Caroline Phillips: Hurdy-gurdy for beginners

296,533 views ใƒป 2010-09-17

TED


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: JY Kang ๊ฒ€ํ† : Jee Yeon Lee
00:15
Now, since this is TEDGlobal,
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TED๊ธ€๋กœ๋ฒŒ์ด๋‹ˆ๋งŒํผ
00:17
who can tell me what this is called in French?
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์ด๊ฑธ ๋ถˆ์–ด๋กœ ๋ญ๋ผํ•˜๋Š”์ง€ ๋ˆ„๊ฐ€ ์ข€ ์•Œ๋ ค์ฃผ์‹œ๊ฒ ์–ด์š”?
00:21
I see you're all up on the history of hurdy-gurdy --
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์—ฌ๋Ÿฌ๋ถ„ ๋ชจ๋‘ ์ด ํ—ˆ๋””๊ฑฐ๋””(ํœด๋Œ€์šฉ ํ’๊ธˆ)์˜ ์—ญ์‚ฌ๊ฐ€ ๊ถ๊ธˆํ•˜์‹คํ…๋ฐ์š”.
00:23
"vielle ร  roue."
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๋ถˆ์–ด๋กœ๋Š” "๋น„์—˜๋ผ๋ฃจ(Vielle ร  roue)"
00:25
And in Spanish, "zanfona."
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์ŠคํŽ˜์ธ์–ด๋กœ๋Š”"์žํฌ๋‹ˆ์•„(zanfona)"
00:27
And in Italian, "ghironda," okay?
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์ดํƒœ๋ฆฌ์–ด๋กœ๋Š” "์ง€๋ก ๋‹ค(ghironda)"๋ผ๊ณ  ํ•ฉ๋‹ˆ๋‹ค. ์•„์‹œ๊ฒ ์ฃ .
00:29
Hurdy-gurdy, or wheel fiddle.
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์˜์–ด๋กœ๋Š” hurdy-gurdy(ํ—ˆ๋””๊ฑฐ๋””) ๋˜๋Š” wheel fiddle(๋ฐ”ํ€ด ๋ฐ”์ด์˜ฌ๋ฆฐ)์ด๋ผ๊ณ ํ•˜์ฃ .
00:32
So, these are the different kinds and shapes of the hurdy-gurdy.
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ํ—ˆ๋””๊ฑฐ๋””๋Š” ๋ชจ์–‘๊ณผ ์ข…๋ฅ˜๊ฐ€ ๋‹ค์–‘ํ•ฉ๋‹ˆ๋‹ค.
00:35
The hurdy-gurdy is the only musical instrument
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ํ—ˆ๋””๊ฑฐ๋””๋Š” ์•…๊ธฐ ์ค‘์—์„œ ์œ ์ผํ•˜๊ฒŒ
00:38
that uses a crank to turn a wheel
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ํšŒ์ „์ถ•์„ ์ด์šฉํ•ด์„œ ๋ฐ”ํ€ด๋ฅผ ํšŒ์ „์‹œํ‚ค๊ณ 
00:41
to rub strings, like the bow of a violin,
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๋ฐ”์ด์˜ฌ๋ฆฐ ํ™œ์ฒ˜๋Ÿผ ๋ฐ”ํ€ด์™€ ์ค„์ด ๋งˆ์ฐฐํ•˜๋ฉด์„œ
00:44
to produce music.
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์†Œ๋ฆฌ๋ฅผ ๋งŒ๋“ค์–ด ๋ƒ…๋‹ˆ๋‹ค.
00:46
It has three different kinds of strings.
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์ด ์•…๊ธฐ์—๋Š” ์„ธ ์ข…๋ฅ˜์˜ ์ค„์ด ์žˆ๋Š”๋ฐ์š”.
00:49
The first string is the drone string,
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์ฒซ๋ฒˆ์งธ๋Š” ์ €์Œ ํ˜„์ž…๋‹ˆ๋‹ค.
00:52
which plays a continuous sound like the bagpipe.
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๋ฐฑํŒŒ์ดํ”„ ๊ฐ™์ด ์—ฐ์†์ ์ธ ์†Œ๋ฆฌ๋ฅผ ๋งŒ๋“ค์–ด๋‚ด์ฃ .
00:57
The second string is a melody string,
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๋‘๋ฒˆ์งธ ์ค„์€ ๋ฉœ๋กœ๋”” ํ˜„์ž…๋‹ˆ๋‹ค.
00:59
which is played with a wooden keyboard tuned like a piano.
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ํ”ผ์•„๋…ธ์ฒ˜๋Ÿผ ๋‚˜๋ฌด๊ฑด๋ฐ˜์œผ๋กœ ์†Œ๋ฆฌ๋ฅผ ๋‚ด์ฃ .
01:08
And the third string is pretty innovative.
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๊ทธ๋ฆฌ๊ณ  ์„ธ๋ฒˆ์งธ ์ค„์ด ๊ฝค ํš๊ธฐ์ ์ด๋ผ ํ•  ๋งŒํ•œ๋ฐ์š”.
01:10
It's also the only instrument
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์œ ์ผํ•˜๊ฒŒ ์ด ์•…๊ธฐ๋งŒ์ด
01:12
that uses this kind of technique.
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์ด๋Ÿฐ ์ข…๋ฅ˜์˜ ๊ธฐ์ˆ ์„ ์‚ฌ์šฉํ•ฉ๋‹ˆ๋‹ค.
01:15
It activates what's called the buzzing bridge, or the dog.
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์šธ๋ฆผ๋ฐ›์นจ๋Œ€ ๋˜๋Š” ๋„๊ทธ(dog)๋ผ๋Š” ๊ฒƒ์„ ์ด์šฉํ•˜๋Š” ๋ฐฉ๋ฒ•์ธ๋ฐ์š”.
01:19
When I turn the crank and I apply pressure,
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ํšŒ์ „์ถ•์„ ๋Œ๋ฆฌ๋ฉด์„œ ์••๋ ฅ์„ ๊ฐ€ํ•˜๋ฉด
01:25
it makes a sound like a barking dog.
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๊ฐœ๊ฐ€ ์ง–๋Š” ๋“ฏํ•œ ์†Œ๋ฆฌ๊ฐ€ ๋‚ฉ๋‹ˆ๋‹ค. ๊ทธ๋ ‡์ฃ ?
01:29
So all of this is pretty innovative,
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์ด ํ—ˆ๋””๊ฑฐ๋””๊ฐ€ ์ƒ๊ฒจ๋‚œ ๊ฒƒ์ด
01:31
if you consider
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์•ฝ ์ฒœ ๋…„์ „์ด๋ผ๋Š” ์ ์„ ์ƒ๊ฐํ•ด๋ณด๋ฉด,
01:33
that the hurdy-gurdy appeared about a thousand years ago
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๋ฌด์ฒ™ ํš๊ธฐ์ ์ธ ์•…๊ธฐ๋ผ๊ณ  ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
01:35
and it took two people to play it;
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์ฒ˜์Œ์—” ์—ฐ์ฃผ์— ๋‘ ์‚ฌ๋žŒ์ด ํ•„์š”ํ–ˆ์Šต๋‹ˆ๋‹ค.
01:37
one to turn the crank,
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ํ•œ ์‚ฌ๋žŒ์€ ํฌ๋žญํฌ๋ฅผ ๋Œ๋ฆฌ๊ณ 
01:39
and another person -- yes -- to play the melody
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๋‹ค๋ฅธ ํ•œ ์‚ฌ๋žŒ์€ ํฐ ๋‚˜๋ฌดํ•€๋“ค์„ ํž˜๊ป ๋ฝ‘์œผ๋ฉด์„œ
01:41
by physically pulling up large wooden pegs.
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๋ฉœ๋กœ๋””๋ฅผ ์—ฐ์ฃผํ•ด์•ผ ํ–ˆ์–ด์š”.
01:45
Luckily, all of this changed a couple of centuries later.
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๋‹คํ–‰์Šค๋Ÿฝ๊ฒŒ๋„ ์ด๋Ÿฐ ๋ฐฉ์‹์€ 200์—ฌ๋…„ ํ›„์—
01:48
So, one person could actually play
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ํ•œ ์‚ฌ๋žŒ์ด ์—ฐ์ฃผ๋ฅผ ํ•  ์ˆ˜ ์žˆ๋„๋ก ๋ฐ”๋€Œ์—ˆ์Šต๋‹ˆ๋‹ค.
01:50
and almost -- this is pretty heavy --
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๊ทธ๋ฆฌ๊ณ  ํ—ˆ๋””๊ฑฐ๋””๋ฅผ - ๊ฝค ๋ฌด๊ฒ๋„ค์š” -
01:52
carry the hurdy-gurdy.
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๊ฐ€์ง€๊ณ  ๋‹ค๋‹ ์ˆ˜ ์žˆ๊ฒŒ ๋˜์—ˆ์ฃ .
01:55
The hurdy-gurdy has been used, historically, through the centuries
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์—ญ์‚ฌ์ ์œผ๋กœ ํ—ˆ๋””๊ฑฐ๋””๋Š” ์ˆ˜ ์„ธ๊ธฐ๋™์•ˆ ๋ฌด๋„ํšŒ ์Œ์•…์„
01:58
in mostly dance music
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์—ฐ์ฃผํ•˜๋Š” ๋ฐ์— ์‚ฌ์šฉ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
02:00
because of the uniqueness of the melody
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์ƒ์ƒํ•œ ์šธ๋ฆผ์Œ๊ณผ ์กฐํ™”๋ฅผ ์ด๋ฃจ๋Š”
02:03
combined with the acoustic boombox here.
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๋…ํŠนํ•œ ๋ฉœ๋กœ๋”” ๋•Œ๋ฌธ์ด์—ˆ์ฃ .
02:06
And today, the hurdy-gurdy is used in all sorts of music --
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์˜ค๋Š˜๋‚ ์—๋Š” ํ—ˆ๋””๊ฑฐ๋””๋Š” ์—ฌ๋Ÿฌ์ข…๋ฅ˜์˜ ์Œ์•…์— ์ด์šฉ๋ฉ๋‹ˆ๋‹ค.
02:09
traditional folk music,
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์ „ํ†ต ๋ฏผ์†์Œ์•…,
02:11
dance, contemporary
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๋Œ„์Šค๊ณก, ํ˜„๋Œ€์Œ์•…,
02:13
and world music --
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์›”๋“œ๋ฎค์ง --
02:16
in the U.K., in France, in Spain
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์˜๊ตญ, ํ”„๋ž‘์Šค, ์ŠคํŽ˜์ธ,
02:18
and in Italy.
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์ดํƒœ๋ฆฌ ์Œ์•…์—์„œ ์“ฐ์ด์ฃ .
02:20
And this kind of hurdy-gurdy takes anywhere from three to five years [to order and receive it].
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์ด๋Ÿฐ ์ข…๋ฅ˜์˜ ํ—ˆ๋””๊ฑฐ๋””๋Š” ์ฃผ๋ฌธ ์ œ์ž‘ํ•˜๋Š”๋ฐ 3๋…„์—์„œ 5๋…„ ์ •๋„ ๊ฑธ๋ฆฌ๋Š”๋ฐ์š”,
02:23
It's made by specialized luthiers,
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์ด๊ฑด ์œ ๋Ÿฝ์˜ ์ „๋ฌธ ํ˜„์•…๊ธฐ ์ œ์ž‘์ž๊ฐ€
02:25
also in Europe.
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์ œ์ž‘ํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:28
And it's very difficult to tune.
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์ด ์•…๊ธฐ๋Š” ์กฐ์œจํ•˜๊ธฐ๊ฐ€ ๋Œ€๋‹จํžˆ ์–ด๋ ต์ฃ .
02:32
So without further ado, would you like to hear it?
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๊ทธ๋Ÿผ..์ด๊ฒƒ์ €๊ฒƒ ํ•  ๊ฒƒ ์—†์ด, ์—ฐ์ฃผ๋ฅผ ํ•œ๋ฒˆ ๋“ค์–ด๋ณด์‹œ๊ฒ ์–ด์š”?
02:34
(Audience: Yes.)
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(์ฒญ์ค‘:๋„ค~)
02:36
Caroline Phillips: I didn't hear you. Would you like to hear it? (Audience: Yes!)
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CP : ์•ˆ๋“ค๋ ค์š”. ํ•œ๋ฒˆ ๋“ค์–ด๋ณด์‹œ๊ฒ ์–ด์š”? (์ฒญ์ค‘:๋„ค!!)
02:38
CP: Okay.
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CP: ์ข‹์•„์š”.
02:40
There I go.
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์‹œ์ž‘ํ•ด๋ณด์ฃ .
02:43
I'd like to sing in Basque,
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์ข‹์•„์š”. ๋ฐ”์Šคํฌ์–ด๋กœ ๋…ธ๋ž˜๋ฅผ ํ• ๊นŒํ•˜๋Š”๋ฐ์š”.
02:45
which is the language spoken in the Basque Country where I live,
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์ œ๊ฐ€ ์‚ฌ๋Š” ๋ฐ”์Šคํฌ ์ง€์—ญ์˜ ์–ธ์–ด์ž…๋‹ˆ๋‹ค.
02:48
in the region in France and Spain.
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ํ”„๋ž‘์Šค์™€ ์ŠคํŽ˜์ธ์˜ ์ ‘๊ฒฝ์ง€์—ญ์ด์ฃ .
02:51
(Music)
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(์Œ์•…)
03:00
[Basque]
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[๋ฐ”์Šคํฌ์–ด]
03:45
(Music)
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(์Œ์•…)
04:36
Thank you.
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๊ณ ๋ง™์Šต๋‹ˆ๋‹ค.
04:38
(Applause)
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(๋ฐ•์ˆ˜)
04:40
This is a song that I wrote
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์ด ๊ณก์€ ์ „ํ†ต์ ์ธ ๋ฐ”์Šคํฌ ๋ฆฌ๋“ฌ์— ๊ธฐ์ดˆํ•ด์„œ
04:43
based on traditional Basque rhythms.
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์ œ๊ฐ€ ์ž‘๊ณกํ•œ ๊ณก์ž…๋‹ˆ๋‹ค.
04:46
And this is a song that has a kind of a Celtic feel.
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์ผˆํŠธ ์Œ์•… ๋Š๋‚Œ์ด ๋ฌป์–ด๋‚˜๋Š” ๊ณก์ด์ฃ .
04:50
(Music)
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(์Œ์•…)
05:30
Thank you. Thank you.
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๊ณ ๋ง™์Šต๋‹ˆ๋‹ค.
05:32
(Applause)
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(๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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