Jay Walker: A library of human imagination

47,924 views ใƒป 2008-12-16

TED


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: Jeong-Lan Kinser ๊ฒ€ํ† : Seo Rim Kim
00:18
These rocks have been hitting our earth for about three billion years,
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์ด ์•”์„๋“ค์€ ์•ฝ ์‚ผ์‹ฌ์–ต๋…„ ๋™์•ˆ ์ง€๊ตฌ๋ฅผ ์ถฉ๋Œํ•ด ์™”๋Š”๋ฐ,
00:22
and are responsible for much of whatโ€™s gone on on our planet.
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๊ทธ๊ฑด ์šฐ๋ฆฌ ํ–‰์„ฑ์—์„œ ์ผ์–ด๋‚œ ๋งŽ์€ ์ผ๋“ค์„ ์•ผ๊ธฐ์‹œํ‚จ๋ฐ ์ฑ…์ž„์„ ์ ธ์•ผํ•˜๋Š” ๊ฒƒ๋“ค์ž…๋‹ˆ๋‹ค.
00:25
This is an example of a real meteorite,
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์ด๊ฒƒ์€ ์‹ค์ œ ์šด์„์˜ ์ƒ˜ํ”Œ์ธ๋ฐ์š”,
00:27
and you can see all the melting of the iron
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์—ฌ๋Ÿฌ๋ถ„๊ป˜์„œ๋Š” ์ฒ ์ด ๋…น์•„๋‚ด๋ฆฌ๋Š” ๊ฒƒ์ด
00:29
from the speed and the heat when a meteorite hits the earth,
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์šด์„๋“ค์ด ์ง€๊ตฌ์— ๋ถ€๋”ชํž ๋•Œ์˜ ์†๋„์™€ ์—ด์—์„œ๋ถ€ํ„ฐ
00:33
and just how much of it survives and melts.
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๊ทธ ์ค‘ ์–ผ๋งˆ ๋งŒํผ ์‚ด์•„ ๋‚จ๊ณ  ๋…น๋Š”์ง€๋„ ๋ณด์‹ค ์ˆ˜๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
00:36
From a meteorite from space,
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์šฐ์ฃผ์˜ ์šด์„์œผ๋กœ๋ถ€ํ„ฐ
00:38
weโ€™re over here with an original Sputnik.
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์šฐ๋ฆฌ๋Š” ๋ฐ”๋กœ ์—ฌ๊ธฐ์— ์˜ค๋ฆฌ์ง€๋‚  ์Šคํ‘ธํŠธ๋‹‰ํฌ์™€ ํ•จ๊ป˜ ์žˆ์Šต๋‹ˆ๋‹ค.
00:40
This is one of the seven surviving Sputniks that was not launched into space.
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์ด๊ฒƒ์€ ์šฐ์ฃผ์— ์˜์•„์˜ฌ๋ฆฌ์ง€ ์•Š์•˜๋˜ ์ผ๊ณฑ๊ฐœ์˜ ์Šคํ‘ธํŠธ๋‹ˆํฌํ˜ธ์ค‘ ํ•˜๋‚˜์ž…๋‹ˆ๋‹ค.
00:43
This is not a copy.
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๋ณต์ œํ’ˆ์ด ์•„๋‹™๋‹ˆ๋‹ค.
00:45
The space age began 50 years ago in October,
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์šฐ์ฃผ์‹œ๋Œ€๋Š” 50๋…„์ „ 10์›”์— ์‹œ์ž‘๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
00:48
and thatโ€™s exactly what Sputnik looked like.
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์ €๊ฒƒ์ด ๋ฐ”๋กœ ์Šคํ‘ธํŠธ๋‹ˆํฌ์˜ ๋ชจ์Šต์ž…๋‹ˆ๋‹ค.
00:50
And it wouldnโ€™t be fun to talk about the space age
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๊ฐ€์ ธ๊ฐ”๋˜ ๊นƒ๋ฐœ์„ ๋ณด์ง€ ์•Š๊ณ ์„œ๋Š” ์šฐ์ฃผ์‹œ๋Œ€์— ๋Œ€ํ•ด ๋งํ•˜๋Š” ๊ฒƒ์ด
00:53
without seeing a flag that was carried
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์žฌ๋ฏธ์žˆ์ง€๋„ ์•Š์„๊ฑธ์š”.
00:55
to the moon and back, on Apollo 11.
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์•„ํด๋กœ 11ํ˜ธ์— ์‹ค์–ด์„œ ๋‹ฌ์— ๊ฐ”๋‹ค๊ฐ€ ๋˜๋Œ์•„ ์˜จ
00:58
The astronauts each got to carry
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์šฐ์ฃผ์ธ๋“ค์€ ๊ฐ์ž ๊ฐœ์ธ ์žฅ๋น„์†์—
01:00
about ten silk flags in their personal kits.
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10๊ฐœ์ •๋„์˜ ๋น„๋‹จ ๊นƒ๋ฐœ์„ ์ฑ™๊ฒจ ๊ฐ”์—ˆ์Šต๋‹ˆ๋‹ค.
01:03
They would bring them back and mount them.
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๊ทธ๋“ค์€ ๊ทธ๊ฑธ ๋‹ค์‹œ ๊ฐ€์ ธ์™€์„œ ๊ฝ‚๊ณค ํ–ˆ์ฃ .
01:05
So this has actually been carried to the moon
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์ด๊ฒƒ์€ ์ •๋ง๋กœ ๋‹ฌ์— ๊ฐ€์ ธ๊ฐ”์—ˆ๋˜ ๊ฒ๋‹ˆ๋‹ค.
01:08
and back.
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๊ทธ๋ฆฌ๊ณ  ๋‹ค์‹œ ๊ฐ€์ ธ์˜จ๊ฑฐ์ฃ 
01:10
So thatโ€™s for fun.
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๊ทธ๊ฑด ์žฌ๋ฏธ๋กœ ํ•œ๊ฑฐ์ฃ .
01:12
The dawn of books is, of course, important.
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์ฑ…์˜ ๊ธฐ์›์€ ๋ฌผ๋ก  ์ค‘์š”ํ•ฉ๋‹ˆ๋‹ค.
01:14
And it wouldnโ€™t be interesting to talk about the dawn of books
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๊ตฌํ…๋ฒ ๋ฅด๊ทธ์˜ ์„ฑ๊ฒฝ ๋ณต์‚ฌ๋ณธ์˜ ์–ธ๊ธ‰์ด ์—†์ด
01:16
without having a copy of a Guttenberg Bible.
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์ฑ…์˜ ๊ธฐ์›์— ๋Œ€ํ•ด ๋งํ•˜๋Š”๊ฑด ์žฌ๋ฏธ ์—†๊ฒ ์ฃ ..
01:20
You can see how portable and handy it was to have your own Guttenberg
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์—ฌ๋Ÿฌ๋ถ„์€ 1455๋…„์— ์ฟ ํ…๋ฒ ๋ฅด๊ทธ์˜ ์„ฑ๊ฒฝ์„ ๊ฐ€์ง€๊ณ  ๋‹ค๋‹ˆ๋Š”๊ฒƒ์ด ์–ผ๋งˆ๋‚˜
01:22
in 1455.
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๊ฐ„ํŽธํ•˜๊ณ  ์‰ฌ์› ๋Š”์ง€ ๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
01:25
But whatโ€™s interesting about the Guttenberg Bible, and the dawn of this technology,
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ํ•˜์ง€๋งŒ ๊ตฌํ…๋ฒ ๋ฅด๊ทธ์˜ ์„ฑ๊ฒฝ๊ณผ ์ด ๊ธฐ์ˆ ์˜ ๊ธฐ์›์— ๊ด€ํ•œ ํฅ๋ฏธ๋กœ์šด ์ ์€
01:29
is not the book.
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์ฑ…์ด ์•„๋‹™๋‹ˆ๋‹ค.
01:31
You see, the book was not driven by reading.
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๋ณด์‹œ๋‹ค์‹œํ”ผ, ์ฑ…์€ ์ฝ๊ธฐ์œ„ํ•ด์„œ ๋งŒ๋“ค์–ด์ง„ ๊ฒƒ์ด ์•„๋‹™๋‹ˆ๋‹ค.
01:35
In 1455, nobody could read.
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1455๋…„์—๋Š” ๋ˆ„๊ตฌ๋„ ์ฝ์„ ์ˆ˜๊ฐ€ ์—†์—ˆ์ฃ .
01:37
So why did the printing press succeed?
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๊ทธ๋Ÿฐ๋ฐ ์™œ ์ธ์‡„๊ธฐ๊ฐ€ ์„ฑ๊ณตํ–ˆ์„๊นŒ์š”?
01:39
This is an original page of a Guttenberg Bible.
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์ด๊ฒƒ์€ ๊ตฌํ…๋ฒ ๋ฅด๊ทธ ์„ฑ๊ฒฝ์˜ ์›๋ณธ ํŽ˜์ด์ง€ ์ž…๋‹ˆ๋‹ค.
01:43
So youโ€™re looking here at one of the first printed books
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์—ฌ๋Ÿฌ๋ถ„์€ ์—ฌ๊ธฐ์„œ ์ตœ์ดˆ๋กœ ์ธ์‡„๋œ
01:46
using movable type in the history of man,
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์ธ๊ฐ„์˜ ์—ญ์‚ฌ์ƒ ์ตœ์ดˆ๋กœ ์ด๋™ ํ™œ์ž๋ฅผ ์ด์šฉํ•œ
01:48
550 years ago.
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550๋…„ ์ „์˜ ์ฑ…๋“ค์„ ๋ณด๊ณ  ๊ณ„์‹ญ๋‹ˆ๋‹ค.
01:51
We are living at the age here at the end of the book,
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์šฐ๋ฆฌ๋Š” ์ฑ…์˜ ์ข…๋ง๊ธฐ์— ์žˆ๋Š” ์ด๊ณณ์—
01:53
where electronic paper will undoubtedly replace it.
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์ „์ž์ฑ…์ด ํ™•์‹คํ•˜๊ฒŒ ์ฑ…์„ ๋Œ€์ฒดํ•  ๊ณณ์— ์‚ด๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
01:55
But why is this so interesting? Hereโ€™s the quick story.
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๊ทธ๋Ÿฐ๋ฐ ์™œ ์ด๊ฒƒ์ด ํฅ๋ฏธ๋กญ์ฃ ? ์งง์€ ์ด์•ผ๊ธฐ๋ฅผ ๋“œ๋ฆฌ์ฃ .
01:59
It turns out that in the 1450s,
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1450๋…„๋Œ€์—
02:01
the Catholic Church needed money,
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์นดํ†จ๋ฆญ ๊ตํšŒ๋Š” ๋ˆ์ด ํ•„์š”ํ•˜๋‹ค๋Š”๊ฒŒ ๋“œ๋Ÿฌ๋‚ฌ์ฃ .
02:03
and so they
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๊ทธ๋ž˜์„œ ๊ทธ๋“ค์€ ๋ฉด์ฃ„๋ถ€๋ฅผ ์ธ์‡„ํ–ˆ์Šต๋‹ˆ๋‹ค.
02:05
actually hand-wrote these things called indulgences,
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๊ทธ๋“ค์€ ๋ฉด์ฃ„๋ถ€๋ผ ๋ถˆ๋ €๋˜ ์ด๊ฒƒ๋“ค์„ ์‹ค์ƒ ์†์œผ๋กœ ์ผ์—ˆ์Šต๋‹ˆ๋‹ค.
02:07
which were forgivenessโ€™s on pieces of paper.
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์ข…์ด์— ์“ฐ์—ฌ์ง„ ์‚ฌ๋ฉด์žฅ์ด์˜€์ฃ 
02:09
They traveled all around Europe
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๊ทธ๋“ค์€ ์œ ๋Ÿฝ ๊ฐ์ง€๋ฅผ ์—ฌํ–‰ํ•˜๋ฉฐ
02:11
and sold by the hundreds or by the thousands.
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์ˆ˜๋ฐฑ,์ˆ˜์ฒœ์žฅ์„ ํŒ”์•˜์Šต๋‹ˆ๋‹ค.
02:13
They got you out of purgatory faster.
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๊ทธ ๋ฉด์ฃ„๋ถ€๊ฐ€ ์‚ฌ๋žŒ๋“ค์„ ๋” ๋นจ๋ฆฌ ์—ฐ์˜ฅ์—์„œ ๊ตฌ์ถœํ•œ๋‹ค๊ณ  ํ•˜๋ฉด์„œ์š”.
02:16
And when the printing press was invented
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์ธ์‡„๊ธฐ๊ฐ€ ๋ฐœ๋ช…๋˜์—ˆ์„๋•Œ
02:18
what they found was they could print indulgences,
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๊ทธ๋“ค์€ ๋ฉด์ฃ„๋ถ€๋ฅผ ์ธ์‡„ํ•  ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฑธ ์•Œ์•„๋ƒˆ์Šต๋‹ˆ๋‹ค.
02:20
which was the equivalent of printing money.
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๊ทธ๊ฑด ๋ˆ์„ ์ธ์‡„ํ•˜๋Š”๊ฒƒ๊ณผ ๋งž๋จน๋Š” ๊ฒƒ์ด์—ˆ์ฃ 
02:22
And so all of Western Europe started buying printing presses in 1455 --
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๊ทธ๋ž˜์„œ ์„œ์œ ๋Ÿฝ์˜ ๋ชจ๋“  ๊ตญ๊ฐ€๋Š” 1455๋…„์— ์ธ์‡„๊ธฐ๋ฅผ ์‚ฌ๋“ค์ด๊ธฐ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค.
02:26
to print out thousands,
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์ˆ˜์ฒœ์žฅ์˜
02:28
and then hundreds of thousands,
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๊ทธ ๋‹ค์Œ์—๋Š” ์ˆ˜๋งŒ์žฅ์˜,
02:29
and then ultimately millions
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๊ทธ๋ฆฌ๊ณ ๋Š” ๊ถ๊ทน์ ์œผ๋กœ ์ˆ˜๋ฐฑ๋งŒ์žฅ์˜
02:31
of single, small pieces of paper
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๋‚ฑ์žฅ์˜ ์ž‘์€ ์ข…์ด ์กฐ๊ฐ๋“ค์„ ์ฐ์–ด๋‚ด๊ธฐ ์œ„ํ•ด์„œ
02:34
that got you out of middle hell and into heaven.
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๊ทธ๊ฒŒ ์—ฌ๋Ÿฌ๋ถ„์„ ์—ฐ์˜ฅ์—์„œ ๊ตฌ์ถœํ•˜์—ฌ ์ฒœ๊ตญ์œผ๋กœ ๋ณด๋‚ด์ฃผ๋Š” ๊ฑฐ์˜€์ฃ 
02:37
That is why the printing press succeeded,
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๊ทธ๊ฒŒ ๋ฐ”๋กœ ์ธ์‡„๊ธฐ๊ฐ€ ์„ฑ๊ณตํ•œ ์ด์œ ์˜€์Šต๋‹ˆ๋‹ค.
02:40
and that is why Martin Luther
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๋˜ ๊ทธ๊ฒŒ ๋ฐ”๋กœ ๋งˆํ‹ด๋ฃจํ„ฐ๊ฐ€
02:42
nailed his 90 theses to the door:
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๊ทธ์˜ 90๊ฐ€์ง€ ๋ช…์ œ๋ฅผ ๋ฌธ์—๋‹ค ๋ชป ๋ฐ•์€ ์ด์œ ์ž…๋‹ˆ๋‹ค.
02:45
because he was complaining that the Catholic Church had gone amok
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์™œ๋ƒ๋ฉด ๊ทธ๋Š” ์นดํ†จ๋ฆญ ๊ตํšŒ๊ฐ€ ๊ด‘ํฌํ•˜๊ฒŒ ๋ฉด์ฃ„๋ถ€๋ฅผ ์ธ์‡„ํ•ด
02:48
in printing out indulgences and selling them
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๋ชจ๋“  ์„œ์œ ๋Ÿฝ ์ „์—ญ์˜ ๋„์‹œ์™€ ๋ชจ๋“  ๋งˆ์„์— ํŒŒ๋Š” ๊ฒƒ์—
02:51
in every town and village and city in all of Western Europe.
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๋ถˆ๋งŒ์„ ๊ฐ€์กŒ์—ˆ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
02:55
So the printing press, ladies and gentlemen,
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์‹ ์‚ฌ ์ˆ™๋…€์—ฌ๋Ÿฌ๋ถ„, ์†Œ์œ„ ์ธ์‡„๊ธฐ๋Š”
02:57
was driven entirely by the printing of forgivenesses
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์ˆœ์ „ํžˆ ์‚ฌ๋ฉด์žฅ์„ ์ฐ์–ด๋‚ด๊ธฐ ์œ„ํ•ด์„œ ์ถ”์ง„๋œ๊ฒ๋‹ˆ๋‹ค.
03:00
and had nothing to do with reading.
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์ฝ๊ธฐ์™€๋Š” ์•„๋ฌด ์ƒ๊ด€์ด ์—†์—ˆ์Šต๋‹ˆ๋‹ค.
03:02
More tomorrow. I also have pictures coming of the library
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๊ด€๋ จ๋œ ์–˜๊ธฐ๋Š” ๋‚ด์ผ ๋” ํ•˜์ฃ . ์ œ๊ฒŒ๋Š” ๋˜ํ•œ ๋ฏธ๋ž˜ ๋„์„œ๊ด€์˜ ์‚ฌ์ง„์ด ์žˆ์Šต๋‹ˆ๋‹ค.
03:04
for those of you that have asked for pictures.
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์‚ฌ์ง„์„ ์š”์ฒญํ•˜์‹  ์—ฌ๋Ÿฌ๋ถ„์ค‘ ๋ช‡ ๋ถ„๋“ค์„ ์œ„ํ•ด์„œ๋Š”
03:06
Weโ€™re going to have some tomorrow.
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์ €ํฌ๊ฐ€ ๋‚ด์ผ ์กฐ๊ธˆ ๋ณด์—ฌ๋“œ๋ฆด๊ฒ๋‹ˆ๋‹ค.
03:08
(Applause)
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๋ฐ•์ˆ˜
03:09
Instead of showing an object from the stage
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์—ฐ์„ค์žฅ์—์„œ ๋ฌผ์ฒด๋ฅผ ๋ณด์—ฌ๋“œ๋ฆฌ๋Š”๊ฒƒ ๋Œ€์‹ ์—
03:11
Iโ€™m going to do something special for the first time.
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์ €๋Š” ์ฒ˜์Œ์œผ๋กœ ๋ญ”๊ฐ€ ํŠน๋ณ„ํ•œ ๊ฑธ ํ•˜๋ ค ํ•ฉ๋‹ˆ๋‹ค.
03:13
We are going to show, actually, what the library looks like, OK?
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์šฐ๋ฆฌ๋Š” ์‹ค์ƒ, ๋„์„œ๊ด€์ด ์–ด๋–ป๊ฒŒ ์ƒ๊ฒผ๋Š”์ง€ ๋ณด์—ฌ ๋“œ๋ฆฌ๋ ค ํ•ฉ๋‹ˆ๋‹ค, ์•Œ์•˜์ฃ ?
03:17
So, I am married to the most wonderful woman in the world.
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์ €๋Š” ์ด ์„ธ์ƒ์—์„œ ๊ฐ€์žฅ ํ›Œ๋ฅญํ•œ ์—ฌ์ธ์—๊ฒŒ ๊ฒฐํ˜ผํ–ˆ์Šต๋‹ˆ๋‹ค.
03:20
Youโ€™re going to find out why in a minute,
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์—ฌ๋Ÿฌ๋ถ„๊ป˜์„œ๋Š” ์ž ์‹œ ์ดํ›„์— ๊ทธ ์ด์œ ๋ฅผ ์•„์‹ค๊ฒ๋‹ˆ๋‹ค,
03:22
because when I went to see Eileen,
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์ œ๊ฐ€ ์—์ผ๋ฆฐ์„ ๋งŒ๋‚˜๋Ÿฌ ๊ฐ”์„๋•Œ,
03:24
this is what I said I wanted to build.
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์ด๊ฒŒ ๋ฐ”๋กœ ์ œ๊ฐ€ ๊ฑด์„คํ•˜๊ณ ์‹ถ์€ ๊ฒƒ์ด๋ผ๊ณ  ๋งํ–ˆ์Šต๋‹ˆ๋‹ค.
03:26
This is the Library of Human Imagination.
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์ธ๊ฐ„์˜ ์ƒ์ƒ๋ ฅ ๋„์„œ๊ด€์ด์ฃ .
03:29
The room itself is three stories tall.
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์‹ค๋‚ด๋Š” 3์ธต ๋†’์ด ์ž…๋‹ˆ๋‹ค.
03:32
In the glass panels are 5,000 years of human imagination
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5,000๋…„๊ฐ„์˜ ์ธ๊ฐ„์˜ ์ƒ์ƒ๋ ฅ์ด ์œ ๋ฆฌํŒ์ž์•ˆ์— ์กด์žฌํ•ฉ๋‹ˆ๋‹ค.
03:35
that are computer controlled.
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์ฆ‰ ๊ทธ๊ฑด ์ปดํ“จํ„ฐ๋กœ ์กฐ์ •๋ฉ๋‹ˆ๋‹ค.
03:37
The room is a theatre. It changes colors.
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์ด๊ฑด ์˜ํ™”๊ด€์ž…๋‹ˆ๋‹ค. ๊ทธ๊ฑด ์ƒ‰๊น”๋“ค์ด ๋ณ€ํ•ด์š”.
03:39
And all throughout the library are different objects, different spaces.
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๋„์„œ๊ด€ ์ „์ฒด์—๋Š” ๋‹ค๋ฅธ ์‚ฌ๋ฌผ๋“ค์ด ์žˆ๊ณ  ๊ณต๊ฐ„๋“ค๋„ ๋‹ค๋ฅด๊ฒŒ ์กด์žฌํ•ฉ๋‹ˆ๋‹ค.
03:43
Itโ€™s designed like an Escher print.
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์ด๊ฑด ์—์…” ํ”„๋ฆฐํŠธ ์ž‘ํ’ˆ์ฒ˜๋Ÿผ ๋””์ž์ธ์ด ๋˜์—ˆ์–ด์š”.
03:45
Here is some of the lower level of the library,
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์—ฌ๊ธด ๋„์„œ๊ด€ ์•„๋ž˜์ธต ๋ถ€๋ถ„์ž…๋‹ˆ๋‹ค.
03:47
where the exhibits constantly change.
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๊ทธ๊ณณ์—์„œ๋Š” ์ „์‹œ๋ฌผ๋“ค์ด ํ•ญ์ƒ ๋ฐ”๋€Œ์ฃ .
03:49
You can walk through. You can touch.
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์—ฌ๋Ÿฌ๋ถ„๋“ค์ด ๊ทธ ์ „์‹œ๋ฌผ๋“ค์„ ๊ฑธ์–ด๊ฐ€๋ฉฐ ํ†ต๊ณผํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค
03:51
You can see exactly how many of these types of items would fit in a room.
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์—ฌ๋Ÿฌ๋ถ„๋“ค์€ ๊ทธ ๊ณต๊ฐ„์•ˆ์— ์ด๋Ÿฐ ์ข…๋ฅ˜์˜ ์•„์ดํ…œ๋“ค์ด ๋ช‡ ๊ฐœ๋‚˜ ๋“ค์–ด๊ฐ€๋Š”์ง€ ์ •ํ™•ํžˆ ๋ณผ ์ˆ˜ ์žˆ์ฃ .
03:54
Thereโ€™s my very own Saturn V.
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์ €๊ฑด ์ œ ํ† ์„ฑ (ํƒœ์–‘์œผ๋กœ ๋ถ€ํ„ฐ 6 ๋ฒˆ์งธ ํ–‰์„ฑ) ๋ธŒ์ด์ฃ .
03:56
Everybody should have one, OK? (Laughter)
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๋ชจ๋‘ ํ•˜๋‚˜์”ฉ ๊ฐ€์ง€๊ณ  ์žˆ์–ด์•ผ ํ•ด์š”, ๋ฌ์–ด์š” .
03:59
So you can see here in the lower level of the library
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์—ฌ๋Ÿฌ๋ถ„๋“ค์€ ์—ฌ๊ธฐ์„œ ๋„์„œ๊ด€ ์•„๋ž˜์ธต์„ ๋ณผ ์ˆ˜ ์žˆ์ฃ .
04:01
the books and the objects.
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์ฑ…๋“ค๊ณผ ์‚ฌ๋ฌผ๋“ค์„์š”.
04:03
In the glass panels all along is sort of the history of imagination.
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์œ ๋ฆฌํŒ ์•ˆ์—๋Š” ๊ณ„์†ํ•ด์„œ ์ƒ์ƒ์˜ ์—ญ์‚ฌ๊ฐ™์€ ๊ฒƒ๋“ค์ด ์žˆ์Šต๋‹ˆ๋‹ค.
04:06
There is a glass bridge that you walk across
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๊ฑธ์–ด์„œ ๊ฐ€๋กœ์ง€๋ฅด๋Š” ์œ ๋ฆฌ ๋‹ค๋ฆฌ๊ฐ€ ์ €๊ธฐ ์žˆ๋„ค์š”.
04:08
thatโ€™s suspended in space.
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์ €๊ฑด ๊ณต๊ฐ„์— ๋งค๋‹ฌ๋ ค ์žˆ์–ด์š”.
04:10
So itโ€™s a leap of imagination.
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์ƒ์ƒ์˜ ๋„์•ฝ์ด์ฃ .
04:11
How do we create?
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๊ทธ๋Ÿฌ๋ฉด ์šฐ๋ฆฌ๊ฐ€ ์–ด๋–ป๊ฒŒ ๊ทธ๊ฑธ ์ฐฝ์กฐํ•˜์ฃ ?
04:13
Part of the question that I have answered is,
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์ œ๊ฐ€ ๋ถ€๋ถ„์ ์œผ๋กœ ๋‹ต์„ ๋“œ๋ฆฐ ๊ทธ ์งˆ๋ฌธ์€
04:15
is we create by surrounding ourselves with stimuli:
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์šฐ๋ฆฌ๊ฐ€ ์šฐ๋ฆฌ ์ž์‹ ๋“ค์„ ์—์›Œ์‹ธ๊ณ  ์žˆ๋Š” ์ž๊ทน๋ฌผ๋“ค๋กœ ์ฐฝ์กฐํ•˜๋Š” ๊ฒ๋‹ˆ๋‹ค.
04:18
with human achievement, with history,
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์ธ๊ฐ„์ด ์„ฑ์ทจํ•œ๊ฒƒ์œผ๋กœ, ์—ญ์‚ฌ๋กœ,
04:20
with the things that drive us and make us human --
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์šฐ๋ฆฌ๋ฅผ ์ถ”์ง„์‹œํ‚ค๊ณ  ์šฐ๋ฆฌ๋ฅผ ์ธ๊ฐ„์ด ๋˜๊ฒŒ ํ•˜๋Š”๊ฒƒ๋“ค๋กœ ๋ง์ด์ฃ .
04:23
the passionate discovery, the bones of dinosaurs long gone,
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์˜ค๋ž˜์ „์— ์‚ฌ๋ผ์ง„ ๊ณต๋ฃก์˜ ๋ผˆ๊ฐ™์€ ์—ด์ •์ ์ธ ๋ฐœ๊ฒฌ๋ง์ด์ฃ .
04:27
the maps of space that weโ€™ve experienced,
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์šฐ๋ฆฌ๊ฐ€ ๊ฒฝํ—˜ํ•œ๊ฑด ๊ณต๊ฐ„์˜ ์ง€๋„์ด๊ณ ,
04:30
and ultimately the hallways that stimulate our mind and our imagination.
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๊ถ๊ทน์ ์œผ๋กœ ์šฐ๋ฆฌ์˜ ๋งˆ์Œ๊ณผ ์šฐ๋ฆฌ์˜ ์ƒ์ƒ์„ ์ž๊ทนํ•˜๋Š” ๋ณต๋„์ด์ฃ .
04:34
So hopefully tomorrow Iโ€™ll show
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๋‚ด์ผ์€ ์ œ๊ฐ€
04:36
one or two more objects from the stage,
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์—ฐ์„ค์žฅ์— ๋ฐฐ์ฑ„๋˜์—ˆ๋˜ ์‚ฌ๋ฌผ ํ•œ๋‘๊ฐœ๋ฅผ ๋ณด์—ฌ๋“œ๋ฆฌ๊ณ  ์‹ถ์ง€๋งŒ,
04:37
but for today I just wanted to say thank you
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์˜ค๋Š˜์€ ์ œ๊ฐ€ ์—ฌ๋Ÿฌ๋ถ„๊ป˜ ๋‹จ์ง€ ๊ฐ์‚ฌํ•˜๋‹ค๋Š” ๋ง์”€์„ ๋“œ๋ฆฌ๊ณ  ์‹ถ์—ˆ์–ด์š”.
04:39
for all the people that came and talked to us about it.
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๋„์„œ๊ด€์— ๋Œ€ํ•œ ์ด์•ผ๊ธฐ๋ฅผ ํ–ˆ๋˜ ๋ชจ๋“  ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ๋ง์ด์—์š”.
04:41
And Eileen and I are thrilled to open our home
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์—์ผ๋ฆฐ๊ณผ ์ €๋Š” ์šฐ๋ฆฌ์˜ ์ง‘์„ ์—ฌ๋Š”๊ฒƒ์— ๋Œ€ํ•ด ํฅ๋ถ„ํ•ด ์žˆ๊ณ 
04:43
and share it with the TED community.
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TED๊ฐ€์กฑ๋“ค๊ณผ ํ•จ๊ป˜ ๊ทธ๊ฑธ ๋‚˜๋ˆ„๊ณ  ์‹ถ์Šต๋‹ˆ๋‹ค.
04:45
(Applause)
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๋ฐ•์ˆ˜
04:46
TED is all about patterns in the clouds.
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TED๋Š” ๊ตฐ์ค‘์†์— ์žˆ๋Š” ํŒจํ„ด(๋ฌธ์–‘) ์— ๋Œ€ํ•œ๊ฑฐ์ฃ .
04:49
Itโ€™s all about connections.
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์ด๊ฑด ์—ฐ๊ฒฐ ๊ด€๊ณ„์— ๊ด€ํ•œ ๊ฒ๋‹ˆ๋‹ค.
04:51
Itโ€™s all about seeing things
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์ด๊ฑด ๋ˆˆ์œผ๋กœ ๋ณด๋Š”๊ฒƒ ์ž…๋‹ˆ๋‹ค.
04:53
that everybody else has seen before
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๊ทธ๊ฑด ๋ˆ„๊ตฌ๋‚˜๊ฐ€ ๊ทธ ์ „์— ์ด๋ฏธ ๋ณด์•˜๋˜ ์‚ฌ๋ฌผ๋“ค์ด์ง€๋งŒ
04:55
but thinking about them in ways that nobody has thought of them before.
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๊ทธ๊ฒƒ๋“ค์„ ๊ทธ ๋ˆ„๊ตฐ๊ฐ€๋„ ์ด์ „์— ์ƒ๊ฐํ•˜์ง€ ์•Š์•˜๋˜ ๋ฐฉ์‹์œผ๋กœ ์ƒ๊ฐํ•˜๋ฉด์„œ์ฃ .
05:00
And thatโ€™s really what discovery and imagination is all about.
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๋˜ ๊ทธ๊ฒŒ ๋ฐ”๋กœ ๋ฐœ๊ฒฌ๊ณผ ์ƒ์ƒ์— ๋Œ€ํ•œ ์ „๋ถ€์ฃ .
05:04
For example, we can look
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์˜ˆ๋ฅผ ๋“ค์–ด, ์šฐ๋ฆฌ๋Š”
05:06
at a DNA molecule model here.
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DNA ์ž…์ž ๋ชจ๋ธ์„ ์—ฌ๊ธฐ์„œ ๋ณผ ์ˆ˜ ์žˆ์–ด์š”.
05:09
None of us really have ever seen one,
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์šฐ๋ฆฌ์ค‘ ๊ทธ๋ˆ„๊ตฌ๋„ ์•„์ง ๋ณธ ์ ์ด ์—†์ฃ ,
05:11
but we know it exists because weโ€™ve been taught
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ํ•˜์ง€๋งŒ ์™œ ์ด๊ฒŒ ์ž…์ž์ธ์ง€๋ฅผ ์ดํ•ดํ•˜๋„๋ก ์šฐ๋ฆฌ๋Š” ๋ฐฐ์› ๊ธฐ ๋•Œ๋ฌธ์—
05:14
to understand this molecule.
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๊ทธ๊ฒŒ ์กด์žฌํ•œ๋‹ค๋Š”๊ฑธ ์•Œ์ฃ .
05:16
But we can also look at an Enigma machine
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์šฐ๋ฆฌ๋Š” ๋˜ ์ˆ˜์ˆ˜๊ป˜๋ผ ๊ธฐ๊ณ„๋„ ๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
05:19
from the Nazis in World War II
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๊ทธ๊ฑด 2์ฐจ ์„ธ๊ณ„ ๋Œ€์ „์˜ ๋‚˜์น˜๋‹น์—์„œ ๋‚˜์˜จ๊ฑฐ์ฃ 
05:21
that was a coding and decoding machine.
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์•”ํ˜ธ๋ฅผ ์ž…๋ ฅํ•˜๊ณ  ํ•ด๋…ํ•˜๋Š” ๊ธฐ๊ณ„์ฃ .
05:23
Now, you might say, what does this have to do with this?
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์ž, ์ด์ œ ์—ฌ๋Ÿฌ๋ถ„๋“ค์€, ๊ทธ๊ฒŒ ์ด ์ฃผ์ œ์™€ ๋ฌด์Šจ์ƒ๊ด€์ด ์žˆ๋Š”๊ฑฐ์ง€? ๋ผ๊ณ  ํ•˜์‹ค์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
05:26
Well, this is the code for life,
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๊ทธ๋Ÿฐ๋ฐ์š”, ์ด๊ฑด ์‚ถ์„ ์œ„ํ•œ ์•”ํ˜ธ์ด๊ณ ,
05:28
and this is a code for death.
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์ด๊ฑด ์ฃฝ์Œ์„ ์œ„ํ•œ๊ฑฐ์˜ˆ์š”.
05:31
These two molecules
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์ด ๋‘ ๊ฐœ์˜ ์ž‘์€ ์ž…์ž๊ฐ€
05:33
code and decode.
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์•”ํ˜ธ์™€ ํ•ด๋…์ด์ฃ .
05:35
And yet, looking at them, you would see a machine and a molecule.
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๊ทธ๋ ‡์ง€๋งŒ, ์—ฌ๋Ÿฌ๋ถ„๋“ค์€ ๊ทธ๊ฒƒ๋“ค์„ ๋ณด๋ฉด์„œ, ๊ธฐ๊ณ„์™€ ์ž…์ž ํ•˜๋‚˜๋งŒ์„ ๋ณด๊ฒŒ ๋˜์ฃ .
05:39
But once youโ€™ve seen them in a new way,
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ํ•˜์ง€๋งŒ ์—ฌ๋Ÿฌ๋ถ„๋“ค์ด ์ผ๋‹จ ๊ทธ๊ฒƒ๋“ค์„ ์ƒˆ๋กœ์šด ๋ฐฉ๋ฒ•์œผ๋กœ ๋ณด์‹œ๊ฒŒ ๋˜๋ฉด,
05:41
you realize that both of these things really are connected.
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์ด ๋‘๊ฐ€์ง€ ๊ฒƒ๋“ค์ด ์ •๋ง ์—ฐ๊ฒฐ๋˜์—ˆ๋‹ค๋Š”๊ฑธ ๊นจ๋‹ซ๊ฒŒ ๋˜์ฃ .
05:44
And theyโ€™re connected primarily because of this here.
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๊ทธ๊ฒƒ๋“ค์€ ์ฃผ๋กœ ์—ฌ๊ธฐ์žˆ๋Š” ์ด๊ฒƒ ๋•Œ๋ฌธ์— ์—ฐ๊ฒฐ๋˜์–ด์žˆ์ฃ .
05:48
You see, this is a human brain model, OK?
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๋ณด์‹œ์ฃ , ์ด๊ฑด ์ธ๊ฐ„์˜ ๋‡Œ์ž…๋‹ˆ๋‹ค, ์•Œ๊ฒ ์ฃ ?
05:52
And itโ€™s rare, because we never really get to see a brain.
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ํ”ํ•˜์ง€ ์•Š์€ ๊ฑฐ์ฃ , ์šฐ๋ฆฌ๋Š” ์‹ค์ œ๋กœ ๋‡Œ๋ฅผ ๋ณด๊ฒŒ๋˜๋Š” ์ผ์€ ์—†์œผ๋‹ˆ๊นŒ์š”.
05:54
We get to see a skull. But there it is.
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์šฐ๋ฆฌ๊ฐ€ ๋ณด๋Š”๊ฒƒ์€ ๋‘๊ฐœ๊ณจ์ด์ฃ . ํ•˜์ง€๋งŒ ์ €๊ธฐ ๋‡Œ๊ฐ€ ์žˆ๋„ค์š”
05:56
All of imagination -- everything that we think,
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์ƒ์ƒ์˜ ๋ชจ๋“ ๊ฒƒ, ์šฐ๋ฆฌ๊ฐ€ ์ƒ๊ฐํ•˜๋Š” ์ „๋ถ€๋Š”,
05:58
we feel, we sense -- comes through the human brain.
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์šฐ๋ฆฌ๊ฐ€ ๋А๋ผ๊ณ , ์ง€๊ฐํ•˜๋Š”๊ฒƒ์€ ์ธ๊ฐ„์˜ ๋‡Œ๋ฅผ ํ†ตํ•ด ๋‚˜ํƒ€๋‚ฉ๋‹ˆ๋‹ค.
06:01
And once we create new patterns in this brain,
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์šฐ๋ฆฌ๊ฐ€ ์ผ๋‹จ ์ด ๋‡Œ์—์„œ ์ƒˆ๋กœ์šด ํŒจํ„ด์„ ์ฐฝ์กฐํ•œ๋‹ค๋ฉด,
06:03
once we shape the brain in a new way,
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์šฐ๋ฆฌ๊ฐ€ ์ผ๋‹จ ์ƒˆ๋กœ์šด ๋ฐฉ๋ฒ•์œผ๋กœ ์ด ๋‡Œ์˜ ํ˜•ํƒœ๋ฅผ ๋งŒ๋“ ๋‹ค๋ฉด,
06:05
it never returns to its original shape.
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๊ทธ๊ฑด ์ ˆ๋Œ€๋กœ ๋ณธ๋ž˜์˜ ํ˜•ํƒœ๋กœ ๋˜๋Œ์•„๊ฐ€์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
06:09
And Iโ€™ll give you a quick example.
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์ œ๊ฐ€ ์งง์€ ์ƒ˜ํ”Œ์„ ํ•˜๋‚˜ ๋“œ๋ฆฌ์ฃ .
06:11
We think about the Internet;
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์šฐ๋ฆฌ๋Š” ์ธํ„ฐ๋„ท์— ๋Œ€ํ•ด ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
06:13
we think about information that goes across the Internet.
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์šฐ๋ฆฌ๋Š” ์ธํ„ฐ๋„ท์„ ๊ฑฐ์ณ๊ฐ€๋Š” ์ •๋ณด์— ๊ด€ํ•ด์„œ ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
06:15
And we never think about the hidden connection.
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์šฐ๋ฆฌ๋Š” ๊ฐ์ถฐ์ง„ ์—ฐ๊ฒฐ ๊ด€๊ณ„์— ๋Œ€ํ•ด์„œ๋Š” ์ „ํ˜€ ์ƒ๊ฐํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
06:17
But I brought along here a lump of coal --
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ํ•˜์ง€๋งŒ ์ €๋Š” ์ด ์„ํƒ„ ํ•œ ๋ฉ์–ด๋ฆฌ๋ฅผ ๊ฐ€์ ธ์™”์Šต๋‹ˆ๋‹ค.
06:20
right here, one lump of coal.
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๋ฐ”๋กœ ์—ฌ๊ธฐ, ํ•œ ๋ฉ์–ด๋ฆฌ์˜ ์„ํƒ„,
06:23
And what does a lump of coal have to do with the Internet?
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ํ•œ ๋ฉ์–ด๋ฆฌ์˜ ์„ํƒ„์ด ์ธํ„ฐ๋„ท๊ณผ ๋ฌด์Šจ ์ƒ๊ด€์ด ์žˆ๋ƒ๊ตฌ์š”?
06:25
You see, it takes the energy in one lump of coal
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๋ณด์„ธ์š”, ์ธํ„ฐ๋„ท์€ ์„ํƒ„ ํ•œ ๋ฉ์–ด๋ฆฌ์˜ ์—๋„ˆ์ง€๋ฅผ ์ทจํ•ฉ๋‹ˆ๋‹ค.
06:29
to move one megabyte of information across the net.
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๋„คํŠธ๋ฅผ ํ†ตํ•ด 1 ๋ฉ”๊ฐ€๋ฐ”์ดํŠธ์˜ ์ •๋ณด๋ฅผ ์ „์†กํ•˜๊ธฐ ์œ„ํ•ด์„œ์š”.
06:33
So every time you download a file,
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์—ฌ๋Ÿฌ๋ถ„์ด ํŒŒ์ผ ํ•˜๋‚˜๋ฅผ ๋‹ค์šด๋กœ๋“œ ํ•  ๋•Œ๋งˆ๋‹ค,
06:35
each megabyte is a lump of coal.
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๊ฐ ๋ฉ”๊ฐ€๋ฐ”์ดํŠธ๋Š” ์„ํƒ„ ํ•œ๋ฉ์–ด๋ฆฌ์™€ ๋งž๋จน์Šต๋‹ˆ๋‹ค.
06:38
What that means is, a 200-megabyte file
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๊ทธ๋ž˜์„œ ๊ทธ๊ฒŒ ๋ญ˜ ์˜๋ฏธํ•˜๋ƒ๋ฉด, 200 ๋ฉ”๊ฐ€๋ฐ”์ดํŠธ ํŒŒ์ผ์€
06:43
looks like this, ladies and gentlemen. OK?
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์ด๊ฒƒ๊ณผ ๊ฐ™์ด ๋ณด์ด๋Š”๊ฑฐ์ฃ , ์‹ ์‚ฌ ์ˆ™๋…€ ์—ฌ๋Ÿฌ๋ถ„, ์•Œ๊ฒ ์ฃ ?
06:46
So the next time you download a gigabyte,
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๋‹ค์Œ์— ์—ฌ๋Ÿฌ๋ถ„๊ป˜์„œ 1 ๊ธฐ๊ฐ€๋ฐ”์ดํŠธ,
06:48
or two gigabytes, itโ€™s not for free, OK?
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๋˜๋Š” 2 ๊ธฐ๊ฐ€๋ฐ”์ดํŠธ๋ฅผ ๋‹ค์šด๋กœ๋“œํ•˜๋ฉด, ๊ทธ๊ฒŒ ๊ณต์งœ๊ฐ€ ์•„๋‹™๋‹ˆ๋‹ค, ์•„์‹œ๊ฒ ์ฃ ?
06:52
The connection is the energy it takes to run the web ,
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๊ทธ ์ ‘์†์ด ์›น์„ ๊ฐ€๋™์‹œํ‚ค๊ธฐ ์œ„ํ•ด ์ทจํ•˜๋Š”, ๋˜ ์šฐ๋ฆฌ๊ฐ€ ์ƒ๊ฐํ•˜๊ธฐ์—
06:57
and to make everything we think possible, possible.
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๊ฐ€๋Šฅํ•˜๋‹ค๊ณ  ์ƒ๊ฐํ•˜๋Š” ๋ชจ๋“  ๊ฒƒ์„ ๊ฐ€๋Šฅํ•˜๊ฒŒ ํ•˜๋Š” ์—๋„ˆ์ง€๊ฐ€ ๊ทธ ์—ฐ๊ฒฐ๊ณ ๋ฆฌ์ž…๋‹ˆ๋‹ค.
07:00
Thanks, Chris.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค, ํฌ๋ฆฌ์Šค.
07:02
(Applause)
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๋ฐ•์ˆ˜
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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