請雙擊下方英文字幕播放視頻。
譯者: Adrienne Lin
審譯者: Regina Chu
00:15
Interpreter: Piano, "p,"
is my favorite musical symbol.
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手語翻譯:弱音 (piano),
“p" 是我最喜歡的音樂符號。
00:19
It means to play softly.
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它代表輕輕彈奏。
00:22
If you're playing a musical instrument
and you notice a "p" in the score,
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如果你在彈奏樂器時,
注意到樂譜上有一個 p,
00:26
you need to play softer.
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你就需要放輕的彈奏。
00:28
Two p's -- even softer.
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兩個 p, 更輕。
00:30
Four p's -- extremely soft.
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四個 p, 非常非常輕。
00:38
This is my drawing of a p-tree,
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這是我自己畫的 p- 關係圖,
00:41
which demonstrates
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它說明
00:43
no matter how many thousands
upon thousands of p's there may be,
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不管有多少 p,
00:47
you'll never reach complete silence.
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永遠都不會達到完全無聲的狀態。
00:50
That's my current definition of silence:
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這是我目前對無聲的定義:
00:53
a very obscure sound.
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一種非常晦澀朦朧的聲音。
00:56
I'd like to share a little bit
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在這裡,我想跟你們分享一些
00:58
about the history
of American Sign Language, ASL,
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美國手語 ASL 的歷史,
01:01
plus a bit of my own background.
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和我自己的故事。
01:05
French sign language was brought
to America during the early 1800s,
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法國手語在 19 世紀初
傳播到了美國,
01:11
and as time went by,
mixed with local signs,
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經過時間的推衍,
它融入了當地的手語元素,
01:15
it evolved into the language
we know today as ASL.
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最終形成了我們今天所熟知的手語,
即 ASL 美國手語。
01:19
So it has a history of about 200 years.
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所以,ASL 有大概 200 年的歷史。
01:23
I was born deaf,
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我天生便失聰,
01:27
and I was taught to believe
that sound wasn't a part of my life.
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別人教導我要相信
聲音不是我生活的一部分。
01:32
And I believed it to be true.
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我也相信了。
01:37
Yet, I realize now
that that wasn't the case at all.
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我現在意識到,那並不正確。
01:41
Sound was very much a part of my life,
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聲音是我生活非常重要的一部分。
01:44
really, on my mind every day.
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真的,每天縈繞在我的腦海。
01:50
As a Deaf person living
in a world of sound,
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作為一個生活在
有聲世界中的失聰者,
01:54
it's as if I was living
in a foreign country,
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就好像我生活在一個陌生的國度,
01:57
blindly following its rules,
customs, behaviors and norms
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盲目的遵守它的規則、
傳統、行為習慣和準則,
02:01
without ever questioning them.
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從不質疑它們。
02:13
So how is it that I understand sound?
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我是如何理解聲音的呢?
02:18
Well, I watch how people
behave and respond to sound.
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我經常觀察人們對聲音的反應。
02:22
You people are like my loudspeakers,
and amplify sound.
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你們就像我的揚聲器,
你們好像擴大了聲音。
02:26
I learn and mirror that behavior.
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我學習並且模仿這些行為。
02:28
At the same time,
I've learned that I create sound,
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在此同時,我知道了
我也可以創造聲音,
02:31
and I've seen how people respond to me.
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我看到了人們
對我發出的聲音的反應。
02:34
Thus I've learned, for example ...
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我從中學到了, 舉幾個例子:
02:36
"Don't slam the door!"
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「別摔門!」
02:40
"Don't make too much noise when
you're eating from the potato-chip bag!"
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「從袋子裡拿洋芋片吃的時候
不要發出太大的聲音!」
02:43
(Laughter)
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(笑聲)
02:44
"Don't burp,
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「不要打嗝,
02:46
and when you're eating,
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而且吃飯的時候,
02:47
make sure you don't scrape
your utensils on the plate."
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不要把餐具在盤子上劃來劃去。」
02:50
All of these things
I term "sound etiquette."
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我將這些稱為「聲音禮節」。
02:55
Maybe I think about sound etiquette
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有可能我比常人
02:58
more than the average hearing person does.
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更注重這種聲音禮節。
03:01
I'm hyper-vigilant around sound.
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我對聲音非常敏感。
03:07
And I'm always waiting
in eager nervous anticipation
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我總是熱切並緊張得期待著聲音
03:11
around sound, about what's to come next.
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和即將發生的事情。
03:13
Hence, this drawing.
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因此,這幅圖中,
03:16
TBD, to be decided.
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TBD,表示待決定的。
03:19
TBC, to be continued.
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TBC,未完待續。
03:22
TBA, to be announced.
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TBA,待宣佈的。
03:28
And you notice the staff --
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相信你注意到了這一點:
03:30
there are no notes contained in the lines.
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在這些譜中並沒有音符。
03:32
That's because the lines
already contain sound
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那是因為這些抖動的線條
已經包含了聲音,
03:36
through the subtle smudges and smears.
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儘管輕微,難以辨別。
03:40
In Deaf culture,
movement is equivalent to sound.
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在失聰者的世界中,
動作與聲音同等重要。
03:49
This is a sign for "staff" in ASL.
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這是美國手語 ASL 中,
「五線譜」的手勢。
03:52
A typical staff contains five lines.
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正確的五線譜應該要有五條線。
03:55
Yet for me, signing it
with my thumb sticking up like that
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但於我而言,
把拇指向上比出這種形狀
03:58
doesn't feel natural.
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感覺很不自然。
04:00
That's why you'll notice in my drawings,
I stick to four lines on paper.
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因此我只在紙上畫了四條線。
04:05
In the year 2008, I had the opportunity
to travel to Berlin, Germany,
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2008 年,我有幸到德國柏林
04:09
for an artist residency there.
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做駐地藝術家。
04:12
Prior to this time,
I had been working as a painter.
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在這以前,我一直是畫家。
04:17
During this summer, I visited
different museums and gallery spaces,
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那年夏天,我參觀了
很多博物館和畫廊。
04:21
and as I went from one place to the next,
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當我穿梭於這些地方的時候,
04:23
I noticed there was no visual art there.
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我注意到這裡並沒有視覺藝術。
04:26
At that time, sound was trending,
and this struck me ...
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那時,聲音非常流行,
我突然才意識到,
04:31
there was no visual art,
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視覺上的藝術被忽略了。
04:33
everything was auditory.
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所有都是聽覺上的盛宴。
04:37
Now sound has come into my art territory.
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現在,聲音已經進入我的藝術領域。
04:41
Is it going to further
distance me from art?
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它會更加阻礙我對藝術的理解嗎?
04:45
I realized that doesn't
have to be the case at all.
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我意識到這一點也不會。
04:48
I actually know sound.
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事實上,我懂聲音。
04:49
I know it so well
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我如此深入地了解它,
04:52
that it doesn't have to be something
just experienced through the ears.
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以至於我無需通過耳朵來獲取聲音。
04:55
It could be felt tactually,
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我可以觸摸到它,
04:58
or experienced as a visual,
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也可以像視覺上一樣體現,
05:00
or even as an idea.
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甚至可以像捕獲一個想法那樣捕獲它。
05:05
So I decided to reclaim ownership of sound
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所以我決定重新掌握聲音,
05:08
and to put it into my art practice.
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並且將聲音運用到藝術中。
05:13
And everything that I had been
taught regarding sound,
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別人說的所有類似於
「聲音不屬我」的言論,
05:16
I decided to do away with and unlearn.
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我統統拋之腦後。
05:21
I started creating a new body of work.
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我開始創作一些新的作品。
05:24
And when I presented this
to the art community,
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當我向藝術界展示它們時,
05:27
I was blown away with the amount
of support and attention I received.
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大家的支持和關注深深地打動了我。
05:32
I realized:
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我意識到:
05:35
sound is like money,
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聲音就像財富、
05:39
power, control --
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權利、操縱——
05:42
social currency.
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社交貨幣。
05:47
In the back of my mind, I've always felt
that sound was your thing,
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在我心中,我總是覺得
聲音是屬於你們的,
05:51
a hearing person's thing.
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是屬於有聽覺的人的。
05:56
And sound is so powerful
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聲音是多麼的強大,
05:58
that it could either
disempower me and my artwork,
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既可以剝奪和削弱我及我的作品,
06:02
or it could empower me.
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也可以賜予我力量。
06:05
I chose to be empowered.
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我選擇了讓自己變得更加有力量。
06:08
There's a massive culture
around spoken language.
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口語是大多數文化中的重要成分。
06:13
And just because I don't use
my literal voice to communicate,
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僅僅是因為我沒有使用語音去交流,
06:18
in society's eyes
it's as if I don't have a voice at all.
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在社會的眼中,我彷彿不能發聲。
06:24
So I need to work with individuals
who can support me as an equal
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所以我需要和那些
平等對待我的人一起工作,
06:28
and become my voice.
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讓他們幫助我發出聲音。
06:32
And that way, I'm able to maintain
relevancy in society today.
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這樣,我才能與社會保持聯繫。
06:36
So at school, at work and institutions,
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在學校、工作和各式機構團體,
06:39
I work with many
different ASL interpreters.
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我與手語翻譯者一起工作。
06:43
And their voice becomes
my voice and identity.
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他們的聲音變成了我的聲音,
並成為我的身分。
06:48
They help me to be heard.
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他們使得我的聲音能被傾聽。
06:54
And their voices hold value and currency.
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他們的聲音裡蘊含了價值
和(社交)貨幣。
07:04
Ironically, by borrowing out their voices,
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諷刺的是,通過他們的聲音,
07:06
I'm able to maintain
a temporary form of currency,
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我才擁有一種暫時被認可的方式。
07:10
kind of like taking out a loan
with a very high interest rate.
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這有點像借高利貸的感覺。
07:18
If I didn't continue this practice,
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如果我不這樣做,
07:20
I feel that I could just
fade off into oblivion
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我會覺得我自己逐漸被遺忘,
07:23
and not maintain
any form of social currency.
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再也無法維持任何形式的社交貨幣。
07:29
So with sound as my new art medium,
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所以當聲音作為我的新藝術媒介時,
07:32
I delved into the world of music.
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我陶醉於音樂的世界中。
07:35
And I was surprised to see
the similarities between music and ASL.
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我驚訝地發現
音樂與手語之間的聯繫。
07:41
For example,
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例如,
07:42
a musical note
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一個音符,
07:45
cannot be fully captured
and expressed on paper.
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是無法全然幻化為文字來表達的。
07:48
And the same holds true
for a concept in ASL.
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對於手語來說,也是這樣。
07:53
They're both highly spatial
and highly inflected --
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兩者都具有高度空間感
和複雜多變的性質——
08:02
meaning that subtle changes
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任何微妙的變化,
08:04
can affect the entire meaning
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都會影響手語及聲音的整體意思。
08:06
of both signs and sounds.
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08:11
I'd like to share with you
a piano metaphor,
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我想和大家分享一個
有關鋼琴的比喻,
08:14
to have you have a better
understanding of how ASL works.
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讓你們能更加理解手語的表現形式。
08:17
So, envision a piano.
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假設有架鋼琴。
08:20
ASL is broken down into
many different grammatical parameters.
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ASL 被分割為不同的文法單位。
08:24
If you assign a different parameter
to each finger as you play the piano --
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若將每個單位
分配為琴鍵上的不同手指,
08:28
such as facial expression, body movement,
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像是臉部表情、肢體動作、
08:33
speed, hand shape and so on,
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速度、手型等等
08:37
as you play the piano --
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就像彈琴一樣。
08:39
English is a linear language,
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英文是一貫下來的線性語言,
08:41
as if one key is being pressed at a time.
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好比一次只能按一個鍵。
08:44
However, ASL is more like a chord --
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ASL 則像是和弦,
08:48
all 10 fingers need
to come down simultaneously
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需要十根指頭一起按下,
08:51
to express a clear concept or idea in ASL.
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才能清楚表達你的想法。
08:57
If just one of those keys
were to change the chord,
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稍微的改變和弦,
09:01
it would create a completely
different meaning.
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語意便會大為不同,
09:04
The same applies to music
in regards to pitch, tone and volume.
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就如同音樂上的音高、音調和音量。
09:12
In ASL, by playing around with these
different grammatical parameters,
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在 ASL 中,變換文法單位,
09:16
you can express different ideas.
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便可表達不同想法。
09:17
For example, take the sign TO-LOOK-AT.
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拿「看」字來舉例。
09:20
This is the sign TO-LOOK-AT.
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這是「看」的手勢。
09:24
I'm looking at you.
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「我在看你」。
09:28
Staring at you.
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「我凝視你」。
09:29
(Laughter)
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(笑聲)
09:33
(Laughter)
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(笑聲)
09:35
Oh -- busted.
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噢——被逮到了!
09:38
(Laughter)
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(笑聲)
09:41
Uh-oh.
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糟了。
09:45
What are you looking at?
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「你在看什麼?」
09:49
Aw, stop.
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「噢,別這樣。」
09:50
(Laughter)
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(笑聲)
09:52
I then started thinking,
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我接著想到,
09:53
"What if I was to look at ASL
through a musical lens?"
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如果我從音樂的角度
來看 ASL 會怎樣?
09:57
If I was to create a sign
and repeat it over and over,
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如果我創造一種手勢並不停重複,
10:00
it could become
like a piece of visual music.
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它就會變成視覺上的音樂。
10:04
For example, this is the sign for "day,"
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舉例來說,這是「一天」的手勢,
10:07
as the sun rises and sets.
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就像是日出日落。
10:11
This is "all day."
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這是「一整天」的手勢。
10:16
If I was to repeat it and slow it down,
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如果我重複並放慢速度,
10:19
visually it looks like a piece of music.
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它就會像視覺音樂。
10:24
All ... day.
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「一...整...天」。
10:27
I feel the same holds true
for "all night."
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我覺得「一整晚」也可以這樣表示。
10:33
"All night."
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「一整晚」。
10:35
This is ALL-NIGHT,
represented in this drawing.
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這幅圖代表了「一整晚」。
10:42
And this led me to thinking
about three different kinds of nights:
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這又讓我想到三種「夜晚」:
10:49
"last night,"
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「昨晚」
10:52
"overnight,"
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「通宵」
10:57
(Sings) "all night long."
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和(哼唱) ♪ 「整整一夜」 ♪
11:00
(Laughter)
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(笑聲)
11:07
I feel like the third one has
a lot more musicality than the other two.
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我覺得最後一項最有音樂性。
11:11
(Laughter)
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(笑聲)
11:13
This represents how time
is expressed in ASL
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這幅圖表明了
ASL 表達時間的方式,
11:16
and how the distance from your body
can express the changes in time.
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與身體距離不同
可以表達不同時間變化。
11:20
For example,
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舉例來說,
11:22
1H is one hand, 2H is two hand,
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1H 是一隻手,
2H 是兩隻手。
11:25
present tense happens closest
and in front of the body,
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現在式在貼近身體處,
11:29
future is in front of the body
and the past is to your back.
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未來式在比較遠處,
而過去式在身後。
11:36
So, the first example
is "a long time ago."
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所以第一個舉例是
「很久很久以前」,
11:40
Then "past,"
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接著是「過去」,
11:44
"used to"
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「曾經」,
11:46
and the last one, which is my favorite,
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然後是最後一個,我最喜歡的——
11:48
with the very romantic
and dramatic notion to it,
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因為它有浪漫且戲劇的概念——
11:50
"once upon a time."
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「往昔」。
11:52
(Laughter)
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(笑聲)
11:57
"Common time"
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「四四拍」
12:00
is a musical term
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是一個音樂術語,
12:02
with a specific time signature
of four beats per measure.
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代表每小節有四拍。
12:07
Yet when I see the word "common time,"
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當我看到四四拍這個字眼時,
12:09
what automatically comes to mind for me
is "at the same time."
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心中會自然聯想到
「於此同時」這個詞。
12:13
So notice RH: right hand, LH: left hand.
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所以注意 RH 是右手,
LH 是左手,
12:17
We have the staff
across the head and the chest.
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五線譜在頭胸之前。
12:20
[Head: RH, Flash claw]
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[頭部::右手,閃動手掌]
12:21
[Common time]
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[四四拍]
12:22
[Chest: LH, Flash claw]
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[胸部:左手,閃動手掌]
12:25
I'm now going to demonstrate
a hand shape called the "flash claw."
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我現在來示範 flash claw
閃動手掌這個手勢。
12:30
Can you please follow along with me?
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可以跟我一起嗎?
12:33
Everybody, hands up.
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大家把手舉起來~
12:38
Now we're going to do it
in both the head and the chest,
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我們現在要在頭和胸前做這個動作,
12:41
kind of like "common time"
or at the same time.
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像是「四四拍」或「於此同時」。
12:47
Yes, got it.
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沒錯,就是這樣。
12:49
That means "to fall in love"
in International [Sign].
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這在國際手語代表「相愛」。
12:52
(Laughter)
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(笑聲)
12:54
International [Sign], as a note,
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國際手語就像音符,
12:55
is a visual tool to help communicate
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是一種視覺工具來幫助
12:58
across cultures and sign languages
around the world.
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不同國家不同文化的人溝通。
13:01
The second one I'd like
to demonstrate is this --
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第二個我想示範的是這個,
13:04
please follow along with me again.
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請跟我一起比這個手勢。
13:10
And now this.
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這次是這樣。
13:17
This is "colonization" in ASL.
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這在 ASL 是殖民的意思。
13:20
(Laughter)
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(笑聲)
13:23
Now the third --
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第三個,
13:24
please follow along again.
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再舉起你的手。
13:31
And again.
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再次。
13:36
This is "enlightenment" in ASL.
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這在 ASL 是啟蒙的意思。
13:39
So let's do all three together.
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現在三個一起比。
13:43
"Fall in love,"
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相愛、
13:45
"colonization"
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殖民、
13:47
and "enlightenment."
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啟蒙。
13:50
Good job, everyone.
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大家都做得很好。
13:51
(Laughter)
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(笑聲)
13:53
Notice how all three signs
are very similar,
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可有注意到這三個手勢都很相近,
13:55
they all happen at the head and the chest,
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這些動作都在頭胸之前,
13:57
but they convey quite different meanings.
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卻傳遞了不同的訊息。
13:59
So it's amazing to see
how ASL is alive and thriving,
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ASL 的存在和發展真是令人驚訝,
14:03
just like music is.
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就像音樂一樣。
14:06
However, in this day and age,
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但時至今日,
14:09
we live in a very audio-centric world.
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我們生活在以聲音為重的時代;
14:11
And just because ASL has no sound to it,
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而僅因為 ASL 沒有聲音,
14:15
it automatically holds no social currency.
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便失去社交貨幣的價值。
14:19
We need to start thinking harder
about what defines social currency
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我們應該要更深入思考
社交貨幣的意義,
14:24
and allow ASL to develop
its own form of currency --
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讓 ASL 發展出自己的貨幣形式,
14:27
without sound.
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而且是在沒有聲音的狀態下。
14:30
And this could possibly be a step
to lead to a more inclusive society.
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而這可能使社會更為包容,
14:38
And maybe people will understand
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或許大眾便會理解,
14:40
that you don't need
to be deaf to learn ASL,
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學 ASL 不一定有聽覺障礙,
14:44
nor do you have to be hearing
to learn music.
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就像聽不見也能學音樂。
14:48
ASL is such a rich treasure
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ASL 是個豐富的寶藏,
14:51
that I'd like you
to have the same experience.
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我想要你們一同體驗,
14:54
And I'd like to invite you
to open your ears,
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邀請你們用心聆聽,
14:57
to open your eyes,
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用眼察覺,
14:59
take part in our culture
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並進入我們的文化,
15:00
and experience our visual language.
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體驗我們的視覺藝術。
15:03
And you never know,
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說不定
15:04
you might just fall in love with us.
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你將愛上它。
15:06
(Applause)
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(掌聲)
15:08
Thank you.
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謝謝。
15:10
Denise Kahler-Braaten: Hey, that's me.
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手語譯者:嘿,是我。
15:12
(Applause)
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(掌聲)
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