Nalini Nadkarni: Life science in prison

26,321 views ใƒป 2010-07-09

TED


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: Sunphil Ga ๊ฒ€ํ† : Seo Rim Kim
00:16
Trees epitomize stasis.
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๋‚˜๋ฌด๋Š” ๊ณ ์ •๋œ ์ƒํƒœ์ž…๋‹ˆ๋‹ค.
00:19
Trees are rooted in the ground in one place
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๋‚˜๋ฌด๋Š” ์˜ค๋žซ๋™์•ˆ ํ•œ ์žฅ์†Œ์—์„œ ๋ฟŒ๋ฆฌ๋ฅผ
00:21
for many human generations,
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๋‚ด๋ฆฝ๋‹ˆ๋‹ค.
00:24
but if we shift our perspective
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ํ•˜์ง€๋งŒ ๋งŒ์•ฝ ์šฐ๋ฆฌ๊ฐ€ ์šฐ๋ฆฌ์˜ ๊ด€์ ์„
00:26
from the trunk to the twigs,
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์ค„๊ธฐ์—์„œ ๊ฐ€์ง€๋กœ ๋ฐ”๊พผ๋‹ค๋ฉด,
00:28
trees become very dynamic entities,
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๋‚˜๋ฌด๋Š” ์›€์ง์ด๋ฉฐ, ์„ฑ์žฅํ•˜๋Š” ๋งค์šฐ
00:30
moving and growing.
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๋™์ ์ธ ์กด์žฌ๊ฐ€ ๋ฉ๋‹ˆ๋‹ค.
00:32
And I decided to explore this movement
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์ €๋Š” ๋‚˜๋ฌด๋ฅผ ์˜ˆ์ˆ ๋กœ ์Šนํ™”์‹œ์ผœ ์ด ์šด๋™์„
00:34
by turning trees into artists.
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์กฐ์‚ฌํ•˜๊ธฐ๋กœ ๊ฒฐ์‹ฌํ–ˆ์—ˆ์Šต๋‹ˆ๋‹ค.
00:36
I simply tied the end of a paintbrush onto a twig.
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์ €๋Š” ๊ฐ„๋‹จํ•˜๊ฒŒ ๋‚˜๋ฌด๊ฐ€์ง€ ๋์ž๋ฝ ์œ„๋ฅผ ๋ฌถ์—ˆ์Šต๋‹ˆ๋‹ค.
00:39
I waited for the wind to come up and held up a canvas,
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๋ฐ”๋žŒ์ด ๋ถˆ๊ธฐ๋ฅผ ๊ธฐ๋‹ค๋ ธ๊ณ  ์บ”๋ฒ„์Šค๋ฅผ ์ง€ํƒฑํ–ˆ์Šต๋‹ˆ๋‹ค.
00:42
and that produced art.
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๊ทธ๋ฆผ์„ ๋งŒ๋“ค์–ด๋ƒˆ์—ˆ์ฃ .
00:44
The piece of art you see on your left
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์ขŒ์ธก์— ๋ณด์ด์‹œ๋Š” ํ•œ ์ ์˜ ๊ทธ๋ฆผ์€
00:46
is painted by a western red cedar
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์„œ๋ถ€์ชฝ ๋นจ๊ฐ„ ์‚ผ๋ชฉ์— ์˜ํ•ด ๊ทธ๋ ค์กŒ๊ณ ,
00:48
and that on your right by a Douglas fir,
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์šฐ์ธก์€ ๋ฏธ์†ก(็พŽๆพ)์—์˜ํ•ด ๊ทธ๋ ค์ง„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:50
and what I learned was that different species
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์ œ๊ฐ€ ๊นจ๋‹ฌ์€ ๊ฒƒ์€ ๋‹ค๋ฅธ ์ข…๋ฅ˜์˜ ์ข…์ด
00:52
have different signatures, like a Picasso versus a Monet.
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ํ”ผ์นด์†Œ ๋Œ€ ๋ชจ๋„ค์™€ ๊ฐ™์ด ๋‹ค๋ฅธ ์ข…๋ฅ˜์˜ ์‚ฌ์ธ์„ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:55
But I was also interested in the movement of trees
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ํ•˜์ง€๋งŒ ์ €๋Š” ๋‚˜๋ฌด์˜ ์›€์ง์ž„ ๊ทธ๋ฆฌ๊ณ  ์–ด๋–ป๊ฒŒ
00:57
and how this art might let me capture that and quantify it,
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์ด ๊ทธ๋ฆผ์„ ํฌ์ฐฉํ•˜๊ณ  ์ธก์ •ํ•  ์ˆ˜ ์žˆ๋Š”์ง€์— ํฅ๋ฏธ๋ฅผ ๊ฐ€์กŒ์Šต๋‹ˆ๋‹ค.
01:01
so to measure the distance that a single vine maple tree --
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์ด ๊ทธ๋ฆผ์„ ๋งŒ๋“ค์–ด๋‚ธ ํ•˜๋‚˜์˜ ํฌ๋„ ๋‹จํ’ ๋‚˜๋ฌด๊ฐ€ ์ผ๋…„์—
01:04
which produced this painting -- moved in a single year,
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์›€์ง์ธ ๊ฑฐ๋ฆฌ๋ฅผ ์ธก์ •ํ•˜๊ธฐ ์œ„ํ•ด,
01:07
I simply measured and summed
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์ €๋Š” ๊ฐ„๋‹จํ•˜๊ฒŒ ๊ฐ๊ฐ์˜ ์ด ์„ ๋“ค์„
01:09
each of those lines.
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์ธก์ •ํ•˜๊ณ  ํ•ฉ์‚ฐํ–ˆ์—ˆ์ฃ .
01:11
I multiplied them by the number of twigs per branch
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์ค„๊ธฐ๋‹น ๊ฐ€์ง€ ์ˆ˜์™€ ๋‚˜๋ฌด๋‹น ๊ฐ€์ง€ ์ˆ˜๋กœ
01:14
and the number of branches per tree
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๊ทธ๊ฒƒ๋“ค์„ ๊ณฑ์ ˆํ•˜๊ณ 
01:16
and then divided that by the number of minutes per year.
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์‹œ๊ฐ„๋‹น ๋ถ„์œผ๋กœ ๋‚˜๋ˆด์Šต๋‹ˆ๋‹ค
01:19
And so I was able to calculate
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๊ทธ๋ž˜์„œ ์ €๋Š” ํ•œํ•ด์— ๋‚˜๋ฌด ํ•œ ๊ตฌ๋ฅด๊ฐ€
01:21
how far a single tree moved in a single year.
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์–ผ๋งˆ๋‚˜ ๋ฉ€๋ฆฌ ์ด๋™ํ•  ์ˆ˜ ์žˆ๋Š”์ง€ ๊ณ„์‚ฐ ํ•  ์ˆ˜ ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค.
01:24
You might have a guess.
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์˜ˆ์ธก ํ•˜์‹ค ์ˆ˜ ์žˆ์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
01:26
The answer is actually 186,540 miles,
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์‹ค์ œ๋กœ 186,540 ๋งˆ์ผ์„ ์ด๋™ํ•ฉ๋‹ˆ๋‹ค
01:29
or seven times around the globe.
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์ง€๊ตฌ๋ฅผ 7๋ฒˆ ๋„๋Š” ๊ฒƒ๊ณผ ๊ฐ™์€ ๊ฑฐ๋ฆฌ์ฃ .
01:32
And so simply by shifting our perspective from a single trunk
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๊ฐ„๋‹คํ•˜๊ฒŒ ํ•˜๋‚˜์˜ ์ค„๊ธฐ์—์„œ ๋งŽ์€ ๊ฐ€์ง€๋กœ ์šฐ๋ฆฌ์˜ ๊ด€์ ๋ฅผ
01:35
to the many dynamic twigs,
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์ด๋™์‹œ์ผœ์„œ,
01:37
we are able to see that trees are not simply static entities,
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์šฐ๋ฆฌ๋Š” ๋‚˜๋ฌด๊ฐ€ ๊ฐ„๋‹จํ•œ ์ •์ ์ธ ์กด์žฌ๊ฐ€ ์•„๋‹Œ ๋งค์šฐ ๋™์ ์ธ ์กด์žฌ๋ผ๋Š” ๊ฒƒ์„
01:40
but rather extremely dynamic.
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๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
01:43
And I began to think about ways that
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์ €๋Š” ์šฐ๋ฆฌ๊ฐ€ ์ •์ ์ด์ง€๋งŒ,
01:45
we might consider this lesson of trees,
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๋งค์šฐ ๋ณ€ํ™”์™€ ๋™์ ์ž„์„ ๊ฐˆ๋งํ•˜๋Š” ์กด์žฌ๋ฅผ
01:47
to consider other entities that are also static and stuck,
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์ƒ๊ฐํ•˜๊ธฐ ์œ„ํ•ด, ๋‚˜๋ฌด๋ฅผ ํ†ตํ•œ ๊ตํ›ˆ์„
01:50
but which cry for change and dynamicism,
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์†Œ์ค‘ํžˆ ์—ฌ๊ธฐ๋Š” ๋ฐฉ๋ฒ•์— ๋Œ€ํ•ด์„œ ์ƒ๊ฐํ•˜๊ธฐ ์‹œ์ž‘ํ–ˆ์—ˆ์Šต๋‹ˆ๋‹ค.
01:53
and one of those entities is our prisons.
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๊ทธ๊ฒƒ๋“ค ์ค‘ ํ•˜๋‚˜๋Š” ๊ฐ์˜ฅ์ž…๋‹ˆ๋‹ค.
01:56
Prisons, of course, are where people who break our laws
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๊ฐ์˜ฅ์€ ๋ฌผ๋ก  ๋ฒ•์„ ์–ด๊ธด ์‚ฌ๋žŒ๋“ค์ด
01:58
are stuck, confined behind bars.
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์ˆ˜์šฉ ๋œ ๊ณณ ์ž…๋‹ˆ๋‹ค. ์ข๊ณ  ์ฒ ์žฅ์ด ์•ž์„ ๋ง‰๊ณ  ์žˆ๋Š” ๊ณณ์ด์ฃ .
02:01
And our prison system itself is stuck.
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๊ฐ์˜ฅ ์‹œ์Šคํ…œ ์ž์ฒด๋Š” ๊ฝ‰ ๋ง‰ํ˜€์žˆ์Šต๋‹ˆ๋‹ค.
02:04
The United States has over 2.3 million
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๋ฏธ๊ตญ ๊ฐ์˜ฅ์€ ๊ฐ•๊ธˆ ๋œ ๋‚จ์„ฑ, ์—ฌ์„ฑ์ด
02:06
incarcerated men and women.
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2๋ฐฑ, 3์‹ญ๋งŒ ์ด์ƒ์ด ๋ฉ๋‹ˆ๋‹ค.
02:08
That number is rising.
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๊ทธ ์ˆ˜๋Š” ์ง€๊ธˆ๋„ ์ฆ๊ฐ€ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
02:10
Of the 100 incarcerated people that are released,
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๊ฐ๊ธˆ ๋œ 100๋ช…์˜ ์‚ฌ๋žŒ๋“ค์ด ํ’€๋ ค๋‚˜๋ฉด,
02:13
60 will return to prison.
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60๋ช…์€ ๊ฐ์˜ฅ์œผ๋กœ ๋‹ค์‹œ ๋Œ์•„์˜ต๋‹ˆ๋‹ค.
02:15
Funds for education, for training
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๊ต์œก, ํŠธ๋ ˆ์ด๋‹, ๋ณต์ง์— ๋Œ€ํ•œ
02:17
and for rehabilitation are declining,
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์ž๊ธˆ์€ ์ค„์–ด๋“ค๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
02:19
so this despairing cycle of incarceration continues.
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๊ทธ๋ž˜์„œ ์ด ๊ฐ•๊ธˆ์˜ ์ ˆ๋ง์ ์ธ ์ˆœํ™˜์€ ๊ณ„์† ๋˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
02:23
I decided to ask whether the lesson
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์ €๋Š” ์ œ๊ฐ€ ์˜ˆ์ˆ ๊ฐ€์ธ ๋‚˜๋ฌด๋กœ๋ถ€ํ„ฐ
02:25
I had learned from trees as artists
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๋ฐฐ์› ๋˜ ์ด ๊ตํ›ˆ์„ ๊ฐ์˜ฅ๊ณผ ๊ฐ™์€
02:27
could be applied to a static institution
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์ •์ ์ธ ๊ธฐ๊ด€์— ์ ์šฉํ•  ์ˆ˜ ์žˆ๋Š”์ง€
02:29
such as our prisons,
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๋ฌผ์–ด๋ณด๊ธฐ๋กœ ํ–ˆ์Šต๋‹ˆ๋‹ค.
02:31
and I think the answer is yes.
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๊ทธ๋ฆฌ๊ณ  ์Šน์ธ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
02:33
In the year 2007,
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2007๋…„,
02:35
I started a partnership
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์›Œ์‹ฑํ„ด ์ฃผ ๊ต์ •๋ถ€์„œ์™€ ํ•จ๊ป˜
02:37
with the Washington State Department of Corrections.
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4๋ช…์˜ ๊ฐ์˜ฅ์ˆ˜์™€ ํ•จ๊ป˜ ์ผํ•˜๋ฉฐ, ์กฐํ•ฉ๊ณ„์•ฝ์„ ์‹œ์ž‘ํ–ˆ์—ˆ์Šต๋‹ˆ๋‹ค,
02:40
Working with four prisons, we began bringing science and scientists,
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์šฐ๋ฆฌ๋Š” ๊ณผํ•™๊ณผ ๊ณผํ•™์ž, ์ง€์†์„ฑ ๊ทธ๋ฆฌ๊ณ 
02:43
sustainability and conservation projects
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ํ”„๋กœ์ ํŠธ ๋ณด์กด์„ 4๊ฐœ์ฃผ ๊ฐ์˜ฅ์—
02:46
to four state prisons.
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์ด๋ฅด๊ฒŒ ํ–ˆ์Šต๋‹ˆ๋‹ค.
02:48
We give science lectures,
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๊ณผํ•™ ๊ฐ•์˜๋ฅผ ํ–ˆ์Šต๋‹ˆ๋‹ค
02:50
and the men here are choosing to come to our science lectures
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์—ฌ๊ธฐ์žˆ๋Š” ๋‚จ์„ฑ๋“ค์€ ํ‹ฐ๋น„ ์‹œ์ฒญ ํ˜น์€ ์šด๋™๋Œ€์‹ ์—
02:52
instead of watching television or weightlifting.
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๊ณผํ•™ ๊ฐ•์—ฐ์„ ์„ ํƒํ•œ ์ด๋“ค์ž…๋‹ˆ๋‹ค.
02:56
That, I think, is movement.
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์ €๋Š” ์ด ์ „ํ™˜์€ ์›€์ง์ž„์ด๋ผ๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
02:58
We partnered with the Nature Conservancy
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์šฐ๋ฆฌ๋Š” ์ž์—ฐ ๋ณดํ˜ธ ๋‹จ์ฒด์™€ ํ•จ๊ป˜ ์กฐํ•ฉํ–ˆ์—ˆ์Šต๋‹ˆ๋‹ค
03:00
for inmates at Stafford Creek Correctional Center
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์Šคํƒœํฌ๋“œ ํฌ๋ฆญ ๊ต์ • ์„ผํ„ฐ์—์„œ์˜ ์‚ฌ๋žŒ๋“ค์„ ์œ„ํ•ด
03:03
to grow endangered prairie plants
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๋ฉธ์ข… ์œ„๊ธฐ์˜ ๋Œ€์ดˆ์› ์‹๋ฌผ์„ ์ฆ๊ฐ€์‹œ์ผœ
03:05
for restoration of relic prairie areas in Washington state.
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์›Œ์‹ฑํ„ด ์ฃผ์— ์žˆ๋Š” ๋Œ€์ดˆ์› ์ง€์—ญ์„ ๋ณต๊ตฌํ•˜๊ธฐ ์œ„ํ•œ ๊ฒƒ์ด์ฃ .
03:08
That, I think, is movement.
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์ €๋Š” ๊ทธ๊ฒƒ์„ ์›€์ง์ž„์ด๋ผ๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
03:10
We worked with the Washington State Department of Fish and Wildlife
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์šฐ๋ฆฌ๋Š” ๋ฉธ์ข…์œ„๊ธฐ์˜ ๊ฐœ๊ตฌ๋ฆฌ, ์˜ค๋ ˆ๊ณค ๋ฐ˜์  ๊ฐœ๊ตฌ๋ฆฌ ์ฆ๊ฐ€๋ฅผ ์œ„ํ•ด
03:13
to grow endangered frogs -- the Oregon spotted frog --
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์›Œ์‹ฑํ„ด ์ฃผ ์•ผ์ƒ๋™๋ฌผํ•™๊ณผ์™€ ํ•จ๊ป˜ ์กฐํ•ฉํ–ˆ์—ˆ์Šต๋‹ˆ๋‹ค
03:15
for later release into protected wetlands.
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ํ›„์— ๋ณด์กด๋œ ์Šต์ง€์— ํ’€์–ด์ฃผ์—ˆ์ฃ .
03:18
That, I think, is movement.
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๊ทธ๊ฒƒ์€ ์›€์ง์ž„์ž…๋‹ˆ๋‹ค.
03:21
And just recently, we've begun to work with
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๊ทธ๋ฆฌ๊ณ  ์ตœ๊ทผ์— ์šฐ๋ฆฌ๋Š” ์Šˆํผ๋งฅ์Šค(๊ฐ์˜ฅ)์—
03:23
those men who are segregated
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๊ฒฉ๋ฆฌ๋œ ์ˆ˜๊ฐ์ž๋“ค๊ณผ ํ•จ๊ป˜ ์กฐํ•ฉํ•˜๊ธฐ
03:25
in what we call Supermax facilities.
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์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค.
03:27
They've incurred violent infractions
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๊ทธ๋“ค์€ ๋‹ค๋ฅธ ์ˆ˜์šฉ์ž๋“ค๊ณผ ํ•จ๊ป˜
03:29
by becoming violent with guards
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์ด์„ ์†Œ์ง€ํ•œ ๋ฒ”์ฃ„์ž๊ฐ€ ๋˜์–ด
03:31
and with other prisoners.
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๋ฒ”์ฃ„๋ฅผ ์ดˆ๋ž˜ํ–ˆ์Šต๋‹ˆ๋‹ค.
03:33
They're kept in bare cells like this
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๊ทธ๋“ค์€ ๋ณด์‹œ๋Š” ์ด ํ……๋นˆ ๊ณค๊ฐ„์—
03:35
for 23 hours a day.
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ํ•˜๋ฃจ์— 23์‹œ๊ฐ„๋™์•ˆ ์ˆ˜์šฉ๋ฉ๋‹ˆ๋‹ค.
03:37
When they have meetings with their review boards or mental health professionals,
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๊ทธ๋“ค์ด ์œ„์›๋“ค ๊ทธ๋ฃน๋“ค ํ˜น์€ ์ •์‹ ๊ฑด๊ฐ• ์ง„๋‹จ์›๋“ค๊ณผ์˜ ๋งŒ๋“ค์„ ๊ฐ€์งˆ ๋•Œ,
03:40
they're placed in immobile booths like this.
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๊ทธ๋“ค์€ ์ด ๊ณ ์ •๋œ ์นธ๋ง‰์ด ์ขŒ์„์— ์žˆ์Šต๋‹ˆ๋‹ค.
03:43
For one hour a day
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ํ•˜๋ฃจ์— ํ•œ ์‹œ๊ฐ„๋™์•ˆ
03:45
they're brought to these bleak and bland exercise yards.
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์ด ํ™ฉ๋Ÿ‰ํ•˜๊ณ  ์˜จํ™”ํ•œ ์šด๋™์žฅ์œผ๋กœ ๋‚˜์˜ฌ ์ˆ˜ ์žˆ๋Š” ๊ธฐํšŒ๊ฐ€ ์ฃผ์–ด์ง‘๋‹ˆ๋‹ค.
03:48
Although we can't bring trees and prairie plants
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์—ฌ๊ธฐ์— ๋‚˜๋ฌด์™€ ๋Œ€์ดˆ์› ์‹๋ฌผ ๊ทธ๋ฆฌ๊ณ  ๊ฐœ๊ตฌ๋ฆฌ๋ฅผ
03:50
and frogs into these environments,
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๊ฐ€์ง€๊ณ  ์˜ฌ ์ˆ˜ ์—†์ง€๋งŒ,
03:52
we are bringing images of nature
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์šฐ๋ฆฌ๋Š” ์ž์—ฐ์˜ ์‚ฌ์ง„์„ ์ด ์šด๋™์žฅ์—
03:54
into these exercise yards,
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๊ฐ€์ง€๊ณ  ์˜ต๋‹ˆ๋‹ค,
03:56
putting them on the walls, so at least they get contact
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๋ฒฝ์— ๊ทธ๊ฒƒ๋“ค์„ ๋ถ™์—ฌ, ์ ์–ด๋„ ๊ทธ๋“ค์ด ์‹œ๊ฐ์ ์ธ ์ž์—ฐ๊ณผ ํ•จ๊ป˜
03:58
with visual images of nature.
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์ ‘ํ•  ์ˆ˜ ์žˆ๊ฒŒ ๋ง์ด์ฃ .
04:01
This is Mr. Lopez, who has been in solitary confinement for 18 months,
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๋กœํŽ˜์ฆˆ์”จ๋Š” 18๊ฐœ์›”๋™์•ˆ ๋…๋ฐฉ๊ฐ๊ธˆ ์ƒํ™œ์„ ํ–ˆ์Šต๋‹ˆ๋‹ค.
04:04
and he's providing input on the types of images
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๊ทธ๊ฐ€ ์ž์—ฐ ์‚ฌ์ง„ ์ž๋ฃŒ๋ฅผ ์ œ๊ณตํ•˜๊ณ  ์žˆ๋Š” ๋ชจ์Šต์ด์ฃ 
04:07
that he believes would make him and his fellow inmates
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๊ทธ๋Š” ์ด๊ฒƒ๋“ค์ด ๊ทธ์™€ ๋™๋ฃŒ ์ˆ˜๊ฐ์ž๋“ค์„ ์ข€ ๋”
04:09
more serene, more calm,
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์นจ์ฐฉํ•˜๊ณ , ํ‰์ •์„ ์œ ์ง€ํ•ด
04:12
less apt to violence.
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ํญ๋ ฅ์„ฑ์„ ๋‚ฎ์ถœ ๊ฒƒ์ด๋ผ๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
04:15
And so what we see, I think,
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์šฐ๋ฆฌ๊ฐ€ ๊ด€์ฐฐํ•œ ๊ฒƒ์€
04:17
is that small, collective movements of change
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์ด๋Ÿฐ ๋ณ€ํ™”์˜ ์ง‘๋‹จ์ ์ธ ์ž‘์€ ์›€์ง์ž„์ด
04:20
can perhaps move
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๊ฐ์˜ฅ ์‹œ์Šคํ…œ๊ณผ ๊ฐ™์€ ๊ธฐ๊ด€์„
04:22
an entity such as our own prison system
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ํฌ๋ง์„ ๋ฐฉํ–ฅ์œผ๋กœ ๋ณ€ํ™”๋ฅผ
04:25
in a direction of hope.
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์ค„ ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
04:27
We know that trees are static entities
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์šฐ๋ฆฌ๋Š” ๋‚˜๋ฌด๊ฐ€ ๊ณ ์ •๋œ ์‚ฌ๋ฌผ์ด๋ผ๋Š” ๊ฒƒ์„ ์•Œ๊ณ ์žˆ์Šต๋‹ˆ๋‹ค
04:30
when we look at their trunks.
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๋‚˜๋ฌด๋Š” ๊ณ ์ •๋œ ์‚ฌ๋ฌผ์ด๋ผ๋Š” ๊ฒƒ์„ ์•Œ๊ณ ์žˆ์Šต๋‹ˆ๋‹ค.
04:32
But if trees can create art,
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ํ•˜์ง€๋งŒ ๋งŒ์•ฝ ๋‚˜๋ฌด๊ฐ€ ์˜ˆ์ˆ ์„ ์ฐฝ์กฐํ•˜๊ฑฐ๋‚˜,
04:34
if they can encircle the globe seven times in one year,
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์ผ๋…„์— 7๋ฒˆ๋™์•ˆ ์ „ ์„ธ๊ณ„๋ฅผ ๋Œ์•„๋‹ค๋‹ˆ๊ณ ,
04:37
if prisoners can grow plants and raise frogs,
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๋งŒ์•ฝ ์ˆ˜๊ฐ์ž๊ฐ€ ๊ฐœ๊ตฌ๋ฆฌ, ๋‚˜๋ฌด๋ฅผ ๊ธฐ๋ฅผ ์ˆ˜ ์žˆ๋‹ค๋ฉด,
04:40
then perhaps there are other static entities
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์•„๋งˆ๋„ ์šฐ๋ฆฌ ์•ˆ์— ์žˆ๋Š”
04:43
that we hold inside ourselves,
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๋‹ค๋ฅธ ๊ณ ์ •๊ด€๋…์ด ๋‚จ์•„์žˆ๊ฒ ์ฃ ,
04:46
like grief, like addictions,
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์Šฌํ””, ์ค‘๋…, ์ธ์ข…์ฐจ๋ณ„๊ณผ
04:48
like racism,
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๊ฐ™์€ ๊ฒƒ์ธ๋ฐ,
04:50
that can also change.
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์ด๊ฒƒ ๋˜ํ•œ ๋ณ€ํ™”ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
04:52
Thank you very much.
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๋งค์šฐ ๊ฐ์‚ฌ๋“œ๋ฆฝ๋‹ˆ๋‹ค.
04:54
(Applause)
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(๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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