patrons.
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许多像维米尔这样的艺术家并没有赞助人
02:42
Fortunately, business innovation
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幸运的是,荷兰东印度公司
02:44
spearheaded by the Dutch East India Company
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引领了商业创新
02:47
transformed the economic landscape in the Netherlands.
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转变了荷兰的经济版图
02:51
It created a merchant class and new type of patron.
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它创办了一个商业学习班并培养新式赞助人
02:55
Wishing to be represented in the paintings they financed,
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赞助人希望能在自己自助的画中出现,
02:58
these merchants preferred middle class subjects
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这些商人喜欢中产阶级主题
03:00
depicted in spaces that looked like their own homes
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喜欢描绘自家空间
03:03
surrounded by familiar objects.
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里那些熟悉的物体
03:05
The maps that appear in Vermeer's paintings, for example,
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比如维米尔画中出现的那些地图,
03:08
were considered fashionable and worldly
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就被商人阶级当做时尚和世俗化
03:11
by the merchant class of what is known as the Dutch Golden Age.
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这就是众所周知的荷兰黄金时代
03:15
The oriental turban worn by the "Girl with the Pearl Earring"
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《带珍珠耳环的少女》戴着东方式头巾,
03:18
also emphasizes the worldliness of the merchant class,
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也强调了商人阶级的世俗化,
03:22
and the pearl itself, a symbol of wealth, is actually an exaggeration.
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珍珠象征着财富,其实是一种夸张表现
03:27
Vermeer couldn't have afforded a real pearl of its size.
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维米尔负担不起这种大小的珍珠
03:31
It was likely just a glass or tin drop varnished to look like a pearl.
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可能把涂抹过的玻璃或锡珠当成珍珠
03:36
This mirage of wealth is mirrored in the painting itself.
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这幅画本身就是财富的化身
03:40
In greater context, the pearl appears round and heavy,
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从远处看,珍珠又圆又重,
03:43
but a detailed view shows that it's just a floating smudge of paint.
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但是细看它只是一个浮动的色团
03:48
Upon close inspection, we are reminded of Vermeer's power as an illusion maker.
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仔细观察后,我们想起维米尔是一个幻像制造大师
03:54
While we may never know the real identity of the "Girl with the Pearl Earring,"
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但我们可能永远无法知道 《戴珍珠耳环的少女》的真实身份
03:58
we can engage with her portrait in a way that is unforgettable.
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这幅画像可以说是难以忘怀
04:01
As she hangs in her permanent home in the Mauritshuis Museum in The Hague,
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它永远地悬挂于海牙的莫瑞泰斯皇家美术馆,
04:06
her presence is simultaneously penetrating and subtle.
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她的风姿摄人心魄又柔和微妙
04:10
In her enigmatic way, she represents the birth of a modern perspective
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她用一种神秘的方式表现了现代视角下的
04:14
on economics, politics, and love.
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经济、政治和爱
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